DOCSLIB.ORG

Download Original 127.68 KB

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Download Original 127.68 KB CATALOG 1 1. Athens, National Museum 4889 Karakasi, Archaic Korai pl. 234 540 BC Description: marble grave kore 2. Houston 37.12 ARV2 1127, 13 Washing Painter Reeder, Pandora: Women in Classical Greece p. 164-165, nos. 23A and 23B Loutrophoros, c. 425 BC (Classic) Decoration: A: bride and groom B: Nike with sash, woman with torch Neck: women 3. Athens, National Museum 1453 ARV2 1127, 18 (13) Washing Painter Oakley, The Wedding in Ancient Athens p. 59, fig. 15 Loutrophoros, Classic Decoration: A: woman with torch, muffled bride, girl carrying loutrophoros, Eros, boy playing flute, woman with torches 4. London 1920.12-21.12 ARV2 1277, 23 (15) Marlay Painter Oakley, The Wedding in Ancient Athens p. 92, fig. 75 Pyxis, Classic Decoration: A: Wedding procession, women departing from home of the one standing at the door, one carrying lebes gamikos, one balancing chest on head. 5. Athens, Acropolis, Temple to Athena Nike, from east Kallikrates? Hurwit, The Athenian Acropolis p. 211, fig. 182 425 BC Description: four column Ionic temple 6. Athens, Acropolis, Nike Parapet Various artists Hurwit, The Athenian Acropolis p. 214, fig. 186 c. 415 BC Description: Nike adjusting sandal CATALOG 2 7. Nashville Athena Parthenos (reconstruction of the Parthenon statue) Pheidias (original) Hurwit, The Athenian Acropolis p. 168, fig. 132 438 BC (original) Description: colossal chryselephantine statue of warrior Athena with helmet, spear, shield, snake, and Nike 8. Tübingen E 53 ARV2 655, 2 (1) Dresden Painter Watzinger, Griechische Vasen in Tübingen p. 41, Abb. 21 E 53 A Neck-Amphora, Early Classic Decoration: Nike at altar with sash 9. New York 26.60.79 ARV2 891, 1 (1) Splanchnopt Painter Beazley Archive No. 211753 Cup, Early Classic Decoration: Inside: Nike with lyre player at altar 10. Warsaw (Ex Binental) ARV2 737, 137 (115) Carlsruhe Painter CVA Warsaw, Musée National 3 (Poland 6) Stemless Cup, later Early Classic Decoration: A: youth pursuing woman B: Woman running by king Inside: Nike with king 11. Oxford 1942.3 ARV2 1276, 2 (1 bis) Marlay Painter Beazley Archive No. 216188 Calyx-Krater, Classic Decoration: Nike brings fillet to victorious lyre player 12. Leningrad 635 (St. 1528) ARV2 207, 134 (104) Berlin Painter Kurtz, The Berlin Painter pl. LII, c and d (48) Column-Krater, Late Archaic, early Decoration: A: Nike flying with oinochoe and phialai B: Youth CATALOG 3 13. Louvre G 370 ARV2 639, 54 (39) Providence Painter Philippaki, The Attic Stamnos pl. 24, 2 Stamnos, Early Classic Decoration: A: Nike with Zeus; Apollo with Hera 14. London E 720 ARV2 661, 81 (61) Painter of the Yale Lekythos Beazley Archive No. 207740 Alabastron, Early Classic Decoration: Nike with scepter 15. London E 576 ARV2 659, 35 (29) Painter of the Yale Lekythos Beazley Archive No. 207693 Lekythos, Early Classic Decoration: Nike pours an offering for a departing warrior 16. Harvard 4.1908 or 4.08 ARV2 211, 189 (148) Berlin Painter Kurtz, The Berlin Painter pl. LIX, b (69) Lekythos, Late Archaic, early Decoration: Nike flying to altar, with oinochoe and phiale 17. Austin 1980.63 No ARV2 entry Oionokles Painter Shapiro, Art, Myth and Culture: Greek vases from Southern collections pl. 6 Lekythos, c. 470 BC (Early Classic) Decoration: Nike flying with cithara and phiale 18. Copenhagen 9165 ARV2 514, 2 (4) Mykonos Painter Cavalier, Silence et Fureur: la femme et la marriage en Grece p. 15, fig. 5 Lebes gamikos, Early Classic Decoration: Under Handles: Nikai with torches A: bride seated, holding lebes gamikos, women CATALOG 4 19. Athens 1659 (Cc. 1575) ARV2 1322, 11 (24) Manner of the Medias Painter Reeder, Pandora: Women in classical Greece p. 173, no. 28 A and 28 B Lebes gamikos, 420-410 BC Decoration: Under handles: Nikai with torches A: Bride tying sandal B: woman 20. San Simeon, Hearst Corporation 12234 ARV2 1103, 6 Painter of London 1923 Beazley Archive No. 216162 Lebes gamikos, Classic Decoration: Under handles: Nikai with wool baskets A: Bride seated with chest, friends with fan 21. Berkeley 8.48 ARV2 1322, 13 (26) Manner of the Medias Painter CVA University of California 1 (U.S.A. 5) pl. LI, 1a-1d Lebes gamikos, Late 5th Century Decoration: Under handles: Nikai carrying chests and sashes A: bride, attended by two women and crowned by Eros B: woman with gift 22. Geneva H 239 ARV2 548, 44 (28) Painter of the London E 489 CVA Geneva 1 (Switzerland 1) pl. 19 Lebes gamikos, Early Classic Decoration: Under handles: Nikai A: bride with wool basket 23. New York 07.286.35 ARV2 1126, 1 (1) Washing Painter Oakley, The Wedding in Ancient Athens p. 69, fig. 36 Lebes gamikos, Classic Decoration: Under handles: Nikai A: bride playing harp, women carry loutrophoros, chest Stand: women and wool basket CATALOG 5 24. New York 16.73 ARV2 1126, 6 (5) Washing Painter Oakley, The Wedding in Ancient Athens p. 69, fig. 37 Lebes gamikos, Classic Decoration: Under handles: Nikai A: seated bride playing harp, with Eros. Friends carry torches, chests Stand: women with alabastron 25. Athens 14505 ARV2 1277, 15 (11) Marlay Painter Beazley Archive No. 216202 Lebes gamikos, Classic Decoration: Under handles: Nikai B: women with toilette items, including mirror 26. Ferrara, T. 1166 ARV2 1322, 18 (21) Manner of the Medias Painter Alfieri, Spina: Museo archeologico nazionale di Ferrara, 1 p. 97, fig. 234 Lebes gamikos, Late 5th Century Decoration: Under handles: Nike A: Bride with Eros, chests, friends 27. Berlin 4043 ARV2 833, 47 (32) Amphitrite Painter Beazley Archive No. 212137 Pyxis, Early Classic Decoration: A: Judgment of Paris B: Nike and King .
Load more

Recommended publications
  • A Geometric Cemetery on the Areopagus: 1897, 1932, 1947*
    A GEOMETRIC CEMETERY ON THE AREOPAGUS: 1897, 1932, 1947* with Appendices on the Geometric Graves found in the Dorpfeld Excavations on the Acropolis West Slope in 1895 and on Hadrian Street ("Phinopoulos' Lot") in 1898 (PLATES 65-80) I. Introduction and the Problem a. The D6rpfeld Excavations p. 325 b. The Agora Excavations and the Search p. 327 c. Disiecta Membra p. 328 II. The Areopagus Cemetery a. General Remarks and Conclusions p. 329 b. Catalogue of Graves and Finds p. 334 Appendix A: Sources for the D6rpfeld Geometric Graves p. 365 Appendix B: The Two Geometric Graves on the Acropolis West Slope: 1895 p. 372 Appendix C: Two Geometric Graves in Phinopoulos' Lot at No. 3, Hadrian Street: 1898 p. 374 Appendix D: A Note on Poulsen's "Akropolisvasen" p. 385 Appendix E: List of Known Finds from the D6rpfeld Geometric Graves p. 387 Appendix F: The Submycenaean Child's Grave South of the Amyneion: 1892 p. 389 I. INTRODUCTION AND THE PROBLEM' A. THE DORPFELD EXCAVATIONS For seven seasons between 1892 and 1899 the German Archaeological Institute, under the general supervision of Wilhelm Dorpfeld, carried out regular excavations in * Professor Penuel P. Kahane died suddenly on February 13, 1974 in Basel. This paper is dedicated to his memory. 1 I am deeply grateful to Professor Homer A. Thompson and to the American School of Classical Studies for the opportunity to study the Agora material; to the German Archaeological Institute in Athens and to Professor Emil Kunze for permission to use the Daybook material; to Dr. Ulf Jantzen for permission to publish the vases in the Institute, and to reproduce the photographs from the Photoabteilung; and to Dr.
    [Show full text]
  • University of Groningen Greek Pottery on the Timpone Della Motta and in the Sibaritide from C. 780 to 620 BC Kindberg Jacobsen
    University of Groningen Greek pottery on the Timpone della Motta and in the Sibaritide from c. 780 to 620 BC Kindberg Jacobsen, Jan IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2007 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Kindberg Jacobsen, J. (2007). Greek pottery on the Timpone della Motta and in the Sibaritide from c. 780 to 620 BC: reception, distribution and an evaluation of Greek pottery as a source material for the study of Greek influence before and after the founding of ancient Sybaris. [s.n.]. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). The publication may also be distributed here under the terms of Article 25fa of the Dutch Copyright Act, indicated by the “Taverne” license. More information can be found on the University of Groningen website: https://www.rug.nl/library/open-access/self-archiving-pure/taverne- amendment. Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal.
    [Show full text]
  • Kernos Revue Internationale Et Pluridisciplinaire De Religion Grecque Antique
    Kernos Revue internationale et pluridisciplinaire de religion grecque antique 20 | 2007 Varia Pherekydes’ Daktyloi Ritual, technology, and the Presocratic perspective Sandra Blakely Electronic version URL: http://journals.openedition.org/kernos/161 DOI: 10.4000/kernos.161 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 January 2007 ISSN: 0776-3824 Electronic reference Sandra Blakely, “Pherekydes’ Daktyloi”, Kernos [Online], 20 | 2007, Online since 15 March 2011, connection on 26 February 2021. URL: http://journals.openedition.org/kernos/161 ; DOI: https:// doi.org/10.4000/kernos.161 This text was automatically generated on 26 February 2021. Kernos Pherekydes’ Daktyloi 1 Pherekydes’ Daktyloi Ritual, technology, and the Presocratic perspective Sandra Blakely Introduction: Classics and the Evolutionary paradigm 1 Western culture is traditionally ill equipped to understand the intersection of ritual and technology. Pfaffenberger, Killick, and Lansing have observed the causes, and what is lost by failing to shake these off.1 Because these activities occupy different categories in the industrialized world, attempts to interpret their coincidence in other cultures lean to the dismissive. They are regarded as a reflection of the earliest stages of invention, compensatory appeals to the divine that reflect incomplete mastery of technological processes. The combination is often called magic by both practitioners and academics. Magic has been traditionally synonymous with primitivism; an evolutionary model suggests that such superstitions evaporate as technology is mastered, and linger only in folk tales and half-remembered superstitions.2 The cost of this paradigm is substantial. Emphasizing the movement into subsequent intellectual paradigms, it reduces attention to symbols in context.
    [Show full text]
  • The Athenian Agora
    Excavations of the Athenian Agora Picture Book No. 12 Prepared by Dorothy Burr Thompson Produced by The Stinehour Press, Lunenburg, Vermont American School of Classical Studies at Athens, 1993 ISBN 87661-635-x EXCAVATIONS OF THE ATHENIAN AGORA PICTURE BOOKS I. Pots and Pans of Classical Athens (1959) 2. The Stoa ofAttalos II in Athens (revised 1992) 3. Miniature Sculpturefrom the Athenian Agora (1959) 4. The Athenian Citizen (revised 1987) 5. Ancient Portraitsfrom the Athenian Agora (1963) 6. Amphoras and the Ancient Wine Trade (revised 1979) 7. The Middle Ages in the Athenian Agora (1961) 8. Garden Lore of Ancient Athens (1963) 9. Lampsfrom the Athenian Agora (1964) 10. Inscriptionsfrom the Athenian Agora (1966) I I. Waterworks in the Athenian Agora (1968) 12. An Ancient Shopping Center: The Athenian Agora (revised 1993) I 3. Early Burialsfrom the Agora Cemeteries (I 973) 14. Graffiti in the Athenian Agora (revised 1988) I 5. Greek and Roman Coins in the Athenian Agora (1975) 16. The Athenian Agora: A Short Guide (revised 1986) French, German, and Greek editions 17. Socrates in the Agora (1978) 18. Mediaeval and Modern Coins in the Athenian Agora (1978) 19. Gods and Heroes in the Athenian Agora (1980) 20. Bronzeworkers in the Athenian Agora (1982) 21. Ancient Athenian Building Methods (1984) 22. Birds ofthe Athenian Agora (1985) These booklets are obtainable from the American School of Classical Studies at Athens c/o Institute for Advanced Study, Princeton, N.J. 08540, U.S.A They are also available in the Agora Museum, Stoa of Attalos, Athens Cover: Slaves carrying a Spitted Cake from Market.
    [Show full text]
  • MUSE, Volumes 44 & 45, 2010–2011
    MVSE volumes forty-four & forty-five 2010–2011 ANNUAL OF THE MUseUM OF ART AND ARCHAEOLOGY UNIVERSITY OF MISSOURI MVSE VOLUME FORTY-FOUR & FORTY-FIVE 2010–2011 Annual of the Museum of Art and Archaeology University of Missouri 1 Pickard Hall Columbia, MO 65211 Telephone: (573) 882-3591 Web site: http://maa.missouri.edu Jane Biers editor Jeffrey Wilcox assistant editor Kristie Lee graphic design © 2012 by the Curators of the University of Missouri ISSN 0077-2194 ISBN 0-910501-42-4 The Museum of Art and Archaeology is open from 9:00 a.m. to 4:00 p.m. Tuesday through Friday, Thursday evenings until 8:00 p.m., and from noon to 4:00 p.m. Saturday and Sunday. Admission is free. The museum is closed on Mondays, from December 25 through January 1, and on University of Missouri holidays: Martin Luther King Day, Memorial Day, Independence Day, Labor Day, Thanks- giving Day, and the Friday following. Guided tours are available, if scheduled two weeks in advance. The Museum Store is open from 10:00 a.m. to 4:00 p.m. Tuesday through Friday, Thursday evenings until 8:00 p.m., and from noon to 4:00 p.m. Saturday and Sunday. Back numbers of Muse are available from the Museum of Art and Archaeology. All submitted manuscripts are reviewed. Front cover: Antoine-Louis Barye (French, 1796–1875) Lion and Serpent Bronze, H. 25.8 cm Gilbreath-McLorn Museum Fund (2011.306) Back cover: Frederick E. Conway (American, 1900–1973) Mardi Gras Scene, ca. 1945–1950 Encaustic on Masonite panel, 78 x 65.2 cm Gilbreath-McLorn Museum Fund (2011.8) Table of Contents Director’s Report 2010 alex w.
    [Show full text]
  • Corpus Vasorum Antiquorum Malibu 2 (Bareiss) (25) CVA 2
    CORPVS VASORVM ANTIQVORVM UNITED STATES OF AMERICA • FASCICULE 25 The J. Paul Getty Museum, Malibu, Fascicule 2 This page intentionally left blank UNION ACADÉMIQUE INTERNATIONALE CORPVS VASORVM ANTIQVORVM THE J. PAUL GETTY MUSEUM • MALIBU Molly and Walter Bareiss Collection Attic black-figured oinochoai, lekythoi, pyxides, exaleiptron, epinetron, kyathoi, mastoid cup, skyphoi, cup-skyphos, cups, a fragment of an undetermined closed shape, and lids from neck-amphorae ANDREW J. CLARK THE J. PAUL GETTY MUSEUM FASCICULE 2 . [U.S.A. FASCICULE 25] 1990 \\\ LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA (Revised for fasc. 2) Corpus vasorum antiquorum. [United States of America.] The J. Paul Getty Museum, Malibu. (Corpus vasorum antiquorum. United States of America; fasc. 23) Fasc. 1- by Andrew J. Clark. At head of title: Union académique internationale. Includes index. Contents: fasc. 1. Molly and Walter Bareiss Collection: Attic black-figured amphorae, neck-amphorae, kraters, stamnos, hydriai, and fragments of undetermined closed shapes.—fasc. 2. Molly and Walter Bareiss Collection: Attic black-figured oinochoai, lekythoi, pyxides, exaleiptron, epinetron, kyathoi, mastoid cup, skyphoi, cup-skyphos, cups, a fragment of an undetermined open shape, and lids from neck-amphorae 1. Vases, Greek—Catalogs. 2. Bareiss, Molly—Art collections—Catalogs. 3. Bareiss, Walter—Art collections—Catalogs. 4. Vases—Private collections— California—Malibu—Catalogs. 5. Vases—California— Malibu—Catalogs. 6. J. Paul Getty Museum—Catalogs. I. Clark, Andrew J., 1949- . IL J. Paul Getty Museum. III. Series: Corpus vasorum antiquorum. United States of America; fasc. 23, etc. NK4640.C6U5 fasc. 23, etc. 738.3'82'o938o74 s 88-12781 [NK4624.B37] [738.3'82093807479493] ISBN 0-89236-134-4 (fasc.
    [Show full text]
  • Attic Pottery of the Later Fifth Century from the Athenian Agora
    ATTIC POTTERY OF THE LATER FIFTH CENTURY FROM THE ATHENIAN AGORA (PLATES 73-103) THE 1937 campaign of the American excavations in the Athenian Agora included work on the Kolonos Agoraios. One of the most interesting results was the discovery and clearing of a well 1 whose contents proved to be of considerable value for the study of Attic pottery. For this reason it has seemed desirable to present the material as a whole.2 The well is situated on the southern slopes of the Kolonos. The diameter of the shaft at the mouth is 1.14 metres; it was cleared to the bottom, 17.80 metres below the surface. The modern water-level is 11 metres down. I quote the description from the excavator's notebook: The well-shaft, unusually wide and rather well cut widens towards the bottom to a diameter of ca. 1.50 m. There were great quantities of pot- tery, mostly coarse; this pottery seems to be all of the same period . and joins In addition to the normal abbreviations for periodicals the following are used: A.B.C. A n tiquites du Bosphore Cimmerien. Anz. ArchaiologischerAnzeiger. Deubner Deubner, Attische Feste. FR. Furtwangler-Reichhold, Griechische Vasenmxlerei. Kekule Kekule, Die Reliefs an der Balustrade der Athena Nike. Kraiker Kraiker,Die rotfigurigenattischen Vasen (Collectionof the ArchaeologicalIn- stitute of Heidelberg). Langlotz Langlotz, Griechische Vasen in Wiirzburg. ML. Monumenti Antichi Pu'bblicatiper Cura della Reale Accadenia dei Lincei. Rendiconti Rendiconti della Reale Accademia dei Lincei. Richter and Hall Richter and Hall, Red-Figured Athenian Vases in the Metropolitan Museum of Art.
    [Show full text]
  • A Protocorinthian Aryballos with a Myth Scene from Tegea
    SVENSKA INSTITUTEN I ATHEN OCH ROM INSTITUTUM ATHENIENSE ATQUE INSTITUTUM ROMANUM REGNI SUECIAE Opuscula Annual of the Swedish Institutes at Athens and Rome 13 2020 STOCKHOLM Licensed to <[email protected]> EDITORIAL COMMITTEE Prof. Gunnel Ekroth, Uppsala, Chairman Dr Lena Sjögren, Stockholm, Vice-chairman Mrs Kristina Björksten Jersenius, Stockholm, Treasurer Dr Susanne Berndt, Stockholm, Secretary Prof. Christer Henriksén, Uppsala Prof. Anne-Marie Leander Touati, Lund Prof. Peter M. Fischer, Göteborg Dr David Westberg, Uppsala Dr Sabrina Norlander-Eliasson, Stockholm Dr Lewis Webb, Göteborg Dr Ulf R. Hansson, Rome Dr Jenny Wallensten, Athens EDITOR Dr Julia Habetzeder Department of Archaeology and Classical Studies Stockholm University SE-106 91 Stockholm [email protected] SECRETARY’S ADDRESS Department of Archaeology and Classical Studies Stockholm University SE-106 91 Stockholm [email protected] DISTRIBUTOR eddy.se ab Box 1310 SE-621 24 Visby For general information, see http://ecsi.se For subscriptions, prices and delivery, see http://ecsi.bokorder.se Published with the aid of a grant from The Swedish Research Council (2017-01912) The English text was revised by Rebecca Montague, Hindon, Salisbury, UK Opuscula is a peer reviewed journal. Contributions to Opuscula should be sent to the Secretary of the Editorial Committee before 1 November every year. Contributors are requested to include an abstract summarizing the main points and principal conclusions of their article. For style of references to be adopted, see http://ecsi.se. Books for review should be sent to the Secretary of the Editorial Committee. ISSN 2000-0898 ISBN 978-91-977799-2-0 © Svenska Institutet i Athen and Svenska Institutet i Rom Printed by TMG Sthlm, Sweden 2020 Cover illustrations from Aïopoulou et al.
    [Show full text]
  • Aphrodite on a Ladder
    APHRODITE ON A LADDER (PLATES 17-19) N JULY OF 1981, in Byzantinelevels above and west of what was soonto be identified as the Stoa Poikile, the excavatorsof the Athenian Agora found two joining fragmentsof a Classical votive relief (P1. 17:a).1 The relief is framed by simple moldings: taenia and ovolo at top and a plain band at the right side. In the pictorial field is preservedthe head of a young woman carved in low relief. She gazes down to the left at a vessel raised in her right hand. Her head is coveredby a short veil. Above and behind the veil are two rungs and the vertical supports of a ladder whose upper end disappearsbehind the frame. Although frag- mentary and weathered, the relief provides a precious document for the study of Classical relief sculpture, and its unusual iconographygives a valuable clue to the identity of one of the deities worshiped in the area. Most of the figure'sprofile is broken away, but the carefully carvedlines of the lips and eye show that the sculptor took pains to give her delicate features. Her hair, where it ap- pears below the veil, is mostly worn away. Along the side of her face appear waves of hair with a scallopedcontour. No trace of her ear is preserved.It was either very small or hidden beneath her hair. Folds of the veil cross her head in bifurcating linear patterns of rounded ridges. Below her hair two folds fall down along her neck, while others, from the hidden right side of her head, blow out behind in sweeping curves.
    [Show full text]
  • Corpus Vasorum Antiquorum
    CORPUS VASORUM ANTIQUORUM DEUTSCHLAND BOCHUM, KUNSTSAMMLUNGEN DER RUHR-UNIVERSITÄT BAND 3 UNION ACADÉMIQUE INTERNATIONALE CORPUS VASORUM ANTIQUORUM DEUTSCHLAND BOCHUM, KUNSTSAMMLUNGEN DER RUHR-UNIVERSITÄT BAND 3 BEARBEITET VON NORBERT KUNISCH MÜNCHEN 2007 VERLAG C.H.BECK DEUTSCHLAND, BAND 82 BOCHUM, BAND 3 Mit 71 Tafeln, 23 Textabbildungen und 9 Beilagen. Herausgegeben von der Kommission für das Corpus Vasorum Antiquorum bei der Bayerischen Akademie der Wissenschaften. Das Corpus Vasorum Antiquorum wird im Rahmen des Akademienprogramms von der Bundesrepublik Deutschland und vom Freistaat Bayern gefördert. Photographien: I. Berndt und C. Heinrich Profilzeichnungen: M. Küpper und R. Winkelbauer Bibliografische Information der Deutschen Bibliothek Die Deutsche Bibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.ddb.de abrufbar © Verlag C.H. Beck oHG München 2007 Gesamtherstellung: Kösel, Krugzell Gedruckt auf säurefreiem, alterungsbeständigem Papier (hergestellt aus chlorfrei gebleichtem Zellstoff) Printed in Germany ISBN 9 783 3 406 55854 2. wiaw.beck.de INHALT Seite Tafel Vorwort....................................................................................... 7 Abkürzungen............................................................................. 9 Zyprisch-archaisch....................................................................... 11 1 Ostgriechisch...............................................................................
    [Show full text]
  • A Bucket, by Any Other Name, and an Athenian Stranger in Early Iron Age Crete (Plates15-16)
    A BUCKET, BY ANY OTHER NAME, AND AN ATHENIAN STRANGER IN EARLY IRON AGE CRETE (PLATES15-16) O NE OF THE MORE INTERESTING, if not amusing, examples of the common accidentsthat can befalla potteris offeredby a vesselfound in the areaof the laterAthenian Agora.It was originallydesigned as a hydriabut was laterremodeled, prior to firing,into a krater. Publishedas a full-fledgedand "handsome"krater in an earlypreliminary report,1 soon afterits discovery,the vase, Agora P 6163 (Fig. 1; P1. 15:a),was to have receivedfuller treatment in the EarlyIron Age volumein the AthenianAgora series. Such a distinguishedvenue would normally havesufficed the publicationof the pot, but apartfrom its own intrinsicinterest, it contributesto a smallCretan problem that has neverbeen adequatelyaddressed. Moreover, the originaltype of vesselfrom which P 6163 is likelyto havebeen cut can be illustratedby a pot in the laterAthenian Kerameikos.2For these reasons,Agora P 6163 is publishedhere in the companyof its friend, Fortetsa454 (P1.16:d),3 and in closeproximity to its alterego, or id, Kerameikos783 (P1.15:b).4 Beforedescribing Agora P 6163, it wouldbe usefulto summarizeits contextand establishits date, especiallysince datinga vesselsuch as this one on the basis of style alone would, at best, representan arbitraryguess. Agora P 6163 was found in a well (depositL 6:2). Clearanceof late walls immediatelyto the south of the Athens-Piraeusrailway in 1935 led to the discovery of this well, which is locatedonly about 50 m south of the EridanosRiver and about 12 m east of the southeastcorner of the Peribolosof the TwelveGods. The mouth of the well, measuring 1.60 m east-westby 1.15 m north-south,was encounteredat a depth of 6 m below the modern groundlevel, and its shaftextended another 5.50 m in depth.
    [Show full text]
  • CMC-7332 the Social and Cultural Contexts of Historic Writing Practices.Indb
    This pdf of your paper in The Social and Cultural Contexts of Historic Writing Practices is from the open-access on-line version of this book, available at: http:// books.casematepublishing.com/The_Social_and_Cultural_Contexts_of_Historic_ Writing_Practices.pdf. The work is licensed under the Creative Commons Attribution 3.0 Unported Licence. To view a copy of this license, visit http://creativecommons.org/licenses/ by/3.0/ or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. This licence allows for copying any part of the online work for personal and commercial use, providing author attribution is clearly stated. Materials provided by third parties remain the copyright of their owners. AN OFFPRINT FROM The Social and Cultural Contexts of Historic Writing Practices edited by Philip J. Boyes, Philippa M. Steele and Natalia Elvira Astoreca Hardback Edition: ISBN 978-1-78925-478-5 Digital Edition: ISBN 978-1-78925-479-2 (ePub) Oxford & Philadelphia Chapter 14 Why με? Personhood and agency in the earliest 1 Greek inscriptions (800–550 BC) James Whitley Introduction: the view from Methana The archaeological museum in Poros is not much visited. In summer, the harbours and jetties of Poros are crowded with yachts on their way from Athens to the islands of the Saronic Gulf and the Southern Argolid – Aegina, Poros, Hydra and Spetses. Few, however, stop to go to the museum. If you do you may very well miss this epigram (Fig. 14.1). Unlike the marble inscribed bases from Attica, where the inscriptions are highlighted in red (such as that of Kroisos2 that addresses a passer-by; see Table 14.3) the letters here are very hard to read, and the stone itself (volcanic trachyte) very unsuitable for an inscription.3 It does not aid legibility (or at least our notions of legibility) that the letters are inscribed ‘boustrophedon’, as the ox ploughs.
    [Show full text]