Two Centujries of Hellenistic Pottery

Total Page:16

File Type:pdf, Size:1020Kb

Two Centujries of Hellenistic Pottery TWO CENTUJRIES OF HELLENISTIC POTTERY PLATE III INTRODUCTION' TIuE object of this study is to clarify and amplify that chapter in the ceramic history of Athens which covers the time betweeni the end of the fourth and the end of the second century B.c. The two intervening, centuries constitute a definite period in the development of Athenian potterv. From the end of the sixth down to the closing years of the fourth century, Athenian potters had concentrated on the decoration of their finer wares in the red-figure style. In the course of those two centuries the style had developed, had realized its fullest possibilities, and, in the natural course of events, had gone to seed. Among the most vigorous of the seedlings, was a style of ceramic (lecoration known as that of "West Slope Ware." It will be well representied in the groups to be discussed below. 'We shall find reason to believe that this new style sprang up in the closing years of the fourth century and flourished during the following two centuries and more. To a time but little later than that of the origin of " West Slope Ware " we mnust assign the beginning of the Atheniian mranufacture of " Mecarian Bowls," 2 These rapidly assumed such popularity as to becomne the typical finer ware amnong the deposits of habitation accu- mulated during those same two centuries. The beginning of the new era in ceramnic history was marked further by an increased rea(diness on the part of the worker in 1 The ciretumstances in which thIe paper was written have made imnpossible extensive study of com- parative material in otlher collections, and even exhaustive bibliographical references. It was felt, however, that the mass of pottery here examinied provides very largely in itself the evidence for its own study. To Ilerren Kiibler, Kraiker and Schwabacher I am indebted for the opportunity of examining the quantity of similar wares accumulated in the cotarse of the Greek and German excavations by the D)ipylon, and Dr. Kourouniotes I untist thank for showing me the Hellenistic pottery and the kei nioi of Eletisis. To Miss Lucy T'alcott and Mr. Arthuir W. Parsonis of the Agora staff I amn under special obligation. Miss Talcott is responsible for the study of the two red-figuLre pelikai (pp. 427 ff.). 'Mr. Parsons superintended the excavation of several pits sunk in the filling of the Stoa of Attalos in seareh of Hellenistic pottery with a serviceable terminus ante qutem, and lhe has discussed with me the results. The drawings and paintings are by Mr. Piet de Jong, the photographs, excepting those for Figure 79 and the note to E 63, by Herr Hermana Wagner. My wife has read and improved the manuscript and has prepared the index. Mr. Eugene Vanderpool supplied ntumerous references and measurenments in my absence from Athens. Mr. F. 0. Wfaag6 has already made some notes, particularly regarding technical details, on the Hellenistic pottery from the excavation of the first season (Hesperia, 1I, 1933, pp. 279 ff.). 2 I retain the terms "VVWestSlope Wale" and " Megarian Bowls " because, altlhotugh not propelly descriptive (we mnight now with equal propriety speak of "4North Slope Ware," and it has yet to be proven that a "'Megarian Bowl " was ever made at Megara), yet they have assunmed a very definite connotation in the minds of those who interest tlhemselves in such tlhings. American School of Classical Studies at Athens is collaborating with JSTOR to digitize, preserve, and extend access to Hesperia ® www.jstor.org 312 HOMER A. THOMPSON clay to copy the forms and the effects of the worker in metal. This readiness was not a new thing, for many of the vase forms of the sixth and fifth centuries, where they can be compared with those of metal vessels, show clearly enough their origin in metal prototypes. But in the third and second centuries the dependence of the ceramic art is still more marked, not merely in the shape, but also in the thinness of the fabric, in the glaze and in the decoration, whether executed in paint or in relief. This phenomenon suggests what is undoubtedly a fact, viz. that metal vessels had become much commoner. Of this fact the explanation is to be found probably in the increased wealth of individual citizens, perhaps also in the diminished values of the precious metals consequent upon the sudden influx of the long-stored treasures of the conquered east. Nor is it improbable that the decline in the artistic merit and technical finish of the contemporary wares in terracotta was in some degree responsible for the growing favor for metal vessels. But here cause and effect are entangled, and it may be equally true that the increasing popularity of metal ware reacted unfavorably on the professional pride and zest and income of the potter. The beginning of our period is indicated by these various phenomena. Its lower liimiit is surgested by the observation that the craftsmen of the Kerameikos, who had for long held the markets of Greece and Italy, and who during the third and second centuries, though gradually losing ground abroad, still held firm the home market, were compelled to witness, toward the end of the latter century, the beg,inning of serious competition from abroad in the field of finer wares, even on the stalls of their own market-place. The method adopted for studying the history of these two centuries is as simple as, it is hoped, effective. From the large number of closed deposits of pottery anid other objects gathered in the excavation of ancient wells and cisterns in the region of the Agora, five groups have been selected which can with certainty be arranged in a relative chronological sequence from a consideration of the relative stagres of development apparent in the specimens of objects of various classes recovered from the individual deposits. The absoluite chronology of the various groups, i.e. the time when they were closed, can be fixed with reasoilable closeness from various bits of internal and external evidence. The simple and perishable nature of the objects makes it improbable that they should have been kept either for use or for ornament any great length of time before reaching the dumps, and our suspicion that each of the groups is closely homogeneous from a chronological point of view is confirmed by the obvious lack of development Iamong the objects of a given class within any one of the groups. The fixed points thus established have been used in tracing the history of a number of the types of pottery represented in the groups. In the following pages a brief description of each place of finding (well, cistern or storage basin) is followed by a consideration of the evidence for its dating and then by a catalogue of the pottery belonging to that group; and, after the five groups have been so treated, the conclusions are given in the form of general discussions of the principal types of pottery. Fault may be foun-d with a method of illustration and description that has resulted in so thorough a scattering TWO CENTURIES OF HELLENISTIC POTTERY 313 of the various speciinens of each type or class of object but it seemed wise to emphasize the unity of the indlividual deposits, for they are each as compact, or more so, than a tomb group. Since the study lhas beeni confinedl closely to the material recoveredl from the five deposits, it must by no means be recrarded as a complete history of Hellenistic pottery. Large and important classes of the ware have been but briefly treated or have been completely passecl over. I need mention only the bowls or saucers with relief emblemata inset in their floors, one of the most distinctive and most attractive products of the third century.' It will be obvious, too, that the chance spacing of the groups has left large chronological gaps in the period, notably in the later third century. Each excavation season adds to the available number of such closed deposits and the continued exploration of the Agora will, it is hoped, accumulate sufficient evidence, not only to close the gaps left by this study, but also to confirm or correct the conclusions already reached. GROUP A THE WELL In the excavation seasons of 1932 and 1933 there came to light the founcdationsof a building of no great size, along the southwestern edge of that which now appears to be the main imarket-square. Already in antiquity it had been ruined and restored at least once. The restoration involved the laying of a new concrete floor, studded with pebbles, over the original floor. The house of this second period was served by a well in its southeastern corner.2 The well-head (Fig. 1) consisted of a squared block of poros (L., 0.805 mn.;W., 0.79 m.; H., 0.295 in.) having an aperture 0.345 m. in diameter, which is just large enough to permit the passage of a man. Leaded into the top of the head are the lower ends of iron suipports, probably of a windlass. Measured from the top of this coping, the depth of the well was 4.45 m. Its s,ides were curbed with six drums of heavy terracotta tiles. Numbers of large water jars, comiplete or nearly so, scattered through the lowest meter and a half of filling, proved that this depth of rubbish had accumulated while the well was still in use. There was, besides the water pitchers, a good deal of household pottery: plates, saucers, bowls, cups, lamps, etc.
Recommended publications
  • A Geometric Cemetery on the Areopagus: 1897, 1932, 1947*
    A GEOMETRIC CEMETERY ON THE AREOPAGUS: 1897, 1932, 1947* with Appendices on the Geometric Graves found in the Dorpfeld Excavations on the Acropolis West Slope in 1895 and on Hadrian Street ("Phinopoulos' Lot") in 1898 (PLATES 65-80) I. Introduction and the Problem a. The D6rpfeld Excavations p. 325 b. The Agora Excavations and the Search p. 327 c. Disiecta Membra p. 328 II. The Areopagus Cemetery a. General Remarks and Conclusions p. 329 b. Catalogue of Graves and Finds p. 334 Appendix A: Sources for the D6rpfeld Geometric Graves p. 365 Appendix B: The Two Geometric Graves on the Acropolis West Slope: 1895 p. 372 Appendix C: Two Geometric Graves in Phinopoulos' Lot at No. 3, Hadrian Street: 1898 p. 374 Appendix D: A Note on Poulsen's "Akropolisvasen" p. 385 Appendix E: List of Known Finds from the D6rpfeld Geometric Graves p. 387 Appendix F: The Submycenaean Child's Grave South of the Amyneion: 1892 p. 389 I. INTRODUCTION AND THE PROBLEM' A. THE DORPFELD EXCAVATIONS For seven seasons between 1892 and 1899 the German Archaeological Institute, under the general supervision of Wilhelm Dorpfeld, carried out regular excavations in * Professor Penuel P. Kahane died suddenly on February 13, 1974 in Basel. This paper is dedicated to his memory. 1 I am deeply grateful to Professor Homer A. Thompson and to the American School of Classical Studies for the opportunity to study the Agora material; to the German Archaeological Institute in Athens and to Professor Emil Kunze for permission to use the Daybook material; to Dr. Ulf Jantzen for permission to publish the vases in the Institute, and to reproduce the photographs from the Photoabteilung; and to Dr.
    [Show full text]
  • University of Groningen Greek Pottery on the Timpone Della Motta and in the Sibaritide from C. 780 to 620 BC Kindberg Jacobsen
    University of Groningen Greek pottery on the Timpone della Motta and in the Sibaritide from c. 780 to 620 BC Kindberg Jacobsen, Jan IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2007 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Kindberg Jacobsen, J. (2007). Greek pottery on the Timpone della Motta and in the Sibaritide from c. 780 to 620 BC: reception, distribution and an evaluation of Greek pottery as a source material for the study of Greek influence before and after the founding of ancient Sybaris. [s.n.]. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). The publication may also be distributed here under the terms of Article 25fa of the Dutch Copyright Act, indicated by the “Taverne” license. More information can be found on the University of Groningen website: https://www.rug.nl/library/open-access/self-archiving-pure/taverne- amendment. Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal.
    [Show full text]
  • Dottorato in Scienze Storiche, Archeologiche E Storico-Artistiche
    DOTTORATO IN SCIENZE STORICHE, ARCHEOLOGICHE E STORICO-ARTISTICHE Coordinatore prof. Francesco Caglioti XXX ciclo Dottorando: Luigi Oscurato Tutor: prof. Alessandro Naso Tesi di dottorato: Il repertorio formale del bucchero etrusco nella Campania settentrionale (VII – V secolo a.C.) 2018 Il repertorio formale del bucchero etrusco nella Campania settentrionale (VII – V secolo a.C.) Sommario Introduzione ........................................................................................................................................... 6 Storia degli studi sul bucchero rinvenuto in Campania ...................................................................... 8 1. I siti e i contesti ............................................................................................................................ 16 1.1 Capua .................................................................................................................................... 18 1.2 Calatia ................................................................................................................................... 28 1.3 Cales ...................................................................................................................................... 31 1.4 Cuma ..................................................................................................................................... 38 1.5 Il kolpos kymaios ................................................................................................................... 49 2. Catalogo
    [Show full text]
  • Herakles Iconography on Tyrrhenian Amphorae
    HERAKLES ICONOGRAPHY ON TYRRHENIAN AMPHORAE _____________________________________________ A Thesis presented to the Faculty of the Graduate School University of Missouri-Columbia _____________________________________________ In Partial Fulfillment Of the Requirements for the Degree Master of Arts ______________________________________________ by MEGAN LYNNE THOMSEN Dr. Susan Langdon, Thesis Supervisor DECEMBER 2005 ACKNOWLEDGEMENTS I would like to thank my thesis advisor, Dr. Susan Langdon, and the other members of my committee, Dr. Marcus Rautman and Dr. David Schenker, for their help during this process. Also, thanks must be given to my family and friends who were a constant support and listening ear this past year. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS………………………………………………………………ii LIST OF ILLUSTRATIONS……………………………………………………………..v Chapter 1. TYRRHENIAN AMPHORAE—A BRIEF STUDY…..……………………....1 Early Studies Characteristics of Decoration on Tyrrhenian Amphorae Attribution Studies: Identifying Painters and Workshops Market Considerations Recent Scholarship The Present Study 2. HERAKLES ON TYRRHENIAN AMPHORAE………………………….…30 Herakles in Vase-Painting Herakles and the Amazons Herakles, Nessos and Deianeira Other Myths of Herakles Etruscan Imitators and Contemporary Vase-Painting 3. HERAKLES AND THE FUNERARY CONTEXT………………………..…48 Herakles in Etruria Etruscan Concepts of Death and the Underworld Etruscan Funerary Banquets and Games 4. CONCLUSION………………………………………………………………..67 iii APPENDIX: Herakles Myths on Tyrrhenian Amphorae……………………………...…72 BIBLIOGRAPHY………………………………………………………………………..77 ILLUSTRATIONS………………………………………………………………………82 iv LIST OF ILLUSTRATIONS Figure Page 1. Tyrrhenian Amphora by Guglielmi Painter. Bloomington, IUAM 73.6. Herakles fights Nessos (Side A), Four youths on horseback (Side B). Photos taken by Megan Thomsen 82 2. Tyrrhenian Amphora (Beazley #310039) by Fallow Deer Painter. Munich, Antikensammlungen 1428. Photo CVA, MUNICH, MUSEUM ANTIKER KLEINKUNST 7, PL. 322.3 83 3. Tyrrhenian Amphora (Beazley #310045) by Timiades Painter (name vase).
    [Show full text]
  • About a Type of Islamic Incense Burner 29
    ABOUT A TYPE OF ISLAMIC INCENSE BURNER MEHMET AGA-OGLU NCENSE burners were no novel vessels produced to usheredinto a chamberand served a meal, after which the meet the specific needs of Islamic social life. The ori- incense burnerswere brought so that the guests could per- gin of thurification with various aromatic substances fume themselves before entering the caliph's presence.5 for magical, religious, or social occasions,and the devising The amount of aromatic substances,particularly aloes and of special vessels for the purpose,go far back to the histori- certain varieties of sandalwoods, used for thurification in cal beginnings of the Near Eastern peoples.1 Islam, al- the households of caliphs and dignitaries, must have been though in principle opposed to luxurious ways of life, did enormous. We are informed by al-Tabari, for example, not prevent the use of incense and perfumes. The popu- that Amr ibn al-Laith, the founder of the Saffarid dynasty larity of perfumes during the first centuries is best illus- of Eastern Iran, sent to Caliphal-Mu'tamid in the year 268 trated by the lengthy legistic opinions expressed in the (881/82) 200 minas of aloes wood which he had confis- Hadith literature,2and, among others, by a chapter in the cated from a grandson of Abu Dulaf.6 Among the proper- manual for elegant manners "of a man of polite education," ties left after his death in 301 (913), by Abu'l-Husayn written by Abu'l-Tayyib Muhammad ibn Ishaq al-Wash- Ali ibn Ahmad al-Rasibi, the 'Abbasid governor of Khu- sha.' zistan and neighboring territories,were great numbers of Historicalsources are extremely generous with accounts gold and silver vessels, perfumes, and other valuables, as on the subject.' A few examples can be cited here, and well as 4,420 mithkals of aloes wood for thurification.7 others will be presentedelsewhere.
    [Show full text]
  • Kernos Revue Internationale Et Pluridisciplinaire De Religion Grecque Antique
    Kernos Revue internationale et pluridisciplinaire de religion grecque antique 20 | 2007 Varia Pherekydes’ Daktyloi Ritual, technology, and the Presocratic perspective Sandra Blakely Electronic version URL: http://journals.openedition.org/kernos/161 DOI: 10.4000/kernos.161 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 January 2007 ISSN: 0776-3824 Electronic reference Sandra Blakely, “Pherekydes’ Daktyloi”, Kernos [Online], 20 | 2007, Online since 15 March 2011, connection on 26 February 2021. URL: http://journals.openedition.org/kernos/161 ; DOI: https:// doi.org/10.4000/kernos.161 This text was automatically generated on 26 February 2021. Kernos Pherekydes’ Daktyloi 1 Pherekydes’ Daktyloi Ritual, technology, and the Presocratic perspective Sandra Blakely Introduction: Classics and the Evolutionary paradigm 1 Western culture is traditionally ill equipped to understand the intersection of ritual and technology. Pfaffenberger, Killick, and Lansing have observed the causes, and what is lost by failing to shake these off.1 Because these activities occupy different categories in the industrialized world, attempts to interpret their coincidence in other cultures lean to the dismissive. They are regarded as a reflection of the earliest stages of invention, compensatory appeals to the divine that reflect incomplete mastery of technological processes. The combination is often called magic by both practitioners and academics. Magic has been traditionally synonymous with primitivism; an evolutionary model suggests that such superstitions evaporate as technology is mastered, and linger only in folk tales and half-remembered superstitions.2 The cost of this paradigm is substantial. Emphasizing the movement into subsequent intellectual paradigms, it reduces attention to symbols in context.
    [Show full text]
  • The Underworld Krater from Altamura
    The Underworld Krater from Altamura The Underworld krater was found in 1847 in Altamura in 1 7 Persephone and Hades Herakles and Kerberos ITALY southeastern Italy. The ancient name of the town is unknown, Hades, ruler of the Underworld, was the brother of Zeus (king of the gods) and Poseidon (god of The most terrifying of Herakles’s twelve labors was to kidnap the guard dog of the Underworld. APULIA Naples but by the fourth century bc it was one of the largest fortified Altamura the sea). He abducted Persephone, daughter of the goddess Demeter, to be his wife and queen. For anyone who attempted to leave the realm of the dead without permission, Kerberos (Latin, Taranto (Taras) m settlements in the region. There is little information about Although Hades eventually agreed to release Persephone, he had tricked her into eating the seeds Cerberus) was a threatening opponent. The poet Hesiod (active about 700 BC) described the e d i t e r of a pomegranate, and so she was required to descend to the Underworld for part of each year. “bronze-voiced” dog as having fifty heads; later texts and depictions give it two or three. r a what else was deposited with the krater, but its scale suggests n e a n Here Persephone sits beside Hades in their palace. s e a that it came from the tomb of a prominent individual whose community had the resources to create and transport such a 2 9 substantial vessel. 2 The Children of Herakles and Megara 8 Woman Riding a Hippocamp Map of southern Italy marking key locations mentioned in this gallery The inhabitants of southeastern Italy—collectively known as The Herakleidai (children of Herakles) and their mother, Megara, are identified by the Greek The young woman riding a creature that is part horse, part fish is a puzzling presence in the Apulians—buried their dead with assemblages of pottery and other goods, and large vessels inscriptions above their heads.
    [Show full text]
  • Crossroads 360 Virtual Tour Script Edited
    Crossroads of Civilization Virtual Tour Script Note: Highlighted text signifies content that is only accessible on the 360 Tour. Welcome to Crossroads of Civilization. We divided this exhibit not by time or culture, but rather by traits that are shared by all civilizations. Watch this video to learn more about the making of Crossroads and its themes. Entrance Crossroads of Civilization: Ancient Worlds of the Near East and Mediterranean Crossroads of Civilization looks at the world's earliest major societies. Beginning more than 5,000 years ago in Egypt and the Near East, the exhibit traces their developments, offshoots, and spread over nearly four millennia. Interactive timelines and a large-scale digital map highlight the ebb and flow of ancient cultures, from Egypt and the earliest Mesopotamian kingdoms of the Akkadians, Babylonians, and Assyrians, to the vast Persian, Hellenistic, and finally Roman empires, the latter eventually encompassing the entire Mediterranean region. Against this backdrop of momentous historical change, items from the Museum's collections are showcased within broad themes. Popular elements from classic exhibits of former years, such as our Greek hoplite warrior and Egyptian temple model, stand alongside newly created life-size figures, including a recreation of King Tut in his chariot. The latest research on our two Egyptian mummies features forensic reconstructions of the individuals in life. This truly was a "crossroads" of cultural interaction, where Asian, African, and European peoples came together in a massive blending of ideas and technologies. Special thanks to the following for their expertise: ● Dr. Jonathan Elias - Historical and maps research, CT interpretation ● Dr.
    [Show full text]
  • A Masterpiece of Ancient Greece
    Press Release A Masterpiece of Ancient Multimedia Greece: a World of Men, Feb. 01 - Sept. 01 2013 Gods, and Heroes DNP, Gotanda Building, Tokyo Louvre - DNP Museum Lab Tenth presentation in Tokyo The tenth Louvre - DNP Museum Lab presentation, which closes the second phase of this partnership between the Louvre and Dai Nippon Printing Co., Ltd (DNP), invites visitors to discover the art of ancient Greece, a civilization which had a significant impact on Western art and culture. They will be able to admire four works from the Louvre's Greek art collection, and in particular a ceramic masterpiece known as the Krater of Antaeus. This experimental exhibition features a series of original multimedia displays designed to enhance the observation and understanding of Greek artworks. Three of the displays designed for this presentation are scheduled for relocation in 2014 to the Louvre in Paris. They will be installed in three rooms of the Department of Greek, Etruscan and Roman Red-figure calyx krater Signed by the painter Euphronios, attributed to the Antiquities, one of which is currently home to the Venus de Milo. potter Euxitheos. Athens, c. 515–510 BC. Clay The first two phases of this project, conducted over a seven-year Paris, Musée du Louvre. G 103 period, have allowed the Louvre and DNP to explore new © Photo DNP / Philippe Fuzeau approaches to art using digital and imaging technologies; the results have convinced them of the interest of this joint venture, which they now intend to pursue along different lines. Location : Louvre – DNP Museum Lab Ground Floor, DNP - Gotanda 3-5-20 Nishi-Gotanda, Shinagawa-ku, Tokyo The "Krater of Antaeus", one of the Louvre's must-see masterpieces, Opening period : provides a perfect illustration of the beauty and quality of Greek Friday February 1 to Sunday September 1, ceramics.
    [Show full text]
  • The Mysteries of the Goddess of Marmarini
    Kernos Revue internationale et pluridisciplinaire de religion grecque antique 29 | 2016 Varia The Mysteries of the Goddess of Marmarini Robert Parker and Scott Scullion Electronic version URL: http://journals.openedition.org/kernos/2399 DOI: 10.4000/kernos.2399 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 October 2016 Number of pages: 209-266 ISSN: 0776-3824 Electronic reference Robert Parker and Scott Scullion, « The Mysteries of the Goddess of Marmarini », Kernos [Online], 29 | 2016, Online since 01 October 2019, connection on 10 December 2020. URL : http:// journals.openedition.org/kernos/2399 ; DOI : https://doi.org/10.4000/kernos.2399 This text was automatically generated on 10 December 2020. Kernos The Mysteries of the Goddess of Marmarini 1 The Mysteries of the Goddess of Marmarini Robert Parker and Scott Scullion For help and advice of various kinds we are very grateful to Jim Adams, Sebastian Brock, Mat Carbon, Jim Coulton, Emily Kearns, Sofia Kravaritou, Judith McKenzie, Philomen Probert, Maria Stamatopoulou, and Andreas Willi, and for encouragement to publish in Kernos Vinciane Pirenne-Delforge. Introduction 1 The interest for students of Greek religion of the large opisthographic stele published by J.C. Decourt and A. Tziafalias, with commendable speed, in the last issue of Kernos can scarcely be over-estimated.1 It is datable on palaeographic grounds to the second century BC, perhaps the first half rather than the second,2 and records in detail the rituals and rules governing the sanctuary of a goddess whose name, we believe, is never given.
    [Show full text]
  • Bijildings on the West Side of the Ag-Ora
    BIJILDINGS ON THE WEST SIDE OF THE AG-ORA PLATES I-VITI INTRODUCTION' The region to the north of the Areopagus and to the east of Kolonos Agoraios had many natural advantages to recommend it as the site for thZecentral public place of the com- munity (Fig. 1). It was the most open and level area of any extent beneath the immediate shelter of the Acropolis. Along its southern edge a series of springs bubbled out from the foot of the Areopagus, so abundant as to have formed the principal source of drinking water in the city throughout antiquity. A gentle slope toward the north guaranteed adequate natural drainage, desirable for private habitation and essential for the construc- tion of large public buildings. The region lay, moreover, on the direct route between the Acropolis and the Dipylon, the principal gate of the city, and so was conveniently situated alike for residents and visitors. Actual habitation in the area can now be shown to extend at least well back into the second millennium B.C. Scattered fragments of household pottery of typical Middle Helladic types, Gray Minyan and Matt-painted wares, have appeared above bedrock along the north foot of the Areopagus, along the east slope and foot of Kolonos and even at the north foot of Kolonos. A simple shaft burial not later than this period was made near the mid point of the east foot of the latter hill 2 (Fig. 64, Section C-C). Practically no house- hold pottery of Late Helladic times has been found in the area so that there is no direct evidence for habitation in this period.
    [Show full text]
  • A Bucchero Pesante Column Krater in Iowa
    A BUCCHERO PESANTE COLUMN KRATER IN IOWA (Con le tavv. II-VII f. t.) In 1970 the University of Iowa Museum of Art acquired a large column krater said to have come from Vulci (1). It was presented as part of an exhi- bition of ancient Italian pottery from Midwestern collections in 1971 (2). This article describes the krater and then relates it to other vases of similar type attempting to establish a secure date and provenance. The investigation of parallel examples enables us to determine more specifically the nature of « bucchero pesante » production in the Vulci area and its relationship to Etru- scan pottery manufacture at other sites. Plate II illustrates the vase in its present state (3). Minor breaks along (1) I wish to thank Mr. Ulfert Wilke, Director of the Museum of Art, for per- mission to publish the vase. Special thanks are due Prof. Kyle Μ. Phillips, Jr. of Bryn Mawr College, for reading the manuscript and offering helpful suggestions. Photographs of the Iowa krater are by B. Yarborough; drawings in the text are by the author. Sections of this article appeared in a paper entitled, A Sixth Century Bucchero Pesante Column Krater in Iowa presented by the author at the 73rd Conference of the Archaeolo- gical Institute of America at Cincinnati, 1971. An abstract appears in AJA LXXVI, 1972, p. 208. The manuscript was completed in November, 1972. Funds for photographs were supplied by a stipend from the Graduate College of the University of Iowa. In addition to the St. Etr. standard abbreviations, the following appear in the footnotes: Bartoloni - G.
    [Show full text]