Justas Dvarionas
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Balys DVARIONAS (1904-1972) Complete Works for Violin and Piano Sonata-Ballade • Pezzo Elegiaco • Three Pieces
Balys DVARIONAS (1904-1972) Complete Works for Violin and Piano Sonata-Ballade • Pezzo elegiaco • Three Pieces Justina Auškelytė, Violin • Cesare Pezzi, Piano Balys Dvarionas (1904-1972) Complete Works for Violin and Piano Balys Dvarionas was one of the most prominent figures in Igor Stravinsky and Sergey Prokofiev, among others. The pianist, and his son, the violinist. There can be little doubt Sonata was meant to be a one-movement composition the field of Lithuanian (and indeed Baltic) musical culture. last time Dvarionas appeared on stage was on May 12, as to why Dvarionas’ instrumental chamber works are with the main theme reprised in the recapitulation. During A polymath, he excelled as a pianist, conductor, 1972 at the Lithuanian National Philharmonic in Vilnius, said to possess an especially personal quality. In the creative process each musical idea inspired the next, composer and pedagogue. Dvarionas was born in the where together with the Lithuanian Chamber Orchestra composing music for his children, the composer and so the work can be viewed as one constantly evolving Latvian harbour city of Liepaja. His father was a Roman he played Mozart’s Piano Concerto No. 1 in D major, inadvertently developed a particularly original chamber beautiful episodic sequence. A colleague of the composer Catholic church organist, and as a result the young K.107 and conducted Schubert’s Mass No. 2 in G major music idiom, where the interplay between parts relies on once described the work in the following terms: “…when Dvarionas received his first music lessons at home. He D.167. an uninhibited bond between performers. -
Programa2016.Pdf
l Encuentro de Música y Academia cumple un año más el reto de superarse a sí mismo. La programación de 2016 combina a la perfección la academia, la experiencia y el virtuosismo de los más grandes, como el maestro Krzysztof Penderecki, con la frescura, las ganas y el entusiasmo de los jóvenes músicos Eparticipantes en esta cita ineludible cada verano en Cantabria. Más de 50 conciertos en los escenarios del Palacio de Festivales de Cantabria, en el Palacio de La Magdalena y en otras 22 localidades acercarán la Música con mayúsculas a todos los rincones de la Comunidad Autónoma para satisfacer a un público exigente y siempre ávido de manifestaciones culturales. Para esta tierra, es un privilegio la oportunidad de engrandecer su calendario cultural con un evento de tanta relevancia nacional e internacional. Así pues, animo a todos los cántabros y a quienes nos visitan en estas fechas estivales a disfrutar al máximo de los grandes de la música y a aportar con su presencia la excelente programación que, un verano más, nos ofrece el Encuentro de Música y Academia. Miguel Ángel Revilla Presidente del Gobierno de Cantabria esde hace ya 16 años, el Encuentro de Música y Academia de Santander sigue fielmente las líneas maestras que lo han convertido en un elemento muy prestigioso del verano musical europeo. En Santander —que es una delicia en el mes de julio— se reúnen jóvenes músicos seleccionados uno a uno mediante audición en las escuelas de mayor prestigio Dde Europa, incluida, naturalmente, la Reina Sofía de Madrid. Comparten clases magistrales, ensayos y conciertos con una serie igualmente extraordinaria de profesores, los más destacados de cada instrumento en el panorama internacional. -
Dvarionas Vadim Gluzman Residentie Orkest Den Haag Neeme Järvi
Erich Wolfgang Korngold © Korngold Family Estate KORNGOLD · DVARIONAS VADIM GLUZMAN RESIDENTIE ORKEST DEN HAAG NEEME JÄRVI Balys Dvarionas Photo kindly provided by the Lithuanian Music Information and Publishing Centre BIS-CD-1822 BIS-CD-1822_f-b.indd 1 10-05-17 10.55.23 KORNGOLD, Erich Wolfgang (1897–1957) Concerto in D major for Violin and Orchestra 24'59 Op. 35 (1945) (Schott) 1 I. Moderato nobile 9'08 2 II. Romance. Andante 8'39 3 III. Finale. Allegro assai vivace 6'59 DVARIONAS, Balys (1904–72) · 4 Pezzo elegiaco ‘Prie ežerelio’ (‘By the lake’) 5'18 (1946–47) for violin and orchestra (Karthause-Schmülling) Concerto in B minor for Violin and Orchestra 29'44 (1948) (Karthause-Schmülling) 5 I. Andante semplice – Allegro strepitoso 15'31 6 II. Andante molto sostenuto 8'36 7 III. Vivo 5'23 TT: 60'55 Vadim Gluzman violin Residentie Orkest Den Haag Neeme Järvi conductor 2 his programme features three works for violin and orchestra composed in the three years following the end of World War II, by two composers whose Tfates were very different. One is world-famous, at least for his film music – the other known, outside his native land, only to a few cognoscen ti; one was an exile from his homeland – the other an ‘internal exile’ within his homeland, his music celebrating his people’s national aspirations under a suc ces sion of over bear - ing foreign powers. But the two are united in their music’s heartfelt and unabashed romanticism. Erich Wolfgang Korngold’s early career resembles that of Mozart, with whom he shared one of his forenames. -
Landsbergis, Vytautas
LIETUVOS NACIONALINĖ MARTYNO MAŽVYDO BIBLIOTEKA VADOVYBĖS INFORMACIJOS SKYRIUS Tel. 239 8558 0BVYTAUTO LANDSBERGIO KNYGŲ BIBLIOGRAFIJA 1963 – 2012 m. Landsbergis, Vytautas. Kaip muzika atspindi gamtą / Vytautas Landsbergis. - Vilnius : [s.n.], 1963. - 24 p. - Antr. p. viršuje: Lietuvos TSR polit. ir moksl. žinių skleidimo draugija ir Lietuvos TSR kompozitorių s-ga. - Rankraščio teisėmis. Landsbergis, Vytautas. Muzika ir literatūra : (medžiaga lektoriui) / Vytautas Landsbergis. - Vilnius : [s.n.], 1964. - 2 t. - Antr. p. viršuje: Lietuvos TSR "Žinijos draugija. Lietuvos TSR Kompozitorių sąjunga. Meno mokslo-metodinė taryba. Landsbergis, Vytautas. M.K. Čiurlionis ir jo muzikos kūriniai = М.К. Чюрленис и его музыкальные произведения = M.K. Čiurlionis and his musical work : [M.K. Čiurlionio 90-jų gimimo metinėms skirtas leidinys] / [V. Landsbergis ; apipavidalino dail. Arūnas Tarabilda]. - Vilnius : [s.n.], 1965. - 23, [1] p., įsk. virš. : iliustr., nat. - Aut. nurodytas str. gale. - Virš. antr.: M.K. Čiurlionis. Landsbergis, Vytautas. Pavasario sonata / Vytautas Landsbergis. - Vilnius : Vaga, 1965 (Kaunas : Valst. K. Poželos sp.). - 351, [1] p., [10] iliustr. lap. : nat., iliustr. - Vertimai: Соната весны. Ленинград : Музыка, 1971. Čiurlionis, Mikalojus Konstantinas. Zodiako ženklai : [reprodukcijos] / M.K. Čiurlionis. - Vilnius : Vaga, 1967. - 1 apl. (19 p., 12 iliustr. lap.). - Santr. rus., angl., pranc., vok. Kn. taip pat: Įž. str. / V. Landsbergis. Landsbergis, Vytautas. Соната весны : творчество М.К. Чюрлeниса / В. Ландсбергис. - Ленинград : Музыка, 1971 (Вильнюс : Вайздас). - 327 p., [19] iliustr., portr., nat. lap. : faks., iliustr., nat. - Versta iš: Pavasario sonata. Vilnius : Vaga, 1965. Čiurlionis, Mikalojus Konstantinas. Pasaulio sutvėrimas [Grafika] : [reprodukcijos] / M.K. Čiurlionis. - Vilnius : Vaga, 1972 (Kaunas : K. Poželos sp.). - 1 apl. (13 atvirukų) : spalv. - Gretut. tekstas liet., angl., rus. Leid. taip pat: Pasaulio sutvėrimas / V. -
Daniel Binelli
Conciertos Grapa LITHUANIAN NATIONAL SYMPHONY ORCHESTRA (LNSO) "... La Orquesta Sinfónica Nacional de Lituania es realmente maravillosa! Es solo que requiere mayores oportunidades de mostrarse ante el mundo para manifestarse. Presentarme junto a la Orquesta Sinfónica Nacional de Lituania en el Festival de Wiesbaden será un verdadero desafío tanto para la orquesta como para mí, dado que muchas excelentes orquestas del mundo, incluyendo la de Pittsburgh y la de Nueva York, han tocado ahí. Por tanto, el solo hecho de aparecer en las mismas salas de concierto representa un riesgo, y asumimos la lucha con socios igualitarios sin esperar que el público, los críticos, o los organizadores del festival hagan ninguna concesión con nosotros..." Mstislav Rostropovich, 2000. Fundada en 1940 por el compositor, director y pianista lituano, Balys Dvarionas, la Orquesta Sinfónica Nacional de Lituania (LNSO) sigue siendo una de las orquestas sinfónicas de mayor experiencia y reputación de Lituania. En sus siete décadas de desarrollo artístico, la orquesta ha desempeñado un papel esencial en el desarrollo de la cultura nacional y la vida musical. "... Un estilo maduro y espléndidas actuaciones permitieron a la LNSO obtener un favorable reconocimiento tanto del público como de la crítica, incorporando un extenso repertorio que refleja la evolución de la sinfonía, la cantata y el oratorio. Del Concerti Grossi de Georg Friedrich Händel al Concierto para Violonchelo de Ligeti, desde las Pasiones de Johann Sebastian Bach a las Transfiguraciones de Olivier Messiaen, de las obras sinfónicas de Joseph Haydn a las de Witold Lutoslawski - la amplitud de su repertorio enriquece la eficiencia y el papel de la orquesta en la vida cultural de Lituania.. -
About the Authors
About the authors VINCENZO DE MARTINO was born in Cagliari (Italy) in 1992, he began to study piano at the age of 6 under the guidance of Elisabetta Steri. From 2011 to 2015 he studied with Prof. Maria Lucia Costa at the State Conservatory of Music G. P. da Palestrina in Cagliari, where he was awarded a Bachelor’s degree with the highest honour. From 2015 to 2017 he studied with Prof. Jurgis Karnavičius at the Lithuanian Academy of Music and Theatre in Vilnius, where he was awarded a Master’s degree. He is currently an artistic doctorate student at the same institution (supervisors Prof. Jurgis Karnavičius and Assoc. Prof. Dr. Lina Navickaitė-Martinelli). As a researcher, he has already taken part in several artistic research conferences (Doctors in Performance, 2018; LMTA Annual Conference, 2019). Vin- cenzo attended masterclasses with Gabrielius Alekna, Pascal Devoyon, Gintaras Januševičius, Kevin Kenner, Francesco Libetta, Jean-Marc Luisada, Orazio Maione, Claudio Martinez-Mehner, Pascal Nemirovski, Fali Pavri, Mūza Rubackytė, Irene Veneziano and Andrius Žlabys. He has been a finalist and laureate of several international piano competitions and in 2019 he received an award from the President of the Republic of Lithuania Dalia Grybauskaitė for his artistic achievements. [email protected] Flutist VYtenis GUrstis, a prize winner of many national and international flute competitions, stud- ied at the Royal Academy of Music in London with Prof. William Bennett and holds two Master’s degrees from his studies at the Hochschule für Musik und Tanz in Cologne, Germany – solo flute with Prof. Robert Winn and contemporary chamber music with Prof. -
Lietuvos Muzikos Paveldo Tyrimai Valstybingumo Idėjos Ir Religinis Paveldas
Lietuvos muzikos paveldo tyrimai Valstybingumo idėjos ir religinis paveldas Research of Lithuanian Music Heritage The Ideas of Statehood and Religious Heritage Lietuvos muzikos paveldo tyrimai Valstybingumo idėjos ir religinis paveldas Research of Lithuanian Music Heritage The Ideas of Statehood and Religious Heritage PRINTĖJA Kaišiadorys, 2019 Sudarytoja Aušra Strazdaitė-Ziberkienė Redaktorė Neringa Butkienė Vertėja ir anglų kalbos redaktorė Teresė Ringailienė Leidinio recenzentai – dr. Danutė Kalavinskaitė ir dr. Rūta Gaidamavičiūtė Maketuotoja Vilma Lukoševičiūtė Leidinio bibliografinė informacija pateikiama Lietuvos nacionalinės Martyno Mažvydo bibliotekos Nacionalinės bibliografijos duomenų banke (NBDB). ISBN 978-609-8164-10-7 © Kauno miesto muziejus, 2019 Turinys Pratarmė ............................................................................................................................................................. 4 Kristina Mikuličiūtė-Vaitkūnienė. Juozo Naujalio muzikinės veiklos reikšmė šiandien..................................................................................................................................... 7 Valstybingumo idėjos Dr. Jonas Vilimas. Savi ir svetimi valstybingumo ženklai XVII–XVIII a. liturginiuose LDK giesmynuose .................................................................................................... 18 Rūta Skudienė. Lietuvių populiariosios muzikos ištakos. Kauno mažosios scenos artistai, XX a. 3–4 deš. .............................................................................................. -
Žibuoklė Martinaitytė
ŽIBUOKLĖ MARTINAITYTĖ SAUDADE Giedrė Šlekytė Lithuanian National Symphony Orchestra Lithuanian Chamber Orchestra Gabrielius Alekna, piano ŽIBUOKLĖ MARTINAITYTE ŽIBUOKLĖ MARTINAITYTĖ (b. 1973) 1 Saudade (2019) 16:50 2 Millefleur (2018) 13:01 3 Horizons (2013) 20:39 Chiaroscuro Trilogy (2017) 18:45 For piano and string orchestra 4 I. Tunnel 8:20 5 II. Meteors 5:31 6 III. Darkness of Light 4:54 LITHUANIAN NATIONAL SYMPHONY ORCHESTRA (1–3) LITHUANIAN CHAMBER ORCHESTRA (4–6) GABRIELIUS ALEKNA, piano (4–6) GIEDRĖ ŠLEKYTĖ, conductor Immersive External and Internal Beauty – The Orchestral Music of Žibuoklė Martinaitytė By Frank J. Oteri The music of Žibuoklė Martinaitytė conjures both the imposing grandeur and the fragile minutiae of the external and the internal world – the natural, physical domain of forests, mountains, oceans, sky, and the infinite cosmos, but also the realm of our consciousness as well as unconsciousness. But in this vast territory that she explores through sound, Martinaitytė focuses on beauty which she has stated serves both as “a guiding principle” and as “an aesthetic measure for sonic quality.” Born to Lithuanian parents in St. Petersburg, Russia (then Leningrad in the Soviet Union), Martinaitytė grew up in Kaunas, Lithuania’s second largest city, and later pursued her composition studies at the Lithuanian Academy of Music and Theatre (where her teachers included the celebrated composer Bronius Kutavičius) in Vilnius, Lithuania’s capital. She lived through years of her homeland’s enforced incorporation into the USSR and then during its subsequent emergence as an independent nation. For over a decade she has been based in New York City, although she frequently travels around the world for performances as well as to create her singular musical compositions in isolated physical environments. -
Lietuvos Muzikologija 21.Indd
Lietuvos muzikologija, t. 21, 2020 Danutė PETRAUSKAITĖ Vytautas Laurušas’s Worldview as Reflected in His Activity and Letters to Jeronimas Kačinskas Vytauto Laurušo pasaulėžiūros atspindžiai jo veikloje ir laiškuose Jeronimui Kačinskui Lietuvos muzikos ir teatro akademija, Gedimino pr. 42, LT-01110, Vilnius, Lietuva [email protected] Abstract Vytautas Laurušas (1930–2019) was a composer, pedagogue, administrator, Communist Party activist, supporter of the restoration of Lithu- ania’s independence, and winner of the Lithuanian National Prize for Culture and Arts. He lived and worked in two different epochs: in the Soviet era, that is, under totalitarian rule, and in independent Lithuania. The topic of this paper is Laurušas’s memoirs and epistolary legacy, and the aim is to explore his worldview, which allowed him to perform successfully in different times. The research is based on several methods: analysis of primary sources, the history of music, musicological literature, and periodicals, given the ideological context, as well as comparison and generalization of facts and interpretations. The paper does not claim to reveal the development of Laurušas’s mindset comprehensively and consistently, as it is based on only a minor part of his memoirs and letters; however, it is expected to be of use to those who want to study Laurušas’s artistic and social activities in depth. Keywords: Vytautas Laurušas, Jeronimas Kačinskas, Lithuania, the USA, music, Soviet era, Communist Party, national revival, diaspora, independence. Anotacija Vytautas Laurušas (1930–2019) – kompozitorius, pedagogas, administratorius, komunistų partijos veikėjas, Lietuvos nepriklausomybės atkūrimo šalininkas, Lietuvos nacionalinės kultūros ir meno premijos laureatas. Jis gyveno ir kūrė dviejose skirtingose epochose – sovietmečiu, t. -
University of Florida Thesis Or Dissertation Formatting
THE LITHUANIAN CHORAL TRADITION: HISTORY, CONTEXT, EDUCATION, AND PRACTICE By INETA ILGUNAITĖ JONUŠAS A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2010 1 © 2010 Ineta Ilgunaitė Jonušas 2 To the memory of Bronius Jonušas and his music “Heaven’s blessing earns he, who chooses music as his profession.” (Martin Luther) 3 ACKNOWLEDGMENTS When I left Lithuania, it was not so much to start a new life as to continue my old life, which revolved around music, in a new environment. I planned that I would attend an American university where I would continue my study of music and choral conducting to earn a master’s and doctoral degrees. My hope was to one day teach others to “make music” the way I had heard it most of my life in Lithuania. Now, after eight years of studying music in Lithuania and five years of graduate study in America, it seems that I have been blessed with the best of both worlds for having had the opportunity to learn from so many eminent Lithuanian and American “music makers.” In Lithuania, at the Vilnius Tallat-Kelpša Conservatory, while still a teenager, I was fortunate in being able to take my first lessons in conducting from Professor Vytautas Žvirblis, whose name will probably not mean much to anyone but the students who learned from his graceful hands. Later at the Lithuanian Academy of Music, I learned from Professor Vaclovas Radžiūnas, my major professor, and Jonas Aleksa, conductor of the Lithuanian State Opera. -
Modernity in Music Culture of the Independent Lithuania: Reception and Yearning Modernybė Nepriklausomos Lietuvos Muzikos Kultūroje
Lietuvos muzikologija, 1.17, 2016 Jonas BRUVERIS Modernity in Music Culture of the Independent Lithuania: Reception and Yearning Modernybė nepriklausomos Lietuvos muzikos kultūroje. Recepcija ir siekis Abstract Modernity appeared in the Lithuanian art in the first decade of the 20 th century. Mikalojus Konstantinas Čiurlionis’ ideas do not link Lithu anian music from the point of view of its indispensable national character to the features of the folk music, corresponding to the tendency of the literary and art criticism to link the national character of works with the personality of the artist, but not with the choice of historic and other topics or subjects of the work. Cultural life of the Independent Lithuania has changed in essence. Professional art institutions have been established, possibilities, paths, and volumes of organization of the cultural life were incomparably increased. Music culture is analysed in the article within the context of the entire artistic life; a certain variability of reception and estimation of modernity in a) European music in general, b) in the Lithuanian culture of art (programmes of concerts, theatre repertoires, etc.), and c) in the creative work of Lithuanian artists. Keywords: modernity, traditionalism, nationalism in art. Anotacija Modernumo apraiškų lietuvių mene pasirodė XX a. pirmame dešimtmetyje. Mikalojaus Konstantino Čiurlionio idėja lietuvių muzikos jos būtino tautiškumo aspektu nesieti su liaudies muzikos savybių panaudojimu atitiko moderniosios literatūros kritikos ir dailėtyros nuostatas meno kūrinio tautiškumą ne sieti su istorinių, krašto gyvenimo ir panašių temų bei siužetų pasirinkimu, o kildinti iš kūrėjo tautinės asmenybės. Atkūrus Lietuvos nepriklausomybę, kultūros gyvenimas pakito iš esmės. Įkurtos profesinės meno įstaigos, pasikeitė ir išaugo kultūros gyvenimo organizavimo galimybės, būdai ir apimtys. -
F Estivalis 2 0 1
F estivalis 2 0 1 FESTIVALIO PARTNERIAI 6 LIETUVOS NACIONALinĖ FILHARMONIJA KAUNO VALSTYBINĖ FILHARMONIJA LIETUVOS DAILĖs MUZIEJUS VILNIAUS ROtušĖ STASIO VainiŪno NAMAI VILNIAUS GEDIMINO TECHNIKOS UNIVERSITETAS MYKOLO ROMERIO UNIVERSITETAS KAUNO JUOZO GRuodžio KONSERVATORIJA UKMERGĖS MENO MOKYKLA BENDRIJA „ATGAIVA” LIETUVOS neįgaLiųjų ORGANIZACIJOS LIETUVOS AKLųjų IR SILpnaregių sąjunga LIETUVOS ARTRITO ASOCIACIJA LIETUVOS neįgaLiųjų DRAUGIJA KĖdainių LASS KAUNO LASS 25-ieji Lietuvos muzikų rėmimo fondo veiklos metai 1 M uzikos F estivalis 2 0 1 6 Jau aštuonioliktą kartą nekantriai laukiame „Sugrįžimų“ Mielieji, festivalio, tapusio neatsiejama Lietuvos muzikinės kultūros dalimi Tarptautinio muzikos festivalio „Sugrįžimai“ kasmet laukiame ir pavasario ženklu. ir pasitinkame su pasididžiavimo jausmu: nuostabu matyti ir girdėti šįmet jaunatvišką pilnametystės sukaktį švenčiantys Lietuvos miestų ir miestelių scenose Globalios Lietuvos talentus. „Sugrįžimai“ žada nudžiuginti ir nustebinti savo puikių koncertų „Sugrįžimai“ - unikalus Nepriklausomos Lietuvos valstybės lankytojus, pristatydami Vakarų Europos šalyse studijuojančius, festivalis, Lietuvos muzikų rėmimo fondo profesionaliai organizuojamas tobulėjančius tautiečius. jau 18 metų. Džiaugiamės, kad festivalio dalyviai, laukiami ir šlovinami į gimtinę iš Vokietijos, Didžiosios Britanijos, Itali- pasaulio scenose, visuomet išlaiko glaudų ryšį su Tėvyne, čia sugrįžta jos, Prancūzijos, Liuksemburgo, Austrijos, Suomijos, Danijos koncertuoti ir dalytis sava patirtimi. sugrįžtančių lietuvių muzikų