journal of jesuit studies 3 (2016) 437-450 brill.com/jjs Todas las naciones han de oyrla: Bells in the Jesuit reducciones of Early Modern Paraguay Jutta Toelle Max Planck Institute for Empirical Aesthetics
[email protected] Abstract The essay focuses on the role of bells in the Jesuit reducciones. Within the contest- ed sound world of the mission areas, bells played an important role as their sounds formed a sense of space, regulated social life, and established an audibility of time and order. Amongst all the other European sounds which Catholic missionaries had in- troduced by the seventeenth century—church songs, prayers in European languages, and instrumental music—bells functioned especially well as signals of the omnipo- tent and omnipresent Christian God and as instruments in the establishing of acoustic hegemony. Taking the Conquista espiritual by Antonio Ruiz de Montoya (1639) as its main source, the essay points to several references to bells, as objects of veneration, as part of a flexible material culture, and, most importantly, as weapons in the daily fight with non-Christians, the devil, and demons. Keywords bells – sounds – reducciones – Devil – material culture – Paracuaria/Paraguay – Anto- nio Ruiz de Montoya – Roque González de Santa Cruz – Anton Sepp … A bell, a well-known instrument made of metal, with which principal- ly the faithful are congregated to participate in the mass, or to hear the © toelle, 2016 | doi 10.1163/22141332-00303005 This is an open access article distributed under the terms of the Creative Commons Attribution- Noncommercial 4.0 Unported (CC-BY-NC 4.0) License.