Francesco Hayez Oil

Francesco Hayez [Italian Romantic Painter, 1791-1882]

Ephraim picture ID 35393--Unknown.jpg Oil ID: 35393 | Order the painting

Bathsheba Bathing picture ID 35394-Bathsheba Bathing.jpg Oil Painting ID: 35394 | Order the painting

The Death of the Doge Marin Falie picture ID 35395-The Death of the Doge Marin Falie.jpg Oil Painting ID: 35395 | Order the painting

Portrait of Gioacchino Rossini picture ID 35396-Portrait of Gioacchino Rossini.jpg Oil Painting ID: 35396 | Order the painting

Portrait of Count Ninni picture ID 35397-Portrait of Count Ninni.jpg Oil Painting ID: 35397 | Order the painting

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Bath of the Nymphs picture ID 35398-Bath of the Nymphs.jpg Oil Painting ID: 35398 | Order the painting

Portrait of Camillo Benso di Cavour picture ID 35399-Portrait of Camillo Benso di Cavour.jpg Oil Painting ID: 35399 | Order the painting

Total 6 pages, 6/6 | Page : 2 3 4 5 [6] Francesco Hayez (Nationality : Italian Romantic Painter, 1791-1882) Francesco Hayez (February 10, 1791 - December 21, 1882) was an Italian painter, the leading artist of in mid-19th-century , renowned for his grand historical paintings, political allegories and exceptionally fine portraits. Hayez came from a relatively poor family from . His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother's sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to where he was commissioned by to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the "Salotto Maffei" in Milan, hosted by (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there.

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