Ernest Hemingway's a Farewell to Arms: a Documentary Volume
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1897~1962) – the Sound and the Fury – Le Bruit Et La Fureur (1929) Traduit De L’Américain Par Maurice Edgar COINDREAU (1972) (1
William FAULKNER (1897~1962) – The Sound and the Fury – Le Bruit et la Fureur (1929) Traduit de l’américain par Maurice Edgar COINDREAU (1972) (1) William FAULKNER s’est souvenu de l’expression « sound and fury » quand il s’est agi de choisir un titre au roman qu’il venait d’achever. SHAKESPEARE en était l’auteur dans sa tragédie Macbeth. À l’annonce par Seyton de la mort de lady Macbeth, Macbeth (acte V, scène 5, lignes 25 à 29) définit la vie ainsi: “Life’s but a walking shadow; a poor player, La vie n’est qu’une ombre qui marche, un pauvre acteur That struts and frets his hour upon the stage, Qui se pavane et s’agite à son heure sur la scène, And then heard no more: it’s a tale Et puis qu’on n’entend plus : «c’est un récit Told by an idiot, full of sound and fury, Raconté par un idiot, plein de bruit et de fureur, Signifying nothing.” Qui ne signifie rien. » * « Le Bruit et la Fureur », publié en 1929, fait partie avec Sartoris (1927), Absalon ! Absalon !(1936), L’Invaincu (1938), Descend moïse (1942), L’intrus (1948), Requiem pour une nonne (1951), de la « saga de Jefferson » (alias Oxford, Mississippi) qu’il appela le «Livre ». Ces 7 romans ont pour décor le Sud natal de William FAULKNER, dont il immortalisa le comté d’Oxford sous le nom de Yolnapatawpha. * Lire la préface de Maurice Edgar COINDREAU apporte une aide considérable à la lecture du récit. Le drame se déroule entre les membres de trois générations de Compson, une vieille famille du Sud des États-Unis servies par trois générations de nègres. -
I FÁBIO ROBERTO MARIANO FAULKNER NA FRANÇA
FÁBIO ROBERTO MARIANO FAULKNER NA FRANÇA: UMA ANÁLISE DOS PREFÁCIOS ÀS TRADUÇÕES DOS LIVROS DE WILLIAM FAULKNER PUBLICADOS NA FRANÇA NOS ANOS 30. CAMPINAS 2015 i ii UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ESTUDOS DA LINGUAGEM FÁBIO ROBERTO MARIANO FAULKNER NA FRANÇA: UMA ANÁLISE DOS PREFÁCIOS ESCRITOS ÀS TRADUÇÕES DOS LIVROS DE WILLIAM FAULKNER PUBLICADAS NA FRANÇA NOS ANOS 30. Dissertação apresentada para o Instituto de Estudos da Linguagem da Universidade Estadual de Campinas para obtenção do título de Mestre em Teoria e História Literária, na área de História e Historiografia Literária. Orientador: Prof. Dr. Eric Mitchell Sabinson CAMPINAS 2015 iii iv v vi RESUMO: O objetivo deste trabalho é compreender a recepção de Faulkner na França a partir de uma contextualização da literatura francesa nos anos 1930 e da leitura detalhada dos referidos prefácios. O que está em primeiro plano não é uma leitura crítica do autor, e sim uma organização de leituras críticas anteriores. Ao fim do texto, é esboçada uma proposição acerca do apelo específico que Faulkner teve na França. Dos seis livros de Faulkner publicados durante os anos 30, cinco trazem prefácios. Esses textos são de autoria de figuras de grande influência no ambiente literário francês: os tradutores Maurice-Edgar Coindreau e René-Noël Raimbault, o crítico e escritor Valery Larbaud e o escritor, político e jornalista André Malraux. A partir das leituras propostas nesses prefácios, é possível tentar estabelecer uma relação entre o ambiente cultural da França e a obra de William Faulkner. Para estabelecer tal relação, este trabalho se divide em três partes, cada qual correspondendo a um de seus capítulos. -
An Annotated Bibliography of William Faulkner, 1967-1970
Studies in English Volume 12 Article 3 1971 An Annotated Bibliography of William Faulkner, 1967-1970 James Barlow Lloyd University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/ms_studies_eng Part of the American Literature Commons Recommended Citation Lloyd, James Barlow (1971) "An Annotated Bibliography of William Faulkner, 1967-1970," Studies in English: Vol. 12 , Article 3. Available at: https://egrove.olemiss.edu/ms_studies_eng/vol12/iss1/3 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Studies in English by an authorized editor of eGrove. For more information, please contact [email protected]. Lloyd: Faulkner Bibliography An Annotated Bibliography of William Faulkner, 1967—1970 by James Barlow Lloyd This annotated bibliography of books and articles published about William Faulkner and his works between January, 1967, and the summer of 1970 supplements such existing secondary bibliog raphies as Maurice Beebe’s checklists in the Autumn 1956 and Spring 1967 issues of Modern Fiction Studies; Linton R. Massey’s William Faulkner: “Man Working” 1919-1962: A Catalogue of the William Faulkner Collection of the University of Virginia (Charlottesville: Bibliographic Society of the University of Virginia, 1968); and O. B. Emerson’s unpublished doctoral dissertation, “William Faulkner’s Literary Reputation in America” (Vanderbilt University, 1962). The present bibliography begins where Beebe’s latest checklist leaves off, but no precise termination date can be established since publica tion dates for periodicals vary widely, and it has seemed more useful to cover all possible material than to set an arbitrary cutoff date. -
Book Reviews Criticism Editors
Criticism Volume 19 | Issue 3 Article 5 1977 Book Reviews Criticism Editors Follow this and additional works at: http://digitalcommons.wayne.edu/criticism Recommended Citation Editors, Criticism (1977) "Book Reviews," Criticism: Vol. 19: Iss. 3, Article 5. Available at: http://digitalcommons.wayne.edu/criticism/vol19/iss3/5 to Book Reviews Karl Marx and World Literature by S. S. Prawer. Oxford: The Clarendon Press, 197.6. Pp. xii + 446. $19.50. As "orthodox" Anglo-Saxon criticism continues to run out of intellectual capital, some more ambitious, systematic and comprehensive critical method seems increasingly in demand. Of the various candidates for this role structuralism, Marxism, semiotics, stylistics, psychoanalysis and the like Marxism is currently enjoying rather a good press. In the United States, there is the work of men like Fredric Jameson and Stephen Morawski, as well as the increasingly potent intervention of the Marxist Literary Group; in Britain, the para-Marxist writings of Raymond Williams have influenced (if. only, on occasions, by critical reaction) a growing band of younger, quasi-Althusserian aestheticians who look anxiously to Europe for a literary science which might supplant their own dismal native heritage of myopic empiricism. In all of this, Marx's own writings on literature h~ve a critical, if not central, importance. And there have been some valuable compendia of such work: .Mikhail Lifshitz's classical compilation of Marx and Engels on literature and art, for example, or, more peripherally, Peter Demetz's deeply tendentious Marx, Engels and the Poets. More recently, Lee Baxandall and Stephan Morawski have provided us with a convenient, if curiously organised, record of Marx and Engels's literary comments, in the first volume of the projected DOMA series (Documents on Marxist Aesthetics). -
Male Homosocial Landscape
MALE HOMOSOCIAL LANDSCAPE: FAULKNER,WRIGHT, HEMINGWAY, AND FITZGERALD A dissertation submitted To Kent State University in partial Fulfillment of the requirements for the Degree of Doctor of Philosophy by Masaya Takeuchi December, 2011 Dissertation written by Masaya Takeuchi B.A., Rikkyo University, 2001 M.A., Rikkyo University, 2004 Ph.D., Kent State University, 2011 Approved by Robert Trogdon , Chair, Doctoral Dissertation Committee Mark Bracher , Member, Doctoral Dissertation Committee Kevin Floyd , Member, Doctoral Dissertation Committee Elizabeth M. Smith-Pryor , Member, Doctoral Dissertation Committee Marilyn A. Norconk , Member, Doctoral Dissertation Committee Accepted by Donald M. Hassler , Interim Chair, English Department Timothy Moerland , Dean, College of Arts and Sciences ii TABLE OF CONTENTS Acknowledgments ……………………………………………………………………….iv Introduction …………………………………………………….………………………. 1 Part I: Chapter 1. ………………………………………………………………………………. 26 2. …………………..…………………………………………………………... 59 Part II: Chapter 3. ………………...……………………………………………………………... 93 Part III: Chapter 4. ……………...……………………………………………………………… 122 5. ………..……………………………………………………………………. 163 Part IV: Chapter 6. ……...……………………………………………………………………… 190 7. ……………………………………………………………………………... 225 Conclusion …………………………………………………………………………….. 254 Bibliography ….………………………………………..……………………………..... 261 iii Acknowledgements During the eight years I have studied in Ph.D. programs at Rikkyo University and Kent State University, I have received tremendous instruction and encouragement from many professors. -
Military History Anniversaries 1 Thru 15 July
Military History Anniversaries 1 thru 15 July Events in History over the next 15 day period that had U.S. military involvement or impacted in some way on U.S military operations or American interests JUL 00 1940 – U.S. Army: 1st Airborne Unit » In 1930, the U.S. Army experimented with the concept of parachuting three-man heavy-machine-gun teams. Nothing came of these early experiments. The first U.S. airborne unit began as a test platoon formed from part of the 29th Infantry Regiment, in July 1940. The platoon leader was 1st Lieutenant William T. Ryder, who made the first jump on August 16, 1940 at Lawson Field, Fort Benning, Georgia from a B-18 Bomber. He was immediately followed by Private William N. King, the first enlisted soldier to make a parachute jump. Although airborne units were not popular with the top U.S. Armed Forces commanders, President Franklin D. Roosevelt sponsored the concept, and Major General William C. Lee organized the first paratroop platoon. On a tour of Europe he had first observed the revolutionary new German airborne forces which he believed the U.S. Army should adopt. This led to the Provisional Parachute Group, and then the United States Army Airborne Command. General Lee was the first commander at the new parachute school at Fort Benning, in west-central Georgia. The U.S. Armed Forces regards Major General William C. Lee as the father of the Airborne. The first U.S. combat jump was near Oran, Algeria, in North Africa on November 8, 1942, conducted by elements of the 2nd Battalion, 509th Parachute Infantry Regiment. -
An American Writer Ernest Hemingway's Life Style and Its
НАУЧНИ ТРУДОВЕ НА РУСЕНСКИЯ УНИВЕРСИТЕТ - 2009, том 48, серия 6.3 An American writer Ernest Hemingway’s life style and its influence to his creative activity Ruslan Mammadov Abstract: This dissertation work gives a deeper view of the literary style and philosophy of Ernest Hemingway - the American short story writer, novelist, non-fiction writer, journalist, poet, and dramatist. Mainly, it focuses on the connection between the life of Ernest Hemingway and his literary works. He enjoyed life to the fullest and wanted to show that he could do whatever he wanted and it is truly obvious that these facts deeply influenced to his future career, his creativity and private life. This paper examines reflections of the author’s childhood on his works and the effects of women’s special role on his life and creativity and on the moral and ethical relativism of Hemingway's characters. It also studies the importance and the influence of World War I on his short stories and novels. What’s more, it studies his thirst for cultural knowledge which has left indelible signs in all of his works. The aim of this research is to find out essential features of the writer’s literary activity and to explain why the above coupled with the essential messages on the concept of wealth and goodness, portrayed in Hemingway's novels, are some of the reasons why his works have been rendered classics of the American literature. Key words: Ernest Hemingway INTRODUCTION Every man`s life ends the same way. It is only the details of how he lived and how 1 he died that distinguishes one man from another. -
Hemingway Newsletter Publication of the Hemingway Society | No
theHemingway newsletter Publication of The Hemingway Society | No. 72 | 2020 Out of the Airport and into the Zoom Society to Host Free Webinar Series July 17-19 as Summer Substitute for Wyoming/ Montana Conference Postponed to 2021 Due to As a summer substitute for the Wyoming/Montana conference (now Global Pandemic postponed to July 18-24, 2021), the Society will offer a three-day, three- panel webinar this July 17-19, 2020—which just happens to be the fortieth anniversary of the Thompson Island founding of the Society. ooking back only three months later, a compromised immune system, for concerns of my own. When the CDC the agenda for the Valentine’s Day example, or anyone over sixty-five—didn’t started issuing travel advisories in late meeting of the Hemingway Society’s feel comfortable with air travel? Could February, and when the first death on U.S. Lboard may seem like a relic from a more an international member on the program soil was reported, I took it seriously. On innocent item. Items up for discussion beam in electronically through Skype or March 2 I went out and bought everything include updates on the Wyoming/Montana Zoom to present a paper if they decided an on the Ready.gov disaster preparedness conference that was then six months international flight was risky? What on-site checklist, including six weeks’ worth of away, soliciting proposals for the 2022 precautions would be taken to make sure toilet paper, non-perishable foods, OTC conference (to be held abroad), raising conferees wouldn’t infect each other? medicine, dog food, etc. -
The Foreign Service Journal, July 1990
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Hemingway-A-Farewell-To-Arms.Pdf
A Farewll to Arms by Ernest Hemingway (1899- 1961) First Published in 1929. Typesetting and Layout Design by All the Classics. Published by All the Classics, March 2020. Catalogue entry: AC-EH-01/2579/011 all-the-classics.com [email protected] Cover Image: Ernest Hemingway at Bullfight in Málaga, Spain by unknown photographer, 1959, 5" x 7", John F. Kennedy Presidential Library and Museum EH6016P, Primary Collection, Papers of Ernest Hemingway, Photograph Collection. Ernest Miller Hemingway was born on 21st July 1899 in Cicero (now Oak Park), Illinois to Clarence and Grace Hemingway. Ernest was raised in suburb of Chicago and spent summers in Walloon Lake in upper Michigan where his family had a cabin. In high school, he worked for the school newspaper Trapeze and Tabula, writing mainly about sports. After graduation, he started his career as a writer for the Star, a newspaper in Kansas City, at the age of seventeen. After the United States entered World War I, his request to join the army was rejected several times due to a defective eye. However, he finally joined the army as an ambulance driver for the American Red Cross. On 8th July 1918, he was wounded on the Austro-Italian front and therefore had to spend some time in hospitals. He was decorated for his heroism. While in a hospital in Milan, he fell in love with Agnes von Kurowsky, a Red Cross nurse, who rejected his proposal. After his return to the United States, he became a reporter for Canadian and American newspapers and was sent back to Europe to cover such events as the Greek Revolution. -
An Aesthetic Consciousness
An Aesthetic Consciousness: An Existentialist Reading of William Faulkner’s Fiction Maya Heller MPhil English and Comparative Literature Goldsmiths, University of London December 2017 I hereby declare that all of the work presented in this thesis is my own. Maya Heller, 7th December 2017 2 Abstract This thesis presents an existentialist reading of William Faulkner’s early fiction (1925-31). Moving away from a regionalist perspective the thesis argues that Faulkner’s work can be viewed as part of a universal and aesthetic exploration of the human condition. By focusing specifically on Jean-Paul Sartre’s early philosophy (1930s-40s) and the concepts of consciousness, the duality of being: being-in-itself (the world of objects) and being-for-itself (human consciousness), the thesis investigates the way in which consciousness operates ontologically in Faulkner’s prose. It argues that a decidedly existentialist consciousness can be traced in Faulkner, one in which a linked relationship between imagination and reality lays bare the fragility of the characters and a sense of displacement in Faulkner’s fiction. Within the context of existentialism, the thesis also emphasises the importance of the artist figure within Faulkner’s writing. As the embodiment of existential action and choice, the artist in Faulkner’s fiction reflects a sense of liberation and freedom. In this context, the existentialist reading re- examines the way the artist’s sense of reality hinges on the interaction between human consciousness and the world of objects, between Faulkner’s representation of art (text, painting and sculpture) and form and technique (fragmentation and multiple perspective). -
William Faulkner and the French-Speaking World Nabil
International Journal of Language and Literature December 2014, Vol. 2, No. 4, pp. 109-122 ISSN: 2334-234X (Print), 2334-2358 (Online) Copyright © The Author(s). 2014. All Rights Reserved. Published by American Research Institute for Policy Development DOI: 10.15640/ijll.v2n4a6 URL: http://dx.doi.org/10.15640/ijll.v2n4a6 William Faulkner and the French-Speaking World Nabil Boudraa1 Abstract This article deals with the influence of William Faulkner on some French andFrancophone writers.I argue that French authors, such as Jean-Paul Sartre, Albert Camus, and André Malraux, find in Faulkner’s fictional work resonance to their own philosophical ideas, namely the sense of the tragic and the metaphysics of time. Francophone writers, on the other hand, like KatebYacine, Edouard Glissant, RachidBoudjedra, among many others, are more attracted to Faulkner’s work for such issues as the vernacular language, the poetics of landscape, and the class and race issues. Key words : Influence-Faulkner- French literature- Francophone literature The Martinican writer Édouard Glissant, when asked, in a graduate seminar I attended two decades ago, about his choice for the best writer of the twentieth century, said without any hesitation: “Faulkner, despite Joyce and Proust.” Later in the same day I watched a documentary on the Algerian writer, Kateb Yacine, and again I was surprised to hear that he, too, invoked Faulkner as “the greatest writer of our time.” This fascination with Faulkner stirred my curiosity, and I immediately wanted to understand why both Glissant and Kateb, as Francophone writers, admired this American writer instead of such writers as Jean-Paul Sartre, André Malraux, or even Albert Camus.