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Popular Communication Digital Television
This article was downloaded by: [HPPC Popular Communication Society] On: 15 December 2009 Access details: Access Details: [subscription number 794247811] Publisher Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37- 41 Mortimer Street, London W1T 3JH, UK Popular Communication Publication details, including instructions for authors and subscription information: http://www.informaworld.com/smpp/title~content=t775653693 Digital Television: Options and Decisions in Latin America Raúl Trejo Delarbre a; translated by Margaret Schwartz b a Instituto de Investigaciones Sociales de la UNAM, b Fordham University, To cite this Article Trejo Delarbre, Raúl and Schwartz, translated by Margaret(2009) 'Digital Television: Options and Decisions in Latin America', Popular Communication, 7: 3, 169 — 178 To link to this Article: DOI: 10.1080/15405700903023434 URL: http://dx.doi.org/10.1080/15405700903023434 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.informaworld.com/terms-and-conditions-of-access.pdf This article may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. -
Redes Y Sistemas De Comunicación En América Latina
Facultad de Humanidades y Ciencias de la Educación - AÑO 2 :: No. 3 :: Julio-Diciembre 2016 - ISSN 2393 6584 TEMA CENTRAL: Redes y sistemas de comunicación en América Latina Vol. 2, Nº 3 - Julio-Diciembre 2016 ISSN 2393 6584 Facultad de Humanidades y Ciencias de la Educación Universidad de la República – Uruguay Imagen de portada: Radio Cultura. Revista semanal de radiotelefonía, literatura y arte. Buenos Aires. Año 1, Nº 48, Buenos Aires, 10 al 16 de diciembre de 1923. Comité Editor Ana Frega Novales (Directora) Ana María Rodríguez Ayçaguer Nicolás Duffau Daniel Fessler Clarel de los Santos Contacto: Clarel de los Santos [email protected] Publicación semestral de la Facultad de Humanidades y Ciencias de la Educación, Universidad de la República - Uruguay; editada en el Instituto de Ciencias Históricas –Departamento de Historia del Uruguay-, por el Grupo de Investigación “Crisis revolucionaria y construcción estatal en el Río de la Plata”, I+D CSIC. http://www.revistaclaves.fhuce.edu.uy/index.php/Claves-FHCE Claves. Revista de Historia TEMA CENTRAL Claves. Revista de Historia, Vol. 2, Nº 3 (Julio-Diciembre 2016) ISSN 2393-6584 Claves. Revista de Historia, Vol. 2, Nº 3 Montevideo, Julio-Diciembre 2016 (pp. 1-9) ISSN 2393-6584 Tema central “Redes y sistemas de comunicación en América Latina” Presentación Los artículos que conforman este dossier fueron la respuesta a una convocatoria sobre redes y sistemas de comunicación en América Latina. Fue una propuesta deliberadamente abarcativa porque consideramos que la amplitud de los períodos históricos, la variedad de los objetos y los países abordados por los autores, lejos de redundar en una dispersión improductiva, permiten reconocer la unidad de los medios de comunicación como objeto de investigación. -
Historia De La Comunicación
ÍNDICE En el hogar y en la sociedad: La Mujer en la Prensa del Interior de Brasil en los años 1960 5 Nayara Kobori Los orígenes universitarios del periodismo televisivo chileno 9 Eduardo Santa Cruz Achurra Del sueño local a la acción regional: Una historia transnacional de Internet en América Central (1990-1995) 14 Ignacio Siles Vozes dissonantes: experiência de dramaturgia aplicada à conscientização social 18 João Batista de Abreu La construcción de los héroes en la ficción televisiva mexicana 24 Adrien José Charlois Allende & Janny Amaya Trujillo História sem revanchismo: os atributos do Brasil: Nunca Mais nas agendas midiáticas de Folha de S. Paulo 30 e Jornal do Brasil Luana Chinazzo MÜLLER Lectoras y escritoras en la prensa literaria de México: el caso de Michoacán 1870-1910 40 Gabriela Sánchez Medina Entre pantalones campana y blue jeans. Revolución sexual femenina y publicidad en Costa Rica. 48 Virginia Mora Carvajal Contribuições para uma memória institucional. 40 da ALAIC 58 GOBBI, Maria Cristina Lugares de Memória e representação: A mulher na revista Gran-Fina (1940-1942) 65 Jasmine Aparecida Horst dos Santos & Nincia Cecília Ribas Borges Teixeira Desvelar un enigma: la carta-crónica o las “correspondencias” de Rubén Darío para La Nación. 71 Sac-Nicté Guevara Calderón ENTRECRUZAMENTOS DE NARRATIVAS HISTÓRICAS E FICCIONAIS: A DESILUSÃO DE HENFIL EM TANGA 80 (1987) Márcia Neme Buzalaf Evolución comunicacional, memoria en metamorfosis 87 Larissa Conceição dos Santos & Marco Bonito La batalla de la pantalla: debates políticos y enfrentamientos por la venta de publicidad comercial en la 94 televisión del SODRE (1966- 1967) María Florencia Soria González Las narrativas de la “mutilación”: Base de la identidad nacional boliviana 100 Guadalupe Peres-Cajías Historia, narraciones mediáticas y TIC. -
Digital Journalism: Making News, Breaking News
MAPPING DIGITAL MEDIA: GLOBAL FINDINGS DIGITAL JOURNALISM: MAKING NEWS, BREAKING NEWS Mapping Digital Media is a project of the Open Society Program on Independent Journalism and the Open Society Information Program Th e project assesses the global opportunities and risks that are created for media by the switch- over from analog broadcasting to digital broadcasting; the growth of new media platforms as sources of news; and the convergence of traditional broadcasting with telecommunications. Th ese changes redefi ne the ways that media can operate sustainably while staying true to values of pluralism and diversity, transparency and accountability, editorial independence, freedom of expression and information, public service, and high professional standards. Th e project, which examines the changes in-depth, builds bridges between researchers and policymakers, activists, academics and standard-setters. It also builds policy capacity in countries where this is less developed, encouraging stakeholders to participate in and infl uence change. At the same time, this research creates a knowledge base, laying foundations for advocacy work, building capacity and enhancing debate. Covering 56 countries, the project examines how these changes aff ect the core democratic service that any media system should provide—news about political, economic and social aff airs. Th e MDM Country Reports are produced by local researchers and partner organizations in each country. Cumulatively, these reports provide a unique resource on the democratic role of digital media. In addition to the country reports, research papers on a range of topics related to digital media have been published as the MDM Reference Series. Th ese publications are all available at http://www.opensocietyfoundations.org/projects/mapping-digital-media. -
Influencias Extranjeras, Miradas Locales. La Televisión Pública En Uruguay (1963- 1968)
Claves. Revista de Historia, Vol. 2, Nº 3 Montevideo, Julio-Diciembre 2016 (pp. 193-223) ISSN 2393-6584 Influencias extranjeras, miradas locales. La televisión pública en Uruguay (1963- 1968) Florencia Soria Universidad de la República Recibido: 10/11/2016 Aceptado: 02/12/2016 Resumen El artículo propone describir y analizar la reglamentación y las posiciones discursivas de actores políticos, autoridades del Servicio Oficial de Difusión Radio Eléctrica (SODRE) y empresarios de los medios de comunicación sobre la televisión pública en Uruguay entre 1963 y 1968. Desde la historia cultural y la sociología de la cultura, el artículo se centra en dos hipótesis: a) la autorización que el SODRE otorgó al Canal 5 para vender publicidad comercial motivó la primera discusión política sobre la televisión pública como institución social; b) esta discusión puso en juego un intrincado diálogo entre modelos y políticas de comunicación en el marco de los intensos debates y proyectos sobre los modos de resolver la crisis del país y en el contexto internacional de la Guerra Fría. Palabras clave: televisión pública en Uruguay, historia de los medios, historia de la comunicación, políticas de comunicación. Foreign influences, local perspectives. Public Television in Uruguay (1963- 1968) Abstract The article proposes to describe and analyze the regulation and discursive positions of political actors, Official Radio Broadcasting Service Electric (SODRE)´s authorities and businessmen of the media about public television in Uruguay between 1963 and 1968. From -
World Bank Document
Public Disclosure Authorized Public Disclosure Authorized Social Inclusion in Uruguay Public Disclosure Authorized Public Disclosure Authorized © 2020 International Bank for Reconstruction and Development / The World Bank 1818 H Street NW Washington DC 20433 Telephone: 202-473-1000 Internet: www.worldbank.org This work was originally published by The World Bank in English as Social Inclusion in Uruguay, in 2020. In case of any discrepancies, the original language will prevail. This work is a product of the staff of The World Bank with external contributions. The findings, interpretations, and conclusions expressed in this work do not necessarily reflect the views of The World Bank, its Board of Executive Directors, or the governments they represent. The World Bank does not guarantee the accuracy of the data included in this work. The boundaries, colors, denominations, and other information shown on any map in this work do not imply any judgment on the part of The World Bank concerning the legal status of any territory or the endorsement or acceptance of such boundaries. Rights and Permissions The material in this work is subject to copyright. Because The World Bank encourages dissemination of its knowledge, this work may be reproduced, in whole or in part, for noncommercial purposes as long as full attribution to this work is given. Attribution—The World Bank. 2020. Social Inclusion in Uruguay. Washington, DC: World Bank. License: Creative Commons Attribution CC BY 3.0 IGO. Any queries on rights and licenses, including subsidiary rights, should be addressed to World Bank Publications, The World Bank Group, 1818 H Street NW, Washington, DC 20433, USA; fax: 202-522-2625; e mail: [email protected]. -
Uruguay Film Commission & Promotion Office
La presente recopilación busca reflejar la trayectoria de la ficción uruguaya de los últimos veinticinco años, con el objetivo de ampliar las vías de distribución del cine nacional. Hablar de trayectoria es una forma de mostrar que hay una historia, un camino recorrido que revela, en sus huellas, el significativo reconocimiento internacional que concita nuestro cine. El catálogo reúne mediometrajes y largometrajes realizados desde 1985 hasta marzo de 2010. Para la selección se ha considerado mediometraje a la obra de 30’ y largometraje a la que excede los 60 minutos. Como definición de película nacional se tomó la que establece el artículo 10 de la ley 18.284: aquella que se realice total o parcialmente en el territorio de la República Oriental del Uruguay y en la que la mayoría de los técnicos y artistas intervinientes sean residentes en el país o ciudadanos uruguayos. Para las coproducciones se siguió la definición que establece la ley en el mismo artículo: obras cinematográficas y audiovisuales nacionales realizadas total o parcialmente en el territorio de la República en régimen de coproducción con otros países, que empleen personal técnico y artístico que reúna las características antedichas, en un 20% como mínimo. En el caso de los cortometrajes, el relevamiento no fue exhaustivo; se presenta aquí una selección más restringida integrada por aquellas obras que fueron ampliadas a 35 mm. y/o premiadas en festivales internacionales. The present compilation aims to reflect the path of the Uruguayan fiction of the last twenty five years with the objective to broaden the ways of distribution of the national cinema. -
Discursive Processes of Intergenerational Transmission of Recent History Also by Mariana Achugar
Discursive Processes of Intergenerational Transmission of Recent History Also by Mariana Achugar WHAT WE REMEMBER: The Construction of Memory in Military Discourse (2008) ‘Mariana Achugar has written a powerful and solid book in which she gives voice to new generations of Uruguayan youth from Montevideo and rural Tacuarembó, who enter the public debate about the contested traumatic past of recent dictatorship. As Mariana emphasizes in her work, “the goal of intergenerational transmission of the recent past is not only to remember, but to understand”, and this is precisely what youth manifested to be interested in, because understanding their past enables them to construct their national and civic identities. Mariana expands the theoretical and methodological approaches in discourse analysis and focuses on the circulation and reception of texts. She exam- ines intertextuality and resemiotization in recontextualized practices, for analyzing what youth know about the dictatorship and how they learn about it. In doing so, Mariana reveals the complexity of this cir- culation of meanings about the past through popular culture, family conversations and history classroom interactions in school contexts. We learn that the youth, as active members of society, construct the past of the dictatorship through both; schematic narratives that are avail- able in the public sphere, and from their own elaborations grounded on the materials available in the community. This is a highly relevant and much needed book for scholars interested in memory and critical discourse studies.’ – Teresa Oteíza, Pontificia Universidad Católica de Chile, Chile ‘Memory scholars agree that the inter-generational transmission of col- lective memories is key to shaping the future, and others have noted that Uruguay is in the vanguard of using the school to transmit historical memories of the recent past to children who did not live it themselves, but no one has studied this process so closely or so well as Mariana Achugar . -
Obitel Bilingue Inglês 2020 Color.Indd
IBERO-AMERICAN OBSERVATORY OF TELEVISION FICTION OBITEL 2020 MELODRAMA IN TIMES OF STREAMING IBERO-AMERICAN OBSERVATORY OF TELEVISION FICTION OBITEL 2020 MELODRAMA IN TIMES OF STREAMING General coordinators Maria Immacolata Vassallo de Lopes Guillermo Orozco Gómez Coordinator of this edition Gabriela Gómez Rodríguez National coordinators Morella Alvarado, Gustavo Aprea, Fernando Aranguren, Catarina Burnay, Borys Bustamante, Giuliana Cassano, Gabriela Gómez, Mónica Kirchheimer, Charo Lacalle, Pedro Lopes, Guillermo Orozco Gómez, Ligia Prezia Lemos, Juan Piñón, Rosario Sánchez, Luisa Torrealba, Guillermo Vásquez, Maria Immacolata Vassallo de Lopes © Globo Comunicação e Participações S.A., 2020 Capa: Letícia Lampert Projeto gráfico e editoração: Niura Fernanda Souza Produção editorial: Felícia Xavier Volkweis Revisão do texto: Felícia Xavier Volkweis Revisão gráfica: Niura Fernanda Souza Editor: Luis Antônio Paim Gomes Foto de capa: Louie Psihoyos – High-definition televisions in the information era Bibliotecária responsável: Denise Mari de Andrade Souza – CRB 10/960 M528 Melodrama in times of streaming [digital book] / general coordinators Maria Immacolata Vassallo de Lopes and Guillermo Orozco Gómez. -- Por- to Alegre: Sulina, 2020. 383 p.; [recurso eletrônico] ISBN: 978-65-5759-013-3 1. Television – Internet. 2. Streaming – Television Programs. 3. Fiction – Streaming. 4. Technology – Ibero-American Television – Streaming. 5. Television – Ibero-American. 6. Social Communication. I. Lopes, Maria Im- macolata Vassallo de. II. Gómez, Guillermo -
Volver a La Cisplatina (1817-1828). Una Aproximación a Los “Estados De Opinión”1 De Los Orientales Sobre La Independencia Del Uruguay
.............................................................................................................................................................................. Nelson PIERROTTI Universidad de Montevideo (Uruguay) Universidad de la Empresa (Uruguay) [email protected] Volver a la Cisplatina (1817-1828). Una aproximación a los “estados de opinión”1 de los orientales sobre la independencia del Uruguay Resumen: El periodo cisplatino (1817-1828), clave Abstract: The Cisplatin Period (1817-1828), which para entender tanto las circunstancias atípicas is key to understand both the atypical circumstances ISSN: 1510-5024 (papel) - 2301-1629 (en línea) en las que nació el Uruguay así como las luchas where Uruguay was born and the struggle for por el poder en el Río de la Plata, es uno de los power in the Rio de la Plata, is one of the least 17 menos estudiados por la historiografía regional. studied subjects by the regional historiography. In En Uruguay la nutrida polémica que trascendió el Uruguay, the abundant historiographical debates ámbito historiográfico y tuvo variados momentos, se that transcended the field -debates that had enfocó sobre todo en las causas de la independencia many stages- focused especially on the causes of y en la voluntad de los orientales de seguir ese independence and the will of the East to follow this curso histórico. Entre omisiones y oscuridades, historic course. Among omissions and obscurities, los aspectos culturales y sociales que pudieran the cultural aspects that could illuminate a complex iluminar esta compleja y cambiante trama histórica, and changing historical plot were minimized or fueron minimizados u olvidados. Incluso las formas forgotten. Even the ways of thinking and feeling de pensar y sentir de la generación sacudida por of the generation shaken by long years of war largos años de guerra casi no se registran ni en were almost never recorded in history textbooks or los manuales de historia ni en las investigaciones academic research. -
EUDO Citizenship Observatory
EUDO CITIZENSHIP OBSERVATORY REPORT ON CITIZENSHIP LAW: UruGUAY Ana Margheritis May 2015 CITIZENSHIP http://eudo-citizenship.eu European University Institute, Florence Robert Schuman Centre for Advanced Studies EUDO Citizenship Observatory Report on Citizenship Law: Uruguay Ana Margheritis May 2015 EUDO Citizenship Observatory Robert Schuman Centre for Advanced Studies in collaboration with Edinburgh University Law School Country Report, RSCAS/EUDO-CIT-CR 2015/11 Badia Fiesolana, San Domenico di Fiesole (FI), Italy © 2015 Ana Margheritis This text may be downloaded only for personal research purposes. Additional reproduction for other purposes, whether in hard copies or electronically, requires the consent of the authors. Requests should be addressed to [email protected] The views expressed in this publication cannot in any circumstances be regarded as the official position of the European Union Published in Italy European University Institute Badia Fiesolana I – 50014 San Domenico di Fiesole (FI) Italy www.eui.eu/RSCAS/Publications/ www.eui.eu cadmus.eui.eu Research for the EUDO Citizenship Observatory Country Reports has been jointly supported by the European Commission grant agreement JLS/2007/IP/CA/009 EUCITAC and by the British Academy Research Project CITMODES (both projects co-directed by the EUI and the University of Edinburgh). The financial support from these projects is gratefully acknowledged. For information about the Project please visit the project website at http://eudo-citizenship.eu Citizenship Law Uruguay Ana Margheritis 1. Introduction A combination of demographic, political, and economic factors have shaped Uruguay’s process of nation- and state-building, including the establishment of citizenship norms. The country occupies a small area of South America: 176,215 square kilometres. -
State Funding and Campaign Finance Practices in Uruguay Kevin Casas- Zamora1
Cuad.CLAEH vol.1 no.se Montevideo 2006 State Funding and Campaign Finance Practices in Uruguay Kevin Casas- Zamora1 St. Antony’s College, University of Oxford I. Introduction If the funding of campaigns is far from transparent in most countries, it is a decidedly arcane matter in Uruguay. In spite of several legislative attempts to regulate them, the fundraising activities of the Uruguayan parties remain bereft of any external control. The features and amounts of the long-standing electoral subsidy scheme, which dates as far back as 1928, are the only publicly known traits of Uruguay’s political finance system. It is not surprising, thus, that the topic has failed to spawn any academic literature or even extensive journalistic coverage.2 This chapter attempts to piece together the available information on the funding of Uruguayan elections, including that derived from numerous interviews with politicians, party officials, and political donors. I will show that campaign finance practices and the effects of electoral subsidies in Uruguay are decisively shaped by wider institutional, historical and social realities, consistently overlooked in political finance discussions. I will suggest that Uruguay’s system of Double Simultaneous Voting (DSV) and, in particular, the fragmentation of its party system, raise significantly the cost of elections and limit the proportional weight of State funding on campaign finances. I will also suggest that specific features of Uruguay’s electoral legislation have a direct bearing on the structure of campaign expenditure, making it considerably media-oriented. Moreover, the analysis will show the ostensible differences that separate the country’s right-of-centre traditional parties, Colorado Party (CP) and National Party (NP), from their left-leaning rivals, the Broad Front (BF), when it comes to reliance on State funding and many other aspects of their campaign finance practices.