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Writers and Creative Advisors Selected for Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 48
FOR IMMEDIATE RELEASE Media contacts: March 23, 2016 Chalena Cadenas 310.360.1981 [email protected] Mauli Singh [email protected] Writers and Creative Advisors Selected for Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 48 Lab Recognizes and Supports Six Emerging Independent Filmmakers from India Los Angeles, CA — Sundance Institute and Drishyam Films today announced the artists and creative advisors selected for the second Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 48. The Lab supports emerging filmmakers in India, as part of the Institute’s sustained commitment to international artists, which in the last 25 years has included programs in Brazil, Mexico, Jordan, Turkey, Japan, Cuba, Israel and Central Europe. Now in its second year, the fourday Lab is a creative and strategic partnership between Drishyam Films and Sundance Institute, and gives independent screenwriters the opportunity to work intensively on their feature film scripts in an environment that encourages innovation and creative risktaking. The Lab is centered around oneonone story sessions with creative advisors. Screenwriting fellows engage in an artistically rigorous process that offers lessons in craft, a fresh perspective on their work and a platform to fully realize their material. Leading the Lab in India is Drishyam founder, Manish Mundra. He said, “A beautiful heritage city in my hometown of Rajasthan, Udaipur forms an ideal writers retreat, and is the perfect environment for a diverse group of emerging writers and renowned mentors to have a refreshing and productive exchange. Our goal is that the six selected Indian projects, after undergoing a comprehensive mentoring process, will quickly move from script to screen and make their mark globally.
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Baghawad Gita, Class 184: Chapter 14, Verses 19 to 14
Baghawad Gita, Class 184: Chapter 14, Verses 19 to 14 Shloka # 14. 9: 14.9 O scion of the Bharata dynasty, sattva attaches one to happiness, rajas to action, while tamas, covering up knowledge, leads to inadvertence als Continuing his teachings Swamiji said today, in the last few classes, we saw that our higher nature known as the sakshi svarupam is ever nirgunam and therefore is free from the influence of the three gunas; but our vyavaharika nature, our lower nature, which is called ahamkara is a mixture of the body-mind complex, as well as the reflected consciousness. And till the ahamkara consists of the body-mind complex and till the body-mind complex is born out of prakrti, the ahamkara can never escape from the three gunas. And therefore, our body-mind complex is made up of three gunas and the ahamkara which consists of this body-mind complex is the necessarily made up of these three gunas, and therefore, we can never escape from them. We have to live with this saguna ahamkara. And once we are forced to live with this ahamkara, it is better that we understand the ahamkara well, so that we know how to handle it properly. Science is able to handle the nature more and more only because science has been able to know nature more and more. Knowledge gives the capacity for better handling. And therefore Sri Krishna says: you have to understand your own ahamkara very well. For that, you must know what type of ahamkara you have; which guna is dominant, which guna is in middle; the second place, and which guna is the lowest; better you understand and you also know how these gunas influence your vyavaharika life; both material life, as well as the spiritual life.
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Drishyam 2016: 2 Bokaro International Film Festival Concludes at DPS
October 23, 2016 Drishyam 2016: 2ndBokaro International Film Festival concludes at DPS Bokaro A 2 day festival of films concludes with edu-tainment “Films provide impetus to creativity of students and promote appreciation for classic films of the world of cinema” –Dr. Hemlata S. Mohan, Director & Principal, DPS Bokaro “Movies are the best source of social learning” - Mr. Atul Srivastava, ED( P&A), BSL th “Films have largely influenced the mass population in 20 century” - Mr. Prahlad Agarwal, Renowned Film Historian and Writer “Films are the best forms of art and expression” - Dr. Satyadeva Tripathi, Noted Film & Theatre Critic October 23, 2016 „Drishyam 2016‟ – The Second Edition of Bokaro International Film Festival a pioneering educational initiative in Jharkhand organized during October 22-23, 2016 in the KaliDas Kala Bhawan of the learners‟ paradise-DPS Bokaro. The festival was graced by Mr. Atul Srivastava, ED P&A, BSL, Pro-Vice Chairman, DPS Bokaro, as the Chief Guest of the occasion. The other dignitaries who were also present were - Dr. G. N. Sahoo, Director, Bokaro General Hospital, (B.G.H.) and Mr. S. K. Jha, G.M., B.S.L. Celebrities from the film fraternity participated in the ceremony. The eminent personalities present this year were - Mr. Prahlad Agarwal, the renowned film historian and the script writer, Dr. Satyadev Tripathi, creative maestro in the film world Dr. Vijay Sharma, Educationist, Author, Script and Short Story Writer and Mr. Abhishek Kashyap, Director of Bokaro International Film Festival. Mr. Prahlad Agarwal has written biographies on two great filmmakers of all time in Hindi Cinema - Raj Kapoor and Guru Dutt like ‘Raj Kapoor – Aadhi Haqeeqat Aadha Phasana’, ‘Pyaasa: Chir Atript Gurudutt’, ‘Kavi Shailendra – Zindagi ki Jeet Ka Yakeen’,' O Re Majhi: Bimal Raika Cinema,‘Reshmi Khawabonki Dhoop Chhaon: Yash Chopra ka Cinema’, ‘Baazar ke Baazigar: Ekkiswi Sadika Cinema’,‘Jug Jug Jiye Munna Bhai: Chhaviyon Ka Mayajaal’, ‘Uttaal Umang: Subhash Ghai ki Film Kala’ and ‘Hindi Cinema: Beeswi Sadi se Ekkiswi Sadi Tak’.
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Think Film! on Current Practices and Challenges in Film Culture: a Documentation of a Student Symposium 2020
Repositorium für die Medienwissenschaft Adriane Meusch, Bianka-Isabell Scharmann u.a. (Hg.) Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium 2020 https://doi.org/10.25969/mediarep/13589 Veröffentlichungsversion / published version Konferenzbeitrag / conference object Empfohlene Zitierung / Suggested Citation: Meusch, Adriane; Scharmann, Bianka-Isabell (Hg.): Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium. Frankfurt am Main: Zenodo 2020. DOI: https://doi.org/10.25969/mediarep/13589. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.5281/zenodo.3662799 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung 4.0/ Lizenz zur Verfügung gestellt. Nähere Attribution 4.0/ License. For more information see: Auskünfte zu dieser Lizenz finden Sie hier: http://creativecommons.org/licenses/by/4.0/ http://creativecommons.org/licenses/by/4.0/ THINK THINK FILM! Edited by Adriane MeuschandBianka- Adriane Edited by Isabell Scharmann On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Edited by Adriane Meusch & Bianka- Isabell Scharmann Frankfurt am Main, 2020 Editors Adriane Meusch and Bianka-Isabell Scharmann, in collaboration with Michelle Rafaela Kamolz https://thinkfilmsymposium.wordpress.com Copy Editor Carly Crane Graphic Design Muriel Serf (mmm.do) Bibliographic information of the German Library The German Library catalogues this publication in the German National Bibliography; detailed bibliographic information can be found on the Internet website: http://dnb.d-nb.de.
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“PVR Limited Q2 FY-16 Earnings Conference Call”
“PVR Limited Q2 FY-16 Earnings Conference Call” November 04, 2015 MANAGEMENT: MR. AJAY BIJLI – CHAIRMAN & MANAGING DIRECTOR MR. SANJEEV KUMAR – JOINT MANAGING DIRECTOR MR. NITIN SOOD –CHIEF FINANCIAL OFFICER MR. GAUTAM DUTTA- CHIEF EXECUTIVE OFFICER MODERATOR: MR. NIKET SHAH – MOTILAL OSWAL SECURITIES LIMITED Page 1 of 16 PVR Limited. November 04, 2015 Moderator: Ladies and gentlemen good day and welcome to the PVR Limited Q2 FY16 Earnings Conference Call hosted by Motilal Oswal Securities Limited. As a reminder all participant lines will be in the listen-only mode and there will be an opportunity for you to ask questions after the presentation concludes. Should you need assistance during the conference call, please signal an operator by pressing ‘*’ then ‘0’ on your touchtone phone. Please note that this conference is being recorded. I would now like to hand the conference over to Mr. Niket Shah from Motilal Oswal Securities. Thank you and over to you sir. Niket Shah: Thanks so much. We at Motilal Oswal are extremely pleased to hold this Q2 FY16 Earnings Con-call on behalf of PVR. We have Mr. Ajay Bijli – Chairman-Managing Director, Mr. Sanjeev Kumar – Joint Managing Director and Mr. Nitin Sood – CFO of the company. I will hand it over to Ajay for his opening remarks post that we can open the floor for a Q&A session. Over to you Ajay. Ajay Bijli: Thanks. Even Gautam Dutta-CEO of the Company is here as well. Good afternoon everyone, thank you all for taking the time out. We will give you the snapshot of the Q2 results for this year.
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PSYCHOLOGY AND EDUCATION (2021) 58(4): 2130-2135 Article Received: 08th October, 2020; Article Revised: 15th February, 2021; Article Accepted: 20th March, 2021 Power of Men and Violence against Women in Commercial Malayalam Movies Jinda Jose1, dr. Anita virgin2 1Student, Department of English, Karunya Institute of Technology and Sciences, Coimbatore - 641 114, Tamilnadu, S. India 2Associate Professor, Department of English, Karunya Institute of Technology and Sciences, Coimbatore – 641 114, Tamilnadu, S. India ABSTRACT Malayalam cinema is different from other Indian film industries in stories and narration, but misogyny is not an exception in Malayalam film industry also. Depiction of women in Malayalam cinema roots for the patriarchal thoughts in the society. This article discusses the depiction of women and misogyny in Malayalam cinema. Keywords Misogyny, Male chauvinism, Patriarchy, Offensive jokes, Stereotyping, Rape, Stalking, Bachdel test, Ideal wife Article Received: 10 August 2020, Revised: 25 October 2020, Accepted: 18 November 2020 Introduction then become silent will get raped and at last cries in the corner of the room. Women who are in wet clothes or just a Misogyny in movies is not a new thing. It was always there change in the position of her dress are the common reasons [2] in Indian films and still continues to remain. “Malayalam for rape . For instance in Oru CBI Diary Kurippu (1988) cinema has had its distant uniqueness in terms of selection the character Johny rapes and kills his unconscious sister-in- of stories, tackling of issues and narration, right from the law Omana tempted by seeing her waist because of the start to the present day.
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Page5- 1 Entertainment.Qxd (Page 1)
ENTERTAINMENT z Friday z May 7, 2021 5 Ajay Devgn to reprise the role of Meera Desothale opens up about her journey! Vijay Salgaonkar from Drishyam, ctor Meera Deosthale came to Mumbai with a makers acquires the rights of dream and a lot of apprehension in her heart Aabout how the city and the industry would be to her. However, a few years down the line, and Meera has Drishyam 2! already made quite a name for herself through her shows Udaan and Vidya. Talking about how it all began for her, Oats Mini Uttapam she says, “I am from a small town and I had a lot of inhi- bitions about Mumbai and the entertainment industry. But since the time I came here, I had the support of my mom, who has been living with me. She is always there and her guidance has been incredible. I remember she would accompany me when I would go for 3-4 auditions in a day and we would only return home at night. But Udaan, it has been a bit easier,” she says. In fact, life changed after Udaan quite drastically, she says, “Udaan was a great show and it made me who I am. I remember my mom would often get calls after my episodes in Udaan. My parents were also apprehensive She said yes, but that I needed to work on myself. After about me being part of the industry, but seeing me in that, I got my dad to enroll me in an acting course. I was jay Devgn starrer Drishyam was a suspense drama with a nail-bit- Udaan actually helped them understand my career so focussed and have been since then.
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Bhandarkar, Helen Honoured with Deenanath
B-12 | Friday, May 3, 2019 BOLLYWOOD www.WeeklyVoice.com Russell Peters Taking Bhandarkar, Helen Honoured With His ‘Deported Deenanath Mangeshkar Awards MUMBAI: National Award- winning ilmmaker Madhur World Tour’ to India Bhandarkar, popular scriptwriter Salim Khan and yesteryears dancing diva Helen were hon- oured with the prestigious Master Deenanath Mangeshkar Award at a ceremony here. Master Deenanath Mangesh- kar Smruti Pratishthan, Pune, a charitable trust established and nurtured over the last 30 years by the Mangeshkar family, felici- tated legends from the ields of music, drama, art and social work with the Deenanath Award and Veteran screenwriter-actor Salim Khan with his wife-actress other awards on Wednesday, read Helen, director Madhur Bhandarkar and Salma Khan, mother a statement. of actor Salman Khan at the 2019 Deenanath Mangeshkar Canadian comedian and actor Russell Peters with Raj Kundra. Directorate General of CRPF Awards, in Mumbai, on April 24, 2019. (Photo: IANS) File Photo: IANS) Vijay Kumar presided over the function and the awards were Special Award for his contribu- behalf of the “Bharat ke Veer”, MUMBAI: Indo-Canadian perform in Bengaluru on May given away by Rashtriya Sway- tion to Indian cinema. Helen was an NGO which works for India’s comedian Russell Peters will be 29. After his Delhi performance amsewak Sangh (RSS) chief conferred with Master Deenanath Bravehearts under the Home performing in Delhi, Bengaluru on May 31, he will have shows Mohan Bhagwat. This year, the Mangeshkar Special Award. Ministry. and Mumbai as part of his De- in Mumbai on June 2 and June 3. Master Deenanath Mangeshkar Vagvilasini Award went to Va- This time, the Deenanath ported World Tour.
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Bhopal, a Factor in Kerala
$ ) 3$"&'!&0"" 45"600750%8 &'1&0"" &+%750%8 &'1&0""8 RNI Regn. No. MPENG/2004/13703, Regd. No. L-2/BPLON/41/2006-2008 %-)7('%9!& -. - / "-,0 1 .-,2 3 !(6'&" <0% :$ $)$ ):!:::* $$ : )$ : $< $$ != ) * !*)*:, :! ://,:: / :$ < ,:$$:$ , , !), /, ,) =,*> ?= 9" & +(<%%*! 9&:(5+"&411'&56'" = ; = > ? < & ! !) * #! + # $ % ! & % ! ' ( ) ** % ! ! !! with farmer unions. In the letter, Darshan Pal, , ! he union of the farmers farmers’ leader has recorded in Tprotesting at the borders of writing the farmer unions’ ! the national Capital against decision to reject a recent new farm laws, wrote a letter to Government proposal of blankets among protesters. the Centre on Wednesday, ask- amendments in the new /, The body of Baba Ram ing it to stop holding parallel laws. Singh arrived at KCGMC, but talks with other farmer bodies “In reference to the pro- 65-year-old preacher, the followers (sangat) refused over the deadlock. posal (dated December 9) and Adescribed as a “sant”, com- to get his post-mortem con- With the Government say- your (Agarwal) letter, we want mitted suicide by shooting ducted. His body is being taken ing that it is waiting for the to inform the Government himself dead at Singhu Border to Nanaksar Gurdwara Singhra, reply of the farmers’ leaders, the that farmer organisations held on Wednesday evening. The where thousands of followers Sanyukt Kisan Morcha said a joint meeting to discuss the deceased has been identified as gathered. Tense situations pre- there is no question of respond- proposal on the same day and Baba Ram Singh of Singhra vil- vailed on the gurdwara premis- ing as the farmers’ unions had rejected it,” he stated in his let- lage in Nissing area of Karnal es.
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ON the MOVE Presented by the Griffith Film School
The Griffith Creative Arts Room The Griffith Creative Chor Ee Yeap Wisma Penang Ghaut, China Street JALAN JALAN ON THE MOVE Presented by the Griffith Film School 1 AUGUST – 2 SEPTEMBER 2018 The Griffith Creative Arts Room The Griffith Creative Chor Ee Yeap Wisma Penang Ghaut, China Street JALAN JALAN ON THE MOVE Presented by the Griffith Film School 1 AUGUST – 2 SEPTEMBER 2018 Introduction 4 Screening Schedule 6 ASPA Young Cinema Award 8 I’m Not Angry 10 The Woman in the Septic Tank 11 Cold of Kalandar 12 Kaili Blues 13 Members of the Funeral 14 Pomegranate Orchard 15 The Woman in the Septic Tank 11 Asia Pacific Screen Lab 17 Hanyut 18 Daughters of the Three-Tailed Banner 19 Prison and Paradise 20 I Was Born In Dehli... 21 Post Mortem Mary 22 Capa Prize 24 CONTENTS Baozha! 25 Couple on Stage 26 Crocht Noir 27 Eagles and Chicken 28 Gokanosho: Lost in Time 29 Horrie 30 Requiem 31 Story of the Hua Dang Family 32 The Sea 33 The Stepmother 34 Unscheduled Arrivals 35 CILECT Asia Pacific Association CILECT 36 On the Move 37 Workshops 38 Games Design in Virtual Reality, an introduction 39 Window Into the Puppet’s Soul 40 Be(com)ing a Filmmaker in South East Asia 41 Turnaround: Preparing Your Project for International Markets 42 Exhibition 43 Farsh-e-Parandeh 44 Paths Untold 45 Thirst: experiments in VR, eco-acoustics and environmental empathy 46 Reef Experience 47 Regionally Speaking: Arts and Cultural Advocacy, Diplomacy and Leadership 48 She’s Not There 51 Student Games 52 Dragons’s Dawn 53 Morrigna 54 Arty Swirly Colourful (ASC) 55 Futile 56 Asia Pacific Film Online 57 Acknowledgements 58 4 Jalan-Jalan, Griffith Film School is ‘On The Move’ Having been a strong believer of the power to help activities here too, and this will bring many other forge bonds among people through the arts and nights of screenings in the same screening space.
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The Survival of Hindu Cremation Myths and Rituals
THE SURVIVAL OF HINDU CREMATION MYTHS AND RITUALS IN 21ST CENTURY PRACTICE: THREE CONTEMPORARY CASE STUDIES by Aditi G. Samarth APPROVED BY SUPERVISORY COMMITTEE: ___________________________________________ Dr. Thomas Riccio, Chair ___________________________________________ Dr. Richard Brettell, Co-Chair ___________________________________________ Dr. Melia Belli-Bose ___________________________________________ Dr. David A. Patterson ___________________________________________ Dr. Mark Rosen Copyright 2018 Aditi G. Samarth All Rights Reserved Dedicated to my parents, Charu and Girish Samarth, my husband, Raj Shimpi, my sons, Rishi Shimpi and Rishabh Shimpi, and my beloved dogs, Chowder, Haiku, Happy, and Maya for their loving support. THE SURVIVAL OF HINDU CREMATION MYTHS AND RITUALS IN 21ST CENTURY PRACTICE: THREE CONTEMPORARY CASE STUDIES by ADITI G. SAMARTH, BFA, MA DISSERTATION Presented to the Faculty of The University of Texas at Dallas in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY IN HUMANITIES THE UNIVERSITY OF TEXAS AT DALLAS May 2018 ACKNOWLEDGMENTS I thank members of Hindu communities across the globe, and specifically in Bali, Mauritius, and Dallas for sharing their knowledge of rituals and community. My deepest gratitude to Wayan at Villa Puri Ayu in Sanur, Bali, to Dr. Uma Bhowon and Professor Rajen Suntoo at the University of Mauritius, to Pandit Oumashanker, Pandita Barran, and Pandit Dhawdall in Mauritius, to Mr. Paresh Patel and Mr. Ashokbhai Patel at BAPS Temple in Irving, to Pandit Janakbhai Shukla and Pandit Harshvardhan Shukla at the DFW Hindu Ekta Mandir, and to Ms. Stephanie Hughes at Hughes Family Tribute Center in Dallas, for representing their varied communities in this scholarly endeavor, for lending voice to the Hindu community members they interface with in their personal, professional, and social spheres, and for enabling my research and documentation during a vulnerable rite of passage.
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Actress Juhi Chaturvedi (Piku) and Himanshu Announced Madrid As the Cheerfully Shared Pictures and Selfies on Spain Will Get a Better Idea About Bollywood
2 movie masala BOLLYWOOD INSIDER April 2016 April 2016 BOLLYWOOD INSIDER honor 3 IIFA hollers a “Hola!” Bollywood wins big at National Awards 2016 The Bollywood extravaganza, International Indian Film Academy Tanu Weds Manu Returns (IIFA), is heading to Madrid in Spain this June Baahubali Piku Spain,” he said. The new venue aims to reach out to the huge Latin American market for Indian films. Sonakshi said, “The event AND THE WINNERS ARE... is an excellent opportunity for us to take our cinema across the globe. Madrid is a Best Film Nargis Dutt Award for Best Feature thrilling city, and I am looking forward to Baahubali (Telugu) Film on National Integration experiencing another spectacular IIFA in Nanak Shah Fakir another amazing destination.” Best Director Andre Timmins, director, Wizcraft Sanjay Leela Bhansali (Bajirao Mastani) Indira Gandhi Award for Best Debut International, said, “This year our Best Actor Film (Director) excitement for Spain is strongly focused Amitabh Bachchan (Piku) Neeraj Ghaywan (Masaan) on the opportunity to address CSR and Best Screenplay Writer (Original) izcraft International has regale the crowd on the streets. The actors understand where we come from. By June, environmental issues.” IIFA will celebrate Best Actress Juhi Chaturvedi (Piku) and Himanshu announced Madrid as the cheerfully shared pictures and selfies on Spain will get a better idea about Bollywood. IIFA Rocks Fest; IIFA Stomp, an exhibition Kangana Ranaut (Tanu Weds Manu Returns) Sharma (Tanu Weds Manu Returns) Wofficial host of the 17th their social media accounts, soaking in the And Madrid is such a charming city—with of urban trends; and the magnificent IIFA Best Supporting Actor edition of the IIFA gala from June 23 joie de vivre of the city that is tinted in hues an explosion of sounds, colors and textures Awards.
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