DOCSLIB.ORG

Good Pitch India 2018 Catalogue

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

1 Goals of Good Pitch Good Pitch 3 Good Pitch India India GOALS OF GOOD PITCH ROCKET FUELS Magic CONNECTS Fuels the very best independent Connects changemakers with powerful films documentary filmmaking in the world. they can deploy in their work. puzzle-piece FORGES Cogs BUILDS Forges new partnerships between filmmakers Builds a global ‘good’ network of filmmakers and changemakers from across civil society. and changemakers. power-off UNLOCKS CHILD ENRICHES Unlocks new investment and new audiences Enriches the lives of individuals, transforms for documentary films. communities and improves societies. 4 Hello & Good Pitch Good Pitch 5 Welcome India India WELCOME TO GOOD PITCH, HELLO & A.K.A. THE RADICAL COLLABORATION CLUB! Welcome to Good Pitch India, a forum We couldn’t have put together an We would also like to thank our friends that uses powerful documentaries to event of this global standard without and allies - Samhita, Pocket Films, create meaningful social change. In its the generosity and shared passion of Whistling Woods and Luminosity who second edition, it features four remark- our supporter, Tata Trusts. The support whole heartedly supported our able stories from the states of Madhya received from Tata Trusts for this outreach efforts. We wish we could WELCOME Pradesh, Uttar Pradesh, Maharashtra one year program has motivated us invite everyone who expressed and West Bengal. For the uninitiated, to deliver to the highest standards interest in Good Pitch India. we promise this is going to be a bit of of commitment and excellence. a ride! Good Pitch is a radical collab- Our gratitude to our well-wishers, who oration club. It is an invitation to roll To our global partners, Doc Society have extended themselves in terms of up your sleeves and join a room of and Sundance Institute - their gener- connections, being our ambassadors, issue experts, of inspiring community osity, mentorship, time, and guidance advice, and helping in all sorts of ways. Good Pitch brings together documentary filmmakers and business leaders, of organisers, has been an invaluable teaching to us media and technology networks, and in the past 5 years. We could not have We are proud to serve you and with foundations, NGOs, campaigners, philanthropists, everyone who wants to know how they been more blessed with our gurus. the documentary community and to could work with documentary film. work together to create a more policy makers, brands and media around leading We warmly acknowledge the time sustainable and ambitious future for This forum aims to offer their best ideas and commitment Kiran Rao brings as documentary film. social and environmental issues - to forge coalitions for partnership with the film teams, to a moderator to Good Pitch India – her help make strategic connections, to energy and focus is a source of Finally, our sincere thanks to everyone and campaigns that are good for all these partners, propose funding, and to offer pro bono constant amazement to us. who travelled distances and took the services. Together, working with and time to share in the Good Pitch India good for the films and good for society. lifting up these exceptional stories, Our collaborators, Akshara Foundation journey. May it be the first among many! we can connect to the audiences who of Art and Learning (AFAL), Vivanta by matter and change hearts and minds. Taj President, Grey Group, Consulate We wish you safe travels and see General of Canada in Mumbai, Accord you again at Good Pitch India. Good Pitch India also features two Equips, Desmondji, Great Ale Works, filmmakers who will present their Ignite Mudra, MIT Media Cloud, Radio inspiring stories of creating change One, Light Craft, Camera Corp, With love from the as case studies. The intention is to CoolLab, Bright Outdoor Media Pvt communicate to all present here the Ltd, Face Entertainment and the Good Pitch team. idea that change is possible with a Arambhan Group – your support has creatively told film. been the wind beneath our wings. 6 Partners, Hosts, Good Pitch Good Pitch 7 Collaborators & India India Friends SUPPORTED BY HOSTED BY THANK WITH THE COLLABORATION OF YOU FRIENDS & ALLIES GLOBAL IN PARTNERSHIP PROGRAMME BY WITH EVERYONE 8 Tata Trusts Good Pitch 9 India THE IDEA OF FILMS AS DRIVERS OF SOCIAL CHANGE TATA TRUSTS RESONATES WITH THE TRUSTS’ BELIEF THAT A CURATED ART FORM CAN NOT ONLY RENDER A LASTING INFLUENCE BUT ALSO INSTIGATE CHANGE. From fuelling aspirations to enabling healthcare and nutrition, water, energy, not only render a lasting influence initiatives, Tata Trusts has come a data driven governance, sports, but also instigate change. long way since its inception by the enhancing civil society and governance, venerable industrialist, Jamsetji Tata, media, arts, crafts and culture. From setting up institutions to in 1892. Cultivating the vision of facilitating elementary healthcare, their founder, the Trusts were built The Trusts’ large impact created a the Trusts have always graciously as an accretion of proactive societal pool of partnerships with like-minded delivered on their responsibility of initiatives across sectors. With a people extending from government public welfare and growth. strong underlying desire to contribute bodies to international agencies. Grassroots-level initiatives have to the communities, Tata Trusts has Encouraging the coalition of several always taken the top shelf amongst deployed a range of programmes and alliances between organisations, the Trusts’ primary concerns and endowments throughout the country. the Trusts aim to improve the quality have instilled a definitive difference of life is not limited to a particular in the life of its beneficiaries. While Laying the foundation of many section of society or group. The Jamsetji Tata’s vision remains integral, philanthropic ventures, the Trusts have support is interlinked as well as direct. a gradual metamorphosis has always played a significant role in not only For the charitable organisation’s way been underway to ensure relevance challenging but also transforming the of life relies extensively on uplifting the with the evolving needs of the people. traditional ways of beneficence. growth-drivers and enablers, thus From leveraging financial support to nurturing a self-sustaining ecosystem Tata Trusts executing direct implementation of for all. tatatrusts.org societal strategies, the Trusts embody the guiding principles of their founder Over the years, Tata Trusts has in every venture. Touching the lives entered into several new partnerships of millions of people, Tata Trusts’ to make a real difference to commu- assortment of programmes is delivered nities. The association with global in more than 17 states in India through documentary pitching forum Good an efficient network of 450 plus partner Pitch India and Indian Documentary organisations apart from their own Foundation (IDF) is one such new network of direct implementation approach to philanthropy. organisations. Spread across various sectors, the Trusts support and The idea of films as drivers of social foster innovation in areas of natural change resonates with the Trusts’ resources management, education, belief that a curated art form can 10 Good Pitch 11 India CONTENTS Welcome to Good Pitch 05 Writing with Fire 32 Participating Sushmit Ghosh Organisations 50 Tata Trusts 08 Rintu Thomas Case Study: Timetable 12 Her Song 36 Driving with Selvi 140 Atin Mehra Elisa Paloschi Forum Rules & Mae Thornton Mehra Forum Decorum 14 Case Study: Climbing Uphill 40 Thank you for the Rain 148 Doc Society Team 16 Vaibhav Ingole Julia Dahr Bhushan Ingole Kisilu Musya Doc Society 18 #MissingGirls 44 Sundance 20 Miriam Chandy Menacherry Aliya Furniturewala Good Pitch Team India 22 Indian Documentary Foundation 28 12 Time Table Good Pitch Good Pitch 13 India India 09.00 – REGISTRATION 10.30 – WELCOME & INTRODUCTION TIME- 11.15 – IMPACT CASE STUDY - DRIVING WITH SELVI 11.30 – WRITING WITH FIRE TABLE 12.15 – HER SONG 13.00 – LUNCH 14.30 – IMPACT CASE STUDY - THANK YOU FOR THE RAIN 14.45 – CLIMBING UPHILL Twitter 15.30 – #MISSINGGIRLS Follow Good Pitch India @GoodPitchIndia Tweet about the event with #filmsforchange – Facebook 16.15 CLOSING REMARKS Find IDF on Facebook facebook.com/IndianDocumentaryFoundation – Find Good Pitch India on Facebook 16.30 POST-PITCH TEA facebook.com/goodpitchindia See the Projects goodpitch.org 14 Rules & Good Pitch 15 Decorum India RULES & DECORUM • Each filmmaking eamt has seven • Good Pitch is about making minutes to pitch their project including connections - please do follow any time they wish to use showing a up directly on the day with the trailer, clips or photographs. filmmakers taking part, or enlist help from the Good Pitch team • After each pitch, there will be a feedback to get connected. session of up to 30 minutes, led by the moderator. Feedback is welcome from • There are microphones at the front participants around the roundtable and of the auditorium. If you’d like to offer from the floor. support during one of the feedback sessions, come stand next to a mic so • We are looking for positive feedback the moderator can bring you into the about the impact potential and conversation. engagement opportunities around the film and how it intersects with the work • For those of a shyer persuasion, of the participants. you should have received a postcard (I’m A Big Fan Of Your Work), which • Brief questions, advice, expertise and also lets you share your ideas with especially offers of partnership to amplify the filmmakers. Please hand over the film and outreach campaign are all completed cards to any member of warmly welcomed. the Good Pitch team. 16 Doc Good Pitch Good Pitch 17 Society India India Team DOC SOCIETY TEAM BEADIE FINZI JESS SEARCH NICOLE VAN SCHAIK JAMES FRANKLIN Foundation Director Chief Executive Deputy Director Creative Director Having worked in documentary for Jess is the Chief Executive of Doc Nicole strategises with filmmakers James looks after design at Doc the past 20 years, Beadie is in heaven Society.
Recommended publications
  • Writers and Creative Advisors Selected for Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 4­8

    Writers and Creative Advisors Selected for Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 4­8

    FOR IMMEDIATE RELEASE Media contacts: March 23, 2016 Chalena Cadenas 310.360.1981 [email protected] Mauli Singh [email protected] Writers and Creative Advisors Selected for Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 4­8 Lab Recognizes and Supports Six Emerging Independent Filmmakers from India Los Angeles, CA — Sundance Institute and Drishyam Films today announced the artists and creative advisors ​ selected for the second Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 4­8. The Lab ​ ​ supports emerging filmmakers in India, as part of the Institute’s sustained commitment to international artists, which in the last 25 years has included programs in Brazil, Mexico, Jordan, Turkey, Japan, Cuba, Israel and Central Europe. Now in its second year, the four­day Lab is a creative and strategic partnership between Drishyam Films and Sundance Institute, and gives independent screenwriters the opportunity to work intensively on their feature film scripts in an environment that encourages innovation and creative risk­taking. The Lab is centered around one­on­one story sessions with creative advisors. Screenwriting fellows engage in an artistically rigorous process that offers lessons in craft, a fresh perspective on their work and a platform to fully realize their material. Leading the Lab in India is Drishyam founder, Manish Mundra. He said, “A beautiful heritage city in my hometown ​ ​ of Rajasthan, Udaipur forms an ideal writers retreat, and is the perfect environment for a diverse group of emerging writers and renowned mentors to have a refreshing and productive exchange. Our goal is that the six selected Indian projects, after undergoing a comprehensive mentoring process, will quickly move from script to screen and make their mark globally.

  • Ford to Scrap Wynne Labour Reform

    Leader in South Asian News - Tel: 905-795-0639 Friday, OctoberJune 2, 20175, 2018 www.WeeklyVoice.com VolVol 24, 23, No. No. 40 22 PM: 40025701 CAA Centre Of Brampton’s Universe, page 8 Gore Meadows Centre An Integrated Project, page 12 TELUS Expands Mobile Health Program, page 18 Coalition Wins Quebec As Liberals Ousted Half Century Of Two-Party Rule Shattered; Francois Legault Truimphant, Vows ‘Positive Change’ MONTREAL: Quebecers century of two-party political hope for a government that will charted a new course for their rule in Quebec with a majority bring positive change,’’ he told province Monday by giving the government that will redraw the supporters in his victory speech. seven-year-old Coalition Avenir province’s electoral map. “Tonight, we will celebrate Quebec a majority mandate in an The party was elected or lead- the victory, then we will rest a election result that could create ing in 74 of the province’s 125 few hours. But starting tomor- waves beyond its borders. ridings, compared with 32 for the row (Tuesday) we will roll up Quebec, Canada’s second incumbent Liberals. our sleeves and we will work to most-populous province, has Coalition Leader Francois Le- do more, to do better for all Que- joined the even bigger province gault guided his troops to victory becers.’’ The win delivered some- of Ontario in voting for change following a 39-day campaign, thing Quebec hasn’t seen in 48 following about 15 years of Lib- during which he urged Quebecers years _ a provincial government eral governments.
  • Baghawad Gita, Class 184: Chapter 14, Verses 19 to 14

    Baghawad Gita, Class 184: Chapter 14, Verses 19 to 14

    Baghawad Gita, Class 184: Chapter 14, Verses 19 to 14 Shloka # 14. 9: 14.9 O scion of the Bharata dynasty, sattva attaches one to happiness, rajas to action, while tamas, covering up knowledge, leads to inadvertence als Continuing his teachings Swamiji said today, in the last few classes, we saw that our higher nature known as the sakshi svarupam is ever nirgunam and therefore is free from the influence of the three gunas; but our vyavaharika nature, our lower nature, which is called ahamkara is a mixture of the body-mind complex, as well as the reflected consciousness. And till the ahamkara consists of the body-mind complex and till the body-mind complex is born out of prakrti, the ahamkara can never escape from the three gunas. And therefore, our body-mind complex is made up of three gunas and the ahamkara which consists of this body-mind complex is the necessarily made up of these three gunas, and therefore, we can never escape from them. We have to live with this saguna ahamkara. And once we are forced to live with this ahamkara, it is better that we understand the ahamkara well, so that we know how to handle it properly. Science is able to handle the nature more and more only because science has been able to know nature more and more. Knowledge gives the capacity for better handling. And therefore Sri Krishna says: you have to understand your own ahamkara very well. For that, you must know what type of ahamkara you have; which guna is dominant, which guna is in middle; the second place, and which guna is the lowest; better you understand and you also know how these gunas influence your vyavaharika life; both material life, as well as the spiritual life.
  • Bollywood Lens Syllabus

    Bollywood Lens Syllabus

    Bollywood's Lens on Indian Society Professor Anita Weiss INTL 448/548, Spring 2018 [email protected] Mondays, 4-7:20 pm 307 PLC; 541 346-3245 Course Syllabus Film has the ability to project powerful images of a society in ways conventional academic mediums cannot. This is particularly true in learning about India, which is home to the largest film industries in the world. This course explores images of Indian society that emerge through the medium of film. Our attention will be focused on the ways in which Indian society and history is depicted in film, critical social issues being explored through film; the depicted reality vs. the historical reality; and the powerful role of the Indian film industry in affecting social orientations and values. Course Objectives: 1. To gain an awareness of the historical background of the subcontinent and of contemporary Indian society; 2. To understand the sociocultural similarities yet significant diversity within this culture area; 3. To learn about the political and economic realities and challenges facing contemporary India and the rapid social changes the country is experiencing; 4. To learn about the Indian film industry, the largest in the world, and specifically Bollywood. Class format Professor Weiss will open each class with a short lecture on the issues which are raised in the film to be screened for that day. We will then view the selected film, followed by a short break, and then extensive in- class discussion. Given the length of most Bollywood films, we will need to fast-forward through much of the song/dance and/or fighting sequences.
  • Sync Sound and Indian Cinema | Upperstall.Com 29/02/12 2:30 PM

    Sync Sound and Indian Cinema | Upperstall.Com 29/02/12 2:30 PM

    Sync Sound and Indian Cinema | Upperstall.Com 29/02/12 2:30 PM Open Feedback Dialog About : Wallpapers Newsletter Sign Up 8226 films, 13750 profiles, and counting FOLLOW US ON RECENT Sync Sound and Indian Cinema Tere Naal Love Ho Gaya The lead pair of the film, in their real life, went in the The recent success of the film Lagaan has brought the question of Sync Sound to the fore. Sync Sound or Synchronous opposite direction as Sound, as the name suggests, is a highly precise and skilled recording technique in which the artist's original dialogues compared to the pair of the are used and eliminates the tedious process of 'dubbing' over these dialogues at the Post-Production Stage. The very first film this f... Indian talkie Alam Ara (1931) saw the very first use of Sync Feature Jodi Breakers Sound film in India. Since then Indian films were regularly shot I'd be willing to bet Sajid Khan's modest personality and in Sync Sound till the 60's with the silent Mitchell Camera, until cinematic sense on the fact the arrival of the Arri 2C, a noisy but more practical camera that the makers of this 'new particularly for outdoor shoots. The 1960s were the age of age B... Colour, Kashmir, Bouffants, Shammi Kapoor and Sadhana Ekk Deewana Tha and most films were shot outdoors against the scenic beauty As I write this, I learn that there are TWO versions of this of Kashmir and other Hill Stations. It made sense to shoot with film releasing on Friday.
  • Criteria - Iii

    Criteria - Iii

    CRITERIA - III RESEARCH, CONSULTANCY AND EXTENSION RESEARCH, CONSULTANCY AND EXTENSION 3.1 Promotion of Research 3.1.1 Does the institution have recognized research centers of the affiliating University or any other agency/ organization? The institution does not have a research centre of the affiliating university or any other agency/organization. 3.1.2 Does the institution have a research committee to monitor and address the issues of research? If so, what is its composition? Mention a few recommendations made by the committee for the implementation and their impact. Research cell addresses the concerns related to faculty research and makes suitable recommendations It consists of Principal as the Chairperson, Vice Principals of all faculties, coordinators of the post graduate departments, librarian, and other senior staff members having research experience. The activities of the cell are as follows: Organizing seminars and workshops Motivating teaching staff to take up research activity like writing research or review papers, etc. Orienting staff members towards making good research proposals. Table 3.1: Recommendations made by Research Cell Recommendations Impact Frame guidelines for Faculty has become aware about the concessions time concessions available, which has enabled them to schedule their activities accordingly. Conduct workshop Three minor, one major and one post-doctoral on writing research research proposals are submitted to UGC. Out of proposals which two minor and one major research projects have been approved. Arrange workshop in Awareness created regarding applications of SPSS SPSS package in statistical analysis. Apply for ISSN for We received ISSN 2278-4268 in the year 2012- Research Journal 2013 and subsequently ‘Research Imprints’ is and also to make it being published as a refereed multidisciplinary refereed research journal, Create a corpus of ` 25 lakhs for An amount of ` 6 lakhs have been collected as supporting research donation so far.
  • Annual Review Research Community Are Invited to Participate, Exchange Ideas and Network in Our Regular Workshops, Lectures and Conferences

    Annual Review Research Community Are Invited to Participate, Exchange Ideas and Network in Our Regular Workshops, Lectures and Conferences

    Join the SOAS South Asia Institute The SOAS South Asia Institute welcomes people with an interest in South Asia who would like to get involved with our activities. Our offices are located on the 4th floor of the Brunei Gallery and we welcome visitors by appointment. There are many ways of getting involved with the SSAI: Connect with Us: • Study at SOAS: The SSAI has developed a new Email: Receive regular updates from us about events Masters programme in Intensive South Asian Studies. and activities by writing to [email protected] This two-year programme offers comprehensive language-based training across a wide range of Like us on Facebook and join our vibrant disciplines in the humanities and social sciences. community: www.facebook.com/SouthAsia.SOAS All of the Institute’s teaching programmes will provide students with valuable skills that are rarely Follow and interact with us on Twitter: @soas_sai available elsewhere. These include interdisciplinary understandings of South Asian society that are Check our web pages for details about all our theoretically sophisticated and based on deep activities: www.soas.ac.uk/south-asia-institute/ empirical foundations and advanced proficiency in Join in the discussion through the languages such as Bengali, Hindi, Nepali, Sanskrit and Institute’s new blog, South Asia Notes: Urdu. http://blogs.soas.ac.uk/ssai-notes/ • Outreach: Our free seminar series, which is held regularly on a weekly or fortnightly basis is open to Address: the wider public. Our events often host high-level The SOAS South Asia Institute politicians, local and foreign academics and many Room B405, Brunei Gallery SOAS SOUTH ASIA INSTITUTE more.
  • Think Film! on Current Practices and Challenges in Film Culture: a Documentation of a Student Symposium 2020

    Think Film! on Current Practices and Challenges in Film Culture: a Documentation of a Student Symposium 2020

    Repositorium für die Medienwissenschaft Adriane Meusch, Bianka-Isabell Scharmann u.a. (Hg.) Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium 2020 https://doi.org/10.25969/mediarep/13589 Veröffentlichungsversion / published version Konferenzbeitrag / conference object Empfohlene Zitierung / Suggested Citation: Meusch, Adriane; Scharmann, Bianka-Isabell (Hg.): Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium. Frankfurt am Main: Zenodo 2020. DOI: https://doi.org/10.25969/mediarep/13589. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.5281/zenodo.3662799 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung 4.0/ Lizenz zur Verfügung gestellt. Nähere Attribution 4.0/ License. For more information see: Auskünfte zu dieser Lizenz finden Sie hier: http://creativecommons.org/licenses/by/4.0/ http://creativecommons.org/licenses/by/4.0/ THINK THINK FILM! Edited by Adriane MeuschandBianka- Adriane Edited by Isabell Scharmann On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Edited by Adriane Meusch & Bianka- Isabell Scharmann Frankfurt am Main, 2020 Editors Adriane Meusch and Bianka-Isabell Scharmann, in collaboration with Michelle Rafaela Kamolz https://thinkfilmsymposium.wordpress.com Copy Editor Carly Crane Graphic Design Muriel Serf (mmm.do) Bibliographic information of the German Library The German Library catalogues this publication in the German National Bibliography; detailed bibliographic information can be found on the Internet website: http://dnb.d-nb.de.
  • KPMG FICCI 2013, 2014 and 2015 – TV 16

    KPMG FICCI 2013, 2014 and 2015 – TV 16

    #shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 kpmg.com/in ficci-frames.com We would like to thank all those who have contributed and shared their valuable domain insights in helping us put this report together. Images Courtesy: 9X Media Pvt.Ltd. Phoebus Media Accel Animation Studios Prime Focus Ltd. Adlabs Imagica Redchillies VFX Anibrain Reliance Mediaworks Ltd. Baweja Movies Shemaroo Bhasinsoft Shobiz Experential Communications Pvt.Ltd. Disney India Showcraft Productions DQ Limited Star India Pvt. Ltd. Eros International Plc. Teamwork-Arts Fox Star Studios Technicolour India Graphiti Multimedia Pvt.Ltd. Turner International India Ltd. Greengold Animation Pvt.Ltd UTV Motion Pictures KidZania Viacom 18 Media Pvt.Ltd. Madmax Wonderla Holidays Maya Digital Studios Yash Raj Films Multiscreen Media Pvt.Ltd. Zee Entertainmnet Enterprises Ltd. National Film Development Corporation of India with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars: FICCI-KPMG Indian Media and Entertainment Industry Report 2015 Foreword Making India the global entertainment superpower 2014 has been a turning point for the media and entertainment industry in India in many ways.
  • Dtp1june29final.Qxd (Page 1)

    Dtp1june29final.Qxd (Page 1)

    DLD‹‰‰†‰KDLD‹‰‰†‰DLD‹‰‰†‰MDLD‹‰‰†‰C A shock for Hollywood Britney admits to drug use Oops, Britney Spears has ken cocaine in the toilet of Kid Rock: Pam calling: Bebo admitted to having da- a Miami nightclub. Now, THE TIMES OF INDIA bbled in drugs, qualif- of course, the star her- Sunday, dates Durst goes global! ying that it was ‘‘a big self has chosen to co- June 29, 2003 mistake.’’ Not daring me clean. Page 7 Page 8 to actually use the A less shocking word ‘drugs’, Britn- revelation is that Brit- ey explains, ‘‘Let’s ney likes to drink — just say you reach a her favourite tipple stage in your life is ‘‘Malibu and pine- when you are curio- apple juice.’’ But us. And I was curio- she denies cheating us at one point. But on Justin Timberla- I’m way too focused ke and says she was to let anything stop ‘‘shocked’’ to see a Br- me.’’ So,was it a mis- itney-lookalike in his take? ‘‘Yes.’’ video Cry Me a River, Interestingly, not which tells the story too long back, Britney of a woman cheat- maintained that she ing on her boyfriend. OF INDIA would ‘‘sue’’ a US But then, strange things magazine which had happen when love’s lab- THANK GOD IT’S SUNDAY alleged that she had ta- our is lost. Photos: RONJOY GOGOI MANOJ KESHARWANI SOORAJ BARJATYA: THE BIG PICTURE My family was my world: My ng around, my mother decided earliest memories date back to SUNDAY SPECIAL that I needed to get married im- a home full of uncles, aunts and mediately.
  • Bibliography Service

    Bibliography Service

    BIBLIOGRAPHY SERVICE Vol. 39 (2) 2015 Cinema - 2014 This service meant primarily for the use of the Ministry of Information & Broadcasting and its media units gives an annotated index to select articles on Cinema published in various periodicals and newspapers received by the Centre. NATIONAL DOCUMENTATION CENTRE ON MASS COMMUNICATION NEW MEDIA WING (FORMERLY RESEARCH REFERENCE AND TRAINING DIVISION) (MINISTRY OF INFORMATION AND BROADCASTING) Room No.437-442, Phase IV, Soochna Bhavan, CGO Complex, New Delhi-110003 Compiled, Edited & Issued by National Documentation Centre on Mass Communication NEW MEDIA WING (Formerly Research, Reference & Training Division) Ministry of Information & Broadcasting Chief Editor L. R. Vishwanath Editor H.M.Sharma Asstt. Editor Alka Mathur Sub Editor Sushma Gautam How to read at page 28 CONTENTS Film, Acting 1 Film, Actors 2 Film and Hindi 2 Film and Literature 2 Film and Minorities 3 Film and Women 3-4 Film, Animation 4 Film, Artistes 5 Film, Awards 5-6 Film, Certification 6 Film, Children 6 Film, Dialogue 7 Film, Distribution 7 Film, Documentary 8-10 Film, Dubbing 10 Film, Festival 11-14 Film, Finance 14 Film, Industry 14-15 Film, Industry Regional 15-16 Film, Marketing 16-18 Film, Music 18 Film, Posters 18 Film, Preservation 18 Film, Production 19 Film, Regional 20-21 Film, Remake 21 Film, Revenue 22 Film, Shooting 22 Film, Small Budget 22-23 Film, Sound 23 Film, Technology 23-24 Film, Theme 24-27 Film, Villains 27 FILM, ACTING BHADANI (Priyanka). The new wave. Screen. 63 (2); 3 October 2014; 34-45. Chalks out a list of the young and emerging superstars who in the last five to seven years have proved themselves to be the best talents in the industry to take the torch forward.
  • Download PDF Case Study

    Download PDF Case Study

    2019 HI5 IMPACT CASE STUDY: AN INSIGNIFICANT MAN Pushing the bounds of free expression and strengthening democracy in India Film Still An Insignificant Man 2 An Insignificant Man | The Film 3 An Insignificant Man chronicles a most outrageous political debut in the largest democracy in the world. Set against the backdrop of anti-corruption protests throughout India in 2012, a new political party emerges: the Common Man’s party (also referred to as the “AAP”). At the helm is Arvind Kejriwal, one of the most polarizing men in India today. The film THE FILM follows the party’s entry onto the scene as it shakes up Indian politics and contends with country’s two oldest and most powerful political establishments, wielding basic public issues like water and electricity. As Kejriwal rails against traditional The result is a film that transports power holders in government and audiences smack bang into the calls for greater transparency, he middle of party offices, daily also arms everyday working class meetings, heated arguments, inside people with the information they jokes, campaign strategies, and the need to make informed governance true events and ideologies that decisions. So, the filmmakers take inform rhetoric in the public space. him at his word and go behind the It follows activists, politicians, and scenes to understand what academics on their best days and transparency and participatory their worst, as they navigate the democracy could look like up close. absurdities, trials and chaos of Indian politics; and as they reveal their agendas, intentions, and Capturing moments of triumph ambitions. And it gives an insider’s view into Kejriwal’s brand of politics, and despair, An Insignificant Man which has split popular opinion into two prominent factions: one labels is a moving cinematic journey through it selfish and anarchic, while the other sees it as a major shift in the the narrow lanes of Delhi’s slums to Indian political paradigm.