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BIBLIOGRAPHY SERVICE Vol. 39 (2) 2015 Cinema - 2014 This service meant primarily for the use of the Ministry of Information & Broadcasting and its media units gives an annotated index to select articles on Cinema published in various periodicals and newspapers received by the Centre. NATIONAL DOCUMENTATION CENTRE ON MASS COMMUNICATION NEW MEDIA WING (FORMERLY RESEARCH REFERENCE AND TRAINING DIVISION) (MINISTRY OF INFORMATION AND BROADCASTING) Room No.437-442, Phase IV, Soochna Bhavan, CGO Complex, New Delhi-110003 Compiled, Edited & Issued by National Documentation Centre on Mass Communication NEW MEDIA WING (Formerly Research, Reference & Training Division) Ministry of Information & Broadcasting Chief Editor L. R. Vishwanath Editor H.M.Sharma Asstt. Editor Alka Mathur Sub Editor Sushma Gautam How to read at page 28 CONTENTS Film, Acting 1 Film, Actors 2 Film and Hindi 2 Film and Literature 2 Film and Minorities 3 Film and Women 3-4 Film, Animation 4 Film, Artistes 5 Film, Awards 5-6 Film, Certification 6 Film, Children 6 Film, Dialogue 7 Film, Distribution 7 Film, Documentary 8-10 Film, Dubbing 10 Film, Festival 11-14 Film, Finance 14 Film, Industry 14-15 Film, Industry Regional 15-16 Film, Marketing 16-18 Film, Music 18 Film, Posters 18 Film, Preservation 18 Film, Production 19 Film, Regional 20-21 Film, Remake 21 Film, Revenue 22 Film, Shooting 22 Film, Small Budget 22-23 Film, Sound 23 Film, Technology 23-24 Film, Theme 24-27 Film, Villains 27 FILM, ACTING BHADANI (Priyanka). The new wave. Screen. 63 (2); 3 October 2014; 34-45. Chalks out a list of the young and emerging superstars who in the last five to seven years have proved themselves to be the best talents in the industry to take the torch forward. CHATTERJEE (Saibal). Entrapped in their image. Tribune. 20 July 2014;8. Discusses how top actors often get entrapped in their reel image and don’t take the risk of venturing into uncharted terrain. CHATTERJI (Shoma A). Big is better. Tribune. 22 June 2014; 8. Writes about small screen actors who have re-invented success on the big screen and have moved smoothly from television to cinema. NIVAS (Namita). The outsiders in Bollywood. Screen. 63 (3); 10 October 2014; 39-47. Looks at actresses who have no godfathers or any connection in the film industry and have yet made a mark on their own merit. ……………... Regional mix. Screen. 42 (41); 4 July 2014; 18-19. Looks into the reasons why Hindi films’ successful actors are aligning towards regional films that were once upon a time looked down by Bollywood actors. SAHGAL (Geety) and NIVAS (Namita). Powerhouse performers. Screen. 63 (3); 10 October 2014; 22-25. Lists the top ten female powerhouse performers who captivated the audience with their on screen brilliance in the past decades. 1 Cinema - 2014 FILM, ACTORS CHATTERJI (Shoma A). Take II. Tribune. 27 July 2014; 8. Assesses the second phase of some successful actors of yesteryears who are trying to return to cinema after a long gap. PUROHIT (Sudarshan). An era of superstars. Deccan Herald. 29 June 2014; 1. Discusses the phenomenon of information scarcity which established superstars who can send their fans into frenzied hysteria. Now with the explosion of magazines, TV channels and social media this cult of the superstar is fading away in every field. FILM AND HINDI LANGUAGE BHARTI (Anand). Cinema ne pankh diye Hindi ko. Rashtriya Sahara. 12 September 2014; 1. Assesses the contribution of Hindi cinema in popularizing Hindi in the country and overseas. FILM AND LITERATURE KANABAR (Ankita R). Bookmarked! Screen. 62 (32); 2 May 2014; 15-16. Analyses various factors that are taken into account when a bestseller is adapted into a successful story on the big screen. 2 Cinema - 2014 FILM AND MINORITIES FATIMA SIDDIQUI. Bollywood and stereotypes. Vidura . 6 (2); April-June 2014; 20 -22. Criticises Hindi cinema for portraying religious minorities unrealistically and suggests an accurate image of the various communities in reel life should be presented. FILM AND WOMEN BHADANI (Priyanka). Powerpuff girls. Screen. 63 (8); 14 November 2014; 18- 19. Finds out the reasons behind the rising number of women in the film- making process and the obstacles they face in a male dominated industry BISWAS (Ranjita). A real woman-at last! Vidura. 6 (2); April-June 2014; 18-19. Appreciates recently released Hindi films, Highway, Gulaab Gang and Queen where women characters have strong elements of individuality something that was missing in Bollywood’s standardized heroine profile. CHATERJEE (Saibal). The power of pink. Tribune. 9 February 2014; 8. Writes about Soumik Sen’s directorial debut, Gulaab Gang that revolves around the issues of women’s education and empowerment. JOSHI (Namrata). The kingdom of queens. Outlook. 54 (36); 15 September 2014; 52-56. Writes about women-centric films produced during the past two years that have done well at the multiplexes in the metros. 3 Cinema – 2014 FILM AND WOMEN KAMATH (Sudhish). The rise of the heroine. Hindu. 14 March 2014; 1. Points to content and characters in movies such as Dedh Ishqiya, Highway, Queen and Gulaab Gang in which Indian heroine has been portrayed as a fighter against the system and within. RANGARAJAN (Malathi). Women of steel. Hindu. 8 March 2014; 17. Looks at some gritty women of the Tamil screen on the occasion of International Women’s Day on 8th March. FILM, ANIMATION ADIVAREKAR (Priya). A good weekend at the BO. Screen. 62 (36); 30 May 2014; 17. Writes about Kochadaiiyaan, the first Indian film to use motion capture technology and earned 27 crore (nett)which is the highest weekend opening for any Indian animation film so far. SAHGAL (Geety) and ADIVAREKAR (Priya). Good tidings. Screen. 62 (36); 30 May 2014; 16. Despite impressive revenues notched up by Kochadaiiyaan, discusses why the box-office collection of animation films from India fall behind live- action films. VENKATRAMAN (Deepa). Face lift. Week. 32 (20); 18 May 2014; 108-109. Applauds Rajinikanth’s film, Kochadaiiyaan, India’s first motion capture movie that will take Indian cinema to a new era. 4 Cinema – 2014 FILM, ARTISTES, CHILDREN CHATTERJI (Shoma A),. Twinkle, twinkle, the lost star. Tribune. 16 February 2014; 8. Writes about popular child stars who have not been able to make the transition to stardom as adults. FARIDA KHANZADA. No child’s play. Screen. 62 (52); 19 September 2014; 17- 18. Analyses the pitfalls of facing success at an early stage and how these children cope in life later. FILM, AWARDS, FILMFARE GUPTA (Rachit). Winning is everything. Filmfare. 26 February 2014; 122-172. Gives details of the winners of 59th Idea Filmfare Awards 2013 announced on 13 January 2014. FILM, AWARDS, OSCARS GUPTA (Shubhra). Our films, their films. Indian Express. 9 March 2014; 7. Suggests to raise the number of films for ‘Foreign Category’ of Academy Awards to make it much larger and more inclusive. SLAVE to the Oscars. Pioneer. 4 March 2014; 16. Gives details of the winners of the 86th Academy Awards presented by the Academy of Motion Picture Arts and Science on 2 March 2014 at Dolby theatre, Hollywood in Los Angeles. 5 Cinema – 2014 FILM, AWARDS, OSCARS THURSTON (Michael). Gravity gets7, Slave is best film. Asian Age. 4 March 2014; 12. A report on the 86th Academy Awards better known as Oscars, presented on 2 March 2014 in Hollywood, Los Angeles. FILM, BAN SAHGAL (Geety). Film release, interrupted. Screen. 62 (25); 14 March 2014; 17. Looks at the films that have had delayed releases because of litigations and the impact of such litigations on the box-office prospects of the film. FILM, CERTIFICATION BANERJEE (Kaushani). Through the looking glass. Screen. 62 (49); 29 August 2014; 13. Film-maker Ashoke Pandit talks about the need for transparency that will help in rooting out corruption while certifying Bollywood films. FILM, CHILDREN BHATTACHARYA (Renu). Bachchon key liye nahin bun rahin achhi filmein. Rashtriya Sahara. 14 November 2014; 2. Comments on the dearth of good children’s films in India. 6 Cinema – 2014 FILM, CITY BAMZAI (Kaveree). The cities of dreams. India Today. 39 (51); 22 December 2014; 134-136, 138. Discusses how Mumbai city has expanded Bollywood’s imagination and enhanced the aura of its stars. FILM, DIALOGUE PARIHAR (Niranjan). Cinema ka samvad zindgi ka aaina. Rashtriya Sahara. 3 October 2014; 1. Lists some memorable dialogues of Hindi cinema which played an important role in popularizing that film. FILM, DIRECTION AND WOMEN RAO (Shubha J). When create a scene. Hindu. 8 June 2014; 1. Writes about women directors in Tamil cinema who have created quirky, offbeat films that are well accepted by the audiences. FILM, DISTRIBUTION BANERJEE (Debesh). Bitter sugar. Screen. 62 (46); 8 August 2014; 46-47. Writes about animation film titled Chashni (sugar syrup) that documents the plight of an acid attack survivor. BHADANI (Priyanka). Booking advance. Screen. 62 (50); 5 September 2014; 15- 16. Comments on the recent trend of deciding a film’s release date much in advance to avoid complications later. 7 Cinema – 2014 FILM, DISTRIBUTION BHADANI (Priyanka). The promotional jig. Screen. 42 (42); 11 July 2014; 16-17 Looks at new pattern of promotion of films which includes multi-city tour across the country to connect with viewers for creating a right buzz. JHA (Priyanka Sinha). Tectonic shift. Screen. 62 (35); 23 May 2014; 42-43. Sanjay Gaikwed, Founder and MD, UFO Moviez, speaks of the milestones, success mantra and roadmap for the future growth of the film business. FILM, DOCUMENTARY BHARALI (Bharati). Filmmakers focus on the Indian one-horned rhino. Vidura. 6 (1); January-March 2014; 42-43. Writes about Dip Bhuyan’s Sesh Asha- The Last Hope and Gautam Saikia’s The Jaws of Death documentaries that left an indelible impression on the minds of viewers about threats faced by the rare and endangered species of animals in the Kaziranga National Park, Assam.