DOCSLIB.ORG

Bibliography Service

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

BIBLIOGRAPHY SERVICE Vol. 39 (2) 2015 Cinema - 2014 This service meant primarily for the use of the Ministry of Information & Broadcasting and its media units gives an annotated index to select articles on Cinema published in various periodicals and newspapers received by the Centre. NATIONAL DOCUMENTATION CENTRE ON MASS COMMUNICATION NEW MEDIA WING (FORMERLY RESEARCH REFERENCE AND TRAINING DIVISION) (MINISTRY OF INFORMATION AND BROADCASTING) Room No.437-442, Phase IV, Soochna Bhavan, CGO Complex, New Delhi-110003 Compiled, Edited & Issued by National Documentation Centre on Mass Communication NEW MEDIA WING (Formerly Research, Reference & Training Division) Ministry of Information & Broadcasting Chief Editor L. R. Vishwanath Editor H.M.Sharma Asstt. Editor Alka Mathur Sub Editor Sushma Gautam How to read at page 28 CONTENTS Film, Acting 1 Film, Actors 2 Film and Hindi 2 Film and Literature 2 Film and Minorities 3 Film and Women 3-4 Film, Animation 4 Film, Artistes 5 Film, Awards 5-6 Film, Certification 6 Film, Children 6 Film, Dialogue 7 Film, Distribution 7 Film, Documentary 8-10 Film, Dubbing 10 Film, Festival 11-14 Film, Finance 14 Film, Industry 14-15 Film, Industry Regional 15-16 Film, Marketing 16-18 Film, Music 18 Film, Posters 18 Film, Preservation 18 Film, Production 19 Film, Regional 20-21 Film, Remake 21 Film, Revenue 22 Film, Shooting 22 Film, Small Budget 22-23 Film, Sound 23 Film, Technology 23-24 Film, Theme 24-27 Film, Villains 27 FILM, ACTING BHADANI (Priyanka). The new wave. Screen. 63 (2); 3 October 2014; 34-45. Chalks out a list of the young and emerging superstars who in the last five to seven years have proved themselves to be the best talents in the industry to take the torch forward. CHATTERJEE (Saibal). Entrapped in their image. Tribune. 20 July 2014;8. Discusses how top actors often get entrapped in their reel image and don’t take the risk of venturing into uncharted terrain. CHATTERJI (Shoma A). Big is better. Tribune. 22 June 2014; 8. Writes about small screen actors who have re-invented success on the big screen and have moved smoothly from television to cinema. NIVAS (Namita). The outsiders in Bollywood. Screen. 63 (3); 10 October 2014; 39-47. Looks at actresses who have no godfathers or any connection in the film industry and have yet made a mark on their own merit. ……………... Regional mix. Screen. 42 (41); 4 July 2014; 18-19. Looks into the reasons why Hindi films’ successful actors are aligning towards regional films that were once upon a time looked down by Bollywood actors. SAHGAL (Geety) and NIVAS (Namita). Powerhouse performers. Screen. 63 (3); 10 October 2014; 22-25. Lists the top ten female powerhouse performers who captivated the audience with their on screen brilliance in the past decades. 1 Cinema - 2014 FILM, ACTORS CHATTERJI (Shoma A). Take II. Tribune. 27 July 2014; 8. Assesses the second phase of some successful actors of yesteryears who are trying to return to cinema after a long gap. PUROHIT (Sudarshan). An era of superstars. Deccan Herald. 29 June 2014; 1. Discusses the phenomenon of information scarcity which established superstars who can send their fans into frenzied hysteria. Now with the explosion of magazines, TV channels and social media this cult of the superstar is fading away in every field. FILM AND HINDI LANGUAGE BHARTI (Anand). Cinema ne pankh diye Hindi ko. Rashtriya Sahara. 12 September 2014; 1. Assesses the contribution of Hindi cinema in popularizing Hindi in the country and overseas. FILM AND LITERATURE KANABAR (Ankita R). Bookmarked! Screen. 62 (32); 2 May 2014; 15-16. Analyses various factors that are taken into account when a bestseller is adapted into a successful story on the big screen. 2 Cinema - 2014 FILM AND MINORITIES FATIMA SIDDIQUI. Bollywood and stereotypes. Vidura . 6 (2); April-June 2014; 20 -22. Criticises Hindi cinema for portraying religious minorities unrealistically and suggests an accurate image of the various communities in reel life should be presented. FILM AND WOMEN BHADANI (Priyanka). Powerpuff girls. Screen. 63 (8); 14 November 2014; 18- 19. Finds out the reasons behind the rising number of women in the film- making process and the obstacles they face in a male dominated industry BISWAS (Ranjita). A real woman-at last! Vidura. 6 (2); April-June 2014; 18-19. Appreciates recently released Hindi films, Highway, Gulaab Gang and Queen where women characters have strong elements of individuality something that was missing in Bollywood’s standardized heroine profile. CHATERJEE (Saibal). The power of pink. Tribune. 9 February 2014; 8. Writes about Soumik Sen’s directorial debut, Gulaab Gang that revolves around the issues of women’s education and empowerment. JOSHI (Namrata). The kingdom of queens. Outlook. 54 (36); 15 September 2014; 52-56. Writes about women-centric films produced during the past two years that have done well at the multiplexes in the metros. 3 Cinema – 2014 FILM AND WOMEN KAMATH (Sudhish). The rise of the heroine. Hindu. 14 March 2014; 1. Points to content and characters in movies such as Dedh Ishqiya, Highway, Queen and Gulaab Gang in which Indian heroine has been portrayed as a fighter against the system and within. RANGARAJAN (Malathi). Women of steel. Hindu. 8 March 2014; 17. Looks at some gritty women of the Tamil screen on the occasion of International Women’s Day on 8th March. FILM, ANIMATION ADIVAREKAR (Priya). A good weekend at the BO. Screen. 62 (36); 30 May 2014; 17. Writes about Kochadaiiyaan, the first Indian film to use motion capture technology and earned 27 crore (nett)which is the highest weekend opening for any Indian animation film so far. SAHGAL (Geety) and ADIVAREKAR (Priya). Good tidings. Screen. 62 (36); 30 May 2014; 16. Despite impressive revenues notched up by Kochadaiiyaan, discusses why the box-office collection of animation films from India fall behind live- action films. VENKATRAMAN (Deepa). Face lift. Week. 32 (20); 18 May 2014; 108-109. Applauds Rajinikanth’s film, Kochadaiiyaan, India’s first motion capture movie that will take Indian cinema to a new era. 4 Cinema – 2014 FILM, ARTISTES, CHILDREN CHATTERJI (Shoma A),. Twinkle, twinkle, the lost star. Tribune. 16 February 2014; 8. Writes about popular child stars who have not been able to make the transition to stardom as adults. FARIDA KHANZADA. No child’s play. Screen. 62 (52); 19 September 2014; 17- 18. Analyses the pitfalls of facing success at an early stage and how these children cope in life later. FILM, AWARDS, FILMFARE GUPTA (Rachit). Winning is everything. Filmfare. 26 February 2014; 122-172. Gives details of the winners of 59th Idea Filmfare Awards 2013 announced on 13 January 2014. FILM, AWARDS, OSCARS GUPTA (Shubhra). Our films, their films. Indian Express. 9 March 2014; 7. Suggests to raise the number of films for ‘Foreign Category’ of Academy Awards to make it much larger and more inclusive. SLAVE to the Oscars. Pioneer. 4 March 2014; 16. Gives details of the winners of the 86th Academy Awards presented by the Academy of Motion Picture Arts and Science on 2 March 2014 at Dolby theatre, Hollywood in Los Angeles. 5 Cinema – 2014 FILM, AWARDS, OSCARS THURSTON (Michael). Gravity gets7, Slave is best film. Asian Age. 4 March 2014; 12. A report on the 86th Academy Awards better known as Oscars, presented on 2 March 2014 in Hollywood, Los Angeles. FILM, BAN SAHGAL (Geety). Film release, interrupted. Screen. 62 (25); 14 March 2014; 17. Looks at the films that have had delayed releases because of litigations and the impact of such litigations on the box-office prospects of the film. FILM, CERTIFICATION BANERJEE (Kaushani). Through the looking glass. Screen. 62 (49); 29 August 2014; 13. Film-maker Ashoke Pandit talks about the need for transparency that will help in rooting out corruption while certifying Bollywood films. FILM, CHILDREN BHATTACHARYA (Renu). Bachchon key liye nahin bun rahin achhi filmein. Rashtriya Sahara. 14 November 2014; 2. Comments on the dearth of good children’s films in India. 6 Cinema – 2014 FILM, CITY BAMZAI (Kaveree). The cities of dreams. India Today. 39 (51); 22 December 2014; 134-136, 138. Discusses how Mumbai city has expanded Bollywood’s imagination and enhanced the aura of its stars. FILM, DIALOGUE PARIHAR (Niranjan). Cinema ka samvad zindgi ka aaina. Rashtriya Sahara. 3 October 2014; 1. Lists some memorable dialogues of Hindi cinema which played an important role in popularizing that film. FILM, DIRECTION AND WOMEN RAO (Shubha J). When create a scene. Hindu. 8 June 2014; 1. Writes about women directors in Tamil cinema who have created quirky, offbeat films that are well accepted by the audiences. FILM, DISTRIBUTION BANERJEE (Debesh). Bitter sugar. Screen. 62 (46); 8 August 2014; 46-47. Writes about animation film titled Chashni (sugar syrup) that documents the plight of an acid attack survivor. BHADANI (Priyanka). Booking advance. Screen. 62 (50); 5 September 2014; 15- 16. Comments on the recent trend of deciding a film’s release date much in advance to avoid complications later. 7 Cinema – 2014 FILM, DISTRIBUTION BHADANI (Priyanka). The promotional jig. Screen. 42 (42); 11 July 2014; 16-17 Looks at new pattern of promotion of films which includes multi-city tour across the country to connect with viewers for creating a right buzz. JHA (Priyanka Sinha). Tectonic shift. Screen. 62 (35); 23 May 2014; 42-43. Sanjay Gaikwed, Founder and MD, UFO Moviez, speaks of the milestones, success mantra and roadmap for the future growth of the film business. FILM, DOCUMENTARY BHARALI (Bharati). Filmmakers focus on the Indian one-horned rhino. Vidura. 6 (1); January-March 2014; 42-43. Writes about Dip Bhuyan’s Sesh Asha- The Last Hope and Gautam Saikia’s The Jaws of Death documentaries that left an indelible impression on the minds of viewers about threats faced by the rare and endangered species of animals in the Kaziranga National Park, Assam.
Recommended publications
  • Page 01 Jan 15.Indd

    Page 01 Jan 15.Indd

    WEDNESDAY 15 JANUARY 2014 • [email protected] • www.thepeninsulaqatar.com • 4455 7741 inside When women CAMPUS • The Gulf English get to play actual School launches human beings Week Without Walls P | 4 P | 12 INTERIORS • urphy beds are making the bedroom superfluous Automakers want to turn back the clock to a time P | 6 when performance and speed trumped concerns about energy and the environment. A look at some FOOD • Rethinking a fatty of the hot wheels at North American International dip to have a Auto Show in Detroit. healthier side P | 7 HEALTH • Screen pregnant women for gestational diabetes: US panel P | 11 TECHNOLOGY • Google gains entry to homes and prized team with $3.2bn Nest deal P | 12 HOT WHEELS AT Learn Arabic • Learn commonly used Arabic words and their meanings DETROIT P | 13 2 PLUS | WEDNESDAY 15 JANUARY 2014 COVER STORY Performance meets green at Detroit auto show By Paul Lienert Even the 2014 Chevrolet Camaro Z28, which goes on sale this spring, o look over the roster of racy has benefited from General Motors new and future vehicles at Co’s “lightweighting” efforts. GM engi- the 2014 North American neers shaved mass from the $75,000 TInternational Auto Show muscle car by using a smaller battery here, the initial impression is that and thinner rear glass, as well as elimi- US, European and Asian automak- nating the trunk carpet and the tire- ers want to turn back the clock to a inflator kit. time when performance and speed trumped concerns about energy and The Fun Factor the environment.
  • Motor Accident Claim Tribunal, Jhansi

    Motor Accident Claim Tribunal, Jhansi

    MOTOR ACCIDENT CLAIM TRIBUNAL, JHANSI Date of Institution: Date of Judgement: Age: 03/06/18 05/13/20 2 Y, 2 M, 7 D MM/DD/YY MM/DD/YY Present: Chandroday Kumar HJS MACP No. 76 of 2018 Smt. Shakuntala Devi W/o Om Prakash, age about 51, R/o Budha Thana Sipri Bazar, Distt. Jhansi, U.P. ………...Petitioner vs. 1. Ambey Supplier Pvt. Ltd. authorized possessor Sharif Khan S/o Sameer Khan R/o Khaju Ka Mohalla Ward 24 Nawalgarh Jhunjhunu Rajasthan --------Owner of the vehicle 2. Manoj Kaurav S/o Sri. Ramesh Kaurav R/o Kamti Gadarwala Narsinghpur M.P . --------Driver 3. Magma S.D.I. General Insurance Company Ltd. through Manager Magma House 24 Park Street Kolkata 700016 --------Insurer ………..Opposite Parties And MACP No. 77 of 2018 1. Smt. Sanju Devi W/o Late Arvind Kumar, age about 27, 2. Piyush Yadav S/o Late Arvind Kumar through Guardian Smt Sanju W/o Late Arvind Kumar 3. Shakuntala Devi W/o Om Prakash, age about 51, 4. Om Prakash S/o Asharam, age about 55 All R/o Budha Thana Sipri Bazar, Distt. Jhansi, U.P ……....Petitioners vs. 1. Ambey Supplier Pvt. Ltd. Authorized Possessor Sharif Khan S/o Sameer Khan R/o Khaju Ka Mohalla Ward 24 Nawalgarh Jhunjhunu Rajasthan --------Owner of the vehicle 2. Manoj Kaurav S/o Sri. Ramesh Kaurav R/o Kamti Gadarwala Narsinghpur M.P. --------Driver 3. Magma H.D.I. General Insurance Company Ltd. through Manager Magma House 24 Park Street Kolkata 700016 --------Insurer ………..Opposite Parties Advocate of Petitioners……. Sri Rajeev Sharma Advocate of Opposite Parties……...Sri Raj Tilak Saxena JUDGMENT Both the cases mentioned above are related to the same accident hence for the sake of convenience both are being decided by the common judgment.
  • Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville

    Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville

    University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films.
  • 725 19 - 25 September 2014 20 Pages Rs 50

    725 19 - 25 September 2014 20 Pages Rs 50

    #725 19 - 25 September 2014 20 pages Rs 50 BIKRAM RAI Taking power into our own hands ut of reach of national transmission lines, rural Nepalis have stopped waiting for the government to come to them. They are Oharnessing small streams and generating their own electricity from micro-hydro plants managed by local cooperatives. More than 2,500 micro-hydro plants are in operation throughout the country RED supplying 40 MW of electricity to local grids. This winter when the capital suffers 14 hours of power cuts daily, many parts of rural Nepal will be lit up at night. Shyam Nakarmi (above) makes turbines to power PANDA small hydropower plants at his workshop in Banepa. BY SUNIR PANDEY ALERT Nepal is home to one-tenth of the 10,000 endangered red pandas left in the wild in Asia. A successful conservation effort in eastern Nepal shows Thinking small how local communities can help protect a species that is threatened by Improving the efficiency of the estimated 35,000 traditional habitat loss and hunting. September 20 is Red Panda Day, and will be water mills across the country could empower rural Nepal. marked with the slogan, ‘Conserve Locally, Educate Globally’. BY KUNDA DIXIT IN KAVRE PAGE 16-17 BY SONAM TASHI LAMA IN TAPLEJUNG PAGE 10-11 2 EDITORIAL 19 - 25 SEPTEMBER 2014 #725 POLITICS IN A VACUUME he sight of the country’s prime minister on a mobile An all-party consensus would be ideal, of course, but phone publicly beseeching the leader of an outcast failing that the NC-UML should show that they have what Tpolitical party to come for negotiations sums up the it takes to push it to a vote.
  • Eros International Plc Reports Fourth Quarter & Fiscal Year 2014 Results

    Eros International Plc Reports Fourth Quarter & Fiscal Year 2014 Results

    EROS INTERNATIONAL PLC REPORTS FOURTH QUARTER & FISCAL YEAR 2014 RESULTS 06/12/2014 Financial Highlights Fourth Quarter Ended March 31, 2014 Revenues increased by 21.2% to $63.3 million, compared to $52.2 million in the prior year period Currency comparable revenues increased by 23.4% Adjusted EBITDA increased by 45.6% to $13.1 million, compared to $9.0 million in the prior year period Net income decreased by 7.2% to $6.4 million, compared to $6.9 million in the prior year period Fiscal Year Ended March 31, 2014 Revenues increased by 9.4% to $235.5 million, compared to $215.3 million in the prior year period Currency comparable revenues increased by 15.8% Adjusted EBITDA increased by 42.6% to $80.3 million, compared to $56.3 million in the prior year period Net income increased by 10.1% to $37.1 million, compared to $33.7 million in the prior year period A reconciliation of the non-GAAP financial measures discussed within this release to our IFRS net income are included at the end of this release. See also “Non-GAAP Financial Measures.” LONDON--(BUSINESS WIRE)-- Eros International Plc (NYSE:EROS) (“Eros” or “the Company”), a leading global company in the Indian film entertainment industry, today reported financial results for the fourth quarter and fiscal year ended March 31, 2014. Jyoti Deshpande, Eros’ Managing Director and Chief Executive Officer said, "Our fourth quarter and full year results demonstrate the strength of our business and our ability to capitalize on compelling trends in the growing and underpenetrated Indian media and entertainment industry.
  • Page 01 Feb 24.Indd

    Page 01 Feb 24.Indd

    MONDAY 24 FEBRUARY 2014 • [email protected] • www.thepeninsulaqatar.com • 4455 7741 inside David O Russell weaves Oscar CAMPUS • Noble International pattern from his School holds own reinvention 7th Annual Day P | 4 P | 8-9 COMMUNITY • Total staff mark Marhaba Day in traditional Qatari style P | 5 FOOD • Peanut recipes: A culinary winter cure-all P | 7 HEALTH • Hookah is not harmless, say experts P | 11 TERMITES INSPIRE TECHNOLOGY • Widescreen TVs, sliding steering wheels: The future of driverless cars ROBOTS P | 12 The termite, a wood-eating nemesis of buildings and homes, Learn Arabic has inspired a new batch of construction robots. The automated • Learn commonly machines, each about the size of a small brick, can work as a used Arabic words and their meanings team to build any predefined structure given to them — without a leader or step-by-step instructions, as termites are thought to do. P | 13 2 PLUS | MONDAY 24 FEBRUARY 2014 COVER STORY Termites inspire robots that can build houses By Meeri Kim actions by assessing what work has thought to create huge, towering nests. biologists even believe they provide he termite, typically reviled already been done and adding to it. So, “Around here, you hear about the colony with air conditioning and as the wood-eating neme- say, the first robot puts down a block. termites destroying buildings,” said atmosphere control. sis of buildings and homes, As it leaves the site, another comes study author and Harvard University Werfel and his colleagues wanted to has ironically inspired a along and senses the block’s location.
  • Ficci Baf Awards 2015 - Nomination List

    Ficci Baf Awards 2015 - Nomination List

    FICCI BAF AWARDS 2015 - NOMINATION LIST CATEGORY ENTRANT ENTRY TITLE COUNTRY Hochschule Luzern - Design & Kunst The Sound of Crickets Switzerland Communication University of China Fly China Animated Short Film - Student Communication University of China My Daddy China [International] Communication University of China HideSeek China The Arts University at Bournemouth Do Us Part United Kingdom The Arts University at Bournemouth The Shipping Forecast United Kingdom National Institute of Design Her long nails India National Institute of Design Horn Ok Scream India Animated Short Film - Student [Indian] DSK Supinfocom International Campus Magarwasi India National Institute of Design Death of a Mosquito India Thought Cloud Studio Rise of the Valiant INDRAJEET India Animated Promos [International] Climb Media India Pvt Ltd Jugnoo India 19th Day Pictures Vincent the Artist USA | India Thought Cloud Studio Rise of the Valiant INDRAJEET India Animated Promos [Indian] Climb Media India Pvt Ltd Jugnoo India Nestle | Paperboat Design Studios Pvt Ltd Superbabies India Climb Media India Pvt Ltd BSE Fishing India Animated Ad Film Mit Institute of Design ICRC India [International] Syu Design BSE APP India Studio Eeksaurus Productions Pvt Ltd Rotary Lifeline India Studio Eeksaurus Productions Pvt Ltd Rotary Heartline India Animated Ad Film [Indian] Studio Eeksaurus Productions Pvt Ltd Rotary Fateline India FutureWorks Integrated Advertising | Welspun-world of hygrocotton India Futureworks Media Ltd Studio Eeksaurus Productions Pvt Ltd Fisherwoman and Tuk Tuk India Animated Short Film - Professional Mud n Water Production Pvt Ltd Talking Walls India [International] Aroop Dwivedi Aai India Studio Eeksaurus Productions Pvt Ltd Fisherwoman and Tuk Tuk India Animated Short Film - Professional Figment Films Sonali Pakhi India [Indian] Mud n Water Production Pvt Ltd Talking Walls India Bluepixels Animation Studios Pvt Ltd Ande Pirki India Studio 100 | Visual Computing Labs - Tata Heidi Belgium | India Animated TV Episode Elxsi Ltd.
  • 2014 Winter Newsletter

    2014 Winter Newsletter

    Queens College & York College, The City University of New York WINTER 2014 VOLUME 38 NO. 2 PRESIDENT’S COLUMN President’s Column 1 Salaam! Namaste! Greetings! On behalf of the executive committee, I extend a SALA 2015 Conference Program 2-10 warm welcome to you, the one hundred plus who are attending SALA’s 15th annual conference! Over the past year, we have been preparing for this moment, MLA Panels of Interest/ featuring SALA Members 10-15 and it should be a great meeting. Prabhjot Parmar and Sharanpal Ruprai, the “Why #BlackLivesMatter is Integral to South Asian Stud- 16-18 local arrangements Co-Chairs, have worked hard to create the Call for Papers, ies” evaluate abstracts, organize over 20 panels, the graduate caucus, a graduate stu- dent professionalization panel, Hamara Mushaira, a Writers’ Round Table, the SALA Member News 19-20 reception and closing banquet, business meetings, and awards ceremony, and the materials that go into this undertaking. Given this impressive feat and their own SAR CFP 21 busy schedules, we applaud them heartily. SALA 2014 Photos 22-23 As you peruse this year’s salaam, I want you to think specifically about the great In Memoriam 24-25 effort and time that goes into making such a publication possible. We have a Newsletter Editor in Rahul Gairola who has done a great job of enlivening that Non-SALA CFP 26 publication and bringing its branding into line with the webpage. Rahul is an invaluable force in this organization, as an editor and as a friend of SALA. SAR Special Issue CFP 27 Please, take the time to thank him personally for his passion, contribution, and commitment.
  • The Aaj Ka Dhamaka Edition November 1, 2014

    The Aaj Ka Dhamaka Edition November 1, 2014

    MONSOON The Aaj Ka Dhamaka Edition November 1, 2014 00000 MONSOON ISSUE 1 OUR SPONSORS Carolina Asia Center with the support of the U.S. Department of Edu- cation Center for Global Initiatives UNC Sangam YFund through the Campus Y OUR TEAM Editors: Anisha Padma and Parth Shah Writers: Snigdha Das, Debanjali Kundu, Alekhya Mallavarapu, Dinesh McCoy, Pranati Panuganti, Hinal Patel, Maitreyee Singh, Nikhil Umesh, Soumya Vishwanath, and Naintara Viswanath Photographers: Hamid Ali, Amanda Betner, Arpan Bhandari, Snigdha Das, Aribah Shah, Megha Singh, and Soumya Vishwanath Website Design: Sara Khan Publicity: Ranjitha Ananthan and Iti Madan Magazine Design: Sara Khan and Shruti Patel Contributors: Andrew Ashley, Kane Borders, Mr. John Caldwell, Sarvani Gandhavadi, Dr. Iqbal Sevea, and Dr. Afroz Taj 1 LETTER FROM THE EDITORS Social media has sparked a renaissance of new ideas. Facebook news feeds and Twitter timelines are constantly flooded with photos, videos and articles concerning both local and global issues. UNC Monsoon aims to ride this wave and produce marketable online and print content that brings South Asian voices to the forefront. Prior to Monsoon, UNC Sangam sponsored Diaspora, a campus magazine devoted to South Asian affairs. However, we felt that Diaspora was in need of a rebranding in its mission and name. Monsoon’s mission is to creatively foster dialogue about all eight South Asian countries: Ban- gladesh, India, Sri Lanka, Pakistan, Nepal, Maldives, Afghanistan, and Bhutan. It seeks to fight both the misrepresentation and underrepresentation of South Asia in mainstream media by producing original content that informs, entertains, and also fosters discussion. The problem UNC Monsoon addresses is the symbolic annihilation of South Asians by the mainstream media.
  • Waterfowl/Migratory Bird Hunting Regulations

    Waterfowl/Migratory Bird Hunting Regulations

    2021 - 2022 Migratory Game A Bird Hunting L Regulations A S K Photo by Jamin Hunter Taylor Graphic Design by Sue Steinacher A The 2021 state duck stamp features a photograph by Jamin Hunter Taylor of a male ring-necked duck (Aythya collaris). Jamin is an Alaska-based nature photographer who specializes in hunting Alaska’s diverse avifauna through the lens of his camera. Ring-necked ducks breed throughout much of Alaska and often congregate into large flocks during fall migration. Unlike most other diving ducks, ring-necked ducks are frequently found in relatively small, shallow ponds and wetlands. The appropriateness of the bird’s common name (and scientific name “collaris”) is often questioned because, in the field, the neck ring is rarely visible. However, in hand it becomes obvious that males of the species do exhibit a chestnut-colored collar at the base of the neck. Despite their name, the species is more easily identified based on their pointed head shape and white ring around the bill. The State of Alaska is an Affirmative Action/Equal Opportunity Employer. Contact [email protected] for alternative formats of this publication. 2 LICENSE AND STAMP REQUIREMENTS Resident Hunters All Alaska residents age 18 or older must possess a hunting license to hunt in Alaska and must carry it while hunting. Resident hunters 60 years old or older may obtain a free, permanent identification card issued by the Alaska Department of Fish and Game (ADF&G). This card replaces the sport fishing, hunting, and trapping licenses. Disabled veterans qualified under AS 16.05.341 may receive a free hunting license.
  • A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices

    A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices

    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2015 Active Critical Engagement (ACE): A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices Sultana Aaliuah Shabazz University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Social and Philosophical Foundations of Education Commons Recommended Citation Shabazz, Sultana Aaliuah, "Active Critical Engagement (ACE): A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices. " PhD diss., University of Tennessee, 2015. https://trace.tennessee.edu/utk_graddiss/3607 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Sultana Aaliuah Shabazz entitled "Active Critical Engagement (ACE): A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Education. Barbara J. Thayer-Bacon, Major Professor We have read this dissertation and recommend its acceptance: Harry Dahms, Rebecca Klenk, Lois Presser Accepted for the Council: Carolyn R.
  • The Romance Between Bollywood and Digital Media a Study on the Implementation of Digital Promotional Activities in Bollywood

    The Romance Between Bollywood and Digital Media a Study on the Implementation of Digital Promotional Activities in Bollywood

    The romance between Bollywood and Digital Media A study on the implementation of digital promotional activities in Bollywood Student Name: Dinesh Koendjbiharie Student Number: 357429 Supervisor: Payal Arora PhD MA Media Studies – Media and Business Erasmus School of History, Culture and Communication Erasmus University Rotterdam MA Thesis July 2015 0 Version 2.0. - July 2015 The romance between Bollywood and Digital Media A study on the implementation of digital promotional activities in Bollywood ABSTRACT The Indian cinema, often referred to as Bollywood, is when it comes to production scale the largest movie industry in the world. The media and creative industries have been facing a new challenge in the past decade such as, but not limited to, the implementation of new digital media technologies in their digital promotional strategies. This research looks into the promotional activities in contemporary Bollywood that are visible to the consumer. The research question: “How does Bollywood use social media for promotional activities to reach the domestic and global market and possibly strengthen their current promotional strategies?” will be answered through two in-depth case studies on Bollywood blockbuster movie ‘Happy New Year’ and a movie that did exceptionally well ‘Queen’. This research firstly touches upon the changes and the development the industry went through, followed by creating an understanding of the industry’s contemporary position. The first step of the analysis is based on creating an in-depth understanding of the cases and the corresponding data from among others Facebook and Twitter. The following step of the analysis is solely focussed on the adjoining film music industry, in which the attention is paid to the promotion of the film music and also the promotion through the official social media channels of the cases.