Dtp1june29final.Qxd (Page 1)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
19012004 Dt Mpr 06 D L C
DLD‹‰‰†‰KDLD‹‰‰†‰DLD‹‰‰†‰MDLD‹‰‰†‰C 6 MATINEE MASALA DELHI TIMES, THE TIMES OF INDIA MONDAY 19 JANUARY 2004 here was a time when Saif Ali Khan actually bid his colleagues goodbye, since he had no new films T on hand. Today the actor is back with a vengeance. UNUSUAL SUSPECTS With hits like Dil Chahta Hai, Darna Mana Hai and Kal he calmness of Gracy Singh’s someone is out to kill her. And every- Ho Na Ho to his credit, the Khan is not only looking good, white silk nightgown contrasts one around her seems like a suspect! but could be in line for some awards, keeping in mind his T sharply with her words. Gracy When Gautamji narrated the script to performances. But the actor has his head set firmly on admonishes Arbaaz Khan even as me I was very excited because he is his shoulders, and is willing to wait for the audiences ver- Sudesh Berry listens with unwaver- known for his thrillers on television.” dict. Friday will tell! is what he says. ing attention. “Cut,” director Gautam After Arbaaz’s polished portrayal in You have got two acclaimed performances in a row Adhikari’s voice booms through his debut Daraar and recent success with Darna Mana Hai and Kal Ho Na Ho. How does it White House at Khandala as Wajaah … with Qayamat, he will be spotted in a feel? A Reason To Kill inches a step forward. well-etched role in Wajaah… “I’m pla- It feels good to be a part of a film that is appreciated. -
Shemaroo Entertainment Limited
DRAFT RED HERRING PROSPECTUS Dated September 19, 2011 Please read section 60B of the Companies Act, 1956 (This Draft Red Herring Prospectus will be updated upon filing with the RoC) 100% Book Building Issue SHEMAROO ENTERTAINMENT LIMITED Our Company was originally incorporated as a private limited company under the Companies Act, 1956 on December 23, 2005, with the name Shemaroo Holdings Private Limited. Subsequently, pursuant to a Scheme of Arrangement approved by the Hon’ble High Court of Bombay vide order dated March 7, 2008 and by the special resolution of our shareholders dated May 28, 2008, the name of our Company was changed to Shemaroo Entertainment Private Limited and a fresh certificate of incorporation was granted to our Company on June 3, 2008, by the RoC. Thereafter, pursuant to a special resolution of our shareholders dated March 26, 2011, our Company was converted to a public limited company and a fresh certificate of incorporation consequent to the change of status was granted on April 1, 2011, by the RoC. For further details in connection with changes in the name and registered office of our Company, please refer to the section titled “History and Certain Corporate Matters” on page 95 of this Draft Red Herring Prospectus. Registered and Corporate Office: Shemaroo House, Plot No.18, Marol Co-operative Industrial Estate, Off Andheri Kurla Road, Andheri East, Mumbai- 400059 Telephone: +91 22 4031 9911; Facsimile: +91 22 2851 9770 Contact Person and Compliance Officer: Mr. Ankit Singh, Company Secretary; Telephone: +91 22 4031 9911; Facsimile: +91 22 2851 9770 E-mail: [email protected]; Website: www.shemaroo.com PROMOTERS OF OUR COMPANY: MR. -
Vishwatma Hd Movie Download
Vishwatma hd movie download Continue Sunny Deol was born as Ajay Singh Deol on October 19, 1952 in New Delhi, India. He is the son of actor Dharmandra and Prakash Kaura. He has a younger brother, also an actor, Bobby Deol. His father married actress Hema Malini, and Sonny has two halves of sister Ash Deol, actress and Ahana Deol. His cousin Abhay Deol is also an actor. He is married to Puja Deol and they have two sons Rajvir Singh and Ranvir Singh. Sunny studied in Mumbai at Sacred Heart High School and Podar College. England Is the Old Web Theatre where he took acting and theater lessons. Sunny Deols debut film Rahul Rawalis Betaab (1983) was a big hit that followed the much famous plot of a poor boy falling in love with a rich girl. Debutante Amrita Singh was a rich beauty. The 1985 release, Arjun, with Dimple Kapadia was another film he is famous for. He has starred in such films as Samundar, Ram-Avtar, Maybor, Maine Tere Dushman and Rajiv Rais Tridev. Last released in 1989, starred the likes of Nasiraddin Shah, Madhuri Dixit and Jackie Shroff. The story of three men from different backgrounds who came together to fight the villains was well received. Chaal Baaz (1989) with Sridevi and Rajnikan was also successful. His performance as a boxer in Rajkumar Santoshis Ghayal (1992) with Meenakshi Sheshadri was recognized as brilliant and he won the Filmfare Best Actor Award. In 1993 Damini was a huge success, winning his Filmfare Best Supporting Actor, as did Yash Chopras Darr, with Shah Rukh Khan and Juhi Chawla. -
Dtp1june8final.Qxd
*DLTD80603/ /01/K/1*/01/Y/1*/01/M/1*/01/C/1* Geri’s in the Horror-scope: Bo goes Boom! She is only 5 feet, 3 inches tall. ng up and down in a bath tub, mood for Darna mana hai, But way back in 1979, Bo Der- it was Bo all the way! THE TIMES OF INDIA ek became every man’s fantasy For all those who still miss Sunday, June 8, 2003 baby talk! Saif tells Shilpa with her stunning 38-22-36 st- the perfect 10 bombshell, the ats. The daughter of a boat sa- lady’s back on the big screen in Page 7 Page 8 lesman, Bo was Kaizad Gust- the reigning sex ad’s Boom. And goddess of the not only does ‘80s, though she play herse- most of her fil- lf, Bo even recr- ms bombed. Be eates her famo- it Tarzan the us 10 scene. Apeman, whe- Guess who’s re you saw mo- gonna be runn- re of the sexy ing towards her Jane than the as she emerges lord of the jun- from the ocean, gle, A Change clad in a golden of Seasons, wh- saree? None ot- ich opened with her than apna OF INDIA footage of the Big B. Some gu- well-endowed ys have all the THANK GOD IT’S SUNDAY beauty bounci- luck! Wotsay? Photos: SATISH JAISWAL PRASHANT NAKWE DAVID ABRAHAM: DESIGNS ON DESTINY My mother died when I was places on my retur n to India. barely eight: My f ather,M athai SUNDAY SPECIAL Intershoppe was one of them. -
Sync Sound and Indian Cinema | Upperstall.Com 29/02/12 2:30 PM
Sync Sound and Indian Cinema | Upperstall.Com 29/02/12 2:30 PM Open Feedback Dialog About : Wallpapers Newsletter Sign Up 8226 films, 13750 profiles, and counting FOLLOW US ON RECENT Sync Sound and Indian Cinema Tere Naal Love Ho Gaya The lead pair of the film, in their real life, went in the The recent success of the film Lagaan has brought the question of Sync Sound to the fore. Sync Sound or Synchronous opposite direction as Sound, as the name suggests, is a highly precise and skilled recording technique in which the artist's original dialogues compared to the pair of the are used and eliminates the tedious process of 'dubbing' over these dialogues at the Post-Production Stage. The very first film this f... Indian talkie Alam Ara (1931) saw the very first use of Sync Feature Jodi Breakers Sound film in India. Since then Indian films were regularly shot I'd be willing to bet Sajid Khan's modest personality and in Sync Sound till the 60's with the silent Mitchell Camera, until cinematic sense on the fact the arrival of the Arri 2C, a noisy but more practical camera that the makers of this 'new particularly for outdoor shoots. The 1960s were the age of age B... Colour, Kashmir, Bouffants, Shammi Kapoor and Sadhana Ekk Deewana Tha and most films were shot outdoors against the scenic beauty As I write this, I learn that there are TWO versions of this of Kashmir and other Hill Stations. It made sense to shoot with film releasing on Friday. -
Annual Report on the BBC 2019/20
Ofcom’s Annual Report on the BBC 2019/20 Published 25 November 2020 Raising awarenessWelsh translation available: Adroddiad Blynyddol Ofcom ar y BBC of online harms Contents Overview .................................................................................................................................... 2 The ongoing impact of Covid-19 ............................................................................................... 6 Looking ahead .......................................................................................................................... 11 Performance assessment ......................................................................................................... 16 Public Purpose 1: News and current affairs ........................................................................ 24 Public Purpose 2: Supporting learning for people of all ages ............................................ 37 Public Purpose 3: Creative, high quality and distinctive output and services .................... 47 Public Purpose 4: Reflecting, representing and serving the UK’s diverse communities .... 60 The BBC’s impact on competition ............................................................................................ 83 The BBC’s content standards ................................................................................................... 89 Overview of our duties ............................................................................................................ 96 1 Overview This is our third -
Copyright Infringement in the Indian Film Industry
Vanderbilt Journal of Entertainment & Technology Law Volume 7 Issue 2 Issue 2 - Spring 2005 Article 4 2005 Copyright Infringement in the Indian Film Industry Rachana Desai Follow this and additional works at: https://scholarship.law.vanderbilt.edu/jetlaw Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Rachana Desai, Copyright Infringement in the Indian Film Industry, 7 Vanderbilt Journal of Entertainment and Technology Law 259 (2020) Available at: https://scholarship.law.vanderbilt.edu/jetlaw/vol7/iss2/4 This Note is brought to you for free and open access by Scholarship@Vanderbilt Law. It has been accepted for inclusion in Vanderbilt Journal of Entertainment & Technology Law by an authorized editor of Scholarship@Vanderbilt Law. For more information, please contact [email protected]. Copyright Infringement in the Indian Film Industry By Rachana Desai" On July 7, 1896, India's first India, unlike America, has several cinematographic film was shown in film industries. This Note focuses on the Mumbai.1 Today, India's mammoth film largest of these industries: Bollywood, the industry produces more movies than any center of Hindi language cinema. In recent other country in the world and employs years, nearly eight out of every ten over two million people. 2 In 2001, India's Bollywood scripts have been "inspired" by entertainment industry (which includes one or more Hollywood films. 7 Previously, film, music, television, radio and live this widespread problem was not visible to entertainment) was one of the fastest those outside of India. The emergence of growing sectors of the economy, the Internet and better global experiencing over a 30% growth. -
6DLTDC COL 04R113.Qxd (Page 1)
DLD‰‰†‰KDLD‰‰†‰DLD‰‰†‰MDLD‰‰†‰C 4 LEISURE DELHI TIMES, THE TIMES OF INDIA SUNDAY 6 JULY 2003 TELEVISION tvguide.indiatimes.com CINEMA DD I Janaab Ka 1800 Sunday Stack 1000 Khabar Din Bhar ENGLISH FILMS (2.35, 8 & 10.40 p.m.), M2K (10.30 a.m., 3.15 1930 Meri Biwi Wonderful 1900 PO [V] 1030 Business Reporter & 10.45 p.m.), Filmistan, M4U (11.45 a.m., 0830 Children Prog. CHARLIE’S ANGELS 2: PVR Gurgaon (11.15 2.40, 4.30 & 10.20 p.m.), Milan, 3 C’s (12.30 & 2000 Kya Hadsaa Kya 2000 Coke [V] Popstar 2 1130 Masand Ki Pasand a.m., 3.55, 6.15 & 11.25 p.m.), PVR Naraina 0900 Mukhya Samachar 9.45 p.m.),Aakash, Movie Palace, Kavita (Loni), Haqeeqat 2030 Sunday Stack 1200 - 1630 Khabar Din (11.05 a.m., 4, 6.15 & 11.10 p.m.), PVR 0902 Vishnu Puran Urvashi (G’bad); ANCHHAYEE: West End; 88 2100 Back to Back Bhar Vikaspuri (2.25, 6.20 & 11.20 p.m.), Priya (11 0930 Do Khiladi SAHARA TV ANTOP HILL: DT Cinemas (6.30 p.m. Only), Raj 1000 News in Sanskrit 2130 Sunday Stack 1630 Business Reporter a.m., 4 & 8.20 p.m.); BRUCE ALMIGHTY: DT 0830 Manpasand 2200 Mainstage 1730 Sports Reporter (T’nagar); BHOOT (A): (Rekha,Ajay Devgan, Ur- 1005 Bhakti Katha: Serial Cinemas (10.40 a.m., 2.15 & 8.55 p.m.), Priya mila, Nana Patekar, Fardeen Khan, Tanuja, 0900 Sitare Sunday Spl. 1830 Masand Ki Pasand (6.20 p.m. -
DIPLOMARBEIT Terrorismus Im Hindi-Film
DIPLOMARBEIT Terrorismus im Hindi-Film Die Darstellung des muslimischen Terroristen als Bösewicht im indischen Mainstream-Kino,1999–2013. Anna-Franziska Steinebach angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, Januar 2015 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuer: PD Mag. Dr. Claus Tieber Inhaltsverzeichnis 1. Einleitung ............................................................................................................................... 1 1.1 Terrorismus im indischen Kontext .................................................................................. 1 1.2 Relevanz .......................................................................................................................... 4 1.3 Forschungsgegenstand ..................................................................................................... 6 1.4 Hypothese ........................................................................................................................ 7 1.5 Forschungsstand .............................................................................................................. 7 1.6 Vorgehensweise und methodische Abgrenzung .............................................................. 8 2. Stereotyp ................................................................................................................................. 9 2.1 Das Stereotyp in sozialwissenschaftlichen Diskursen .................................................... -
22SUNDC COL 02R1.QXD (Page 1)
œND‰‰†‰KœND‰‰†‰œND‰‰†‰MœND‰‰†‰C 2 SUNDAY TIMES OF INDIA New Delhi, June 22, 2003 DELHI Bollywood: No longer a haunted house To chat on SMS send 'cchat' <your question> to 8888 “We still hedge around the issue of sexuality” with the imaginary world, — PRAMADA MENON, Director, CREA rather than reality. Today’s PEOPLE well-informed audiences Q. The latest dowry Men do it too. Does that mean case of Nisha has that we do not empower anyone? must identify themselves been an eye opener, Q. People are averse to talk about with the characters on the but should women sex and sexuality, why?- fatima POWER screen. The films have to be not be made more A: It’s strange that in a country short and interesting. powerful?- Doll that is so progressive, that has Question of the week Sachin Manchanda, Lajpat A: People should be made more one of the largest populations, Nagar aware. But more importantly we still try and hedge around the ● Is Bollywood beckon- Bollywood is just stuck with women should be taught that issue of sex and sexuality. We ing you once again? love stories — the rich boy they can resist and survive. need to start talking openly about and a middle-class girl Q. What does your NGO do?- mah these issues. The more that peo- A: CREA works at promoting the ple start talking, maybe we will ● holding hands and singing What kind of films do leadership capacities of women. create the environment for a free you want to see? songs. Bollywood films have We work on issues of sexuality, discussion on issues of sexuality. -
Media Approved
Film and Video Labelling Body Media Approved Video Titles Title Rating Source Time Date Format Applicant Point of Sales Approved Director Cuts 1 M Offensive language FVLB 111.29 11/03/2014 Bluray Universal Pictures Video Paul Crowder No cut noted Slick Yes 11/03/2014 10 Drama Movies R16 Violence,offensive language,sex scenes and content that may disturb FVLB 1,056.00 04/03/2014 DVD The Warehouse Michael Miller/Sidney J.Fur No cut noted Slick Yes 05/03/2014 10 Movie Pack Comedy PG Low level violence FVLB 833.07 10/03/2014 DVD The Warehouse Scott Pembroke/Alfred Zei No cut noted Slick Yes 12/03/2014 100 Hits Christmas G FVLB 76.00 10/03/2014 DVD The Warehouse Not Stated No cut noted Slick Yes 10/03/2014 Slick Yes 10/03/2014 12 Disasters M Violence OFLC 89.50 20/03/2014 DVD Madman Entertainment Steven R Monroe No cut noted Slick Yes 20/03/2014 M Violence FVLB 89.50 25/03/2014 Film - Online Madman Entertainment Steven R Monroe No cut noted 20 Feet From Stardom M Offensive language FVLB 87.01 05/03/2014 DVD Universal Pictures Video Morgan Neville No cut noted Slick Yes 05/03/2014 24 Hour Party People R16 Violence,offensive language,drug use and sex scenes FVLB 112.00 11/03/2014 DVD Library Supply Company Michael Winterbottom No cut noted Slick Yes 11/03/2014 Slick Yes 11/03/2014 36th Chamber of Shaolin,The M Violence and offensive language FVLB 110.55 12/03/2014 Film - Online Celestial Pictures Liu Chia-Liang No cut noted A.C.O.D. -
Gender, Biasness and Indian Cinemas
JOURNAL OF CRITICAL REVIEWS ISSN- 2394-5125 VOL 7, ISSUE 09, 2020 Gender, Biasness and Indian Cinemas Sanchayita Khakholary Research Scholar, Gauhati University, Assam, India Indian cinema, a billion dollar entertainment institution, today earns the position of the largest film producing industry with worldwide audience. It produces about thousands of films each year and in comparison to other institutions, Indian cinemas have millions and millions of viewers, reaching to almost every part of the society. Since its very inception it have been playing the role of the most prominent source of entertainment to the people of India. Along with dramas, lots of dancing and singing, powerful contents it have successfully attracted massive interests. One can trace back the history of Indian cinemas to the year of 1896 when the first 6 silent films shot by Lumiere Brothers were shown at one of the hotels at Bombay( now Mumbai). Thus, marking the entry of cinematography in India (Hafeez, p. 62). In 1898, Hiralal seth had directed the Flower of Persia, a pioneer of short films. But it was not until 1913, that the first full length silent film was released. ‘Raja Harishchandra’, the movie directed, shot and produced by Dadasaheb phalke sets the base for the pre-Bollywood scenario in India. However, the term Bollywood is a misnomer to define ‘the whole of Indian cinemas’, since it stands for only the Hindi cinemas and in reality Indian cinemas represents films or movies of all genres and of all languages of India. After 1913, featured films gained acceleration in its production and by 1920s; Indian film industry started producing 27 featured films annually (Hafeez, p.