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Writers and Creative Advisors Selected for Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 48
FOR IMMEDIATE RELEASE Media contacts: March 23, 2016 Chalena Cadenas 310.360.1981 [email protected] Mauli Singh [email protected] Writers and Creative Advisors Selected for Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 48 Lab Recognizes and Supports Six Emerging Independent Filmmakers from India Los Angeles, CA — Sundance Institute and Drishyam Films today announced the artists and creative advisors selected for the second Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 48. The Lab supports emerging filmmakers in India, as part of the Institute’s sustained commitment to international artists, which in the last 25 years has included programs in Brazil, Mexico, Jordan, Turkey, Japan, Cuba, Israel and Central Europe. Now in its second year, the fourday Lab is a creative and strategic partnership between Drishyam Films and Sundance Institute, and gives independent screenwriters the opportunity to work intensively on their feature film scripts in an environment that encourages innovation and creative risktaking. The Lab is centered around oneonone story sessions with creative advisors. Screenwriting fellows engage in an artistically rigorous process that offers lessons in craft, a fresh perspective on their work and a platform to fully realize their material. Leading the Lab in India is Drishyam founder, Manish Mundra. He said, “A beautiful heritage city in my hometown of Rajasthan, Udaipur forms an ideal writers retreat, and is the perfect environment for a diverse group of emerging writers and renowned mentors to have a refreshing and productive exchange. Our goal is that the six selected Indian projects, after undergoing a comprehensive mentoring process, will quickly move from script to screen and make their mark globally. -
Baghawad Gita, Class 184: Chapter 14, Verses 19 to 14
Baghawad Gita, Class 184: Chapter 14, Verses 19 to 14 Shloka # 14. 9: 14.9 O scion of the Bharata dynasty, sattva attaches one to happiness, rajas to action, while tamas, covering up knowledge, leads to inadvertence als Continuing his teachings Swamiji said today, in the last few classes, we saw that our higher nature known as the sakshi svarupam is ever nirgunam and therefore is free from the influence of the three gunas; but our vyavaharika nature, our lower nature, which is called ahamkara is a mixture of the body-mind complex, as well as the reflected consciousness. And till the ahamkara consists of the body-mind complex and till the body-mind complex is born out of prakrti, the ahamkara can never escape from the three gunas. And therefore, our body-mind complex is made up of three gunas and the ahamkara which consists of this body-mind complex is the necessarily made up of these three gunas, and therefore, we can never escape from them. We have to live with this saguna ahamkara. And once we are forced to live with this ahamkara, it is better that we understand the ahamkara well, so that we know how to handle it properly. Science is able to handle the nature more and more only because science has been able to know nature more and more. Knowledge gives the capacity for better handling. And therefore Sri Krishna says: you have to understand your own ahamkara very well. For that, you must know what type of ahamkara you have; which guna is dominant, which guna is in middle; the second place, and which guna is the lowest; better you understand and you also know how these gunas influence your vyavaharika life; both material life, as well as the spiritual life. -
The West Bengal College Service Commission State
THE WEST BENGAL COLLEGE SERVICE COMMISSION STATE ELIGIBILITY TEST Subject: MUSIC Code No.: 28 SYLLABUS Hindustani (Vocal, Instrumental & Musicology), Karnataka, Percussion and Rabindra Sangeet Note:- Unit-I, II, III & IV are common to all in music Unit-V to X are subject specific in music Unit-I Technical Terms: Sangeet, Nada: ahata & anahata , Shruti & its five jaties, Seven Vedic Swaras, Seven Swaras used in Gandharva, Suddha & Vikrit Swara, Vadi- Samvadi, Anuvadi-Vivadi, Saptak, Aroha, Avaroha, Pakad / vishesa sanchara, Purvanga, Uttaranga, Audava, Shadava, Sampoorna, Varna, Alankara, Alapa, Tana, Gamaka, Alpatva-Bahutva, Graha, Ansha, Nyasa, Apanyas, Avirbhav,Tirobhava, Geeta; Gandharva, Gana, Marga Sangeeta, Deshi Sangeeta, Kutapa, Vrinda, Vaggeyakara Mela, Thata, Raga, Upanga ,Bhashanga ,Meend, Khatka, Murki, Soot, Gat, Jod, Jhala, Ghaseet, Baj, Harmony and Melody, Tala, laya and different layakari, common talas in Hindustani music, Sapta Talas and 35 Talas, Taladasa pranas, Yati, Theka, Matra, Vibhag, Tali, Khali, Quida, Peshkar, Uthaan, Gat, Paran, Rela, Tihai, Chakradar, Laggi, Ladi, Marga-Deshi Tala, Avartana, Sama, Vishama, Atita, Anagata, Dasvidha Gamakas, Panchdasa Gamakas ,Katapayadi scheme, Names of 12 Chakras, Twelve Swarasthanas, Niraval, Sangati, Mudra, Shadangas , Alapana, Tanam, Kaku, Akarmatrik notations. Unit-II Folk Music Origin, evolution and classification of Indian folk song / music. Characteristics of folk music. Detailed study of folk music, folk instruments and performers of various regions in India. Ragas and Talas used in folk music Folk fairs & festivals in India. Unit-III Rasa and Aesthetics: Rasa, Principles of Rasa according to Bharata and others. Rasa nishpatti and its application to Indian Classical Music. Bhava and Rasa Rasa in relation to swara, laya, tala, chhanda and lyrics. -
Drishyam 2016: 2 Bokaro International Film Festival Concludes at DPS
October 23, 2016 Drishyam 2016: 2ndBokaro International Film Festival concludes at DPS Bokaro A 2 day festival of films concludes with edu-tainment “Films provide impetus to creativity of students and promote appreciation for classic films of the world of cinema” –Dr. Hemlata S. Mohan, Director & Principal, DPS Bokaro “Movies are the best source of social learning” - Mr. Atul Srivastava, ED( P&A), BSL th “Films have largely influenced the mass population in 20 century” - Mr. Prahlad Agarwal, Renowned Film Historian and Writer “Films are the best forms of art and expression” - Dr. Satyadeva Tripathi, Noted Film & Theatre Critic October 23, 2016 „Drishyam 2016‟ – The Second Edition of Bokaro International Film Festival a pioneering educational initiative in Jharkhand organized during October 22-23, 2016 in the KaliDas Kala Bhawan of the learners‟ paradise-DPS Bokaro. The festival was graced by Mr. Atul Srivastava, ED P&A, BSL, Pro-Vice Chairman, DPS Bokaro, as the Chief Guest of the occasion. The other dignitaries who were also present were - Dr. G. N. Sahoo, Director, Bokaro General Hospital, (B.G.H.) and Mr. S. K. Jha, G.M., B.S.L. Celebrities from the film fraternity participated in the ceremony. The eminent personalities present this year were - Mr. Prahlad Agarwal, the renowned film historian and the script writer, Dr. Satyadev Tripathi, creative maestro in the film world Dr. Vijay Sharma, Educationist, Author, Script and Short Story Writer and Mr. Abhishek Kashyap, Director of Bokaro International Film Festival. Mr. Prahlad Agarwal has written biographies on two great filmmakers of all time in Hindi Cinema - Raj Kapoor and Guru Dutt like ‘Raj Kapoor – Aadhi Haqeeqat Aadha Phasana’, ‘Pyaasa: Chir Atript Gurudutt’, ‘Kavi Shailendra – Zindagi ki Jeet Ka Yakeen’,' O Re Majhi: Bimal Raika Cinema,‘Reshmi Khawabonki Dhoop Chhaon: Yash Chopra ka Cinema’, ‘Baazar ke Baazigar: Ekkiswi Sadika Cinema’,‘Jug Jug Jiye Munna Bhai: Chhaviyon Ka Mayajaal’, ‘Uttaal Umang: Subhash Ghai ki Film Kala’ and ‘Hindi Cinema: Beeswi Sadi se Ekkiswi Sadi Tak’. -
Think Film! on Current Practices and Challenges in Film Culture: a Documentation of a Student Symposium 2020
Repositorium für die Medienwissenschaft Adriane Meusch, Bianka-Isabell Scharmann u.a. (Hg.) Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium 2020 https://doi.org/10.25969/mediarep/13589 Veröffentlichungsversion / published version Konferenzbeitrag / conference object Empfohlene Zitierung / Suggested Citation: Meusch, Adriane; Scharmann, Bianka-Isabell (Hg.): Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium. Frankfurt am Main: Zenodo 2020. DOI: https://doi.org/10.25969/mediarep/13589. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.5281/zenodo.3662799 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung 4.0/ Lizenz zur Verfügung gestellt. Nähere Attribution 4.0/ License. For more information see: Auskünfte zu dieser Lizenz finden Sie hier: http://creativecommons.org/licenses/by/4.0/ http://creativecommons.org/licenses/by/4.0/ THINK THINK FILM! Edited by Adriane MeuschandBianka- Adriane Edited by Isabell Scharmann On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Edited by Adriane Meusch & Bianka- Isabell Scharmann Frankfurt am Main, 2020 Editors Adriane Meusch and Bianka-Isabell Scharmann, in collaboration with Michelle Rafaela Kamolz https://thinkfilmsymposium.wordpress.com Copy Editor Carly Crane Graphic Design Muriel Serf (mmm.do) Bibliographic information of the German Library The German Library catalogues this publication in the German National Bibliography; detailed bibliographic information can be found on the Internet website: http://dnb.d-nb.de. -
First Convocation of Symbiosis Skills and Professional University
First Convocation of Symbiosis Skills and Professional University Symbiosis Skills and Professional University conducted the first convocation of the batch of students of 2017 on Saturday 6th February 2021. Hon’ble Chancellor Dr. S.B. Mujumdar presided over the event in the presence of Pro Chancellor Dr. Swati Mujumdar, Vice Chancellor Dr. Ashwini Kumar Sharma, Registrar Mr. B. B. Patil and COE Mr. Pramod Bhadakwade. The chief guest for the Convocation program was Shri. Subhash Desai Ji, Hon’ble Minister for Industries, Mining and Marathi Language, Government of Maharashtra. Shri. Ravi Gogia Ji, Fiat India Automobiles Pvt. Ltd. was the Guest of Honor. The convocation had 171 students of BBA Management and B.Sc. Beauty and Wellness graduating. The Chancellor’s Gold Medal was awarded to toppers of each program. Topper in BBA Retail: Ms. Shipra Jain, Topper in BBA Logistics and Supply Chain Management: Mr. Bahul Chandwani, Topper in BBA Port and Terminal Management: Mr. Neeraj Gadkari and Topper in B.Sc. Beauty and Wellness: Ms. Jasmine Sinha. All graduating students received their Degree Certificates from Pro. Chancellor Dr. Swati Mujumdar and Vice Chancellor Dr. Ashwini Kumar Sharma. The event was attended by members of Governing Body, Board of Management, Academic Council, Special Guests and members of media. The event was conducted following the safety norms of Social Distancing. SSPU: A Shooting Destination Visit of Mangeshkar Family to SSPU Symbiosis Skills and Professional Ms. Usha Tai Mangheshkar ji daughter of Pandit Shri. University campus is steadily establishing Deenanath Mangeshkar and Ms Shevanti (Shudhamati) and the as a shooting destination for the films and youngest sister among Lata Mangeshkar, Asha Bhosle and web series. -
Curriculum Vitae
Virani – CV VIVEK VIRANI Assistant Professor of Ethnomusicology and Music Theory University of North Texas College of Music 1155 Union Circle #311367, Denton, TX 76203 [email protected] EDUCATION 2016 Ph.D. in Ethnomusicology, UCLA Dissertation: “Find the True Country: Devotional Music and the Self in India’s National Culture” Committee: Professors Aamir Mufti, Daniel Neuman (chair), A. J. Racy, and Timothy Taylor 2012 M.A. in Ethnomusicology, UCLA M.A. paper: “Tabla Education in Maharashtra: Suresh Talwalkar’s 21st Century Music Ashram” Advisor: Professor Daniel Neuman 2008 B.A. in Music, University of Virginia, Charlottesville, VA PROFESSIONAL EMPLOYMENT 2016-Present Assistant Professor of Ethnomusicology and Music Theory, University of North Texas College of Music, Denton, TX. AWARDS AND FELLOWSHIPS 2016 Martin Hatch Award, Society of Asian Music, for Best Student Paper presented at 60th Annual Meeting of the Society of Ethnomusicology, 2015 2015-16 Dissertation Year Fellowship, UCLA Graduate Division 2013-14 Graduate Research Mentorship, UCLA Graduate Division 2012 FLAS fellowship from UC Berkeley for Marathi Summer Language Program 2012 American Institute of Indian Studies Fellowship for Marathi Summer Language Program (declined in favor of FLAS) 2011 Graduate Summer Research Fellowship, UCLA 2010 Graduate Division Fellowship, UCLA UPCOMING PUBLICATIONS 2018 (EST.) “Dual Consciousness and Unconsciousness: The Structure and Spirituality of Poly- Metric Tabla Compositions.” Chapter in Music and Consciousness 2, edited by David Clarke, Eric Clarke, and Ruth Herbert. Final manuscript accepted by publisher, Oxford University Press. 2017 (EST.) “Scheduled Castes and Social Capital: Social and Spiritual Reform through Kabir Singing in Central India.” Chapter in Songs of Social Protest, edited by Aileen Dillane, Eoin Devereux, Amanda Haynes, and Martin J. -
MUSIC Hindustani
The Maharaja Sayajirao University of Baroda, Vadodara Ph. D Entrance Tet (PET) SYLLABUS Subject: MUSIC PET ExamCode : 21 Hindustani (Vocal, Instrumental & Musicology), Karnataka, Percussion and Rabindra Sangeet Note:- Unit-I, II, III & IV are common to all in music Unit-V to X are subject specific in music -1- Unit-I Technical Terms: Sangeet, Nada: ahata & anahata , Shruti & its five jaties, Seven Vedic Swaras, Seven Swaras used in Gandharva, Suddha & Vikrit Swara, Vadi- Samvadi, Anuvadi-Vivadi, Saptak, Aroha, Avaroha, Pakad / vishesa sanchara, Purvanga, Uttaranga, Audava, Shadava, Sampoorna, Varna, Alankara, Alapa, Tana, Gamaka, Alpatva-Bahutva, Graha, Ansha, Nyasa, Apanyas, Avirbhav,Tirobhava, Geeta; Gandharva, Gana, Marga Sangeeta, Deshi Sangeeta, Kutapa, Vrinda, Vaggeyakara Mela, Thata, Raga, Upanga ,Bhashanga ,Meend, Khatka, Murki, Soot, Gat, Jod, Jhala, Ghaseet, Baj, Harmony and Melody, Tala, laya and different layakari, common talas in Hindustani music, Sapta Talas and 35 Talas, Taladasa pranas, Yati, Theka, Matra, Vibhag, Tali, Khali, Quida, Peshkar, Uthaan, Gat, Paran, Rela, Tihai, Chakradar, Laggi, Ladi, Marga-Deshi Tala, Avartana, Sama, Vishama, Atita, Anagata, Dasvidha Gamakas, Panchdasa Gamakas ,Katapayadi scheme, Names of 12 Chakras, Twelve Swarasthanas, Niraval, Sangati, Mudra, Shadangas , Alapana, Tanam, Kaku, Akarmatrik notations. Unit-II Folk Music Origin, evolution and classification of Indian folk song / music. Characteristics of folk music. Detailed study of folk music, folk instruments and performers of various regions in India. Ragas and Talas used in folk music Folk fairs & festivals in India. -2- Unit-III Rasa and Aesthetics: Rasa, Principles of Rasa according to Bharata and others. Rasa nishpatti and its application to Indian Classical Music. Bhava and Rasa Rasa in relation to swara, laya, tala, chhanda and lyrics. -
Raag-Mala Music Society of Toronto: Concert History*
RAAG-MALA MUSIC SOCIETY OF TORONTO: CONCERT HISTORY* 2013 2012 2011 Praveen Sheolikar, Violin Ud. Shahid Parvez, Sitar Pt. Balmurli Krishna, Vocal Gurinder Singh, Tabla Subhajyoti Guha, Tabla Pt. Ronu Majumdar, Flute Arati Ankalikar Tikekar, Vocal Ud. Shujaat Khan, Sitar Kishore Kulkarni, Tabla Abhiman Kaushal, Tabla Ud. Shujaat Khan, Sitar Abhiman Kaushal, Tabla Anand Bhate, Vocal Vinayak Phatak, Vocal Bharat Kamat, Tabla Enakshi, Odissi Dance The Calcutta Quartet, Violin, Suyog Kundalka, Harmonium Tabla & Mridangam Milind Tulankar, Jaltrang Hidayat Husain Khan, Sitar Harvinder Sharma, Sitar Vineet Vyas, Tabla Ramdas Palsule, Tabla Warren Senders, Lecture- Raja Bhattacharya, Sarod Demonstration and Vocal Shawn Mativetsky, Tabla Raya Bidaye, Harmoium Ravi Naimpally, Tabla Gauri Guha, Vocal Ashok Dutta, Tabla Luna Guha, Harmonium Alam Khan, Sarod Hindole Majumdar, Tabla Sandipan Samajpati, Vocal Raya Bidaye, Harmonium Hindole Majumdar, Tabla Ruchira Panda, Vocal Pandit Samar Saha, Tabla Anirban Chakrabarty, Harmonium 2010 2009 2008 Smt. Ashwini Bhide Deshpande, Smt. Padma Talwalkar, Vocal Pt. Vishwa Mohan Bhatt, Mohan Vocal Rasika Vartak, Vocal Veena Vishwanath Shirodkar, Tabla Utpal Dutta, Tabla Subhen Chatterji, Tabla Smt. Seema Shirodkar, Suyog Kundalkar, Harmonium Heather Mulla, Tanpura Harmonium Anita Basu, Tanpura Milind Tulankar, Jaltarang Pt. Rajan Mishra, Vocal Sunit Avchat, Bansuri Pt. Sajan Mishra, Vocal Tejendra Majumdar, Sarod Ramdas Palsule, Tabla Subhen Chatterji, Tabla Abhijit Banerjee,Tabla Sanatan Goswami, Harmonium Kiran Morarji, Tanpura Irshad Khan, Sitar Manu Pal, Tanpura Subhojyoti Guha, Tabla Aparna Bhattacharji, Tanpura Aditya Verma, Sarod Ramneek Singh, Vocal Hindol Majumdar, Tabla Pt. Ronu Majumdar, Flute Won Joung Jin, Kathak Ramdas Palsule, Tabla Amaan Ali Khan, Sarod Rhythm Riders, Tabla Bharati, tanpura Ayaan Ali Khan, Sarod Vineet Vyas, Tabla 1 RAAG-MALA MUSIC SOCIETY OF TORONTO: CONCERT HISTORY* 2010 Cont. -
Indian Community Outreach Unveils Plan for Grand India Day Celebration in Naperville Bollywood Rock Star Mika Singh Will Headline the Free Concert
MAY 2017 www.Asia Times.US PAGE 1 www.Asia Times.US Globally Recognized Editor-in-Chief: Azeem A. Quadeer, M.S., P.E. May 2017 Vol 8, Issue 5 Highest Paid Bollywood Actors A message from Nimish Jani Thank you very much for giving me an opportu- Page - 34 nity to serve over 141,000 residents of Schaum- burg Township for, another four years, it is my honor and great privilege that I get a chance to India aiming for serve wonderful community from seven towns. First I want to thank my family for the outright all-electric car fleet support, then my friends and supporters for by 2030 unconditional tireless work, my contributors who opened their wallets for generous donation India is looking at having an all-electric before asking, and most importantly GOD for car fleet by 2030 with an express objec- guiding me through every walk of life. tive of lowering the fuel import bill and running cost of vehicles. “We are going to introduce electric ve- hicles in a very big way. We are going to make electric vehicles self- sufficient like UJALA. The idea is that by 2030, not a single petrol or diesel car should be sold in the country,” Power minister Piyush said these are more like an R&D project. Goyal said while addressing the CII An- The minister suggested that big PSUs, SHAWKAT MOHAMMED nual Session 2017. including NTPC, can initially invest in Goyal is of the view that initially the such projects that will lead to develop- See Page 8 government can handhold the electric ment of this segment in coming years. -
A One-Stop State of the Art, Non-Profit Healthcare Facility in Pune, India
HUMANITARIAN NEWS A one-stop state of the art, non-profit healthcare facility in Pune, India In 2001, a non-profit healthcare facility was founded in Pune India, providing low and middle income group patients with treatment, not only at a minimum cost, but of a quality which bears the stamp of approval by the Royal College of Surgeons of England. Mr Vasant Oswal, an integral figure in the evolution of the hospital, speaks to other key members involved in its development. eenanath Mangeshkar Hospital (DMH) is a 1000-bed hospital in Pune, India, with a 25,000 square Dfeet dedicated postgraduate study centre which has established several surgical training courses. In recognition of their high educational quality, Royal College of Surgeons (RCS) has awarded the facility accreditation as ’a Centre of Surgical Education and Training’ making it the first centre to achieve this status in India. The RCS has also approved the first overseas RCS Senior Clinical Fellowship at the laryngology department of the hospital for a period of three years. Inauguration of Vasant and Nirmal Oswal Centre for Postgraduate Training. From right to left: Prakash Jawadekar, Union HRD From left to right, Dr Sachin Gandhi, Mr Paul O’Flynn, Mr Vasant Oswal, Minister, Government of India presenting bouquet Mr Prakash Javadekar, Dr Jay Kelkar. to Nirmal Oswal. Dr Dhananjay Kelkar, (52 neonates and 12 paediatric) caters for Medical Trust to establish, administer and Medical Director, critical care. Robotics and an extension of the promote the healthcare facility, with the Deenanath Mangeshkar stem cell transplant facility is in the pipeline. -
Ugly Fraud in Fairness
Wednesday 26 April to 2 May , 2017 A NUWAY MEDIA GROUP PUBLICATION Baahubali 2 will make film-1 Raveena makers look like TV serial Tandon's 'Maatr' banneddirectors: Ram by Gopal CBFC? Varma Voice of South Asian Community Since March 2002 Published Weekly from New York Vol. 14 Issue 33 Wednesday 26 April to 2 May , 2017 $1 www.thesouthasian.info STORY ON page 21 Alienated and resentful, the STORY Kashmir unrest youth and women of the Valley ON page are a ticking timebomb 30 India’s New Face Ugly Fraud In Fairness Meet the court on In a country not comfortable with its own the Mexican border genes, fairness creams sell a lie Where illegal immigrants are shown (Special Report) First things first, in creams market themselves in India even no quarter - and which Trump might black and white and all the greys. The if attitudinal changes will take longer. science is as dubious as the sociology. Depending on the verdict, the industry use as model for rest of country The Indian market is flooded with fairness could still find grey areas to work around products. If all of them had made the the law. But from an uncontrolled run, it has at least come to a pass (NY Times) New Delhi — On where a willingness to question a recent evening I was watching their claims—and the collective the video of a news feature a Hindi inferiority complex it panders language television network broad- to—is visible. Bollywood actor cast about Yogi Adityanath, who Abhay Deol unleashed a was elected chief minister of refreshing send-up of his India’s most populous state, Uttar colleagues just last week for Pradesh, last month.