Marketing of Malayalam Films Through New Media

Total Page:16

File Type:pdf, Size:1020Kb

Marketing of Malayalam Films Through New Media MARKETING OF MALAYALAM FILMS THROUGH NEW MEDIA ANMI ELIZABETH SABU Registered Number: 1424024 A dissertation submitted in partial fulfillment of the requirements for the degree of Master of Arts in Media and Communication Studies CHRIST UNIVERSITY Bengaluru 2016 Program Authorized to Offer Degree Department of Media Studies ii CHRIST UNIVERSITY Department of Media Studies This is to certify that I have examined this copy of a master’s thesis by Anmi Elizabeth Sabu Registered Number: 1424024 and have found that it is complete and satisfactory in all respects, and that any and all revisions required by the final examining committee have been made. Committee Members: _____________________________________________________ [CHANDRASEKHAR VALLATH] _____________________________________________________ Date: __________________________________ iii iv I, Anmi Elizabeth Sabu, confirm that this dissertation and the work presented in it are original. 1. Where I have consulted the published work of others this is always clearly attributed. 2. Where I have quoted from the work of others the source is always given. With the exception of such quotations this dissertation is entirely my own work. 3. I have acknowledged all main sources of help. 4. If my research follows on from previous work or is part of a larger collaborative research project I have made clear exactly what was done by others and what I have contributed myself. 5. I am aware and accept the penalties associated with plagiarism. Date: v vi CHRIST UNIVERSITY ABSTRACT Marketing of Malayalam Films through New Media Anmi Elizabeth Sabu The research studies the marketing strategies used by Malayalam films through New Media. In this research new media includes Facebook, Twitter, YouTube, Whatsapp and instagram. For the past four years there is a new shift in the marketing of Malayalam films. More and more film makers are depending on new media for the marketing of Malayalam films. Through this research the researcher studies the current trends in the new media marketing of Malayalam films. The methodology followed includes content analaysis of the Facebook, Youtube, twitter and Whatsapp accounts of films. The researcher had also done an audience survey to get an idea about the effectiveness of new media in marketing Malayalam films. Keywords: New Media, Malayalam films, Facebook, Youtube, Inststgram, Marketing vii viii ACKNOWLEDGEMENTS My sincere gratitude to my Guide, Dr. Chandrasekhar Vallath for his constant guidance encouragement and support. I also thank our course coordinator Fr. Biju K. Chacko, Naresh Rao, Suparna Naresh, Aasita Bali, Amutha Manavalan, Rajesh A. and Kannan S. for their valuable feedback and restless assistance in bringing out this research. I also would like to thank my family and friends for the encouragement and devotion, without whom this thesis would never have been completed. ix x DEDICATION To my loving parents, sister and friends xi xii TABLE OF CONTENTS List of Figures…………………………….………………………………....xiv List of Tables………………………………………………...…...……….…xv Chapter1 Introduction to the Study……………….………………...….…..1 1.1 Introduction…………………………………………………………...1 1.2 Statement of the problem ..................................................................... 7 1.3 Purpose and significance of the study .................................................. 7 1.4 Research design .................................................................................... 7 1.5 Research questions and Hypotheses ..................................................... 7 1.6 Objectives of the study ......................................................................... 8 Chapter 2 Review of Literature ..................................................................... 9 Chapter 3 Research Methodology ................................................................ 23 3.1 Introduction ........................................................................................ 23 3.2 Features of a Good Research Study ................................................... 23 3.3 Types of Research Studies ................................................................. 24 3.4 Qualitative Research .......................................................................... 25 3.5 Quantitative research .......................................................................... 26 3.6 Content analysis ................................................................................. 26 3.7 Comparative analysis ......................................................................... 26 3.8 Research Questions ........................................................................... 27 3.9 Sample................................................................................................ 27 3.10 Questionnaire Development .............................................................. 27 3.11 Data Analysis ..................................................................................... 27 Chapter 4 Data Analysis And Findings ....................................................... 29 4.1 Content Analysis ............................................................................... 29 4.2 Analysis of Facebook pages of higest grossing films………………46 4.3 Actors Facebook Page…………………..……………………….….49 4.4 Other online strategies………………………………………………49 4.5 Audience Survey……………………………………………………50 Chapter 5 Conclusion .................................................................................... 63 5.1 New Trends ........................................................................................ 63 5.2 Facebook, Whatsapp and Youtube ..................................................... 65 5.3 Strategic Ideas .................................................................................... 66 Bibliography ................................................................................................... 67 Online sources:............................................................................................. 67 Appendix ......................................................................................................... 71 Questionnaire: .............................................................................................. 71 xiii LIST OF FIGURES Figure No: Page Figure 4.1: Bangalore Days Poster ..........................................................................30 Figure 4.2: Premam Poster showing the title designed similar to a butterfly ..........34 Figure 4.3: Oru Vadakkan Selfie poster designed in the model of Mobile Whatsapp................................................................................................36 Figure 4.4: ‘Oru Vadakkan Selfie’ poster showing the positive reviews on the movie put up by Facebook users. ..........................................................37 Figure 4.5: Book my show online page showing the film is houseful shared on Facebook page ................................................................................38 Figure 4.6: Facebook posts showing houseful theatres ...........................................39 Figure 4.7: Poster shared by the film page for the contest.......................................41 Figure 4.8: Poster shared by the film page for the contest.......................................42 Figure 4.9: Photo showing the review about the movie by Anna MM, writer, Journalist ................................................................................................43 Figure 4.10: The review given by moviebuzz shared on the Facebook page of Thattathin Marayathu .............................................................................45 Figure 4.11: The post shared on the Facebook page showing the trailer of the film as the top shared video on YouTube India. ....................................46 Figure 4.12: Gender of the respondents .....................................................................50 Figure 4.13: Age category of the respondents ...........................................................51 Figure 4.14: Usage of social networking sites by respondents ..................................52 Figure 4.15: Media used to get Malayalam film related news ...................................54 Figure 4.16: Data showing the number of respondents following film pages of social networking sites. .....................................................................55 Figure 4.17: Data giving the statistics of respondents checking the online reviews ..................................................................................................56 Figure 4.18: Data showing the information of people updating status on social networking sites ....................................................................................57 Figure4.19: Data showing the information of posting of reviews of Malayalam movies by users ..................................................................58 Figure 4.20: Data showing the respond view on the role of online promotion in the Boxoffice success of a film. ........................................................59 Figure 4.21: Data showing people awareness of whatsapp groups for Malayalam movies. ...............................................................................60 Figure 4.22: Data showing information of respondent’s membership in whatsapp group .....................................................................................61 xiv LIST OF TABLES Table no: Page Table 4.1: Total number of official Facebook pages for film ...........................46
Recommended publications
  • Writers and Creative Advisors Selected for Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 4­8
    FOR IMMEDIATE RELEASE Media contacts: March 23, 2016 Chalena Cadenas 310.360.1981 [email protected] Mauli Singh [email protected] Writers and Creative Advisors Selected for Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 4­8 Lab Recognizes and Supports Six Emerging Independent Filmmakers from India Los Angeles, CA — Sundance Institute and Drishyam Films today announced the artists and creative advisors ​ selected for the second Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 4­8. The Lab ​ ​ supports emerging filmmakers in India, as part of the Institute’s sustained commitment to international artists, which in the last 25 years has included programs in Brazil, Mexico, Jordan, Turkey, Japan, Cuba, Israel and Central Europe. Now in its second year, the four­day Lab is a creative and strategic partnership between Drishyam Films and Sundance Institute, and gives independent screenwriters the opportunity to work intensively on their feature film scripts in an environment that encourages innovation and creative risk­taking. The Lab is centered around one­on­one story sessions with creative advisors. Screenwriting fellows engage in an artistically rigorous process that offers lessons in craft, a fresh perspective on their work and a platform to fully realize their material. Leading the Lab in India is Drishyam founder, Manish Mundra. He said, “A beautiful heritage city in my hometown ​ ​ of Rajasthan, Udaipur forms an ideal writers retreat, and is the perfect environment for a diverse group of emerging writers and renowned mentors to have a refreshing and productive exchange. Our goal is that the six selected Indian projects, after undergoing a comprehensive mentoring process, will quickly move from script to screen and make their mark globally.
    [Show full text]
  • Baghawad Gita, Class 184: Chapter 14, Verses 19 to 14
    Baghawad Gita, Class 184: Chapter 14, Verses 19 to 14 Shloka # 14. 9: 14.9 O scion of the Bharata dynasty, sattva attaches one to happiness, rajas to action, while tamas, covering up knowledge, leads to inadvertence als Continuing his teachings Swamiji said today, in the last few classes, we saw that our higher nature known as the sakshi svarupam is ever nirgunam and therefore is free from the influence of the three gunas; but our vyavaharika nature, our lower nature, which is called ahamkara is a mixture of the body-mind complex, as well as the reflected consciousness. And till the ahamkara consists of the body-mind complex and till the body-mind complex is born out of prakrti, the ahamkara can never escape from the three gunas. And therefore, our body-mind complex is made up of three gunas and the ahamkara which consists of this body-mind complex is the necessarily made up of these three gunas, and therefore, we can never escape from them. We have to live with this saguna ahamkara. And once we are forced to live with this ahamkara, it is better that we understand the ahamkara well, so that we know how to handle it properly. Science is able to handle the nature more and more only because science has been able to know nature more and more. Knowledge gives the capacity for better handling. And therefore Sri Krishna says: you have to understand your own ahamkara very well. For that, you must know what type of ahamkara you have; which guna is dominant, which guna is in middle; the second place, and which guna is the lowest; better you understand and you also know how these gunas influence your vyavaharika life; both material life, as well as the spiritual life.
    [Show full text]
  • A Study on the Depiction of Substance Usage in Contemporary Malayalam Cinema
    Imperial Journal of Interdisciplinary Research (IJIR) Vol-2, Issue-8, 2016 ISSN: 2454-1362, http://www.onlinejournal.in A Study on the Depiction of Substance Usage in Contemporary Malayalam Cinema. Sachin Krishna1 & Sreehari K G2 1Master of Journalism and Mass Communication 2Assistant Professor 1,2Department of Visual Media, Amrita School of Arts and Sciences, Kochi Abstract: This paper attempts to determine whether medal. The sixties was a period of an intellectual contemporary Malayalam films have an influence awakening in Malayalam cinema which made its in the increase of substance usage among the presence all over India and the world. Chemeen audience. This is precisely focused due to the fact (1965) directed by Ramu Kariat (Saran, 2012) that recent movies released in the new generation which was based on a novel of the same name by film movement of Malayalam have an increase in Thakazhi Shivashankara Pillai was immensely the onscreen depictions of alcohol and other kinds popular and became the first Malayalam film to of drugs. These movies are shot in such a way that win the National Film Award for Best Feature film. depicts the characters indulging in the use of these This was also the period when Malayalam cinema substances in a glamorized manner as if they are became much more organized and acclaimed promoting its use amongst the audiences. For this, filmmakers such as Adoor Gopalakrishnan and G. selected films released in the previous four years Aravindan began their career. that earned the biggest box office revenues were selected for analysis. This paper also tries to It was in the seventies that Malayalam cinema examine whether these onscreen depictions have entered a new phase of growth that reflected the any significant persuasion among the audiences.
    [Show full text]
  • Invest in Dallas - Fort Worth Area Grab the Property Before It Is out in the Market Text: 219-588-1538
    SEPTEMBER 2019 PAGE 1 Globally Recognized Editor-in-Chief: Azeem A. Quadeer, M.S., P.E. SEPTEMBER 2019 Vol 10, Issue 9 Federal agents can search your phone at the US border, even if you’re a US citizen Customs officers are legally allowed to before such an invasive search. search travelers’ personal electronics with- out a warrant — whether they’re visitors Travelers can refuse access to their devic- or American citizens. es, but customs officers are not obligated to allow someone into the country. A Harvard student said he was recently denied entry to the US after officers ques- For now, lawyers recom- tioned him about his religion and then mend that travelers carry searched his phone and laptop and burner phones, en- Elyas Mohammed State Executive Com- found that his friends had written crypt their devices, resident of Lebanon, when he tried to mittee Member at North Carolina Demo- anti-American social-media or simply not enter the US to start his first semester at cratic Party with Presidential hopeful Beto posts. bring electron- Harvard. O’Rourke ics at all. Rights groups have When Ajjawi told The Harvard Crimson that sued the US INSIDE you’re customs officers at Boston’s Logan Inter- government en- national Airport demanded he unlock over the his phone and laptop and then spent five prac- hours searching the devices. tice, He said the officers asked him about his ter- ISNA Convention 2019 P-2 religion and about political, anti-Ameri- ing the can posts his friends had made on social Visa availability Dates P-8 United media.
    [Show full text]
  • Contagious Disease and Commercial Cinema: a Study of Selected Films for Their Impact on Health Literacy
    Global Media Journal-Indian Edition; Volume 12 Issue1; June 2020. ISSN:2249-5835 Contagious Disease and Commercial Cinema: A Study of Selected Films for Their Impact on Health Literacy Subinita Paul Assistant Professor of B.Voc in Journalism And Mass Communication University of Kalyani (www.klyuniv.ac.in) Abstract Cinema being the highest form of entertainment has rarely presented the world of infectious diseases. Even if it has, the plot has been ruined by the presence of unrealistic creatures, politicising the use of bio-weapon. Only the biographies of some famous scientists or to develop the history of great epidemics and pandemics, the infectious diseases somewhat got attention marginally. The current pandemic situation has correctly pointed out to us, that how much health literacy is lacking in both rural as well as in urban society. Therefore commercial films, being made for and accepted by anyone without barrier, how much effectively ascertain towards the health literacy on infectious disease, is a fascinating topic to research further. This paper will try to find out how much commercial films, based on viral infections and contagious diseases, actually contribute towards the health literacy and awareness of the audience. Introduction The film, being the unique type of amusement, has consistently been a mirror for the general public. There is continuously a ceaseless discussion, that whether film shows the real happenings of the general public, or it just moves the general public to think the same. As Aristotle said, that, fiction is of great philosophical interest than history. Because, “History represents things as they are, while fiction represents how they might be and ought to be”.
    [Show full text]
  • S.No Name Designation Department 1 MRS.JESSIE RAJASEKAR Sr
    S.No Name Designation Department 1 MRS.JESSIE RAJASEKAR Sr. Secretary SECRETARIAL POOL 2 MRS.RUTH RAJKUMARI Secretary III CLERICAL POOL 3 MRS.VIMALA BACKIAROYAN Sr. Gr. I Telephone Operator TELEPHONE EXCHANGE 4 MRS.APPOLONI DOSS Sr. Gr. III Telephone Operator TELEPHONE EXCHANGE 5 MRS.ESTHER AARON Sr. Librarian II COLLEGE OF NURSING 6 MS.CYNTHIA D Sr.Sel Gr.ECG Technician I CARDIOLOGY TECHNICIAN 7 MS.SIGAMANISELVAKUMARI Medical Lab Technician Instructor I TRANSFUSION MEDICINE AND IMMUNO HAEMATOLOGY 8 MS.VIJAYALAKSHMI B Sr.Sel.Gr.Clinical Biochemist CLINICAL BIOCHEMISTRY 9 MRS.SHANTHI R Instructor I Graduate Medical Lab Technician TRANSFUSION MEDICINE AND IMMUNO HAEMATOLOGY 10 MRS.RACHEL EVELYN Medical Lab Technician Instructor I GENERAL PATHOLOGY 11 MR.SURENDAR SINGH G Instructor I Graduate Medical Lab Technician TRANSFUSION MEDICINE AND IMMUNO HAEMATOLOGY 12 MR.KARTHIGEYAN V Sr. Gr. I Electrician ENGINEERING ELECTRICAL 13 MRS.MARGARET ANBUNATHAN Sr. Gr. I Telephone Operator TELEPHONE EXCHANGE 14 MR.GOVINDARAJI S. Staff Gr Asst. Engineer I ENGINEERING ELECTRICAL 15 MS.NIRMALA R Sel Gr.Librarian I RUHSA 16 MRS.KONDAMMA N. House Keeping Attendant Gr. I PM OFFICE RELIEF POOL 17 MR.YESUDOSS T SR. HOUSE KEEPING ATTENDANT NURSING SERVICE 18 MS.THIRUMAGAL E Sr. Sel. Gr.Pharmacist I COMMUNITY HEALTH DEPARTMENT 19 MR.NAGARAJ N. Staff Gr Asst. Engineer I ENGINEERING PLANNING 20 MR.MUNIRATHINAM S Staff Gr I Technician RUHSA 21 MR.RAVI K S Staff Gr II Technician OPHTHALMOLOGY 22 MR.JOHN BASKARAN B. Sel. Gr. Staff Clerk I MICROBIOLOGY 23 MR.JAYAKUMAR K. Sr.Gr.Artisan(Non ITI) II RUHSA 24 MRS.SHIRLEY ANANDANATHAN External Designation CENTRE FOR STEM CELL RESEARCH 25 MR.NARASIMHAN V Staff Gr.
    [Show full text]
  • KPMG FICCI 2013, 2014 and 2015 – TV 16
    #shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 kpmg.com/in ficci-frames.com We would like to thank all those who have contributed and shared their valuable domain insights in helping us put this report together. Images Courtesy: 9X Media Pvt.Ltd. Phoebus Media Accel Animation Studios Prime Focus Ltd. Adlabs Imagica Redchillies VFX Anibrain Reliance Mediaworks Ltd. Baweja Movies Shemaroo Bhasinsoft Shobiz Experential Communications Pvt.Ltd. Disney India Showcraft Productions DQ Limited Star India Pvt. Ltd. Eros International Plc. Teamwork-Arts Fox Star Studios Technicolour India Graphiti Multimedia Pvt.Ltd. Turner International India Ltd. Greengold Animation Pvt.Ltd UTV Motion Pictures KidZania Viacom 18 Media Pvt.Ltd. Madmax Wonderla Holidays Maya Digital Studios Yash Raj Films Multiscreen Media Pvt.Ltd. Zee Entertainmnet Enterprises Ltd. National Film Development Corporation of India with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars: FICCI-KPMG Indian Media and Entertainment Industry Report 2015 Foreword Making India the global entertainment superpower 2014 has been a turning point for the media and entertainment industry in India in many ways.
    [Show full text]
  • 'The Debt Collector' Is an Interesting, Yet Messy Showcase for Scott Adkins
    13 MONDAY, FEBRUARY 11, 2019 THRILLER) NEW 1-COLD PURSUIT (15+) (ACTION/CRIME/DRAMA) NEW CITYCENTRE NARGIS FAKHRI, SACHIN JOSHI, MONA SINGH, VIVAN BHATENA LIAM NEESON, EMMY ROSSUM, LAURA DERN OASIS JUFFAIR DAILY AT: 12.30 + 6.00 + 11.30 PM DAILY AT: 10.45 AM + 1.15 + 3.45 + 6.15 + 8.45 PM + (11.15 PM 1-COLD PURSUIT (15+) (ACTION/CRIME/DRAMA) NEW THURS/FRI) 1-COLD PURSUIT (15+) (ACTION/CRIME/DRAMA) NEW LIAM NEESON, EMMY ROSSUM, LAURA DERN 7- KUMBALANGI NIGHT ( ) (MALAYALAM) NEW LIAM NEESON, EMMY ROSSUM, LAURA DERN DAILY AT: 10.30 AM + 11.30 + 1.00 + 2.00 + 3.30 + 4.30 + 6.00 + 2-THE LEGO MOVIE 2 (G) (ANIMATION/ACTION/AD- FAHADH FAASIL, SHANE NIGAM, SOUBIN SHAHIR VENTURE/COMEDY) NEW DAILY AT: 11.00 AM + 1.30 + 4.00 + 6.30 + 9.00 + 11.30 PM 7.00 + 8.30 + 9.30 + 11.00 PM + 12.00 MN + (12.30 MN + 1.00 AM FROM THURSDAY 07TH: (12.45 MN THURS/FRI) DAILY AT (VIP): 12.45 + 3.15 + 5.45 + 8.15 + 10.45 PM THURS/FRI) CHRIS PRATT, ELIZABETH BANKS, WILL ARNETT DAILY AT (VIP I): 11.00 AM + 1.30 + 4.00 + 6.30 + 9.00 + 11.30 PM 8-GLASS (PG-15) (THRILLER) DAILY AT: 11.45 AM + 2.00 + 4.15 + 6.30 + 8.45 + (11.00 PM THURS/ DAILY AT (VIP II): 12.30 + 3.00 + 5.30 + 8.00 + 10.30 PM FRI) 2-THE LEGO MOVIE 2 (G) (ANIMATION/ACTION/AD- JJAMES MCAVOY, BRUCE WILLIS, SAMUEL L.
    [Show full text]
  • Malankara Mar Thoma Syrian Church SABHA PRATHINIDHI MANDALAM 2017 - 2020 Address List of Mandalam Members Report Date: 27/07/2017 DIOCESE - ALL Page 1 of 46
    Malankara Mar Thoma Syrian Church SABHA PRATHINIDHI MANDALAM 2017 - 2020 Address List of Mandalam Members Report Date: 27/07/2017 DIOCESE - ALL Page 1 of 46 L001 (NORTH CAROLINA MTC) L002 (LUBBOCK EMMANUEL) L003 (ATLANTA HERMON) MRS. VIJI MATHEW DR. P.JOHN LINCOLN MR. SAGIN K.MAMMAN 12700, RICHMOND RUN DRIVE 2404 YORK AVENUE 1960 SPRING MIST TERRACE RALEIGH, NORTH CAROLINA, 27614 LUBBOCK, TEXAS 79407 LAWRENCE VILLE, GA - 30043 U.S.A U.S.A U.S.A 919-562-8167, 919-795-8409 8067976000, 8064415131 6783760015, 404 229 7054 [email protected] [email protected] [email protected] L004 (TORONTO ST MATHEWS) L005 (BOSTON CARMEL) L006 (CHICAGO ST THOMAS) MR. JACOB JOSEPH MRS. MOLLY KURIAN MR. C.VARUGHESE PHILIP 2507 GRAND OAK TRAIL, OAK VILLE 43 DELANEY STREET,STOW, 1481 AUTUMN TRL. ONTARIO, CANADA- L6MOR7 MA- 01775 ADDISON, IL-60101 001 289 8373171, 001 905 399 6180 U.S.A U.S.A [email protected] 978 897 1260,978 793 1711 630-250-0619, 630-222-7021 [email protected] [email protected] L007 (PHILADELPHIA BETHEL) L008 (CONNECTICUT JERUSALEM) L009 (AUSTIN MTC) MRS. DEENAMMA THOMAS MR. MATHEWS THOMAS MR. SABU T.CHERIYAN 1137 ALTON PLACE 19 CEDAR ST. 2316 PARADISE RIDGE DR. PHILADELPHIA, P.A - 19115 DANBURY, CT-06811 ROUND ROCK, U.S.A U.S.A TEXAS 76665-7911, U.S.A 215 342 0237, 2672707974 203 205 0659, 203 312 4105 512 341 8084, 512 468 4457 [email protected] [email protected] [email protected] L010 (KATTANAM ST THOMAS) L011 (EDMONTON TRINITY) L012 (SALEM M.T.C EASTERN LONG EVANG.
    [Show full text]
  • Christian Medical College Vellore This Prospectus Is Common to All Courses Around the Year and Needs to Be Read with the Appropriate Admission Bulletin for the Course
    Admissions 2018-2019 Christian Medical College Vellore This prospectus is common to all courses around the year and needs to be read with the appropriate admission bulletin for the course ALL COURSES AND ADMISSIONS TO OUR COLLEGE ARE SUBJECT TO APPLICABLE REGULATIONS BY UNIVERSITY/GOVERNMENT/MEDICAL COUNCIL OF INDIA/NATIONAL BOARD OF EXAMS NO FEE OR DONATION OR ANY OTHER PAYMENTS ARE ACCEPTED IN LIEU OF ADMISSIONS, OTHER THAN WHAT HAS BEEN PRESCRIBED IN THE PROSPECTUS THE GENERAL PUBLIC ARE THEREFORE CAUTIONED NOT TO BE LURED BY ANY PERSON/ PERSONS OFFERING ADMISSION TO ANY OF THE COURSES CONDUCTED BY US SHOULD ANY PROSPECTIVE CANDIDATE BE APPROACHED BY ANY PERSON/PERSONS, THIS MAY IMMEDIATELY BE REPORTED TO THE LAW ENFORCEMENT AGENCIES FOR SUITABLE ACTION AND ALSO BROUGHT TO THE NOTICE OF OUR COLLEGE AT THE ADDRESS GIVEN BELOW OUR COLLEGE WILL NOT BE RESPONSIBLE FOR ANY CANDIDATES OR PARENTS DEALING WITH SUCH PERSONS CORRESPONDENCE All correspondence should refer to the Application number or to the Hall Ticket number and be addressed to: The Registrar Christian Medical College, Vellore-632002 Tamil Nadu, India Phone: (0416)2284255 Fax: (0416) 2262788 Email: [email protected] Website: http://admissions.cmcvellore.ac.in PLEASE NOTE: WE DO NOT ADMIT STUDENTS THROUGH AGENTS OR AGENCIES Important Information: “The admission process contained in this Bulletin shall be subject to any order that maybe passed by the Hon’ble Supreme Court or the High Court in the proceedings relating to the challenge to the NEET, common counselling or
    [Show full text]
  • Opposing Viewpoints: a Study on Female Representation by Women in Popular Indian Cinema
    INTERNATIONALJOURNALOF MULTIDISCIPLINARYEDUCATIONALRESEARCH ISSN:2277-7881; IMPACT FACTOR :6.514(2020); IC VALUE:5.16; ISI VALUE:2.286 Peer Reviewed and Refereed Journal: VOLUME:10, ISSUE:2(5), February:2021 Online Copy Available: www.ijmer.in OPPOSING VIEWPOINTS: A STUDY ON FEMALE REPRESENTATION BY WOMEN IN POPULAR INDIAN CINEMA Mr. Habin. H Ph. D Research Scholar in English T. K. M College of Arts and Science,University of Kerala Karikode, Kollam Abstract Popular Indian film industry has been dominated by men in all its fields. Even though women are involved in all roles including as film producers, film critics, actresses, directors etc., generally, they have been underrepresented and used for the purpose of generating erotic pleasure. This underrepresentation mainly happens in films which are directed by men. Recently, the number of women film makers has been increasing. Majority of films which are directed by women represent women true to their self, projects their problems and works for their betterment. Thus, by analysing certain Indian popular films, the present research paper projects the main notions that such movies try to present and how far those movies are different from those movies which are produced and directed by men. Keywords: Representation, Women, Popular Movies. Introduction In the past, female representations were underrepresented and subjected to the concept of male gaze. Even though there are ‘super woman’ characters in popular films, women are still sexualised. The film sector visages a constant difficulty to trace a sufficient aspect to balance both the sexualisation and betterment of sturdy women. Although representations of women characters have been improved in recent years, the rapid change in attitude happened in the popular Indian industry with the arrival of women directors and script writers.
    [Show full text]
  • 22 Female Kottayam Trailer
    22 female kottayam trailer click here to download 22 Female Kottayam is a Malayalam feature film directed by Aashiq Abu, starring Fahad Fazil and Rima. Oru Indian Pranayakadha Movie Official Trailer | Fahadh Faasil, Amala Paul, Innocent | Latest Movie - Duration. 22 Female Kottayam, also known as 22FK, is a Malayalam-language Indian thriller film directed by Aashiq Abu and starring Rima Kallingal and Fahadh Faasil in the lead roles. It was set and filmed in Bangalore. The story concerns the travails of year-old nurse Tessa (Rima Kallingal) from Kottayam who was raped Music by​: ​Bijibal​; ​Rex Vijayan​ (​BGM​). Crime · A 22 year old nurse who was betrayed and raped exerts some extreme revenge on her tormentors. 22 Female Kottayam Movie Review: Critics Rating: 3 stars, click to give your rating/review,The film,is about a nurse settled in Bangalore, and how some events change the course of her life. T. All about 22 Female Kottayam - Malayalam movie, Directed by Aashiq Abu, Starring Fahadh Faasil, Rima Kallingal, Pratap K Pothen, T G Ravi, Sathar, Srinda Ashab, Music by Rex Vijayan, Bijibal, Videos, Stills, Wallpapers, Synopsis, Promotional Events. 22 Female Kottayam. Starring: Rima Kallingal, Fahad Fazil. Genres: Drama. 22 Female Kottayam, also known as 22FK, is a Indian rape and revenge film directed by Aashiq Abu and starring Rima Kallingal and Fahad Fazil in the lead roles. So naturally all eyes are on Aashiq's next film which is curiously titled 22 Female Kottayam. Starring Fahad Fazil and Rima 22 Female Kottayam tells the story of two friends Tessa Abraham and Cyril C Mathew, their love and relationship.
    [Show full text]