PROGRAM Edvard Grieg Gratulerer Med De 175! 175 År 15
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GRIEG, Edvard Hagerup (1843-1907)
BIS-CD-637STEREO DDD".l Total playing timer 69'22 GRIEG,Edvard Hagerup(1843-1907) SeksDigte,Op,4 rwn l1'08 tr I. Die Waise(Text: Adelbert uon Chatnisso) 2',28 E II. Morgenthat (Text:Adelbert uon Chamisso) l'21 tr IIL Abschied.(Text: Heinrich Heine) ,.,r.4 E IV. Jiigerlied.(Text: J. Ludwig Uhland) 0'41 tr V. Das alte Lied (Text:Heinrich Heine) 2',17 tr VI. Wo sind sie hin? (Text:Heinrich Heine) r'32 Hjertets Melodie4 Op,EOexts: Hans Christian And.ersen) Nn) 5'53 tr I. Tobrune Ojne 1'05 E II. Du fatter ej Bglgernesevige Gang 7',41 tr III. Jegelsker dig r'34 @ IV. Min Tankeer et mregtigFjeld r'17 Sex Digte af Ibsen, Op.25 (Texts:Henrik lbsen) (wH) l1'40 E I. Spillemend 2'07 @ II. En Svane 2'00 tr III. Stambogsrim r'32 tr IV. Meden Vandlilje 1'52 tr V.Borte! I'28 @ VI. En Fuglevise 2',14 2 Barnlige Sange. Fra Nordahl Rolfsens"Lrcsebog", Op.6l 13'15 tr I. Havet (Text:J. NordahlRolfsen) eet",') l'02 @ IL Sangtil Juletreet (Text:J. Krohn) NorehMusikforlag) 2',26 E iIL Lok (Text:Bjgrnstjerne Bjgrnson) eetersl 0'46 @ IV. Fiskevise(Text: P. Dass) rchristiania.Brddrere Hals's Musihforlag) 1'07 E V. Kveld-Sangfor Blakken 2',34 (Text:J. Nordahl Rolfsen) Ghristiania,Brdilrene Hals's Musihforlng) @ VL De norskeFjelde }',29 (Text:J. NordahlRoLfsen) rchristiania. Brdilrene Hak's MusihforW) tr VII. Faedrelands-Salme r'26 (Text:J. NordahlRolfsen, after Johan Luduig Runeberg) Norsh Musihfortns) Haugtussa, Op.67 (Text:Arne Garborg) rwn) 25',47 tr I. -
Konsert Med Arve Tellefsen, Knut Buen Og Geir Botnen
NO I ENG SUMMER 2016 KOMPONISTHJEMMENE THE COMPOSERS’ HOMES A PART OF EDVARD GRIEG MUSEUM TROLDHAUGEN OLE BULL MUSEUM LYSØEN HARALD SÆVERUD MUSEUM SILJUSTØL Troldhaugen, Lysøen og Siljustøl er en Innhold / Contents del av KODE – Kunstmuseene i Bergen Troldhaugen, Lysøen and Siljustøl is part of KODE – Art Museums of Bergen 4 Velkommen / Welcome 6 Edvard Grieg Museum Troldhaugen 8 Ole Bull Museum Lysøen 10 Harald Sæverud Museum Siljustøl 12 Program Siljustøl 14 Program Lysøen 24 Program Troldhaugen 44 The International Edvard Grieg Piano Competition 46 Lyttekurs Musikalske landskap Musical landscapes Etter at Edvard Grieg døde i 1907 fortsatte Nina Ved alle de tre komponisthjemmene fortaper After Edvard Grieg died in 1907, his wife Nina Nina and Edvard Grieg å bo på Troldhaugen i sommerhalvåret, slik de musikkhistorien seg i naturen. På Lysøen le- continued living at Troldhaugen during the to hadde gjort i alle år. Nina hadde et hjerte der kilometervis med stier deg direkte inn i Ole summer months, just as she and her husband their rootedness in stories that live on, in the for alt det stedet hadde betydd for dem mens Bulls romantiske verden. Det er et møte med had always done. Nina cherished the memory of music that is still being played, and in a nature Edvard levde, og hun var opptatt av hva Trold- den vestnorske naturen Bull fremdeles har re- what Troldhaugen had meant to them, and she that changes from day to day. haugen skulle bli når hun selv ikke lenger kunne gien på. På Siljustøl venter et annet stort natur- was concerned about what would become of it ta vare på det. -
FESTSPILLNOTEN 2002 Sol-Hverv
FESTSPILLNOTEN 2002 Sol-hverv Igjen har Jorden gjort sin runde under stjernene, og den ruller opp med snø og vind i vintermorgenens røde lys. Og tiden møte opp på ny med liket av et drept og blodig år i sine jernkalde armer. “Hør, o, blinde skjebne, nu gir jeg deg tilbake de dyre døgn, de gylne drypp av dage, som dryppet ifra Solens skåler ned i minne frosne hender.” Og taus og stille, svøpt evighetens skygger senker gudene i grav det drepte år, – og i sin rike nåde – under røk og eld fra en verden, stedd i vé og våde – gir de livet nye dyre timer. Og den gylne drypp av dage drypper atter ifra Solens skåler ned i tidens frosne hender. – Johan Falkberget Vinterfestspill i Bergstaden blir arrangert for 4. gong i år. For første gong blir det gitt statleg tilskott, kanalisert gjennom festival- tilskottsordninga i Norsk kulturråd. Vilkåra for tilskott frå denne ordninga er mellom anna at festivalen har offentlege konsertar som sitt primære virke, at festivalen vert arrangert over minst to dagar anna kvart eller kvart år og at han har fått offentleg tilskott frå eigen region i minst tre år. Vinterfestspill har vist at dei kan oppfylla desse vilkåra. Programmet i år vitnar om kvalitet, spenn- vidde og profesjonalitet. I løpet av fire mars- dagar kan publikum høyra alt frå middel- aldermusikk og folkemusikk til musikk frå vår eiga tid framført av eit knippe utmerkte musikarar. Vinterfestspill byr på noko for alle: Eg kan nemna konsert for born, ut- stillingar, solrenningskonsert med frukost- 5 servering og kveldskonsertar. -
DMA Document-Bergan -21-05-2020
EDVARD GRIEG Recognizing the Importance of the Nationalist Composer on the International Stage IPA Transliteration of Three Song Cycles D.M.A. Document Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts in the Graduate School of The Ohio State University By Caroline Patricia Bergan, M.M., A.D. Graduate Program in Music The Ohio State University 2020 D.M.A. Document Committee Dr. Scott McCoy, Advisor Dr. Youkyung Bae Prof. Edward Bak Prof. Loretta Robinson Copyright by Caroline Patricia Bergan 2020 Abstract In North American colleges, universities, and conservatories it is not uncommon to find the main languages required of music students to be French, Italian, German, and English. Beyond the scope of these four most common languages, Russian, Spanish, and Czech are sung by more advanced or native singers of the languages; however, many other languages seem to be ignored in academia in both solo performance as well as in choral settings. It is a disservice to limit the scope of languages and repertoire when there exists a plethora of rarely performed compositions; moreover, it is not reasonable for these institutions to limit student's learning because of this “tradition.” Among the overlooked are the Scandinavian languages. This document will specifically address the repertoire of the most renowned Norwegian composer of the nineteenth century, Edvard Grieg (1843-1907). There exist but two published works that provide a singer with the resources to learn the pronunciation of curated Grieg selections. Neither of these resources was written by native Norwegian speakers; therefore, utilizing my linguistic skills as a native speaker and singer I intend this document to be a contribution toward the goal of providing near-native, accurate International Phonetic Alphabet (IPA) transliterations of three song cycles representing Grieg's early, middle, and late writing. -
Program No / Eng Sommer / Summer 2014 Komponisthjemmene / the Composers’ Homes
PROGRAM NO / ENG SOMMER / SUMMER 2014 KOMPONISTHJEMMENE / THE COMPOSERS’ HOMES LYSØEN OLE BULL MUSEUM TROLDHAUGEN EDVARD GRIEG MUSEUM SILJUSTØL HARALD SÆVERUD MUSEUM Innhold Velkommen 3 Velkommen / Velcome Troldhaugen, Lysøen og Siljustøl er Norges mest betydningsfulle musikkhistoriske kulturminner. De er også noen av Vestlandets 4 Lysøen Ole Bull Museum mest naturskjønne og inspirerende eiendommer. Ole Bull, Edvard 6 Troldhaugen Edvard Grieg Museum Grieg og Harald Sæverud skapte hjem der kunsten, naturen og fantasien kunne møtes. I dag representerer Lysøen, Troldhaugen 8 Siljustøl Harald Sæverud Museum og Siljustøl et unikt musikalsk landskap med til sammen nesten 10 Program Lysøen sommer /summer 2014 1000 mål norsk natur, fascinerende arkitektur og minner om musikerne som erobret verden. 14 Fødselsdagskonsert og hagefest / Birtday concert and garden party at Troldhaugen 16 Konserter på Troldhaugen 2014 / Concerts at Troldhaugen 2014 Velkommen! 18 Konsertbuss til lunsjkonsertene / Concert bus to the lunchtime concerts Sigurd Sandmo 20 Program Troldhaugen: Ukens pianist / Pianist of the week Direktør 33 Grieg in a nutshell – Talks on Grieg Welcome Troldhaugen, Lysøen and Siljustøl are the most significant cultu- ral heritage sites in the history of Norwegian music. They are also perhaps Western Norway’s most scenic and inspirational esta- tes. Ole Bull, Edvard Grieg and Harald Sæverud created homes where art, nature and fantasy came together. Today, Troldhaugen, Lysøen and Siljustøl represent a unique musical landscape with a grand total -
Program Summer 2015 the Composers’ Homes
NO / ENG PROGRAM SUMMER 2015 THE COMPOSERS’ HOMES A PART OF EDVARD GRIEG MUSEUM TROLDHAUGEN HARALD SÆVERUD MUSEUM SILJUSTØL OLE BULL MUSEUM LYSØEN Index 4 Velkommen / Welcome 6 Edvard Grieg Museum Troldhaugen 8 Ole Bull Museum Lysøen 10 Harald Sæverud Museum Siljustøl 14 Program Lysøen 16 Fødselsdagskonsert og hagefest / Birthday concert and garden party at Troldhaugen 18 Konserter / Concerts Troldhaugen 20 Konsertbuss til lunsjkonsertene / Concert bus to the lunchtime concerts 22 Program Troldhaugen 37 My favorite Grieg Troldhaugen, Lysøen og Siljustøl er en del av KODE – Kunstmuseene i Bergen Lysøen Troldhaugen, Lysøen and Siljustøl is part of KODE – Art Museums of Bergen Sigurd Sandmo Siljustøl Museum Velkommen Welcome Bergen er en by full av musikkhistorie, og kunstnerhjemmene til Edvard Grieg, Ole Bull og Bergen is a city steeped in music history, and the homes of the composers Edvard Grieg, Harald Sæverud er en viktig del av byens kunst- og kulturliv. De er også historiske monumenter Ole Bull and Harald Sæverud are a vital part of the city’s artistic and cultural scenes. They are med fascinerende arkitektur og natur. Hagene og skogsområdene har historiske dimensjoner also historical monuments with their fascinating architecture and nature. The gardens and og byr på rike opplevelser for alle som tar seg tid. surrounding woods have historical dimensions that offer a wealth of nature experiences for those who take the time to explore them. I mai gjenåpnet vi Troldsalen, konsertsalen på Troldhaugen, etter en storstilt oppgradering. Beliggenheten, lyset og nærheten til Griegs eget landskap får mange til å mene at Troldsalen er In May we reopened Troldsalen, the concert hall at Troldhaugen, after comprehensive reno- verdens vakreste kammermusikksal. -
Arne Nordheim Tenebrae / Magma Mp3, Flac, Wma
Arne Nordheim Tenebrae / Magma mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Tenebrae / Magma Country: Norway Released: 1991 Style: Contemporary MP3 version RAR size: 1908 mb FLAC version RAR size: 1114 mb WMA version RAR size: 1352 mb Rating: 4.9 Votes: 219 Other Formats: XM VQF DXD AA MMF MP1 DTS Tracklist 1 Tenebrae 24:50 2 Magma 22:30 Companies, etc. Recorded At – Oslo Konserthus Copyright (c) – Norsk Komponistforening Phonographic Copyright (p) – Norsk Komponistforening Made By – Disctronics (UK) Ltd. Pressed By – Disctronics S Credits Cello – Truls Mørk Composed By – Arne Nordheim Conductor – Yoav Talmi Design [Cover Design] – Gina B. Rose, Magne B. Hopp Engineer [Recording Engineer] – Charles Almås Liner Notes [Booklet Notes] – Kjell Skyllstad Liner Notes [Translation] – Sandra Hamilton Orchestra – Oslo Philharmonic Orchestra* Photography By [Booklet Photo] – Guri Dahl Producer – Pro Musica AS Producer, Engineer [Editing Engineer] – Arild Erikstad Typography [Booklet Typesetting] – Pro Musica AS Notes Recording dates: 2-4 Jan 1991 Recording venue: Oslo Concert Hall Editing and mastering equipment: Mitsubishi XE-2 CD production: Disctronics Ltd, London A Pro Musica Production Total spilletid 47:30 [CD] C & P 1991 Norwegian Society of Composers Made in UK by Disctronics Ltd [Rear] Total playing time 47:30 This compact disc has been released by the Norwegian Society of Composers with the support of the Norwegian Cultural Council © & ℗ 1991 Norwegian Society of Composers Barcode and Other Identifiers Barcode: 7 025560 -
Oslokammermusikkfestival.No › Pdf › Program › 2018.Pdf OSLO KAMMER MUSIKK FESTIVAL
17.–26. AUGUST 2018 OSLO KAMMER MUSIKK FESTIVAL PROGRAM KONSERTOVERSIKT Symfonisk åpning Strenger & tangenter Klassisk aften Trippel på lystslottet Fredag 17. august kl. 18.00 med Vilde Frang og venner med Hagen Quartett Lørdag 25. august kl. 12.00 Universitetets aula .................................... 11 Søndag 19. august kl. 17.00 Onsdag 22. august kl. 19.30 Oscarshall ................................................. 36 Gamle Logen ............................................. 19 Universitetets aula .................................... 27 For Formiddag på Lystslottet Dans i Edvard Griegs verden barn Lørdag 18. august kl. 14.00 Mat & musikk Bellmanns univers Lørdag 25. august kl. 14.00 Oscarshall slott ......................................... 13 Søndag 19. august kl. 20.00 Torsdag 23. august kl. 12.00 Oslo Konserthus ....................................... 39 Sporten på Frognerseteren ...................... 20 Roklubben, Bygdøy ................................... 29 En skandinavisk aften Breaking Bach Lørdag 18. august kl. 18.00 Galla- Lørdag 25. august kl. 20.00 Bach & Fauré Vill jubel konsert Oslo Konserthus ....................................... 15 Mandag 2. august kl. 18.00 Torsdag 23. august kl. 18.00 Oslo Domkirke .......................................... 41 Dronning Sonja KunstStall ....................... 21 Gamle Logen ............................................. 30 Tango! Ut av Oslo Lørdag 18. august kl. 21.00 Lyrikk & Musikk I Slottsbesøk med Mørk & Gimse Søndag 26. august kl. 13.00 Kavakava .................................................. -
Thommesen/Bibalo
THOMM FBRCD-12 ESSEN/ BIBA LO Thommesen/Bibalo Telemark Chamber Orchestra Lars-Erik ter Jung, conductor Poing Ingrid Andsnes, piano OLAV ANTON THOMMESSEN ANTONIO BIBALO The Norwegian composer Lasse Thoresen said that “There is a depth to Bibalo’s life that we are given a glimpse of Rapid Clouds Concerto da Camera No 3 through his music. His encounter with the extremes of existence left traces in his works.” I never met Antonio A lyric Pastel for String Orchestra and improvizing soloists. “to the Telemark Chamber Orchestra and Prof. Stefano Bibalo. At the premiere, which took place two weeks too late Sacher” for the composer to hear his last orchestral work performed, Why are there no concertos for improvizing musicians and Thoresen’s description seemed strangely apt, and when I orchestra? I thought there was one, when I was working on Antonio Bibalo was born in Trieste, Italy, in 1922, and he introduced the work to the public, I said: “I feel that I have my violin concerto BULLseye. The piece is a reworking of Ole studied piano at the local conservatory. As a 19-year-old he been able to meet Bibalo through my work on Concerto Bull’s First violin concerto, written when he was 24 years old. was called up to the Italian army, which also gave him a taste da Camera No 3, and he keeps revealing new sides of his The score that I was presented with had no violin part. Did he of life inside a prison camp when his country lost the war. -
Asbjørn Ø. Eriksen: Edvard Grieg's Song Cycles Reiseminder Fra Fjeld
Asbjørn Ø. Eriksen: Edvard Grieg’s Song Cycles Reiseminder fra Fjeld og Fjord (Op. 44) and Elegiske Digte (Op. 59). Attempt at a revaluation. Edvard Grieg’s Reiseminder fra Fjeld og Fjord [Reminiscenses from Mountain and Fjord] Op. 44 set to texts by Holger Drachmann was written in 1886 – the same year as the successful third album Lyric Pieces Op. 43 and the brilliant Third Violin Sonata. Elegiske Digte [Elegiac Songs] Op. 59 – settings of six poems by John Paulsen – were realized in 1893/94, at the same time as the highly esteemed Krag Songs Op. 60. We may then assume that Grieg wrote these songs in periods of creative inspiration. However, leading Norwegian Grieg specialists Monrad Johansen, Finn Benestad and Dag Schjelderup-Ebbe have regarded Reiseminder fra Fjeld og Fjord and Elegiske Digte as two of the weakest works by Grieg within the song genre. An opinion also shared, seemingly, by Beryl Foster and Sandra Jarrett in their books on Grieg’s songs. Russian musicologists and Grieg specialists have presented quite different views on these songs: Boris Asafev, Olga Levasheva and Ruth Leytes regard Elegiske Digte as outstanding, and Asafev and Leytes also praise Reiseminder fra Fjeld og Fjord. In my paper I shall point out some qualities in Reiseminder fra Fjeld og Fjord and Elegiske Digte which have escaped the attention of most critics, and discuss a few of the songs more thoroughly. Moreover, I will suggest possible reasons for the striking discrepancy between the Norwegian and Russian evaluation of these two works. In the summer of 1886 Grieg and the Danish poet Holger Drachmann (1846-1908) made a tour in Hardanger and the Jotunheimen mountains. -
Copyright by Cheryl Ann Christensen 2003
Copyright by Cheryl Ann Christensen 2003 The Dissertation Committee for Cheryl Ann Christensen certifies that this is the approved version of the following dissertation: Music and Text: Interpretation, Melodic Motive, and the Narrative Path in Edvard Grieg’s Haugtussa, Op. 67 Committee: ____________________________________ David Neumeyer, Supervisor ____________________________________ John Weinstock, Co-Supervisor ____________________________________ Byron Almén ____________________________________ Stefan Kostka ____________________________________ Edward Pearsall Music and Text: Interpretation, Melodic Motive, and the Narrative Path in Edvard Grieg’s Haugtussa, Op. 67 by Cheryl Ann Christensen, B.Mus., M.Mus. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2003 Acknowledgements I would like, first and foremost, to express my gratitude to Dr. David Neumeyer, who has spent countless hours advising me, directing my research and writing, and helping me to bring this project to completion. I express appreciation also to Dr. John Weinstock, who has worked closely with me on this dissertation and provided valuable assistance, particularly with my translations of the Norwegian texts. Thanks also to the other members of my dissertation committee, Dr. Byron Almén, Dr. Stefan Kostka, and Dr. Edward Pearsall, for their input. Many thanks to Karen Falch Johannessen of the Edvard Grieg Archive in Bergen, Norway, who assisted me in my research with professionalism and enthusiasm, and who has become a valued friend. Above all, I want to thank my parents, Darol and Marjorie Christensen for unwavering support. They have encouraged and cheered me at every stage of this long project. -
The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
Fri, Jun 15, 2018 - 00 The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 03:21 Grieg March of the Trolls ~ Lyric Malmö 11505 Naxos 8.508015 747313801534 Suite, Op. 54 Symphony/Engeset 00:06:2110:12 Schumann Three Fantasy Pieces, Op. 111 Andreas Haefliger 02466 Sony 48036 07464480362 00:17:4840:59 Franck Symphony in D minor Suisse Romande 00182 Erato 75364 08908853642 Orchestra/Jordan 01:00:1709:52 Schubert Overture ~ Rosamunde, D. 797 Leipzig Gewandhaus 00217 Philips 412 432 028941243225 Orchestra/Masur 01:11:2407:14 Vivaldi Concerto in A for Strings, RV Lucerne Festival 03020 London 433 169 028943316927 158 Strings/Baumgartner 01:20:0840:10 Brahms Clarinet Quintet in B minor, Op. Neidich/Juilliard String 02911 Sony 66285 n/a 115 Quartet Classical 02:01:4824:01 Haydn String Quartet in B flat, Op. 76 Jerusalem Quartet 05617 BBC MM95 n/a No. 4 "Sunrise" 02:27:0411:00 Corelli Concerto Grosso in D, Op. 6 Cantilena/Shepherd 00794B Chandos 8336/7/8 N/A No. 7 02:39:3419:46 Grieg Violin Sonata No. 2 in G, Op. Zenaty/Kubalek 04076 Dorian 90234 053479023421 13 03:00:5010:41 Mendelssohn Capriccio brillant in B minor, Hobson/Sinfonia da 04463 Arabesque Z6688 026724668821 Op. 22 Camera 03:12:4614:25 Danzi Wind Quintet in G minor, Op. Vienna Quintet 03885 Nimbus 5479 710357547928 56 No. 2 03:28:4130:17 Saint-Saëns Violin Concerto No. 3 in B Wan/Montreal 12967 Analekta 8770 n/a minor, Op. 61 Symphony/Nagano 04:00:2830:13 Beethoven Piano Trio in E flat, Op.