DOCSLIB.ORG

Program No / Eng Sommer / Summer 2014 Komponisthjemmene / the Composers’ Homes

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Program No / Eng Sommer / Summer 2014 Komponisthjemmene / the Composers’ Homes PROGRAM NO / ENG SOMMER / SUMMER 2014 KOMPONISTHJEMMENE / THE COMPOSERS’ HOMES LYSØEN OLE BULL MUSEUM TROLDHAUGEN EDVARD GRIEG MUSEUM SILJUSTØL HARALD SÆVERUD MUSEUM Innhold Velkommen 3 Velkommen / Velcome Troldhaugen, Lysøen og Siljustøl er Norges mest betydningsfulle musikkhistoriske kulturminner. De er også noen av Vestlandets 4 Lysøen Ole Bull Museum mest naturskjønne og inspirerende eiendommer. Ole Bull, Edvard 6 Troldhaugen Edvard Grieg Museum Grieg og Harald Sæverud skapte hjem der kunsten, naturen og fantasien kunne møtes. I dag representerer Lysøen, Troldhaugen 8 Siljustøl Harald Sæverud Museum og Siljustøl et unikt musikalsk landskap med til sammen nesten 10 Program Lysøen sommer /summer 2014 1000 mål norsk natur, fascinerende arkitektur og minner om musikerne som erobret verden. 14 Fødselsdagskonsert og hagefest / Birtday concert and garden party at Troldhaugen 16 Konserter på Troldhaugen 2014 / Concerts at Troldhaugen 2014 Velkommen! 18 Konsertbuss til lunsjkonsertene / Concert bus to the lunchtime concerts Sigurd Sandmo 20 Program Troldhaugen: Ukens pianist / Pianist of the week Direktør 33 Grieg in a nutshell – Talks on Grieg Welcome Troldhaugen, Lysøen and Siljustøl are the most significant cultu- ral heritage sites in the history of Norwegian music. They are also perhaps Western Norway’s most scenic and inspirational esta- tes. Ole Bull, Edvard Grieg and Harald Sæverud created homes where art, nature and fantasy came together. Today, Troldhaugen, Lysøen and Siljustøl represent a unique musical landscape with a grand total of almost 250 acres of Norwegian nature, fascinating architecture, and memories of the musicians who conquered the world. Welcome! Sigurd Sandmo Director Troldhaugen, Lysøen og Siljustøl er en del av KODE - Kunstmuseene i Bergen Troldhaugen, Lysøen and Siljustøl is part of KODE - Art Museums of Bergen Foto forside: Griegs komponisthytte på Troldhaugen forside: Griegs komponisthytte Foto Troldhaugen hut at page: The composer’s Photo front / KODE Dag Fosse Foto: 2 3 Foto: Dag Fosse / KODE Dag Fosse Foto: ÅPNINGSTIDER 2014 OPENING HOURS 2014 18. mai – 31. august: May 18 – August 31: LYSØEN 11.00 – kl. 16.00 alle dager 11.00 – 16.00 every day LYSØEN OLE BULL MUSEUM Alle søndager i september: All Sundays in September: OLE BULL MUSEUM kl. 11.00 – kl. 16.00 11.00 – 16.00 BILLETTER TICKETS Ole Bull (1810-1880) var fiolinist, komponist, Ole Bull (1810-1880) was a violinist, Voksne: NOK 40 Adults: NOK 40 nasjonsbygger, kosmopolitt, entreprenør, for- composer, patriot, cosmopolite, entrepre- Barn: NOK 10 Children: NOK 10 fører og karismatiker. Han trollbandt publikum neur, seducer and a person of considerable Bergenskort: Gratis Bergen Card: Free i en rekke land på flere kontinenter og var charisma. He mesmerized audiences in Grupper etter kl. 16.00: Groups after 16.00: NOK 60 per person sin tids mest bereiste, berømte og beundrete country after country on several continents, NOK 60 per person nordmann. Hans egen øy, Lysøen, byr på en and was the most well-travelled, famous Booking for groups after opening overflod av minner om den norske fiolinisten and admired Norwegian of his time. His own Bestilling for grupper hours: Phone + 47 - 56 30 90 77 som la verden for sine føtter. island, Lysøen, is a cornucopia of memories, utenom ordinær åpningstid: [email protected] telling the story of the Norwegian violinist Tlf. 56 30 90 77 / [email protected] Villaen er et av verdens mest eventyrlige SHUTTLE BOAT who made the world his playground. kunstnerhjem, og den store øyen har kilometer SKYSSBÅT Shuttle boat from Buena kai med hvite stier og romantiske hemmeligheter. The villa is one of the most fairytale-like Skyssbåt fra Buena kai hver every hour within the opening Lysøen byr på fantastisk arkitektur og over- artist homes in the world, and the sizeable hele time i museets åpningstid. hours of the museum. raskende naturopplevelser, kafé, badeplasser island boasts kilometers of white trails and Voksne: NOK 60 t/r Adults: NOK 60 roundtrip og skiltete turer. romantic hideouts. Lysøen not only offers Barn: NOK 30 t/r Children: NOK 30 roundtrip fantastic architecture and unexpected Gratis parkering på fastlandet. Free parking by the boat. natural wonders, but also has a café, SOMMER PÅ LYSØEN 2014 SUMMER AT LYSØEN 2014 swimming spots and marked trails. Museet tilbyr aktiviteter, vandringer, The museum can offer activities, hikes, konserter og foredrag hver søndag concerts and lectures every Sunday at kl. 14.00 i hele sesongen, frem til siste 14.00 during the summer season, until Lysoen søndag i september. the last Sunday in September. Lysoen composershomes composershomes Sommerens program for Lysøen Summer program for Lysøen www.lysoen.no på side 10. on page 10. www.lysoen.no Museet Lysøen, 5215 Lysekloster Museet Lysøen, 5215 Lysekloster 4 5 Foto: Dag Fosse / KODE Dag Fosse Foto: TROLDHAUGEN TROLDHAUGEN EDVARD GRIEG MUSEUM EDVARD GRIEG MUSEUM Edvard Grieg (1843–1907) er Norges største ÅPNINGSTIDER 2014 OPENING HOURS 2014 Edvard Grieg (1843–1907) is undoubtedly komponist, og hans hjem Troldhaugen er en 6. januar – 30. april: January 6 – April 30: Norway’s greatest composer, and his home av landets mest kjente severdigheter. Helt 10.00 – 16.00 alle dager 10.00 – 16.00 every day Troldhaugen is one of the country’s most siden Nina og Edvard Grieg tilbrakte sin 1. mai – 30. september: May 1 – Sept 30: renowned attractions. Ever since Nina and første sommer her i 1885, har den lille villaen 09.00 – 18.00 alle dager 09.00 – 18.00 every day Edvard Grieg spent their first summer there med den storslåtte beliggenheten trukket til 1. oktober – 14. desember: October 1 – December 14: in 1885, the marvelously situated little villa seg besøkende fra hele verden. 10.00 – 16.00 alle dager 10.00 – 16.00 every day has drawn visitors from all over the world. Stengt f.o.m. 15. desember Closed December 15 – January 4, 2015 Ned mot det idylliske Nordåsvannet ligger t.o.m. 4. januar 2015 Down by the idyllic Nordås Lake, you’ll also også komponisthytten og ekteparet Griegs TICKETS find the composer’s hut and the Griegs’ final gravsted. Hele sommeren byr museets dag- BILLETTER Adults: NOK 90 resting place. Every day during the summer, lige konserter i Norges vakreste kammer- Voksen: NOK 90 Students, Bergen Card: NOK 50 the museum offers concerts in what is most musikksal. Troldhaugen gir unike kunst- og Student / Bergenskort: NOK 50 Groups: NOK 50 per person likely Norway’s most gorgeous chamber naturopplevelser nær Bergen sentrum. Grupper: NOK 50 per person (min 15 pax) music hall. Troldhaugen means unique (min 15 pax) Children under 16: free experiences of art and nature in the close Barn under 16 år: Gratis vicinity of Bergen city. CONTACT KONTAKT [email protected] [email protected] Phone: +47 - 55 92 29 92 tlf. 55 92 29 92 EdvardGriegMuseum Concerts at Troldhaugen, see page 17. @EGMTroldhaugen Konserter på Troldhaugen, se side 16. composershomes www.griegmuseum.no Troldhaugveien 65, 5232 Paradis-Bergen 6 7 Foto: Dag Fosse / KODE Dag Fosse Foto: SILJUSTØL SILJUSTØL HARALD SÆVERUD MUSEUM HARALD SÆVERUD MUSEUM Harald Sæverud (1897–1992) er en av ÅPNINGSTIDER 2014 OPENING HOURS 2014 Harald Sæverud (1897–1992) is one of the 1900-tallets mest markante norske Alle søndager kl. 12.00 – 16.00 All Sundays at 12.00 – 16.00 20th century’s most remarkable Norwegian komponister, og ekteparet Marie og Harald 22. juni – 17. august June 22 to August 17 composers, and Marie and Harald Sæverud’s Sæveruds hjem er et hus fullt av stemnin- home is brimful with ambiance and atmos- ger og atmosfære. Siljustøl er en kilde til Museet åpnes på bestilling hele The museum opens for groups all year, phere. Siljustøl is a place for inspirational naturopplevelser og inspirasjon, men også året og på kveldstid for grupper, on request. The spacious 17-hectare meetings with nature, but also has room et sted for konsentrasjon og arbeid. foreninger og lag. Den 176 mål store property is always open. for concentration and work. eiendommen er alltid åpen for turgåere. I dag søker mange hit for å finne ro og still- TICKETS Today, people come to experience the het i den store skogen, men i det borgaktige BILLETTER Adults: NOK 60 calm and tranquility of the woods, but the huset kommer man tett på en kreativ og Voksne: NOK 60 Students: NOK 50 observant visitor will soon notice that the leken personlighet. Siljustøl har en helt egen Studenter: NOK 50 (students under 30) composer’s creative and playful personality tiltrekningskraft på barn og voksne, og er en (studenter under 30) Groups: NOK 50 per person lurks in every corner of the fort-like house. spennende inngang til Sæveruds musikalske Grupper: NOK 50 per person (min 15 pax) Siljustøl has a near-magnetic pull on both univers. (min 15 pax) Children under 16: Free children and adults, and offers an exciting Barn under 16 år: Gratis gateway into Sæverud’s musical universe. CONTACT KONTAKT [email protected] [email protected] Phone: +47 - 55 92 29 92 tlf. 55 92 29 92 HSMSiljustol HSMSiljustol composershomes composershomes www.siljustolmuseum.no www.siljustolmuseum.no Siljustølveien 50, 5239 Rådal Siljustølveien 50, 5239 Rådal 8 9 PROGRAM LYSØEN SOMMER 2014 PROGRAM LYSØEN SUMMER 2014 Alle konsertene arrangeres i musikkhallen i Ole Bulls villa All concerts take place in the music hall in Ole Bull’s villa Foto: Dag Fosse / KODE Dag Fosse Foto: JUNI AUGUST JUNE AUGUST Søndag 18. mai kl. 11.00–16.00 Søndag 3. august kl. 14.00 Sunday May 18 11.00–16.00 Sunday August 3 at 14.00 Sesongåpning med Turmarsjen Lysøen Rundt Bli med på tur! Vi oppdager Lysøen, Opening of the season with a walk around Lysøen Join us on a hike! Exploring Lysøen, med Elisabeth Nordstrand with Elisabeth Nordstrand Søndag 8. juni kl.
Load more

Recommended publications
  • Edvard Grieg (1843-1907) – Norwegian and European
    Edvard Grieg (1843-1907) – Norwegian and European. A critical review By Berit Holth National Library of Norway Edvard Grieg, ca. 1858 Photo: Marcus Selmer Owner: Bergen Public Library. Edvard Grieg Archives The Music Conservatory of Leipzig, Leipzig ca. 1850 Owner: Bergen Public Library. Edvard Grieg Archives Edvard Grieg graduated from The Music Conservatory of Leipzig, 1862 Owner: Bergen Public Library. Edvard Grieg Archives Edvard Grieg, 11 year old Alexander Grieg (1806-1875)(father) Gesine Hagerup Grieg (1814-1875)(mother) Cutout of a daguerreotype group. Responsible: Karl Anderson Owner: Bergen Public Library. Edvard Grieg Archives Edvard Grieg, ca. 1870 Photo: Hansen & Weller Owner: Bergen Public Library. Edvard Grieg Archives. Original in National Library of Norway Ole Bull (1810-1880) Henrik Ibsen (1828-1906) Bjørnstjerne Bjørnson (1832-1910) Wedding photo of Edvard & Nina Grieg (1845-1935), Copenhagen 1867 Owner: Bergen Public Library. Edvard Grieg Archives Edvard & Nina Grieg with friends in Copenhagen Owner: http://griegmuseum.no/en/about-grieg Capital of Norway from 1814: Kristiania name changed to Oslo Edvard Grieg, ca. 1870 Photo: Hansen & Weller Owner: Bergen Public Library. Edvard Grieg Archives. Original in National Library of Norway From Kvam, Hordaland Photo: Reidun Tveito Owner: National Library of Norway Owner: National Library of Norway Julius Röntgen (1855-1932), Frants Beyer (1851-1918) & Edvard Grieg at Løvstakken, June 1902 Owner: Bergen Public Library. Edvard Grieg Archives From Gudvangen, Sogn og Fjordane Photo: Berit Holth Gjendine’s lullaby by Edvard Grieg after Gjendine Slaalien (1871-1972) Owner: National Library of Norway Max Abraham (1831-1900), Oscar Meyer, Nina & Edvard Grieg, Leipzig 1889 Owner: Bergen Public Library.
    [Show full text]
  • Grieg & Musical Life in England
    Grieg & Musical Life in England LIONEL CARLEY There were, I would prop ose, four cornerstones in Grieg's relationship with English musicallife. The first had been laid long before his work had become familiar to English audiences, and the last was only set in place shortly before his death. My cornerstones are a metaphor for four very diverse and, you might well say, ve ry un-English people: a Bohemian viol­ inist, a Russian violinist, a composer of German parentage, and an Australian pianist. Were we to take a snapshot of May 1906, when Grieg was last in England, we would find Wilma Neruda, Adolf Brodsky and Percy Grainger all established as significant figures in English musicallife. Frederick Delius, on the other hand, the only one of thi s foursome who had actually been born in England, had long since left the country. These, then, were the four major musical personalities, each having his or her individual and intimate connexion with England, with whom Grieg established lasting friendships. There were, of course, others who com­ prised - if I may continue and then finally lay to rest my architectural metaphor - major building blocks in the Grieg/England edifice. But this secondary group, people like Francesco Berger, George Augener, Stop­ ford Augustus Brooke, for all their undoubted human charms, were firs t and foremost representatives of British institutions which in their own turn played an important role in Grieg's life: the musical establishment, publishing, and, perhaps unexpectedly religion. Francesco Berger (1834-1933) was Secretary of the Philharmonic Soci­ ety between 1884 and 1911, and it was the Philharmonic that had first prevailed upon the mature Grieg to come to London - in May 1888 - and to perform some of his own works in the capital.
    [Show full text]
  • Peer Gynt: Suite No. 1 Instrumentation: Piccolo, 2 Flutes, 2 Oboes, 2
    Peer Gynt: Suite No. 1 Instrumentation: piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, percussion, strings. Duration: 15 minutes in four movements. THE COMPOSER – EDVARD GRIEG (1843-1907) – Grieg spent much of the 1870s collaborating with famous countrymen authors. With Bjørnstjerne Bjørnson, the composer had hoped to mount a grand operatic history of King Olav Tryggvason but the two artists soon ran afoul of one another. A possible contributing factor was Grieg’s moonlighting project with Henrik Ibsen but, in truth, Bjørnson and the composer had been nursing hurt feelings for a while by the time the latter began to stray. THE MUSIC – As it turned out, Grieg’s back-up plan was more challenging than rewarding at first. He was to compose incidental music that expanded and stitched together the sections of Ibsen’s epic poem. This he did with delight, but soon found the restrictions of the theatrical setting more a burden than a help creatively. “In no case,” he claimed, “had I opportunity to write as I wanted” but the 1876 premiere was a huge success regardless. Grieg seized the chance to re-work some of the music and add new segments during the 1885 revival and did the same in 1902. The two suites he published in 1888 and 1893 likely represent his most ardent hopes for his part of the project and stand today as some of his most potently memorable work. Ibsen’s play depicted the globetrotting rise and fall of a highly symbolic Norwegian anti-hero and, in spite of all the aforementioned struggles, the author could not have chosen a better partner than Grieg to enhance the words with sound.
    [Show full text]
  • La Voie Triomphale
    ^ Voie Triomphale The Staff Band of the Norwegian Armed Forces / Ole Kristian Ruud ^ Voie Triomphale The years before, during and after the French Revolution were a turning-point for wind ensembles The Staff Band of the Norwegian Armed Forces throughout the world. They developed from being small ensembles, with each instrument repre- sented in pairs, to being something much larger. At the same time, the repertoire moved rapidly from the chamber music for wind instruments of Mozart, Haydn and Beethoven to much larger works of almost orchestral dimensions by a new generation of composers. The Staff Band of the Norwegian Armed Forces has on this recording chosen music by composers who all made significant contributions to the evolvement of the wind orchestra and to the literature for wind orchestra that we know today. The music is an exquisite selection of French drama, romance and epic tone poems composed at times of considerable political turbulence. It could be precisely this political backdrop, combined with the wind orchestra’s hitherto unexplored potential, that goes some way towards explaining why composers like Berlioz, Bozza, Saint-Saëns, Tomasi, Dukas and Milhaud chose to write large-scale works for the wind orchestra – works that are still considered an important part of the standard wind ensemble repertoire today, a repertoire the Staff Band of the Norwegian Armed Forces performs with the elegance, virtuosity and energy the music demands; The Triumphal Way! 01-03 Hector Berlioz (1803-1869) Grande Symphonie Funèbre et Triomphale 04 Camille Saint-Saëns (1835-1921) Orient et Occident 05 Paul Dukas (1865-1935) Fanfare pour précéder La Péri 06-10 Darius Milhaud (1892-1974) Suite Française q 11-14 Henri Tomasi (1901-1971) Fanfares Liturgiques e 15 Eugène Bozza (1905-1991) Children’s Overture Recorded in DXD 24bit/352.8kHz 5.1 DTS HD MA 24/192kHz EAN13: 7041888516729 2.0 LPCM 24/192kHz + MP3 and FLAC 86 2L-086-SABD made in Norway 20©12 Lindberg Lyd AS 7 041888 516729 Hector Berlioz (1803-1869) Grande Symphonie Funèbre et Triomphale op.
    [Show full text]
  • Romantic Piano Meets the Hardanger Fiddle: Edvard Grieg's Chamber
    The International Edvard Grieg Society, Grieg Academy/Centre for Grieg Research University of Bergen and Edvard Grieg Museum Troldhaugen invite scholars and performers to the event Romantic Piano Meets the Hardanger Fiddle: Edvard Grieg’s Chamber Works and Solo Piano Music International Seminar and Workshop, Bergen, 26-29 October 2017 Edvard Grieg’s chamber and solo piano music includes some of the most important works of the 19 th century repertoire for strings and piano. As intriguing amalgamations of Romantic lyricism, European pianism, and the traditions of Norwegian folk music, they raise practical issues of performance and interpretation, which cannot be addressed solely by reading the edited scores. The focus area of this workshop and seminar will explore the creative interchange of folk and art music in performance traditions from Grieg’s time to the present. The event will combine academic lectures, practical demonstrations, master classes, individual teaching sessions, discussion forums, and performances. The aim is to bring artists together with researchers who are specialists on the performance practice of Romantic art music and Norwegian folk music, so that the workshop-seminars provide an opportunity for sharing knowledge and experiences of still quite separated areas. Invited guest scholars and performers: Clive Brown (University of Leeds, UK), Einar Steen-Nøkleberg (piano, Norway), Rolf Erdahl (Gustavus Adolphus College, Minnesota, USA), and Håkon Asheim (Ole Bull Academy, Norway). Participating staff from the Grieg Academy and Centre for Grieg Research: Ricardo Odriozola (violin), Signe Bakke (piano), Torleif Torgersen (piano), Einar Røttingen (piano), John Ehde (cello) and Arnulf Mattes (musicology). The performance workshops will be open to a limited number of active participants.
    [Show full text]
  • Christianialiv
    Christianialiv Works from Norway’s Golden Age of wind music Christianialiv The Staff Band of the Norwegian Armed Forces The second half of the 19th century is often called the “Golden Age” of Norwegian music. The reason lies partly in the international reputations established by Johan Svendsen and Edvard Grieg, but it also lies in the fact that musical life in Norway, at a time of population growth and economic expansion, enjoyed a period of huge vitality and creativity, responding to a growing demand for music in every genre. The Staff Band of the Norwegian Armed Forces (to use its modern name) played a key role in this burgeoning musical life not just by performing music for all sections of society, but also by discovering and fostering musical talent in performers and composers. Johan Svendsen, Adolf Hansen, Ole Olsen and Alfred Evensen, whose music we hear on this album, can therefore be called part of the band’s history. Siste del av 1800-tallet er ofte blitt kalt «gullalderen» i norsk musikk. Det skyldes ikke bare Svendsens og Griegs internasjonale posisjon, men også det faktum at musikklivet i takt med befolkningsøkning og økonomiske oppgangstider gikk inn i en glansperiode med et sterkt behov for musikk i alle sjangre. I denne utviklingen spilte Forsvarets stabsmusikkorps en sentral rolle, ikke bare som formidler av musikkopplevelser til alle lag av befolkningen, men også som talentskole for utøvere og komponister. Johan Svendsen, Adolf Hansen, Ole Olsen og Alfred Evensen er derfor en del av korpsets egen musikkhistorie. The Staff Band of the Norwegian Armed Forces / Ole Kristian Ruud Recorded in DXD 24bit/352.8kHz 5.1 DTS HD MA 24/192kHz 2.0 LPCM 24/192kHz + MP3 and FLAC EAN13: 7041888519027 q e 101 2L-101-SABD made in Norway 20©14 Lindberg Lyd AS 7 041888 519027 Johan Svendsen (1840-1911) Symfoni nr.
    [Show full text]
  • Based Curriculum Design for Multicultural School Music: Reflections on a National Project in Guyana
    Action, Criticism & Theory for Music Education ISSN 1545- 4517 A refereed journal of the Action for Change in Music Education Volume 14 Number 2 August 2015 Vincent C. Bates, Editor Brent C. Talbot, Associate Editor Research-Based Curriculum Design for Multicultural School Music: Reflections on a National Project in Guyana Rohan Sagar and David G. Hebert © Rohan Sagar and David G. Hebert. 2015. The content of this article is the sole responsibility of the authors. The ACT Journal and the Mayday Group are not liable for any legal actions that may arise involving the article's content, including, but not limited to, copyright infringement. Special Features: Download this document and then open it in Adobe Reader to view endnotes and citations by placing the cursor over the corresponding number or date. Action, Criticism, and Theory for Music Education 14(2) 145 Research-Based Curriculum Design for Multicultural School Music: Reflections on a National Project in Guyana Rohan Sagar Harpy Eagle Music Foundation, Guyana David G. Hebert Bergen University College, Norway Abstract This article reports on an applied ethnomusicological and historical study that guided the development of a new music curriculum for schools in Guyana, a multi- ethnic and postcolonial nation in Latin America. We establish our rationale with an introduction to Guyana and the status quo of its school music education, then embark on examining the socio-historical background: from Indigenous Peoples and the European settlement of colonial Guyana, to the arrival of Africans as slaves, and indentured servants from Portugal, China and East India. The diverse heritage of post-colonial Guyana, including distinctive creolization, is reviewed as a prelude to discussion of local music traditions and their representation in schools.
    [Show full text]
  • GRIEG, Edvard Hagerup (1843-1907)
    BIS-CD-637STEREO DDD".l Total playing timer 69'22 GRIEG,Edvard Hagerup(1843-1907) SeksDigte,Op,4 rwn l1'08 tr I. Die Waise(Text: Adelbert uon Chatnisso) 2',28 E II. Morgenthat (Text:Adelbert uon Chamisso) l'21 tr IIL Abschied.(Text: Heinrich Heine) ,.,r.4 E IV. Jiigerlied.(Text: J. Ludwig Uhland) 0'41 tr V. Das alte Lied (Text:Heinrich Heine) 2',17 tr VI. Wo sind sie hin? (Text:Heinrich Heine) r'32 Hjertets Melodie4 Op,EOexts: Hans Christian And.ersen) Nn) 5'53 tr I. Tobrune Ojne 1'05 E II. Du fatter ej Bglgernesevige Gang 7',41 tr III. Jegelsker dig r'34 @ IV. Min Tankeer et mregtigFjeld r'17 Sex Digte af Ibsen, Op.25 (Texts:Henrik lbsen) (wH) l1'40 E I. Spillemend 2'07 @ II. En Svane 2'00 tr III. Stambogsrim r'32 tr IV. Meden Vandlilje 1'52 tr V.Borte! I'28 @ VI. En Fuglevise 2',14 2 Barnlige Sange. Fra Nordahl Rolfsens"Lrcsebog", Op.6l 13'15 tr I. Havet (Text:J. NordahlRolfsen) eet",') l'02 @ IL Sangtil Juletreet (Text:J. Krohn) NorehMusikforlag) 2',26 E iIL Lok (Text:Bjgrnstjerne Bjgrnson) eetersl 0'46 @ IV. Fiskevise(Text: P. Dass) rchristiania.Brddrere Hals's Musihforlag) 1'07 E V. Kveld-Sangfor Blakken 2',34 (Text:J. Nordahl Rolfsen) Ghristiania,Brdilrene Hals's Musihforlng) @ VL De norskeFjelde }',29 (Text:J. NordahlRoLfsen) rchristiania. Brdilrene Hak's MusihforW) tr VII. Faedrelands-Salme r'26 (Text:J. NordahlRolfsen, after Johan Luduig Runeberg) Norsh Musihfortns) Haugtussa, Op.67 (Text:Arne Garborg) rwn) 25',47 tr I.
    [Show full text]
  • Autumn/Winter Season 2021 Concerts at the Bridgewater Hall Music Director Sir Mark Elder Ch Cbe a Warm Welcome to the Hallé’S New Season!
    ≥ AUTUMN/WINTER SEASON 2021 CONCERTS AT THE BRIDGEWATER HALL MUSIC DIRECTOR SIR MARK ELDER CH CBE A WARM WELCOME TO THE HALLÉ’S NEW SEASON! We are all thrilled to be able to welcome everyone back to The Bridgewater Hall once more for a full, if shortened, Hallé autumn season. As we glimpse normality again, we can, together, look forward to some magnificent music-making. We will announce our spring concerts in October, but until then there are treasures to be discovered and wonderful stories to be told. Many of you will look forward to hearing some of the repertoire’s great masterpieces, heard perhaps afresh after so long an absence. We particularly look forward to performing these works for people new to our concerts, curious and keen to experience something special. 2 THE HALLÉ’S AUTUMN/WINTER SEASON 2021 AT THE BRIDGEWATER HALL My opening trio of programmes includes Sibelius’s ever-popular Second Symphony, Elgar’s First – given its world premiere by the Hallé in 1908 – and Brahms’s glorious Third, tranquil and poignant, then dramatic and peaceful once more. Delyana Lazarova, our already acclaimed Assistant Conductor, will perform Dvoˇrák’s ‘New World’ Symphony and Gemma New will conduct Copland’s euphoric Third, with its finale inspired by the composer’s own Fanfare for the Common Man. You can look forward to Mussorgsky’s Pictures from an Exhibition, in Ravel’s famous arrangement, Nicola Benedetti playing Wynton Marsalis’s Violin Concerto, Boris Giltburg performing Rachmaninov’s Fourth Piano Concerto, Natalya Romaniw singing Richard Strauss’s Four Last Songs and Elisabeth Brauß playing Grieg’s wonderfully Romantic Piano Concerto.
    [Show full text]
  • Repertoire List
    APPROVED REPERTOIRE FOR 2022 COMPETITION: Please choose your repertoire from the approved selections below. Repertoire substitution requests will be considered by the Charlotte Symphony on an individual case-by-case basis. The deadline for all repertoire approvals is September 15, 2021. Please email [email protected] with any questions. VIOLIN VIOLINCELLO J.S. BACH Violin Concerto No. 1 in A Minor BOCCHERINI All cello concerti Violin Concerto No. 2 in E Major DVORAK Cello Concerto in B Minor BEETHOVEN Romance No. 1 in G Major Romance No. 2 in F Major HAYDN Cello Concerto No. 1 in C Major Cello Concerto No. 2 in D Major BRUCH Violin Concerto No. 1 in G Minor LALO Cello Concerto in D Minor HAYDN Violin Concerto in C Major Violin Concerto in G Major SAINT-SAENS Cello Concerto No. 1 in A Minor Cello Concerto No. 2 in D Minor LALO Symphonie Espagnole for Violin SCHUMANN Cello Concerto in A Minor MENDELSSOHN Violin Concerto in E Minor DOUBLE BASS MONTI Czárdás BOTTESINI Double Bass Concerto No. 2in B Minor MOZART Violin Concerti Nos. 1 – 5 DITTERSDORF Double Bass Concerto in E Major PROKOFIEV Violin Concerto No. 2 in G Minor DRAGONETTI All double bass concerti SAINT-SAENS Introduction & Rondo Capriccioso KOUSSEVITSKY Double Bass Concerto in F# Minor Violin Concerto No. 3 in B Minor HARP SCHUBERT Rondo in A Major for Violin and Strings DEBUSSY Danses Sacrée et Profane (in entirety) SIBELIUS Violin Concerto in D Minor DITTERSDORF Harp Concerto in A Major VIVALDI The Four Seasons HANDEL Harp Concerto in Bb Major, Op.
    [Show full text]
  • Edvard Grieg: Between Two Worlds Edvard Grieg: Between Two Worlds
    EDVARD GRIEG: BETWEEN TWO WORLDS EDVARD GRIEG: BETWEEN TWO WORLDS By REBEKAH JORDAN A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Rebekah Jordan, April, 2003 MASTER OF ARTS (2003) 1vIc1vlaster University (1vIllSic <=riticisIll) HaIllilton, Ontario Title: Edvard Grieg: Between Two Worlds Author: Rebekah Jordan, B. 1vIus (EastIllan School of 1vIllSic) Sllpervisor: Dr. Hllgh Hartwell NUIllber of pages: v, 129 11 ABSTRACT Although Edvard Grieg is recognized primarily as a nationalist composer among a plethora of other nationalist composers, he is much more than that. While the inspiration for much of his music rests in the hills and fjords, the folk tales and legends, and the pastoral settings of his native Norway and his melodic lines and unique harmonies bring to the mind of the listener pictures of that land, to restrict Grieg's music to the realm of nationalism requires one to ignore its international character. In tracing the various transitions in the development of Grieg's compositional style, one can discern the influences of his early training in Bergen, his four years at the Leipzig Conservatory, and his friendship with Norwegian nationalists - all intricately blended with his own harmonic inventiveness -- to produce music which is uniquely Griegian. Though his music and his performances were received with acclaim in the major concert venues of Europe, Grieg continued to pursue international recognition to repudiate the criticism that he was only a composer of Norwegian music. In conclusion, this thesis demonstrates that the international influence of this so-called Norwegian maestro had a profound influence on many other composers and was instrumental in the development of Impressionist harmonies.
    [Show full text]
  • The International Edvard Grieg Society Foundation Council Assembly Members
    THE INTERNATIONAL EDVARD GRIEG SOCIETY FOUNDATION COUNCIL ASSEMBLY MEMBERS GRIEG SOCIETIES BELGIUM Belgian Grieg Society Leader: Laurent Beeckmans [email protected] www.grieg.be [email protected] GERMANY Deutsche Edvard-Grieg- Leader: Prof. Dr. Joachim [email protected] Gesellschaft Dorfmüller Grieg-Begegnungsstätte Leipzig Leader: Phone: 00-49-341 443 2061 e.V. Prof. Dr. Helmut Loos [email protected] www.edvard-grieg.de Edvard-Grieg-Forschungsstelle Leader: Prof. Dr. Patrick [email protected] am Institut für Musikwissen- Dinslage schaft der Universität Leipzig in Kooperation mit der Grieg- Begegnungsstätte Leipzig e.V. GREAT BRITAIN Grieg Society of Great Britain Leader: Beryl Foster [email protected] Secretary: Wendy Howell [email protected] www.griegsociety.co.uk ITALY The Italian Edvard Grieg Society Leader: Chiara Di Dino [email protected] [email protected] www.edvardgriegensemble.it JAPAN The Grieg Society of Japan Leader: Shozo Ohtsuka [email protected] Secretary: Eriko Tanabe www.grieg.jp [email protected] LITAUEN Grieg Society in Lithuania Leader: Eugenijus Januténas [email protected] NORWAY Oslo Grieg Society Leader: [email protected] Einar Steen-Nøkleberg www.oslogriegsociety.com Friends of Troldhaugen Leader: Anders Aarheim [email protected] 1 RUSSIA Russian Grieg Society Leader: Valeria Blok [email protected] THE NETHERLANDS Grieg Stichting Nederland Leader: [email protected] Siebert Nix www.griegstichting.nl UKRAINE The Ukrainian Grieg Society Leader: Liubov Syniak [email protected] USA Edvard Grieg Society, Inc. NY Leader: Berit Brevig [email protected] Edvard Grieg Society Leader: [email protected] Norway House, Minneapolis Jim Lewis www.norwayhouse.org Edvard Grieg Society of President: Sylvia Reynolds [email protected] America, Inc.
    [Show full text]