Arne Nordheim Tenebrae / Magma Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Arne Nordheim Tenebrae / Magma mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Tenebrae / Magma Country: Norway Released: 1991 Style: Contemporary MP3 version RAR size: 1908 mb FLAC version RAR size: 1114 mb WMA version RAR size: 1352 mb Rating: 4.9 Votes: 219 Other Formats: XM VQF DXD AA MMF MP1 DTS Tracklist 1 Tenebrae 24:50 2 Magma 22:30 Companies, etc. Recorded At – Oslo Konserthus Copyright (c) – Norsk Komponistforening Phonographic Copyright (p) – Norsk Komponistforening Made By – Disctronics (UK) Ltd. Pressed By – Disctronics S Credits Cello – Truls Mørk Composed By – Arne Nordheim Conductor – Yoav Talmi Design [Cover Design] – Gina B. Rose, Magne B. Hopp Engineer [Recording Engineer] – Charles Almås Liner Notes [Booklet Notes] – Kjell Skyllstad Liner Notes [Translation] – Sandra Hamilton Orchestra – Oslo Philharmonic Orchestra* Photography By [Booklet Photo] – Guri Dahl Producer – Pro Musica AS Producer, Engineer [Editing Engineer] – Arild Erikstad Typography [Booklet Typesetting] – Pro Musica AS Notes Recording dates: 2-4 Jan 1991 Recording venue: Oslo Concert Hall Editing and mastering equipment: Mitsubishi XE-2 CD production: Disctronics Ltd, London A Pro Musica Production Total spilletid 47:30 [CD] C & P 1991 Norwegian Society of Composers Made in UK by Disctronics Ltd [Rear] Total playing time 47:30 This compact disc has been released by the Norwegian Society of Composers with the support of the Norwegian Cultural Council © & ℗ 1991 Norwegian Society of Composers Barcode and Other Identifiers Barcode: 7 025560 496622 Barcode (String): 7025560496622 Rights Society: BIEM/NCB Matrix / Runout (Mirrored): DISCTRONICS S ACD 4966 01 Matrix / Runout (Mould Ring, Mirrored): 12 Related Music albums to Tenebrae / Magma by Arne Nordheim Dvořák / Oslo Philharmonic Orchestra, Mariss Jansons - Symphonies 5-7-8-9 Frida Fredrikke Waaler Wærvågen, Ingrid Andsnes - Metamorfose Johan Halvorsen, Terje Tønnesen, Oslo Philharmonic Orchestra Conducted By Karsten Andersen - Symphony No 2 «Fate» In D Minor • Scenes From Norwegian Tales • Air Norvegien • Norwegian Dance No. 1, 2 And 3 • Veslemøy's Song Grieg — Kjell Baekkelund - Oslo Philharmonic Orchestra, Odd Grüner-Hegge - Piano Concerto / Music From Peer Gynt Arne Nordheim - The Nordheim Tapes Johann Strauss, Jr. - Oslo Philharmonic Orchestra, Øivin Fjeldstad - Waltzes Edvard Grieg, Jens Harald Bratlie, Oslo Filharmoniske Orkester, Mariss Jansons - Klaverkonsert I A- Moll, Op. 16 / Gammelnorsk Romanse, Op. 51 Jan Křtitel Vaňhal - Annika Wallin, Arne Nilsson, The Umeå Sinfonietta, Jukka-Pekka Saraste - Concerto For 2 Bassoons And Orchestra / 2 Sinfonias Various - Cello Meditation Arve Tellefsen / Oslo Philharmonic Orchestra Conducted By Christian Eggen, Arne Nordheim And Fartein Valen - Violin Concertos By Arne Nordhiem And Fartein Valen.

Copy Link

Recommended publications

1973-Iceland.Pdf
-----=ca=rn=-.....z:-c, wrn=-:- --. n ===N::ll:-cI - .. • ~ en Place I Monday, June 18 I Tuesday, June 19 I Wednesday, Ju'!e 20 I I Thursday, June 21 I Friday, June 22 I Saturday, June 23 1 Sunday, June 24 10.00--12.00 10.00-12.00 10.00-12.00 Hotel General Assembly General Assembly General Assembly Loftleidir (if necessary) 14.00- 16.00 14.00-16.00 General Assembly General Assembly 12.00 Lvric Arts Trio Charpentier: --- The Symphony --- Nordic 17.00 17.00 22.00 House Norwegian Wood- Harpans Kraft Nonvegian jazz Wind Quintet from Sweden Bibalo, Berge, Salmenhaara, W elin, Mortensen, Nordheim - - -·- [_____ - 20.30 20.00 17.00 14.00 14.00 14.00 Miklatun Reception Tenidis, Kopelent TapeMusic Tape Music Tape Music Tape Music T6masson, Hall- Gilboa, Schurink grlmsson, Leifs Lambrecht, 20.00 20.00 17.00 Benhamou, Kim, Lyric Arts Trio German Trio Gaudeamus Tokunaga, Ishii, Doh!, Quartet Thommesen Zender, de Leeuw I Zimmermann, Raxach I Karkoschka, I Lutoslawski Haubenstock- Ramati, Hoffmann I I ---- --- -- - ' Exhibition of scores sent in by sections daily, at Miklatun --- - ISCM --- --- -- Hask6\abi6 21.00 Iceland Symphony Orchestra ThorarinssQn, Mallnes, Stevens, Endres, Gentilucci, Lachenmann, Krauze - - - - - -- -- -- ~ -- - State 17.00 Radio Icelandic Music on Tape - - - --- - --- -- Arnes Recital: Aitken/ Haraldsson I The President of the ISCM The President of the Icelandic Section In whatever way the 1973 Music Day may enter the history of It is a great pleasure for the Icelandic Section of the ISCM the ISCM, surely it will be remembered as the most Northern to receive the delegates of the sister organisations to the General point ever reached by the Society.
[Show full text]
Rebuilding Efforts to Take Years News Officials Estimate All Schools in Oslo Were Evacu- Ated Oct
(Periodicals postage paid in Seattle, WA) TIME-DATED MATERIAL — DO NOT DELAY News In Your Neighborhood A Midwest Celebrating 25 welcome Se opp for dem som bare vil years of Leif leve sitt liv i fred. to the U.S. De skyr intet middel. Erikson Hall Read more on page 3 – Claes Andersson Read more on page 13 Norwegian American Weekly Vol. 122 No. 38 October 21, 2011 Established May 17, 1889 • Formerly Western Viking and Nordisk Tidende $1.50 per copy Norway.com News Find more at www.norway.com Rebuilding efforts to take years News Officials estimate All schools in Oslo were evacu- ated Oct. 12 closed due to it could take five danger of explosion in school years and NOK 6 fire extinguishers. “There has been a manufacturing defect billion to rebuild discovered in a series of fire extinguishers used in schools government in Oslo. As far as I know there buildings have not been any accidents be- cause of this,” says Ron Skaug at the Fire and Rescue Service KELSEY LARSON in Oslo. Schools in Oslo were Copy Editor either closed or had revised schedules the following day. (blog.norway.com/category/ Government officials estimate news) that it may take five years and cost NOK 6 billion (approximately Culture USD 1 billion) to rebuild the gov- American rapper Snoop Dogg ernment buildings destroyed in the was held at the Norwegian bor- aftermath of the July 22 terrorist der for having “too much cash.” attacks in Oslo. He was headed to an autograph Rigmor Aasrud, a member of signing at an Adidas store on the Labor Party and Minister of Oct.
[Show full text]
Konsert Med Arve Tellefsen, Knut Buen Og Geir Botnen
NO I ENG SUMMER 2016 KOMPONISTHJEMMENE THE COMPOSERS’ HOMES A PART OF EDVARD GRIEG MUSEUM TROLDHAUGEN OLE BULL MUSEUM LYSØEN HARALD SÆVERUD MUSEUM SILJUSTØL Troldhaugen, Lysøen og Siljustøl er en Innhold / Contents del av KODE – Kunstmuseene i Bergen Troldhaugen, Lysøen and Siljustøl is part of KODE – Art Museums of Bergen 4 Velkommen / Welcome 6 Edvard Grieg Museum Troldhaugen 8 Ole Bull Museum Lysøen 10 Harald Sæverud Museum Siljustøl 12 Program Siljustøl 14 Program Lysøen 24 Program Troldhaugen 44 The International Edvard Grieg Piano Competition 46 Lyttekurs Musikalske landskap Musical landscapes Etter at Edvard Grieg døde i 1907 fortsatte Nina Ved alle de tre komponisthjemmene fortaper After Edvard Grieg died in 1907, his wife Nina Nina and Edvard Grieg å bo på Troldhaugen i sommerhalvåret, slik de musikkhistorien seg i naturen. På Lysøen le- continued living at Troldhaugen during the to hadde gjort i alle år. Nina hadde et hjerte der kilometervis med stier deg direkte inn i Ole summer months, just as she and her husband their rootedness in stories that live on, in the for alt det stedet hadde betydd for dem mens Bulls romantiske verden. Det er et møte med had always done. Nina cherished the memory of music that is still being played, and in a nature Edvard levde, og hun var opptatt av hva Trold- den vestnorske naturen Bull fremdeles har re- what Troldhaugen had meant to them, and she that changes from day to day. haugen skulle bli når hun selv ikke lenger kunne gien på. På Siljustøl venter et annet stort natur- was concerned about what would become of it ta vare på det.
[Show full text]
CMA at Transformer Station — Norwegian Accordionist Frode Haltli by Mike Telin
Preview: CMA at Transformer Station — Norwegian accordionist Frode Haltli by Mike Telin On Sunday, April 27 beginning at 7:30 pm, CMA Concerts at Transformer Station presents Norwegian virtuoso classical accordionist Frode Haltli. The program features music by Hans Abrahamsen, Magnar Åm, Arne Nordheim and Aldo Clementi. “Even though this program is classical contemporary music, I think it reflects my interests in different kinds of music,” Haltli said during a telephone conversation from his home in Norway. “It’s not your ordinary contemporary music, it [ventures] out into many different directions.” If you’re wondering about the term “classical accordion” you’re not alone. The instrument has yet to be recognized in many parts of the world as one associated with classical music. So why is that different in Scandinavia? “It really is because of one person, Danish player Mogens Ellegaard. He was the first accordionist to introduce the instrument to real composers in Scandinavia. He really developed the accordion in a more classical way, although in my view it will never be a traditional “classical” instrument.” Perhaps not, but if you take a quick glance at Haltli’s repertoire list on his website, you will find many recognizable contemporary composers such as Berio, Lindberg, Pintscher, Gubaidulina and Zorn, all of whom have composed for the instrument. “Magnus Lindberg has written two fantastic pieces that I have played a lot. Also, Sofia Gubaibulina has written some very important works for the instrument. Now there is quite a lot of repertoire to choose from.” I ask him to talk me through his program.
[Show full text]
'Monumentalism' in Norway's Music 1930 –1945
Arnulf Christian Mattes ‘Monumentalism’ in Norway’s Music 1930 –1945 I. Building the Young Nation after 1905 The year 1905, when Norway eventually became a fully independent nation and a sovereign state, put an end to the uneasy political union with Sweden. Apparently, it marks the moment, when Norwegian cultural nationalism accomplished its goal. However, achieving independence in 1905 did not make the cultural nationalist movement obsolete, to the contrary: its protagonists were given the task to provide artistic expressions for cultural consensus and historical continuity of the young, Norwegian state at the turn of the 20th Century, aspiring to become a modern, economically thriving, and democratic society. This meant also to find the means of expression that suited this task. Therefore, many of the major artworks produced during the first decades of the 20. century tell a story about expressing ‘greatness’, in a specific Norwegian way. Additionally, there prevailed the strong ties to Germany in almost every aspect. German engineers helped to establish Norwegian infrastructure and industry, as well as Norwegians during most of the 19th century took advantage from the Germans’ world-leading academies and universities to educate its own cultural and academic elites. Calling this background into mind, one can understand better to which extend Norwegian artists felt ambivalent about their national responsibility: they had to acknowledge German cultural supremacy, at the same time they had to create artistic monuments which could match the standards of ‘advanced artworks’ equal to the German models, adopting the highly-developed techniques most of them had learned as students at the prestigious German institutions, the famous art- and music academies in Berlin and Leipzig.
[Show full text]
Norway – Music and Musical Life
Norway2BOOK.book Page 273 Thursday, August 21, 2008 11:35 PM Chapter 18 Norway – Music and Musical Life Chapter 18 Norway – Music and Musical Life By Arvid Vollsnes Through all the centuries of documented Norwegian music it has been obvi- ous that there were strong connections to European cultural life. But from the 14th to the 19th century Norway was considered by other Europeans to be remote and belonging to the backwaters of Europe. Some daring travel- ers came in the Romantic era, and one of them wrote: The fantastic pillars and arches of fairy folk-lore may still be descried in the deep secluded glens of Thelemarken, undefaced with stucco, not propped by unsightly modern buttress. The harp of popular minstrelsy – though it hangs mouldering and mildewed with infrequency of use, its strings unbraced for want of cunning hands that can tune and strike them as the Scalds of Eld – may still now and then be heard sending forth its simple music. Sometimes this assumes the shape of a soothing lullaby to the sleep- ing babe, or an artless ballad of love-lorn swains, or an arch satire on rustic doings and foibles. Sometimes it swells into a symphony descriptive of the descent of Odin; or, in somewhat less Pindaric, and more Dibdin strain, it recounts the deeds of the rollicking, death-despising Vikings; while, anon, its numbers rise and fall with mysterious cadence as it strives to give a local habitation and a name to the dimly seen forms and antic pranks of the hol- low-backed Huldra crew.” (From The Oxonian in Thelemarken, or Notes of Travel in South-Western Norway in the Summers of 1856 and 1857, written by Frederick Metcalfe, Lincoln College, Oxford.) This was a typical Romantic way of describing a foreign culture.
[Show full text]
FESTSPILLNOTEN 2002 Sol-Hverv
FESTSPILLNOTEN 2002 Sol-hverv Igjen har Jorden gjort sin runde under stjernene, og den ruller opp med snø og vind i vintermorgenens røde lys. Og tiden møte opp på ny med liket av et drept og blodig år i sine jernkalde armer. “Hør, o, blinde skjebne, nu gir jeg deg tilbake de dyre døgn, de gylne drypp av dage, som dryppet ifra Solens skåler ned i minne frosne hender.” Og taus og stille, svøpt evighetens skygger senker gudene i grav det drepte år, – og i sin rike nåde – under røk og eld fra en verden, stedd i vé og våde – gir de livet nye dyre timer. Og den gylne drypp av dage drypper atter ifra Solens skåler ned i tidens frosne hender. – Johan Falkberget Vinterfestspill i Bergstaden blir arrangert for 4. gong i år. For første gong blir det gitt statleg tilskott, kanalisert gjennom festival- tilskottsordninga i Norsk kulturråd. Vilkåra for tilskott frå denne ordninga er mellom anna at festivalen har offentlege konsertar som sitt primære virke, at festivalen vert arrangert over minst to dagar anna kvart eller kvart år og at han har fått offentleg tilskott frå eigen region i minst tre år. Vinterfestspill har vist at dei kan oppfylla desse vilkåra. Programmet i år vitnar om kvalitet, spenn- vidde og profesjonalitet. I løpet av ﬁre mars- dagar kan publikum høyra alt frå middel- aldermusikk og folkemusikk til musikk frå vår eiga tid framført av eit knippe utmerkte musikarar. Vinterfestspill byr på noko for alle: Eg kan nemna konsert for born, ut- stillingar, solrenningskonsert med frukost- 5 servering og kveldskonsertar.
[Show full text]
Download Booklet
572441bk Grieg:570034bk Hasse 24/11/11 12:47 PM Page 4 Oslo Camerata Artistic Director: Stephan Barratt-Due The Oslo Camerata was established in 1998 and is much in demand in Norway and abroad. Regular tours have taken them GRIEG to prestigious festivals and concert-series in several European countries, India and South America. They have made recordings for Naxos as well as television recordings for the Norwegian National Channel. The repertoire of the ensemble spans from baroque to contemporary music, with commissioned works from both young and established composers. The String Quartets Oslo Camerata has collaborated with artists such as Mischa Maisky, Julian Rachlin, Truls Mørk, Christian Lindberg, Henning Kraggerud, Lidia Baich and Jeremy Menuhin, and is ensemble-in-residence at the renowned Barratt Due Institute of Music in Oslo. From 2008 the ensemble has, through funding by the Norwegian Ministry of Foreign Affairs, been involved in Arranged for String Orchestra Projeto Aprendiz in Niteroi, Brazil, a music project for children and young people in the favelas. The internationally renowned cellist Truls Mørk and violinist Henning Kraggerud are associated with the orchestra as principal guest leaders. www.oslocamerata.no NORDHEIM 1st violin: Stephan Barratt-Due, Camilla Kjøll, Carl Guido Gärtner, Henrik Myreng, Magnhild Skomedal Torvanger, Lina Marie Årnes • 2nd violin: Bård Monsen, Margrete Pettersen, Eleonore Darmon, Christiane Eidsten Dahl, Miriam Helms Ålien • Viola: Soon Mi Chung, Madelene Berg, Maria Syre, Eivind Holtsmark Ringstad Rendezvous Cello: Øystein Birkeland, Ole Eirik Ree, Tiril Dørum Bengtsson • Double bass: Natalie Radzik Stephan Barratt-Due Oslo Camerata • Stephan Barratt-Due Stephan Barratt-Due is a third generation violinist in a family with long musical traditions.
[Show full text]
Program Summer 2015 the Composers’ Homes
NO / ENG PROGRAM SUMMER 2015 THE COMPOSERS’ HOMES A PART OF EDVARD GRIEG MUSEUM TROLDHAUGEN HARALD SÆVERUD MUSEUM SILJUSTØL OLE BULL MUSEUM LYSØEN Index 4 Velkommen / Welcome 6 Edvard Grieg Museum Troldhaugen 8 Ole Bull Museum Lysøen 10 Harald Sæverud Museum Siljustøl 14 Program Lysøen 16 Fødselsdagskonsert og hagefest / Birthday concert and garden party at Troldhaugen 18 Konserter / Concerts Troldhaugen 20 Konsertbuss til lunsjkonsertene / Concert bus to the lunchtime concerts 22 Program Troldhaugen 37 My favorite Grieg Troldhaugen, Lysøen og Siljustøl er en del av KODE – Kunstmuseene i Bergen Lysøen Troldhaugen, Lysøen and Siljustøl is part of KODE – Art Museums of Bergen Sigurd Sandmo Siljustøl Museum Velkommen Welcome Bergen er en by full av musikkhistorie, og kunstnerhjemmene til Edvard Grieg, Ole Bull og Bergen is a city steeped in music history, and the homes of the composers Edvard Grieg, Harald Sæverud er en viktig del av byens kunst- og kulturliv. De er også historiske monumenter Ole Bull and Harald Sæverud are a vital part of the city’s artistic and cultural scenes. They are med fascinerende arkitektur og natur. Hagene og skogsområdene har historiske dimensjoner also historical monuments with their fascinating architecture and nature. The gardens and og byr på rike opplevelser for alle som tar seg tid. surrounding woods have historical dimensions that offer a wealth of nature experiences for those who take the time to explore them. I mai gjenåpnet vi Troldsalen, konsertsalen på Troldhaugen, etter en storstilt oppgradering. Beliggenheten, lyset og nærheten til Griegs eget landskap får mange til å mene at Troldsalen er In May we reopened Troldsalen, the concert hall at Troldhaugen, after comprehensive reno- verdens vakreste kammermusikksal.
[Show full text]
Oslokammermusikkfestival.No › Pdf › Program › 2018.Pdf OSLO KAMMER MUSIKK FESTIVAL
17.–26. AUGUST 2018 OSLO KAMMER MUSIKK FESTIVAL PROGRAM KONSERTOVERSIKT Symfonisk åpning Strenger & tangenter Klassisk aften Trippel på lystslottet Fredag 17. august kl. 18.00 med Vilde Frang og venner med Hagen Quartett Lørdag 25. august kl. 12.00 Universitetets aula .................................... 11 Søndag 19. august kl. 17.00 Onsdag 22. august kl. 19.30 Oscarshall ................................................. 36 Gamle Logen ............................................. 19 Universitetets aula .................................... 27 For Formiddag på Lystslottet Dans i Edvard Griegs verden barn Lørdag 18. august kl. 14.00 Mat & musikk Bellmanns univers Lørdag 25. august kl. 14.00 Oscarshall slott ......................................... 13 Søndag 19. august kl. 20.00 Torsdag 23. august kl. 12.00 Oslo Konserthus ....................................... 39 Sporten på Frognerseteren ...................... 20 Roklubben, Bygdøy ................................... 29 En skandinavisk aften Breaking Bach Lørdag 18. august kl. 18.00 Galla- Lørdag 25. august kl. 20.00 Bach & Fauré Vill jubel konsert Oslo Konserthus ....................................... 15 Mandag 2. august kl. 18.00 Torsdag 23. august kl. 18.00 Oslo Domkirke .......................................... 41 Dronning Sonja KunstStall ....................... 21 Gamle Logen ............................................. 30 Tango! Ut av Oslo Lørdag 18. august kl. 21.00 Lyrikk & Musikk I Slottsbesøk med Mørk & Gimse Søndag 26. august kl. 13.00 Kavakava ..................................................
[Show full text]
Moving Norway Forward
(Periodicals postage paid in Seattle, WA) TIME-DATED MATERIAL — DO NOT DELAY In Your Neighborhood Research & Education Bright future In Norway, I politikken må sannheten vente it’s a dog’s life for the Concordia til noen får bruk for den. Read more on page 13 – Bjørnstjerne Bjørnson Read more on page 5 Norwegian American Weekly Vol. 123 No. 10 March 9, 2012 Established May 17, 1889 • Formerly Western Viking and Nordisk Tidende $1.50 per copy Norway.com News Find more at www.norway.com Moving Norway forward News The mHealth Alliance announc- Focus shifts to es that the Norwegian Agency for Development Cooperation public transport (Norad) has made a USD 9.9 million commitment to support instead of large the use of mobile technologies to improve women and chil- road projects dren’s health. “The Norwegian government has long been a leader in supporting develop- T AFF OMPILA T ION ing countries as they face chal- S C Norwegian American Weekly lenges like maternal and infant mortality,” said Kathy Calvin, CEO of the U.N. Foundation. “Norad’s commitment combines The proposals for a new na- this support with the convening tional transport plan has been pre- power of the mHealth Alliance. sented. It calls for more money to These catalytic grants will assist be spent on public transport in and technologists and health experts around the larger cities, and less on who are working to improve large road projects. health outcomes and achieve the In order to meet a growing Millennium Development Goals population, the proposal calls for that seek to improve women’s the state to enable the larger cities and children’s health.” to finance an expansion of public (blog.norway.com/category/ transport, coupled with restrictions Photo: Nancy Bundt / www.visitnorway.com news) See > TRANSPORT, page 6 Proposals for the new national transport plan call for more money to be spent on public transport to handle Norway’s population increase.
[Show full text]
Thommesen/Bibalo
THOMM FBRCD-12 ESSEN/ BIBA LO Thommesen/Bibalo Telemark Chamber Orchestra Lars-Erik ter Jung, conductor Poing Ingrid Andsnes, piano OLAV ANTON THOMMESSEN ANTONIO BIBALO The Norwegian composer Lasse Thoresen said that “There is a depth to Bibalo’s life that we are given a glimpse of Rapid Clouds Concerto da Camera No 3 through his music. His encounter with the extremes of existence left traces in his works.” I never met Antonio A lyric Pastel for String Orchestra and improvizing soloists. “to the Telemark Chamber Orchestra and Prof. Stefano Bibalo. At the premiere, which took place two weeks too late Sacher” for the composer to hear his last orchestral work performed, Why are there no concertos for improvizing musicians and Thoresen’s description seemed strangely apt, and when I orchestra? I thought there was one, when I was working on Antonio Bibalo was born in Trieste, Italy, in 1922, and he introduced the work to the public, I said: “I feel that I have my violin concerto BULLseye. The piece is a reworking of Ole studied piano at the local conservatory. As a 19-year-old he been able to meet Bibalo through my work on Concerto Bull’s First violin concerto, written when he was 24 years old. was called up to the Italian army, which also gave him a taste da Camera No 3, and he keeps revealing new sides of his The score that I was presented with had no violin part. Did he of life inside a prison camp when his country lost the war.
[Show full text]