Nazi German Filmography & Tvography
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Eva Braun Hitler's Odontological Identification-A Forensic Enigma?
J Forensic Sci, Apr. 1974, Vol. 19, No. 2 R. F. Sognnaes, ~ M.A., M.S., D.M.D., Ph.D. Eva Braun Hitler's Odontological Identification-A Forensic Enigma? Through generous cooperation by custodians of several museums, libraries, and govern- ment archive centers, the author has had occasion to explore various historical dental relics and reports covering the evolution of dental art and science over a period ranging from the time of George Washington to that of Adolf Hitler [1,2]. When the Berlin dentist, Dr. Hugo Johannes Blaschke, who cared for Germany's wartime leaders, was captured and interrogated by American army officers in 1945, he prepared descriptions and diagrams of the dental condition of Adolf Hitler, as well as of Martin Bormann and of Eva Braun, Hitler's longtime female companion whom he married just before the end of the war. By comparing American and Soviet reports it has been shown elsewhere that data attributed to a 1945 Russian autopsy report cited in 1968 by Bezymenski [3-5] are in harmony with Hitler's 1944 head and jaw X-rays which, after much search and research, were located through the cooperation of the Captured Record Branch of the U.S. Na- tional Archives and Records Service [2]. This discovery was followed by a detailed comparison with other dental data, as reported at the 6th International Conference on Forensic Sciences in Edinburgh in 1972 and subsequently published in early 1973 by Sognnaes and Str6m [6]. Similarly, the dental data elicited regarding Martin Bormann's dental condition, based on dental diagrams prepared by Dr. -
Über Gegenwartsliteratur About Contemporary Literature
Leseprobe Über Gegenwartsliteratur Interpretationen und Interventionen Festschrift für Paul Michael Lützeler zum 65. Geburtstag von ehemaligen StudentInnen Herausgegeben von Mark W. Rectanus About Contemporary Literature Interpretations and Interventions A Festschrift for Paul Michael Lützeler on his 65th Birthday from former Students Edited by Mark W. Rectanus AISTHESIS VERLAG ––––––––––––––––––––––––––––––– Bielefeld 2008 Abbildung auf dem Umschlag: Paul Klee: Roter Ballon, 1922, 179. Ölfarbe auf Grundierung auf Nesseltuch auf Karton, 31,7 x 31,1 cm. Solomon R. Guggenheim Museum, New York. © VG BILD-KUNST, Bonn 2008 Bibliographische Information Der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliographie; detaillierte bibliographische Daten sind im Internet über http://dnb.ddb.de abrufbar. © Aisthesis Verlag Bielefeld 2008 Postfach 10 04 27, D-33504 Bielefeld Satz: Germano Wallmann, www.geisterwort.de Druck: docupoint GmbH, Magdeburg Alle Rechte vorbehalten ISBN 978-3-89528-679-7 www.aisthesis.de Inhaltsverzeichnis/Table of Contents Danksagung/Acknowledgments ............................................................ 11 Mark W. Rectanus Introduction: About Contemporary Literature ............................... 13 Leslie A. Adelson Experiment Mars: Contemporary German Literature, Imaginative Ethnoscapes, and the New Futurism .......................... 23 Gregory W. Baer Der Film zum Krug: A Filmic Adaptation of Kleist’s Der zerbrochne Krug in the GDR ......................................................... -
Starring Hitler! Adolf Hitler As the Main Character in Twentieth-First Century French Fiction," Studies in 20Th & 21St Century Literature: Vol
Studies in 20th & 21st Century Literature Volume 43 Issue 2 Article 44 October 2019 Starring Hitler! Adolf Hitler as the Main Character in Twentieth- First Century French Fiction Marion Duval The College of Wooster, [email protected] Follow this and additional works at: https://newprairiepress.org/sttcl Part of the French and Francophone Literature Commons, Holocaust and Genocide Studies Commons, and the Modern Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Duval, Marion (2019) "Starring Hitler! Adolf Hitler as the Main Character in Twentieth-First Century French Fiction," Studies in 20th & 21st Century Literature: Vol. 43: Iss. 2, Article 44. https://doi.org/10.4148/ 2334-4415.2076 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Starring Hitler! Adolf Hitler as the Main Character in Twentieth-First Century French Fiction Abstract Adolf Hitler has remained a prominent figure in popular culture, often portrayed as either the personification of evil or as an object of comedic ridicule. Although Hitler has never belonged solely to history books, testimonials, or documentaries, he has recently received a great deal of attention in French literary fiction. This article reviews three recent French novels by established authors: La part de l’autre (The Alternate Hypothesis) by Emmanuel Schmitt, Lui (Him) by Patrick Besson and La jeunesse mélancolique et très désabusée d’Adolf Hitler (Adolf Hitler’s Depressed and Very Disillusioned Youth) by Michel Folco; all of which belong to the Twenty-First Century French literary trend of focusing on Second World War perpetrators instead of their victims. -
MS 315 A1076 Papers of Clemens Nathan Scrapbooks Containing
1 MS 315 A1076 Papers of Clemens Nathan Scrapbooks containing newspaper cuttings, correspondence and photographs from Clemens Nathan’s work with the Anglo-Jewish Association (AJA) 1/1 Includes an obituary for Anatole Goldberg and information on 1961-2, 1971-82 the Jewish youth and Soviet Jews 1/2 Includes advertisements for public meetings, information on 1972-85 the Middle East, Soviet Jews, Nathan’s election as president of the Anglo-Jewish Association and a visit from Yehuda Avner, ambassador of the state of Israel 1/3 Including papers regarding public lectures on human rights 1983-5 issues and the Nazi war criminal Adolf Eichmann, the Middle East, human rights and an obituary for Leslie Prince 1/4 Including papers regarding the Anglo-Jewish Association 1985-7 (AJA) president’s visit to Israel, AJA dinner with speaker Timothy Renton MP, Minister of State for the Foreign and Commonwealth Office; Kurt Waldheim, president of Austria; accounts for 1983-4 and an obituary for Viscount Bearsted Papers regarding Nathan’s work with the Consultative Council of Jewish Organisations (CCJO) particularly human rights issues and printed email correspondence with George R.Wilkes of Gonville and Cauis Colleges, Cambridge during a period when Nathan was too ill to attend events and regarding the United Nations sub- commission on human right at Geneva. [The CCJO is a NGO (Non-Governmental Organisation) with consultative status II at UNESCO (the United National Education, Scientific and Cultural Organisation)] 2/1 Papers, including: Jan -Aug 1998 arrangements -
HBO and the HOLOCAUST: CONSPIRACY, the HISTORICAL FILM, and PUBLIC HISTORY at WANNSEE Nicholas K. Johnson Submitted to the Facul
HBO AND THE HOLOCAUST: CONSPIRACY, THE HISTORICAL FILM, AND PUBLIC HISTORY AT WANNSEE Nicholas K. Johnson Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Master of Arts in the Department of History, Indiana University December 2016 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Master of Arts. Master’s Thesis Committee __________________________________ Raymond J. Haberski, Ph.D., Chair __________________________________ Thorsten Carstensen, Ph.D. __________________________________ Kevin Cramer, Ph.D. ii Acknowledgements First, I would like to thank the members of my committee for supporting this project and offering indispensable feedback and criticism. I would especially like to thank my chair, Ray Haberski, for being one of the most encouraging advisers I have ever had the pleasure of working with and for sharing his passion for film and history with me. Thorsten Carstensen provided his fantastic editorial skills and for all the times we met for lunch during my last year at IUPUI. I would like to thank Kevin Cramer for awakening my interest in German history and for all of his support throughout my academic career. Furthermore, I would like to thank Jason M. Kelly, Claudia Grossmann, Anita Morgan, Rebecca K. Shrum, Stephanie Rowe, Modupe Labode, Nancy Robertson, and Philip V. Scarpino for all the ways in which they helped me during my graduate career at IUPUI. I also thank the IUPUI Public History Program for admitting a Germanist into the Program and seeing what would happen. I think the experiment paid off. -
Operation Valkyrie
Operation Valkyrie Rastenburg, 20th July 1944 Claus Philipp Maria Schenk Graf von Stauffenberg (Jettingen- Scheppach, 15th November 1907 – Berlin, 21st July 1944) was a German army officer known as one of the leading officers who planned the 20th July 1944 bombing of Hitler’s military headquarters and the resultant attempted coup. As Bryan Singer’s film “Valkyrie”, starring Tom Cruise as the German officer von Stauffenberg, will be released by the end of December, SCALA is glad to present you the story of the 20 July plot through the historical photographs of its German collections. IClaus Graf Schenk von Stauffenberg 1934. Cod. B007668 2 Left: Carl and Nina Stauffenbergs’s wedding, 26th September 1933. Cod.B007660. Right: Claus Graf Schenk von Stauffenberg. 1934. Cod. B007663 3 Although he never joined the Nazi party, Claus von Stauffenberg fought in Africa during the Second World War as First Officer. After the explosion of a mine on 7th March 1943, von Stauffenberg lost his right hand, the left eye and two fingers of the left hand. Notwithstanding his disablement, he kept working for the army even if his anti-Nazi believes were getting firmer day by day. In fact he had realized that the 3rd Reich was leading Germany into an abyss from which it would have hardly risen. There was no time to lose, they needed to do something immediately or their country would have been devastated. Claus Graf Schenk von Stauffenberg (left) with Albrecht Ritter Mertz von Quirnheim in the courtyard of the OKH-Gebäudes in 4 Bendlerstrasse. Cod. B007664 The conspiracy of the German officers against the Führer led to the 20th July attack to the core of Hitler’s military headquarters in Rastenburg. -
American Intelligence and the Question of Hitler's Death
American Intelligence and the Question of Hitler’s Death Undergraduate Research Thesis Presented in partial fulfillment of the requirements for graduation with honors research distinction in History in the Undergraduate colleges of The Ohio State University by Kelsey Mullen The Ohio State University November 2014 Project Advisor: Professor Alice Conklin, Department of History Project Mentor: Doctoral Candidate Sarah K. Douglas, Department of History American Intelligence and the Question of Hitler’s Death 2 Introduction The fall of Berlin marked the end of the European theatre of the Second World War. The Red Army ravaged the city and laid much of it to waste in the early days of May 1945. A large portion of Hitler’s inner circle, including the Führer himself, had been holed up in the Führerbunker underneath the old Reich Chancellery garden since January of 1945. Many top Nazi Party officials fled or attempted to flee the city ruins in the final moments before their destruction at the Russians’ hands. When the dust settled, the German army’s capitulation was complete. There were many unanswered questions for the Allies of World War II following the Nazi surrender. Invading Russian troops, despite recovering Hitler’s body, failed to disclose this fact to their Allies when the battle ended. In September of 1945, Dick White, the head of counter intelligence in the British zone of occupation, assigned a young scholar named Hugh Trevor- Roper to conduct an investigation into Hitler’s last days in order to refute the idea the Russians promoted and perpetuated that the Führer had escaped.1 Major Trevor-Roper began his investigation on September 18, 1945 and presented his conclusions to the international press on November 1, 1945. -
Avner Less (1916-1987): Das Verhör Von Adolf Eichmann
Newsletter 37 +++ Februar 2013 Haus der Wannsee-Konferenz Gedenkveranstaltung anlässlich des 71. Jahrestages der Wannsee-Konferenz von 1942 am 19. Januar 2013 im ver.di-Bildungszentrum Clara Sahlberg, Berlin-Wannsee *) Avner Less (1916-1987): Das Verhör von Adolf Eichmann Bettina Stangneth und Alon Less im Gespräch mit Norbert Kampe Norbert Kampe: Ich begrüße Sie herzlich anlässlich des heutigen Gedenktages zum 71. Jahrestag der Wannsee-Konferenz vom 20. Januar 1942. Ganz besonders begrüße ich heute unsere beiden Gäste. Frau Dr. Bettina Stangneth, Jahrgang 1966, hat in Hamburg Philosophie studiert und promovierte 1997 mit einer Arbeit über Immanuel Kant. Im Jahr 2000 verlieh ihr die Philosophisch-Politische Akademie den ersten Preis für ihre Arbeit zum Antijudaismus bei Kant. Ihr Buch »Eichmann vor Jerusalem« hat eine große Beachtung gefunden, es wurde mit dem NDR-Kultursachbuch-Preis 2011 ausgezeichnet. Es ist gerade eine niederländische Übersetzung erschienen, die englische Ausgabe erscheint demnächst. Gestützt auf akribische Archivrecherchen hat Frau Stangneth das Leben und die öffentliche Wirkung des Judenreferenten im Reichssicherheitshauptamt Adolf Eichmann bis zu seinem Prozess in Jerusalem 1961 in seinem Fluchtland Argentinien beschrieben. Seine Äußerungen in Argentinien im Kreise von Gesinnungsgenossen zeigen ihn als ungebrochenen, überzeugten Nationalsozialisten und Antisemiten, der stolz auf seine führende Rolle bei der Ermordung der europäischen Juden war. Im Kontrast zu Eichmanns Lügentheater als kleiner, etwas minder begabter subalterner Bürokrat, das er im Prozess in Jerusalem vorgespielt hat, hat Frau Stangneth ein einzigartiges Psychogramm dieses notorischen Lügners erarbeitet. Der Titel des Buches »Eichmann vor Jerusalem« ist natürlich eine Anspielung auf Hannah Arendts berühmtes Buch »Eichmann in Jerusalem«. Der gerade in deutschen Kinos angelaufene Film über Hannah Arendt hat gerade diese Lebensphase der Philosophin zum Thema. -
Alexander Kluge Raw Materials for the Imagination
FILM CULTURE IN TRANSITION Alexander Kluge Raw Materials for the Imagination EDITED BY TARA FORREST Amsterdam University Press Alexander Kluge Alexander Kluge Raw Materials for the Imagination Edited by Tara Forrest Front cover illustration: Alexander Kluge. Photo: Regina Schmeken Back cover illustration: Artists under the Big Top: Perplexed () Cover design: Kok Korpershoek, Amsterdam Lay-out: japes, Amsterdam isbn (paperback) isbn (hardcover) e-isbn nur © T. Forrest / Amsterdam University Press, All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Every effort has been made to obtain permission to use all copyrighted illustra- tions reproduced in this book. Nonetheless, whosoever believes to have rights to this material is advised to contact the publisher. For Alexander Kluge …and in memory of Miriam Hansen Table of Contents Introduction Editor’s Introduction Tara Forrest The Stubborn Persistence of Alexander Kluge Thomas Elsaesser Film, Politics and the Public Sphere On Film and the Public Sphere Alexander Kluge Cooperative Auteur Cinema and Oppositional Public Sphere: Alexander Kluge’s Contribution to G I A Miriam Hansen ‘What is Different is Good’: Women and Femininity in the Films of Alexander Kluge Heide -
DIE BRÜCKE Ein Film Von Bernhard Wicki
DIE BRÜCKE Ein Film von Bernhard Wicki Filmbegleitheft von Michael Schaudig unter Mitarbeit von Elisabeth Wicki-Endriss Bayerisches Staatsministerium für Unterricht und Kultus Impressum Gesamtverantwortung: Elisabeth Wicki-Endriss / Bernhard Wicki Gedächtnis Fonds e.V. Leitung der Jugendkinotage: Steffi Stadelmann, Marianne Falck Koordination im Bayerischen Staatsministerium für Unterricht und Kultus: Dr. Ernst Wagner Redaktion dieses Filmbegleitheftes: Steffi Stadelmann Lektorat: Steffi Stadelmann, Marianne Falck Autor dieses Filmbegleitheftes: Dr. Michael Schaudig unter Verwendung von Materialien des Filmbegleitheftes von Elisabeth Wicki-Endriss von 2004 Bildnachweis: Filmmuseum Berlin – Deutsche Kinemathek Filmstills: Dr. Michael Schaudig Layout und Satz: Wolfgang Perez Druck: Verband Druck und Medien Bayern 1. Auflage, München 2005 Printed in Germany ISSN 1860-1294 Vertrieb Bernhard Wicki Gedächtnis Fonds e.V. Pagodenburgstr. 2, 81247 München Tel.: 089 / 811 52 67, Fax: 089 / 81 08 93 45 E-Mail: [email protected] Homepage: www.bernhardwicki.de „Ich habe immer versucht, nicht Theorien und Leitsätze zu verkaufen, sondern Leben, weil ich glaube, dass das der einzige Weg ist, an Menschen heranzukommen, wenn sie sich in einem Stück Leben wiedererkennen.“ Bernhard Wicki DIE BRÜCKE Editorial »Jugendkinotage – Die Brücke« und Jugendfilmclubs Grenzen zu überwinden, eine gemeinsame Sprache zu sprechen, vor der Besorgnis erregenden Eskala- tion der Gewalt zu warnen, ist Bernhard Wickis Vermächtnis und Ziel des Bernhard Wicki Gedächtnis Fonds e.V. In unserer multinationalen und multikulturellen Gesellschaft, in der Ausgrenzungen an der Tagesordnung sind, will er Wegbegleiter für Heranwachsende sein, für deren Identitätsbildung und Willensentscheidung gegen jegliche Art von Gewalt und Verfolgung von Menschen anderer geistiger Prägung. »Film kann die Welt nicht verändern oder verbessern, er kann aber Stimmung schaffen.« (Bernhard Wicki) Das Medium Film besitzt eine enorme emotionale und suggestive Kraft. -
Bohemside | S. 30 Innterview | Anna Rosmus Über Die
"VAN GOGH – THE IMMERSIVE EXPERIENCE" AB DEZEMBER 2020 BIS 14. FEBRUAR 2021 TABAKFABRIK LINZ INNTERVIEW | VILSHOFENS BÜRGERMEISTER FLORIAN GAMS | S. 4 INNTERVIEW | ANNA ROSMUS ÜBER DIE DERZEITIGE STIMMUNG IN DEN USA | S. 6 WOIDSIDE | S. 22 BOHEMSIDE | S. 30 S. 34 29. Jahrgang | Ausgabe 10 | Dezember 2020 ANZEIGE 04 17 19 INHALT TITELTHEMEN WEITERE THEMEN 04 INNTERVIEW 09 GESUNDHEIT 34 11 UNI PASSAU Vilshofens Bürgermeister 12 BILDUNG Florian Gams 13 TH DEGGENDORF 40 14 PASSAU INNEN 06 INNTERVIEW 16 ORTENBURG Anna Rosmus über die 17 LINZ KÜNSTLERPORTRAIT 18 POCKING derzeitige Stimmung in den USA GABRIELE HENRICH 19 BAD FÜSSING 20 VERLOSUNG 22 WOIDSIDE 21 ARBERLAND 31 NIEDERBAYERN 30 BOHEMSIDE 33 EHRENAMT IN DER KRISE 46 RETRO INTRO WIR WÜNSCHEN ALLEN SPENDET FÜR DIE LEIDENDEN KINDER! „Die Waffenverkäufe der G20 und hier vor allem den Kindern, gerade jetzt in dieser schwierigen FROHE WEIHNACHTEN an Saudi-Arabien sind dreimal so hoch wie Zeit zu helfen. Deshalb bitten wir darum, neben den lokalen Hilfs- die Hilfe für den Jemen.“ (Oxfam) organisationen auch an Unicef zu spenden, die den Kindern im Jemen und überall in der Welt zur Seite stehen. Damit drücken wir „Laut „Charity“ haben die G20-Staaten seit dem Beitritt zum auch unseren Respekt für diese Arbeit aus. UND EIN BESONDERS Jemen-Krieg im Jahr 2015 Waffen im Wert von 17 Mrd. USD an Saudi-Arabien verkauft, aber nur ein Drittel dieses Betrags als Bank für Sozialwirtschaft Köln Hilfe bereitgestellt.“ (Al Jasira 17. November 2020) IBAN DE57 3702 0500 0000 3000 00 NEUES JAHR! Wenn man diese Nachricht zu Ende denkt, dann muss man BIC BFSWDE33XXX GESUNDES zum Schluss kommen, dass die Industriestaaten an diesem Oder unter unicef.de fürchterlichen Krieg verdienen. -
The Independent Producer: Michael Klinger and New Film History
RESEARCH ARTICLE Creativity and commerce: Michael Klinger and new film history Andrew Spicer* School of Creative Arts, University of the West of England, Bristol BS3 2JT, UK The crisis in film studies and history concerning their legitimacy and objectives has provoked a reinvigoration of scholarly energy in historical enquiry. „New film history‟ attempts to address the concerns of historians and film scholars by working self-reflexively with an expanded range of sources and a wider conception of „film‟ as a dynamic set of processes rather than a series of texts. The practice of new film history is here exemplified through a detailed case study of the independent British producer Michael Klinger (active 1961-1987) with a specific focus on his unsuccessful attempt to produce a war film, Green Beach, based on a memoir of the Dieppe raid (August 1942). This case study demonstrates the importance of analysing the producer‟s role in understanding the complexities of film-making, the continual struggle to balance the competing demands of creativity and commerce. In addition, its subject matter – an undercover raid and a Jewish hero – disturbed the dominant myths concerning the Second World War, creating what turned out to be intractable ideological as well as financial problems. The paper concludes that the concerns of film historians need to engage with broader cultural and social histories. Keywords: British film industry; film history; film producers; Second World War; Jewishness; Michael Klinger; Green Beach 1 *Email [email protected] The crisis in film studies, historiography, and new film history As a discipline, film studies is currently experiencing a crisis of legitimation.