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Sir Alan Parker Donates Working Archives to Bfi
SIR ALAN PARKER DONATES WORKING ARCHIVES TO BFI l-r: Sir Alan Parker with Madonna on set of Evita; with Mickey Rourke on Angel Heart; directing an Oliver Twist commercial; demonstrating custard pie technique on Bugsy Malone. Credit: BFI National Archive Friday 24th July 2015, London. Sir Alan Parker, one of Britain’s most distinguished filmmakers has donated his entire working archive to the BFI National Archive. The collection covers over 45 years of filmmaking, from his early work as a commercials director for television, through to his career as an internationally renowned, award-winning director of some of the finest films of the period, from Bugsy Malone (1976) and Midnight Express (1978) to Mississippi Burning (1988) and Angela’s Ashes (1999) interspersed with a string of hugely popular musicals including Fame (1980), Pink Floyd - The Wall (1982), The Commitments (1991) and Evita (1996). To celebrate the donation, BFI Southbank will host a Focus On Sir Alan Parker from 24 September to 4 October, including a special on stage event, Sir Alan Parker and Lord Puttnam Unplugged, on 24 September, and an exhibition of his work. The Sir Alan Parker archive covers every period of his career, starting with his work as an advertising copywriter. All of his features are represented, with a wealth of scripts, production papers, promotional materials, posters and Parker’s own filmmaking diaries, offering a hugely important resource for students of film and television. The archive also includes a particularly rich collection of photographs and production stills, by photographers including Greg Williams, Mary Ellen Mark, Terry O'Neill and David Appleby, documenting his films to an exceptional degree. -
TITLE New Teachers Packet. INSTITUTION Journalism Education Association
DOCUMENT RESUME A ED 451 550 CS 510 TITLE New Teachers Packet. INSTITUTION Journalism Education Association. PUB DATE 1998-04-00 NOTE 217p.; Prepared by the Journalism Education Curriculum/Development Committee, Jan Hensel, Chair. Contributors include: Candace Perkins Bowen, Michele Dunaway, Mary Lu Foreman, Connie Fulkerson, Pat Graff, Jan Hensel, RobMelton, Scoobie Ryan, and Valerie Thompson. PUB TYPE Guides Classroom Teacher (052) EDRS PRICE MF01/PC09 Plus Postage. DESCRIPTORS Curriculum Guides; Newspapers; Photojournalism; Production Techniques; Professional Associations; *Scholastic Journalism; School Publications; Secondary Education; Student Publications; Worksheets; Yearbooks ABSTRACT This packet of information for new scholastic journalism teachers (or advisers) compiles information on professional associations in journalism education, offers curriculum guides and general help, and contains worksheets and handouts. Sections of the packet are:(1) Professional Help (Journalism Education Association Information, and Other Scholastic Press Associations);(2) Curriculum Guides (Beginning Journalism, Electronic Publishing, Newspaper Production, and Yearbook Production);(3) General Helps (General Tips, Sample Publications Guidelines, Sample Ad Contract, and Sample Style Book); and (4) Worksheets and Handouts (materials cover General Journalism, Middle/Junior High, Newspaper, Photography, and Yearbook). (RS) Reproductions supplied by EDRS are the best that can be made from the original document. Journalism Education Association ma- Teackers -
Live in HD Film Streams Supporters Film
Film Streams Programming Calendar The Ruth Sokolof Theater . April – June 2010 v3.4 The Times of Harvey Milk 1984 © New Yorker Films/Photofest Out in Film June 3 – July 1, 2010 Word Is Out 1977 Law of Desire 1987 The Wedding Banquet 1993 The Times of Harvey Milk 1984 Mala Noche 1985 Longtime Companion 1989 High Art 1998 Prodigal Sons First-Run Happy Together 1997 © Kino/Photofest When it was released in the late 1970s, the documentary WORD IS OUT: and Wong Kar Wai (HAPPY TOGETHER) to ground- STORIES OF SOME OF OUR LIVES created a shockwave by talking openly breaking dramas (LONGTIME COMPANION, HIGH about lesbian and gay identity in America—decades before Ang Lee’s BROKE- ART) to pivotal documentaries such as THE TIMES BACK MOUNTAIN and Gus Van Sant’s MILK brought similar narratives to OF HARVEY MILK (an inspiration for Dustin Lance mainstream multiplexes. Presented in conjunction with LGBT Pride Month Black’s 2008 Oscar-winning script for MILK), Kim- 2010, our Out in Film series features a variety of artistically innovative films berly Reed’s autobiographical new film PRODIGAL relating in different ways to the lesbian, gay, bisexual, and transgender experi- SONS, and a new UCLA restoration and Milestone ence—from early, important works by acclaimed directors Lee (THE WEDDING Films re-release of WORD IS OUT. BANQUET), Van Sant (MALA NOCHE), Pedro Almodóvar (LAW OF DESIRE), See reverse side of newsletter for full calendar of films and dates. Forever Young Family & Children’s Series Spring 2009 Chitty Chitty Bang Bang 1968 James and A Town Called Panic First-Run the Giant Peach 1996 Mary Poppins 1964 Tahaan 2009 The Secret of Kells First-Run Bugsy Malone 1976 This spring our Forever Young series for all ages features half a century of great cinema, from Julie Andrews’ Oscar-winning screen debut as MARY POPPINS 46 years ago to the 2010 Academy Award Nominee for Best Animat- ed Feature THE SECRET OF KELLS. -
The Life of David Gale
Wettbewerb/IFB 2003 THE LIFE OF DAVID GALE DAS LEBEN DES DAVID GALE THE LIFE OF DAVID GALE Regie:Alan Parker USA 2002 Darsteller David Gale Kevin Spacey Länge 131 Min. Bitsey Bloom Kate Winslet Format 35 mm, Constance Harraway Laura Linney Cinemascope Zack Stemmons Gabriel Mann Farbe Dusty Wright Matt Craven Braxton Belyeu Leon Rippy Stabliste Berlin Rhona Mitra Buch Charles Randolph Nico Melissa McCarthy Kamera Michael Seresin Duke Grover Jim Beaver Kameraführung Mike Proudfoot Barbara Kreuster Cleo King Edward J.Adcock A.J.Roberts Constance Jones Kameraassistenz Bill Coe Joe Mullarkey Lee Ritchey Schnitt Gerry Hambling Jamie Gale Noah Truesdale Ton David McMillan Greer Chuck Cureau Musik Alex Parker Ross Sean Hennigan Jake Parker John Charles Sanders Production Design Geoffrey Kirkland Talkmaster Marco Perella Ausstattung Steve Arnold Gouverneur Hardin Michael Crabtree Jennifer Williams Sharon Gale Elizabeth Gast Requisite Don Miloyevich Laura Linney, Kevin Spacey Universitätspräsident Cliff Stephens Kostüm Renée Ehrlich Kalfus Maske Sarah Monzani Regieassistenz K.C.Hodenfield DAS LEBEN DES DAVID GALE Casting Juliet Taylor Dr.David Gale ist Professor an einer texanischen Universität – ein liebevoller Howard Feuer Vater und anerkannter Akademiker, der aus seinen Überzeugungen nie ein Herstellungsltg. David Wimbury Hehl gemacht hat. Dr. Gale ist ein engagierter Gegner der Todesstrafe und Produktionsltg. Alma Kuttruff als solcher wird er weithin respektiert. Doch dann geschieht das Unfassba- Produzenten Alan Parker Nicolas Cage re: Er wird angeklagt, Constance Harraway, eine junge Mitstreiterin, die ihn Executive Producers Moritz Borman in seinem Kampf um das Leben eines Verurteilten unterstützt hat, verge- Guy East waltigt und ermordet zu haben. Der Richter verurteilt ihn zum Tode. -
It's a Wonderful Life
NOVEMBER/DECEMBER 2017 It’s A Wonderful Life THE FLORIDA PROJECT | CINEMASTERS: THE COEN BROTHERS FILM STARS DON’T DIE IN LIVERPOOL | BFI: THRILLER THE KILLING OF A SACRED DEER | FRENCH FILM FESTIVAL GLASGOWFILM.ORG cinema for all GFT is a hub for cultural engagement, education and skills development. As a registered charity (SC005932) we depend on the generosity of our wonderful audiences to help support the work that we do. Every donation big or small can help make a real difference to the work of GFT. Go to: glasgowfilm.org/support-us and click DONATE Text ‘GFTD17’ + £1, £2, £3, £4, £5 or £10 to 70070 Give your donation at Box Office or Collection boxes in GFT. Your support will help us continue our rich variety of programmes and maintain Cinema for All. CINEMASTERS Take 2 FAMILY-FRIENDLY FILMS SOUND & VISION CONTENTS DIARY 6–10 The Killing of a Sacred Deer 15 78/52 21 Lawrence of Arabia - 70mm 19 The 2017 Jarman Award Touring The LEGO Ninjago Movie 12 44 Programme Lethal Weapon 43 Access Film Club: Patti Cake$ 45 The Lure 17 Access Film Club: Rare Exports 45 Manifesto: Live from Tate Modern 17 Babette’s Feast 39 Maze 23 The Ballad of Shirley Collins 22 Menashe 37 Battle of the Sexes 20 Miracle on 34th Street 13 Beach Rats 21 Mountain 37 The Big Heat 18 The Muppet Christmas Carol 12/14 The Bishop’s Wife 38 Murder on the Orient Express 39 Blade of the Immortal 38 Napping Princess 13 Blade Runner: The Final Cut 39 On the Road 22 Blade Runner 2049 39 Pyaasa 20 BRIDGIT / Adulteress 44 Predator 44 Brigsby Bear 24 The Prince of Nothingwood -
Crime Wave for Clara CRIME WAVE
Crime Wave For Clara CRIME WAVE The Filmgoers’ Guide to the Great Crime Movies HOWARD HUGHES Disclaimer: Some images in the original version of this book are not available for inclusion in the eBook. Published in 2006 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com In the United States and Canada distributed by Palgrave Macmillan, a division of St. Martin’s Press, 175 Fifth Avenue, New York NY 10010 Copyright © Howard Hughes, 2006 The right of Howard Hughes to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. The TCM logo and trademark and all related elements are trademarks of and © Turner Entertainment Networks International Limited. A Time Warner Company. All rights reserved. © and TM 2006 Turner Entertainment Networks International Limited. ISBN 10: 1 84511 219 9 EAN 13: 978 1 84511 219 6 A full CIP record for this book is available from the British Library A full CIP record for this book is available from the Library of Congress Library of Congress catalog card: available Typeset in Ehrhardt by Dexter Haven Associates Ltd, London Printed and bound in Great Britain by TJ International, -
GET LOW Directed by Aaron Schneider
2 GET LOW Directed by Aaron Schneider Screenplay by Chris Provenzano & C. Gaby Mitchell A Sony Pictures Classics Release Official Selection: 2009 Toronto International Film Festival 2010 Sundance Film Festival | 2010 South by Southwest Film Festival 2010 Tribeca Film Festival Screen Actors Guild Awards® Nominee, Robert Duvall - Outstanding Performance by a Male Actor in a Leading Role Running Time: 100 Minutes | Rated PG-13 US Release Date: July 30th East Coast Publicity West Coast Publicity Distributor Hook Publicity Block Korenbrot Sony Pictures Classics Jessica Uzzan Melody Korenbrot Carmelo Pirrone Mary Ann Hult Rebecca Fisher Lindsay Macik [email protected] 110 S. Fairfax Ave, #310 550 Madison Ave [email protected] Los Angeles, CA 90036 New York, NY 10022 917-653-6122 tel 323-634-7001 tel 212-833-8833 tel 3 323-634-7030 fax 212-833-8844 fax Synopsis reputation, but what he discovers is that behind Felix‘s surreal plan lies a very real and long-held secret that must get out. As Get Low is inspired by the true story of Felix ―Bush‖ the funeral approaches, the mystery– which involves the Breazeale, who attracted national attention and the largest widow Mattie Darrow (Sissy Spacek), the only person in town crowd to assemble up to that date when he threw himself a who ever got close to Felix, and the Illinois preacher Charlie living funeral party in 1938 in Roane County, Tennessee. Jackson (Bill Cobbs), who refuses to speak at his former friend‘s funeral – only deepens. But on the big day, Felix is in For years, townsfolk have been terrified of the backwoods no mood to listen to other people spinning made-up anecdotes recluse known as Felix Bush (Robert Duvall). -
DP a LE COMPLEXE.Indd 1 18/04/11 17:01:47 the Beaver
DP A LE COMPLEXE.indd 1 18/04/11 17:01:47 THE BEAVER SUMMIT INTERNATIONAL PUBLICITY CONTACTS: DP A LE COMPLEXE.indd 2 18/04/11 17:01:47 Summit Entertainment and Participant Media Present in Association with Imagenation Abu Dhabi An Anonymous Content Production THE BEAVER French title : LE COMPLEXE DU CASTOR Starring MEL GIBSON JODIE FOSTER ANTON YELCHIN JENNIFER LAWRENCE, CHERRY JONES Written by KYLE KILLEN Directed by JODIE FOSTER Produced by STEVE GOLIN KEITH REDMON ANN RUARK Executive Producers JEFF SKOLL MOHAMMED MUBARAK AL MAZROUEI PAUL GREEN JONATHAN KING SUMMIT ENTERTAINMENT 1630 Stewart St. - Ste. 120 - Santa Monica, CA 90404 Tel: +1 310 309 8400 - Fax: +1 310 828 4132 - Website: http://www.summit-ent.com SUMMIT INTERNATIONAL PUBLICITY CONTACTS: JILL JONES: e: [email protected] - Tel: 310.309.8435 MELISSA MARTINEZ: e: [email protected] - Tel: 310.309.8436 ASMEETA NARAYAN: e: [email protected] - Tel: 310.309.8453 DP A LE COMPLEXE.indd 3 18/04/11 17:01:48 SYNOPSIS 3 DP A LE COMPLEXE.indd 4 18/04/11 17:01:48 SYNOPSIS Two-time Academy Award® winner Jodie Foster directs and co-stars with two- time Academy Award® winner Mel Gibson in The Beaver – an emotional story about a man on a journey to re-discover his family and re-start his life. Plagued by his own demons, Walter Black was once a successful toy executive and family man who now suffers from depression. No matter what he tries, Walter can’t seem to get himself back on track…until a beaver hand puppet enters his life. -
Birdy Film Assignment
Birdy Film Assignment Birdy is a 1984 American drama film directed by Alan Parker. It is based on William Wharton's novel of the same name. The film is set in the Vietnam War era whereas the book takes place during World War II. Cast Birdy -Matthew Modine Al Columbato -Nicolas Cage Dr. Weiss - John Harkins Mr. Columbato -Sandy Baron Hannah Rourke -Karen Young Renaldi -Bruno Kirby Mrs. Prevost -Nancy Fish Birdy's Father - George Buck Birdy's Mother -Dolores Sage Joe Sagessa -Pat Ryan Mario Columbato - James Santini Doris Robinson -Maud Winchester Ronsky -Marshall Bell Rosanne -Elizabeth Whitcraft Shirley -Sandra Beall Claire -Victoria Nekko Mrs. Columbato -Crystal Field Mr. Kohler -John Brumfeld Synopsis http://www.rogerebert.com/reviews/birdy-1984 The movie is about two friends from South Philadelphia. One of them, Al, played by Nicolas Cage, is a slick Romeo with a lot of self-confidence and a way with the women. The other, nicknamed Birdy (Matthew Modine) is goofy, withdrawn, and absolutely fascinated with birds. As kids, they are inseparable friends. In high school, they begin to grow apart, separated by their individual quests for two different kinds of birds. But they still share adventures, as Birdy hangs upside-down from elevated tracks to capture pigeons, or constructs homemade wings that he hopes will let him fly. Then the war comes. Both boys serve in Vietnam and both are wounded. Cage's face is disfigured, and he wears a bandage to cover the scars. Modine's wounds are internal: He withdraws entirely into himself and stops talking. -
Foster, Jodie (B
Foster, Jodie (b. 1962) by Victoria Shannon Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2008 glbtq, Inc. Jodie Foster at the Reprinted from http://www.glbtq.com premiere of the film The Brave One in Berlin, One of the most accomplished film actresses of her generation, Jodie Foster has been Germany in 2007. Photograph by Franz a glbtq icon for decades, though only recently has she acknowledged her lesbianism. Richter. Image appears under the No other contemporary actress has generated as much interest in her personal life as Creative Commons Foster, an interest intensified by her steadfast refusal to discuss her private life in Attribution ShareAlike interviews. For years, with her lesbianism an open secret in the film industry, the gay license v. 2.5. press demanded--to no avail--that she come out publicly. Foster's tomboyish roles as a child and her strong female protagonist roles as an adult fueled speculation as to her sexuality, especially among her numerous lesbian fans. Occasionally, pictures surfaced of Foster and her live-in companion for many years, producer Cydney Bernard, with Foster's children; and although the couple did not attend premieres or award shows together in the United States, they did so frequently in France. Moreover, in a couple of interviews, Foster spoke of her "partner" without explaining exactly what that role entailed. In December 2007, at Hollywood Reporter's "Women in Entertainment" event, after accepting the Sherry Lansing Leadership Award, which recognized her prominence in the film industry, Foster finally acknowledged her partner of fifteen years, paying tribute to ". -
The Spectator
Michael Seresin claims, rather modestly, to “have no palate”, choosing instead to describe wine with light, colour and form. These are not your typical winemaker’s terms, but they make perfect sense given his unusual back story. Born and raised in New Zealand Seresin emigrated to Europe in 1966 to pursue a career in cinematography. Movie buffs will know what happened next—Seresin, in his own words, “did really well, really quickly”, making a name for himself with series of Alan Parker Flicks: Bugsy Malone, Midnight Express, Fame. It was during this period that he leased a house in Italy—still his “favourite country in the world”—and fell in love with wine. “We were surrounded by winemaking families, many of whom had been there for generations—I really loved the cultural life round there. That’s what made me think there was something magical about growing grapes.” Many of Seresin’s neighbouring vintners were also skilled musicians and painters and, inspired by the seamless blend of winemaking and the arts, he briefly considered setting up stall in Italy. “But then I thought, I’m not businessman—I’m just not smart enough.” He eventually decided to buy a small pocket of land—around 70 hectaress—in the Wairau Valley back in New Zealand. The first vines were planted in 1992, and the Seresin Estate’s first vintage was bottle four years later. Today, the company comprises three vineyards—the original one, “Home”, Raupo Creek and Tatou— totalling 160 hectares, roughly the same area as Regent’s Park. All three are certified organic and biodynamic, and tended to by hand. -
Quota Films Limited
Quota Films Limited ~~~ A Documentary by Robin Dutta and Vinod Mahindru Running Time: 101 mins Quota Films Limited 49 Skyline, 165 Granville Street, Birmingham B1 1JW, UK www.WhoKilledBritishCinema.com [email protected] +44 (0) 7939 332644 "The documentary they don't want you to see!" SYNOPSIS A feature length documentary about the real state of the British film industry in relation to UK structures past, present and currently for the future. This film exposes the shocking truths about the UK Governments’ will to grow an indigenous British film industry, the legacy and testament of the now closed UK Film Council (UKFC), the current British Film Institute and the new Creative England. Purely in respect of the public money spent, this film challenges the notion that art is unquantifiable, highlights the question of the ‘jobs for the boys’ culture that exists in Britain, and questions the importance of a sustainable indigenous film culture that truly reflects Britain and which can be sold all over the World. The lack of any vertically integrated studio set up in Britain, the tax incentives for filmmakers alongside the virtual print fees are just some of the arguments put forward in this analysis, until the final revelation of why Britain does not want a film industry! Interviews with Oscar, BAFTA and Palme d’Or winners, up and coming British film makers from the grass roots, film industry insiders, journalists and distributors, the CNC and members of Parliament all form to unveil an astonishing polemic as to why no UK Government since Prime Minister Harold Wilson has attempted to activate any real sustainable change.