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Sir Alan Parker Donates Working Archives to Bfi
SIR ALAN PARKER DONATES WORKING ARCHIVES TO BFI l-r: Sir Alan Parker with Madonna on set of Evita; with Mickey Rourke on Angel Heart; directing an Oliver Twist commercial; demonstrating custard pie technique on Bugsy Malone. Credit: BFI National Archive Friday 24th July 2015, London. Sir Alan Parker, one of Britain’s most distinguished filmmakers has donated his entire working archive to the BFI National Archive. The collection covers over 45 years of filmmaking, from his early work as a commercials director for television, through to his career as an internationally renowned, award-winning director of some of the finest films of the period, from Bugsy Malone (1976) and Midnight Express (1978) to Mississippi Burning (1988) and Angela’s Ashes (1999) interspersed with a string of hugely popular musicals including Fame (1980), Pink Floyd - The Wall (1982), The Commitments (1991) and Evita (1996). To celebrate the donation, BFI Southbank will host a Focus On Sir Alan Parker from 24 September to 4 October, including a special on stage event, Sir Alan Parker and Lord Puttnam Unplugged, on 24 September, and an exhibition of his work. The Sir Alan Parker archive covers every period of his career, starting with his work as an advertising copywriter. All of his features are represented, with a wealth of scripts, production papers, promotional materials, posters and Parker’s own filmmaking diaries, offering a hugely important resource for students of film and television. The archive also includes a particularly rich collection of photographs and production stills, by photographers including Greg Williams, Mary Ellen Mark, Terry O'Neill and David Appleby, documenting his films to an exceptional degree. -
Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
PER CALUM Middelbart Efter at »Birdy« Var Blevet Vist I Can På Pigen Og Hvor Birdy Blot Siger: Hva’
PER CALUM middelbart efter at »Birdy« var blevet vist i Can på pigen og hvor Birdy blot siger: hva’. Lige som han i nes, kom filmens nu 41-årige instruktør Alan Par slutningen også siger: hva’. Han er en selvisk fyr, hans type U ker til København, hvor jeg mødte ham over en behøver ikke verden, og derfor accepterer de ikke, at de skal frokost sammen med Columbia-Fox’ danske pressechef,bidrage med noget til denne verden. De kræver hele tiden Elisabeth Lindberg, og efter de indledende forpostfægtnin selvisk, men ikke falsk. ger kunne Alan Parker berette at: Jeg ville ikke hverken have en traditionel happy ending - Modtagelsen i Cannes var fantastisk. Jeg siger det ikke eller hvad vi før snakkede om, så jeg rettede mig efter hvad for at lave reklame for filmen, men vi havde en meget fin jeg fandt var forløbets sandhed og holdt ham alligevel i live response i Cannes. Ingen kan huske noget lignende. - og så kan jeg i øvrigt godt lide til slut at sige, hold nu op, Af den ene eller anden grund var de glade, ja begejstrede det er jo bare en film, ikke livet selv. Det er kun Jean-Luc for filmen. Og jeg er ellers blevet dårligt behandlet i Cannes, Godard, der mener film er mere væsentlige end livet. Det af kritikerne, jeg tænker på »Midnight Express«, kritikerne er jo kun billeder. Men den engelske minearbejderstrejke hadede virkelig den film, så man har nok syntes det var derimod, det er liv og død, og jeg er bange for at vi i de synd for mig. -
TITLE New Teachers Packet. INSTITUTION Journalism Education Association
DOCUMENT RESUME A ED 451 550 CS 510 TITLE New Teachers Packet. INSTITUTION Journalism Education Association. PUB DATE 1998-04-00 NOTE 217p.; Prepared by the Journalism Education Curriculum/Development Committee, Jan Hensel, Chair. Contributors include: Candace Perkins Bowen, Michele Dunaway, Mary Lu Foreman, Connie Fulkerson, Pat Graff, Jan Hensel, RobMelton, Scoobie Ryan, and Valerie Thompson. PUB TYPE Guides Classroom Teacher (052) EDRS PRICE MF01/PC09 Plus Postage. DESCRIPTORS Curriculum Guides; Newspapers; Photojournalism; Production Techniques; Professional Associations; *Scholastic Journalism; School Publications; Secondary Education; Student Publications; Worksheets; Yearbooks ABSTRACT This packet of information for new scholastic journalism teachers (or advisers) compiles information on professional associations in journalism education, offers curriculum guides and general help, and contains worksheets and handouts. Sections of the packet are:(1) Professional Help (Journalism Education Association Information, and Other Scholastic Press Associations);(2) Curriculum Guides (Beginning Journalism, Electronic Publishing, Newspaper Production, and Yearbook Production);(3) General Helps (General Tips, Sample Publications Guidelines, Sample Ad Contract, and Sample Style Book); and (4) Worksheets and Handouts (materials cover General Journalism, Middle/Junior High, Newspaper, Photography, and Yearbook). (RS) Reproductions supplied by EDRS are the best that can be made from the original document. Journalism Education Association ma- Teackers -
Live in HD Film Streams Supporters Film
Film Streams Programming Calendar The Ruth Sokolof Theater . April – June 2010 v3.4 The Times of Harvey Milk 1984 © New Yorker Films/Photofest Out in Film June 3 – July 1, 2010 Word Is Out 1977 Law of Desire 1987 The Wedding Banquet 1993 The Times of Harvey Milk 1984 Mala Noche 1985 Longtime Companion 1989 High Art 1998 Prodigal Sons First-Run Happy Together 1997 © Kino/Photofest When it was released in the late 1970s, the documentary WORD IS OUT: and Wong Kar Wai (HAPPY TOGETHER) to ground- STORIES OF SOME OF OUR LIVES created a shockwave by talking openly breaking dramas (LONGTIME COMPANION, HIGH about lesbian and gay identity in America—decades before Ang Lee’s BROKE- ART) to pivotal documentaries such as THE TIMES BACK MOUNTAIN and Gus Van Sant’s MILK brought similar narratives to OF HARVEY MILK (an inspiration for Dustin Lance mainstream multiplexes. Presented in conjunction with LGBT Pride Month Black’s 2008 Oscar-winning script for MILK), Kim- 2010, our Out in Film series features a variety of artistically innovative films berly Reed’s autobiographical new film PRODIGAL relating in different ways to the lesbian, gay, bisexual, and transgender experi- SONS, and a new UCLA restoration and Milestone ence—from early, important works by acclaimed directors Lee (THE WEDDING Films re-release of WORD IS OUT. BANQUET), Van Sant (MALA NOCHE), Pedro Almodóvar (LAW OF DESIRE), See reverse side of newsletter for full calendar of films and dates. Forever Young Family & Children’s Series Spring 2009 Chitty Chitty Bang Bang 1968 James and A Town Called Panic First-Run the Giant Peach 1996 Mary Poppins 1964 Tahaan 2009 The Secret of Kells First-Run Bugsy Malone 1976 This spring our Forever Young series for all ages features half a century of great cinema, from Julie Andrews’ Oscar-winning screen debut as MARY POPPINS 46 years ago to the 2010 Academy Award Nominee for Best Animat- ed Feature THE SECRET OF KELLS. -
Malcolm X Tribute Focuses on Black Pride
Professor Plank: No 'communist conspiracy' in El Salvador By Joseph T. Whiting Salvador and Honduras, have a lot of peasants. The News Editor military-based oligarchy. The system of the "four- average yearly income in El Salvador is $174, while teen families" has control over most of the wealth The best way for the United States to deal with some personal fortunes are as high as $500 million. in El Salvador. There are actually more than four- the problem of intervention in Central America is to Plank said. teen families involved, but there is still a very small "first acknowledge the independence and maturity Plank began his presentation by saying: "If minority controlling most of the wealth there. Plank of the Latin American states," John Plank, a what people like Reagan, Haig and (U.S. Senator) said. UConn political science professor said here Thur- Helms want the public to believe is true, then what Since the Reagan administration took office, sday. their attitude toward Central America has been "It would be a gross misreading to think that in- "Any problems in El Salvador will have that El Salvador is "the cutting edge of Soviet im- ternational communist conspiracy has much to do perialism in the Western Hemisphere," Plank with the situation in El Salvador." Plank said. to be solved by the Salvadorans said. He also said that since the Truman Doctrine Plank, a top official in the State Department them selves..." of 1948. the United States has been hindering during the 1960's, spent much time in Central and developmental policy with Cold War concerns. -
Space Resources for Teachers, Space Science, a Guide Outlining Understandings, Fundamental Concepts, and Activities
DOCUMENT RESUME ED 040 047 SE 008 196 !,,ITHOR Thompson, Malcolm TTI,Lr Space Resources for Teachers,Space Science, A Guide Outlining Understandings, FundamentalConcepts, and Activities. INSTITUTION Columbia Univ., New York,N.Y.; National Aeronautics and Space Administration, NewYork, N. Y. Goddard Inst. for Space Studies. PUB DATE 69 NOTE 145p. AVAILABLE FROM Superintendent of Documents,U.S. Government Printing Office, Washington,D.C. 20402 (0-358-779, $2.00) 'DRS PRICE EDRS Price MF -$0.75 HC Not Availablefrom EDRS. DESCRIPTORS *Aerospace Technology, AnnotatedBibliographies, *Astronomy, *College Science,*Instructional Materials, Physical Sciences,Science Activities, *Secondary School Science, TeachingGuides ABSTRACT This instructional andresource guide is designedso that it may be used in thesecondary school or in the firsttwo years of college to presenta series of units in space science,or to supplement existing science andmathematics courses. The guide consists of six units:(1) mea.surement, distance, andsize in astronomy,(2) atoms, spectra, andstars,(3) atomic nuclei and stars,(4) the solar system, (5) the originand evaluation of life, and (6) motion, rockets and gravity.Each unit is divided into the following parts: (a) a list of understandings thata student should have after completing study ofthe unit, (b) a topical outline of the material in the unit, withexpositions, tables, demonstrations,and activities inserted when appropriate,(0 a list of sample questions, (d) problems and projects forfurther exploration,(e) audiovisual aids, (f) an annotated teacher bibliography and (g) an annotated student bibliography. Each of theunits is basically self-contained. However, in general they require additionalknowledge which may be obtained by a study of the earlierunits, from the context of another course, or by a study of the material listedin the bibliographies. -
Bad Lawyers in the Movies
Nova Law Review Volume 24, Issue 2 2000 Article 3 Bad Lawyers in the Movies Michael Asimow∗ ∗ Copyright c 2000 by the authors. Nova Law Review is produced by The Berkeley Electronic Press (bepress). https://nsuworks.nova.edu/nlr Asimow: Bad Lawyers in the Movies Bad Lawyers In The Movies Michael Asimow* TABLE OF CONTENTS I. INTRODUCTION .............................................................................. 533 I. THE POPULAR PERCEPTION OF LAWYERS ..................................... 536 El. DOES POPULAR LEGAL CULTURE FOLLOW OR LEAD PUBLIC OPINION ABOUT LAWYERS? ......................................................... 549 A. PopularCulture as a Followerof Public Opinion ................ 549 B. PopularCulture as a Leader of Public Opinion-The Relevant Interpretive Community .......................................... 550 C. The CultivationEffect ............................................................ 553 D. Lawyer Portrayalson Television as Compared to Movies ....556 IV. PORTRAYALS OF LAWYERS IN THE MOVIES .................................. 561 A. Methodological Issues ........................................................... 562 B. Movie lawyers: 1929-1969................................................... 569 C. Movie lawyers: the 1970s ..................................................... 576 D. Movie lawyers: 1980s and 1990s.......................................... 576 1. Lawyers as Bad People ..................................................... 578 2. Lawyers as Bad Professionals .......................................... -
The Life of David Gale
Wettbewerb/IFB 2003 THE LIFE OF DAVID GALE DAS LEBEN DES DAVID GALE THE LIFE OF DAVID GALE Regie:Alan Parker USA 2002 Darsteller David Gale Kevin Spacey Länge 131 Min. Bitsey Bloom Kate Winslet Format 35 mm, Constance Harraway Laura Linney Cinemascope Zack Stemmons Gabriel Mann Farbe Dusty Wright Matt Craven Braxton Belyeu Leon Rippy Stabliste Berlin Rhona Mitra Buch Charles Randolph Nico Melissa McCarthy Kamera Michael Seresin Duke Grover Jim Beaver Kameraführung Mike Proudfoot Barbara Kreuster Cleo King Edward J.Adcock A.J.Roberts Constance Jones Kameraassistenz Bill Coe Joe Mullarkey Lee Ritchey Schnitt Gerry Hambling Jamie Gale Noah Truesdale Ton David McMillan Greer Chuck Cureau Musik Alex Parker Ross Sean Hennigan Jake Parker John Charles Sanders Production Design Geoffrey Kirkland Talkmaster Marco Perella Ausstattung Steve Arnold Gouverneur Hardin Michael Crabtree Jennifer Williams Sharon Gale Elizabeth Gast Requisite Don Miloyevich Laura Linney, Kevin Spacey Universitätspräsident Cliff Stephens Kostüm Renée Ehrlich Kalfus Maske Sarah Monzani Regieassistenz K.C.Hodenfield DAS LEBEN DES DAVID GALE Casting Juliet Taylor Dr.David Gale ist Professor an einer texanischen Universität – ein liebevoller Howard Feuer Vater und anerkannter Akademiker, der aus seinen Überzeugungen nie ein Herstellungsltg. David Wimbury Hehl gemacht hat. Dr. Gale ist ein engagierter Gegner der Todesstrafe und Produktionsltg. Alma Kuttruff als solcher wird er weithin respektiert. Doch dann geschieht das Unfassba- Produzenten Alan Parker Nicolas Cage re: Er wird angeklagt, Constance Harraway, eine junge Mitstreiterin, die ihn Executive Producers Moritz Borman in seinem Kampf um das Leben eines Verurteilten unterstützt hat, verge- Guy East waltigt und ermordet zu haben. Der Richter verurteilt ihn zum Tode. -
It's a Wonderful Life
NOVEMBER/DECEMBER 2017 It’s A Wonderful Life THE FLORIDA PROJECT | CINEMASTERS: THE COEN BROTHERS FILM STARS DON’T DIE IN LIVERPOOL | BFI: THRILLER THE KILLING OF A SACRED DEER | FRENCH FILM FESTIVAL GLASGOWFILM.ORG cinema for all GFT is a hub for cultural engagement, education and skills development. As a registered charity (SC005932) we depend on the generosity of our wonderful audiences to help support the work that we do. Every donation big or small can help make a real difference to the work of GFT. Go to: glasgowfilm.org/support-us and click DONATE Text ‘GFTD17’ + £1, £2, £3, £4, £5 or £10 to 70070 Give your donation at Box Office or Collection boxes in GFT. Your support will help us continue our rich variety of programmes and maintain Cinema for All. CINEMASTERS Take 2 FAMILY-FRIENDLY FILMS SOUND & VISION CONTENTS DIARY 6–10 The Killing of a Sacred Deer 15 78/52 21 Lawrence of Arabia - 70mm 19 The 2017 Jarman Award Touring The LEGO Ninjago Movie 12 44 Programme Lethal Weapon 43 Access Film Club: Patti Cake$ 45 The Lure 17 Access Film Club: Rare Exports 45 Manifesto: Live from Tate Modern 17 Babette’s Feast 39 Maze 23 The Ballad of Shirley Collins 22 Menashe 37 Battle of the Sexes 20 Miracle on 34th Street 13 Beach Rats 21 Mountain 37 The Big Heat 18 The Muppet Christmas Carol 12/14 The Bishop’s Wife 38 Murder on the Orient Express 39 Blade of the Immortal 38 Napping Princess 13 Blade Runner: The Final Cut 39 On the Road 22 Blade Runner 2049 39 Pyaasa 20 BRIDGIT / Adulteress 44 Predator 44 Brigsby Bear 24 The Prince of Nothingwood -
Bad Lawyers in the Movies
Nova Law Review Volume 24, Issue 2 2000 Article 3 Bad Lawyers in the Movies Michael Asimow∗ ∗ Copyright c 2000 by the authors. Nova Law Review is produced by The Berkeley Electronic Press (bepress). http://nsuworks.nova.edu/nlr Asimow: Bad Lawyers in the Movies Bad Lawyers In The Movies Michael Asimow* TABLE OF CONTENTS I. INTRODUCTION .............................................................................. 533 I. THE POPULAR PERCEPTION OF LAWYERS ..................................... 536 El. DOES POPULAR LEGAL CULTURE FOLLOW OR LEAD PUBLIC OPINION ABOUT LAWYERS? ......................................................... 549 A. PopularCulture as a Followerof Public Opinion ................ 549 B. PopularCulture as a Leader of Public Opinion-The Relevant Interpretive Community .......................................... 550 C. The CultivationEffect ............................................................ 553 D. Lawyer Portrayalson Television as Compared to Movies ....556 IV. PORTRAYALS OF LAWYERS IN THE MOVIES .................................. 561 A. Methodological Issues ........................................................... 562 B. Movie lawyers: 1929-1969................................................... 569 C. Movie lawyers: the 1970s ..................................................... 576 D. Movie lawyers: 1980s and 1990s.......................................... 576 1. Lawyers as Bad People ..................................................... 578 2. Lawyers as Bad Professionals .......................................... -
Collection of Research Materials for the HBO Television Series, from the Earth to the Moon, 1940-1997, Bulk 1958-1997
http://oac.cdlib.org/findaid/ark:/13030/kt8290214d No online items Finding Aid for the Collection of Research Materials for the HBO Television Series, From the Earth to the Moon, 1940-1997, bulk 1958-1997 Processed by Manuscripts Division staff; machine-readable finding aid created by Caroline Cubé © 2004 The Regents of the University of California. All rights reserved. 561 1 Finding Aid for the Collection of Research Materials for the HBO Television Series, From the Earth to the Moon, 1940-1997, bulk 1958-1997 Collection number: 561 UCLA Library, Department of Special Collections Manuscripts Division Los Angeles, CA Processed by: Manuscripts Division staff, 2004 Encoded by: Caroline Cubé © 2004 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Collection of Research Materials for the HBO Television Series, From the Earth to the Moon, Date (inclusive): 1940-1997, bulk 1958-1997 Collection number: 561 Creator: Home Box Office (Firm) Extent: 86 boxes (43 linear ft.) Repository: University of California, Los Angeles. Library. Dept. of Special Collections. Los Angeles, California 90095-1575 Abstract: From the earth to the moon was a Clavius Base/Imagine Entertainment production that followed the experiences of the Apollo astronauts in their mission to place a man on the moon. The collection covers a variety of subjects related to events and issues of the United States manned space flight program through Project Apollo and the history of the decades it covered, primarily the 1960s and the early 1970s. The collection contains books, magazines, unidentified excerpts from books and magazines, photographs, videorecordings, glass slides and audiotapes.