Sir Alan Parker Donates Working Archives to Bfi
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SLIPSTREAM A DATA RICH PRODUCTION ENVIRONMENT by Alan Lasky Bachelor of Fine Arts in Film Production New York University 1985 Submitted to the Media Arts & Sciences Section, School of Architecture & Planning in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE at the Massachusetts Institute of Technology September, 1990 c Massachusetts Institute of Technology, 1990 All Rights Reserved I Signature of Author Media Arts & Sciences Section Certified by '4 A Professor Glorianna Davenport Assistant Professor of Media Technology, MIT Media Laboratory Thesis Supervisor Accepted by I~ I ~ - -- 7 1Stephen A. Benton Chairperso,'h t fCommittee on Graduate Students OCT 0 4 1990 LIBRARIES iznteh Room 14-0551 77 Massachusetts Avenue Cambridge, MA 02139 Ph: 617.253.2800 MITLibraries Email: [email protected] Document Services http://libraries.mit.edu/docs DISCLAIMER OF QUALITY Due to the condition of the original material, there are unavoidable flaws in this reproduction. We have made every effort possible to provide you with the best copy available. If you are dissatisfied with this product and find it unusable, please contact Document Services as soon as possible. Thank you. Best copy available. SLIPSTREAM A DATA RICH PRODUCTION ENVIRONMENT by Alan Lasky Submitted to the Media Arts & Sciences Section, School of Architecture and Planning on August 10, 1990 in partial fulfillment of the requirements for the degree of Master of Science ABSTRACT Film Production has always been a complex and costly endeavour. Since the early days of cinema, methodologies for planning and tracking production information have been constantly evolving, yet no single system exists that integrates the many forms of production data. -
October 2019
FILMS RATED/CLASSIFIED From 01 Oct 2019 to 31 Oct 2019 Films and Trailers FILM TITLE DIRECTOR RUN TIME DATE APPROVED DESCRIPTION MEDIA NAME #AnneFrank. Parallel Stories Sabina Fedeli/Anna 2.07 22/10/2019 PG Trailer Migotto 1917 Sam Mendes 2.27 15/10/2019 M Trailer 3 From Hell Rob Zombie 115.49 18/10/2019 R18 Graphic violence, sexual violence, horror & offensive language Film - DCP Abominable Jill Culton, Todd 97 24/10/2019 G Film - DVD Wilderman Ad Astra James Gray 122.55 8/10/2019 M Violence, offensive language & content that may disturb Film - DVD Addams Family, The Greg Tiernan, 86.58 17/10/2019 PG Coarse language Film - DCP Conrad Vernon Aeronauts, The Tom Harper 100.23 8/10/2019 PG Film - DCP All at Sea Robert Young 88.2 10/10/2019 M Film - DCP Am Cu Ce Pride Hannah 19 25/10/2019 PG Offensive language Film - DCP Weissenborn André Rieu: 70 Years Young André Rieu and 1 15/10/2019 G Trailer Michael Wiseman Angel Has Fallen Ric Roman Waugh 121 7/10/2019 R16 Violence & offensive language Film - Harddrive Arctic Justice Aaron Woodley 92 24/10/2019 G Film - DCP Ardab Mutiyaran Manav Shah 139.3 15/10/2019 PG Violence & coarse language Film - DCP At Last Yiwei Liu 1.05 22/10/2019 M Trailer Badlands Terrence Malick 93.37 15/10/2019 M Violence Film - DCP Bala Amar Kaushik 2.47 22/10/2019 M Sexual references Trailer Barefoot Bandits, The: Behind the Voices Ryan Cooper, Alex 4.56 4/10/2019 G Film - DCP Leighton, Tim Evans Barefoot Bandits, The: Glow Your Own Way Comp Ryan Cooper, Alex 0.31 4/10/2019 G Film - DCP Leighton, Tim Evans For Further -
Malcolm's Video Collection
Malcolm's Video Collection Movie Title Type Format 007 A View to a Kill Action VHS 007 A View To A Kill Action DVD 007 Casino Royale Action Blu-ray 007 Casino Royale Action DVD 007 Diamonds Are Forever Action DVD 007 Diamonds Are Forever Action DVD 007 Diamonds Are Forever Action Blu-ray 007 Die Another Day Action DVD 007 Die Another Day Action Blu-ray 007 Dr. No Action VHS 007 Dr. No Action Blu-ray 007 Dr. No DVD Action DVD 007 For Your Eyes Only Action DVD 007 For Your Eyes Only Action VHS 007 From Russia With Love Action VHS 007 From Russia With Love Action Blu-ray 007 From Russia With Love DVD Action DVD 007 Golden Eye (2 copies) Action VHS 007 Goldeneye Action Blu-ray 007 GoldFinger Action Blu-ray 007 Goldfinger Action VHS 007 Goldfinger DVD Action DVD 007 License to Kill Action VHS 007 License To Kill Action Blu-ray 007 Live And Let Die Action DVD 007 Never Say Never Again Action VHS 007 Never Say Never Again Action DVD 007 Octopussy Action VHS Saturday, March 13, 2021 Page 1 of 82 Movie Title Type Format 007 Octopussy Action DVD 007 On Her Majesty's Secret Service Action DVD 007 Quantum Of Solace Action DVD 007 Quantum Of Solace Action Blu-ray 007 Skyfall Action Blu-ray 007 SkyFall Action Blu-ray 007 Spectre Action Blu-ray 007 The Living Daylights Action VHS 007 The Living Daylights Action Blu-ray 007 The Man With The Golden Gun Action DVD 007 The Spy Who Loved Me Action Blu-ray 007 The Spy Who Loved Me Action VHS 007 The World Is Not Enough Action Blu-ray 007 The World is Not Enough Action DVD 007 Thunderball Action Blu-ray 007 -
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Written evidence submitted by Professor Robert Beveridge FRSA The Digital Culture, Media and Sport Select Committee Inquiry into the Impact of Covid-19 on the DCMS Sector 1 What has been the immediate impact of Covid-19 on the sector? Devastating: especially in relation to the live creative arts, festivals, theatres, classical music etc. To quote the motto of the English monarch Edward III, ‘it is as it is’ but the sight of theatres going into administration eg the Leicester Haymarket and the Southampton Nuffield is a harbinger of worse to come. Who knows what will happen to venues and concert halls such as the Usher Hall in Edinburgh? If there is one area in which the UK can truly be said to have punched above it’s weight and established and maintained world class excellence, both critically and commercially, it is in the creative industries. This internationally recognised success –economic, cultural and artistic is now at severe risk. HMG has invested, (who knows how much?) in maintaining employment in the car industry in the North East of England so that Nissan can stay there. The creative industries deserve no less, indeed much more and investment now will secure many more jobs across the UK with wider benefits well beyond the economic. Taking the long view will produce future income in taxation from the many other businesses which benefit from having such a vibrant sector: hotels, restaurants, transport etc. Edinburgh hosts the largest are festival in the world, by some margin and it will not take place in 2020. The analysis provided by the Creative Industries Federation indicates the scale of current crisis. -
Film Appreciation Wednesdays 6-10Pm in the Carole L
Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced. -
Screendollars August 3, 2020 About Films, the Film Industry No
For Exhibitors Screendollars August 3, 2020 About Films, the Film Industry No. 128 Newsletter and Cinema Advertising God speed and fond remembrances to British filmmaker Alan Parker, who died on Friday at the age of 76. Parker made 15 features over his 25-year career from the mid-1970s through the early-2000’s. He demonstrated unmatched range in style and subject matter in his films, spanning a G-rated musical Bugsy Malone (1976) featuring an all children’s cast to the nearly X-rated voodoo horror film Angel Heart (1987) starring Mickey Rourke and Robert DeNiro. The thread throughout Parker’s films was that they were riveting, memorable and enjoyable creations. Alan Parker (1944 - 2020) Midnight Express Fame Angel Heart Mississippi Burning The Commitments Angela’s Ashes (1978) (1980) (1987) (1988) (1991) (1999) “People said, ‘You must have been so brave!’. I said, ‘No, just stupid’” - Alan Parker, on working with a large cast of children actors in Bugsy Malone (1976) Notable Industry News and Commentary (7/27-8/2) Lonely Daze: The Ties that Unwind (NY Times) This interesting analysis by Jason Zinoman of the NY Times explains why horror films are the perfect accompaniment to the COVID-19 pandemic. Isolation…check. Mysterious killer lurking in the shadows… check. When you’re feeling sad, listen to the blues so you’ll feel that you’re not the only one. When you feeling trapped by the current lockdown, visit the local drive-in to watch a horror film, parked alongside hundreds of other cars, sharing the same experience. If you’re an exhibitor or booker considering options for your Jamie Lee Curtis stars in Halloween, the Original Horror Classic upcoming film program, e-mail [email protected] Click to Play Screendollars Popcorn Previews to inquire about showing John Carpenter’s original Halloween. -
Not Showing at This Cinema
greenlit just before he died, was an adaptation of A PIN TO SEE THE NIGHT Walter Hamilton’s 1968 novel All the Little Animals, exploring the friendship between a boy and an THE PEEPSHOW CREATURES old man who patrols roads at night collecting the Dir: Robert Hamer 1949 Dir: Val Guest 1957 roadkill. Reeves prepared a treatment, locations Adaptation of a 1934 novel by F. Tennyson Jesse Robert Neville is the last man on earth after a were scouted and Arthur Lowe was to play the about a young woman wrongly convicted as an mysterious plague has turned the rest of the lead. Thirty years later the book was adapted for accomplice when her lover murders her husband; a population into vampires who swarm around his the screen and directed by Jeremy Thomas starring thinly fictionalised account of Edith Thompson and house every night, hungering for his blood. By day, John Hurt and Christian Bale. the Ilford Murder case of 1922. With Margaret he hunts out the vampires’ lairs and kills them Lockwood in the lead, this was something of a with stakes through the heart, while obsessively dream project that Robert Hamer tried to get off searching for an antidote and trying to work out the ground at Ealing. Despite a dazzling CV that the cause of his immunity. Richard Matheson wrote ISHTAR includes the masterpiece Kind Hearts and Coronets the screenplay for The Night Creatures for Hammer Dir: Donald Cammell 1971-73 (1949), Hamer was unable to persuade studio Films in 1957 based on his own hugely influential The co-director of Performance (1970), Cammell boss Michael Balcon to back the project. -
Introduction
INTRODUCTION This study guide attempts to trace the production process o1 the forthcoming film War of the Buttons' from its Conception to its release in the cinema. In tracing this route students are asked to carry out a number of tasks, many of which relate directly to decisions which have to be made during film production. Following the development of this one film we have tried to draw conclusions about the mainstream film making process. However, it is important to bear one thing in mind. As the production accountant for 'War of the Buttons', John Trehy points out: "Each and every feature film I've worked on is completely different from every other, and can only be looked on a as prototype. The production process is always difficult when you're dealing with prototypes and this often explains why so many films exceed their original budgets. 'How can you be a million or two dollars over?' - is a question that is often asked. The reason is that certain kinds of films are unique and the production team must do things that have never been done before." Thus, whilst many of the processes which are dealt with in this guide could well hold good for other films, there are certain aspects which are unique. The guide examines both areas and encourages students to use their own experience of film viewing and cinema-going to explore both the generalities and the uniqueness. There is no attempt to show 'the wonderful world of filmmaking'; rather the guide reveals an industrial process, one in which the time spent on preparing for the film to be shot far outweighs the amount of time actually spent shooting. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
JOHN PARDUE BSC - Director of Photography (UK and USA PASSPORT HOLDER)
McKinney Macartney Management Ltd JOHN PARDUE BSC - Director of Photography (UK and USA PASSPORT HOLDER) FOUR KIDS & IT Director: Andy De Emmony. Producer: Julie Baines, Anne Brogan, Jonathan Taylor. Starring: Michael Caine, Bill Nighy. Dan Films / Kindle Entertainment. LUTHER 5 Director: Jamie Payne. Producer: Derek Ritchie. Starring: Idris Elba, Dermot Crowley and Wunmi Mosaku. BBC. THE HUSTLE (Feature Film, 2nd Unit – Mallorca) Director: Chris Addison. Producers: Roger Birnbaum and Rebel Wilson Starring: Anne Hathaway and Rebel Wilson and David Hayman. Metro-Goldwyn- Mayer FINDING YOUR FEET Director: Richard Loncraine. Producers: Nick Moorcroft, Andrew Berg, Meg Leonard and Richard Wheelan. Starring: Imelda Staunton, Celia Imrie, Timothy Spall, Joanna Lumley and David Hayman. Eclipse Films / Powder Keg Pictures / Catalyst. DIRK GENTLY’S HOLISTIC DETECTIVE AGENCY Director (Pilot episodes 1 & 2): Dean Parisot. Director (Episodes 5 & 6): Tamra Davis. Producers: Max Landis, Robert Cooper, Arvind Ethan David and Kim Todd. Starring: Elijah Wood, Samuel Barnett, Hannah Marks and Richard Schiff. Circle of Confusion / BBC America / Netflix. QUACKS (TV pilot - series commissioned) Director: Andy De Emmony. Producers: James Wood and Justin Davies. Starring: Rupert Everett, Rory Kinnear, Tom Basden, Matthew Baynton Lucky Giant. AND THEN THERE WERE NONE Director: Craig Viveiros. Producers: Abi Bach and Damien Timmer. Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 JOHN PARDUE Contd … 2 Starring: Charles Dance, Toby Stephens, Miranda Richardson and Sam Neill. Mammoth Screen / BBC. STAN LEE’S LUCKY MAN (Season 1, Opening Episodes 1 & 2 tone establisher) Director: Andy De Emmony. -
TITLE New Teachers Packet. INSTITUTION Journalism Education Association
DOCUMENT RESUME A ED 451 550 CS 510 TITLE New Teachers Packet. INSTITUTION Journalism Education Association. PUB DATE 1998-04-00 NOTE 217p.; Prepared by the Journalism Education Curriculum/Development Committee, Jan Hensel, Chair. Contributors include: Candace Perkins Bowen, Michele Dunaway, Mary Lu Foreman, Connie Fulkerson, Pat Graff, Jan Hensel, RobMelton, Scoobie Ryan, and Valerie Thompson. PUB TYPE Guides Classroom Teacher (052) EDRS PRICE MF01/PC09 Plus Postage. DESCRIPTORS Curriculum Guides; Newspapers; Photojournalism; Production Techniques; Professional Associations; *Scholastic Journalism; School Publications; Secondary Education; Student Publications; Worksheets; Yearbooks ABSTRACT This packet of information for new scholastic journalism teachers (or advisers) compiles information on professional associations in journalism education, offers curriculum guides and general help, and contains worksheets and handouts. Sections of the packet are:(1) Professional Help (Journalism Education Association Information, and Other Scholastic Press Associations);(2) Curriculum Guides (Beginning Journalism, Electronic Publishing, Newspaper Production, and Yearbook Production);(3) General Helps (General Tips, Sample Publications Guidelines, Sample Ad Contract, and Sample Style Book); and (4) Worksheets and Handouts (materials cover General Journalism, Middle/Junior High, Newspaper, Photography, and Yearbook). (RS) Reproductions supplied by EDRS are the best that can be made from the original document. Journalism Education Association ma- Teackers -
Paris - Le Brady Semaine Du 12 Au 18 Août 2020
Le Cinéma Paris - Le Brady Semaine du 12 au 18 août 2020 Les Mal-aimés EN AVANT-PREMIÈRE Durée : 0:40 Tous publics Genre : Animation Réalisé par Hélène Ducrocq MERCREDI JEUDI VENDREDI SAMEDI DIMANCHE LUNDI MARDI 12 août 13 août 14 août 15 août 16 août 17 août 18 août 11h15 - VF Exit Durée : 1:24 Genre : Drame, thriller Réalisé par Rasmus Kloster Bro Avec Christine Sønderris, Samson Semere Russom, Kresimir Mikic, Adrian Heili, Salvatore Striano MERCREDI JEUDI VENDREDI SAMEDI DIMANCHE LUNDI MARDI 12 août 13 août 14 août 15 août 16 août 17 août 18 août 18h30 - VO 21h55 - VO 18h30 - VO 21h55 - VO 16h10 - VO 21h55 - VO 18h30 - VO Felicità Durée : 1:22 Genre : Comédie Réalisé par Bruno Merle Avec Pio Marmaï, Rita Merle, Camille Rutherford, Aurélien Cotentin, Bert Haelvoet MERCREDI JEUDI VENDREDI SAMEDI DIMANCHE LUNDI MARDI 12 août 13 août 14 août 15 août 16 août 17 août 18 août 21h55 - VF 20h10 - VF 21h55 - VF 16h50 - VF 14h30 - VF 20h10 - VF 17h00 - VF 20h10 - VF 21h55 - VF 21h55 - VF La Nuit venue Durée : 1:35 Genre : Drame Réalisé par Frédéric Farrucci Avec Guang Huo, Camélia Jordana, Xun Liang, Shue Tien, Maurice Cheng MERCREDI JEUDI VENDREDI SAMEDI DIMANCHE LUNDI MARDI 12 août 13 août 14 août 15 août 16 août 17 août 18 août 20h10 - VF 21h40 - VF 20h10 - VF 15h10 - VF 20h10 - VF 20h10 - VF 20h10 - VF 21h40 - VF Les horaires sont susceptibles de changer, n'hésitez pas à venir vérifier sur le site avant votre séance. www.lebrady.fr 1/15 Le Cinéma Paris - Le Brady Semaine du 12 au 18 août 2020 Mississippi Burning Durée : 2:08 Genre : Drame, thriller Réalisé par Alan Parker Avec Willem Dafoe, Gene Hackman, Frances Mcdormand, Brad Dourif, R.