Download Projected to an Appreciative Local Audience
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Learning Information Literacy and Teaching: an Action Research Project
The Fifth European Conference on Information Literacy (ECIL) September 18th-21st, 2017, Saint-Malo, France Abstracts Saint-Malo, 2017 The Fifth European Conference on Information Literacy (ECIL) September 18th-21st, 2017, Saint-Malo, France Abstracts Editors: Sonja Špiranec, Serap Kurbanoğlu, Joumana Boustany, Esther Grassian, Diane Mizrachi, Loriene Roy, Denis Kos Information Literacy Association (InLitAs) Saint-Malo, 2017 The Fifth European Conference on Information Literacy, September 18th-21st, 2017, Saint-Malo, France: Abstracts http://ecil2017.ilconf.org Publisher: Information Literacy Association (InLitAs) http://inlitas.org ISBN 978-2-9561952-0-7 Copyright © 2017 by Information Literacy Association (InLitAs) and authors All rights reserved Organization The Fifth European Conference on Information Literacy (ECIL) was co-organized by the Department of Information Management of Hacettepe University, the Department of Information and Communication Sciences of the University of Zagreb and Information Literacy Association (InLitAs), France. Standing Committee 1. Paul G. Zurkowski, USA (Honorary Chair) 2. Serap Kurbanoğlu, Hacettepe University, Turkey (General Co-chair for ECIL & ECIL 2016) 3. Sonja Špiranec, University of Zagreb, Croatia (General Co-chair for ECIL & ECIL 2016) 4. Joumana Boustany, Information Literacy Association (InLitAs), France (Co-chair for ECIL 2017) 5. Szarina Abdullah, MARA Technology University, Malaysia 6. Buket Akkoyunlu, Hacettepe University, Turkey 7. Aharon Aviram, Ben-Gurion University, Israel 8. George Awad, UNESCO Regional Office, Lebanon 9. Tomaz Bartol, University of Ljubljana, Slovenia 10. Athina Basha, Albanian Library Association, Albania 11. David Bawden, City University, UK 12. Dilara Begum, East West University, Bangladesh 13. Albert K. Boekhorst, University of Pretoria, South Africa 14. Alexander Botte, German Inst. for International Educational Research, Germany 15. -
BACKFLIP: Feminism and Humour in Contemporary Art
BACKFLIP: Feminism and Humour in Contemporary Art BACKFLIP: Feminism and Humour in Contemporary Art BACKFLIP: Feminism and Humour in Contemporary Art Catherine Bell Melanie Bonajo Brown Council Catherine or Kate Patty Chang Guerrilla Girls Hotham Street Ladies Alice Lang Louise Lawler Tracey Moffatt nat&ali Frances (Budden) Phoenix Pushpamala N Hannah Raisin Pipilotti Rist Mika Rottenberg Christian Thompson Paul Yore Curator: Laura Castagnini Introduction Feminist art practice is becoming increasingly well documented within an international context, and recent Australian discourse has focussed around exhibitions such as Contemporary Australia: Women at the Queensland Art Gallery | Gallery of Modern Art, the artist run initiative Level’s Food for Thought project for the 2012 Next Wave Festival (in fact, Level’s programs more broadly), A Dinner Party: setting the table at West Space, to name just a few. The Margaret Lawrence Gallery also has contributed to this dialogue through such exhibitions as Bird Girls and A Time Like This after which Laura Castagnini approached me, in mid-2011, about the possibility of working together on a project she was researching around humour in contemporary feminist art practice. We had met a few times previously, beginning several conversations about the current state of feminism – but without really having an opportunity to take the discussions further – and we were certainly interested in one another’s perspectives on an issue in which we both felt deeply invested; in this instance, Laura was specifically interested in how humour within feminist practices was often marginalised, misread or overlooked altogether. The Curator Mentorship Initiative administered by NAVA (the National Association for the Visual Arts) seemed the perfect platform for Laura and I – as women from different generations and contexts, and at different stages in our professional lives – to formalise a relationship and commence working together. -
Contemporary American Painting and Sculpture
AT UR8ANA-GHAMPAIGN ARCHITECTURE The person charging this material is responsible for .ts return to the library from which it was withdrawn on or before the Latest Date stamped below '"" """"""'"9 "< "ooks are reason, ™racTo?,'l,°;'nary action and tor di,elpl(- may result in dismissal from To renew the ""'*'e™«y-University call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN I emp^rary American Painting and Sculpture University of Illinois Press, Urbana, 1959 Contemporary American Painting and Scuipttfre ^ University of Illinois, Urbana March 1, through April 5, 195 9 Galleries, Architecture Building College of Fine and Applied Arts (c) 1959 by the Board of Trustees of the University of Illinois Library of Congress Catalog Card No. A4 8-34 i 75?. A^'-^ PDCEIMtBieiiRr C_>o/"T ^ APCMi.'rri'Ht CONTEMPORARY AMERICAN PAINTING AND SCULPTURE DAVID D. HENRY President of the University ALLEN S. WELLER Dean, College of Fine and Applied Arts Chairman, Festival of Contemporary Arts N. Britsky E. C. Rae W. F. Doolittlc H. A. Schultz EXHIBITION COMMITTEE D. E. Frith J. R. Shipley \'. Donovan, Chairman J. D. Hogan C. E. H. Bctts M. B. Martin P. W. Bornarth N. McFarland G. R. Bradshaw D. C. Miller C. W. Briggs R. Perlman L. R. Chesney L. H. Price STAFF COMMITTEE MEMBERS E. F. DeSoto J. W. Raushenbergcr C. A. Dietemann D. C. Robertson G. \. Foster F. J. Roos C. R. Heldt C. W. Sanders R. Huggins M. A. Sprague R. E. Huh R. A. von Neumann B. M. Jarkson L. M. Woodroofe R. Youngman J. -
Truth Is Concrete #16 B Y T He P Ink Y Sho W
Truth is concrete #16 by The Pinky Show 14.00 Black Cube Some kind of beginning Truth is An opening proposal by Tim Etchells / Forced Entertainment (GB) Performed by Jerry Killick (GB) Questions, hellos, dedications, fragments, answers concrete and yet more questions. In characteristic seriously unserious and unseriously serious style “Some kind of beginning“ is a tentative and extremely partial “Art is a left-wing hobby.” introduction to things otherwise not spoken about Geert Wilders or yet unspoken. A proposal of a structure of brief Fri exchange, call and response to kick off the Marathon. These have been months, years of unbelievably fast change all over the world. Uprisings in the Arabic world. Revolutions and counter-revolutionary attempts. Tim Etchells is an artist and a writer. His work shifts between performance, visual art and fiction. He has Islamistic threats and the fetishisation of Islamistic threats. Demonstrations worked in a wide variety of contexts, notably as the and repercussions in Russia, Ukraine, Belorussia … Persecution of artists – leader of the performance group Forced Entertainment. sometimes under a bright spotlight as in the cases of Pussy Riot or Ai Wei Wei, Jerry Killick is a performer and actor who has been but more often unnoticed by a broader public. The nuclear disaster in Japan. The devising and performing in about a dozen of Forced Entertainment's plays and many other productions. appearance (and disappearance?) of Occupy all over the world. The rise of the right wing in many countries – often as a side-effect of the financial devastations day that threaten the whole European project. -
Bibliographical Index
Bibliographical Index BIBLIOGRAPHICAL ACCESS TO THIS VOLUME Bacon, Roger. Opus Majus. 305, 322, 345 Basil, Saint. Homilies. 328 Three modes of access to bibliographical information are used Bede, the Venerable. De natura rerum. 137 in this volume: the footnotes; the bibliographies; and the Bib ---. De temporum ratione. 321 liographical Index. The footnotes provide the full form of a reference the first Cassiodorus. Institutiones divinarum et saecularium time it is cited in each chapter with short-title versions in litterarum. 172, 255, 259, 261 subsequent citations. In each of the short-title references, the Cato the Elder. Origines. 205 note number of the fully cited work is given in parentheses. Censorinus. De die natalie 255 The bibliographies following each chapter provide a selec Chaucer, Geoffrey. Prologue to the Canterbury Tales. 387 tive list of major books and articles relevant to its subject Cicero. Arataea (translation of Aratus's versification of matter. Eudoxus's Phaenomena). 143 The Bibliographical Index comprises a complete list, ar ---. Letters to Atticus. 255 ranged alphabetically by author's name, of all works cited in ---. De natura deorum. 160,168 the footnotes. Numbers in bold type indicate the pages on --. The Republic. 159, 160, 255 which references to these works can be found. This index is ---. Tusculan Disputations. 160 divided into two parts. The first part identifies the texts of Cleomedes. De motu circulari. 152, 154, 169 classical and medieval authors. The second part lists the mod Cosmas Indicopleustes. Christian Topography. 143, 144, ern literature. 261 Ctesias of Cnidus. Indica. 149 TEXTS OF CLASSICAL AND MEDIEVAL ---. Persica. 149 AUTHORS Dicuil. -
Mfa Title Page
Puppy Love: Understanding Identity and Emotion Through the Dog/Human Bond Jaya Deva Fausch Submitted in partial fulfilment of the requirements of the degree of M. FINE ARTS (Visual Art) (by Research) November 2014 School of Art Faculty Of The Victorian College Of The Arts And The Melbourne Conservatorium Of Music The University of Melbourne Abstract The central research focus is an exploration of identity, my childhood and my mother, told through the story of Irma-Dream, my dog. It examines the symbiotic relationship between dogs and humans; the banality and comforts of home life; and the ubiquity of amateur aesthetics. The works are informed by photography, with varying manifestations including photographic books, videos and images brought together in installation. The studio practice is contextualised with reference to contemporary artists and contemporary research. 2 Declaration This is to certify that (i) the thesis comprises only my original work towards the masters (ii) due acknowledgement has been made in the text to all other material used (iii) the thesis is 10,949 words In length, exclusive of tables, maps, bibliographies and appendices ………………………………………………….. (Jaya Deva Fausch) 3 Acknowledgements My most sincere thanks to my supervisor Cate Consandine. Your intelligence, talent and support has been a god send. Thank you to Stephen Haley and all the great staff at the VCA. Thank you to my Meredith Fuller, Brian Walsh and Atticus, Steph Hodson and Barry and all my family and friends. I would also like to express my deepest gratitude to Cienna Turpie. Your patience, understanding, quick wit and academic genius has been a life saver. -
Annual Report 2015
Artspace ARTSPACE Annual Report 2015 Prepared by Artspace Annual Report 2015 P.1 Artspace TABLE OF CONTENTS MISSION EVER CHANGING, EVER CHALLENGING 2015 Overview & Highlights 6 Artspace is Australiaí s leading interdisciplinary Expanded Artistic Program space for the production and presentation Exhibitions (including Volume 2015 | Another Art Book Fair) 10 of contemporary art. Through exhibitions, Ideas Platform 20 performances, artist residencies, and public International Partnerships & Commissioned work 32 programs, Artspace is where artists of all National and Regional Touring 34 Public Programs 36 generations test new ideas and shape public Studios 42 conversation. Committed to experimentation, Publishing 58 collaboration and advocacy, Artspaceí s mission Performance Against Goals 60 is to enhance our culture through a deeper Key Performance Indicators 76 engagement with contemporary art. Artspace Directors & Staff 80 ABOUT US Artspace Partners & Supporters 82 Artspace is an independent contemporary art space that receives public funding for its activities through the federal government through the Australia Council for the Arts and the state government through Arts NSW, and is also supported though benefaction and partnerships. ACKNOWLEDGEMENT We show our respect and acknowledge the traditional owners of the land, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present and their descendants. Cover image: Emily Floyd, Art as a Verb, 2015, installation view, Artspace, Sydney. Photo: Zan Wimberley -
İncəsənət Və Mədəniyyət Problemləri Jurnalı
AZƏRBAYCAN MİLLİ ELMLƏR AKADEMİYASI AZERBAIJAN NATIONAL ACADEMY OF SCIENCES НАЦИОНАЛЬНАЯ АКАДЕМИЯ НАУК АЗЕРБАЙДЖАНА MEMARLIQ VƏ İNCƏSƏNƏT İNSTİTUTU INSTITUTE OF ARCHITECTURE AND ART ИНСТИТУТ АРХИТЕКТУРЫ И ИСКУССТВА İncəsənət və mədəniyyət problemləri Beynəlxalq Elmi Jurnal N 4 (74) Problems of Arts and Culture International scientific journal Проблемы искусства и культуры Международный научный журнал Bakı - 2020 Baş redaktor: ƏRTEGİN SALAMZADƏ, AMEA-nın müxbir üzvü (Azərbaycan) Baş redaktorun müavini: GULNARA ABDRASİLOVA, memarlıq doktoru, professor (Qazaxıstan) Məsul katib : FƏRİDƏ QULİYEVA, sənətşünaslıq üzrə fəlsəfə doktoru (Azərbaycan) Redaksiya heyətinin üzvləri: ZEMFİRA SƏFƏROVA – AMEA-nın həqiqi üzvü (Azərbaycan) RƏNA MƏMMƏDOVA – AMEA-nın müxbir üzvü (Azərbaycan) RƏNA ABDULLAYEVA – sənətşünaslıq doktoru, professor (Azərbaycan) SEVİL FƏRHADOVA – sənətşünaslıq doktoru (Azərbaycan) RAYİHƏ ƏMƏNZADƏ - memarlıq doktoru, professor (Azərbaycan) VLADİMİR PETROV – fəlsəfə elmləri doktoru, professor (Rusiya) KAMOLA AKİLOVA – sənətşünaslıq doktoru, professor (Özbəkistan) MEYSER KAYA – fəlsəfə doktoru (Türkiyə) VİDADİ QAFAROV – sənətşünaslıq üzrə fəlsəfə doktoru, dosent (Azərbaycan) Editor-in-chief: ERTEGIN SALAMZADE, corresponding member of ANAS (Azerbaijan) Deputy editor: GULNARA ABDRASSILOVA, Prof., Dr. (Kazakhstan) Executive secretary: FERİDE GULİYEVA Ph.D. (Azerbaijan) Members to editorial board: ZEMFIRA SAFAROVA – academician of ANAS (Azerbaijan) RANA MAMMADOVA – corresponding-member of ANAS (Azerbaijan) RANA ABDULLAYEVA – Prof., Dr. (Azerbaijan) -
2006 Annual Conference Program Sessions
24 CAA Conference Information 2006 ARTspace is a conference within the Conference, tailored to the interests and needs of practicing artists, but open to all. It includes a large audience session space and a section devoted to the video lounge. UNLESS OTHERWISE NOTED. ALL ARTSPACE EVENTS ARE IN THE HYNES CONVENTION GENTER, THIRD LEVEl, ROOM 312. WEDNESDAY, FEBRUARY 22 ------------------- 7:30 AM-9:00 AM MORNING COFFEE, TEA, AND JUICE 9:30 AM-NOON SlOPART.COM BRIAN REEVES AND ADRIANE HERMAN Slop Art corporate representatives will share popular new product distribution and expression-formatting strategies they've developed to address mounting consumer expectation for increasing affordability, portability, familiar formatting, and validating brand recognition. New franchise opportunities, including the Slop Brand Shippable Showroom™, will be outlined. Certified Masterworks™ and product submission guidelines FREE to all attendees. 12:30 PM-2:00 PM RECENT WORK FROM THE MIT MEDIA LAB Christopher Csikszelltlnihalyi, a visual artist on the faculty at the MIT Media Lab, coordinates a presentation featuring recent faculty work from the MIT Media Lab; see http;llwww.media.mit.edu/about! academics.htm!. 2:30 PM-5:00 PM STUDIO ART OPEN SESSIOII PAINTING Chairs; Alfredo Gisholl, Brandeis University; John G. Walker, Boston University Panelists to be announced. BOSTON 25 THURSDAY, FEBRUARY 23 2:30 PM-5:00 PM STUDIO ART OPEN SESSIOII 7:30 AM-9:00 AM PRINTERLY PAINTERLY: THE INTERRELATIONSHIP OF PAINTING AND PRINTMAKING MORNING COFFEE, TEA, AND JUICE Chair: Nona Hershey, Massachusetts College of Art Clillord Ackley, Museum of Fine Arts, Boston 9:00 AM-5:30 PM Michael Mazur, independent artist James Stroud, independent artist, Center Street Studio, Milton Village, VIDEO lOUNGE: EXPANDED CINEMA FOR THE DIGITAL AGE Massachusetts A video screening curated by leslie Raymond and Antony Flackett Expanded Cinema emerged in the 19605 with aspirations to explore expanded consciousness through the technology of the moving image. -
2018 January February March April May June July August September
04 HAMSTERAN AOTEAROA REVIEW ANTHOLOGY TĀMAKI-MAKAURAU 2018 AUCKLAND KIRIKIRIROA JANUARY HAMILTON TE WHANGANUI-A-TARA FEBRUARY WELLINGTON ŌTAUTAHI MARCH CHRISTCHURCH ŌTEPOTI APRIL DUNEDIN WAIHŌPAI MAY INVERCARGILL JUNE There are 52 weeks in a (Gregorian calendar) year. With 52 reviews, from contributors spread across Te Ika-a-Māui and Te Wai Pounamu, HAMSTER’s Aotearoa Review Anthology Issue challenges the lack of representation of contemporary artforms in established JULY mainstream media. Though short—between 500-600 words—these reviews present nuanced, contextualised opinions on contemporary creative practices and institutional AUGUST activity from writers active in the local contexts they comment on. There is no desire for objective judgement or distance here, only the constant interaction of friends and strangers, ideas and objects, divergent experiences, SEPTEMBER and shared practices. Considering books and zines, visual art, dance, theatre, a symposium, comedy, performance, websites, vandalism, soul records, and punk gigs, the writers in HAMSTER 4 speak to ideas and artists they relate to, OCTOBER and rail against. Readers can also browse the Anthology through the concise ‘For Fans Of (FFO)’ line to find spaces and artists active in Aotearoa to look out for in 2019. NOVEMBER No more nibbling. We hope you find something to sink your chompers into this year. DECEMBER HAMSTER 04 Serene Velocity in Practice: Stevenson’s work highlights parallels between Thiel and Wimber’s classes. Both courses were taught in California MC510/CS183, 2017 and have a mass following spurred by best-selling books based on the course content and both have reached Michael Stevenson New Zealand: Wimber bringing the evangelical Vineyard Auckland Art Gallery Toi o Tāmaki Church to New Zealand, and Thiel controversially acquiring citizenship after spending twelve days in 12 November 2017 - 6 February 2018 New Zealand. -
Urban Murals and the Post-Protest Imagery of Networked Publics: the Remediated Aftermath of Ukraine’S Euromaidan on Instagram
Urban murals and the post-protest imagery of networked publics: The remediated aftermath of Ukraine’s Euromaidan on Instagram 18.6.2018 affective narratives networked publics protest urban art Tetyana Lokot tanya.lokot[a]dcu.ie Assistant Professor School of Communications Dublin City University, Ireland In modern hyper-mediated urban environments, public art becomes an inseparable part of the multiplicity of meanings generated by citizens with regards to their city, their country and each other. What meanings can public art convey after a protest in a mediated city? And how do social media users capture and reflect on these visual artefacts? This article focuses on the urban murals that appeared in Kyiv, the Ukrainian capital in the post-Euromaidan period (spring 2014 – present day). The creation of murals began as a spontaneous urban practice, but post-protest, morphed into a concerted effort to populate blank walls of decaying apartment blocks around cities with meaningful art, reflecting on the turbulent political, social and cultural changes in the country. The article considers how this mediated public art form resonates with the networked post-protest publics through the affordances of Instagram and explores the different kinds of meanings networked publics in and around the post-protest city can produce. It focuses on how the mediation of the murals on Instagram might reflect or frame the meanings embedded in the murals themselves and how these themes might fit into the broader metaphorical narrative of rebirth and regeneration in the post-Euromaidan city of Kyiv. WiderScreen 1–2/2018: Kaupunkikuvitelmat ja urbaani arki – City imaginings and urban everyday life “The city finds its own use for things”. -
LCSH Section I
I(f) inhibitors I-215 (Salt Lake City, Utah) Interessengemeinschaft Farbenindustrie USE If inhibitors USE Interstate 215 (Salt Lake City, Utah) Aktiengesellschaft Trial, Nuremberg, I & M Canal National Heritage Corridor (Ill.) I-225 (Colo.) Germany, 1947-1948 USE Illinois and Michigan Canal National Heritage USE Interstate 225 (Colo.) Subsequent proceedings, Nuremberg War Corridor (Ill.) I-244 (Tulsa, Okla.) Crime Trials, case no. 6 I & M Canal State Trail (Ill.) USE Interstate 244 (Tulsa, Okla.) BT Nuremberg War Crime Trials, Nuremberg, USE Illinois and Michigan Canal State Trail (Ill.) I-255 (Ill. and Mo.) Germany, 1946-1949 I-5 USE Interstate 255 (Ill. and Mo.) I-H-3 (Hawaii) USE Interstate 5 I-270 (Ill. and Mo. : Proposed) USE Interstate H-3 (Hawaii) I-8 (Ariz. and Calif.) USE Interstate 255 (Ill. and Mo.) I-hadja (African people) USE Interstate 8 (Ariz. and Calif.) I-270 (Md.) USE Kasanga (African people) I-10 USE Interstate 270 (Md.) I Ho Yüan (Beijing, China) USE Interstate 10 I-278 (N.J. and N.Y.) USE Yihe Yuan (Beijing, China) I-15 USE Interstate 278 (N.J. and N.Y.) I Ho Yüan (Peking, China) USE Interstate 15 I-291 (Conn.) USE Yihe Yuan (Beijing, China) I-15 (Fighter plane) USE Interstate 291 (Conn.) I-hsing ware USE Polikarpov I-15 (Fighter plane) I-394 (Minn.) USE Yixing ware I-16 (Fighter plane) USE Interstate 394 (Minn.) I-K'a-wan Hsi (Taiwan) USE Polikarpov I-16 (Fighter plane) I-395 (Baltimore, Md.) USE Qijiawan River (Taiwan) I-17 USE Interstate 395 (Baltimore, Md.) I-Kiribati (May Subd Geog) USE Interstate 17 I-405 (Wash.) UF Gilbertese I-19 (Ariz.) USE Interstate 405 (Wash.) BT Ethnology—Kiribati USE Interstate 19 (Ariz.) I-470 (Ohio and W.