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Learning Information Literacy and Teaching: an Action Research Project
The Fifth European Conference on Information Literacy (ECIL) September 18th-21st, 2017, Saint-Malo, France Abstracts Saint-Malo, 2017 The Fifth European Conference on Information Literacy (ECIL) September 18th-21st, 2017, Saint-Malo, France Abstracts Editors: Sonja Špiranec, Serap Kurbanoğlu, Joumana Boustany, Esther Grassian, Diane Mizrachi, Loriene Roy, Denis Kos Information Literacy Association (InLitAs) Saint-Malo, 2017 The Fifth European Conference on Information Literacy, September 18th-21st, 2017, Saint-Malo, France: Abstracts http://ecil2017.ilconf.org Publisher: Information Literacy Association (InLitAs) http://inlitas.org ISBN 978-2-9561952-0-7 Copyright © 2017 by Information Literacy Association (InLitAs) and authors All rights reserved Organization The Fifth European Conference on Information Literacy (ECIL) was co-organized by the Department of Information Management of Hacettepe University, the Department of Information and Communication Sciences of the University of Zagreb and Information Literacy Association (InLitAs), France. Standing Committee 1. Paul G. Zurkowski, USA (Honorary Chair) 2. Serap Kurbanoğlu, Hacettepe University, Turkey (General Co-chair for ECIL & ECIL 2016) 3. Sonja Špiranec, University of Zagreb, Croatia (General Co-chair for ECIL & ECIL 2016) 4. Joumana Boustany, Information Literacy Association (InLitAs), France (Co-chair for ECIL 2017) 5. Szarina Abdullah, MARA Technology University, Malaysia 6. Buket Akkoyunlu, Hacettepe University, Turkey 7. Aharon Aviram, Ben-Gurion University, Israel 8. George Awad, UNESCO Regional Office, Lebanon 9. Tomaz Bartol, University of Ljubljana, Slovenia 10. Athina Basha, Albanian Library Association, Albania 11. David Bawden, City University, UK 12. Dilara Begum, East West University, Bangladesh 13. Albert K. Boekhorst, University of Pretoria, South Africa 14. Alexander Botte, German Inst. for International Educational Research, Germany 15. -
Photographs of Paintings on Sale
THE METROPOLITAN MUSEUM OF ART PHOTOGRAPHS OF PAINTINGS ON SALE NEW YORK 1928 The photographs listed in this pamphlet are on sale as follows: UNMOUNTED MOUNTED Sheet Dull or Dull or Size Glossy Gray Sepia Glossy Gray Sepia $. 15 $. 15 $. 20 4X 5 IO $. 8x 6o Io .40 . 50 . 50 . Mailing charges, 4x5, unmounted, $. o5, mounted, $. so; 8x Io, unmounted, $. Io, mounted, $. 15. ENLARGEMENTS ENLARGEMENTS UNMOUNTED MOUNTED ON MUSLIN Sheet Size Gray Sepia Gray Sepia IIX 14 $1.50 2.00 2.25 $2.75 14x17 3.00 3.50 4.00 4.50 18X zz 4.00 5.00 5.50 6.5o 20 X 24 5.00 6. oo 7.00 8.00 Mailing charges on enlargements vary according to size of enlargement and distance. The following symbols are used in the text: *pas- tel, **=water-color. Orders should be addressed to the Secretary of the Museum, and accompanied by post-office order or check drawn to The Metropolitan Museum of Art. Stamps are acceptable with small orders. H. W. KENT, Secretary PHOTOGRAPHS OF PAINTINGS Arranged Alphabetically according to Schools AMERICAN ABBEY, EDWIN A. BLAKELOCK, R. A. Dirge of Three Queens- Indian Encampment King Lear Pipe Dance ALEXANDER, JOHN BLASHFIELD, E. H. Ring Carry On Study in Black and Green BLUM, ROBERT Walt Whitman Ameya ALLSTON, WASHINGTON Street Scene, Ikao Deluge BOGERT, GEORGE Spanish Girl Chile Church, Isle of Wight AMERICAN SCHOOL October Moonlight Sarah Cornell Clarkson BOGGS, FRANK Miss Foote On the Thames Col. Marinus Willett BOHM, MAX AMES, JOSEPH Evening Meal James Topham Brady Nature and Imagination BAKER, GEORGE BRIDGES, CHARLES John F. -
Snowshoeing Coaching Guide
SNOWSHOEING COACHING GUIDE Special Olympics Snowshoeing Coaching Guide Acknowledgements Acknowledgements Special Olympics wishes to thank the professionals, volunteers, coaches and athletes who helped in the production of the Snowshoeing Coaching Guide. They have helped fulfill the mission of Special Olympics: to provide year-round sports training and athletic competition in a variety of Olympic-type sports for people eight years of age and older with Intellectual Disabilities, giving them continuing opportunities to develop physical fitness, demonstrate courage, experience joy and participate in a sharing of gifts, skills and friendship with their families, other Special Olympics athletes and the community. Special Olympics snowshoeing welcomes your ideas and comments for future revisions of this guide. We apologize, if, for any reason, an acknowledgement has been inadvertently omitted. Contributing Authors Doug Castor, Special Olympics Canada Ryan Murphy, Special Olympics, Inc. Tom Sobal, Special Olympics, Inc. Technical Delegate Kelly Zackodnik, Special Olympics Canada Special Thanks To the Following for All of Your Help and Support Canada Olympic Development Association Canada Olympic Park Brenda Hill, Special Olympics Canada Dave Lenox, Special Olympics, Inc. Video Featuring Athletes from Special Olympics Canada Fern Bremault Chris Doty Sarah McCarthy Jennifer Riddell Paul Whichard, Special Olympics, Inc. Lance Zackodnik, Special Olympics Canada 2 Special Olympics Snowshoeing Coaching Guide- February 2007 SNOWSHOEING COACHING GUIDE -
George Steiner> Octavio Paz José Emilio Pacheco
Octavio Paz CENTENARIO Adolfo Castañón • Paul-Henri Giraud José Emilio Pacheco 1939-2014 Literal. Latin American Voices • vol. 35 • winter / invierno, 2014 • Literal. Voces latinoamericanas • vol. 35 winter / invierno, 2014 • Literal. Voces Literal. Latin American Voices On Science and the Humanities George Steiner4 ¿Las humanidades, humanizan? Mario Bellatin4La aventura de Antonioni Fernando La Rosa4Archeological Photography Dossier Cuba: Maarten van Delden • Yvon Grenier • Héctor Manjarrez Carlos Espinosa • Mabel Cuesta • Ernesto Hernández Busto Forros L35.indd 1 07/02/14 10:24 d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y latin american voices d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y www.literalmagazine.com d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y 2 LITERAL. -
December 2010 - February 2011 Ably Increased
Skiing | Running | Hiking | Biking Paddling | Triathlon | Fitness | Travel FREE! DECEMBER 20,000 CIRCULATION CAPITAL REGION • SARATOGA • GLENS FALLS • ADIRONDACKS 2010 bra ele ti C n g ASF HAVING FUN DURING THE CAMP SARATOGA 8K SNOWSHOE RACE AT THE WILTON WILDLIFE PRESERVE AND PARK IN 2009. PHOTO BY BRIAN TEAGUE Visit Us on the Web! AdkSports.com 2011 SNOWSHOE RACING SEASON by Laura Clark CONTENTS Back to the Future n the Stephen Spielberg trilogy, Back to the Future, a played with all the neighborhood children, albeit in boots, Iteenager travels through time and must correct the and I can’t help but wonder if she had seen it snowshoed ARTICLES & FEATURES results of his interference, lest his present become mere when she was a girl. 1 Running & Walking speculation. While for now this remains mere conjecture, Closer to the spirit of the Northeast’s 2011 Dion it is interesting to note how fluid past, present, and future Snowshoe Series at dionsnowshoes.com for runners and 2011 Snowshoe Racing Preview are even in a pre-time travel era. walkers, however, were New England’s early snowshoe 3 Cross-Country Skiing We all know that prehistoric migrants crossed the clubs. Participants would meet once or twice a week with & Snowshoeing Bering Sea on snowshoes, that early French explorers a different member responsible for selecting the route. At raquetted their way to North American fur trade empires, the halfway mark they would stop at a farmhouse or inn Nordic Ski Centers Ready for Season and that Rogers’ Rangers, the original Special Forces unit, for supper and then hike back by a different path, pref- 9 Alpine Skiing & Snowboarding achieved enviable winter snowshoe maneuverability in erably one which included a fun downhill slide. -
Snowshoe Tips
Snowshoe Basics Want to try snowshoes before your buy them? Worried if you purchase snowshoes for your children, that they will outgrow them before next year? The Village of DeForest now rents snowshoes of all sizes, from youth ~50 pounds to adults up to ~300 pounds. How do I rent snowshoes? The equipment rental agreement form must be completed and returned with payment to Village Hall during office hours. (Monday to Thursday from 7:30 AM to 4:30 PM or Friday from 7:30 AM to 2:00 PM). Call Village Hall at 608-846-6751 for availability. Snowshoes can be picked up during office hours Tuesday – Friday and must be returned during office hours on the following Monday. $10 per pair with a required $50 deposit per pair check. Do I need special shoes? No. Most types of footwear can be worn with snowshoes, although hiking boots or winter boots are the preferred choice among most recreational users. How do I put on snowshoes? Before you go on your first trip take a few minutes to become familiar with your snowshoes. The most important aspect is to become familiar with the binding. Follow these simple steps to make sure you have the proper fit every time: 1. Left is distinguished from right by which way the loose ends of the binding straps point: always outward, to avoid stepping on them repeatedly. On the Village’s snowshoes, it says L or R in sharpie on the decking. 2. Put the ball of your foot over the top of the hinge, centered on the snowshoe. -
Contemporary American Painting and Sculpture
AT UR8ANA-GHAMPAIGN ARCHITECTURE The person charging this material is responsible for .ts return to the library from which it was withdrawn on or before the Latest Date stamped below '"" """"""'"9 "< "ooks are reason, ™racTo?,'l,°;'nary action and tor di,elpl(- may result in dismissal from To renew the ""'*'e™«y-University call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN I emp^rary American Painting and Sculpture University of Illinois Press, Urbana, 1959 Contemporary American Painting and Scuipttfre ^ University of Illinois, Urbana March 1, through April 5, 195 9 Galleries, Architecture Building College of Fine and Applied Arts (c) 1959 by the Board of Trustees of the University of Illinois Library of Congress Catalog Card No. A4 8-34 i 75?. A^'-^ PDCEIMtBieiiRr C_>o/"T ^ APCMi.'rri'Ht CONTEMPORARY AMERICAN PAINTING AND SCULPTURE DAVID D. HENRY President of the University ALLEN S. WELLER Dean, College of Fine and Applied Arts Chairman, Festival of Contemporary Arts N. Britsky E. C. Rae W. F. Doolittlc H. A. Schultz EXHIBITION COMMITTEE D. E. Frith J. R. Shipley \'. Donovan, Chairman J. D. Hogan C. E. H. Bctts M. B. Martin P. W. Bornarth N. McFarland G. R. Bradshaw D. C. Miller C. W. Briggs R. Perlman L. R. Chesney L. H. Price STAFF COMMITTEE MEMBERS E. F. DeSoto J. W. Raushenbergcr C. A. Dietemann D. C. Robertson G. \. Foster F. J. Roos C. R. Heldt C. W. Sanders R. Huggins M. A. Sprague R. E. Huh R. A. von Neumann B. M. Jarkson L. M. Woodroofe R. Youngman J. -
The Letters of Vincent Van Gogh
THE LETTERS OF VINCENT VAN GOGH ‘Van Gogh’s letters… are one of the greatest joys of modern literature, not only for the inherent beauty of the prose and the sharpness of the observations but also for their portrait of the artist as a man wholly and selessly devoted to the work he had to set himself to’ - Washington Post ‘Fascinating… letter after letter sizzles with colorful, exacting descriptions … This absorbing collection elaborates yet another side of this beuiling and brilliant artist’ - The New York Times Book Review ‘Ronald de Leeuw’s magnicent achievement here is to make the letters accessible in English to general readers rather than art historians, in a new translation so excellent I found myself reading even the well-known letters as if for the rst time… It will be surprising if a more impressive volume of letters appears this year’ — Observer ‘Any selection of Van Gogh’s letters is bound to be full of marvellous things, and this is no exception’ — Sunday Telegraph ‘With this new translation of Van Gogh’s letters, his literary brilliance and his statement of what amounts to prophetic art theories will remain as a force in literary and art history’ — Philadelphia Inquirer ‘De Leeuw’s collection is likely to remain the denitive volume for many years, both for the excellent selection and for the accurate translation’ - The Times Literary Supplement ‘Vincent’s letters are a journal, a meditative autobiography… You are able to take in Vincent’s extraordinary literary qualities … Unputdownable’ - Daily Telegraph ABOUT THE AUTHOR, EDITOR AND TRANSLATOR VINCENT WILLEM VAN GOGH was born in Holland in 1853. -
Truth Is Concrete #16 B Y T He P Ink Y Sho W
Truth is concrete #16 by The Pinky Show 14.00 Black Cube Some kind of beginning Truth is An opening proposal by Tim Etchells / Forced Entertainment (GB) Performed by Jerry Killick (GB) Questions, hellos, dedications, fragments, answers concrete and yet more questions. In characteristic seriously unserious and unseriously serious style “Some kind of beginning“ is a tentative and extremely partial “Art is a left-wing hobby.” introduction to things otherwise not spoken about Geert Wilders or yet unspoken. A proposal of a structure of brief Fri exchange, call and response to kick off the Marathon. These have been months, years of unbelievably fast change all over the world. Uprisings in the Arabic world. Revolutions and counter-revolutionary attempts. Tim Etchells is an artist and a writer. His work shifts between performance, visual art and fiction. He has Islamistic threats and the fetishisation of Islamistic threats. Demonstrations worked in a wide variety of contexts, notably as the and repercussions in Russia, Ukraine, Belorussia … Persecution of artists – leader of the performance group Forced Entertainment. sometimes under a bright spotlight as in the cases of Pussy Riot or Ai Wei Wei, Jerry Killick is a performer and actor who has been but more often unnoticed by a broader public. The nuclear disaster in Japan. The devising and performing in about a dozen of Forced Entertainment's plays and many other productions. appearance (and disappearance?) of Occupy all over the world. The rise of the right wing in many countries – often as a side-effect of the financial devastations day that threaten the whole European project. -
Hip Hop Feminism Comes of Age.” I Am Grateful This Is the First 2020 Issue JHHS Is Publishing
Halliday and Payne: Twenty-First Century B.I.T.C.H. Frameworks: Hip Hop Feminism Come Published by VCU Scholars Compass, 2020 1 Journal of Hip Hop Studies, Vol. 7, Iss. 1 [2020], Art. 1 Editor in Chief: Travis Harris Managing Editor Shanté Paradigm Smalls, St. John’s University Associate Editors: Lakeyta Bonnette-Bailey, Georgia State University Cassandra Chaney, Louisiana State University Willie "Pops" Hudson, Azusa Pacific University Javon Johnson, University of Nevada, Las Vegas Elliot Powell, University of Minnesota Books and Media Editor Marcus J. Smalls, Brooklyn Academy of Music (BAM) Conference and Academic Hip Hop Editor Ashley N. Payne, Missouri State University Poetry Editor Jeffrey Coleman, St. Mary's College of Maryland Global Editor Sameena Eidoo, Independent Scholar Copy Editor: Sabine Kim, The University of Mainz Reviewer Board: Edmund Adjapong, Seton Hall University Janee Burkhalter, Saint Joseph's University Rosalyn Davis, Indiana University Kokomo Piper Carter, Arts and Culture Organizer and Hip Hop Activist Todd Craig, Medgar Evers College Aisha Durham, University of South Florida Regina Duthely, University of Puget Sound Leah Gaines, San Jose State University Journal of Hip Hop Studies 2 https://scholarscompass.vcu.edu/jhhs/vol7/iss1/1 2 Halliday and Payne: Twenty-First Century B.I.T.C.H. Frameworks: Hip Hop Feminism Come Elizabeth Gillman, Florida State University Kyra Guant, University at Albany Tasha Iglesias, University of California, Riverside Andre Johnson, University of Memphis David J. Leonard, Washington State University Heidi R. Lewis, Colorado College Kyle Mays, University of California, Los Angeles Anthony Nocella II, Salt Lake Community College Mich Nyawalo, Shawnee State University RaShelle R. -
Strategic Goal 5: Encourage the Pursuit of Appropriate Partnerships with the Emerging Commercial Space Sector
National Aeronautics and Space Administration FFiscaliscal YYeaear 20102010 PERFORMANCEPERFORMANCE ANDAND ACCOUNTABILITYACCOUNTABILITY REPORTREPORT www.nasa.gov NASA’s Performance and Accountability Report The National Aeronautics and Space Administration (NASA) produces an annual Performance and Accountability Report (PAR) to share the Agency’s progress toward achieving its Strategic Goals with the American people. In addition to performance information, the PAR also presents the Agency’s fi nancial statements as well as NASA’s management challenges and the plans and efforts to overcome them. NASA’s Fiscal Year (FY) 2010 PAR satisfi es many U.S. government reporting requirements including the Government Performance and Results Act of 1993, the Chief Financial Offi cers Act of 1990, and the Federal Financial Management Improvement Act of 1996. NASA’s FY 2010 PAR contains the following sections: Management’s Discussion and Analysis The Management’s Discussion and Analysis (MD&A) section highlights NASA’s overall performance; including pro- grammatic, fi nancial, and management activities. The MD&A includes a description of NASA’s organizational structure and describes the Agency’s performance management system and management controls (i.e., values, policies, and procedures) that help program and fi nancial managers achieve results and safeguard the integrity of NASA’s programs. Detailed Performance The Detailed Performance section provides more in-depth information on NASA’s progress toward achieving mile- stones and goals as defi ned in the Agency’s Strategic Plan and NASA’s FY 2010 Performance Plan Update. It also includes plans for correcting performance measures that NASA did not achieve in FY 2010 and an update on the mea- sures that NASA did not complete in FY 2009. -
Van Gogh Museum Journal 2002
Van Gogh Museum Journal 2002 bron Van Gogh Museum Journal 2002. Van Gogh Museum, Amsterdam 2002 Zie voor verantwoording: http://www.dbnl.org/tekst/_van012200201_01/colofon.php © 2012 dbnl / Rijksmuseum Vincent Van Gogh 7 Director's foreword In 2003 the Van Gogh Museum will have been in existence for 30 years. Our museum is thus still a relative newcomer on the international scene. Nonetheless, in this fairly short period, the Van Gogh Museum has established itself as one of the liveliest institutions of its kind, with a growing reputation for its collections, exhibitions and research programmes. The past year has been marked by particular success: the Van Gogh and Gauguin exhibition attracted record numbers of visitors to its Amsterdam venue. And in this Journal we publish our latest acquisitions, including Manet's The jetty at Boulogne-sur-mer, the first important work by this artist to enter any Dutch public collection. By a happy coincidence, our 30th anniversary coincides with the 150th of the birth of Vincent van Gogh. As we approach this milestone it seemed to us a good moment to reflect on the current state of Van Gogh studies. For this issue of the Journal we asked a number of experts to look back on the most significant developments in Van Gogh research since the last major anniversary in 1990, the centenary of the artist's death. Our authors were asked to filter a mass of published material in differing areas, from exhibition publications to writings about fakes and forgeries. To complement this, we also invited a number of specialists to write a short piece on one picture from our collection, an exercise that is intended to evoke the variety and resourcefulness of current writing on Van Gogh.