George Steiner> Octavio Paz José Emilio Pacheco

Total Page:16

File Type:pdf, Size:1020Kb

George Steiner> Octavio Paz José Emilio Pacheco Octavio Paz CENTENARIO Adolfo Castañón • Paul-Henri Giraud José Emilio Pacheco 1939-2014 Literal. Latin American Voices • vol. 35 • winter / invierno, 2014 • Literal. Voces latinoamericanas • vol. 35 winter / invierno, 2014 • Literal. Voces Literal. Latin American Voices On Science and the Humanities George Steiner4 ¿Las humanidades, humanizan? Mario Bellatin4La aventura de Antonioni Fernando La Rosa4Archeological Photography Dossier Cuba: Maarten van Delden • Yvon Grenier • Héctor Manjarrez Carlos Espinosa • Mabel Cuesta • Ernesto Hernández Busto Forros L35.indd 1 07/02/14 10:24 d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y latin american voices d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y www.literalmagazine.com d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y 2 LITERAL. LATIN AMERICAN VOICES • SUMMER, 2009 d i v e r s i d a d / l i t e r a l / d i v e r s i t y STAFF EDITORIAL El 31 de marzo de este año se cumple el centenario de Octavio Paz. Para celebrarlo, publi- Founder and Director camos dos ensayos que atienden la vida de dos de sus revistas, Plural y Vuelta, y un Rose Mary Salum asunto muy poco frecuentado por la crítica sobre Paz: el lugar de la novela en su obra. Editor-in-Chief Para ello hemos convocado a Adolfo Castañón y a Paul-Henri Giraud. Junto con esta David Medina Portillo conmemoración, ofrecemos una reflexión en voz de uno de los pensadores más lúcidos Managing Editor de nuestros días, George Steiner, quien habla sobre la situación de la ciencia y las hu- Tanya Huntington manidades en la actualidad. Contributing Editors ¿Debemos seguir hablando de Cuba, debemos seguir leyéndola? En Literal creemos Debra D. Andrist, Adolfo Castañón, que sí, y en este número ofrecemos un amplio dossier sobre la isla: cómo la observan sus Malva Flores, Guadalupe Gómez del Campo, Yvon Grenier, C. M. Mayo, Estela Porter-Seale, visitantes, sus lectores, pero también los creadores, cubanos o no. Maarten Van Delden, Maarten van Delden Yvon Grenier, Mabel Cuesta, Héctor Manjarrez y Ernesto Hernández Busto, entre otros, Associate Editors for English-Language Content son parte de esta conversación. Tanya Huntington, José Antonio Simón, Nos acompañan también textos, poemas e imágenes de Mario Bellatin, Francisco Lorís Simón S., Wendolyn Lozano Tovar Segovia y Selma Ancira. Y nuestra sección dedicada a las artes se ocupa de la obra de Contributing Translators Antonio Berni, Jonathan Leach y Fernando de la Rosa. Tanya Huntington, David Medina Portillo Al cierre de esta edición ocurrió la desafortunada muerte de uno de nuestros más Assistant Editors importantes escritores: José Emilio Pacheco. Literal quiere rendirle homenaje publicando Raquel Velasco, Sijin Kurian la traducción de un poema suyo, en versión de Tanya Huntington. Art Direction and Graphic Design Snark Editores S.A. de C.V. On March 31 of this year, Octavio Paz would have turned 100. To celebrate this anniversary, • Subscriptions we are featuring two essays that examine the lifespans of two of his magazines, Plural Phone: 713/ 626 14 33 and Vuelta, as well as a topic not often revisited by Paz’s critics: the place of the novel E-mail: [email protected] in his opus. To this end, we have called upon Adolfo Castañón and Paul-Henri Giraud. Proyectos especiales Accompanying this commemoration, we provide a reflection voiced by one of the most Ilallalí Hernández Rodríguez, Theresa Gauvreau lucid thinkers of our time, George Steiner, who speaks about the current situation in the • Distributors in USA and Canada Ingram Distributor, Ubicuity Distributors sciences and the humanities. Should we keep talking and continue to read about Cuba? We at Literal believe the • Distribución en México, locales cerrados: Publicaciones Citem, answer is yes, and in this issue, we offer an ample dossier on the Island: how it is seen Av. del Cristo 101, Col. Xocoyahualco, by its visitors and readers, but also by artists, Cuban or not. Maarten Van Delden, Yvon Tlalnepantla, Edo. de México Grenier, Mabel Cuesta, Héctor Manjarrez, and Ernesto Hernández Busto, among others, Tel.: 5238-0260 take part in this conversation. Editorial Offices in the US We also offer you texts, poems, and images by Mario Bellatin, Francisco Segovia, Literal. Latin American Voices and Selma Ancira. And our arts portfolio showcases the work of Antonio Berni, Jona- 5425 Renwick Dr. than Leach, and Fernando de la Rosa. Houston, TX 77081 As we were putting this edition to bed, we learned of the unfortunate passage of one of our greatest writers: José Emilio Pacheco. Literal chooses to pay him tribute by Literal es una revista trimestral, Febrero 2008. Editor Responsable: Rose Mary Salum. Número de Certificado de Reserva otorgado por el Instituto Nacional del publishing an English translation of one of his poems, in a version by Tanya Huntington. Derecho de Autor: 04-2007-112213571500-102. Número de Certificado de Licitud de Título: 13932 . Número de Certificado de Licitud de Contenido: 11505. Domi- cilio de la Publicación: Creston No. 343 Col. Jardines del Pedregal C. P. 01900, México, D. F. Imprenta: Preprensa Digital Caravaggio No. 30 Col. Mixcoac C. P. 00910, México, D. F. Distribuidor, Publicaciones CITEM, Av. Del Cristo 101 Col. Xocoyahualco, Tlalnepantla, Edo. de México. Literal does not assume responsibility for original artwork. Unsolicited manu- scripts and artwork are accepted but will not be returned unless accompanied by SASE. ISSN Number: ISSN 1551-6962. Federal Tax Exemption No. 45-0479237. Publicación certificada por Lloyd International, S.C. Esta revista es producida gracias al Programa Edmundo Valadés de Miembro activo de Prensa Unida de la Apoyo a la Edición de Revistas Independientes 2013, del Fondo Nacio- República, A.C. Registro No. 1040/2008. nal para la Cultura y las Artes. b i l i n g u a l m a g a z i n e / w i n t e r • i n v i e r n o 2 0 1 4 contenido / contents 4 volumen / issue 35 CURRENT EVENTS On Science and the Humanities / OCTAVIO PAZ ¿Las humanidades, humanizan? CENTENARIO George Steiner4 9 Semilla en vuelta en Plural Adolfo Castañón4 5 ESSAY Lírica y ficción Seven Days In Havana Paul-Henri Giraud4 7 Maarten van Delden4 19 Not Free, but Comfy: Cuban art JOSÉ EMILIO PACHECO between State and market 1939-2014 Yvon Grenier4 22 Llegadas y salidas4 13 Kafka en La Habana Carlos Espinosa Domínguez4 29 Cuba fuera de los mapas GALLERY Estética y política del reciclaje Mabel Cuesta4 32 Antonio Berni4 14 Postales de Cuba Texto: Greening Antonio Berni, A.A.V.V.4 34 por Gisela Heffes Cuando el destino nos alcance The Stripe Revolution Miriam Mabel Martínez4 44 Jonathan Leach4 37 FICTION Text: Jonathan Leach, Abstract Painting Florencia in Havana in Contexts, by John Zotos Héctor Manjarrez4 26 Archeological Photography Los más felices Fernando La Rosa4 48 Ernesto Hernández Busto4 28 Text: The Silent Cities of Peru, La aventura de Antonioni by Fernando Castro Mario Bellatin4 41 POEMS BOOKS Santo Domingo Nathalie Handal4 36 4 53 Poema Iltze Bautista, Bruno Ríos, Jorge Brash, José Pulido4 43 Francisco Laguna Correa, Anadeli Bencomo Mar mineral Cover image4 Fernando La Rosa: Francisco Segovia4 46 Machu Picchu IX Cóndor (Cusco, Perú) Fotografías de Selma Ancira CANADA • USA • méxico www.literalmagazine.com Octavio Paz CENTENARIO 4 4 LITERAL .
Recommended publications
  • On the Craft of Fiction—EL Doctorow at 80
    Interview Focus Interview VOLUME 29 | NUMBER 1 | FALL 2012 | $10.00 Deriving from the German weben—to weave—weber translates into the literal and figurative “weaver” of textiles and texts. Weber (the word is the same in singular and plural) are the artisans of textures and discourse, the artists of the beautiful fabricating the warp and weft of language into everchanging pattterns. Weber, the journal, understands itself as a tapestry of verbal and visual texts, a weave made from the threads of words and images. This issue of Weber - The Contemporary West spotlights three long-standing themes (and forms) of interest to many of our readers: fiction, water, and poetry. If our interviews, texts, and artwork, as always, speak for themselves, the observations below might serve as an appropriate opener for some of the deeper resonances that bind these contributions. THE NOVEL We live in a world ruled by fictions of every kind -- mass merchandising, advertising, politics conducted as a branch of advertising, the instant translation of science and technology into popular imagery, the increasing blurring and intermingling of identities within the realm of consumer goods, the preempting of any free or original imaginative response to experience by the television screen. We live inside an enormous novel. For the writer in particular it is less and less necessary for him to invent the fictional content of his novel. The fiction is already there. The writer’s task is to invent the reality. --- J. G. Ballard WATER Anything else you’re interested in is not going to happen if you can’t breathe the air and drink the water.
    [Show full text]
  • Night and Day Year 3 Earth and Space Sciences
    Fully aligned with theCurriculum Australian Night and day Year 3 Earth and space sciences About this unit Night and day What causes night and day? The rising of the Sun and the Moon are daily reminders of the awe and wonder, beauty and power of the universe. Studying the relationships between the Sun, Earth and Moon helps us understand how we experience day and night on Earth. It also helps us understand directions in terms of North, South, East and West, how time is based on the apparent movement of the Sun across the sky and how time can be determined using a sundial. The Night and day unit is an ideal way to link science with literacy in the classroom. Students explore the sizes, shapes, positions and movements of the Sun, Earth and Moon. They investigate how shadows change throughout the day and link these changes to the Sun’s apparent movement across the sky. Students role-play the movements of the Earth in relation to the Sun and Moon. Through investigations, they explain night and day in terms of the Earth spinning on its axis. Contents © Australian Academy of Science, April 2013. Revised and reprinted March 2015. Revised June 2020. Except as set out below or as allowed under relevant copyright law, you may not reproduce, communicate or otherwise use any of this publication in any of the ways reserved to the copyright owner without the written permission of the Australian Academy of Science. For permissions, contact PrimaryConnections. Educational purposes If you work in an Australian educational institution, you may be able to rely on the provisions in Part VB of the Copyright Act 1968 (Cth) to photocopy and scan pages of this publication for educational purposes.
    [Show full text]
  • Physical Science Can I Believe My Eyes?
    Student Edition I WST Physical Science Can I Believe My Eyes? Second Edition CAN I BELIEVE MY EYES? Light Waves, Their Role in Sight, and Interaction with Matter IQWST LEADERSHIP AND DEVELOPMENT TEAM Joseph S. Krajcik, Ph.D., Michigan State University Brian J. Reiser, Ph.D., Northwestern University LeeAnn M. Sutherland, Ph.D., University of Michigan David Fortus, Ph.D., Weizmann Institute of Science Unit Leaders Strand Leader: David Fortus, Ph.D., Weizmann Institute of Science David Grueber, Ph.D., Wayne State University Jeffrey Nordine, Ph.D., Trinity University Jeffrey Rozelle, Ph.D., Syracuse University Christina V. Schwarz, Ph.D., Michigan State University Dana Vedder Weiss, Weizmann Institute of Science Ayelet Weizman, Ph.D., Weizmann Institute of Science Unit Contributor LeeAnn M. Sutherland, Ph.D., University of Michigan Unit Pilot Teachers Dan Keith, Williamston, MI Kalonda Colson McDonald, Bates Academy, Detroit Public Schools, MI Christy Wonderly, Martin Middle School, MI Unit Reviewers Vincent Lunetta, Ph.D., Penn State University Sofia Kesidou, Ph.D., Project 2061, American Association for the Advancement of Science Investigating and Questioning Our World through Science and Technology (IQWST) CAN I BELIEVE MY EYES? Light Waves, Their Role in Sight, and Interaction with Matter Student Edition Physical Science 1 (PS1) PS1 Eyes SE 2.0.3 ISBN-13: 978- 1- 937846- 47 - 3 Physical Science 1 (PS1) Can I Believe My Eyes? Light Waves, Their Role in Sight, and Interaction with Matter ISBN- 13: 978- 1- 937846- 47- 3 Copyright © 2013 by SASC LLC. All rights reserved. No part of this book may be reproduced, by any means, without permission from the publisher.
    [Show full text]
  • I Can See 1 - Light and Shadows
    I Can See 1 - Light and Shadows Topic: I Can See –Light and Shadows Time: 15 min Age group: 3 - 5 What you need • Kia Rapua I Can See Station • Acrylic panels • Chalks • Markers • Large sheets of paper • Different shapes (objects or cardboard shapes) What to do Set up • Set up the I Can See Station using the panel module • Have the Acrylic Panels in place Activity Ideally this activity should be done at two separate times during the day; in the morning and afternoon. Tell children that, they will be observing shadows outside to see how they change over the course of the day. Before you start is important to decide if you’ll have children use chalk to draw on the ground or if you’ll have them use crayons or markers on large sheets of paper spread on the ground. • Bring children outside to an open, sunny space around the I Can See Station • Break children into pairs. • One children will choose and object or shape to put against the acrylic panel • The other one will trace the shadow of it. • It is important to mark the exact point the object or shape was place. • Return to the spot in the afternoon and have the children switch places and place the object in the exact same position it was. • Have the child use a different colour to trace the new shadow The science • Outside, the shape, size, and position of a shadow change over the course of the day as the sun’s position changes, due to the earth movement.
    [Show full text]
  • An Investigation Into Misconceptions Held by Year 7 Students in Western Australia
    Edith Cowan University Research Online Theses : Honours Theses 1991 What do primary students know about light?: An investigation into misconceptions held by year 7 students in Western Australia Christine Ann Coulstock Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses_hons Part of the Science and Mathematics Education Commons Recommended Citation Coulstock, C. A. (1991). What do primary students know about light?: An investigation into misconceptions held by year 7 students in Western Australia. https://ro.ecu.edu.au/theses_hons/401 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses_hons/401 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth).
    [Show full text]
  • Filled with Lavish Soundscapes, Epic Climaxes, Dramatic Builds, Intimate
    Filled with lavish soundscapes, epic climaxes, dramatic builds, intimate piano moments and inspiring orchestral arrangements, the timeless 12 track instrumental debut The Edge Of The Light by FLOATING IN SPACE is a masterful merging of both delicate and energetic sounds. The album, which tends to lean towards the dramatic side of cinematic songwriting, will undoubtedly appeal to fans of Deep Elm artists including Lights & Motion, U137, Carly Comando, Christoffer Franzen and Inward Oceans. Stream the album preview for The Edge Of The Light here: bit.ly/Dis-eotl “This album is a travel through time, space, distance and feelings. Through my songs, I try to show my vision of a world where light and shadows, calm and fears, solitude and togetherness meet in the vastness of space. There are two things that never cease to inspire me when I look through my window: the sea and the sky. I see all vital experiences, dreams and fears more clearly when taking a night walk along the coastline. Those walks inspire me to describe my feelings through music” says Caballero. He continues, “So I've created an album that I would want to listen to, as if my experiences and feelings were sequences of a movie with my music as the soundtrack. I strongly believed Deep Elm was the ideal record label for Floating In Space due to its superb catalog and their know-how and experience in the genre. It is of vital importance for me to work with people who share my passion for music and who pay attention to every small detail of a song, encouraging their growth and taking them to a whole new level.
    [Show full text]
  • Scienti Prizes
    SCIENTI IN PRIZES ELECTRICITY Free Proof FOTYOU That You Can Equip for the Biggest Jobs m at home JUST think of being able to have this wonderful Shop Methods in Your Own Home book Free-the book that is bringing thousands big money in Electricity. There is no field in the world For I have devised a wonderful new system that that offers such great money -making possibilities to gives you the benefit of actual shop experience in your trained men as Electricity. Thou- own home. Never before has this sands are qualifying the new way by Methods been possible. But now, after fin- actual S. & H. Shop Type Train- Shop Type ishing my training you will be at ing. A few weeks during spare In Your Own Home home in the biggest electrical time in your own home, then you plant, in a sub -station, in a bat- are equipped to step right into jobs paying from $50 tery station, or with expert maintenance men, or on to $150 per week. Get this wonderful book, which automobile and tractor starting, lighting and igni- tells you just how you can do this. Sent free. tion work because you will have had actual experience, which means everything. for $3,000 to $10,000 Jobs Train Backed by Lincoln Inst. of Technology Don't stand back on account of education, experi- Electricity has ence, age, or location. No matter where you live, or This new system of teaching proved so successful that it has been highly recommended now doing, through my course you have what you are and endorsed by the great Lincoln Institute of Tech- a a pay the chance to become in very short time big nology.
    [Show full text]
  • TEFAF Catalogue
    TEFAF Maastricht 11th March – 20th March 2016 Opening Preview on 10th March Stand No. 223 The Yufuku Collection 2016 Our Raison D'etre In recent years, the emergence of a group of Japanese artists who have Kumi Sugai Takafumi Asakura 06 38 spearheaded a new way of thinking in the realm of contemporary art has helped to shift paradigms and vanquish stereotypes borne from the 19th century, their art and aesthetic understood as making vital contributions to the broader history of modern and contemporary art. This new current, linked by the phrase Keisho-ha 10 Sueharu Fukami 42 Niyoko Ikuta (School of Form), encompasses a movement of artists who, through the conscious selection of material and technique, create boldly innovative works that cannot be manifested by any other means. The term craft holds no true meaning to this movement, nor do the traditional dichotomies that have traditionally separated 14 Ken Mihara 46 Akihiro Maeta fine and craft art. In the words of Nietzsche, "Craft is dead." A new age beckons. No country exemplifies this expanding role more so than the artists of contemporary Japan, a country that continues to place premium on elegance in execution coupled with cutting-edge innovation within tradition. No gallery 18 Shigekazu Nagae 50 Naoki Takeyama represents this new movement more so than Yufuku, a gallery that has nurtured the Keisho School from its conceptual inception. Michelangelo once said, "every block of stone has a statue inside, and it is the task of the sculptor to discover it." Our artists are no different, wielding material and 22 Takahiro Yede 54 Sachi Fujikake technique to create a unique aesthetic that can inspire future generations, yet would resonate with generations before us, regardless of age, creed or culture.
    [Show full text]
  • The Model of the Rectilinear Propagation of Light and the Study of the Variation of the Size of a Shadow
    US-China Education Review B 2 (2012) 173-186 D Earlier title: US-China Education Review, ISSN 1548-6613 DAVID PUBLISHING The Model of the Rectilinear Propagation of Light and the Study of the Variation of the Size of a Shadow Abdeljalil Métioui Louis Trudel Université du Québec à Montréal, Université d’Ottawa, Montréal, Canada Ottawa, Canada The international community of the researchers in science education unanimously agrees on the necessity to take into account, in the elaboration of educational strategies, to specify that all development of educational strategies, the conceptual complexity of the scientific models as well as the various conceptions of the learners. In the present research, we are going to identify the conceptions of future teachers of the primary school with respect to the rectilinear propagation of light as well as the survey of the formation of a shadow and the variation of its size. The analysis of the data of a written questionnaire showed that the majority has erroneous conceptions compared to the scientific conceptions. We are going to see also that one can make evolve their conceptions while developing a didactic strategy centered on the conceptual conflict. Keywords: training teacher’s, primary school, conceptual change, light, qualitative research Introduction A review of various researches on the sensitive issue of sciences in elementary schools indicated that children show a fascinating curiosity to understand the material environment with which they interact and, consequently, they develop different conceptions prior to any formal teaching. However, despite of their functional and operational roles, these conceptions appear to conflict with accepted scientific theories (Potari & Spiliotopoulou, 1996, Ravanis, Zacharos, & Vellopoulou, 2010; Russel, Harlen, & Watt, 1989; Selley, 1996; Sharp, 1996; Slone & Bokhurst, 1992).
    [Show full text]
  • The Sacramento/San Joaquin Literary Watershed": Charting the Publications of the Region's Small Presses and Regional Authors
    "The Sacramento/San Joaquin Literary Watershed": Charting the Publications of the Region's Small Presses and Regional Authors. A Geographically Arranged Bibliography focused on the Publications of Regional Small Presses and Local Authors of the Sacramento and San Joaquin Valleys and Sierra Nevada. Second Edition. Revised and Expanded. John Sherlock University of California, Davis 2010 1 "The Sacramento/San Joaquin Literary Watershed": Regional Small Presses and Local Authors of the Sacramento and San Joaquin Valleys and Sierra Nevada TABLE OF CONTENTS. PUBLICATIONS OF REGIONAL SMALL PRESSES. Arranged Geographically by Place Of Publication. A. SACRAMENTO VALLEY SMALL PRESSES. 3 - 75 B. SAN JOAQUIN VALLEY SMALL PRESSES. 76 - 100 C. SIERRA NEVADA SMALL PRESSES. 101 - 127 D. SHASTA REGION SMALL PRESSES. 128 - 131 E. LITERARY MAGAZINES - CENTRAL VALLEY 132 - 145 F. LITERARY MAGAZINES - SIERRA NEVADA. 146 - 148 G. LOCAL AND REGIONAL ANTHOLOGIES. 149 - 155 PUBLICATIONS OF REGIONAL AUTHORS. Arranged Alphabetically by Author. REGIONAL AUTHORS. 156 - 253 APPENDIXES I. FICTION SET IN THE CENTRAL VALLEY. 254 - 262 II. FICTION SET IN THE SIERRA NEVADA. 263 - 272 III. SELECTED REGIONAL ANTHOLOGIES. 273 - 278 2 Part I. SACRAMENTO VALLEY SMALL LITERARY PRESSES. ANDERSON. DAVIS BUSINESS SERVICES (Anderson). BLACK, Donald J. In the Silence. [poetry] 1989 MORRIS PUB. (Anderson). ALDRICH, Linda. The Second Coming of Santa Claus and other stories. 2005 RIVER BEND BOOKS (Anderson, 1998). MADGIC, Bob. Pursuing Wilds Trout: a journey in wilderness values. 1998 SPRUCE CIRCLE PRESS (Anderson, 2002-present?). PECK, Barbara. Blue Mansion & Other Pieces of Time. 2002 PECK, Barbara. Vanishig Future: Forgotten Past. 2003 PECK, Barbara. Hot Shadows.: whispers from the vanished.
    [Show full text]
  • FROM DARKNESS to LIGHT WRITERS in MUSEUMS 1798-1898 Edited by Rosella Mamoli Zorzi and Katherine Manthorne
    Mamoli Zorzi and Manthorne (eds.) FROM DARKNESS TO LIGHT WRITERS IN MUSEUMS 1798-1898 Edited by Rosella Mamoli Zorzi and Katherine Manthorne From Darkness to Light explores from a variety of angles the subject of museum ligh� ng in exhibi� on spaces in America, Japan, and Western Europe throughout the nineteenth and twen� eth centuries. Wri� en by an array of interna� onal experts, these collected essays gather perspec� ves from a diverse range of cultural sensibili� es. From sensi� ve discussions of Tintore� o’s unique approach to the play of light and darkness as exhibited in the Scuola Grande di San Rocco in Venice, to the development of museum ligh� ng as part of Japanese ar� s� c self-fashioning, via the story of an epic American pain� ng on tour, museum illumina� on in the work of Henry James, and ligh� ng altera� ons at Chatsworth, this book is a treasure trove of illumina� ng contribu� ons. FROM DARKNESS TO LIGHT FROM DARKNESS TO LIGHT The collec� on is at once a refreshing insight for the enthusias� c museum-goer, who is brought to an awareness of the exhibit in its immediate environment, and a wide-ranging scholarly compendium for the professional who seeks to WRITERS IN MUSEUMS 1798-1898 proceed in their academic or curatorial work with a more enlightened sense of the lighted space. As with all Open Book publica� ons, this en� re book is available to read for free on the publisher’s website. Printed and digital edi� ons, together with supplementary digital material, can also be found at www.openbookpublishers.com Cover image:
    [Show full text]
  • The Big Easy
    PIPERLIME TO SHUT INVISTA EVOLVES DOWN LONG LIVE LYON GLOBAL FIBER AND POLYMER PRODUCER INVISTA IS GAP INC. WILL SHUTTER EXCLUSIVITY AND CRAFTSMANSHIP ARE VITAL FOR RELAUNCHING ITS FLAGSHIP BRAND. PAGES 9 TO 14 THE WEB SITE BY THE END SILK FIRMS TO STAY RELEVANT. PAGE 20 OF THE QUARTER. PAGE 2 SALES REMAIN STRONG Couture Shows Begin As Uncertainties Reign By MILES SOCHA PARIS — Couture faces a 2015 full of uncertainties except for one: High fashion entered the New Year fi ring on all cylinders. France’s most emblematic houses, Chanel and Dior, characterized 2014 as a record year for couture MONDAY, JANUARY 26, 2015 ■ $3.00 ■ WOMEN’S WEAR DAILY as an infl ux of younger clients from varied geogra- WWD phies, especially Asia, continue to fuel the rare and costly enterprise. Valentino cited a 50 percent bump in last year’s couture tallies, lifted in part by a Shanghai showing and sustained demand from the Middle East. Executives downplayed the likelihood of a drop in attendance due to the recent terror attacks in Paris, confi dent that the world’s most privileged women — and a slice of the world press — will converge on the The French capital for four days of shows, which opened Sunday night with Versace. “I cross my fi ngers,” said Sidney Toledano, chief executive offi cer of Dior, noting the house has re- ceived numerous messages of support and expects most fashion professionals and clients to adopt “an Big attitude of ‘no’ to terror, and we are not afraid.” Toledano was among more than a million people who marched in the French capital on Jan.
    [Show full text]