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16 Textiles in Defence* Richard a Scott Defence Clothing and Textiles Agency, Science and Technology Division, Flagstaff Road, Colchester, Essex CO2 7SS, UK
16 Textiles in defence* Richard A Scott Defence Clothing and Textiles Agency, Science and Technology Division, Flagstaff Road, Colchester, Essex CO2 7SS, UK 16.1 Introduction To be prepared for War is one of the most effectual means of preserving Peace (George Washington, 1790)1 Defence forces on land, sea, or air throughout the world are heavily reliant on tech- nical textiles of all types – whether woven, knitted, nonwoven, coated, laminated, or other composite forms. Technical textiles offer invaluable properties for military land forces in particular, who are required to move, live, survive and fight in hostile environments. They have to carry or wear all the necessities for comfort and sur- vival and thus need the most lightweight, compact, durable, and high performance personal clothing and equipment. The life-critical requirements for protecting indi- viduals from both environmental and battlefield threats have ensured that the major nations of the world expend significant resources in developing and providing the most advanced technical textiles for military use. 16.2 Historical background Military textile science is not new, and one of the earliest documented studies can probably be credited to Count Rumford, or Benjamin Thompson. Rumford was an American army colonel and scientist who issued a paper in 1792 entitled ‘Philo- sophical Transactions’, which reported on the importance of internally trapped air in a range of textile fabrics to the thermal insulation provided by those fabrics.2 He was awarded the Copley Medal for his paper, as the significance of his discovery was recognised immediately. * Copyright MOD (1997) DCTA, Colchester, Essex CO2 7SS 426 Handbook of technical textiles 16.2.1 Pre-Twentieth century Up until the end of the 19th century military land battles were fought at close quar- ters by individual engagements. -
ALDI Textiles
ALDI Textiles ALDI Textiles Guideline 2 Aloe Vera. Recognises the demand all on its own. A Aloe vera micro capsules are attached to the textile fibres using a binder. The friction from wearing causes the microcapsules to burst and release the moisturising substance. The advantage of the microcapsules is the fact that the encapsulated substance is only released when the fabric is mechanically stressed. Through the addition of the aloe vera capsules, the garment hydrates and moisturises the skin. Anti-Pilling. Reduces pilling. A Anti-pilling is a special finishing process for reducing the formation of pilling, meaning lint, in predominantly synthetic materials. This is primarily achieved through a mechanical process or heat treatment. ALDI Textiles Guideline 3 Breathable. Keeps you dry and keeps moisture away. B Breathable fabrics are defined as textiles which possess certain physiological properties which above all wick moisture away from the skin. Such materials may also be water-resistant and therefore protect against rain. See also: Cool & Fresh, COOLMAX® ALDI Textiles Guideline 4 Cotton. The all-rounder among textiles. C Cotton is derived from the soft seed hair of the cotton plant. The plant thrives in countries with a sub-tropical climate, such as the USA, Egypt, India, and South Africa, and in terms of volume is one of the most important raw textiles materials in the world. The quality of cotton wool is dependent on its fineness, strength, fibre length and consistency. See also: Wool, virgin wool, organic cotton, Pima cotton PROPERTIES: It is skin-friendly: Due to its softness, it is very pleasant on the skin. -
Adidas' Bjorn Wiersma Talks Action Sports Selling
#82 JUNE / JULY 2016 €5 ADIDAS’ BJORN WIERSMA TALKS ACTION SPORTS SELLING TECHNICAL SKATE PRODUCTS EUROPEAN MARKET INTEL BRAND PROFILES, BUYER SCIENCE & MUCH MORE TREND REPORTS: BOARDSHORTS, CAMPING & OUTDOOR, SWIMWEAR, STREETWEAR, SKATE HARDWARE & PROTECTION 1 US Editor Harry Mitchell Thompson HELLO #82 [email protected] At the time of writing, Europe is finally protection and our Skateboard Editor, Dirk seeing some much needed signs of summer. Vogel looks at how the new technology skate Surf & French Editor Iker Aguirre April and May, on the whole, were wet brands are introducing into their decks, wheels [email protected] across the continent, spelling unseasonably and trucks gives retailers great sales arguments green countryside and poor spring sales for for selling high end products. We also have Senior Snowboard Contributor boardsports retail. However, now the sun our regular features; Corky from Stockholm’s shines bright and rumours are rife of El Niño’s Coyote Grind Lounge claims this issue’s Tom Wilson-North tail end heating both our oceans and air right Retailer Profile after their second place finish [email protected] the way through the summer. All is forgiven. at last year’s Vans Shop Riot series. Titus from Germany won the competition in 2015 and their Skate Editor Dirk Vogel Our business is entirely dependent on head of buying, PV Schulz gives us an insight [email protected] Mother Nature and with the Wanderlust trend into his buying tricks and tips. that’s sparked a heightened lust for travel in Millenials, spurred on by their need to document Our summer tradeshow edition is thoughtfully German Editor Anna Langer just how “at one” with nature they are, SOURCE put together to provide retailers with an [email protected] explores a new trend category in our Camping & extensive overview of SS17’s trends to assist Outdoor trend report. -
George Steiner> Octavio Paz José Emilio Pacheco
Octavio Paz CENTENARIO Adolfo Castañón • Paul-Henri Giraud José Emilio Pacheco 1939-2014 Literal. Latin American Voices • vol. 35 • winter / invierno, 2014 • Literal. Voces latinoamericanas • vol. 35 winter / invierno, 2014 • Literal. Voces Literal. Latin American Voices On Science and the Humanities George Steiner4 ¿Las humanidades, humanizan? Mario Bellatin4La aventura de Antonioni Fernando La Rosa4Archeological Photography Dossier Cuba: Maarten van Delden • Yvon Grenier • Héctor Manjarrez Carlos Espinosa • Mabel Cuesta • Ernesto Hernández Busto Forros L35.indd 1 07/02/14 10:24 d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y latin american voices d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y www.literalmagazine.com d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y d i v e r s i d a d / l i t e r a l / d i v e r s i t y 2 LITERAL. -
© 2018 Weronika Gaudyn ALL RIGHTS RESERVED
© 2018 Weronika Gaudyn ALL RIGHTS RESERVED STUDY OF HAUTE COUTURE FASHION SHOWS AS PERFORMANCE ART A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts Weronika Gaudyn December 2018 STUDY OF HAUTE COUTURE FASHION SHOWS AS PERFORMANCE ART Weronika Gaudyn Thesis Approved: Accepted: _________________________________ _________________________________ Advisor School Director Mr. James Slowiak Mr. Neil Sapienza _________________________________ _________________________________ Committee Member Dean of the College Ms. Lisa Lazar Linda Subich, Ph.D. _________________________________ _________________________________ Committee Member Dean of the Graduate School Sandra Stansbery-Buckland, Ph.D. Chand Midha, Ph.D. _________________________________ Date ii ABSTRACT Due to a change in purpose and structure of haute couture shows in the 1970s, the vision of couture shows as performance art was born. Through investigation of the elements of performance art, as well as its functions and characteristics, this study intends to determine how modern haute couture fashion shows relate to performance art and can operate under the definition of performance art. iii ACKNOWLEDGEMENTS I would like to thank my committee––James Slowiak, Sandra Stansbery Buckland and Lisa Lazar for their time during the completion of this thesis. It is something that could not have been accomplished without your help. A special thank you to my loving family and friends for their constant support -
Speciality Fibres
Speciality Fibres wool - global outlook what makes safil tick? nature inspires innovation in fabric renaissance for speciality fibre china rediscovers south african mohair who supplies the supplier? yarn & top dyeing sustainable wool production new normal in the year of the sheep BUYERS GUIDE TO WOOL 2015-2016 Welcome to Wool2Yarn Global - we have given our publication a new name! This new name reflects the growing number of yarn manufactures that are now an important facet of this publication. The new name also better reflects our expanding global readership with a wide profile from Acknowledgements & Thanks: wool grower to fabric, carpet and garment manufacturers in over 60 Alpha Tops Italy countries. American Sheep Association Australian Wool Testing Authority Our first publication was published in Russian in1986 when the Soviet British Wool Marketing Board Union was the biggest buyer of wool. After the collapse of the Soviet Campaign for Wool Canadian Wool Co-Operative Union this publication was superseded by a New Zealand / Australian Cape Wools South Africa English language edition that soon expanded to include profiles on China Wool Textile Association exporters in Peru, Uruguay, South Africa, Russia, UK and most of Federacion Lanera Argentina International Wool Textile Organisation Western Europe. Interwoollabs Mohair South Africa In 1999 we further expanded our publication list to include WOOL Nanjing Wool Market EXPORTER CHINA (now Wool2Yarn China) to reflect the growing New Zealand Wool Testing Authority importance of Asia and in particular China. This Chinese language SGS Wool Testing Authority magazine is a communication link between the global wool industry Uruguayan Wool Secretariat Wool Testing Authority Europe and the wool industry in China. -
Pirelli: Präsentation Des Kalenders 2017 Von Peter Lindbergh in Paris
PRESSEMITTEILUNG PIRELLI: PRÄSENTATION DES KALENDERS 2017 VON PETER LINDBERGH IN PARIS www.pirellicalendar.com zeigt exklusiv Wissenswertes zur neuesten Ausgabe von „The Cal“™ Paris, 29. November 2016 – In Paris wurde heute der Pirelli Kalender 2017 von Peter Lindbergh präsentiert, einem der international renommiertesten Fotografen. Mit der Ausgabe von 2017, die auf die aktuelle Edition von Annie Leibovitz folgt, ist der deutsche Künstler der einzige Fotograf, der den Pirelli Kalender drei Mal gestaltet hat. 1996 machte er die Aufnahmen in der Wüste El Mirage in Kalifornien, 2002 ging es in die Studios der Paramount Pictures in Los Angeles. Im Jahr 2014 machte er zusammen mit Patrick Demarchelier außerdem die Aufnahmen anlässlich des 50jährigen Jubiläums des Kalenders, der dieses Jahr, da es einige Unterbrechungen in der Veröffentlichung gab, zum vierundvierzigsten Mal herausgegeben wird. Der Fotograf erklärt seinen Ansatz, der sich wie ein roter Faden durch den Pirelli Kalender 2017 zieht: „In einer Zeit, in der die Frauen in den Medien und allgemein als Abbild von Perfektion und Schönheit gelten, war es für mich wichtig, daran zu erinnern, dass es noch eine andere, wirklichere und authentischere Art der Schönheit gibt, die nicht von der Werbung oder anderem manipuliert wird. Eine Schönheit, die Individualität und den Mut, man selbst zu sein sowie Empfindsamkeit zum Ausdruck bringt.“ Der von Lindbergh gewählte Titel „Emotional“ unterstreicht seine Absicht, mit den Aufnahmen „keinen Kalender der perfekten Körper zu schaffen, sondern vielmehr einen Kalender der Empfindsamkeit und der Gefühle, der die Seelen der abgelichteten Personen freilegt und sie dadurch nackter darstellt als in Nacktaufnahmen.“ Um seine Vorstellung von natürlicher Schönheit und Feminität zu realisieren, hat Lindbergh vierzehn bekannte Schauspielerinnen abgelichtet: Jessica Chastain, Penelope Cruz, Nicole Kidman, Rooney Mara, Helen Mirren, Julianne Moore, Lupita Nyong'o, Charlotte Rampling, Lea Seydoux, Uma Thurman, Alicia Vikander, Kate Winslet, Robin Wright, Zhang Ziyi. -
Simon Lazard
N°3 Maison des lycéens : à quoi ça sert ? (p. 3) LES ARTS DU LAZARD COLLAGES SURREALISTES RENCONTRE FRANCO-ALLEMANDE POUR LA SECTION EUROPLUS (p.5) NUMERO OFFERT A LA NE PEUT ETRE DECOUVERTE VENDU ! DU SRI LANKA (p.24-27) La devise de Mme Menger « Tu me dis, j’oublie. Tu m’enseignes, je me souviens. Tu m’impliques, j’apprends » (Benjamin Franklin) Mme Menger, proviseur du lycée Simon Lazard SOMMAIRE « Battlefield 4 » par Lucas Huber et Grégory Schweitzer (HOT) VIE DE L’ETABLISSEMENT (p.3-9) « Notre concours de danse » par Célia Steffanus et « Maison des lycéens » par le Comité Amandine Lulewicz (ASSP) « Liste du Conseil de la Vie lycéenne » MUSIQUE (p.19-21) « Liste des représentants des élèves au conseil d’administration » « Les vieillards » par Alizee Siffermann et Amélie Moss (ASSP) « Première rencontre franco-allemande pour la section Europlus » par Valentin Collu-Nau et Tho- « Baptiste Giabiconi » par Morgane Bles (COM) mas Freitag (1COM1) « Muse, un groupe de rock hors du commun » par « PFMP en Allemagne » par Margot Brenneis, Ma- Adrian Sommer (COM) rion Hory, Julie Becker, et Laura Kennel (1COM1) « Tupac Shakur » par Loïc Seiler et Kiliyan Yildirim « Ventes de chocolats et de Poinsettias durant le (LT) mois de décembre » de Laurène Tiraboschi et Ho- pe Yell (1COM1) SPORT (22-23) « Découverte et initiation aux Arts martiaux au ly- « David Rinaldo, champion du monde catégorie cée Simon Lazard » par Omar Kaced FMX » par Arthur Ausias (COM) « Sortie à la faïencerie de Sarreguemines » par « La natation » par Caroline -
Harmon Tells Aircrafters
1111 > lVaVj. wi Vsurui I ft *^JM/ = AIRCRAFT EDITION = nil. -~*- B AMERICA FIRST IN THE AIR Vol.4 AKRON, OHIO, WEDNESDAY, FEBRUARY 9, 1944. No. 6 Victory Up To Workers on Production Line, "Tom" Harmon Tells Aircrafters » ■"»-"" "««. "" -^. o-vn"«"».**■"""». a" -tm "«*. "»■"», " "'^. "s-^.""■"^,"" '"a. ■» ""as,«» vi'X.ivi-x.ixh vmNi>v>ivn'viiXtPXii>.iiVii'xii'viF>..>virv BOND DRIVE Lieutenant "Tom" Harmon Shows Spot Where He Was "Lost" \ LIEUTENANT CASH SALES HERE WITH OVER $70,000 FILM STAR Employes On List As Members Of Captain Frank Baldwin Of "$1,000 Club" Jap Fighting Fame Aids "QuotaShip"Kickoff The Fourth War Loan drive SBBBBtM^H .MM SBBBsW at Aircraft is well on its way over the quota of 90 per cent Speaking with the "purjcji" participation, according to word and sincerity of men who aVOfjit from campaign headquarters. ally have met and beaten the As of Monday 85 per cent of finest pilots and planes the Axis the employes were on the has to offer, Lieutenant "Tom.'8 wagon," with 1,300 new sav" v3! IE V. ri "bond sW.\sO^H mW i If J Harmon, former All-Americah applicants for deductions, and football star, now of the army 7,000 already having increased ""' air forces, and Marine Captain their pledges. W* ssssssB*^* r sRK>Jaaaaaa<P ■ a^SBBBsi *' ,_^M■■ mmM Frank has Cash sales have been large RRRJ^TIF 'iS^H HP^: " ' -JlaaaRI mmmmmmW' a^aaaBBBBBBBBBBBBBBBBsi Baldwin, who com- so far in the campaign. The at- pleted 186 combat missions est figures show that over $70,- Vj|fl against the Japs, while flying 000 has been pledged withabout ssssssssl raK Corsairs, opened Plant D's Feb- 45 being of the $1,000 variety. -
Culture Club
PLUS: DESIGNERS ARE GOING FOR GOLD FOR FALL, WITH THE SHINY STUFF ALL OPEN HOUSE OVER THE RUNWAYS. EYE: BARNEYS NEW YORK CHIEF MARK LEE THROWS A BASH AT HOME FOR KATIE HOLMES AND HER HOLMES & YANG LINE. SEE STYLE, PAGE 8 JAPAN NUCLEAR CRISIS Fashion Firms Shift Workers Out of Tokyo By WWD STAFF FRIDAY, MARCH 18, 2011 ■ WOMEN’S WEAR DAILY ■ $3.00 FASHION COMPANIES BEGAN to leave Tokyo WWD Thursday, moving westward to Osaka amid the threat of radioactive fallout, widening blackouts and diminishing food supplies. Six days after a massive earthquake and tsu- nami hit Japan, damaging the Fukushima nucle- ar plant 124 miles northeast of the capital city, Chanel was handing out iodine tablets to work- ers and Hennes & Mauritz and PPR temporarily relocated offi ces. And some brands stopped giv- ing updates on their operations in the country. Ordinarily accessible, Polo Ralph Lauren Corp., Burberry and Paul Smith, as well as several other fi rms, did not respond to requests for comment Thursday. Procter & Gamble Co. issued a state- ment saying all its employees were safe, but a spokeswoman declined to say whether they had been instructed to leave Tokyo. Many fi rms in the capital have already given their employees the green light to work remotely, given rolling blackouts on the edges of the city and erratic train service. Japan’s Energy and Trade Ministry warned Thursday that there was a risk of a widespread blackout in the Tokyo area. That prompted many to leave work and stores to close their doors earlier than usual. -
Daily Iowan (Iowa City, Iowa), 1944-06-24
"ATtON CALENDAR Rain PROCESSED Fe ODS blue sts,,,ps AS throu.h VB valld lndoll· tIllely; MEAT red . talOp. A8 through W8 valid Ind'flnlt~)I' SUGAR 5raduale . ,tamp 30. 31 (book 4) valid Indefinitely. stamp 40 for cannIn. su,ar THE 'DAILY IOWAN IOWA: Fair, CeeIH rxplr•• "eb. 28, 1045: SHOE .tamp. airplane .t.mps I and 2 (book S) valid Indt!lnllely: GASOLINE A· II coupon expire. June 22; ~ne Crash rumL OIL per. 4 and 5 coupon. expire Sept. 30. Iowa Cit y , s . M 0 r n I n g IN e w spa per ng the rescue 0/ t1VE CENTS TBI .U~OVIATID .D.I IOW.ft CITY, IOWA SATURDAY, JUNE 24,1944 VOLUME XIJV NUMBER 230 'ew In south Pl. 1, Lleut. (j. ') 6, co mmander of Soviet Army Opens lane, was kU'-! ina crashed ia B Fred w., Ambrose to Long-Expected Drive ink Immediatel,. e Jap Garrier Possibly Sunk; rred hundreds 01 e. Some of the Red Troops Smash ere aa ved, whUe Nazi Lines at Vitebsk red and were S.'U.I. Business Manager Evidently Lieu. In White Russia' knoc.ked uncon. • • JI.. , * * * LONDON, Saturday (AP)-The Yanks Hit Ch,erbourg line ash landing Bile! his ship. Thompson Red army crashed into German I, a graduate of lines on two sides of the fortified ho had been ov. city of Vitebsk in White Russia. Pori's Fall NNinth Straig.ht Nigh'- 30, 1943, 3ervJcl in Bermuda be. Student Dean yesterday, openinl( the long-ex- R k f States. He ~n . det training Mly ~~~tedea~~yVie~o::m~ros~:ns~v:~ Appe rs Near OZI oc e IS commisslonect Board of Education I nounced th;!t "pnormotls losses" a racksonvi UI\, FJa. -
On the Craft of Fiction—EL Doctorow at 80
Interview Focus Interview VOLUME 29 | NUMBER 1 | FALL 2012 | $10.00 Deriving from the German weben—to weave—weber translates into the literal and figurative “weaver” of textiles and texts. Weber (the word is the same in singular and plural) are the artisans of textures and discourse, the artists of the beautiful fabricating the warp and weft of language into everchanging pattterns. Weber, the journal, understands itself as a tapestry of verbal and visual texts, a weave made from the threads of words and images. This issue of Weber - The Contemporary West spotlights three long-standing themes (and forms) of interest to many of our readers: fiction, water, and poetry. If our interviews, texts, and artwork, as always, speak for themselves, the observations below might serve as an appropriate opener for some of the deeper resonances that bind these contributions. THE NOVEL We live in a world ruled by fictions of every kind -- mass merchandising, advertising, politics conducted as a branch of advertising, the instant translation of science and technology into popular imagery, the increasing blurring and intermingling of identities within the realm of consumer goods, the preempting of any free or original imaginative response to experience by the television screen. We live inside an enormous novel. For the writer in particular it is less and less necessary for him to invent the fictional content of his novel. The fiction is already there. The writer’s task is to invent the reality. --- J. G. Ballard WATER Anything else you’re interested in is not going to happen if you can’t breathe the air and drink the water.