24 CAA Conference Information 2006

ARTspace is a conference within the Conference, tailored to the interests and needs of practicing artists, but open to all. It includes a large­ audience session space and a section devoted to the video lounge.

UNLESS OTHERWISE NOTED. ALL ARTSPACE EVENTS ARE IN THE HYNES CONVENTION GENTER, THIRD LEVEl, ROOM 312.

WEDNESDAY, FEBRUARY 22 ------

7:30 AM-9:00 AM MORNING COFFEE, TEA, AND JUICE

9:30 AM-NOON SlOPART.COM BRIAN REEVES AND ADRIANE HERMAN Slop Art corporate representatives will share popular new product­ distribution and expression-formatting strategies they've developed to address mounting consumer expectation for increasing affordability, portability, familiar formatting, and validating brand recognition. New franchise opportunities, including the Slop Brand Shippable Showroom™, will be outlined. Certified Masterworks™ and product submission guidelines FREE to all attendees.

12:30 PM-2:00 PM RECENT WORK FROM THE MIT MEDIA LAB Christopher Csikszelltlnihalyi, a visual artist on the faculty at the MIT Media Lab, coordinates a presentation featuring recent faculty work from the MIT Media Lab; see http;llwww.media.mit.edu/about! academics.htm!.

2:30 PM-5:00 PM STUDIO ART OPEN SESSIOII PAINTING Chairs; Alfredo Gisholl, ; John G. Walker, University Panelists to be announced. BOSTON 25 THURSDAY, FEBRUARY 23 2:30 PM-5:00 PM STUDIO ART OPEN SESSIOII 7:30 AM-9:00 AM PRINTERLY PAINTERLY: THE INTERRELATIONSHIP OF PAINTING AND PRINTMAKING MORNING COFFEE, TEA, AND JUICE Chair: Nona Hershey, College of Art Clillord Ackley, Museum of Fine Arts, Boston 9:00 AM-5:30 PM Michael Mazur, independent artist James Stroud, independent artist, Center Street Studio, Milton Village, VIDEO lOUNGE: EXPANDED CINEMA FOR THE DIGITAL AGE Massachusetts A video screening curated by leslie Raymond and Antony Flackett

Expanded Cinema emerged in the 19605 with aspirations to explore expanded consciousness through the technology of the moving image. FRIDAY, FEBRUARY 24

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This thriving, contemporary manifestation of Expanded Cinema is many things: visual music, video improvisation, intermedia 7:30 AM-9:00 AM improvisation, video performance, a/v performance, improvised MORNING COFFEE, TEA, AND JUICE cinema, live-music video, live video collage. This screening surveys a selection of single-channel video works made by these artists who perform with the moving image, 9:00 AM-5:30 PM VIDEO LOUNGE: VIBE 9:30 AM-NOON Conrad Gleber, Florida State University CM SERVICES TO ARTISTS COI,IMITTEl A survey of public video projects by Video in the Built Environment THE ARTIST AS CURATOR/ALTERNATIVE EXHIBITION STRATEGIES (www.vlb3.com).VIBEisanartist·ledprojectbegunin 2004 in the Chairs: Virginia Derryberry, University of North Carolina, Asheville; UK by the artists Mat Rappaport, Conrad Gleber, and John Marshall. Reni Gower, Virginia Commonwealth University Their efforts focus on the integration of new-media art with the built Construction Ahead: Strategies for a Successful Road Show environment through curated Site-specific interventions, screened Reni Gower, Virginia Commonwealth University presentations, and collaborations with architects and developers. It Artist Power is a growing collaboration that involves over 100 international artists. Teresa Bramlette Reeves, Georgia State University architects, and designers interested in issues of public and urban interaction with new-media art. Tile City Reliquary George Ferrandi, independent artist, New York An Artist and Her Institute 9:30 AM-NOON Meg Rolzel, Berwick Institute. Boston INTERROGATING BOSTON AS A SITE FOR CONTEMPORARY ART Making Your Own Art World: Learning to Love You More Chairs: Cynthia Fowler, Wentworth Institute 01 Technology: (A Participatory Website and Its Effects) Dena Gilby, Endicott College Harrell Fletcher, independent artist, Portland Points of Insertion: Legibility and Access in Boston's Contemporary Art Scene To find significant and meaningful opportunities to exhibit artwork is Judith leeman, independent artist, Boston; a challenge. This panel provides strategies and innovative approaches lessica Marks, independent artist. Boston for getting the work out. Panelists wil! discuss independent exhibition A Case for Boston as a Liquid Not a Solid initiatives and ways they have created opportunities as curators Catherine D'ignazio, Institute for Infinitely Small Things through alternative venues. Making Space for Art and Community: The Revolving Museum Jerry Beck, Revolving Museum 12:30 PM-2:00 PM as a Catalyst for Community and Place Making CAA SERVICES TO ARTISTS COl.Il.llTTEl in Boston: Recent Initiatives by Cultural Nonprofits and CURATORS AS ARTISTS Grassroots Organizations Chair: Joe Seipel, Virginia Commonwealth University Christina lanzi, Urban Arts Institute, Massachusetts College of Art Gregory Volk Not Conservative: One Curator's Experience with Boston'sArt Audience Sabine Russ Bill Arning, Massachusetts Institute of Technology, List Gallery Robert R. Todd 26 CAA Conference Information 2006

12:30 PM-2:00 PM 9:30 AM-NOON SERVICES TO ARTISTS COMMITTEE CAN WE FALL IN LOVE WITH A MACHINE? ARTIST RESIDENCY OPPORTUNITIES Chair, Claudia Hart, Sarah Lawrence College and Chair: Elizabeth Conner, independent artist, Seattle Enchanted Voyageurs Panelists to be announced. Michael Century, Rensselaer Polytechnic Institute Mr, Softee Takes Command, Morphological Soft Machines 2:30 PM-5:00 PM Beth Coleman, Massachusetts Institute of Technology Roberta, Ruby, DiNA and RoBota TENTH ANNUAL ARTISTS' INTERVIEWS lynn Hershmann leeson, University of California, Davis George Nick, interviewed by John Stomberg, Williams College Museum of Art The Evolution of Art in the Age of Biotechnology, Cyborgs Meet Annette lemieux, interviewed by lelia Amalfitano Chimeras Ellen Levy, artist, Brooklyn College Mechanical Pathos: The 21st-Century Condition? 5:30 pM-6:30 PM Judith Rodenbeck, Sarah Lawrence College ARTSTAR PRESENTATION AND DISCUSSION Interactivity and Substitution in Edouard Manet's Olympian Chris Sperandio, Carnegie Mellon University Selves Discussants to be announced. James H, Rubin, State University of New York, Stony Brook Love and Authenticity, After We Love Our Machines, What Next? International art competitions, like all juried exhibitions, are Sherry Turkle, Massachusetts Institute of Technology predicated on the belief in quality. The taste and expertise of jurors make this system work. With this in mind, what CQuid be more Apples, Wheelchairs, and Unrequited Love appropriate than a reality television show set in New York City, where Mari Velonaki, University of Sydney aspiring artists compete for fame and recognition? In 2005, working with Gallery HD and Deitch Projects, ARTSTAR, a ground breaking new television documentary, was announced. ARTSTAR is the first­ 12:30 PM-2:00 PM ever unscripted television series created and produced by an artist, FILM SCREENING: M, C, RICHARDS: THE FIRE WITHIN and is set in the New York art world. Presented by Richard Kane, Kane-Lewis Productions

M, C. Richards, The Fire Within was produced by the potter and arts 7 :00 pM-9:00 PM educator Melody Lewis-Kane (a former art-education instructor at the ARTS EXCHANGE University of Southern Indiana) and the filmmaker Richard Kane. HYNES CONVENTION CENTER. PLAZA LEVEL, HI\LL 8 Cash Bar 2:30 PM-5:00 PM Artist members of the College Art Association participate in an open NEWI,IEDIA CAUCUS portfolio session. Six-foot tables have been reserved for artists to show ASIA EFFECTS IN NEW MEDIA drawings, prints, paintings, photographs, battery-powered laptops, SPOIISOREO BY Till MAHYLMID INSTITUTE COLLEGE OF ART (MICA) AND GWANGJU or anything else that will fit on the table. This session is open to the DIEliliALE 2006 public, free of charge. Sale of works is not permitted. Chair: Mina Cheon, Maryland Institute College of Art Kim Hong-hee, artistic director, Gwangju Biennale 2006, and director, SSamzie Space, Seoul SATURDAY, FEBRUARY 25 Wu Hung, , and chief curator, Gwangju Biennale ------2006 Stephen Vitiello, Virginia Commonwealth University, archivist for The 7:30 AM-9:00 AM Kitchen, New York MORNING COFFEE, TEA, AND JUICE SOWOIl Kwon, Vermont College

The panel looks at the trajectory of Asian influence on western art, 9:00 AM-5:30 PM especially in examining the effects of new-media art. VIDEO LOUNGE PROGRAM: MIT MEDIA LAB Christopher Csikszentmihalyi, a visual artist on the faculty at the MIT Media Lab, will coordinate a presentation featuring recent faculty work from the MIT Media Lab, 28 Sessions 2006

Sessions 29

WEDNESDAY, FEBRUARY 22 l!I:3 STUDIO ART OPElI SESSION THE ALTERED PAGE 7 :30 AM-9:00 AM HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 208 Chair: Jesseca Ferguson, School of the Museum of Fine Arts, Boston, m and Art Institute of Boston at WOMEN'S CAUCUS rOR ART Colossal Volumes: Cye/oramas, Inhabitable Books, and BUSINESS MEETING Illuminated Rooms HYNES CONVENTION CENTER, PLAZA LEVEL, ROOM 103 Amy Broderick, Florida Atlantic University

Contemporary Codex: Ceramics and the Book 9:30 AM-NOON Holly Hanessian, Florida State University Cut-Book Project ACADEMICS, POMPIERS, OFFICIAL ARTISTS, AND THE ARRIERE­ leo Morissey, Winston-Salem State University GARDE: TRADITIONAL ART IN FRANCE, 1900-1960 HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 202 Eating a Good Book Chairs; Natalie Adamson, University of St. Andrews; Toby Norris, Rosamond Purcell, photographer and author, Medford, Mass, Yo! Look at the Book I Made: Urban Youth Make Artist Books "La grande batail/e": The "Official" Salons, the Salon d'Automne, Janice Rogovin. independent artist/educator, Boston and the Politicization of Cubism Discussants: Deborah Davidson, Art Institute of Boston / New Center fae Brauer, University of New South Wales for Arts; Ellen Rothenberg, School of the From Engagement to Estrangement: Mapping Artists from Germany in 1930s France RUINS AND AFTER: ART IN THE AGE OF GLOBAL VIOLENCE Keith Halz, Western University HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 311 Chair: Eugenio Filice, The Nightmare of Tradition: Boris Taslitzky's Petit Camp de Buchenwald en fevrier 1945 in Ruins Vivian Rehberg, independent scholar, Paris Marni Kessler, University of Kansas

France at the 1960 Biennale: Internationalism and the A Strange Absence End of the Arriere-Garde Armin MUhsam, Northwest Missouri State University Nancy Jachec, Oxford Brookes University For to End Yet Again: (Re)Enacting Tragedy in Public Memory Gerard Brown, Art Center College of Pasadena

Shock and Awe, Collateral Damage, and the Architecture of Contemporary War CM EOUCATION COMMITTEE Andrew Herscher, University of 1!linois, Urbana-Champaign fORMAL ANALYSIS: PROGRAM ASSESSMENT AND THE ART! HISTORY DEPARTMENT OR SCHOOL Romanticizing New Ruins in Bosnia HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 302 Damir Niksic. artist, Chicago Chairs: Kevin Concannoll, University of Akron, Myers School of Art; Martha Dunkelman, Canisius College Assessment as Critique l!I:3 Jodi Cressman, DePau! University ART HISTORY OPElI SESSION ARCHITECTURE, URBANISM, LANDSCAPE, 1400-1700 Learning-Centered Student Evaluation: Some Theoretical HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 304 Implications and Practical Applications of a New Paradigm Chair: David Friedman, Massachusetts Institute of Technology Stephen Carroll, Santa Clara University An Alternative Elite World: The Site and View of the 1650s Outcomes Assessment in the Media Arts: English Country House A Multidimensional Model Kimberly Skelton, Ferris Crane, Robert Morris University Between Wilderness and Architecture: Landscapes of Piety Assessment as Formal Evaluation in Introductory Art History in the Ottoman City Laetilia La Follette, University of Massachusetts, Amherst; Heghnar Watenpaugh, Massachusetts Institute of Technology Alan Peterfreund, Peterfreund Associates, Amherst Naples 1600: Urban Renewal and Appropriation under the Spanish Habsburgs Sabina de Cavi, 30 Sessions 9:30 AM-NOON

Reexamining Spanish Baroque Architecture Using What We Make: The Graphic-Design Artifact as Jesus Escobar, Fairfield University Teaching Tool Tony Brock, North Carolina State University The Villa Barberini ai Bastioni: Papal Politics and Family Power in the Urban Landscape of Early Modern Rome Establishing a Standard Performance Notation System through Katherine M. Bentz, Columbia University Typographic Design Barbara Sudick, California State University, ; THE DARKROOM: ONCE THE STANDARD, NOW THE EXCEPTION Joe Hilsee, California State University, Chico HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 305 Digital Learning Tools: Designing Educational Materials That Are Chairs: Marita Gootee. Mississippi State University; Experiential and Multisensory Wendy Roussin, Mississippi State University Stacie Rohrbach, Carnegie Mellon University

Yearning to See Entered Apprentice: A Case for Failure in Learning Marita Gootee, Mississippi State University Bill Hill, Jacksonville University A Win-Win Scenario (for Now): Film Cameras and the Digital Darkroom WORKS IN PROGRESS: GM 2005 PROFESSIONAL DEVElOPMENT Wendy Roussin, Mississippi State University FELLOWS HYNES CONVENTION CENTER, THIRD I.EVEL, ROOM 309 The New Standard Chair: Stacy Miller, College Art Association Chad Smith, Texas A&M University Queenship, Cosmography, and Regeneration: The Decorative Chemical Student vs. Digital Student Programs and Architecture of Ramesside Royal Women's Tombs Steffani Frideres, Tomball College Heather Lee McCarthy, Institute of Fine Arts, New York University Chasing the Monkey: Digital Photography and the State Everyday Practices: The Urban Interventions of 3N6s3 and Sao Institution Paulo Street Culture, 1979-82 Calla Thompson. University of Maryland. Baltimore County Erin Aldana, University of Texas, Austin

A NOVEL APPROACH: THE FUSION OF ART HISTORY AND Regarding X HISTORICAL FICTION Tammy Renee Brackett, Alfred University School of Design HYNES CONVENTION CENTER, PLAZA LEVEl., ROOM 100 Outside ofthe... Chair: Cher Krause Knight, Emerson College lauren Woods, San Francisco Art Institute

Adso, Ekphrasis, and Fictions of the "Period Eye" Stone Trees Transplanted? Central Mexican Stelae of the Alexa Sand, Utah State University Epielassic and Early Postelassic and the Question of Maya Models, Muses, and Makers: Finding Feminism in Fiction Influence Kimberly Rhodes, Hollins University Keith M. Jordon, Graduate Center, City University of New York

To God Belongs the East and West: The Negotiation of Divergent Hawai'ian Cover-Ups: Seduction and Repulsion in the Aesthetics in Orhan Pamuk's My Name Is Red Hawai'ian Islands Claire L. Daigle, University of Massachusetts, Amherst Adrienne Keahi Pao, San Jose State University

Vermeer and the Studio Romance POLITICS AND DECORATION IN VICTORIAN AND EDWARDIAN H. Perry Chapman, University of Delaware BRITAIN Cracking The Da Vinci Code: Tales from the Front Line HYNES CONVENTION CENTER, PLAZA I.EVEL, ROOM 102 Ellen McBreen, Institute of Fine Arts, New York University; Chairs: Morna O'Neill, Yale Center for British Art: Michael Hatt, Pamela J. Warner, University of Massachusetts, Dartmouth Yale Center for British Art

Experience and Meaning in the Decorative III Caroline Arscott, Courtland Institute of Art, University of MORE MEANINGFUL LEARNING HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 200 A Sphinx without a Secret? The "'Open Secret" of Leigh/on House Chair: Sarah lowe, University of Tennessee Jason Edwards, University of York The Language of Decoration: Image, Text, and History in William Morris's A Dream of John Sail Jennifer Raab, Yale University Ill1I OPEN SESSION mAFFILIATED SOCIETY SESSION William Morris among the Maori II! OFFSITE SESSION Ii CAA COMMITTEE SESSION Stephen Eisenman, Northwestern University III PRACTICUM III E-SESSION Ell MUSEUM SESSION III ACCESSIBILITY 12:30 PM-2:00 PM 31

INSTALLATION ART IN THE AGE OF GLOBALIZATION 12:30 PM-2:00 PM HYNES CONVENTION CENTER, PLAZA LEVEL, fWOM 112 Chairs: Rosemary O'Neill, Parsons/New School University; Lewis Kachur, Kean University Ii1 NATIONAL COMMITTEE FOR TIlE HISTORY OF ART Biennial Culture SHAPING AN AGENDA ON GRADUATE STUDENT CONCERNS Caroline A. Jones, Massachusetts Institute of Technology I-IYNES CONVENTION CENTER, THIRD LEVEL, ROOM 309 PR '00, PR '02, PR '04: A Case Study of Globalization s Flip Side Chairs: Frederick M. Asher, University of Minnesota; Nancy J. Troy, University of Southern California Laura Roulel, independent curator Installation in the Art and Technology Circuit: Space, Place, DI and Identity in Locative Media CAA PROFESSIONAL PRACTICES COMMITTEE Teri Rueb, Rhode Island School of Design REASSESSING PROFESSIONAL PRACTICES FOR VISUAL ARTISTS How Do You Measure the Responsibility of a Crowd? HYNES CONVENTION CENTER, PLAZA LEVEL, ROOM 100 Craig Smith, Goldsmiths College, University of London Chair: Patricia Flores, California College of the Arts

The Biennial as Perpetual Alternative Space Yongwoo lee, independent curator m AMERICAN INSTITUTE OF GRAPHIC ARTS SHAKING OUR FOUNDATIONS: RECONSIDERING FOUNDATION THE VISUAL CULTURE OF EMPIRE IN THE AGE OF ENLIGHTENMENT STUDIES IN COMMUNICATION DESIGN EDUCATION HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 207 HYNES CONVENTION CENTER, SECOND LEVEl, ROOM 200 Chair: Andrew Schulz, University of Oregon Chairs: Brian Lucid, Massachusetts College of Art, Writing the Imperial Body in Enlightenment Architecture: Fischer Jennifer Schmidt, School of the Museum of Fine Arts von Erlach and the Legibility of Empire Keith Bresnahan, York University m Orienting Desire: Technologies of Illumination in Enlightenment SOUTIIERN GIiAPIlICS COUIICIL Visuality OVER AND OVER: HIE METHODICAL IMPULSE Niharika Dinkar, State University of New York, Stony Brook HYNES CONVENTION CENTE!<, SECOND LEVEL, IWOM 202 Chair, Phyllis McGibbon, Wellesley College Dangerous Beauty: Portraits of Lady Mary Wortley Montagu in Claudia Sbrissa, St. John's University Turkish Dress Mario La Plante, San Francisco State University Amber ludwig, Boston University Enlightenment Visions of the Andean Past in Martinez m Compaff6n's Trujillo del Peru WOMEN'S CAUCUS FOR ART Lisa S. Trever, IMPACT OF NEW FEMINISMS HYNES CONVENTION CENTER, PLAZA LEVEL, ROOM 103 m Chair, Maria-Etena Buszek, Kansas City Art Institute ASSOCIATION OF HISTOlllAiIS OF AMERICAN ART rUTTING AMERICA INTO AMERICAN : m UNRAVELING THE TERMINOLOGY OF LIMITATION ARTS COUNCIL OF TIlE AFIlICAII STUDIES ASSOCIATlOIl HYNES CONVENTION CENTER, SECOND LEVEL, 1100M 210 BUSINESS MEETING Chair: Will South, Weatherspoon Art Museum, University of North IIYNES CONVENTION CENTEll, SECOND LEVEL, ROOM 203 Carolina at Greensboro Tile Impressionist Impulse in the : Moving beyond m the Limitations of a Franco-Centric Discourse LEONARDO Suzanne l'Heureux, Academy of Art University, San Francisco MENTORING SESSION The Power of Nomenclature and the Contradiction of American HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 208 Impressionism Julia Rosenbaum, Bard College m /,IIO-AMERICA COLLEGE ART ASSOCIATION Pink and Blue on the Prairie: Impressionist Hegemony in the BUSINESS MEETING Midwest HYNES CONVENTION CENTER, PLAZA LEVEL, ROOM 102 Wendy Greenhouse, independent scholar, Oak Park

California and the Canon: Reinterpreting the West Deborah Solon, independent SCholar Discussant: Will South, Weatherspoon Art Museum, University of North Carolina at Greensboro 32 Sessions 2:30 PM-5:00 PM

2:30 PM-5:00 PM Art in the Hinterlands: Resource Management Richard Weiss, Green Mountain College

REINVENTED MEMORY: CONTEMPORARY PRACTICES IN ART Sage and Sagebrush: Teaclling in Wyoming HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 302 Valerie Eggemeyer, Casper College Chair: Gagik Aroutiunian, DePaul University Teaching Graphic Design in Rural Areas Practicing Remembering: The Echo Project Sangeeta Para kala, University of Central Arkansas Cindy Rehm, Middle Tennessee State University From Black Mountain College to Warren Wilson College: Reconstructing Memories: Traces and Fragments Experimentation in tile North Carolina Mountains Aaron Kerner, San Francisco State University Louly Peacock Konz, Warren Wilson College

Mediated Memories of the Holocaust in Arie Galles's Fourteen Teaching Art History in Appalachia: Lessons in Respect, Stations: Hey Yud Dalet Relevance, and Resistance Nancy Nield Buchwald, independent scholar, Columbus, Ohio loy l. Gritton, Morehead State University

Place and Time: Reenactment Pageant Photographs Teaching Tom Marioni in a Thomas Kinkade World: Challenges Edie Winograde, artist, New York and Opportunities in Teaching Contemporary Art in Rural America larry Thompson, Ouachita Baptist University Holocaust Memorial in Berlin: Living Memory or Aestheticization of History? Curt Germundson, Minnesota State University at Mankato m STUDIO ART OPEN SESSION PAINTING D HYNES CONVENTION CENTER, THIRD LEVEL, HOOM 312 GM ADVOCACY SESSION Chairs: Alfredo Gisholt, Brandeis University; HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 208 John G. Walker, Boston University Chair: Rebecca Cederholm, College Art Association

CONVERGENT THEORIES: PRINTMAKING, PHOTOGRAPHY AND ARTISTS' ROLES IN A OF WAR: PERSPECTIVES TIME FEMINIST DIGITAL MEOlA HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 311 HYNES CONVENTION CENTER, PLAZA LEVEL, ROOM 112 Chairs: Deborah Frizzell, William Paterson University; Carolyn H. Chair: Kevin Haas, Washington State University, Pullman Manosevitz, Colorado Mountain College The Drag of Printmaking-Printmaking as Drag? Marie-Guiflelmine Benoist: Quiet Revolution Ruth Pelzer-Montada, Edinburgh College of Art Gylbert Garvin Coker, independent scholar, Thomasville, Georgia Printmaking, Photography, and Digital Media Monumental Visions: Women Sculptors and World War I Donna Moran, Pratt Institute Jennifer Wingate, independent scholar, New York The Convergence of Printmaking, Photography, and Digital Media: After the Shoah: Women;; Voices An Artist's Perspective Carolyn H. Manosevitz, Colorado Mountain College Dorothy Simpson Krause, artist Women Artists and Asian Wars: Imaging Collateral Damage Trace Elements: Printmaking, Digital Media, and the Nature of the Ann W. Norton, Providence College Unseen Antiwar Artists in the US: Women in the Protest against Nancy 10 Haselbacher, artist, Los Angeles the Iraq War Violaine Roussel, University of Paris VIII m CAUCUS fOR ART iii CLASSICAL ANTIQUITY AND THE EXPRESSION OF QUEER DESIRES CHALLENGES AND OPPORTUNITIES: TEACHING ART IN RURAL HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 207 COLLEGE COMMUNITIES Chair: Peter Holliday, California State University, Long Beach HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 202 Boys on the Box: Queer Desire in the Mythological Ivory Boxes Chair: Scott Garrard, Dodge City Community College from Byzantium lohn Hanson, Hope College

Gericault and the Color of Classicism OPEN SESSION AFFILIATED SOCIETY SESSION m m lames SlI1alls, University of Maryland, Baltimore County OFFSITE SESSION CAA COMMITTEE SESSION D D The Queerness of George de Forest Brush's Orpheus iii PRACTICUM 0 E-SESSION James Boyles, North Carolina State University, Raleigh E'I MUSEUM SESSION III ACCESSIBILITY 2:30 PM-5:00 PM 33

Photographing Antiquity: Wilhelm von Gloeden and Nostalgia Viewpoints and Vistas in Classic Veracruz Public Narrative for the Gay Past Rex Koontz, University of Houston Jason Goldman, University of Southern California Vistas of Power and Authority in the Kingdoms of Piedras Negras Cretan Glances: The Minoan Origins of Greek Love and Yaxchilan Bryan E. Burns, University of Southern California Charles Golden, Brandeis University Yanatin and the Huacas of Machu Picchu: Choreography, a Communion, and Liminality in Inca Ritual RETHINKING THE PUBLIC PRESENTI\TION OF ISLAMIC ART: Lee Anne Hurt, Virginia Museum of Fine Arts; NEW INSTALLATIONS AND REINSTALLATIONS OF MUSEUM James Farmer, Virginia Commonwealth University COLLECTIONS IN THE 21ST CENTURY HYNES CONVENTION CENTEH, SECOND LEVEl, ROOM 203 GORDON MATTA-CLARK AND ARCHITECTURE Chairs: Mary McWilliams, Harvard University Art Museums; HYNeS CONVENTION CENTER, THIRD LEVEL, ROOM 304 Kimberly Masteller, Harvard University Art Museums Chairs: Gwendolyn Owens, Canadian Centre for Architecture; The Place of Indian Art Philip Ursprung, Universitat ZOrich Frederick M. Asher, University of Minnesota Architecture in Reverse: The Impact of Architectural Language New Perspectives: The Reinstallation of the Islamic Galleries at James Attlee, Tate Publishing the Brooklyn Museum of Art Locus Salus: The Legacy of Surrealist Attitudes toward Aimee Froom, Brooklyn Museum of Art Architectural Space in the Work of Matta-Clark Exhibiting the Middle East in a Post-9111 World: What Islamic Art Betti Sue Hertz, San Diego Museum of Art Can and Cannot Do Single Wide Space Linda Kornaroff, Los Angeles County Museum of Art Teresa Hubbard, University of Texas, Austin; Alexander Birchler, University of Texas, Austin A Tale of Two Museums: Exhibiting Islamic Art in Qatar and Oxford Oliver Watson, Ashmolean Museum Section Cuts: Deep Space/Flat Space in Gordon Matta-Clark's Practice The Jameel Gallery of Islamic Art at the Victoria and Albert Museum Anthony Vidler, Timothy Stanley, Victoria and Albert Museum Gordon Matta-Clark in the Urban Wilderness PLACING SOCIALIST REALISM Mary N, Woods, Cornell University HYNLS CONVENTION CENTER, PLAZA LEVEL, IlOOM 102 Chairs: Claudia Mesch, Arizona State University; Nora Taylor, Arizona ASPECTS OF THE ORGANIZATION OF 17TH-CENTURY ANTWERP State University lARGE PAINTING WORKSHOPS Montage and Realism in 1936: Tret'iakov, Hear/field, Caricature HYNES CONVENTION CENTER, THHW LEVEL, ROOM 306 Devin A. fore, Cornell University Chairs: Natasja Peeters, Royal Museums of Fine Arts of Belgium, Brussels; James J. Bloom, Florida State University Modern and Soviet: Deineka in America, 1935 The Antwerp-Mechelen Production Complex Christina Kiaer, Columbia University Hans van Miegroet, Duke University, The Tractor Film: Socialist Realism and Soviet Cinema Tine Meganck, Royal Museums of Fine Arts of Belgium, Brussels Kevin Parker, University of North Carolina, Chapel Hill Rubens as a Teacher: /I pourra enseigner ases serviteurs et Uprooting Socialist Realism? On the Work of Angela Hampel and allitres qui'iI voudra sondict art Neo Rauch Anne-Marie Logan, Metropolitan Museum of Art Kerstin Mey, Interface, School of Art and Design, University of Ulster Reproducing Bruegel: Pieter Bruegel the Elder's Sermon of Saint Red Detachment: Chinese Socialist Realism's Gendered Remains John tile Baptist and the Copies by Pieter Bruegel the Younger Sasha Su-ling Weiland, University of Washington Christina Currie, Koninklijk Instituut voor het Kunstpatrimonium, Brussels SACRED SIGHTS: VISION AND VISTI\ IN THE ANCIENT AMERICAS Discussant: James J. Bloom, Florida State University HYNES CONVENTION CENTER, PLAZA LeVEL, 1100M 103 Chairs: Megan O'Neil, University of Southern California; THE nEAL ART HISTORY: TALES FROM THE TRENCHES Joanne Pillsbury, Dumbarton Oaks AND STORIES FIlUM THE (HONEST· TO-GOODNESS) CRYPTS: Teotihuacan's Street of the Dead and the Creation of Time ART HISTORIANS DOING ART HISTORY Diana Magaloni-Kerpel, Instituto de Investigaciones Esteticas, HYNES CONVENTION eENTE!<, THllm LEVEL, BALUWOM A Universidad Nacional Aut6noma de Mexico; Marta Teresa Uriarte, Chair: Aimee Brown Price, independent scholar, New York Instituto de Investigaciones Esteticas, Universidad Nacional Aut6noma de Mexico 34 Sessions 2:30 PM-5:00 PM

The Real Art History: True Tales of Tribulations; Risks and The Modem African American Family in African American Art Romances; Strategies, Subterfuges, and Stealth-An Introduction lody B. Culler, University of Central Florida to Art Historians Doing Art History Redefining Family: Arp and Taeuber's Duo-Objects Aimee Brown Price, independent scholar, New York Bibiana Obler, University of California, Berkeley Learning from Disaster, Florence, 1966 Power in the Playroom: Redesigning the House for the Postwar Alice H. R. H. Beckwith, Providence College American Family A Leap of Imagination: Monkey See, Monkey Do Amy F. Ogata, Bard Graduate Center for Studies in the Decorative Arts, Anita Moskowitz, State University of New York, Stony Brook Design, and Culture

Indiana Jones I AM Not but These Temples May Truly Be Doomed! The Realities and Responsibilities of Researching Maya m JAPAN ART HISTORY FORUM Architecture COLLECTIVISM AND ITS REPERCUSSIONS IN 20TH·CENTURY Jennifer Ahlfeldl, University of New Mexico JAPAN Reflections from the Field Mines HYNES CONVENTION CENTER, SECOND LEVEL. ROOM 200 Gabriel P. Weisberg, University of Minnesota Chairs: Reiko Tamii, independent scholar, New York; Midori Yoshimoto, New Jersey City University Life among the Moderns leslie Humm Cormier, Emerson College The /(okuga Society and Tahish-Era Nihonga Reform John Szostak, University of Washington

THE PHOTOGRAPHIC SCENE IN BOSTON AROUNO 1900 Art for the War, Art for the Workers I-IYNES CONVENTION CENTm, SECOND LEVEL, ROOM 210 Maki Kaneko, University of East Anglia Chairs: Pamela Sachanl, North Georgia College and State University, Dahlonega; Anne Havinga, Museum of Fine Arts, Boston Takiguchi ShOza and Jikken Mba: The New Deal Collectivism of 1950sJapan Sarah Choate Sears and the Road to Miwako Tezuka, Columbia University Katherine Hoffman, St. Anselm College Gutai Chain: The Collective Spirit of Individualism in Gutai Art Neighbors and Friends: F. Holland Day and the Society of St. Exhibitions Margaret Ming Tiarnpo, Carleton University Patricia Fanning, Bridgewater State College "Ritual" (Gishiki) Performances in 1960s Japan: Zero Dimension Crooked and Narrow Streets: Pictorial Photography and Historic and Its Allies Preservation in Early 20th-Century Boston Kuroda Raiji, Fukuoka Asian Art Museum Amy Johnson, Otterbein College On Photographic Holiday in : F. Holland Day, Clarence DEFINING THE ARTS, THE WORKS OF All NATIONS AND AN H. White, and a School for Pictorialist Photography, 1910-16 INTERNATIONAL TAXONOMY Verna Curtis, Library of Congress HYNES CONVENTION CENTER. PLAZA LEVEL, ROOM 100 Chairs: Alice Y. Tseng, Boston University; Why Not Boston? Friendship, Cultural Production, and Boston Elizabeth A. Pergarn, Metropolitan Museum of Art Moderns libby MacDonald Bischof, Boston College Family Resemblances: Photography and British Painting at the 1855 Exposition Universelle THE MODERN FAMILY IN VISUAL CULTURE Margaret Fields Denton, University of Richmond I-IYNES CONVENTION CENTER, THIRD LEVEL. ROOM 309 Model Diplomacy and the Language of Japanese Architecture at Chair, Greg M. Thomas, University of Hong Kong the 1873 Vienna Exhibition and 1910 Japan-British Exhibition William H. Coaldrake, University of Melbourne Family Affair: Authority in William Powell Frith's The Railway Station Nancy Rose Marshall, University of Wisconsin, Madison Japan at the World's Columbian Exposition: Opening Doors to Pictures of Julie: Morisot's Baby Biography and the Traditions of Alternative Discourses on Fine Arts at the Expositions of the Works Modern Portraiture of All Nations Lisa Langlois, State University of New York, Oswego Robert R. Hopson, West Virginia University Modernism and Nationalism: The Exhibitionary Order of the World's Art Fair m3 OPEN SESSION mAFFI L1ATED SOC I ETY SESSION Jane Chin Davidson, University of Manchester D OFFSITE SESSION iii CAA COMMITTEE SESSION Fashioning the Metropo/e: African Styles and the Expositions Coloniales PRACTICUM I] E-SESSION D Victoria L. Ravine, University of Florida Ell MUSEUM SESSION mACCESSIBILITY Sessions 35 36 Sessions 9:30 AM-NOON

-- --~ --~-----~~--~-- THURSDAY, FEBRUARY 23 THE CULTURAL AESTHETICS OF PORCElAIN IN THE 18TH CENTURY --~.~~---- HYNES CONVENTION CENTER, THIRD LEVEL. ROOM 306 Chairs, Alden Cavanaugh, Indiana State University; Michael Yonan, 9:30 AM-NOON Saint Louis University The American Arcanum, Bonnin and Morris Porcelain and the [ill Alchemical Tradition CONTEMPORARY NATIVE AMERICAN ART OF THE NORTHEAST Glenn Adamson, Victoria and Albert Museum HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 202 Marketing Celebrity: Porcelain and Theatrical Display Chairs: Lynne Allen, Rutgers University, Mason Gross School of the Heather McPherson, University of Alabama, Birmingham Arts; Kalhleen Ash·Milby, National Museum of the American Indian The Porcelain Animal Kingdom of Augustus the Strong Oh So Iroquois, Art of the Haudenosaunee Sarah R. Cohen, State University of New York, Albany Ryan Rice, Carleton University Romancing the Teapot, Porcelain Fetishism and Fantasies of the Celebrations of Community and Critiques of Colonial Discourse in Maternal the Works of Jolene Rickard and Shelley Niro David l. Porter, University of Michigan Gail Tremblay, Evergreen State College The Nature of Artifice, French Porcelain Flowers and the Rhetoric True History of the New World of the Garnish Alan Michelson, Rhode Island School of Design Mimi Hellman, Skidmore College The Infinite Anomaly Jeffery Gibson, independent artist, New York IT'S All. ABOUT THE PROCESS Discussant: lynne Allen, Rutgers University, Mason Gross School of HYNES CONVENTION CENTER, SECOND LEVEl, ROOM 210 the Arts Chairs: Kim Grant, University of Southern Maine; Charles Cramer, Suffolk University m Andrea Castagno's Vision of Sf. Jerome as Process and Experience INJ[RNATIONAL CENTER Of MEDIEVAL ART Barnahy Nygren, Loyola Coliege, Maryland WHAT'S THE USE OF MEDIEVAL ART? HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 207 Velazquez's Las Meninas and the Theorizing of Painterly Process Chairs, Peler Scali Brown, University of North Florida; Alison S. Locke, Giles Knox, Indiana University Yale University The Bauhaus Preliminary Course, Materiality, and the "Enthusiastic Panofskians" from Pierre Bourdieu to Daniel Buren, Artistic Process The Lessons of Gothic Architecture and Scholasticism for Today's Jeffrey Salelnik, Universily of Chicago Art Study and Practice Picturing Process Helene Lipsladl, Massachusells Institule of Technology Peter Kalb, Ursinus College

What's the Use of Medieval Art? The Meaning of Making in Contemporary Crafts Sarah Marshali, University of Alabama Janet Koplos, Art in America magazine Medieval/Modern, Reading Ivan Albright's "Horrible" Bodies Robert Cozzolino, Pennsylvania Academy of the Fine Arts m STUDIO ART OPEN SESSION Too Hot to Handle: Sexual Politics in Louise Bourgeois and Medieval Tapestry PHOTOGRAPHY ANO THE HISTORICAL MOMENT Kate Dimilrova, University of Pittsburgh HYNES CONVENTION CENTER, THIRD LEVEL, BALLROOM B Chair: Andy Grundherg, Corcoran College of Art and DeSign Location, Location, Location, A Medievalist's View of the Isabella Roberl Bean, NSCAD University Stewart Gardner Museum Muriel Hasbu", Corcoran College of Art and Design linda J. Docherly, Bowdoin College Kate Palmer, Boston University Discussant: Charles Hagen, University of Connecticut

RENAISSANCE HISTORIES IN THE PRESENT TENSE HYNES CONVENTION CENTER, THIRD LEVEl, ROOM 304 Chair: Ramli Klebanoff, Carleton University [ill OPEN SESSION mAFFILIATED SOCIETY SESSION OFFSITE SESSION CAA COMMITTEE SESSION Pagan Mysteries in Chicago, Platonic Neoplatonism and D B American Education mPRACTICUM D E·SESSION Rebecca Zorach, University of Chicago iii MUSEUM SESSION e ACCESSIBILITY 9:30 AM-NOON 37

Tulia Divisa: Multivalence and the Competition Reliefs by Expressionism as Democratic Art: Adolf Behne's Criticism of Art Brunelleschi and Ghiberti for and by the People Patricia Simons, University of Michigan Kai K. Gutschow, Carnegie Mellon University Repressing the Renaissance Does Democracy Grow under Pressure? A Case Study of the Robert Williams, University of California, Santa Barbara Hungarian Neo-Avant-Garde Eva Forgacs, Art Center College of Design, Pasadena m1 A Sociocultural Impulse of "Neue Siowenische Kunst": Between ART HISTORY OPEN SESSION Transgression and Candidness NORTHERN EUROPEAN ART, 1600-1800 Gediminas Gasparavlcius, State University of New York, Stony Brook HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 200 Discussant: Thomas DaCosta Kaufmann, Princeton University Chair: Jeffrey Muller, Brown University Jesuits as Both Instigators and Iconoclasts of Antwerp Public m Sculpture after the Spanish Reconquest HISTORIANS OF ISLAMIC ART Nancy Kay, Brown University ISLAMIC ART AND THE MULTICULTURAL METHOD A Northern European Classicism in the 18th Century HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 203 Kristoffer Neville, Princeton University Chair: Nasser Rabbat, Massachusetts Institute of Technology

Old Plates in New Hands: The Republication of 16th-Century Invisible Boundaries, Visible Traces: Persian Influence on Prints in the Galle WorkshOp Medieval Cairo Alexandra Onuf, Columbia University Howayda al-Harithy, American University of Beirut Reflexive Representation: Mirrored Rooms of the Late 17th and Cultural Convergence in the Chinese Mosque Early 18th Centuries in Germany Nancy Shatzman Steinhardt, University of Pennsylvania Marie Theres Stauffer, Universitat ZOrich "Islam" and "India": Clash ofthe Titans? Alka Patel, University of Manchester

RITUALS IN ROME The Revival of Islamic Architecture in Egypt: Some Notes on the HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 311 Italian Contribution Chairs: linda Pellecchia, University of Delaware; Cristina Pallini, Politecnico di Milano Lauren Hackworth Petersen, University of Delaware Model, Rival, or Aesthetic Paradigm? What Ottoman Panegyric Viewing Roman Rituals on the Urban Stage Texts Reveal about the Perception of Hagia Sophia Diane Favro, University of California, Los Angeles Ulet Orbay, Universite Laval The Public Face of Private Ritual: Parish Architecture and Urban Space in Medieval Rome CURRENT ISSUES IN NEW-MEDIA ART AND DESIGN Catherine McCurrach, independent scholar, Washington, DC HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 302 Defining Rome as Jerusalem: The Easter Ritual and Pilgrimage Chair: Carlos Rosas, Pennsylvania State University Margaret Kuntz, Drew University Becoming Transmedia-A Recent Paradigmatic Shift in Media Art Without a Trace: The Giuochi Olimpici in 18th-Century Rome at Syracuse University Susan Dixon, University of Tulsa Douglas Easterly, Syracuse University

Enacting Empire: Ancient Roman Rituals in Fascist Italy In the Moment: Using Time-Based Practices to Integrate Digital Genevieve Gessert, Hood College Methodologies with Interdisciplinary Foundation Studios Garol Elkovich, California College of the Arts m New-Media Art: Vocational versus Artistic, Embracing Cross­ HISTORIANS OF GERMAN AND CENTRAL EUIIOPEAN ART Disciplinary Technologies and Expression ART AND DEMOCRACY IN CENTRAL EUROPE Michael Salmond, Elon University HYNES CONVENTION CENTER, PLAZA LEVEL, ROOM 112 What Constitutes a Discipline? Chair: Piotr Piotrowski, Adam Mickiewicz University Rachel Schreiber, Maryland Institute College of Art Imaging Universalism: Democracy and National Style in Central Notions of the Hybrid: A Particular Hybrid Educational Europe, c. 1900 MethodologylRISD Digital+Media Andrzej Szczerski, Jagiellonian University Bill Seaman, Rhode Island School of Design Designs for a Modem Republic: Art and Architecture in the Baltic The Institutionalization of New Media Steven Mansbach, University of Maryland, College Park Gail Wight, Stanford University 38 Sessions 9:30 AM-NOON, 12:30-2:00 PM

ARCHITECTURE, PUBLIC ART, AND THE PUBLIC SPHERE Rearticulating Art from (East of) Europe HYNES CONVENTION CENTER, PLAZA LEVEL, ROOM 100 Marina Grzinic, Academy of Fine Arts, Vienna; Institute of Philosophy, Chairs: lessica Sewell, Boston University: Sibel Zandi-Sayek, College Scientific Research Center, Slovenia Academy of Science and the of William and Mary Arts

Architectural Paintings, the Monument of Orange, and the Forging Exilic Art of Consensus in the 17th-Century Dutch Republic Kinga Araya, independent artist and scholar, Angela Vanhaelen, McGill University Discussant: Okwui Enwezor, San Francisco Art Institute, University of Pittsburgh Of Public Defiance and Coercive Heritage: Iran '79 Talinn Grigor, Cornell University "OLMEC" ART: CAN THERE BE AN ART HISTORY OF A PRElITERATE Clones for a Queer Nation: George Segal's Gay Liberation on SOCIETY? Christopher Street HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 208 Margo Hobbs Thompson, University of Vermont Chairs: Carolyn Tate, Texas Tech University; Maria Elena Bernal-Garcia, Universidad Aut6noma del Estado de Morelos Collaboration in the Public Sphere: The Nature of an Emerging Public in Colonial India Toward Breaking the Olmec Code: Establishing Prerequisites for Mary Beth Coffman Heston, College of Charleston Deciphering Visual Symbolism and Narrative Cherra Wyllie, University of Hartford Inventing the Modern Agora: Urban Design, Social Transparency, and Representations of Public Space in the Post-World War II City Las Limas Monument 50: A Link between La Venta and Anthony Raynsford, University of Chicago Teotihuacan Maria Elena Bernal-Garcia, Universidad Aut6noma del Estado de WHAT DO WE SAY NOWABOUT CEZANNE? Morelos HYNES CONVENTION CENTER, THIRD LEVEL, BALLROOM A Reconstructing La Venta's Creation Story Chair: Susan Sidlauskas, Rutgers University Carolyn Tate, Texas Tech University

Cezanne and the Logic of the Senses The "Cosmic Man": An Associative Method for Comparing Olmec Lesley Stevenson, Thames Valley University and Asian Sculptures Paul Cezanne: Proven,al Peintre-Ouv,;er He Zhang, William Paterson University Benedict Leca, National Gallery of Art, Washington, DC THOMAS HART BENTON AND/OR AMERICA The Tache as Catastrophe: Cezanne's Paintings of Bibemus Quarry HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 309 Anne Byrd, University of California, Berkeley Chair: Justin Wolff, Harvard University Subjectivity in Still Life with Plaster Cupid Who's the Literary Gigolo? Benton, Stieglitz, and the Pursuit of an John McCoubrey. University of Pennsylvania Anti-Intellectual Modernism From Materialism to Matiere Kristina Wilson, Clark University Aruna D'Souza, State University of New York, Binghamton Davis, Benton, and the Struggle to Define American Experience John X. Christ, independent scholar, Cambridge, Massachusetts CONTEMPORARY ART: INSTITUTIONS AND EXCLUSIONS HYNES CONVENTION CENTER, THII

Landscapes of Exclusion: Contemporary Painting's Neglected Vistas Monica Kjellman-Chapin, Emporia State University 12:30-2:00 PM m mOPEN SESSION mAFFILIATED SOCIETY SESSION ASSOCIATION FOR TEXTUAL SCHOLARSHIP IN ART HISTORY THE CONTINUING LEGACY OF PROfESSOR LIANA DE GIROLAMI OFFSITE SESSION CAA COMMITIEE SESSION 11 II CHENEY D PRACTICUM Ii E-SESSION HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 210 D MUSEUM SESSION II ACCESSIBILITY Chair: Tina Waldeier Bizzarro, Rosemont College 12:30-2:00 PM 39

Bolticelli and tile Wileel of Fortune: Dante's Role in Giorgio John PaoleUi, Wesleyan University Vasari's "Life of Sandra Bolticelli" Henry Llitlikhllizell, Calvin Coliege Barbara Watts, Florida International University Lee Ripley, Laurence King Publishing In tile Public Eye: Celebrating SI. Lucy at Santa Lucia Nuova, Rome Barbara Wisch, State University of New York, Cortland m The Santo Sepolcro Lamentation (Milan): Stylistic and SOCIETY FOR THE STUDY OF EARLY MODERN \'IOMElI Iconographic Considerations CLEANING HOUSE: RETHINKING GENDER AND DOMESTIC SPACE IN Ellen L. Longsworth, Merrimack College EARLY MODERN EUROPE HYNES CONVENTION CENTEll, SECOND LEVEL, ROOM 208 Liana Cileney and Burne-Jones: A Lifetime Passion Chair, Allison Levy, Wheaton Coliege Alicia Craig Faxon, Simmons College Moving About: Manipulating Gender Inside and Outside the GETTY RESEARCIiINSTITUTE Renaissance Palazzo DURATION: THE PERSISTENCE OF ANTIQUITY Katherine A. Mciver, University of Alabama at Birmingham HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 309 Inside Out: Domesticity as Public Spectacle at the Burgundian Chair: Thomas Crow, Getty Research Institute Court Andrea G. Pearson, Bloomberg University of Pennsylvania

ARTTABlE Illicit Sexuality, Gendered Spatial Topography, and the Early ART PATHS: ALTERNATIVE CAREERS IN THE VISUAL ARTS Modern BatMouse HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 311 Diane Wolfthal, Arizona State University Chair, Katie Holiander, ArtTable Discussant: Cristelie Baskins, Tufts University Judy fox, Harvard University Art Museums Barbara O'Brien, Art New England II Rachellafo, DeCordova Museum and Sculpture Park CAA COMMITTEE ONI'IOMEIIIII THE ARTS Diana Castoll, Fidelity Investments BRINGING A FEMINIST PERSPECTIVE TO NON-WOMEN·CENTERED TOPICS DllIm HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 200 VISUAL RESOURCES ASSOCIATION Chair: Janet Marquardt, Eastern Illinois University GOING DIGITAL: TOOLS AND RESOURCES FOR TEACHING G. B. liepolo's Frescoes at Valmarana HYNES CONVENTION CENTm, SECOND LEVEL, ROOM 203 Norma Braude, American University Chair: Jeanne Keefe, Rensselaer Polytechnic Institute American Trompe l'Oeil Painters: Charlotte Perkins Gilman's Freeware and Shareware Solutions for Managing Personal Image Women and Economics as a Theoretical Model for Retllinking Collections "Masculinity" in the Gilded Age Virginia Hall, Johns Hopkins University Meredith Davis, Ramapo College

Introducing DIRC (Digital Image Rights Computator): An Degas, La Malade, and tile Rest Cure Interactive Tool for Assessing Intelleclual Property Rights in Susan Sidlauskas, Rutgers University Images Allan Kohl, Minneapolis College of Art and Design Pluralist/Feminist Perspectives on tile Prambanan Temple Complex in Central Java This One Is a Keeper: One-Stop Shopping for Quality Content Robert Petersen, Eastern Illinois University Carmen Wiedenhoeft, Saskia Ltd/Scholars Resource Nature, Art, and Gender in the Renaissance DB Mary Garrard, American University SESSION IN THE GREEK AND ROMAN GALLERIES OF THE MUSEUM The Social Documentary Photographer Milton Rogovin OF FINE ARTS, BOSTON Melanie Herzog, Edgewood College MUSEUM OF FINE ARTS, BOSTON Feminism Liberating Otller Oppressions Chair: Christine Kondoleon, George and Margo Behrakis Senior Curator Joanna Gardner·Huggelt, DePaul University of Greek and Roman Art, Museum of Fine Arts, Boston m IlIII HISTORIAIIS OF EIGHTEEIITH CElITURY ART AlID ARCHITECTURE CAA PUBLICATIONS COMMITTEE NEW SCHOLARS IN 18TH·CENTURY ART THE ART HISTORY SURVEY TEXT: THE NEXT BIG THING? HYNES CONVENTION CENTER, PLAZA LEVEL, ROOM 112 HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 202 Chair, Andrew McClellan, Tufts University Chairs: David A. Levine, Southern Connecticut State University; larry Silver, University of Pennsylvania 40 Sessions 12:30-2:00 PM, 2:30-5:00 PM

Seducing Everyone: The Portraits of Marie Leszczinska and POSTER SESSIONS Madame de Pompadour HYNES CONVENTION CENTER, PLAZA LEVEL, HALL A Jennifer G. Germann, independent scholar, Seattle Poster Sessions are informal discussions that use poster-board presen­ tations and bring together a presenter and individuals or small groups. Urban Pastoral: Pleasure Diaries and the Passion for La vie Focused on scholarly and pedagogical topics, each poster display usu­ champiHre in Late 18th-Century France ally includes a brief narrative paper illustrated with images, graphs, Meredith Martin, Harvard University and other visual forms that concisely communicate the essence of the The "Afterlife" of George, Prince Regent's Gallery of Beauties of presenter's research. Presenters will be available at the Poster area at George III this time. The poster boards will be on display Thursday, 10:00 AM­ Caroline Walker, University of Birmingham, UK Saturday, 2:00 PM. Topics include: Artful Teaching Technologies, Assessing and m Responding to Student Expectations, Bauhaus Color Pedagogy: ASSOCIATION OF HISTORIANS OF NIIiETEENTH-CEIITURY ART Exploring Influences and Relevance in Today's Design Programs, NEW DIRECTIONS IN 19TH-CENTURY ART HISTORY Expanding Possibilities: Using Online Technology in Studio-Art Classes, HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 207 Ritual Spacesofthe Fatuhal-haramayn, Reflexive Imagery in 12th­ Chair: David Ogawa, Union College Century Burgundy, The Dark Side of Photography: A Historyof Negative Imagery, The Inscriptions in Italian Portraits of Women: 1430-1500, Reproductive Rights: The Politics of Printmaking at the Royal Religion and Architectural Identity in Post-World War II Rome. Academy of Arts lars Kokkonen, Graduate Center, City University of New York m Housekeeper and Healthkeeper: Catharine Beecher and the ASSOCIATION FOR lATIN AMERICAN ART American Woman's Home BUSINESS MEETING Victoria Solan, Wheaton College I·IYNES CONVENTION CENTER, THIRD LEVEL, ROOM 302 A Female Japonisme? Fine Art, Popular Culture, and the Women Impressionists m Jennifer Criss, University of Pennsylvania ASSOCIATIOfl OF IIISTORIANS OF AMERICAN ART BUSINESS MEETING m HYNES CONVENTION CENTER, THIRD LEVEL, BALLROOM A NEW MEDIA CAUCUS FROM DATABASE AND PLACE TO BIOTECH AND BaTS: m DESIGN STUDIES FORUM RElATIONALITY VERSUS AUTONOMY IN MEDIA ART BUSINESS MEETING HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 30~ HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 306 Chair: Marisa S. Olsen, University of California, Berkeley 130 CM MUS[UI,I COMMITTEE 2:30 PM-5:00 PM ART HISTORIAN-ART CONSERVATOR ALLIANCES HYNES CONVENTION CENTER, PLAZA LEVEL, ROOM 100 TERRA FOUNDATION FOR TIlE ARTS Chair: Joyce Hill Stoncr, University of Delaware DISTINGUISHED CURATOR SESSION HONORING JOHN SZARKOWSKI Examining Works: Combining Proficiencies HYNES CONVENTION CENTEH, THIRD LEVEL, GALI.ROOM B Barbara Buhler Lynes, Georgia O'Keeffe Museum and Research Center; Chair: Joel Snyder, University of Chicago Judy Walsh, Buffalo Art Conservation Program Michael Fried, Johns Hopkins University Sargent Up Close: Adventures in Collaboration on the Scaffolding Peter Galassi, Sally Promey, University of Maryland; Gianfranco Pocobene, Isabella Stewart Gardner Museum Andre Gunlhert, Laboratoire d'Histoire Visuelle Contemporaine, Ecole des Hautes Etudes en Sciences Sociales Discussant: John Szarkowskl Open to the public. A reception in honor of John Szarkowski will follow the session at 5:30 PM in the same location.

1m! OPEN SESSION mAFFILIATED SOCIETY SESSION a OFFSITE SESSION o CAA COMMITTEE SESSION iii PRACTICUM DE-SESSION 13 MUSEUM SESSION I!!!!I ACCESSIBILITY 2:30-5:00 PM 41

ART, TRAVEL, AND THE TRANSFORMATION OF DESTINATIONS: m PLACES TO GO, PART 1 ITALIAN ART SOCIElY HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 202 CELEBRATION IN THE ARTS OF ITALY Chairs: Annemarie Weyl Carr, Southern Methodist University; HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 208 Lisa Pon, Southern Methodist University Chairs, Diane Cole AIlI, Lafayette College; John E, Moore, Smith College The Lure of tile Phlegraean Fields The Chapel of the Holy Belt in Prato, Piety and Politics in 14th­ Kathleen Corrigan, Century Tuscany Jean K, Cadogan, Trinity College Before Colonial Williamsburg, Colonial Jerusalem, "The Only 'New' Jerusalem Is the Old One" A Celebration of Preservation, The Triumph of Charles V in 1536 Annahel Wharton, Duke University David Karman, Pennsylvania State University Site Relic, The Abbey of Cluny as an Imaginary Destination Married to the Medici, Tile Marriage of Francesco de' Medici to Janet Marquardt, Eastern Illinois University Giovanna of Austria in 1565 Maria Ruvoldt, Cooper-Hewitt Museum Art, Life, and Confusions of Categories in the Sculpture Studios of Rome, c. 1790-1830 Faith, History, and One-Upmanship, The West Sicilian Festival of Chloe Chard, Newnham College, Cambridge University the Santissimo Crocifisso Blaise Tobia, Drexel University The Aura of the Author, Sir Walter Scott's Abbotsford, 1811-93 Erin Hazard, University of Chicago rmJ ART IIISTORY OPEN SESSION eB THE AFRICAN GITY: PAST, PRESENT, FUTURE STRATEGIES FOR DISPLAY: NEW INSTALLATIONS OF EUROPEAN, HYNES CONVENTION CENTER, PLAZA LEVEL, ROOM 112 AMERICAN, AND CONTEMPORARY ART Chair: Suzanne Blier, Harvard University MliSEUM OF FINE ARTS, BOSTON Chairs, Elliot Bostwick Davis, Museum of Fine Arts, Boston; The Grid of Saint-Louis du Senegal George T. M, Shackelford, Museum of Fine Arts, Boston Mark Hinchman, University of Nebraska, Lincoln Growing Pains (and Pleasures): Contemporary Revision at the High Architecture, Medicine, and Hygiene in Colonial Antanananarivo Museum Randall 0, Bird, Williams College Jeffrey 0, Grove, High Museum of Art

Toward an Interior of Colonial Asmara Planning the Installation of the Smithsonian American Art Museum Sean Anderson, University of California, Los Angeles Eleanor J. Harvey, Smithsonian American Art Museum

Transforming Symbolic Identity, Art and the African City Art, Audiences, and Access, Redisplaying the Medieval and Sabine Marschall, University of KwaZulu-Natal, Durban Renaissance Collections at the Victoria and Albert Museum Peta Motture, Victoria and Albert Museum; Stuart Frost, Victoria and Fast-Forward-Rewind Ife, Ruins, Shards, Re-Membering, and Albert Museum Nostalgia Discussants: David Park Curry, Baltimore Museum of Art; Joseph J. Moyo Okediji, Denver Art Museum Rishel, Philade!phia Museum of Art; Beth B. Schneider, Museum of Fine Arts, Houston A TASTE FOR VIOLENCE: IMAGES OF CRUELTY AND DEATH IN ETRUSCAN ART CONSUMING THE EVERYDAY: MATERIAL CULTURE IN HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 306 CONTEMPORARY ART AND DESIGN Chair: Alexandra A. Carpino, Northern Arizona University HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 203 Acts of Vengeance on the Portonaccio Temple at Veii Chairs, Michael Duffy, East Carolina University, Jenifer Neils, Case Western Reserve University Nancy House, East Carolina University Divine Souls and Bestial Conflicts, Predation and Transformation Target, K-Mart, Real Simple, and "Design for All" in Etruscan Art Kristin Fedders, St. Francis University P. Gregory Warden, Southern Methodist University The Museum of Corn-temporary Art, A Repository of the Everyday The Tomb of the Shields Reconsidered Victor Margolin, University of Illinois, Chicago Rachael Goldman, Graduate Center, City University of New York Daniel Spoerri~ Restaurant at the Gallery J The Lunging Aggressor, Language of Heroism, Conflict, and Meredith Malone, University of Pennsylvania Aggression in Late Etruscan Funerary Art Obsessive Consumption, Death of Market Research Helen Nagy, University of Puget Sound Kate Bingaman, Mississippi State University Discussant: Alexandra A. Carpino, Northern Arizona University Discussant: Lloyd Engelbrecht, University of Cincinnati 42 Sessions 2:30-5:00 PM

"Latin American" Art History and the "Discovery" of the New III World: New Approaches to the Interaction of European and AT THE INTERSECTION OF TOWN AND GOWN: COLLEGE! Amerindian Visual Cultures in the 16th Century COMMUNITY PARTNERSHIPS IN THE VISUAL ARTS Monica Dominguez Torres, University of Delaware I-IYNES CONVENTION CENTER, THIRD LEVEL, ROOM 304 Chair: John Giordano, Massachusetts College of Art Modernism in Advance of Modernization and the Reperiodizing of Modernity Trespassing: Community-Based Arts, Interdisciplinarity, and Criss­ David Craven, University of New Mexico Crossing the University-Community Borderline William Yalowitz, Tyler School of Art, Temple University Colonial Latin America and the Globalization of Taste Sofia Sanabrais, New York University Youtil-ArHn-Action: Engaging Youth in Sustainable University­ Community Partnerships Discussant: Tom Cummins, Harvard University Shirley Tang, University of Massachusetts, Boston; Margaret Rack, Middlesex Community College BEFORE AND AFTER INSTITUTIONAL CRITIQUE Collaboration Is a Complex: An Artist Project/University HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 210 Partnership Chairs: Andrew Perchuk, Getty Research Institute; Matthew Jesse Jackson, University of Chicago Jim Duignan, DePaul University Media Ecology as Institutional Critique: Radical Software, The Founding and Refounding of Catalyst Arts at the Rhode Island Dan Graham, and the Legacy of Gregory Bateson School of Design William Kaizen, Columbia University Seth Goldenberg, Rhode Island School of Design Artists, Dealers, Pimps, and Whores A Catalyst for New Beginnings: A College/Community Julia Bryan-Wilson, Rhode Island School of Design Programming Partnership Ken Kralchek, Maryland Institute College 01 Art Decor/Decors and the "Ends" of Institutional Critique Rachel Haidu, University of Rochester Shelter Against Violence: College/Community Partnership Muriel Magenta, Arizona State University School of Art Personnel Maureen Connor, Queens College, City UniverSity of New York m3 Untitled by Andrea Fraser: A Short Reception History, 2002-5 STUDIO ART OPEII SESSIOII Rhea Anastas, Bard College Center lor Curatorial Studies PRINTERLY PAINTERLY: THE INTERRElATIONSHIP OF PAINTING AND PRINTMAKING Dill HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 312 ART-HISTORY RESEARCH USING DIGITAL IMAGING: WHAT'S NEW? Chair: Nona Hershey, Massachusetts College of Art HYNES CONVENTION CENTER, THIIW LEVEL, BALLROOM A Clifford Acktey, Museum of Fine Arts, Boston Chair: Charles Rhyne, Reed College Michael Mazur, independent artist Databasing the Romanesque Churches of the Bourbonnais: James Strolld, independent artist, Center Street Studio, Milton Village. A Digital Enquiry Massachusetts Stephen Murray, Columbia University m Replicating Cultural Heritage: The Repatriation of All ASSOCIATlOIl fOR LATIN AMERICAII ART Known Fragments of the Eastern End of the Throne Room of REEXAMINING THE STATE AND PRACTICE OF "LATIN AMERICAN" Aslwrnasirpalll in Facsimile Form ART HISTORY: LANGUAGE, STRUCTURE, AND CONTENT Adam lowe, Factum Arte, Madrid HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 311 Looking Closer: High-Resolution Digital Imaging for Technical Chairs: Marguerite Mayhall, Kean University; Ray Hermlndez·Duran, Art History University of New Mexico Ron Spronk, Harvard University Art Museums

Teaching It to the Gringos: Jose G6mez Sicre's Definitions of Latin 30 Modeling of Cultural Heritage Sites: Technologies, MetilOds, American Art and Applications Alejandro Anreus, William Paterson University Bernard Friscller, University of Virginia

Digital Imaging as a Research Tool: Other Examples Charles Rhyne, Reed College m3 OPEN SESSION mAFFILIATED SOCIETY SESSION OFFSITE SESSION D CAA COMMITIEE SESSION 'S AFTERLIfE a HYNES CONVENTION CENTER, THIRD LEVEL, BALLROOM B PRACTICUM E-SESSION III D Chairs: Michael Schreyach, University 01 California, Berkeley, ED MUSEUM SESSION g ACCESSIBILITY Todd Cronan, UniverSity of California, Berkeley 2:30-5:00 PM, 5:30 PM-7:00 PM 43

The Subversion of Gravity in Jackson Pollock's Abstraction THE ECONOMIC LIVES OF 17TH·CENTURY PAINTERS Claude Cernuschi, Boston College HYNES CONVENTION CENTEH, SECOND LEVEL, ROOM 207 Chairs: Richard Spear, University of Maryland, Philip Sohm, University Between the Easel and : Jackson Pollock's Frieze Paintings of Toronto Lisa Frye Ashe, University of Virginia What Price Philosophy? Economic Necessity and Philosophical Pollock Malters Poverty in the Art of Salva tor Rosa Ellen Landau, Case Western Reserve University David L. Packwood, Barber Institute of Fine Arts, University of Not Just Turkey Basters and Duco: Pollock's Paintings on Paper Birmingham Margaret Ellis, New York University From Monastery to Marketplace: The Commercial Career of Jackson Pollock's Full Fathom Five Bernardo Strozzi Peggy Phelan, Stanford University Andaleeb Badiee Banta, Institute of Fine Arts, New York University

The Economics of Portraiture in 17th~Century Paris SEEING AROUND THE WORLD: COMPARATIVE VISUALITIES IN ASIA, Karen Serres, National Gallery of Art, Washington, DC AFRICA, MESOAMERICA, AND ISLAMIC WORLDS Notes on the Economic Status of Foreign Painters in HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 200 17th~Century Florence Chairs: Tamara I. Sears, New York University; Dehorah Stein, MilisColiege Elena Fumagalli, University of Modena and Reggio Emilia Image Iconopraxis and Iconoplasty in South Asia Painting Lists and Account Ledgers Compared: The Cases of Michael W. Meister, University of Pennsylvania Elisabe/ta Sirani and Guercino Rafaella Morselli, University of Teramo Crossing Boundaries at the Temple of the Hieroglyphic Stairway, Copan, Honduras "SMALL PACKAGES"? THE ROLE OF LOCAL CULTURE IN NORTHERN Elizabeth D. Oltol1, University of New Mexico, Albuquerque EUROPEAN ART Between Logos (Kalima) and Light (NOr): Depicting the Prophet HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 309 Muhammad in Islamic Painting Chair: Jacob Wisse, Stern College for Women, Yeshiva University Christiane J. Gruber, University of Indiana, Bloomington Local Color: The Examples of Prague and Cologne A Cross~Cultural Transformation of Western Vision in the Jesuit Julien Chapuis, The Cloisters, Metropolitan Museum of Art China Missions of the Early Modern Period The Community as Patron in Provence: Josse Lieferinxe in Hui-Hung Chen, National Taiwan University, Taiwan , 1493-1505 Ways of Seeing: The Okpella Viewpoint laura M. Hogan, University of Pennsylvania lean M. Borgatti, Clark University Coxcie's Copies: The Double in Early Netherlandish Painting Hugo van der Velden, Harvard University POST·STUDIO ART SCHOOL: THE IMPACT OF CONCEPTUAL ART AND CONCEPTUAL ARTISTS ON ART EDUCATION International versus the Local: Antwerp circa 1560 HYNES CONVENTION CENTER, PLAZA LEVEL, ROOM 100 Ethan Matt Kavaler, Chair: lucy Soutter, London College of Communication, University of the Arts, London

CalArts: The Post~Studio Art School 5:30 PM-7:00 PM Stephan Pascher, Cooper Union By the Seat of Your Pants Ii CM COMMITTEE 011 WOMEtilN TIlE I,RTS Eleanor Antin, University of California, San Diego ANNUAL RECOGNITION AWARDS CEREMONY Learning from Post~Partum Document: Conceptualism's Legacy in Distinguished Honorees: Moira Roth and Trinh T. Minh-ha Post~Studio Art School HYNt:S CONVENTION CENTER, TI 111m LEVEl, !lIILLROOM ;\ Juli Carson, University of California, Irvine Admission by ticket only. Conceptual Art and Postmodernism: Absence and Presence in Onsite purchase in the registration area ticket sales booth. 1980s Britain Price $25, cash or credit card David Bate, University of Westminster TERRil rOUNDI,1I0N fOR THE AllTS Can Post~Studio Art School Be a Potential Place of Resistance in RECEPTION IN HONOR OF JOHN SZARKOWSKI a Dematerialized Economy? HYNES CONVINTIOI~ CINTEI" LIVE! THEn!, LlAl U100f~ R Kirsten Forkert, independent artist Open to the public, 44 Sessions 5:30 PM-7:00 PM

NATIONAL ENDOWMENT fOR THE HUMANITIES Dennis Ichiyama, NEB FUNDING OPPORTUNITIES FOR ART HISTORIANS, Bertha Gutman, Delaware County Community College EDUCATORS, AND MUSEUMS Gabriel Harp, University of Michigan HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 208 Ben Schachter, SI. Vincent College Chair: Barbara Bays, National Endowment for the Humanities GlD m CM ANNUAL CONfERENCE COMMITTEE fAlE, fOUNDATIONS IN ART. THEORY AND EDUCATION HOW TO DEVELOP A SESSION FOR THE ANNUAL CONFERENCE SPECIAL SESSION HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 302 HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 202 Chair: Emmanuellemakis, College Art Association Chair: Scott Betz, Winston-Salem State University

Metafoundations: The Wave of the Future Jim Toub, Appalachian State University m DESIGN STUDIES fORUM The Need for More Nonsense in Studio-Art Classes DESIGN STUDIES AND DESIGN CULTURE Sean Miller, WARP University of Florida, Gainesville HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 306 Chair: Miodrag MitrasinoYic, University of Texas, Austin Supporting the Pedagogy of Up-and-Coming Art Teachers Alison Crocefla, Ohio State University From Singularization to Complexity Guy Julier, Glasgow School of Art Stopping to Smell the Roses: How the Process of Making Change Fosters Community Design Studies at Arizona State University Samantha Fields, California State University, Northridge JaC(IUeS R. Giard, Arizona State University

Developing Design Culture within the University D Nick Laird, University of Otago CM INTERNATIONAL COMMITTEE GLOBAL ARTISTIC PRACTICES AND INTERNET2 TECHNOLOGY The Laboratory and Design Culture at Parsons HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 311 Gwynne Keathley, Parsons/New School University Clive Dilnot, Parsons/New School University Chairs: Barbara Rose Haum, New York University; Fritzie Brown, CEC ArtsLink ART SPACES ARCHIVES PROJECT Distributed Artworks and Issues of Participation ACTIVIST ARTS ORGANIZATIONS OF THE 19705 AND 19808: Trebor Scholz, State University of New York, Buffalo RESEARCH OPPORTUNITIES FOR SCHOLARS International Digital Collaborations between the Local HYNES CONVENTION CENTER, PLAZA LEVEL, ROOM 112 and the Global Chair: David Platzker, Art Spaces Archives Project Mary Flanagan, Hunter College Godzifla: The Asian Arts Network A History of Net-Art and Globally Diverse Internet-Based Art Margo Machida, University of Connecticut Projects High Performance Magazine Mark Tribe, Brown University linda Burnham, Community Arts Network, Steven Eglander, ABC No Rio The Application of Internet2 in the Performing Arts and Humanities Education m Ann Doyle, Internet2 ART HISTORIANS Of SOUTHERII CALIFORNIA Discussant: Jeffrey Bary, New York University BORDER PATROL: ART HISTORIANS OUT ON THE RANGE HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 203 GlD Chair, Kerri Steinberg, Otis College of Art and Design CAA STUDENT AND EMERGING PROfESSIONALS COMMITTEE Introduction to Art History: It's Not Your Mother's Course Anymore WIlAT CAN CM DO FOR YOU? Parme Giuntini, otis College of Art and Design HYNES CONVENTION CENTER, PLAZA LEVEL, ROOM 100 Killing the Creator: Destruction Images of Visual Artists in 20th­ Chair: Beverly Joyce, Mississippi University for Women Century Mass Media Betty Brown, California State University, Northridge

Remembrance of Things Past: Tourist Photography and the OPEN SESSION AFFILIATED SOCIETY SESSION Illii m Memorial Archive II! OFFSITE SESSION D CAA COMMITTEE SESSION Trudi Abram, Glendale Community College GI PRACTICUM DI E-SESSION Discussant: Frances K. Polll, Pomona College B MUSEUM SESSION ll!I ACCESSIBILITY 5:30 PM-7:00 PM 45 riD SOCIETY Of ARCIlITECTURALIlISTORIANS MEET THE EDITORS OF THE JOURNAL OF THE SOCIETY Of ARCHITECTURAL HISTORIANS HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 210 Chair: Nancy Stieber, editor, Journal of the Society of Architectural Historians riD AMERICAlIINSTITUTE Of GRAPHIC ARTS BUSINESS MEETING HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 207 riD ASSOCIATION Of HISTORIANS Of 11iNETEEIlTH-CENTURY ART BUSINESS MEETING HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 200 riD NEW MEDIA CAUCUS BUSINESS MEETING HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 304 riD QUEER CAUCUS FOR ART BUSINESS MEETING HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 208 riD RADICAL ART CAUCUS BUSINESS MEETING HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 309 46 Sessions 7:30 AM-9:00 AM, 9:30 AM-NOON

FRIDAY, FEBRUARY _24~ ____ She's No Lady: Jerusalem as Fallen Woman in Breydenbach's Peregrinatio in Terram Sanctam Eric M. White, Southern Methodist University 7:30 AM-9:00 AM Savage or Savant? America's Image in Early Modern I/aly Christopher J. Pastore, University of Pennsylvania ARTSTOR RESOURCES THAT ENHANCE TEACHING AND LEARNING: AN The Woman in the Garden INTRODUCTION TO ARTSTOR Jane Kromm, State University of New York, Purchase HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 210 Romantic Medievalism, Romantic Feminism: Felicie de Fauveau's Chairs: Max Marmor, ARTstor; Javanica Curry, ARTstor Tribute to C"jmence Isaure m Erika Naginski, Massachusetts Institute of Technology COMMUIIIlY COLLEGE PIIOFESSORS OF ART AND ART HISTORY III BUSINESS MEETING PEDAGOGY FOR THE 21ST CENTURY: TRANSFORMING THE ART­ HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 309 HISTORY SURVEY AND ART·APPRECIATION COURSES HYNES CONVENTION CENTER, THIRD LEVEL, BALLROOM C Chairs: Robert Bersson, James Madison University; ITALIA/l ART SOCIETY Kathleen Desmond, Central Missouri State University BUSINESS MEETING Problem-Based Learning in the Art-History Survey Course HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 306 Molly Lindner, Kent State UniverSity, Stark Bridging the Gap: Making Introductory and Survey Classes 9:30 AM-NOON Relevant John R. Decker, University of Georgia a The Potential of Studio Practice in the Art-History Survey and Art­ TEMPLES OF ART? MUSEUMS AND RELIGION Appreciation Courses HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 210 Gil Martin, Western Nevada Community College; Chai" Jeffery Abt, Wayne State University Sharon Telly, Western Nevada Community College Trulya Worship Experience? Christian Art in the Secular Museum The Day that Dada Day Became Real and Other Tales from the Art James Clifton, Sarah Campbell Blaffer Foundation and Museum of Auditorium Fine Arts, Houston Debra Drexler, University of Hawai'i, Manoa Temple as Museum, Buddha as Art: Japanese National Treasures Discussants: Mary lou Hightower, UniverSity of South Carolina Upstate; Wade lough, University of Tennessee and the Displacement of the Sacred Yui Suzuki, independent scholar, Los Angeles CONTEMPORARY ASIAN ART: STRATEGIES, NEGOTIATIONS, Comparative Idolatry: Stalin t Anti-Religious Museums RENEGOTIATIONS Adam Jolles, Florida State University HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 309 From the Romanesque Church to the Modern Museum: Displaying Chairs: Rebecca BroWII, independent scholar, Vancouver; Sarita Heer, University of Illinois, Chicago the Sacred Structures of Pierre Soulages's Abstract Paintings K. Marcia Brennan, Rice University Back to the Future? Questioning the "Presentness" of Korean Art Discussant: IVan Gaskell, Fogg Art Museum. Harvard University Jieull Rhee, Myongji University The Spectacle of "Chineseness": Reading Cai Guo-Qiangt BEING THERE: PLACE AND PERSONIFICATION IN THE EARLY Practice and Its Art Criticism MODERN WORLD Elsa Hsiang-chlln Chen, University of Leeds HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 304 Performing National Identity: Pushpamala N. 's The Phantom Lady Chairs: Crislelle Baskins, Tufts University; lisa Rosenthal, University of Illinois, Urbana-Champaign or Kismet and Indian Popular Films Murtaza Vali, Institute of Fine Arts, New York University Discussant: Ayelet lohar, Slade School of Art, University College, London Illl OPEN SESSION mAFFILIATED SOCIETY SESSION D OFFSITE SESSION D CAA COMMITTEE SESSION III PRACTICUM 0 E-SESSION a MUSEUM SESSION II ACCESSIBILITY 9:30 AM-NOON 47

ART AND THE TECHNOLOGIES OF SURVEilLANCE: CULTURAL m PRODUCTION IN A CULTURE OF CONTROL VISUAL CULTURE CAUCUS HYNES CONVENTION CENTER, PLAZA LEVEL, ROOM 100 THE POLITICS OF VISUAL CULTURE Chairs: Jonathan Finn, Wilfrid Laurier University; HYNES CONVENTION CENTER, THIRD LEVEL, BALLROOM A Matthew Reynolds, Getty Research Institute Chair: laurie Beth Clark, University of Wisconsin, Madison The Glamour of Looking: Public Art and Surveillance in Hollywood Public Art, Politics, and the Public Sphere Matthew Reynolds, Getty Research Institute Jennifer Geigel, University of Wisconsin Surveillance and the Secrecy Series Disembodied and Outsourced: Reconfiguring Identity Michael Aurbach, Vanderbilt University Sonali Gulati, Virginia Commonwealth University Try to Walk with tile Sound of My Footsteps: The Surveillant Body Tikkun Olam: To Repair the World in Contemporary Art Douglas Rosenberg, University of Wisconsin Kirsty Robertson, Queen's University Looking Political: The Emergence of Babyship and the Parental Brazilian Art under Dictatorship: Resisting Surveillance Public Sphere Claudia Calirman, Parsons/New School University Joan Saab, University of Rochester Seeing You/Seeing Me: Art and the Disembodied Eye The Black Factory Project liarn Kelly, University of Ulster, Belfast William Pope,l, Bates College Discussants: Nicholas Mirzoen. New York University; INTERROGATING BOSTON AS A SITE FOR CONTEMPORARY ART Janet A. Kaplan, Moore College of Art and Design HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 312 Chairs, Cynthia Fowler, Wentworth Institute of Technology; SCENES BEYOND THE PICTURE Dena Gilby, Endicott College HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 306 Points of Insertion: Legibility and Access in Boston's Chairs: HIley Copeland, Northwestern University; Eve MeUzer, Stanford University Contemporary Art Scene Judith Leeman, independent artist, Boston; Walker Evans in Alabama: Family Portraits Jessica Marks, independent artist, Boston Jessica May. University of California, Berkeley A Case for Boston as a Liquid Not a Solid Robert Smithson's Sites/Nonsites: Seeing Outside the Frame Catherine D'lgllazio, Institute for Infinitely Small Things Robert Hobbs, Virginia Commonwealth University Making Space for Art and Community: The Revolving Museum Angel Spittle and Ejected Vision of the Periphery: Latina/o Writers' Jerry Beck, Revolving Museum Photo Stories or Off-Frame[d] Photography Public Art as a Catalyst for Community and Place Making in Maria DeGuzman, University of North Carolina, Chapel Hill Boston: Recent Initiatives by Cultural Nonprofits and Grassroots No Exit: Andy Warhol's Photographic Reassertions Organizations William V, Ganis, New York Institute of Technology Christina lanzi, Urban Arts Institute, Massachusetts College of Art Discussant: Richard Meyer, University of Southern California Not Conservative: One Curator's Experience with Boston'sArt Audience REGARDING POSTGOlONIALISM Bill Arning, Massachusetts Institute of Technology, List Gallery HYNES CONVENTION CENTEll, PLAZA LEVEL, ROOM 112 Chairs: Hannah Feldman, Northwestern University; OESIGN(lNG) CRITICISM Stephanie Schwartz, Columbia University HYNeS CONVENTION CENTER, SECOND LEVEL, ROOM 202 Transcultural Genealogies Chairs, Elizabeth Guffey, State University of New York, Purchase; Jill Casid, University of Wisconsin, Madison Carma Gorman, Southern Illinois University, Carbondale

Only Cannibalism United Us! Devouring Imperialism in Talking about Stuff: Materiality and Design Criticism Postcolonial Brazilian Art Dennis Doordan, University of Notre Dame Edith Wolfe, Tulane University A Discourse of Myth: The Rhetoric of Industrial Design, Locating Chinese Archaeology in Postcolonial Asia Universalism, and the Politics of Difference Sarah Fraser, Northwestern University Bruce King-Shey, independent scholar, San Francisco

Historic Amnesia or Ideology: The Absence of Arab Art from the Discourse This: Options for Design Writing and Criticism Global Context Denise Gonzales Crisp, College of Design, North Carolina State University Nada Shabont, University of North Texas Aesthetics and the Ideology of Design What Happened to "The Natives" after Postcolonialism? France's Stuart Kendall, Eastern Kentucky University New Postcolonial Museum Designing a Critical History Herman Lebovics, State University of New York, Stony Brook Johanna Drucker, University of Virginia 48 Sessions 9:30 AM-NOON

Mediterranean Encounters: Illustrated Travel Accounts and IJBO European Expansionism CM MUSEUM COMMITTEE EARLY ITALIAN PAINTING IN BOSTON Elisabeth Fraser, University of South Florida MUSEUM OF FINE ARTS, BOSTON Making/Marketing Masculinity in the Era of High Romanticism: Chairs: Frederick lIehman, Museum of Fine Arts, Boston; The Lithographic Portraits of Achille Deveria Carl Brandon Strehlke, Philadelphia Museum of Art Andrew Shelton, Ohio State University

Boston Col/ects Early Italian Painting Timothy Cole and the Transformation of Wood Engraving in America Frederick lIehman, Museum of Fine Arts, Boston Stephen Rice, Ramapo College

A Technical Approach to the Masterof the Sienese Straus Madonna Posters, Printers, and Exhibitions Morwenna Blewett, Worcester Art Museum Ruth Iskin, Ben Gurian University of the Negev A New Role for the Riminese Crucifixion Fresco in the Museum of Fine Arts, Boston CIRCUM-ATLANTIC VISUAL PRODUCTION: PASSING THROUGH Alison C, Flerning, College of the Holy Cross BOSTON AND NEW YORK HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 302 Silenus's Song: High and Low Poetics in Piero di Cosimo~ Chair: Katherine Manthorne, Graduate Center, City University of New York Bacchanals Dennis Geronimus, New York University Geography and Ethnography in Early American Decorative Arts: The Colleclions of the East India Marine Society Decapitation, Desire, and Devotion in Luini~ Salome Victoria S. Reed, Museum of Fine Arts, Boston Patricia Johnston, Salem State College Robert Thornton's New Illustration: Imaging and Imagining m the Nalion HISTORIANS Of NETHERLANDISH ART Meghan Doherty, University of Wisconsin, Madison REVISITING JULIUS S, HELD Space, Spirituality, and Memory: The African Burial Ground in HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 311 New York City Chair: Anne W.lowenthal, independent scholar, New York Andrea frohne, Cornell University

Rembrandt, History, and Time Academies of the Atlantic: Charting Inffuence in the Rise of Ann Jensen Adams, University of California, Santa Barbara 19th-Century Art Academies around the Atlantic Rim Julius Hero: Reframing Held's Masterpieces Mark Mitchell, National Academy of Design Benjamin Binstock, Queens College, City University of New York Negotiating Memory, Transnational Identity, and Exile in the Julius S, Held and the Object of Art History: Col/ecting, Installations of Maria Magdalena Campos-Pons Connoisseurship, Conservation, and the History of Taste David C, Hart, Cleveland Institute of Art Catherine B. Scallcn, Case Western Reserve University

Blind Spots: Held and Studies ART AS POLlTIGS IN LIITE MEDIEVAL liND RENAISSANCE SIENA Mariet Westermann, Institute of Fine Arts, New York University HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 203 Chairs: Tirnothy B, Srnith, DePaul University: Discussant: Lisa Vergara, Hunter College, City University of New York Judith Steinhoff, University of Houston Images of the Virgin and Power in Late Duecento Siena I'!I3 Rebecca W. Corrie, Bates College ART HISTORY OPEII SESSION The Strange Lands of Ambrogio Lorenzetti: The Politics of the PRINTS IN THE 19TH CENTURY, PART 1 Foreign in Late Medieval Siena HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 200 Anne McClanan, Portland State University Chair: Patricia Mainardi, Graduate Center, City University of New York Vedete come e bella la cittade quando e ordinata: Politics and Gillray and the Effectiveness of Caricature the Art of City Planning in Republican Siena Todd Porterfield, Universite de Montreal Berthold Hub, University of Vienna

Santi Cittadini: Vecchietta and the Civic Pantheon in Mid- 15th-Century Siena Diana Norman, Open University, Milton Keynes OPEN SESSION AFFILIATED SOCIETY SESSION I'!I3 m Domenico Beccafumi and the Pavement of Siena Cathedral IJ OFFSITE SESSION 0 CAA COMMITIEE SESSION Jennifer Sliwka, Johns Hopkins University f.iII PRACTICUM DI E-SESSION B MUSEUM SESSION II ACCESSIBILITY 9:30 AM-NOON, 12:30-2:00 PM 49

GROWING THE MODERN: ORGANIC MODELS 1850-1914 12:30 PM-2:00 PM HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 207 Chairs: Annika Waenerberg, University of Jyvaskyla, Finland; Stacy Nicole Hand, University of Chicago m COALITION OF VlOMENIN TIlE ARTS ORGANIZATION Biocentrism as a Frame for Cultural History THE VIRGINS, MADONNAS, AND GODDESSES IN AMERICA Oliver BOlar, University of Manitoba HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 311 Ruskin Jevons Geddes: Fables of the Weather Chair: Kyra Belan, Broward Community College Arindam Dutta, Massachusetts Institute of Technology Transformations of the Image of Tonantzin Guadalupe in Organic Motives: Frantisek Kupka's Anarchism from Caricature Californian Women's Art to Abstraction Jennifer Colby, California State University Naomi Hume, Chapman University Earth, Spirit, and Gender: Visual Language for tile New Reality Eugene CarriE!fe and the Unity of Life Kyra Belan, Broward Community College Serena Keshavjee, University of Winnipeg There's Something about Mary Magdalene: Some Questions Discussants: Sari Anneli Kuuva, University of Jyvaskyla. Finland; Concerning Her Cult Jennifer Ferng, Massachusetts Institute of Technoiogy Susan G, Jackson, Marshall University SEGULAR AND SACRED IN MEDIEVAL ART: BRIDGING TIlE DIVIDE, m PART 1 ASSOCIATION OF HISTORIANS OF AMERICAN ART HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 208 WHEN MICE ROAR: THE RELEVANCE OF SMALL MUSEUMS Chairs: Alicia Walker, Columbia University; HYNES CONVENTION CENTER, THIRD LEVEL, BALLROOM A Amanda luyster, College of the Holy Cross Chair: Sarah Cash, Corcoran Gallery of Art Sacred Study of the Constellations in Carolingian Encyclopedias W, Douglass Paschall, Woodmere Art Museum, Philadelphia Eric M. Ramirez-Weaver, Institute of Fine Arts, New York University Michelle Robinson, Understanding Secular Politics in Chora's Religious Imagery Lise Dube, Allentown Art Museum Galina Tirnanic, University of Chicago Brian T, Allen, Addison Gallery of American Art, Phillips Academy The Confluence of the Sacred and the Secular in Venice's Trecento Sala del Maggior Consiglio m Caroline A. Wamsler, Columbia University VISUAL CULTURE CAUCUS SPECIAL SESSION Cilivalric Narratives and Devotional Experience in the Teymouth HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 208 Hours Chair: Laurie Beth Clark Kathryn A. Smith, New York University mE INTERSECTION OF CHICAGO ARCHITECTURE AND Dlilm ART IIISTORIAfIS INTERESTED IN PEDAGOGY AflO TECHNOLOGY CONTINENTAL MODERNISM, 1910-40 TEACHING ART HISTORY ONLINE HYNEcS CONVENTION CENTER, THIRD LEVEL, 8ALLROOM B I-IYNES CONVENTION CENTER, SECOND LEVEL, ROOM 203 Chair: David Van Zanten, Northwestern University Chair: Kelly Donahue-Wallace, , University of Architectural Dialogues: F. L Wright and Antonin Raymondl North Texas Chicago and Japan Tradition and Innovation: Using New Technology in Art-History Surveys, Ken Oshima, University of Washington a Case Study Eva Allen, University of Maryland Neue amerikanische Architektur, 1926 Claire Zimmerman, Yale University/Syracuse University An Orchid in the Land of Art History Robert Sweeney, Indiana University of Pennsylvania Chronicle of an Encounter: R. M. Schindler in Chicago, 1914-18 Eric lutz, st. Louis Museum of Art The Digital Image Library as Social Learning Environment Beth Harris, Fashion Institute of Technology; Searching for a New Tradition: Chicago and the Work of Sigfried Steven Zucker, Fashion Institute of Technology Giedion Reto Geiser, Eidgen6ssische Technische Hochschule, ZOrich If You Build It, They Might Not Come: Remarks on Motivating Discussants: Anthony Alofsin, University of Texas, Austin; Participation in Online Art-History Courses Nancy Stieber, University of Massachusetts, Boston; Geoffrey Simmins, University of Calgary Neil levine, Harvard University; Dietrich Neumann, Boston University 50 Sessions 12:30-2:00 PM am ElB ASSOCIATlOII OF ART MUSEUM CURATORS CAA EDUCATlOIl COMMITTEE THE ROLE OF THE CURATOR IN THE 21 ST CENTURY THE MUSEUM CONNECTION: BRIDGING THE DIVIDE BETWEEN THE HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 202 CLASSROOM AND THE GAI.LERY Chair: Elizabeth Easton, Brooklyn Museum HYNES CONVENTION CENTER, PLAZA LEVEL, ROOM 100 Chair: Anne Collins Goodyear, Nalional Portrait Gallery IiIB Aspects of the National Gallery of Art's Relationship to Academe CM COMMIJJ[E 011 OIVERSITY PRACTICES lynn Pearson Russell, National Gallery of Art IMPLEMENTING DIVERSITY IN ART-HISTORY PEDAGOGY: OBJECTIVES, OBSTACLES, OBSERVATIONS Hacking MaMA; or, The Conversational Object-Analysis Paper: HYNES CONVENTION CENTER, PLAZA LEVEL, ROOM 112 The Art Mobs Podcasting Project Chair: Coco Fusco, Columbia University Jason Rosenfeld, Marymount Manhattan College

Left Unsaid: On Censorship and Self-Censorship in the Classroom College/Museum Collaborations for Visual Literacy Richard Meyer, University of Southern California Renee Sandell, George Mason University

Teaching Diversity without Multicultural Textbooks Art Object or Illustration? The Gap between Looking and Reading Susan Cahan, University of Missouri, St. Louis David Raskin, School of the Art Institute of Chicago Discussant: David Colc, Harvard University Graduate School of Addressing Sexuality, Race, and Gender to College Students from Education Conservative, Religious, and Rural Backgrounds Melanie Herzog, Edgewood College: Paul Prifl(lIe, Edgewood College D The Growth of Multiculturalism in Art History versus Its Decline in lIiJERllATlOllAL COUIICIL OF MUSEUMS Studio Art Training CODE OF ETHICS FOR MUSEUMS Jennifer Gonzalez, University of California, Santa Cruz HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 210 Discussant: Christine Sleeter, College of Education and Professional Chair: Barbara Hoffman, Esq. Studies, California State University, Monterey Alissandra Cummins, International Council of Museums m Rick West, Museum of the American Indian ITALIAIl ART SOCIETY IiIB ALTERATIONS OF ITALIAN ART CM COMMITTEE OlllliTELlECTUAL PROPERTY HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 306 COPYRIGHT: CUTTING EDGE OR BLEEDING EDGE­ Chairs: Diana Gisolfi, Pratt Institute; Rebecca W, Corrie, Bates College WHERE 00 WE STAND? Altered States, the Evolution of a Medieval Monument: Santa HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 200 Maria Antiqua, Rome Chair: Benjamin Kessler, independent scholar, Chicago Stell lien lucey, College of Wooster Copyright, Scholarship, and Art Images Online Dislocation/Relocation at the Isabella Stewart Gardner Museum Christine Kuan, Grove Art Online, Oxford University Press Alan Chong, Isabella Stewart Gardner Museum Orphan Works "Will You Pay $100 for 15 Wrecks?" Collecting Restored and Jeffrey p, Gunard, Esq., Debevoise & Plimpton, CAA counsel Ruined Italian Paintings at Harvard in the Early 20th Century Using Public Domain Works Stephan Wolohojial1, Harvard University Art Museums; Ken Hamma, J. Paul Getty Trust Teri Hensick, Harvard University Art Museums; Kate Olivier, Harvard University Art Museums Dill A!.IERICAIIIIISTITUTE FOR COIiSERVAJlOII LOOKING AT CUBISM: A GALLERY-BASED WORKSHOP MUSEUM OF FINE ARTS, BOSTON Chair: Andrea Kirsh, independent scholar, Philadelphia

m1 OPEN SESSION mAFFILIATED SOCIETY SESSION III OFFSITE SESSION B CM COMMITIEE SESSION iii PRACTICUM D E-SESSION D MUSEUM SESSION Ira ACCESSIBILITY 12:30-2:00 PM, 2:30 PM-5:00 PM 51

POSTER SESSIONS m HYNES CONVENTION CENTER, PLAZA LEVEL, HALL A INTERNATIONAL SCULPTURE CENTER Poster Sessions are informal discussions that use poster-board presen­ 2006 IS THE YEAR tationsand bring together a presenter and individualsor small groups. I·IYNES CONVENTION CENTER, THIRD LEVEL, ROOM 302 Focused on scholarly and pedagogical topiCS, each poster display usu­ Chairs: Michael Klein, International Sculpture Center; Glenn Harper, Sculpture magazine ally includes a brief narrative paper illustrated with images, graphs, and other visual forms that concisely communicate the essence of the International Sculpture Center Today presenter's research. Presenters will be available at the Poster area at Michael Klein, International Sculpture Center this time. The poster boards will be on display Thursday, 10:00 AM­ Sculpture Magazine Saturday, 2:00 PM. Glenn Harper, Sculpture magazine TopiCS include: Artful Teaching Technologies, Assessing and Responding to Student Expectations, Bauhaus Color Pedagogy: Membership Exploring Influences and Relevance in Today's Design Programs, Johanna Hutchinson, International Sculpture Center Expanding Possibilities: Using Online Technology in Studio-Art Classes, Ritual Spaces 01 the Fatuh al-haramayn, Reflexive Imagery in 12th­ Century Burgundy, The Dark Side of Photography: A Historyol Negative Imagery, The Inscriptions in Italian PortraitsolWomen: 1430-1500, SOUTIIEASTERN COLLEGE ART CONfERENCE Religion and Architectural Identity in Post-World War II Rome. OFF THE PEDESTAL: PRESENTING CONTEMPORARY INSTALLATIONS AND NEW MEOlA HYNES CONVENTION CENTER, THIIW LEVEL, ROOM 304 Chair: Debra Murphy, University 01 North Florida 2:30 PM-5:00 PM George Kinghorn, Jacksonville Museum of Modern Art TENTH ANNUAL ARTISTS' INTERVIEWS Russell Panczenko, Chazen Museum of Art HYNES CONVENTION CENTEI1, THIHD LEVEL, ROOM 312 Jonathan Walsh, South Carolina State University George Nick, interviewed by John Stornberg, Williams College Museum Maria Velasco, University of Kansas 01 Art m Annette Lemieux, interviewed by Lelia Amalfitano RADICAL ART CAUCUS m TEACHING ART WITH A SOCIAllY ENGAGED PERSPECTIVE: A DESIGIl STUDIES fORUM ROUNDTABLE DISCUSSION AMATEUR: THE CHALLENGE TO PROFESSIONAL DESIGN HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 309 HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 202 Chair: Beverly Naidus, University 01 Washington Chair: Gerry Beegan, Rutgers University Suzanne Scott, George Mason University An "Other" History: Folk Art and Architecture's Contribution to Lynne Constantine, George Mason University Modernism Marla Jaksch, Penn State University Michelangelo Sabatino, University of Houston Sharon Siskin, University of San Francisco Shifting Typographic Conventions: Technology, Perception, and Originality m Laurie Churchman, University of Pennsylvania AMERICAN SOCIETY fOR EIGHTEENTH·WITURY STUDIES Quiet Revolutionaries: The "Mir Iskusslva" Movement and RUINS Russian Design I·IYNES CONVENTION CENTER, SECOND LEVEL, ROOM 207 Anna Wineslein, University of Oxford Chair: Jon l. Seydl, J. Paul Getty Museum The Bauhaus in Chicago: In Search of Resistance to The Experience of Ruins and the Sense of Self in 18th-Century Professionalism in Design Thought Lara Allison, Columbia University Christopher Drew Armstrong, University of Pittsburgh Artists and the DeSigned Space Entrepreneurial Aesthetics and Urban Disasters in Pre­ Debra Parr, Columbia College, Chicago Revolutionary Paris Nina Dubin, University of California, Berkeley/Getty Research Institute Piranesi's "Displeasure of Ruins" Lola Kantor-Kazovsky, Hebrew University of Jerusalem 52 Sessions 2:30 PM-5:00 PM

FEMINIST ART AND POSTNATIONALIST JEWISH AND Jean-Jacques Dessalines: Demon, Demigod, and Everything ARAB IDENTITIES in Between HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 302 lindsay Twa, University of North Carolina, Chapel Hill Chair: Lisa Bloom, University of California, San Diego Emiliano Zapata: Figure, Image, and Symbol In Tents: Israeli and Palestinian Artists Confront the Teresa Avila, University of New Mexico Deterritorialized Home Daniel Belasco, Institute of Fine Arts, New York University ART AND POLITICS IN AFRICA: AFRICANS AND THE AVANT GARDE HYNES CONVENTION CENTER, SECOND LEVEL, ROOM Who I AM Is Palestinian: Emily Jacir's Documentation of 203 Everyday Life Chair: Nnamdi EIIeh, University of Cincinnati Jennifer Gheilh, School of the Art Institute of Chicago Comrade at Arms: The African Avant Garde at the First World Imaging Placescape in Palestinian Art Festival of Negro Arts, Dakar 1966 Judy Bullington, University of Sharjah Sylvester Okwunodu OglJechie, University of California, Santa Barbara

Trespassing Boundaries: An Internet2 Performance Collaboration Kwame Nkrumah and the Ghanaian Avant Garde with New York University and the University of Tel Aviv Janet Hess, Sonoma State University Barbara Rose Haum, New York University Decolonization Politics and the Art of Uche Okeke and Demas Discussant: Ruth Wallen, Goddard College Nwoko, 1960-68 Chika Okeke, Pennsylvania State University

IDEALS OF BEAUTY IN ANCIENT GREECE AND ROME The Intersection of Modern Art, Anthropology, and Imperial Anglo­ HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 208 German Rivalry in Nigeria Chairs: Ada Cohen, Dartmouth College; Eve D'Ambra, Vassar College OIubukola Gbadegesin, Emory University Faces of BeautylBeautyas Defacement: The Female Portrait in Discussants: Sidney littlefield Kasfir, Emory University; Ikem Okoye, Greek Art University of Delawarej Diu Ogu, University of Connecticut, Storrsj Salah Hassan, Cornell University Sheila Dillon, Duke University

Dangerous Beauty: Variations on the Gorgon in Hellenistic Art Jean Sora bella, Adelphi University II THE POTENTIAL OF THE PRINT: PUBLIC ART AND THE ROLE OF Kalos Kosmos: (Ad)dressing the Gendered Body in Ancient Greece DIGITAL TECHNOLOGIES Mireille M. lee, Harvard University HYNES CONVENTION CENTER, PLAZA LEVEL, ROOM 100 Chairs: Christine Filippone, Rutgers University; Jacqueline van Rhyn, A Most Exquisite Corpse: The Erotic Beauty of a Warrior's Death Print Center Mary Stieber, Cooper Union A la recherche du temps perdu: Reflections on Technology, Child's Play: Beauty for Roman Girls Multiplicity, and Meaning in Contemporary Art Eve O'Ambra, Vassar College Sahrina DeTurk, Salem College

EMBODYING IDEAS: THE PERSON AS POLITICAL INSTRUMENT Digital Multiples: The Billboard from Laptop to Public Barbara Madsen, Mason Gross School of the Arts, Rutgers University HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 304 Chairs: laura Coyle, Corcoran Gallery of Art: Projects with Groups Nora M. Heimann, Catholic University of America Peggy Diggs, Williams College

Cuauhtemoc between Reform and Revolution A Multiplicity of Meanings: Reading Gender into Public Art Christopher Fulton, University of Louisville Christine Filippone, Rutgers University

Re-presentations of Sally Hemings and Thomas Jefferson: The Printed Image at Large Declarations of Independence or Dependents Jacqueline van Rhyn, Print Center Audrey Colby, School of the Art Institute of Chicago

"Not a Man but a God": The Apotheosis of Gilbert Stuart's GAMES, PLAY, AND 20TH-CENTURY ART, PART 1 Athenaeum Portrait of George Washington HYNES CONVENTION CENTER, PLAZA LEVEL, ROOM 112 Adam Greenhalgh, University of Maryland Chair: David Getsy, School of the Art Institute of Chicago Tf7e Duchamp Code Gavin Parkinson, UniverSity of Oxford n1 OPEN SESSION mAFFILIATED SOCIETY SESSION My Utopia: Play in Bauhaus PllOtography OFFSITE SESSION CM COMMITTEE SESSION D Ii Kevin Moore, independent scholar, New York PRACTICUM E-SESSION Il1I II This Is Not a Drawing EI MUSEUM SESSION g ACCESSIBILITY Susan Laxton, Barnard College 2:30 PM-5:00 PM 53

Playing or Being Played? Joseph Cornell's Not-So-Innocent That Season in Sorgues Game Assemblages Albert A. Albano, Intermuseum Conservation Association Stephanie l. Taylor, New Mexico State University Les Demoiselles d' Avignon-Picasso's Cubist Laboratory Surrealist Gaming Michael Duffy, Museum of Modern Art Mary Ann Caws, Graduate Center, City University of New York Discussant: Harry Cooper, Harvard University Art Museums

~ DEATfl AND TRANSFIGURATION IN CHINESE ART ART IIISTORY OPEN SESSION HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 306 NORTHERN RENAISSANCE ART Chair: Sonya S. Lee, University of Southern California HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 311 The Figuration of a Postmortem Existence: Representing the Dead Chair: Craig Harbison, University of Massachusetts, Amherst in Early China Iconography and Authorship in the Eyckian Miniatures of the Joy Beckman, University of Chicago Turin-Milan Hours Altered States: Housing the Dead in 6th-Century China Carol Herselle Krinsky, New York University Bonnie Cheng, Oberlin College Engendering Contrition, Wounding the Soul: Geertgen tot Sint Speaking Corpse, The Political Appropriation of the Deceased Jans's Man of Sorrows Body in Republican China John R. Decker, University of Georgia Delin Lai, University of Chicago Reading the Reformation in Hieronymus Bosch's Prado Epiphany Sites of Death: 6 Xingwei Pieces Debra Higgs Strickland, University of Glasgow Meiling Cheng, University of Southern California The Function of Inter-Pictorial Dialogue in the Art of Pieter Discussant: Eugene Wang, Harvard University Bruegel the Elder Todd Richardson, Universiteit Leiden TRANSATlANTIC PERSPECTIVES ON AMERICAN VISUAL "Science" and "Fantasy" in Pieter Bruegel's Magpie on the Gallows CULTURES, 1500-1800 Catherine levesque, College of William and Mary HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 207 Chairs: Jennifer L. Roberts, Harvard University; FROM THE PAGE TO THE WALL: FROM GRAPHIC NOVELS TO Michael Gaudio, University of Minnesota GALLERY COMICS European Prints in the New World: Difference, Repetition, HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 210 and Utopia Chair: Christian P.J.-C, Hill, California State University, Fullerton Christopher Heuer, Columbia University

Art Space for Comics: Managing and Curating the Cartoon Art Making Sense of Smoke: Engraving and Ornament in Museum de Bry's America Andrew Farago, Cartoon Art Museum Michael Gaudio, University of Minnesota

Eternal Ink: Comic Book and Comic Strip Original Art as Aesthetic Atlantic and Pacific; or, The Other End of the Telescope Object JoAnne Mancini, National University of Ireland, Maynooth Andrei Molotiu, University of louisville A Rebus Dialogue between Britain and America: The Problema tics Panels, Covers, and Viewers: My Mongrels of Painting, Instal/ation, of Representation in the Colonial World and Comics Karen Sherry, Brooklyn Museum Mark Staff Brandl, Universitat Zurich Patience Wright's Transatlantic Bodies Art Histories of Gal/ery Comics: What Rake Told Maus Wendy Bellion, University of Delaware Joanna Roche, California State University, Fullerton 1m DIllUi ART HISTORY OPEII SESSION AMERICAN INSTITUTE FOR CONSERVATION WESTERN ASIAN ART CUBISM APPROACHING 100: MATERIAL QUESTIONS HYNES CONVENTION CENTER, THIRD LEVEL, BALLROOM C MUSEUM OF FINE ARTS, BOSTON Chair: John Russell, Massachusetts College of Art Chairs, Andrea Kirsh, independent scholar, Philadelphia; Rebecca Anne Rushfield, conservator, New York Susa Pottery: A Structural Analysis Frank Hole, Yale University; Cherra Wyllie, University of Hartford Transformation and Conservation in Cubist Painting Pepe Carmel, New York University Early Dynastic Sculpture Styles and the Tell Asmar Hoard Jean M. Evans, Metropolitan Museum of Art Picasso's Col/ages and Constructions Christine Poggi, University of Pennsylvania "Technologies" ofJewelry: Methods and Metaphysics in Mesopotamia Kim Benzel, Metropolitan Museum of Art 54 Sessions 2:30 PM-5:00 PM, 5:00 pM-6:00 PM, 5:30 PM-7:00 PM

Spatial Narratives: Social Memory and Architectural Practice in VISUAL GOSSIP Early Iron-Age I(arkamis HYNES CONVENTION CENTER, THIRD LEVEL, BALLROOM A OmUr Harmansah, Reed College Chairs: Deborah Willis, New York University; Reva Wolf, State University of New York, New Paltz Ideals of Feminine Beauty Embodied in Levantine Ivory Sculptures of the 1st Millennium BCE Portraying Women Gossip anias Witchcraft in Parmigianino's Witch Riding a Phallus Amy Gansell, Harvard University Guy Tal, Indiana University, Bloomington "All the World Knows Her Storie . .. ": 17th-Century Portrait 1m Images as Counter-Narrative,' or, Seeing as Believing in the Cases ART HISTOI!Y OI'EII SESSIOII of Venetia Stanley and the Duchess Mazarin BYZANTINE ART Susan Shifrin, Ursinus College HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 200 Cocaine Addicts and Bolsheviks: Topicality and Gossip in British Chair: Nancy P. Sev/ellko, independent scholar, South Woodstock, Vermont Narrative Painting Pamela M. Fletcher, Bowdoin College Contesting the Logic of Painting in 11th-Century Byzantium Charles Barber, University of Notre Dame "They Be That Way": Sam Doyle's Unconventional Pantheon of Portraits and the Stories that Inspired Them Style and Meaning in the Imperial Panels at San Vitale, Ravenna Lynne Spriggs, Paris Gibson Square Museum of Art Sarah Bassett, Wayne State University Too Much Free Time: The Case Study of Lynda and David T. as Reinventing the Hippodrome: Rus' Rulers and Byzantine Politics Told via the Internet in the Frescoes of St. Sofia in Kiev Marni Shindelman, University of Rochester Elena N. Boeck, DePaul University Discussant: Shelley Rice, New York University The City Vanishes: On the Selective Depiction of Heaven in Byzantine Art Warren T. Woodfin, University of Pennsylvania 5:00 PM-6:00 PM Refiguring the Face of God: The Daphni Pantokrator in the 19th and 20th Centuries CM ANNUAL MEMBERS BUSINESS MEETING Anthony Culler, Pennsylvania State University AND ELECTION OF BOARD OF DIRECTORS HYNES CONVENTION CENTEI1.lHIRD LLVLL.llIILIROOM [l RITUAL PERFORMANCE, PAGEANTRY, AND CEREMONY IN ANCIENT MESOAMERICA HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 309 5:30 PM-7:00 PM Chairs: Rhonda Taube, University of California, San Diego; John M. D. Polll, Princeton University Art Museum III Fortunes of Femininity: Maya Women and Ritual Performance SOCIETY Of ARCHITECTURAL HISTORIAIIS lillian Mollenhauer, University of California, San Diego CREATIVITY AND COLLABORATION IN ARCHITECTURE HYNES CONVENTION CENTER, SECONO LEVEL, ROOM 200 Mountains of Abundance: Early Colonial Accounts of Aztec Tlaloc Chair: Michael J. Lewis, Williams College Veneration Rhonda Taube, University of California, San Diego Eigl7t Architects and "The Building Paris Doesn't Want": UNESCD Headquarters, 1952-58 Dressing Cortes: Gifts Fit for a God (or an Ixipt/aJ Isabelle Hyman, New York Univers'ity Molly Bassett, University of California, Santa Barbara Creative Tension and the Work of Stirling & Gowan Dancing on Water: Creation Rituals among the Highland Maya of Mark Crinson, University of Manchester Guatemala Allen Christensoll, Brigham Young University A Sort of Art Telephone: John Dando Sedding and the Challenge of Collaborative Architecture Discussant: John M. D. Pohl, Princeton University Art Museum Paul Snell, University of Manchester

Unavoidable Nuisances: August Komendant, Louis I. Kahn, and Architecture's Two Cultures Tom Leslie, State University 1m OPEN SESSION III AFFILIATED SOCIETY SESSION D OFFSITE SESSION D CAA COMMITTEE SESSION III CATALOGUE RAISotlllE SCIIOLARS ASSOCIATION PRACTICUM E-SESSION m D THE LIVING ARTIST AND THE CATALOGUE RAISor'INE B MUSEUM SESSION mACCESSIBILITY HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 210 Chair: Steven Manford, independent scholar 5:30 PM-7:00 PM 55 mm COMMUNITY COLLEGE PROfESSORS OF ART AlIO ART HISTORY BEST PRACTICES: AN INTERACTIVE FORUM HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 309 Chairs, Thomas Morrissey, Community College of Rhode Island; Peter 8eal, Frontrange Community College mm NATIONAL ART EDUCATION ASSOCIATION PEDAGOGICAL ISSUES FORUM: LEARNING IN STUDIO, CRITICISM, AND DESIGN HYNES CONVENTION CENTER, PLAZA LEVEL, ROOM 100 Chair: Mary Ann Stankiewicz, Pennsylvania State University

Making the Artist Sydney Walker, Ohio State University

Improving Studio Critiques Terry Barrett, Ohio State University

Preparing for Collegiate Teaching: A Case Study Paul A. Sproll, Rhode Island School of Design

The Studio Thinking Framework: A "Good Enough" Description of Artistic Mind? Lois Hetland, Massachusetts College of Art, Project Zero, Harvard University Graduate School of Education m LEONARDO NEW MEDIA FUTURES: THE ARTIST AS RESEARCHER AND RESEARCH AS ART IN THE 21 S1 CENTURY HYNES CONVENTION CENTER. SECOND LEVEL, ROOM 202 Chairs: loannis C. Yessios; Timothy Allen Jackson, Savannah College of Art and Design m ART HISTORIAIlS INTERESTED IN PEDAGOGY AriD TECHNOLOGY BUSINESS MEETING HYNES CONVENTION CENTE!<, SECOND LEVEL, ROOM 203 m FOUNDATIONS Irl ARI THEOI(Y AND EDUCATION BUSINESS MEETING HYNES CONVENTION CENTEI1, PLAZA LEVEL, ROOM 112 m HISTORIANS OF NETHERLMIOISH ART BUSINESS MEETING HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 207

VISUAL CULTURE CAUCUS BUSINESS MEETING HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 208 56 Sessions 7:30 AM-9:00 AM, 9:30 AM-NOON

SATURDAY, FEBRUARY 25 MINIMAL ART AND THE COMMON CULTURE: ART AND POLITICS IN THE 1960S HYNES CONVENTION CENTER, PLAZA LEVEL, ROOM 100 7:30 AM-9:00 AM Chairs, John Curley, Yale University; Robert Slilkin, Yale University Minimalism, Patronage, Aura m Anna Chave, Graduate Center, City University of New York/Queens AMERICAN SOCIETY Of HISPANIC ART SCHOLARS Coliege, City University of New York BUSINESS MEETING Systems Alert: The Politics of Systemic Practices in Minimalist Art HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 203 Mette Gieskes, University of Texas at Austin m Donald Judd and the Do-it-Yourself Credo in the 1960s ART HISTORIANS Of SOUTHERN CALIfORNIA Nina Murayam3, Graduate Center, City University of New York BUSINESS MEETING Action in American Minimal Art HYNES CONVENTION CENTER, PLAZA LEVEL, ROOM 100 Dominic Rahlz , Oxford Brookes University m Discussant: Patricia Kelly. DePaul University PACifiC ARTS ASSOCIATION CONSUMPTION PRACTICES IN EARLY MODERN EUROPE: CLASS, BUSINESS MEETING GENDER, AND MATERIAL CULTURE HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 207 HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 210 Chair: Joyce de Vries, Auburn U niverslty 9:30 AM-NOON Early Modern Displays of Plate Belh Holman, Bard Graduate Center for Studies in the Decorative Arts, m Design, and Culture ART HISTORY OPEN SESSIOII Making Ends Meet: Gender and the Politics of Domestic Material ITALIAN RENAISSANCE ART, 1400-1580 Cuiture in Antwerp HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 200 Claudia Goldstein, William Paterson University Chair: Kathleen Wei I-Garris Brandt, New York University The Lady in Red, Veronese'sCuccina Family before the Madonna The Cristo Passo, Franciscan Devotions and Fiscal Politics in and Child Quattrocento Venice and the Veneto Blake de Maria, Santa Clara University William Bareham, Fashion Institute of Technology Vermeer's Robe: Status and Myth in Images of 17th-Century Toward a Program for Raphael's Transfiguration and Sebastiano Dutch Learned Men del Piombo's Raising of Lazarus Martha Hollander, Hofstra University Victoria C. Gardner Coates, UniverSity of Pennsylvania Consuming Midwifery in Early Modern France The Appeal of Grottesques Lianne McTavisll, University of New Brunswick Maria Fabricius Hansen, Aarhus University

The Primacy of Subject in Pollaiuolo's Ten Battling Nude Men II DEFINING THE DIGITAL CANON, PART 1 Edward J. OlszeWSki, Case Western Reserve University HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 302 Pride and Prejudice, The Renaissance Flap about Interactive Chair: Kelly Dennis, University of Connecticut Engravings Life and Art in the Moment, Why Defining tile Digital Canon Takes Suzanne Karr Schmidt Too Long Kate Schaffer, School of Visual Arts Studio Values, The Critical Language of Practice Oeborah Bright, Rhode Island School of Design The Digital Muse, Authoring the Museum in the Age of Digital Reproduction Brett M. van Hoesen, mOPEN SESSION mAFFILIATED SOCIETY SESSION Historicizing Digital Art, Forging a Method, Firing a Canon a OFFSITE SESSION IlII CM COMMITTEE SESSION Edward A. Shanken, Savannah College of Art and Design Discussant: Randall Packer, American University III PRACTICU M II E-SESSION Ell MUSEUM SESSION II ACCESSIBILITY 9:30 AM-NOON 57

THE CLASSICAL INHERITANCE IN 19TH·CENTURY ART: CONTINUITY AND TRANSFORMATION m ART HISTORY OPEl! SESSION HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 202 REVISITING HISTORIC NATIVE AMERICAN ART FROM NEW Chairs: Roger Diederen, Dahesh Museum of Art; Jamie W. Johnson, ENGLAND independent scholar, Stratford, Connecticut HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 203 The Complexity of a "Simple Greek Statue": Classicism in the Age Chair: Joan lester, Tufts University of Evolution Wampum Martha Lucy. Barnes Foundation Darrius Coombs, Mashpee Wampanoag Leo von Klenze~ Walhalla and the Cooption of Classicism in 19th­ Reclaiming 17th-Century Work Century Bavaria Linda Coombs, Aquinnah Wampanoag Oavid Christie, Graduate Center, City University of New York Root Clubs: More than Tourist Art Pompeii and Herculaneum in 19th-Century Philadelphia Stan Neptune, Penobscot Jon l. Seydl, J. Paul Getty Museum Pottery Recreating the Past: Prehispanic Heroes and the Classical Ramona Peters, Mashpee Wampanoag Tradition Fabiola Martfnez Rodriguez, independent scholar, Barcelona D Europa, Persephone, and the Embodiment of Distance THE VISUAL NARRATIVE OF THE COMPUTER DESKTOP Alison Hilton, Georgetown University HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 311 Chair: Alec Macleod, California Institute of Integral Studies THE PRINCIPLE OF DRESS: THEORIES OF THE TEXTILE IN Fractured Cybertales: Interface Mythologies of Feminine Choice ART HISTORY and Control HYNES CONVENTION CENTER, PLAZA LEVEL, ROOM 102 Juliet Davis, University of Tampa Chair: Rebecca Houze. Northern Illinois University What We Want May Not Be What We Need-An Interface Should Theory, Textiles, and Abstraction: Avant-Garde Experiments in Face the Inner Need Fabric Design in the 1920s Craig L. Warner, Northwest Missouri State University Julia Tulovsky, independent scholar, New York Interface aslon Art: folkvine.org The Curtain Wall Metaphor in the Work of Ralpll Walker Craig Saper, University of Central Florida Kate Holliday, University of Texas, Austin The Social Implications of New Media: An Overview of Trends Bamana Textiles as Medicines Sylvia Grace Borda, University of British Columbia and Emily Carr Sarah C. Brett-Smith, Rutgers University Institute of Art Constructed Canvases-Embedded Images Investigating Imaginary Evidence Virginia Davis, independent artist and scholar, Berkeley Mary Agnes Krell, Sussex University; Petra Gemeinboeck, University of Sydney ART AND ACCIDENT, PART 1 HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 304 m Chairs: Robin Kelsey, Harvard University; Yukio lippit, HISTORIANS Of BRITISII ART Harvard University THE TROUBLE WITH GENRE, 1603-2004 Malevich 's Accident HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 306 Graham Bader, Columbia University Chairs: Melinda McCurdy, Huntington Library; Anne Nellis, Center for Advanced Studies in the Visual Arts, National Gallery of Art, Leonardo da Vinci, Michelangelo, Drawing, and Accident Washington, DC Cammy Brothers, University of Virginia Henry Peach Robinson and Victorian Genre Photography By Accident or Design: Turner and the Burning of the Jivo Houses David Coleman, University of Texas, Austin of Parliament Edward Eigen, Princeton University Saturday Night and Sunday Morning: Class, Gender, and the Kitchen-Sink Dramas of the 1950s Photography as Chance: P. H. Emerson on Ways of Spilling Ink Catherine Jolivette, Missouri State University Charles Palermo, College of William and Mary An Intimate History of the Nation: Wright of Derby~ Dead Soldier Perfecting Accidents: The Ceramic Kiln as an Artistic Medium in David Ehrenpreis, James Madison University 12th-Century China Hao Sheng, Museum of Fine Arts, Boston 58 Sessions 9:30 AM-NOON

CLAYIKITSGH Between Women, Cultures, and Borders: The Women beyond HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 208 Borders Project and Its Implications for Multicultural and Chair, Mary Drach Mcinnes, New York State College of Ceramics, International Feminism Alfred University Anette Klibitza, California State University, Channel Islands

From Kitsch to Space: Lucio Fontana's Ceramics and the Spatial Geobodies: Feminist Activists Crossing Borders Environment Pamela Allara, Brandeis University Anthony White, University of Melbourne Undoing Monoculture: Women Artists from the Blind Spot of Ken Price's Happy's Curios: Situating Ceramics in Postwar Europe-the Former Yugoslavia America Jovana Siokie, Institute of Fine Arts, New York University Mary Drach Mcinnes, New York State University College of Ceramics, Tile Forgotten Women: Taiwanese Women's Arts since 1996 Alfred University Ming-Hui Chen, Loughborough University Fired at Davis: "High" and "Low" in the Work of Robert Arneson and His Students THE NEED FOR CONNOISSEURSHIP IN AMERICAN ART Hilarie Faberman, Stanford University HYNES CONVENTION CENTER, THIRD LEVEL, BALLROOM A Complex Inferiority Chai" Theodore E. Stebbins, Jr., Fogg Museum of Art, Harvard Tim Berg, independent artist, Oakland University

Kitsch, Taste, and Ceramics The Increasing Need for Connoisseurship: Some Case Studies Leopold Foulem, Cogep de Saint-Laurent Theodore E. Stebbins, Jr., Fogg Museum of Art, Harvard University The Benton Fake Game B Henry Adams, Case Western Reserve University CAA PROfESSIONAL PRACTICES COMMITTEE The Afterlife of Mondrian 's Victory Boogie Woagie THE MFA AND PHD: TORQUE IN THE WORKPLACE Nancy J. Troy, University of Southern California HYNES CONVENTION CENTER, PLAZA LEVEL, ROOM 112 Discussant: Eric Rosenberg, Tufts University Chairs: Klisti Nelson, University of Cincinnati; Johanna Branson, Massachusetts Coliege of Art

The PhD in Media, Art, and Text m RADICAL ART CAUCUS Susan King Roth, Virginia Commonwealth University ART HISTORY AS A CLASS ACT UK Torque: Problems and Pleasures HYNES CONVENTION CENTER, THIRO LEVEL, ROOM 309 Hilary Robinson, Carnegie Mellon University Chair: Blake Stimson, University of California, Davis Studio Practice as Research Graeme Sullivan, Columbia University IS THIS ASIAN ART? MARGINALIZED ASIAN ART AND ASIAN ART BEYOND THE USUAL FARE Riding the Wave of Practice-Based Research: Hanging Ten or HYNES CONVENTION CENTER, PLAZA LEVEL, ROOM 103 Heading for a Wipe-Out Chair: Mary-Louise Totton, Western Michigan University Cameron Cartiere, Dartington College of the Arts Discussant: Timothy Emlyn Jones, Burren College of Art Reinterpreting Ukiyo-e, Opening up the Field Sandy Kita, Chatham College BETWEEN FEMINISMS Food for Art: Kae-Sa-Luk: Royal Thai Fruit and Vegetable HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 207 Sculpting Chair: Elaine O'Brien, California State University, Sacramento Maki Takahashi, University of Kentucky Transcultural Interpretations: Translating Feminisms within a Digital Deities and Online Puja: Popular Hindu Imagery and Globalized Art World Practice Celia Siahr, San Francisco State University Natalie Marsh, Ohio State University Cole has Textiles of the 16th and 17th Centuries from Bengal and Gujarat as Commissions of the Portuguese Barbara Karl, University of Vienna

Alternate Modes of Positionality in the Works of Pan Yuliang and Fiona Tan OPEN SESSION AFFILIATED SOCIETY SESSION m m Anik Fournier, Montreal Museum of Contemporary Art D OFFSITE SESSION B CAA COMMITIEE SESSION mPRACTICUM IJ E-SESSION 0 MUSEUM SESSION rI ACCESSIBILITY 12:30 PM-2:00 PM 59

12:30 PM-2:00 PM Bruegel and the Theme of the Turnip Wagon Walter Gibson, Case Western Reserve University m Music in the Era of Bruegel IlITERNATIONAL ASSOCIATION OF ART CRITICS Frederik Billiet, Sorbonne CURATORS AS CRITICS Bruegel and the World of Misericords HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 210 Elaine C. Block, Misericordia International Chair: Oehra Bricker Balken, independent scholar, Somerville, Massachusetts Harry Cooper, Harvard University Art Museums m ASSOCIATION FOR LATIN AMERICAN ART Bennett Simpsoll, Institute of Contemporary Art, Boston SPECIAL SESSION FOR EMERGING SCHOLARS Bill Arning, List Center, Massachusetts Institute of Technology HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 302 Helen Molesworth, Wexner Center for the Arts, Ohio State University Chair, James OIes, Wellesley College

Moteuczoma's Name and Moteuczoma's Fame: Rituals and Elm Renown in and outside Tenochtitlan ASSOCIATION OF COLLEGE AND UNIVERSITY MUSEUMS AND GALLERIES Patrick Thomas Hajovsky, University of Chicago COLLEGES AND THEIR COLLECTIONS, GALLERIES, AND MUSEUMS: Whispering the Secrets of the State: The Story of an Adulterous Ear A WORKSHOP FOR FACULTY, ADMINISTRATION, AND UNIVERSITY Angelica J. Afanador Pujol, University of California, Los Angeles MUSEUM STAFF HYNES CONVENTION CENTER, PLAZA LEVEL, ROOM 103 The Material of Mimicry: Statue Paintings of tire Virgin of Pomala Chairs: Katherine Crumb, consultant, New York; lisa Tremper Hanover, and Christ of the Earthquakes Philip and Murie! Berman Museum of Art, Ursinus College Maya Stanfield-Mazzi, University of California, Los Angeles Jill Hartz, University of Virginia Art Museum The Body of Christ in : The Wound on Christ's Back and Howard Collingson, University of Iowa Museum of Art the Inquisition m Alena Robin, Universidad Nacional Auton6ma de Mexico AMERICAN SOCIETY OF HISPANIC ART SCHOLARS m BARCELONA AND MODERNITY, 1868-1939 ART LIBRARIES SOCIETY OF NORTII AMERICA HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 203 HOW WOULD YOU LIKE TO BE REVIEWED? REVIEWING VEHICLES Chair, Jordi Falgas, Cleveland Museum of Art; William H. Robinson, FOR ART HISTORY: A DISCUSSION Cleveland Museum of Art HYNES CONVENTION CENTEH, PLAZA LEVEL, ROOM 100 Isidre Nonell's Imagery and Style as a Reflection of Modernist Chair, Barbara Reed, Metropolitan Museum of Art Theories in Barcelona Phyllis Braff, independent scholar, New York m Caricature and Modernity in Barcelona QUEER CAUCUS FOR ART Brian D. Bunk, University of Massachusetts, Amherst ANOTHER NAMES PROJECT: NAMING HOMOPHOBIA HYNES CONVENTION CENTER, PLAZA LEVEL, ROOM 112 Catalans: Catalunya! Posters and Propaganda in Catalonia during Chairs, Christopher G, Reed, Lake Forest College: Paul Jaskot, the (1936-39) DePaul University Miriam M. Basilio, New York University Jonathan David Katz, Yale University Discussant lynette M, F. Bosch, State University of New York, Tee Corinne, independent photographer and author Geneseo Richard Meyer, University of Southern California m Jason Goldman, University of Southern California PACIFIC ARTS ASSOCIATION NEW CULTURAL DIALOGUES CONCERNING OCEANIC ART: m COLLECTIONS, MUSEUMS EXHIBITIONS, AND THE COLLECTING OF AMERICAN COUNCIL FOR SOUTHERN ASIAN ART CONTEMPORARY ART FROM THE PACIFIC ISLANDS BUSINESS MEETING HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 207 HYNES CONVENTION CENTER, PLAZA LEVEL, ROOM 102 Chairs, Christina Hellmich, DeYoung Museum; Ping·Ann Addo m HISTORIANS OF BRITISH ART m BUSINESS MEETING ASSOCIATION FOR TEXTUAL SCHOI.ARSHIP IN ART HISTORY BRIlEGEVS WORLD IN SIGHT AND SOUND HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 306 HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 202 Chair, Naomi Kline, Plymouth State University 60 Sessions 12:30 PM-2:00 PM, 2:30 PM-5:00 PM

rill DI LEONARDO DEFINING THE DIGITAL CANON, PART 2 BUSINESS MEETING HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 302 HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 200 Chair: Kelly DenniS, UniverSity of Connecticut Oh Say Can You See: Historiographical Reflections on the Audio­ rill Vision-Ary Pragmatics of Stan Venderbeek's Cultural-Intercom NATIONAL ART EDUCATION ASSOCIATION Mark Bartletl, independent scholar, Berkeley BUSINESS MEETING HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 208 Can We Construct a Canon for Art in A Postindustrial Age? Martin lister, University of the West of England

InfoZones: Mapping the Borders of Art and Information 2:30 PM-5:00 PM Meredith Hoy, University of California, Berkeley ART, TRAVEl, AND THE TRANSFORMATION OF DESTINATIONS: Immanent Images-Photography after Digitality FRAMING PLACES, PART 2 Damian Peter Sntton, Glasgow School of Art HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 208 Discussant: David Bate, University of Westminster Chairs: Annemarie Weyl Carr, Southern Methodist University; Lisa POll, Southern Methodist University rill Hala Sultan Tekke, Cyprus: An Elusive Landscape of Sacredness AMERICAN COUNCIL OF SOUTIiERN ASIAN ART in a Liminal Context PHOTOGRAPHY AND VISUALITY IN THE 19TH CENTURY Nassos Papalexandrou, University of Texas, Austin HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 202 Chair: Deepali Dewan, , University of Toronto Standardizing the SitelSubjectivizing the Trip: Individualization and Standardization in Tourist Photography, 1900-1940 Julia Margaret Cameron's Ceylonese Photographs: A 19th-Century Rachel Snow, Graduate Center, City University of New York Innovator Mary Ebos, York University Perfect View and the C5 Landscape Initiative Jack Taolin, independent artist, San Jose Photographing Women in the Zenana: The Photographs of Maharaja Sawai Ram Singh II The Concept of Pilgrimage in the Nile Mosaic of Palestrina and laura Weinstein, Columbia University Roman Landscape Painting J. Keith Doherty, Boston University Modern State, Princely State: Photographing Hyderabad's Famine­ Relief Efforts Auratic Objects; or, Close Encounters of a Disappointing Kind Deborah Hutton, College of New Jersey Paul Duro, University of Rochester "Image" of Empire: Lord Curzon's Tour of India as Photographed LOS ANGELES ART OF THE 19608: A CRITICAL REEVALUATION by Raja Deen Dayal HYNES CONVENTION CENTER, PLAZA LEVEL, ROOM 100 Gianna M. Carotenuto, University of California, Los Angeles Chairs: Christopher De Fay, Otis College of Art and Design, Photography in India: Mirror or Artifact of ? Alexandra Schwartz, Museum of Modern Art Maria Antonella Pelizzari, Hunter College Local Avant Gardes: Assemblage, Race, and Jazz in Los Angeles Kenneth 0, Allan, Scripps College GAMES, PLAY, AND 20TH-CENTURY ART, PART 2 Kabbalah Surrealism: Wallace Berman's Seminal Sixties HYNES CONVENTION CENTER, PLAZA LEVEL, ROOM 102 louis Kaplan, University of Toronto Chair: David Getsy, School of the Art Institute of Chicago Ed Kienholz: Conceptual Artist Playas Worldview: Amodernism and a Tradition of Exemplativism Damon Willick, Loyola Marymount University in the Arts from Marcel Duchamp to Dick Higgins Owen Smith, University of Maine Judy Chicago's Art and Politics before Feminism Gail levin, City University of New York The Aesthetics of Uncommitment: Jean Dubuffet and Jean Fautrier's Play with Painting Gallery 32: Risk, Innovation, Survival-Ending the Sixties Karen K. Butler, Barnes Foundation Suzanne Jackson, Savannah College of Art and Design Playing with Dada: Hannah Wilke's Irreverent Artistic Discourse with Duchamp OPEN SESSION AFFILIATED SOCIETY SESSION 1m rill Debra Wacks, independent scholar, Hong Kong OFFSITE SESSION CAA COMMITTEE SESSION e B Subversive Toys: The Art of Liliana Porter 11 PRACTICUM DI E-SESSION Florencia Bazzano-Nelson, Georgia State University E'I MUSEUM SESSION mACCESSIBILITY Zig-Zagging with Full Stops from Play to Art Elien Handler Spitz, University of Maryland 2:30 PM-5:00 PM 61

Reconceptualizing Storia Sacra in 18th~Century Rome: III The Corsini Chapel in SI. John Lateran ASSOCIATlOII OF HISTORIANS OF IIilIETEEIITII~CEIITURY ART Heather Hyde Minor, University of Illinois, Urbana-Champaign EXPATRIATE GAMES: THE 19TH-CENTURY ARTIST ABROAD HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 210 Chair: Erica E. Hirshler, Museum of Fine Arts, Boston ART AND ACCIDENT, PART 2 HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 304 Defining American, Defining Expatriate: The Puzzling National Chairs: Robin Kelsey, Harvard University; Yukio lippit, Harvard Identities of Sargent, Mora, and Henri University M. Elizabeth Boone, Humboldt State University Accident in Carolee Schneemann's Early Performance Works The Filipino as Avant~Garde Artist S. Elise Archias, University of California, Berkeley Deborah A. Deacon, Arizona State University Happy Accidents of the Brush: Art, Chance, and the Neo~ Home Is Where the Heart Is: The Paintings of Henry Ossawa Impressionist Reaction to Impressionism Tanner, an African American Expatriate Michelle A. FDa, Princeton University Sharon Pruitt, East Carolina University Warhol and KlUver's Uncertainty Principle: Silver Clouds, 1966 Away from Homelat Home in Paris: Americans Reckon with Michelle Y. Kuo, Harvard University la ville lumiere Hollis Clayson, Northwestern University Chaos and Clarity in the Automatic Drawings of Victorian Spiritualists Edvard Munch's "Germanness" Rachel Oberter, Yale University Jay A. Clarke, Art Institute of Chicago Unexpected Inventions: T/1€ Spontaneous Mark as Muse in Italian Baroque Drawings TENSIONS BETWEEN TEXT AND IMAGE IN MEDIEVAL ART Veronica White, Columbia University HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 203 Chair: Kerr Houston, Maryland Institute College of Art [!l3 The Word Made Flesh: Text as Image in Early Christian Rome ART HISTORY OPEN SESSION Erik Thunp, Rutgers University PRINTS IN TIlE 19TH CENTURY, PART 2 Judging a Cover by Its Book: Rhetorical Exchange in and on the HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 207 Dagulf Psalter Chair: Patricia Mainardi, Graduate Center, City University of New York Melanie Holcomb, Metropolitan Museum of Art The Rise of Reproductive Lithography: Les Artistes contemporains Hermeneutic Delights: Reading the Hortus Deliciarum and Mid~ 19th~Century Print Elizabeth Monroe, Fordham University Simon Kelly, Nelson-Atkins Museum of Art Text, Image, and Inscriptions in an Illustrated Manuscript of the Shaming an Empire: Caricatures of Empress Eugenie Meditationes Vitae Christi Alison McQueen, McMaster University Holly Flora, Museum of Biblical Art Who Needs the Author Function? Anonymity, Collaboration, and When Text and Image Don't Correlate: The Hours of Isabella the Recognition of Artistic Value Stuart and the Pilgrimage of the Life of Man Tom Gretton, University College, London laura Gelfand, University of Akron The Image on tile Wall: Prints as Decoration in 19th~Century Interiors THE ROMAN CHAPEL, Hl50-1750: IMAGES, FUNCTIONS, RHETORIC Pierre-Lin Renia, Musee Goupil HYNES CONVENTION CENTER, SECOND LEVEL, ROOM 200 The Influence of 's Volpini Suite on the Prints of Chairs: Pamela M. Jones, University of Massachusetts, Boston; Carolyn Valone, Trinity University Ernst Ludwig Kirchner Heather lemonedes, Cleveland Museum of Art The Theodoli Chapel in Santa Maria del Popolo: Saints Catherine of Alexandria and Jerome in the Service of a Family Dynasty Cynthia Stollhans, Saint Louis University III INTERNATIOllAl ASSOCIATION OF WORD AND IMAGE STUDIES San Bernardo aile Terme: Artistic Problem-Solving and the MERLEAU-PONTY AND THE VISUAL ARTS Rhetoric of Stucco HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 311 C. D. Dickerson, Institute of Fine Arts, New York University Chair: Carrie Noland, University of California, Irvine

Censorship or Reform? Clement VIII and Federico Barocci in the Art and the Substance of Things in Merleau~Ponty and Sartre Aldobrandini Chapel in Santa Maria sopra Minerva Alex Potts, University of Michigan Opher Mansour, Courtauld Institute of Art, University of London Condemned to Meaning Overlapping Agendas: Filippo Neri and Carlo Borromeo in the Carrie Noland, University of California, Irvine Spada Chapel, Santa Maria in Vallicella David Butler, Ulrich Museum of Art, Wichita State University 62 Sessions 2:30 PM-5:00 PM

Act and Object: Baroque Realism and the Visible Invisible Brendan Prendeville, Goldsmiths College, University of London An Answer Concerning Technology: Lautner, Mer/eau-Ponty, and the Cineramic Subject Jon Yoder, University of California, Los Angeles

GIMME SHELTER: THE 19205 MACHINE AHABITER, THE 19308 GALLOPING BUNGALOW, AND 21 ST-CENTURY SHELTER ART HYNES CONVENTION CENTER, PLAZA LEVEL, ROOM 112 Chair: Anna Novakov, St. Mary's Coilege of California The Rationalist Home: Gorbusier's machine aIlabiter, the Italian Way Flavia Marcello, American University of Rome Revenge of the Repressed: The Atelier von Lieshout's Anti­ Utopian Architecture Kirsten Strom, Grand Valley State University No Place Like Home: The Homeless Body as Machine for Living Holly Markovitz, Boston University A Home Is Not a House Hadas Steiner, State University of New York, Buffalo Portable Homes: The Reality of an Inflatable Utopia Ana Rewakowicz, independent artist, Montreal Moveable Immovables: The Interplay between Architecture and Automotive Design Elisabeth SClullidle, Universitat Karlsruhe

SECULAR AND SACRED IN MEDIEVAL ART: BRIDGING THE DIVIDE, PART 2 HYNES CONVENTION CENTER, THIRD LEVEL, ROOM 306 Chairs: Alicia Walker, Columbia University; Amanda lllyster, Coilege of the Holy Cross Sacred and Secular at Silos Elizabeth Valdez Del Alamo, Montclair State University Pilgrimage for Pleasure Samuel Crowell Morse, Amherst College Christian Monasteries in the Early Medieval Islamic Context lara Tohme, Wellesley College Challenging the Sacred Landscape of Byzantine Cappadocia Veronica Kalas, Middle East Technical University

~ OPEN SESSION mAFFILIATED SOCIETY SESSION D OFFSITE SESSION mCAA COMMITTEE SESSION III PRACTICUM D E-SESSION B MUSEUM SESSION lEI ACCESSIBILITY