Updated 4-2-14 Clarifications and Corrections to Patterns 2015 Booklets, E-Patterns and Editorials S

Total Page:16

File Type:pdf, Size:1020Kb

Updated 4-2-14 Clarifications and Corrections to Patterns 2015 Booklets, E-Patterns and Editorials S Tahki Stacy Charles Booklets – updated 4-2-14 Clarifications and corrections to patterns 2015 booklets, e-patterns and editorials S. Charles Collezione RED HOT Collection Please note that these corrections apply to both the printed book and the e-pattern Filatura Di Crosa Free Pattern Sophie Shawl in Chantal PATTERN STITCHES Bead stitch (multiple of 6 sts + 2) Row 1 K1, *yo, SK2P, yo, k3; repeat from * to last st, k1. Row 2 and all even-numbered rows (WS) Purl. Row 3 K1, *k3, yo, SK2P, yo; repeat from * to last st, k1. Repeat Rows 1-4 for Bead stitch. Ribbon Lace Panel (multiple of 25 sts) Row 23 P1, KSP, yo, p2, k1, yo, SKP, p3, k3, p3 KSP, yo, k1, p2, KSP, yo, p1. Row 35 P1, KSP, yo p5, yo, SKP, p5, KSP, yo, p5, KSP, yo, p1. SHAWL Row 17 K2, yo, p4, 2/2 LPC, p1, 2/2 RPC, p4, yo, k2. (23 sts) Row 19 K2, yo, p5, KSP, yo, p5, yo, SKP, p5, yo, k2. (25 sts) Row 21 K2, yo, p5, KSP, yo, k1, p5, k1, yo, SKP, p5, yo, k2. (27 sts) Row 22 K8, p3, k5, p3, k8. (27 sts) Row 23 K2, yo, p5, KSP, yo, k2, p5, k2, yo, SKP, p5, yo, k2. (29 sts) Row 24 K8, p4, k5, p4, k8. (29 sts) Row 25 K2, yo, p5, KSP, yo, k3, p1, k3, p1, k3, yo, SKP, p5, yo, k2. (31 sts) Row 26 K8, p5, k1, p3, k1, p5, k8. (31 sts) Row 42 K2, begin Bead st starting with row 4, sm, p1, work next row of Ribbon Lace Panel, p1, sm, begin Bead st starting with row 4, k2. Rows 45-162: Repeat Rows 43 and 44, continuing to follow successive rows of the Ribbon Lace Panel and adding repeats of Bead st when there are enough sts. At the end of Row 162, 4 repeats of the center pattern will be completed. ABBREVIATIONS Sm (sm) slip marker 2014 booklets, e-patterns and editorials S. Charles Collezione RED HOT Collection Please note that these corrections apply to both the printed book and the e-pattern #9 Marisa Cowl/Capelet Dec Rnd: Dec 6 sts this rnd....as follows: *Ssp, purl to marker; #13 Izabel Cardigan All instances of SK2P should be slip 1, k2, psso, leaving 2 sts on the needle.n t #23 Lily Cardigan (RS) Change to St st; work even until piece measures 8 1/2” from beg, end with a WS row. FINISHING Block pieces to measurements. Sew Shoulder seams. Sew in SLEEVES; sew SLEEVE seams. Sew side edges and bottom of Pocket Linings to Body. #26 Hilary Pullover BACK, Shape Left Shoulder and Begin Pattern Shift, after AT SAME TIME, next RS row should be: Cont to work Shoulder shaping as est, work 4 sts in Seed st with B , change to St st … Neckband should be: knit with 1 strand each of A & C held together. Tahki Yarns KNIT ESSENTIALS Collection Please note that these corrections apply to both the printed book and the e-pattern #2 Comfort Top-Down Pullover SPECIAL ABBREVIATIONS K1-f/b: (RS) Knit 1 front and back (inc) - Knit next st, then knit it tbl. Raglan Inc Row (RS) * Knit to marker, M1R, sm, k1, sm, M1L; rep from * 3 more times, knit to end. 64 (64, 66, 68, 68, 70) sts. (WS) Purl 1 row. Shape Neck Neck and Raglan Inc Row (RS) K1-f/b in first st, * knit to marker, M1R, sm, k1, sm, M1L; rep from * 3 more times, knit to last st, K1-f/b in last st – 10 sts inc. (WS) Purl 1 row. Join Front Neck (RS) * Knit to marker, M1R, sm, k1, sm, M1L; rep from.... Raglan Shaping Raglan Inc Rnd * Knit to marker, M1R, sm, k1, sm, M1L; rep from.... Tahki Yarns Free Pattern Azalea Shawl in Tandem The yarn requirements were incorrect. The correct yarn amount is 3 balls instead of one. he printed book DETAILS, this pattern was missing this note: S. Charles Collezione DETAILS Collection Please note that these corrections apply to both the printed book and the e-pattern #4 Phoebe Ribbed Tee In the printed book DETAILS, this pattern was missing this note: NOTE: Hold 2 strands of MC together throughout this pattern for BACK, FRONT and SLEEVES. For Neckband, 2 strands of A are held together. #8 Stacey Hi-Lo Cardigan Left Back/Front Using Cable Cast-On, cast on ...work in Leaf Lace to second marker, rms for Sleeve, knit to end – 143 ( 145 , 147, 149 , 151, 153 ) sts. (WS) Using Cable Cast-On, cast on 52 ( 50 , 48, 46 , 44, 42 ) sts ... knit to end – 195 sts. Shape Back Neck (WS) Bind off 81 sts purlwise, k2 (3 edge sts, keep in Garter st), pm, work in patts as est to end – 98 114 sts rem. Right Front/Back (WS) Using Cable Cast-On, cast on 81 sts; ... knit to end – 195 sts. Right Sleeve (RS) Bind off ... sts, k4 ( 6 , 8, 10 , 12, 14 ), pm , work in Leaf Lace to marker, knit to end – 116 ( 118 , 120, 122 , 124, 126 ) sts rem. (WS) Bind off 44 (42, 40, 38, 36, 34) 52 ( 50 , 48, 46 , 44, 42 ) sts, k4 ( 6 , 8, 10 , 12, 14 ) , pm, work to end – 64 ( 68 , 72, 76 , 80, 84 ) sts rem. (RS) K5 (7, 9, 11, 13, 15), pm, work in Leaf Lace to last 5 (7, 9, 11, 13, 15) sts, pm, knit to end. Keeping sts between markers in Leaf Lace and rem sts in Garter st, work even for ... end with a WS row. #14 Miuccia Lace Jacket BACK Cast on 100 (110, 120, 130, 140, 150) sts. (WS) (RS) Slip 1 purlwise, k3 (edge sts), work Lace Patt to last 4 sts, k4 (edge sts). (RS) (WS) Slip 1 purlwise, k3 (edge sts), work to last 4 sts, k4 (edge sts). TSCArtyarns LITTLE LUXURIES Collection Please note that these corrections apply to both the e-book and the e-pattern Diamond Lace Shawlette The chart for the Lace Pattern was incorrect; see the corrected lace chart above, and the corrected written instructions below. Row 35 ... - 37 sts Row 37 K1, yo, k2tog, yo, [ssk, yo, ssk, k3, k2tog, yo, k1, yo] twice, ssk, yo, ssk, k3, [k2tog, yo] twice, ssk, yo, k1 - 37 sts. Teardrops Shawl Row 1 (RS) K138, turn. Row 2 P7, p2tog, p3, turn – 267 sts rem. Row 3 Knit to 1 st before gap, k2tog (closing gap), k3, turn. Row 4 Purl to 1 st before gap, p2tog (closing gap), p3, turn. Repeat Rows 3 and 4 twenty nine times more (30 times total), 207 sts rem Repeat Row 3, 6 sts rem at either end of needle - 206 sts rem. Next row Purl. Bind off all sts knitwise. 2013 booklets, e-patterns and editorials Filatura Di Crosa TUTTO BENE Collection Please note that these corrections apply to both the printed book and the e-pattern #12 Foro Romano Cardigan Written instructions for Row 9 of 15-st Cable Panel are incorrect: Row 9 should be: P1, k3, [p1, k1] 4 times, k2, p1. S. Charles Collezione STARDUST Collection Please note that these corrections apply to both the printed book and the e-pattern #11 Polly Vest The yarn requirements were incorrect. The correct yarn amounts are 7 (8, 9, 11, 12, 13) balls. #17 Keely Cowl-Collar Top BACK Using A, cast on... (RS) Beg Garter Stripe, k1 (edge st, keep in St st), work Slip Stitch Patt... FRONT Right Side Using A, cast on... (RS) Beg Garter Stripe, work Slip Stitch Patt... Left Side Using A, cast on... (RS) Beg Garter Stripe, k1 (edge st, keep in St st), work Slip Stitch Pattern to end. #26 Teresa Shawl SHAWL Row 4 K2… Row 5…knit to marker, yo, sm, k1, sm, yo, knit to last... Row 6 K2... #27 Ginnie Swing Jacket & Scarf Seed stitch (even number of sts) Row 1: *K1, p1; rep from * across. Row 2: *P1, k1; rep from * across. BACK Cast on 58 (64, 70, 76, 82, 90) sts; beg GR Patt. Work Rows 1-6 twice, then Rows 1-3 once. Knit 1 row. SLEEVES Cast on 38 (40, 44, 44, 44, 46) sts; beg GR Patt. Work Rows 1-6 twice, then Rows 1-3 once. Knit 1 row. Tahki Yarns FALL GETAWAYS Collection Please note that these corrections apply to both the printed book and the e-pattern #5 Newport Vest SKP: (Left-leaning dec) - Slip 1, k1, psso. Back Row 2 K1, skp, work in patt to last 2 sts, k2tog. Left Front Row 2 K1, skp, work in patt to end of row. Right Front Row 2 Work in patt to last 2 sts, k2tog. Collar Work even in patt until piece measures 3¼ (3½, 3¾, 4, 4¼, 4¼)” from dec row. Bind off. #7 Lodge Zipped Hoodie Join BODY and SLEEVES ...147 (159, 183, 195, 219, 231) sts. Shape Yoke Work Rows 12-20 of Fair Isle Chart 2 . 123 (133, 153, 163, 183, 193) sts rem. Cut CC yarn With MC, work 2 (2, 3, 4, 4, 4) 2 (2, 2, 4, 4, 4) rows St st. Dec Row [K5 (5, 3, 3, 4, 4), k2tog] 1 (3, 2, 3, 9, 9) time(s), [k4 (4, 4, 4, 3, 3), k2tog] 18 (15, 22, 22, 16, 18) times, [k5 (5, 3, 3, 4, 4), k2tog] 1 (3, 2, 3, 8, 8) time(s), k1. 103 (112, 127, 135, 150, 158) sts rem.
Recommended publications
  • Pleated Linen Shirt by Arenda Holladay
    PLEATED LINEN SHIRT BY ARENDA HOLLADAY BEYOND THE PATTERN: This simple linen shirt features a wide pleat with mirrored cables at the back. The same cables are reproduced on the sleeves and saddle shoulders. The sleeves use a modified drop shoulder styling. Shibui Linen, the recommended yarn, has a chained ply structure which produces a fabric lighter than air. The weight of the pleat in the back creates an asymmetrical edge, making the back longer than the front. There is a two-inch ease in all sizes. Sizes: XS (S, M, L, 1X, 2X) Finished Measurements: Chest: 34 (36, 38, 40, 42, 44)" Length: 25.5 (25.5, 25.5, 26.5, 26.5, 27.5)" Materials: Shibui LINEN (50g, 264yds/225m, 100% Linen): 6 (7, 7, 8, 8, 9) skeins #2004 Ivory Size 4 (3.5mm) needles or size to obtain gauge Size 4 (3.5mm) dpn’s or size to obtain gauge Size 2 (2.75mm) circular needle or size to obtain gauge Cable needle Stitch markers Gauge: In St st, 24 sts & 32 rows = 4"/10 cm. To save time, take time to check gauge. Abbreviations: Sl 1 wyib – Slip 1 st purlwise with yarn in back. Sl 1 wyif – Slip 1 st purlwise with yarn in front. continued on page 28 BACK TO TKGA.com 27 CONTENTS Copyright 2015/2016 The Knitting Guild Association. Cast On content is for readers’ personal use and may not be shared or reproduced without permission from the editors. continued from page 27 C2 over 1 left P – Slip 2 sts to cn, hold to front, p1, k2 from cn.
    [Show full text]
  • Graded-In Textiles
    Graded-In Textiles For a list of each of our partner commpany’s patterns with Boss • Indicate GRADED-IN TEXTILE on your order and Boss Design Design Grades visit www.bossdesign.com. To order memo will order the fabric and produce the specified furniture. samples visit the websites or call the numbers listed below. • Boss Design reserves the right to adjust grades to accommodate price changes received from our suppliers. • Refer to our website www.bossdesign.com for complete pattern memo samples: www.arc-com.com or 800-223-5466 lists with corresponding Boss Design grades. Fabrics priced above our grade levels and those with exceptionally large repeats are indicated with “CALL”. Please contact Customer Service for pricing. • Orders are subject to availability of the fabric from the supplier . • Furniture specified using multi-fabric applications or contrasting welts be up charged. memo samples: www.architex-ljh.com or 800-621-0827 may • Textiles offered in the Graded-in Textiles program are non- standard materials and are considered Customer’s Own Materials (COM). Because COMs are selected by and used at the request of a user, they are not warranted. It is the responsibility of the purchaser to determine the suitability of a fabric for its end use. memos: www.paulbraytondesigns.com or 800-882-4720 • In the absence of specific application instructions, Boss Design will apply the fabric as it is sampled by the source and as it is displayed on their website. memo samples: www.camirafabrics.com or 616 288 0655 • MEMO SAMPLES MUST BE ORDERED DIRECTLY FROM THE FABRIC SUPPLIER.
    [Show full text]
  • Knitting Tote Skill Level: Intermediate
    knit in Suede™ Knitting Tote Skill level: Intermediate More colorways Our popular knitting tote is sturdy and stylish in Suede. PDF Instructions (If you can’t open this PDF file you need Adobe Acrobat Reader. Get it here.) SIZE Approximately 15” wide x 11” high (Not including handles) x 4 1/2” deep. MATERIALS BERROCO SUEDE (50 grs), 5 balls #3715 Tonto Green or #3745 Calamity Jane Purple or # 3769 Sundance Kid Turquoise 24” length circular knitting needle, size 8 OR SIZE TO OBTAIN GAUGE. Crochet hook, size 4.00 mm (F). 1 Pair wooden handles with 13” wide bar at bottom. Four 7/16 ” goldtone grommets. 1 Piece of cardboard 15” long x 4 1/2” wide for bottom insert. GAUGE 24 sts = 4”; 30 rows = 4” in Pat St on size 8 needles. TO SAVE TIME, TAKE TIME TO CHECK GAUGE. PATTERN STITCH Rnd 1: Knit. Rnd 2: * Sl 1 WYIB, yo, k1, pass sl st over yo and k1, rep from * around. Rnd 3: Knit. Rnd 4: K1, * sl 1 WYIB, yo, k1, pass sl st over yo and k1, rep from * to last st, end sl 1 WYIB, yo, drop marker and sl 1, pass 1st sl st over yo and 2nd sl st, put last st worked back on left hand end of needle and replace marker. Rep these 4 rnds for Pat St. BAG With circular needle, cast on 210 sts. Join, being careful not to twist sts. Mark for beg of rnd and carry marker up. Work even in Pat St until piece measures approximately 13”, end on Rnd 1 or 3.
    [Show full text]
  • Tweed Brochure
    TWEED From our establishment in 1957, we have become one of the oldest exclusive manufacturers of commercial ooring in the United States. As one of the largest privately held mills, our FAMILY-OWNERSHIP provides a heritage of proven performance and expansive industry knowledge. Most importantly, our focus has always been on people... ensuring them that our products deliver the highest levels of BEAUTY, PERFORMANCE and DEPENDABILITY. (cover) Tweed Pleat, ashlar. (right) Tweed Stitch, ashlar. TWEED 3 Tweed Pleat, herringbone. Tweed Pleat, herringbone with Boucle Knot, ashlar. Tweed Pleat, herringbone. FIRETWEED & ICE 5 tweed 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 color 2978 color 2979 color 2980 color 2981 color 2982 color 2983 color 2984 color 2985 color 2986 stitch pleat hem needle tailor serge weft woolen measure style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 color 2987 color 2988 color 2989 color 2990 color 2991 color 2992 color 2993 color 2994 selvage thread placket dart seam flannel thimble suit Tweed Hem, herringbone. TWEED 7 coordinating palette 1 2 3 4 6 8 5 7 Beyond the beauty of individual products, our flooring coordinates effortlessly with each other. This offering enables you to blend a range of designs with tonal simplicity to create palettes that reflect the demands of each unique space. 1 Tweed 7588 #7083 Stitch Modular 2 Modern Classics V5002 #1029 Annie LVT 3 Boucle 7081 #2703 Texture Modular 4 Fractured Plaid 7587 #2873 Calico Modular 5 Analog Mono 1822 #1555 Equivalent Kinetex 6 Legend V5010 #1059 Fiction LVT 7 Boucle 3081 #2703 Texture Broadloom 8 Stria 7585 #2741 Merino Modular Tweed Stitch, ashlar with Modern Classics Annie, ashlar.
    [Show full text]
  • Measuring Pleated Knitted Sensors †
    Proceedings Measuring Pleated Knitted Sensors † Giorgia Petri * and Berit Greinke College of Architecture, Media and Design, Berlin University of the Arts, 10587 Berlin, Germany; [email protected] * Correspondence: [email protected] † Presented at the International Conference on the Challenges, Opportunities, Innovations and Applications in Electronic Textiles (E-Textiles 2020), Virtual venue, UK, 4 November 2020. Abstract: This paper presents preliminary results from a study of pleated electronic textile (e-textile) sensors, focusing on prototyping and measuring electrical resistance of three knitted sensors. This work is part of a larger research project, investigating the interaction between body and e-textiles with a three-dimensional structure for creative performance applications. First, electrical properties of the pleated textile sensors were determined. Sensors were measured in a purpose-built low-cost recording device, which was set up to record electrical resistance, taken from the fabric while it was folded and unfolded. Different modes of connecting the samples to the microcontroller were also tested. Each sensor was tested three times with three different stretch lengths. The results show that one of the most significant factors to use knitted pleats as an input is the combination of yarns com- bined with the tension of the knitting machine. Keywords: pleated e-textiles; sensor properties; knitting 1. Introduction This project focuses on the interconnection between fashion, art, and technology. As an inspiration for the conceptual and technical development of pleated sensor structures, Citation: Petri, G.; Greinke, B. an investigation was carried out into concepts of fold, language, body, and performance. Measuring Pleated Knitted Sensors.
    [Show full text]
  • GCSE D&T Textiles Knowledge Organiser
    GCSE D&T Textiles Knowledge Organiser Commercial Processes Scales of Production Circular Knitting Machine Batch Weaving Loom One Off Mass Flat Bed Knitting Machine Manufacturing Processes - Wastage, Addition, Forming Composite/Lamination Wastage Addition Forming Composites are materials made from two or more different materials Dyeing and Printing Pleating and combine the properties of the materials they are made from. Cutting/Shearing Sewing Quilting Gore-Tex Carbon fibre reinforced Batik plastic Screen printing Shears Computerised Embroidery Gathering Quilting Bonding fabric Rotary Cutter Laminated fabrics are made when two or more layers of fabrics are Fastenings Applique bonded together using a polymer film, this is what creates the Laser cutting Tailoring laminate material to have its shiny effect. Piping GCSE D&T Textiles Knowledge Organiser Tools & Equipment Techniques and Processes Laser cutter Tailor’s Chalk Hot Press Wood blocks for Mannequin printing Rotary Cutter Screen Printing – screen and Overlocker squeegee Pinking Shears Shape & Form Production Aids Computerised Double Embroidery Machine Templates Plain French Seam Machine Dressmaking Patternmaster Seam Stitched Pattern Seam Fabric Shears Pinked Edge Curved Seams Inverted pleat Wax pot & Tjanting Overlocking Embroidery Hoop Accordion Pleat Gather Knife pleat Zig Zag edge Dart Box Pleat Block Patterns GCSE D&T Textiles Knowledge Organiser Fibres, Yarns & Fabrics Textiles & their working Sources & Origin properties Absorbency - soaks up water/sweat Strength – strong, doesn’t
    [Show full text]
  • PATTERN Take-Two Skirt
    nn Budd Knits PATTERN Take-Two Skirt This skirt is a variation of the Putting of the Pleats skirt (avail- able at http://www.ravelry. com/patterns/library/putting- on-the-pleats) that I designed last year. For this version, I used a fingering weight hand-dyed wool yarn at 7.5 stitches per inch for a firm, but lightweight, fabric. Designed to have 1" to 2" (2.5 to 5 cm) negative ease around the waist and hips, this skirt stretches as neces- sary for a slimming fit. Four darts shape the hips, then purl stitches are added between 15-stitch “pleats” to provide flare in the lower skirt. Slipped stitches make the “pleats” look more elongated. The bind-off produces slight scallops around the lower edge, which adds a bit of flirty appeal. JOE COCA FINISHED SIZE About 30¾ (32¾, 34¾, 36¾)" (78 [83, 88.5, 93.5] cm) waist circumference; 34 (36, 38, 40)" (86.5 [91.5, 96.5, 101.5] cm) hip circumference before start of pleats; 49¾ (52¾, 55¾, 58¾)" (126.5 [134, 141.5, 149] cm) hem circumference, relaxed; and 20" (51 cm) length for all sizes (see Notes). Skirt shown measures 32¾" (83 cm) waist circumference. YARN NEEDLES NOTIONS GAUGE Fingering weight Size U.S. 3 (3.25 mm): 24" Stitch markers (m); tapestry 30 sts and 44 rnds = 4" (#1 Super Fine). (60 cm) circular. needle; 11/2" (3.8 cm) elastic (10 cm) in St st, worked in Shown here: Wollmeise Adjust needle size if to fit around waist plus 1" rnds, after blocking.
    [Show full text]
  • Dynamic Folding Knits: Play // Interact // Explore
    Dynamic Folding Knits: Play // Interact // Explore // An exploration into self-forming and self-folding knitted textiles. Victoria Salmon 2020 Master in Fine Arts in Fashion and Textile Design Specialisation in Textile Design Degree Project Master of Fine Arts in Fashion and Textiles With a Specialisation in Textile Design. Title: Dynamic Folding Knits Play // Interact // Explore Author: Victoria Salmon Supervisor: Ulrik Martin Larsen Examiner: Delia Dumitrescu Opponent: Sarah Taylor Report No: 2020.6.01 Date: June 2020 The Swedish School of Textiles Borås Sweden. 2 “Play” /pleɪ/ verb 1 occupy or amuse oneself pleasantly with some recreation, game, etc 2 act light-heartedly “Fold” /fəʊld/ Verb 1 tr a bend or close (a flexible thing) over upon itself b bend a part of (a flexible thing) in the manner specified 2 intr (intransitive) become or be able to be folded 3 tr make compact by folding Noun 1 the act or an instance of folding 2 a line made by or for folding Abstract: Physical interaction with textiles is generally found through the purpose of the textiles; for clothing, or interior use. We engage not just for the textiles, but primarily for it’s function. Within Dynamic Folding Knits, the purpose of the material is purely interaction focused. To encourage and to entice the visitor to play, and thus creating a new focus to the materi- al. One that focuses on the materiality before the function. Described through practical based research, knitted materials have been explored to investigate and encourage the physical interaction between the viewer and textiles. Folding methods have been developed that increase the tactility of the material, and integrate intricate form.
    [Show full text]
  • Sanmar Glossary of Terms January 2019 1X1 Rib Knit. This Narrow Rib
    SanMar Glossary of Terms January 2019 1x1 Rib Knit. This narrow rib has a soft, fine hand and retains its slim fit. 2x1 Rib Knit. Textured rib knit with a comfortable stretch—made to be worn alone or layered. 2-Way Zipper. A zipper with two zipper pulls so the garment can be unzipped from either direction. 3-in-1 Jacket. A jacket that consists of two jacket layers that zip together. You can wear either jacket layer separately, or zip them together for extra warmth and weather protection. 4-Needle Stitching. A finish commonly used on a sleeve or bottom hem that uses four needles to create parallel rows of visible stitching, giving the garment a cleaner, more finished look, as well as adding durability. 4-Way Stretch. A fabric that stretches both on the crosswise and lengthwise grains of the fabric. Also called mechanical stretch, except mechanical stretch doesn’t use spandex or other stretch yarns. Air Jet Yarn. A type of open-end spinning that uses a stationary tube in which jets of air are directed to cause fibers to twist thereby forming a yarn. This process definitely influences the soft hand feel of the fabric while maintaining excellent resistance to pilling. Airlume Combed and Ring Spun Cotton (BELLA+CANVAS). 100% Airlume combed and ring spun cotton, 32 singles. BELLA+CANVAS removes 2.5x more impurities than standard ring spun cotton and uses only long cotton staples, which means there are less stray fibers when the yarn is spun, resulting in a smoother print surface. All-Weather Microfiber.
    [Show full text]
  • HEART BEAR PLEAT SKIRT Materials: 22G Double Knitting Yarn Needles: 4Mm Straights Notions: Darning Needle Gauge: 28 Stitches, 36 Rows = 10Cm X 10Cm
    1 of 3 HEART BEAR PLEAT SKIRT Materials: 22g double knitting yarn Needles: 4mm straights Notions: darning needle Gauge: 28 stitches, 36 rows = 10cm X 10cm Dimensions: This skirt will fit a teddy bear approx 30cm tall, with a waist of around 29cms Abbreviations and techniques: see attached sheets Note 1 – Skirt body is knitted from side to side in one piece. The rib waistband is then added on and then both the waistband and skirt are seamed together using mattress stitch. ____________________________________________________________________ Knit 1 row, turn. Next row cast off loosely in purl, do not cut the yarn, leave the last st on the needle. These 8 rows form the pleat pattern. Repeat rows 1 to 8, 19 more times for a total of 40 pleats. Note 3 – All short rows begin on the Skirt body hem edge of the the skirt, not the waistband edge. WAISTBAND Cast on 16 sts using cable cast on (4 rows k1 p1 ribbing) method (or other non-elastic cast on With RS facing, and using active yarn method) end, pick up 40 sts. One st should be picked up for each pleat 41 sts. Row 1 – k Row 1 – k1, p1 rib to end (41 sts) First short row (on purl row) Rows 2 to 3 – repeat Row 1 Row 2 – p8, ytb, sl1p, yfd, pass slipped st back to LH needle, turn, k8 Cast off all sts loosely in k1 p1 rib. (16 sts) Cut yarn leaving a 20cm tail. Row 3 – p Row 4 – k Finishing Using the long tail and darning Second pleat needle, sew the back skirt seam with Row 5 – k mattress stitch.
    [Show full text]
  • Art Textiles: GCSE Knowledge Organiser Surface Manipulation
    Art Textiles: GCSE Knowledge Organiser Surface Manipulation Slashing is a process that involves layering up fabric, stitching usually in A pleat is a type of fold formed by doubling fabric back parallel channels and then cutting through to the base layer. upon itself and securing it in place. It is commonly used in clothing and upholstery to gather a wide piece of fabric This can then be brushed to fray it, exposing the layers below and to a narrower circumference. producing velvet like texture. Pleats sewn into place are called tucks. Further embellishment might take the form of additional stitching or the bonding of plastics or metal foil onto the surface. It is both delicate and robust with intricate colour mixes depending on the fabrics used. It is also stable and surprisingly hardwearing. This technique leads itself to large scale work with the freedom to make dramatic compositional statements as well as subtle colour and textural details. Gathering is a sewing technique for shortening the length of a strip of fabric so that the longer piece can be attached to a shorter piece. It is commonly used in clothing to manage fullness, as when a full Weaving is the craft of lacing fibres sleeve is attached to the arm or cuff of a shirt, or when a skirt is together to make fabric or attached to a bodice. cloth. Weaving often involves using a loom to hold the thread or yarn, although it can also be done by hand. Most weaving happens in textile factories, in which large automated looms hold threads tight, interlacing them at exact right angles to each other.
    [Show full text]
  • Tue Text U 5Peqalt Y Gr0up 9 5T P Rim T
    TUE TEXT U 5PEQALT Y GR0UP 9 5T P RIM T Edited by Camille Myers Breeze Responsibility for the methods and/or materials described herein rests solely with the contributors and should not be considered official statements of the Textile Specialty Group or AIC. The Textile Specialty Group Postprints is a nonjuried publication. Submission of these papers to juried publications, such as the Journal of the American Instuitute for Conservation, is encouraged. Postprints are distributed to members of the Textile Specialty Group. Additional copies may be purchased from the American Institute for Conservation of Historic and Artistic Works, 1717 K Street, N.W., Washington, D.C. 20006. This volume has been printed on 60 lb. J. B. Offset paper with a 10 pt. UV-coated cover. All materials are acid-free. All rights reserved by the individual authors. Inside cover image: Hamilton Print Works, courtesy of the American Textile History Museum, Lowell, Massachusetts. Volume 8, Copyright © 1999 The Textile Specialty Group of the American Institute for Conservation of Historic and Artistic Works. ISSN 1524-3664 CONTENTS Preface V When Patching is Impractical: Nontraditional Compensation for Loss in a Quilt Susan R. Schmalz 1 Insect Infestation: A Large Tapestry's Fumigation and Stabilization for Storage Betsy Gould 9 Up on the Roof: Light Bleaching of Large Textiles, Two Case Joy Gardiner and Studies Joanne Hackett 15 Borohydride: An Alternative to Oxidative Bleaching of Cellulosic Textiles Susan Adler 27 Disaster Recovery: Teaching Textile Salvage Techniques
    [Show full text]