Mc Hawking Download
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
PDF of This Issue
WEATHER, p. 2 TUE: 50°F | 43°F MIT’s Heavy rain Oldest and Largest WED: 51°F | 42°F Newspaper Light rain THU: 65°F | 47°F Cloudy Volume 130, Number 15 tech.mit.edu Tuesday, March 30, 2010 Modi & Wyman Penny Arcade comes to town take UA top spots Three days of gaming, game culture, and gaming in landslide win By Ana Lyons the beginning of next school year NEWS EDITOR in September 2010. Highlights from their platform Vrajesh Y. Modi ’11 and Sa- include improving freshman ad- mantha “Sammi” G. Wyman ’11 vising with an optional mentor- were elected as Undergraduate ing system, creating a system for Association President and Vice student to add and drop classes President, receiving over 80 per- online, and improving SafeRide. cent of votes in the spring elec- Both running mates have been tion. involved in the UA as dorm sena- Roughly 40 percent of under- tors in previous years. They have graduates — 1,686 students — been involved with several high- voted. The results of the election, profile UA projects such as the which included both electronic Star Market shuttle, the produce votes and results from paper bal- stand, putting a PDF version of lots, were announced at 2 p.m. the Add/Drop form online, and on Saturday March 20 by the UA the soon-to-be installed SafeR- ide monitor outside the Student Center. Modi is an East Campus resi- dent who is double majoring in Course 2 and 15. Wyman is ma- joring in Course 10 and lives in Burton-Conner. -
The Concert Hall As a Medium of Musical Culture: the Technical Mediation of Listening in the 19Th Century
The Concert Hall as a Medium of Musical Culture: The Technical Mediation of Listening in the 19th Century by Darryl Mark Cressman M.A. (Communication), University of Windsor, 2004 B.A (Hons.), University of Windsor, 2002 Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the School of Communication Faculty of Communication, Art and Technology © Darryl Mark Cressman 2012 SIMON FRASER UNIVERSITY Fall 2012 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for “Fair Dealing.” Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Darryl Mark Cressman Degree: Doctor of Philosophy (Communication) Title of Thesis: The Concert Hall as a Medium of Musical Culture: The Technical Mediation of Listening in the 19th Century Examining Committee: Chair: Martin Laba, Associate Professor Andrew Feenberg Senior Supervisor Professor Gary McCarron Supervisor Associate Professor Shane Gunster Supervisor Associate Professor Barry Truax Internal Examiner Professor School of Communication, Simon Fraser Universty Hans-Joachim Braun External Examiner Professor of Modern Social, Economic and Technical History Helmut-Schmidt University, Hamburg Date Defended: September 19, 2012 ii Partial Copyright License iii Abstract Taking the relationship -
Dowload PAX 2010 Photo Book
PAX year book 2010 by Nickeledge Photography, Pixel Art, Layout, Introduction by: Tom Dougherty (NickelEdge) Introduction Edited by: Chris Caruso thanks for the help DantePendragon PAX year book 2010 SECOND EDITION FIRST PRINTING on Demand printing pax.nickeledge.com Photography & Pixel Art: © Thomas Dougherty 2011 Speciacl thanks: all of Metroid Metal Grant Henry Kirbby Danimal Cannon Dan Talylor Kevin Lawrence Paul & Storm Shota Nakama Video Game Orchestra Jonathan Coulton Mc Frontalot Minibosses Protomen Anamanaguchi Mike, Jerry, Kiko & Khoo the ENFORCERS you guys rock AND everyone I got to meet while at PAX PAX Changes Everything I have games to play & thousands of friends to talk with. -NickelEdge For a few days we come together free of judgment and undaunted by what those outside think. A shared passion for video games makes the long lines bearable and we bond over ques- tions like “what DS game is that?” or “Did you play this?” PAX is like a sand box game, there is no one right way to enjoy it. You can bring your rig and enjoy a massive LAN party, or hit up the free play area. Be a rock god up on stage with Rock Band. Or maybe your just taking a nap on a Sumo Bag. We the loyal fans can catch trailers and demos scattered around the exhibit halls in search of the one game we must play, only to discover ten more that enthrall us. Spread throughout, like so many random encounters are the opportunities to pick up the gathering swag and the merch that will weigh our suitcases down on the journey home. -
Twinprov (Buck and Clint Vrazel)
TwinProv (Buck and Clint Vrazel) Buck and Clint Vrazel are professional performers, teachers, and innovative trainers of improv and creativity skills for youth, the arts, personal development, and business. In September, 2011, the Vrazels were honored as part of this year's "Forty Under 40 Awards." Sponsored by OKC Biz, "Forty Under 40" recognizes outstanding OKC community and business leaders under 40 years old. In 2012 they presented and emceed the first TEDxOU conference at the University of Oklahoma, and reprised the hosting role at TEDxOU 2013. The March 2012 issue of Oklahoma Magazine declared "With their national performances and teaching around the country, their efforts to share their love of comedy and improv with other Oklahomans, and their influence on the local comedy scene, Buck and Clint are contributing regularly to the state’s culture" Oklahoma natives, Buck and Clint graduated from the prestigious Oklahoma School of Science and Mathematics. They both attended Duke University before transferring to OU where Clint completed a degree in Mathematics and Buck earned degree in Psychology, focusing on the psychology of performance. Buck and Clint Vrazel have been performing and teaching improv for 13 years and are a driving force in the Oklahoma improv scene. Since Jan 2009 they have been co-artistic directors and lead instructors of OKC Improv, the state's premiere professional improv showcase and learning institution, where we have taught hundreds to improvise with our original curriculum and overseen the debut of dozens of new performing groups. Our alumni and groups can be seen performing in commercials, onstage, and online in shows and festivals across the country. -
Sandspur, Vol 113, No 19, February 26, 2007
University of Central Florida STARS The Rollins Sandspur Newspapers and Weeklies of Central Florida 2-26-2007 Sandspur, Vol 113, No 19, February 26, 2007 Rollins College Find similar works at: https://stars.library.ucf.edu/cfm-sandspur University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the Newspapers and Weeklies of Central Florida at STARS. It has been accepted for inclusion in The Rollins Sandspur by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Rollins College, "Sandspur, Vol 113, No 19, February 26, 2007" (2007). The Rollins Sandspur. 1830. https://stars.library.ucf.edu/cfm-sandspur/1830 The andspuROLLINS COLLEGE • WINTER PARK, FLORIDr A | ARTS & ^NTKkl'AlNMiaNT OPINIONS SPORTS CELEBRITY GOSSIP RELATIONSHIP ADVICE PING PONG WITH PREZ From Britney Spears's new hair do to crosswords, Check out the opinion's section for a weekly Duncan demolishes competition at ping pong the Entertainment section has it all. column on relationship advice. tournament. PAGES 6-9 PAGE 13 PAGE 16 THE STUDENT VOICE OF ROLLINS COLLEGE SINCE 1894 VOL. 113 ISSUE 19 www.thesandspur.org February 26, 2007 Hdlrweed Glitz and Glam Hits Renins campus to showcase all of the fabu lous work done by the students. Last Ariel Krieger year at the event they had people the sandspur dressed up in evening gowns, red car pet, and photographs. It tries to stir up Rollins campus is buzzing with excitement by simulating the academy budding producers, directors, actors, awards. and screen writers. -
The Interdisciplinary World of Hip-Hop Studies
Cambridge University Press 978-1-107-03746-5 - The Cambridge Companion to Hip-Hop Edited by Justin A.Williams Excerpt More information Introduction: the interdisciplinary world of hip-hop studies justin a. williams It has been more than forty years since DJ Kool Herc threw his first party, the universally agreed “big bang” moment for the birth of hip-hop music (August 11, 1973). It has now been more than thirty-five years since the first commercial recordings of hip-hop. Hip-hop icons have now been inducted in the Rock and Roll Hall of Fame, including Grandmaster Flash and the Furious Five (2007), Run-D.M.C. (2009), Beastie Boys (2012), and Public Enemy (2013). Harvard and Cornell Universities have important and extensive hip-hop archives and hip-hop artists such as 9th Wonder and Afrika Bambaataa, respectively, are visiting professors for those institutions. 2Pac’s “Dear Mama,” Public Enemy’s Fear of a Black Planet,DeLaSoul’s 3 Feet High and Rising, Sugarhill Gang’s “Rapper’s Delight” and Grand- master Flash and the Furious Five’s “The Message” have all been enshrined in the Library of Congress National Recording Registry. The Grove Dictionary of American Music now includes entries on “beat-making,” “A Tribe Called Quest,” “Dr. Dre,” “Ruthless Records,” and many other hip-hop artists and labels. The Smithsonian Institution holds a turntable used by Grandmaster Flash, a boombox used by Fab 5 Freddy and a customized jacket worn by breaker Crazy Legs among their collections. There are now graffiti museums, hip-hop tours of the Bronx, and most countriesaroundtheworldhavesome,ifnotmorethanoneformof hip-hop in their own vernacular and related dialects. -
Inside Email Sparks Controversy
october 25, 2012 | Vol. 113 no. 6 | middleburycampus.com Crime stats expose Email sparks controversy By Bronwyn Oatley faculty members, as well as a se- lection of local media outlets re- TIMELINE OF alcohol citation swell On Oct. 19 the College charged ceived an email from a Gmail ac- EVENTS count associated with the sender By Emilie Munson The Middlebury College Annu- College Handbook policies, re- FRIDAY, OCT. 12 - al Security and Crime Report does lated to their involvement in the On Oct. 1, Public Safety re- tions,” with the subject line “Mid- Original Press Release co-authorship of a mock press leased the Middlebury College dlebury College Divests from War on campus; however, statistics release that was sent to hundreds Annual Security and Crime Re- provided by Facilities Services of students, faculty and staff and a Welcoming Committee” port. This report, emailed to all The mock release stated that suggest that student vandalism number of local media outlets on students in compliance with the “Tim Schornak” of the “Dalai FRIDAY, OCT. 12 Oct. 12. is on the rise. In the 2006-2007 MiddBlog post reports Jeanne Clery Disclosure of Cam- The students, Molly Stuart was to be contacted for further de- pus Security Policy and Campus ’15.5, Jay Saper ’13, Jenny Marks press release of “dubious worth of student damage was ac- - Crime Statistics Act, was a com- origins” crued whereas in the 2010-2011 pilation of statistics about crime and Amitai Ben-Abba ’15.5, have school year, students caused committee. A telephone number at the College in the year 2011 indicated that they will choose was also provided where the of- as compared to the two previous to defend themselves against the SATURDAY, OCT. -
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent. -
Feed the Soul Good Food, Drink, and Cannabis for Bad Times
CHICAGO’SFREEWEEKLYSINCE | AUGUST | AUGUST CHICAGO’SFREEWEEKLYSINCE Feed the Soul Good food, drink, and cannabis for bad times The world’s best sandwich | Beer yoga | CBD Bliss THIS WEEK CHICAGOREADER | AUGUST | VOLUME NUMBER IN THIS ISSUE T R - dissectionofamasterpieceOne @ ChildNationuncoversbittertruths andWhere’dYouGoBernadette assessesasocietyinspiritualcrisis PTB ECKHSK DEKS MUSIC&NIGHTLIFE CLSK 32 ShowsofnoteNouraMint D P JR SeymaliDea idsMattMuseand CEAL M EP M morethisweek TD KR 26 PreviewMedusagoes 38 EarlyWarningsHotSnakes A EJL beyondsnakesandstonesand BookerTJonesPlaidandmore SWDI FOOD DRINK BJ MS CITYLIFE Collaboractiongivespeacea justannouncedconcerts SWMD L G 03 StreetViewAnartistwhose & CANNABIS chance 38 GossipWolfThePatientSounds EA SN L stylerefl ectsherbeliefthat“the 10 RestaurantReviewHimalayan 28 PlaysofnoteBlackBallerina labelgoesoutwithabangAndrew G D D C S MEBW morecolorthebetter” SherpaKitchengoesdeeperinto providesastunningshowcasefor Smith’sJungleGreenprojectdrops L CS C -J 04 TransportationWhatcancities Nepal KaraRoseboroughBoogieban itsfi rstalbumasabandandgoth F L CPF dotomakeescooterssafer? 12 SouthernComfortA erchurch tracestheeff ectsofwaronsoldiers popduoWingtipscelebratetheir CN B D C LCI comesLuella’s oftwodiff erenterasDiamondLil fulllengthdebutatLateBar G AG KT 14 HeartbreakSandwich &andthePansyCrazerevisitsa HR H JH Shawafelwrapascureforlife’s famousChicagonightclub JH IH DJM OPINION KS K MM disappointments 40 SavageLoveShrinkingin B MQJRN 16 LateNightWhatreallygoeson -
A History of Hip Hop in Halifax: 1985 - 1998
HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998 by Michael McGuire Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2011 © Copyright by Michael McGuire, 2011 DALHOUSIE UNIVERSITY DEPARTMENT OF HISTORY The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998” by Michael McGuire in partial fulfilment of the requirements for the degree of Master of Arts. Dated: August 18, 2011 Supervisor: _________________________________ Readers: _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: August 18, 2011 AUTHOR: Michael McGuire TITLE: How the East Coast Rocks: A History Of Hip Hop In Halifax: 1985 - 1998 DEPARTMENT OR SCHOOL: Department of History DEGREE: MA CONVOCATION: October YEAR: 2011 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or otherwise reproduced without the author’s written permission. The author attests that permission has been obtained for the use of any copyrighted material appearing in the -
SXSW2016 Music Full Band List
P.O. Box 685289 | Austin, Texas | 78768 T: 512.467.7979 | F: 512.451.0754 sxsw.com PRESS RELEASE - FOR IMMEDIATE RELEASE SXSW Music - Where the Global Community Connects SXSW Music Announces Full Artist List and Artist Conversations March 10, 2016 - Austin, Texas - Every March the global music community descends on the South by Southwest® Music Conference and Festival (SXSW®) in Austin, Texas for six days and nights of music discovery, networking and the opportunity to share ideas. To help with this endeavor, SXSW is pleased to release the full list of over 2,100 artists scheduled to perform at the 30th edition of the SXSW Music Festival taking place Tuesday, March 15 - Sunday, March 20, 2016. In addition, many notable artists will be participating in the SXSW Music Conference. The Music Conference lineup is stacked with huge names and stellar latebreak announcements. Catch conversations with Talib Kweli, NOFX, T-Pain and Sway, Kelly Rowland, Mark Mothersbaugh, Richie Hawtin, John Doe & Mike Watt, Pat Benatar & Neil Giraldo, and more. All-star panels include Hired Guns: World's Greatest Backing Musicians (with Phil X, Ray Parker, Jr., Kenny Aranoff, and more), Smart Studios (with Butch Vig & Steve Marker), I Wrote That Song (stories & songs from Mac McCaughan, Matthew Caws, Dan Wilson, and more) and Organized Noize: Tales From the ATL. For more information on conference programming, please go here. Because this is such an enormous list of artists, we have asked over thirty influential music bloggers to flip through our confirmed artist list and contribute their thoughts on their favorites. The 2016 Music Preview: the Independent Bloggers Guide to SXSW highlights 100 bands that should be seen live and in person at the SXSW Music Festival. -
Alternative Performances of Race and Gender in Hip-Hop Music : Nerdcore Counterculture
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 5-2012 Alternative performances of race and gender in hip-hop music : nerdcore counterculture. Jessica Elizabeth Ronald University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Ronald, Jessica Elizabeth, "Alternative performances of race and gender in hip-hop music : nerdcore counterculture." (2012). Electronic Theses and Dissertations. Paper 1231. https://doi.org/10.18297/etd/1231 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. ALTERNATNE PERFORMANCES OF RACE AND GENDER IN HIP-HOP MUSIC: NERDCORECOUNTERCULTURE By Jessica Elizabeth Ronald B.A., Women's and Gender Studies 2008 M.A., Women's and Gender Studies 2010 A Thesis Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Master of Arts Department of Pan African Studies University of Louisville Louisville, Kentucky May 2012 ALTERNATIVE PERFORMANCES OF RACE AND GENDER IN HIP-HOP MUSIC: NERDCORE COUNTERCULTURE By Jessica Ronald B.A., Women’s and Gender Studies 2008 M.A., Women’s and Gender Studies 2010 A Thesis Approved on April 18, 2012 by the following Thesis Committee: Dr.