Arte 3Ro 2Da Tarea Moreno -Rojas

Total Page:16

File Type:pdf, Size:1020Kb

Arte 3Ro 2Da Tarea Moreno -Rojas PROPUESTA DE TRABAJO MATERIA : ARTE CURSO : 3RO 2DA PROFESORES: __MORENO HILARIO NICOLAS _ROJAS MIRIAM Tema : RAP Y GRAFITTI COMBATIR EL CORONOVIRUS Genero musical El término rap se refiere exclusivamente a la música , al arte de rimar improvisando con esa rapidez mental que caracteriza a los mejores raperos. Mientras que, hip hop es una cultura urbana en general que, además, engloba lo musical. El hip hop es un movimiento cultural que surgio en la década de los setenta en Estados Unidos. Los puertorriqueños que emigraron a zonas como Brooklyn o el barrio de Bronx fueron los originarios de la cultura hip hop con sus fiestas callejeras. En estas fiestas siempre había alguien que ponía la música, otra persona que hacía de MC (maestro de ceremonias o speaker ), los bailarines y los encargados de decorar el lugar del evento. Esto dio lugar a los pilares básicos de la cultura del hip hop: Qué significado tiene el hip hop? EL Hip Hop o hiphop, cuando está mal escrito como hip-hop significa (hip) moda, (hop) saltar o bailar. ... La palabra hop es una forma de movimiento. Cuál es la ideología del hip hop? Ideología (Rapper) El Hip Hop no define simplemente un género musical o un estilo de vestimenta, si no toda una particular ideología comprometida en muchos aspectos con los social, lo político y de mayor o menor forma con la vida urbana, o al menos fue así en sus inicios. ¿Cuáles son los 9 elementos del hip hop? 9 Elementos del Hip Hop :Break dancing.-Mceeing.-Graffiti.-DJing.-Beatboxing.-Fashion callejero.- Lenguaje callejero.-Sabiduría callejera .¿Cuál es la diferencia entre el rap y el hip hop? Es un movimiento, una cultura, que hoy en día está presente en los 5 continentes, y que engloba varias artes: el baile (breakdance), la pintura (graffiti), lo auditivo (DJ) y lo oral (Rap). El Hip Hop es el todo, el Rap solo la música. El Rap es, entonces, un hipónimo del hiperónimo Hip Hop. ¿Cuáles son los tipos de rap? -Los tipos del rap son el nu metal, horrorcore, nerdcore, g-funk, pop rap, rap conciencia, rap poético, rap político, gangsta rap, rap instrumental, crunk, trap y oldschool.El rap surge como un género musical en los barrios de la comunidad afroamericana en Nueva York. ¿Que transmite la música rap? El rap es un género musical en el que predomina el uso de la palabra. La música es capaz de transmitir emociones y sentimientos sin necesidad de un mensaje. El rap sin embargo se centra en usar la poesía para de forma melódica y estructurada introducirla en un ritmo. Qué busca el rap? El rap es un estilo de música que se caracteriza por un recitado rítmico de las letras, que no se cantan. ... Al rapear, el MC se apoya en una melodía de fondo que se denomina beat, encargada de marcar el ritmo. ¿Qué es el graffiti? Se llama grafiti, graffiti o pintada a un modo de pintura o arte visual callejero, por lo general ilegal o paralegal, que es generalmente realizada en superficies amplias de espacios urbanos: paredes, portones, muros, etc. Suele oscilar entre ilustraciones más o menos abstractas, hasta mensajes escritos y otras formas de intervención mediante la pintura, generalmente en esténcil o aerosol. Este término sin embargo se popularizó enormemente a partir de su incorporación a la cultura callejera estadounidense, así como a los movimientos más o menos contraculturales del hip-hop y distintas tribus urbanas, que empleaban este tipo de forma de expresión. ¿Cuales son los tres grandes tipos de grafiti? aunque no haya un estudio formal de los mismos, ni reglas demasiado estrictas para su elaboración: Art graffiti . Asociado a la cultura hip-hop de las décadas del 70 y 80 en los estados unidos, tiende a representar motivos más o menos abstractos, nombres (“tags” o etiquetas: nombres en clave) o mensajes recurrentes, siempre mediante un despliegue de colores y de formas que en ocasiones toma varios días terminar. Grafiti público. Los “lemas” públicos que aparecen en una ciudad y reiteran eslóganes o mensajes políticos, más o menos satíricos o groseros, tratando de dar un mensaje a las masas. También entran en esta categoría los grafitis de protesta. Latrinalia. Se llama así al grafiti poco elaborado, grosero y por lo general de baja ralea que predomina en baños públicos y espacios de tránsito, como puertas, ascensores, trenes, etc. Pueden ser desde confesiones de amor, amenazas, denuncias hasta intentos de poesía o de relato. ¿Qué es el graffiti y para qué sirve? El "Grafitti" Es una competencia que en aquella época se hacia entre los crews (Pandillas o bandas) para marcar su territorio, depende el lugar, hay lugares donde se usa como forma de expresión, como hay otros que se utiliza como "Juego" ¿Cuál es el origen del graffiti? La palabra "graffiti" tiene sus orígenes en la palabra griega graphein que significa escribir. Esto evolucionó en la palabra latina graffito. Graffiti es la forma plural de graffito. ... Los primeros artistas de graffiti se dedicaban a firmas, y vivían y pintaban en Nueva York. ¿Qué tipo de cultura es el graffiti? El graffiti es una herramienta de comunicación masiva, una forma particular de expresión y representación gráfica hecha sobre propiedades públicas o privadas, donde las paredes son el lienzo de ideas, pensamientos propios o masivos, ideologías y hasta mensajes, todo con el fin de dejar huella. ¿Que Son Los Graffiteros? Esta tribu urbana se basa en otro arte que no es la musica para desarrollarse, sino que usan el arte plástico en general para expresarse . Desde un punto de vista primario deberíamos definir o que es lo que se considera Grafitti; por eso es imprescindible saber que un grafitti no se analiza según el fondo sino por la forma. Se trata de cualquier dibujo o pintura trazado con rotulador o spray de forma anónima todo tipo de expresiones, símbolos, firmas etc. TRABAJO PRACTICO: RAP Y GRAFITTY EN CUARENTENA Curso : 3º 2ta turno: Mañana año: 2020 Colegio : Bachillerato provincial Nº21 Actividad para trabajar en la carpeta Consignas 1_ Leer el texto y responderemos en la carpeta a)¿Qué entendemos por Hip Hop ,Rap y Graffiti? b)¿Conoces músicossobre estos géneros musicales? te gusta alguno en particular? c)Busca y transcribe el texto de un rap conciencia o poético. d) Nombrar graffiteros del mundo ( https://www.graffitiarea.com/graffitis-famosos/ ) e) Crear un rap el cual divulgue información y prevención sobre el coronavirus f) Diseñar ,Dibujar y pintar un graffiti relacionado con el Hip Hop .
Recommended publications
  • The Concert Hall As a Medium of Musical Culture: the Technical Mediation of Listening in the 19Th Century
    The Concert Hall as a Medium of Musical Culture: The Technical Mediation of Listening in the 19th Century by Darryl Mark Cressman M.A. (Communication), University of Windsor, 2004 B.A (Hons.), University of Windsor, 2002 Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the School of Communication Faculty of Communication, Art and Technology © Darryl Mark Cressman 2012 SIMON FRASER UNIVERSITY Fall 2012 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for “Fair Dealing.” Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Darryl Mark Cressman Degree: Doctor of Philosophy (Communication) Title of Thesis: The Concert Hall as a Medium of Musical Culture: The Technical Mediation of Listening in the 19th Century Examining Committee: Chair: Martin Laba, Associate Professor Andrew Feenberg Senior Supervisor Professor Gary McCarron Supervisor Associate Professor Shane Gunster Supervisor Associate Professor Barry Truax Internal Examiner Professor School of Communication, Simon Fraser Universty Hans-Joachim Braun External Examiner Professor of Modern Social, Economic and Technical History Helmut-Schmidt University, Hamburg Date Defended: September 19, 2012 ii Partial Copyright License iii Abstract Taking the relationship
    [Show full text]
  • Sandspur, Vol 113, No 19, February 26, 2007
    University of Central Florida STARS The Rollins Sandspur Newspapers and Weeklies of Central Florida 2-26-2007 Sandspur, Vol 113, No 19, February 26, 2007 Rollins College Find similar works at: https://stars.library.ucf.edu/cfm-sandspur University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the Newspapers and Weeklies of Central Florida at STARS. It has been accepted for inclusion in The Rollins Sandspur by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Rollins College, "Sandspur, Vol 113, No 19, February 26, 2007" (2007). The Rollins Sandspur. 1830. https://stars.library.ucf.edu/cfm-sandspur/1830 The andspuROLLINS COLLEGE • WINTER PARK, FLORIDr A | ARTS & ^NTKkl'AlNMiaNT OPINIONS SPORTS CELEBRITY GOSSIP RELATIONSHIP ADVICE PING PONG WITH PREZ From Britney Spears's new hair do to crosswords, Check out the opinion's section for a weekly Duncan demolishes competition at ping pong the Entertainment section has it all. column on relationship advice. tournament. PAGES 6-9 PAGE 13 PAGE 16 THE STUDENT VOICE OF ROLLINS COLLEGE SINCE 1894 VOL. 113 ISSUE 19 www.thesandspur.org February 26, 2007 Hdlrweed Glitz and Glam Hits Renins campus to showcase all of the fabu­ lous work done by the students. Last Ariel Krieger year at the event they had people the sandspur dressed up in evening gowns, red car­ pet, and photographs. It tries to stir up Rollins campus is buzzing with excitement by simulating the academy budding producers, directors, actors, awards. and screen writers.
    [Show full text]
  • The Interdisciplinary World of Hip-Hop Studies
    Cambridge University Press 978-1-107-03746-5 - The Cambridge Companion to Hip-Hop Edited by Justin A.Williams Excerpt More information Introduction: the interdisciplinary world of hip-hop studies justin a. williams It has been more than forty years since DJ Kool Herc threw his first party, the universally agreed “big bang” moment for the birth of hip-hop music (August 11, 1973). It has now been more than thirty-five years since the first commercial recordings of hip-hop. Hip-hop icons have now been inducted in the Rock and Roll Hall of Fame, including Grandmaster Flash and the Furious Five (2007), Run-D.M.C. (2009), Beastie Boys (2012), and Public Enemy (2013). Harvard and Cornell Universities have important and extensive hip-hop archives and hip-hop artists such as 9th Wonder and Afrika Bambaataa, respectively, are visiting professors for those institutions. 2Pac’s “Dear Mama,” Public Enemy’s Fear of a Black Planet,DeLaSoul’s 3 Feet High and Rising, Sugarhill Gang’s “Rapper’s Delight” and Grand- master Flash and the Furious Five’s “The Message” have all been enshrined in the Library of Congress National Recording Registry. The Grove Dictionary of American Music now includes entries on “beat-making,” “A Tribe Called Quest,” “Dr. Dre,” “Ruthless Records,” and many other hip-hop artists and labels. The Smithsonian Institution holds a turntable used by Grandmaster Flash, a boombox used by Fab 5 Freddy and a customized jacket worn by breaker Crazy Legs among their collections. There are now graffiti museums, hip-hop tours of the Bronx, and most countriesaroundtheworldhavesome,ifnotmorethanoneformof hip-hop in their own vernacular and related dialects.
    [Show full text]
  • Alternative Performances of Race and Gender in Hip-Hop Music : Nerdcore Counterculture
    University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 5-2012 Alternative performances of race and gender in hip-hop music : nerdcore counterculture. Jessica Elizabeth Ronald University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Ronald, Jessica Elizabeth, "Alternative performances of race and gender in hip-hop music : nerdcore counterculture." (2012). Electronic Theses and Dissertations. Paper 1231. https://doi.org/10.18297/etd/1231 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. ALTERNATNE PERFORMANCES OF RACE AND GENDER IN HIP-HOP MUSIC: NERDCORECOUNTERCULTURE By Jessica Elizabeth Ronald B.A., Women's and Gender Studies 2008 M.A., Women's and Gender Studies 2010 A Thesis Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Master of Arts Department of Pan African Studies University of Louisville Louisville, Kentucky May 2012 ALTERNATIVE PERFORMANCES OF RACE AND GENDER IN HIP-HOP MUSIC: NERDCORE COUNTERCULTURE By Jessica Ronald B.A., Women’s and Gender Studies 2008 M.A., Women’s and Gender Studies 2010 A Thesis Approved on April 18, 2012 by the following Thesis Committee: Dr.
    [Show full text]
  • Text-Based Description of Music for Indexing, Retrieval, and Browsing
    JOHANNES KEPLER UNIVERSITAT¨ LINZ JKU Technisch-Naturwissenschaftliche Fakult¨at Text-Based Description of Music for Indexing, Retrieval, and Browsing DISSERTATION zur Erlangung des akademischen Grades Doktor im Doktoratsstudium der Technischen Wissenschaften Eingereicht von: Dipl.-Ing. Peter Knees Angefertigt am: Institut f¨ur Computational Perception Beurteilung: Univ.Prof. Dipl.-Ing. Dr. Gerhard Widmer (Betreuung) Ao.Univ.Prof. Dipl.-Ing. Dr. Andreas Rauber Linz, November 2010 ii Eidesstattliche Erkl¨arung Ich erkl¨are an Eides statt, dass ich die vorliegende Dissertation selbstst¨andig und ohne fremde Hilfe verfasst, andere als die angegebenen Quellen und Hilfsmittel nicht benutzt bzw. die w¨ortlich oder sinngem¨aß entnommenen Stellen als solche kenntlich gemacht habe. iii iv Kurzfassung Ziel der vorliegenden Dissertation ist die Entwicklung automatischer Methoden zur Extraktion von Deskriptoren aus dem Web, die mit Musikst¨ucken assoziiert wer- den k¨onnen. Die so gewonnenen Musikdeskriptoren erlauben die Indizierung um- fassender Musiksammlungen mithilfe vielf¨altiger Bezeichnungen und erm¨oglichen es, Musikst¨ucke auffindbar zu machen und Sammlungen zu explorieren. Die vorgestell- ten Techniken bedienen sich g¨angiger Web-Suchmaschinen um Texte zu finden, die in Beziehung zu den St¨ucken stehen. Aus diesen Texten werden Deskriptoren gewon- nen, die zum Einsatz kommen k¨onnen zur Beschriftung, um die Orientierung innerhalb von Musikinterfaces zu ver- • einfachen (speziell in einem ebenfalls vorgestellten dreidimensionalen Musik- interface), als Indizierungsschlagworte, die in Folge als Features in Retrieval-Systemen f¨ur • Musik dienen, die Abfragen bestehend aus beliebigem, beschreibendem Text verarbeiten k¨onnen, oder als Features in adaptiven Retrieval-Systemen, die versuchen, zielgerichtete • Vorschl¨age basierend auf dem Suchverhalten des Benutzers zu machen.
    [Show full text]
  • Modern Nerdcore Rap Lyrics by Means of Intralingual Transfer a Case Study of Mc Lars’ Song Mr
    FROM A NINETEENTH-CENTURY POEM BY EDGAR ALLAN POE TO POST- MODERN NERDCORE RAP LYRICS BY MEANS OF INTRALINGUAL TRANSFER A CASE STUDY OF MC LARS’ SONG MR. RAVEN Aantal woorden: ca. 15.400 (zonder citaten) Joris D’hooghe Studentennummer: 01505767 Promotor: Prof. Dr. Ruud Ryckaert Masterproef voorgelegd voor het behalen van de graad van master in het vertalen Academiejaar: 2018 – 2019 Faculteit Letteren & Wijsbegeerte Joris D'hooghe From a nineteenth-century poem by Edgar Allan Poe to postmodern nerdcore rap lyrics by means of intralingual transfer A case study of the lyrics to MC Lars’ song Mr. Raven Masterproef voorgelegd tot het behalen van de graad van Master in het vertalen 2019 Verklaring i.v.m. auteursrecht De auteur en de promotor(en) geven de toelating deze studie als geheel voor consultatie beschikbaar te stellen voor persoonlijk gebruik. Elk ander gebruik valt onder de beperkingen van het auteursrecht, in het bijzonder met betrekking tot de verplichting de bron uitdrukkelijk te vermelden bij het aanhalen van gegevens uit deze studie. iii iv Acknowledgements I would like to thank my supervisor Prof. Dr. Ruud Ryckaert for his support, patience and interest in my search for an interesting research topic, and for giving me the opportunity to write about this particular topic. I am grateful for his constructive feedback and helpful insights. I would also like to thank Stien for showing me how to properly cite in APA-style, and for repeatedly and thoroughly reading and reflecting on my work. Lastly, I would like to thank my parents for their support, feedback, and good care during days of hard work.
    [Show full text]
  • Heavy Metal Band Names
    320938_Text_v3.qxd:. 7/15/10 5:13 PM Page 84 84 HEAVY METAL BAND NAMES HEAVY METAL IS A GENRE OF ROCK distinctive names. Heavy metal bands view this darkness as FIGURE 1: WHAT IS HEAVY METAL REBELLING AGAINST? for its loudness, machismo, and theatricality. So complete and inescapable. Not only do they talk it’s no wonder that heavy metal band names are about the darkness in everyday life—Venom, similarly theatrical. What is perhaps unexpected is Poison, Anthrax, Anal Apocalypse—they go on to their universally pessimistic slant. You would think assure viewers that there is no light in the afterlife. being in a heavy metal band is fun: rocking out, hanging with the guys, scoring groupies. Yet most A large percentage of heavy metal band names are heavy metal names focus on the negative: death, open criticisms of modern culture (see Figure 1: darkness, and rampant misspelling. What is Heavy Metal Rebelling Against?), but their favorite thing to rebel against is definitely Of all the band name charts I’ve drawn(1), heavy organized religion, because it accomplishes mul- metal band names are the most homogenous in tiple goals. their philosophical worldview. Blackness and dark- ness are the prevailing themes of heavy metal band 1. It’s easy to make fun of God, because ever since the New Testament, he usually turns the 3. You gotta rebel against something. Why not (1) A cappella, Acid jazz, Adai-adai, Ambient, Anti-folk, other cheek. religion? Appalachia, Bamboo band, Bob Marley tribute bands, Calypso, Celtic Reggae, Delta Blues, Doo wop, Dubtronica, Emo, Ethereal Wave, Futurepop, Garage 2.
    [Show full text]
  • He Grainy Video on Youtube Shows a Rapper with Wild Hair, Goth-Like
    n h a u g a v i m o a N he grainy video on YouTube shows a rapper with wild grenades in real life and to kill a thousand enemy soldiers in a hair, goth-like mascara, and vintage clothes, marching Nintendo game, as well as hold a mic and sip from a Pabst from one end of the stage to the other. Colorfully tat- Blue Ribbon beer can at the same time. Ttooed arms sweep from side to side, and the rapper’s But on a typical Fort Worth afternoon, those hands are voice is that of a grade-school thug — high and scratchy but helping deliver yet another soy-milk vente latte to a Star- with a swagger more friendly than your average bully. bucks customer at a Westside coffeeshop. They belong to MC The tattooed arms and nimble hands are good at physical Router, the internationally recognized pioneer of a burgeon- things — stripping down a computer and rebuilding it, say. Or ing hip-hop sub-genre called “nerdcore.” aiming the rifles that Army snipers use. Or playing instru- The fact that she’s a white female rapper and a self-taught ments like the bass and cello. They’ve been trained to lob musician on several instruments would make Router a rare fwweekly.com AUGUST 15–21, 2007 FORT WORTH WEEKLY 11 Linda Forbes Linda MC Router has been called “the Janis Joplin of nerdcore” on the internet. She eschews sexually provocative clothes onstage, preferring comfort in nerdiness. bird under any circumstances. And also, how many other rappers have joined the Army with the dream of becoming a sniper? But to understand just how much Router stands out from most other recent Arlington Heights grads, download any of her numerous song files that are careening around the web, and listen carefully to the words.
    [Show full text]
  • Universitá Degli Studi Di Milano Facoltà Di Scienze Matematiche, Fisiche E Naturali Dipartimento Di Tecnologie Dell'informazione
    UNIVERSITÁ DEGLI STUDI DI MILANO FACOLTÀ DI SCIENZE MATEMATICHE, FISICHE E NATURALI DIPARTIMENTO DI TECNOLOGIE DELL'INFORMAZIONE SCUOLA DI DOTTORATO IN INFORMATICA Settore disciplinare INF/01 TESI DI DOTTORATO DI RICERCA CICLO XXIII SERENDIPITOUS MENTORSHIP IN MUSIC RECOMMENDER SYSTEMS Eugenio Tacchini Relatore: Prof. Ernesto Damiani Direttore della Scuola di Dottorato: Prof. Ernesto Damiani Anno Accademico 2010/2011 II Acknowledgements I would like to thank all the people who helped me during my Ph.D. First of all I would like to thank Prof. Ernesto Damiani, my advisor, not only for his support and the knowledge he imparted to me but also for his capacity of understanding my needs and for having let me follow my passions; thanks also to all the other people of the SESAR Lab, in particular to Paolo Ceravolo and Gabriele Gianini. Thanks to Prof. Domenico Ferrari, who gave me the possibility to work in an inspiring context after my graduation, helping me to understand the direction I had to take. Thanks to Prof. Ken Goldberg for having hosted me in his laboratory, the Berkeley Laboratory for Automation Science and Engineering at the University of California, Berkeley, a place where I learnt a lot; thanks also to all the people of the research group and in particular to Dmitry Berenson and Timmy Siauw for the very fruitful discussions about clustering, path searching and other aspects of my work. Thanks to all the people who accepted to review my work: Prof. Richard Chbeir, Prof. Ken Goldberg, Prof. Przemysław Kazienko, Prof. Ronald Maier and Prof. Robert Tolksdorf. Thanks to 7digital, our media partner for the experimental test, and in particular to Filip Denker.
    [Show full text]
  • The Cambridge Companion to Hip-Hop Edited by Justin A.Williams Frontmatter More Information
    Cambridge University Press 978-1-107-03746-5 - The Cambridge Companion to Hip-Hop Edited by Justin A.Williams Frontmatter More information The Cambridge Companion to Hip-Hop It has been more than thirty-five years since the first commercial recordings of hip-hop music were made. This Companion,writtenby renowned scholars and industry professionals, reflects the passion and scholarly activity occurring in the new generation of hip-hop studies. It covers a diverse range of case studies from nerdcore hip-hop to instrumental hip-hop to the role of rappers in the Obama campaign and from countries including Senegal, Japan, Germany, Cuba, and the UK. Chapters provide an overview of the “four elements” of hip-hop – MCing, DJing, breakdancing (or breakin’), and graffiti – in addition to key topics such as religion, theater, film, gender, and politics. Intended for students, scholars, and the most serious of “hip-hop heads,” this collection incorporates methods in studying hip-hop flow, as well as the music analysis of hip-hop and methods from linguistics, political science, gender and film studies to provide exciting new perspectives on this rapidly developing field. justin a. williams is Lecturer in Music at the University of Bristol, and the author of Rhymin’ and Stealin’: Musical Borrowing in Hip-Hop (2013). He has taught at Leeds College of Music, Lancaster University, and Anglia Ruskin University, and has been published in Popular Music, Popular Music History,andThe Journal of Musicology. As a professional trumpet and piano player in California, he ran a successful jazz piano trio and played with the band Bucho! which won a number of Sacramento Area Music Awards and were signed to two record labels.
    [Show full text]
  • Mc Hawking Download
    Mc hawking download Free Downloads. How I Roll · MC Hawking Holiday · Rock Out With Your Hawk Out · QuakeMaster. Buy For Money. All My Shootings Be Drivebys · Bitch Slap. Yo, this is the ultimate site devoted to Stephen Hawking the nerdcore rapper. One of the progenitors of Nerdcore Hip- Hop, MC Hawking has been dropping phat. See also MusicBrainz (release) [MusicBrainz (release)] ; MusicBrainz (artist) [MusicBrainz (artist)]. Identifier mbidbf2afb6d-. Watch the video, get the download or listen to MC Hawking – E=MC Hawking for free. E=MC Hawking appears on the album A Brief History of Rhyme: MC. Watch the video, get the download or listen to MC Hawking – Entropy for free. Entropy appears on the album A Brief History of Rhyme: MC Hawking's Greatest. Watch the video, get the download or listen to MC Hawking – Crazy as Fuck for free. Crazy as Fuck appears on the album A Brief History of Rhyme: MC. Watch the video, get the download or listen to MC Hawking – Led Zeppelin Medley for free. Led Zeppelin Medley appears on the album E=MC Hawking. Download past episodes or subscribe to future episodes of MC Hawking's Podcore Nerdcast by Ken Lawrence for free. Download free: Mc Hawking Fuck The 3. Please enter the characters MC Hawking - What We Need More Of Is 3. Play | Download. This song was written by the Hawkman for an online record label (now defunct) called B4G (Beatz 4 Geekz). It was the first new song the Hawkman had put out. Switch browsers or download Spotify for your desktop. A Brief History Of Rhyme.
    [Show full text]
  • The Cambridge Companion to Hip-Hop Free
    FREE THE CAMBRIDGE COMPANION TO HIP-HOP PDF Justin A. Williams | 370 pages | 30 Apr 2015 | CAMBRIDGE UNIVERSITY PRESS | 9781107643864 | English | Cambridge, United Kingdom The Cambridge Companion to Hip-Hop by Justin A. Williams Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Williams Editor. It has been more than thirty-five years since the first commercial recordings of hip-hop music were made. This Companion, written by renowned scholars and industry professionals reflects the passion and scholarly activity occurring in The Cambridge Companion to Hip-Hop new generation of hip-hop studies. It covers a diverse range of case studies from Nerdcore hip-hop to instrumental hip- hop to the role o It has been more than thirty-five years since the first commercial recordings of hip-hop music were made. It The Cambridge Companion to Hip-Hop a diverse range of case studies from Nerdcore hip-hop to instrumental hip-hop to the role of rappers in the Obama campaign and The Cambridge Companion to Hip-Hop countries including Senegal, Japan, Germany, Cuba, and the UK. Chapters provide an overview of the The Cambridge Companion to Hip-Hop elements' of hip-hop - MCing, DJing, break dancing or breakin'and graffiti - in addition The Cambridge Companion to Hip-Hop key topics such as religion, theatre, film, gender, and politics.
    [Show full text]