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Celebrations
Celebrations Alentejo Portalegre Islamic Festival “Al Mossassa” Start Date: 2021-10-01 End Date: 2021-10-03 Website: https://www.facebook.com/AlMossassaMarvao/ Contacts: Vila de Marvão, Portalegre The historic town of Marvão, in Alto Alentejo, will go back in time to evoke the time of its foundation by the warrior Ibn Maruam, in the ninth century, with an Islamic festival. Historical recreations with costumed extras, an Arab market, artisans working live, a military camp with weapons exhibition, games for children, knights in gun duels, exotic music and dance, acrobats, fire- breathers, snake charmers , bird of prey tamers and circus arts are some of the attractions. Centro de Portugal Tomar Festa dos Tabuleiros (Festival of the Trays) Date to be announced. Website: http://www.tabuleiros.org Contacts: Tomar The Festival of the Trays takes place every four years; the next one will take place in July 2023. Do not miss this unique event! The blessing of the trays, the street decorations, the quilts in the windows and the throwing of flowers over the procession of the trays carried by hundreds of young girls on their heads, is an unforgettable sight. The Procession of the Tabuleiros, heralded by pipers and fireworks, is led by the Banner of the Holy Ghost and the three Crowns of the Emperors and Kings. They are followed by the Banners and Crowns from all the parishes, and the girls carrying the trays. In the rear are the cartloads of bread, meat and wine, pulled by the symbolic sacrificial oxen, with golden horns and sashes. The girls who carry the trays have to wear long white dresses with a coloured sash across the chest. -
Discover Lisbon with Our Guide!
The 7th Conference of European Survey Research Association welcomes you to the fashionable city of Lisbon! Lisbon, the most westerly capital in mainland Europe, is one of the few cities in the world to offer a unique natural landscape. It’s for sure one of the most impressively located, with a series of hills facing the Tejo estuary, one of the sunniest and probably one of the least expensive cities to discover. Being a city built on hills, from the various belvederes, installed in the highest points, can enjoy breathtaking views. We highlight the castle of S. Jorge, where we reach the cacilheiros in their crossing to the south bank, the 25th April bridge, Rossio, Carmo convent, Bairro Alto, Eduardo VII park, among other points of the city. Alongside the old city, with a very rich heritage, Lisbon is also a modern city that has been renewed in new cultural and leisure proposals. In this document you can find out more about the places you cannot miss in this city – excursions, restaurants and bars, among others. Index What to see & Where to walk............................................................................................... 4 Tram 28E route – the best way to know Lisbon ......................................................4 Prazeres cemetery ..........................................................................................................6 Santo Condestável Church ..............................................................................................6 Basílica da Estrela and garden .......................................................................................6 -
If Not Us, Who?
Dario Azzellini (Editor) If Not Us, Who? Workers worldwide against authoritarianism, fascism and dictatorship VSA: Dario Azzellini (ed.) If Not Us, Who? Global workers against authoritarianism, fascism, and dictatorships The Editor Dario Azzellini is Professor of Development Studies at the Universidad Autónoma de Zacatecas in Mexico, and visiting scholar at Cornell University in the USA. He has conducted research into social transformation processes for more than 25 years. His primary research interests are industrial sociol- ogy and the sociology of labour, local and workers’ self-management, and so- cial movements and protest, with a focus on South America and Europe. He has published more than 20 books, 11 films, and a multitude of academic ar- ticles, many of which have been translated into a variety of languages. Among them are Vom Protest zum sozialen Prozess: Betriebsbesetzungen und Arbei ten in Selbstverwaltung (VSA 2018) and The Class Strikes Back: SelfOrganised Workers’ Struggles in the TwentyFirst Century (Haymarket 2019). Further in- formation can be found at www.azzellini.net. Dario Azzellini (ed.) If Not Us, Who? Global workers against authoritarianism, fascism, and dictatorships A publication by the Rosa-Luxemburg-Stiftung VSA: Verlag Hamburg www.vsa-verlag.de www.rosalux.de This publication was financially supported by the Rosa-Luxemburg-Stiftung with funds from the Ministry for Economic Cooperation and Development (BMZ) of the Federal Republic of Germany. The publishers are solely respon- sible for the content of this publication; the opinions presented here do not reflect the position of the funders. Translations into English: Adrian Wilding (chapter 2) Translations by Gegensatz Translation Collective: Markus Fiebig (chapter 30), Louise Pain (chapter 1/4/21/28/29, CVs, cover text) Translation copy editing: Marty Hiatt English copy editing: Marty Hiatt Proofreading and editing: Dario Azzellini This work is licensed under a Creative Commons Attribution–Non- Commercial–NoDerivs 3.0 Germany License. -
IN ASSOCIATION with CÂMARA MUNICIPAL DE LISBOA out There out There Beginner’S Survival Guide
IN ASSOCIATION WITH CÂMARA MUNICIPAL DE LISBOA Out there Out there Beginner’s survival guide Greet people with two kisses, forget the high heels, dodge the queues and bypass restaurants with food pictures by the front door. Here are our best tips to avoid tourist traps. You’re welcome. We speak the metro network, Don’t take just a creation is tricky terrain, have we been English whether you want risks: book to lure tourists with the city’s duped? As a rule of (and a bit to take a train or a table in. Creative, famous seven thumb, if the menu of everything an elevator – you’ll The recent boom but a deception hills and slippery is actually good, it else) avoid long queues. of trendy spaces nonetheless, so be Portuguese doesn’t need to be Portuguese people and experiences, aware, especially in pavement making paraded so much. are known for Expect kisses particularly in the the city centre, the the walking Keep this in mind their linguistic The Portuguese restaurant scene, most fertile ground experience (ideal when walking abilities, not to love kissing, and has made Lisbon’s for these traps. for discovering around Baixa, mention their cheek-kissing is gastronomy even every nook and Belém and other hospitality. You’re very much alive more appealing. Choose your cranny) into a tourist hotspots. very likely to find in Lisbon. So be With a caveat: if fado house real challenge. people who speak prepared to greet you’re not quick carefully Your breathing Don’t pay English better than (and be greeted by) enough, you’ll risk Fado is Portugal’s capacity may be ridiculous average, and maybe strangers with a not getting a table traditional music – tested to the max amounts even some French kiss on each cheek in the majority of nothing new here but, on the bright of money (especially the (or just on one, in popular venues – and it suddenly side, the city is for pressed older generations), posher settings). -
Anglo Saxonica III N. 3
REVISTA ANGLO SAXONICA SER. III N. 3 2012 A NNGLO SAXO ICA ANGLO SAXONICA SER. III N. 3 2012 DIRECÇÃO / GENERAL EDITORS Isabel Fernandes (ULICES) João Almeida Flor (ULICES) Mª Helena Paiva Correia (ULICES) COORDENAÇÃO / EXECUTIVE EDITOR Teresa Malafaia (ULICES) EDITOR ADJUNTO / ASSISTANT EDITOR Ana Raquel Lourenço Fernandes (ULICES) CO-EDITOR ADJUNTO / CO-EDITORIAL ASSISTANT Sara Paiva Henriques (ULICES) REVISÃO DE TEXTO / COPY EDITORS Inês Morais (ULICES) Madalena Palmeirim (ULICES) Ana Luísa Valdeira (ULICES) EDIÇÃO Centro de Estudos Anglísticos da Universidade de Lisboa DESIGN, PAGINAÇÃO E ARTE FINAL Inês Mateus IMPRESSÃO E ACABAMENTO Várzea da Rainha Impressores, S.A. - Óbidos, Portugal TIRAGEM 150 exemplares ISSN 0873-0628 DEPÓSITO LEGAL 86 102/95 PUBLICAÇÃO APOIADA PELA FUNDAÇÃO PARA A CIÊNCIA E A TECNOLOGIA New Directions in Translation Studies Special Issue of Anglo Saxonica 3.3 Guest Editors: Anthony Pym and Alexandra Assis Rosa Novos Rumos nos Estudos de Tradução Número Especial da Anglo Saxonica 3.3 Editores convidados: Anthony Pym e Alexandra Assis Rosa CONTENTS/ÍNDICE NEW DIRECTIONS IN TRANSLATION INTRODUCTION Anthony Pym and Alexandra Assis Rosa . 11 LITERARY TRANSLATION TRUSTING TRANSLATION João Ferreira Duarte . 17 ANTHOLOGIZING LATIN AMERICAN LITERATURE: SWEDISH TRANSLATIVE RE-IMAGININGS OF LATIN AMERICA 1954-1998 AND LINKS TO TRAVEL WRITING Cecilia Alvstad . 39 THE INTERSECTION OF TRANSLATION STUDIES AND ANTHOLOGY STUDIES Patricia Anne Odber de Baubeta . 69 JOSÉ PAULO PAES — A PIONEERING BRAZILIAN THEORETICIAN John Milton . 85 TRANSLATION AND LITERATURE AGAIN: RECENT APPROACHES TO AN OLD ISSUE Maria Eduarda Keating . 101 UNDER THE SIGN OF JANUS: REFLECTIONS ON AUTHORSHIP AS LIMINALITY IN . TRANSLATED LITERATURE Alexandra Lopes . 127 TRANSLATED AND NON-TRANSLATED SPANISH PICARESQUE NOVELS IN DEFENSE OF . -
Caricatura E Retrato Na Obra De Amadeo De Souza-Cardoso: O Problema Da Representação No Modernismo
CARICATURA E RETRATO NA OBRA DE AMADEO DE SOUZA-CARDOSO: O PROBLEMA DA REPRESENTAÇÃO NO MODERNISMO Laura Susana Lustre Dias Trabalho de Projecto de Mestrado em História da Arte Contemporânea 2014. Cardoso: Cardoso: - Modernismo, Modernismo, Laura Susana Lustre Dias, Dias, Laura Lustre Susana Amadeo Souzade Caricatura e Retrato na Obra de Caricaturae na Retrato O Problema da Representação no daO Problema Representação Abril, 2014 Trabalho de Projecto apresentado para cumprimento dos requisitos necessários à obtenção do grau de Mestre em História da Arte Contemporânea realizado sob a orientação científica da Professora Doutora Joana Cunha Leal. À minha Mãe, ao meu Pai e ao meu Marido, AGRADECIMENTOS O meu primeiro agradecimento dirige-se à orientadora deste projeto a Professora Doutora Joana Cunha Leal, cujas observações críticas e o acompanhamento foram essenciais para a concretização das minhas ideias. Ao Museu Municipal Amadeo de Souza-Cardoso, em Amarante, pela cedência de algumas imagens essenciais para este projeto. Aos meus pais e ao meu marido, pela compreensão, pelo apoio, pela transmissão de coragem e força e por acreditarem sempre em mim. CARICATURA E RETRATO NA OBRA DE AMADEO DE SOUZA-CARDOSO: O PROBLEMA DA REPRESENTAÇÃO NO MODERNISMO. Laura Susana Lustre Dias RESUMO PALAVRAS-CHAVE: Representação, Modernismo, Caricatura, Retrato, Amadeo de Souza-Cardoso, Vanguardas, Pintura. Este trabalho de projeto pretende definir um conjunto de questões relacionadas com a pesquisa sobre as propostas figurativas na produção do modernismo e das vanguardas, tentando encontrar uma linha orientadora que permita ajudar a compreender a representação modernista, na obra de Amadeo de Souza-Cardoso. Tendo em conta que a arte moderna se afasta da figuração completando o caminho da simplificação, divisão e distorção até à abstração, não parece fazer sentido a existência da figura nas representações modernistas, no entanto ela continua a existir através da construção de retratos. -
Um Estudo Sobre Festivais De Música E Desenvolvimento Local João Pedro Gaspar Lopes Pereira
MESTRADO SOCIOLOGIA Where the Things Always Happen: Um estudo sobre festivais de música e desenvolvimento local João Pedro Gaspar Lopes Pereira M 2016 João Pedro Gaspar Lopes Pereira Where the Things Always Happen: Um estudo sobre festivais de música e desenvolvimento local Dissertação realizada no âmbito do Mestrado em Sociologia, orientada pela Professora Doutora Paula Maria Guerra Tavares Faculdade de Letras da Universidade do Porto Setembro de 2016 Dedico esta dissertação aos meus pais pelo seu apoio inabalável e por me terem transmitido o gosto pela música e pela cultura. Sumário Uma teia de afetos ......................................................................................................................... 7 Resumo .......................................................................................................................................... 8 Abstract ......................................................................................................................................... 9 Índice de figuras e ilustrações ..................................................................................................... 10 Índice de tabelas .......................................................................................................................... 11 Introdução ................................................................................................................................... 12 Capítulo 1. Objeto e delineamento de uma matriz sonora do desenvolvimento ......................... 16 -
MJ O Mar Na Identidade Cultural Portuguesa.Pdf
[ Capítulo ] 3 [ Chapter ] O MAR NA THE SEA IDENTIDADE IN PORTUGUESE CULTURAL CULTURAL PORTUGUESA IDENTITY maria isaBeL João 170° 160° 150° 140° 130° 120° 110° 100° 90° Alegoria Lusitânia incluída nas Lusitania allegory included Anacephaleoses, de António Vasconcelos in Anacephaleoses, by António Vasconcelos (Antuérpia, 1621). (Antwerp, 1621). O MAR NA IDENTIDADE 118 THE SEA IN PORTUGUESE CULTURAL PORTUGUESA CULTURAL IDENTITY 80° 70° 60° 50° 40° 30° 20° 10° 0° 60° 50° Da minha língua vê-se o mar. […] From my language you can see the sea. […] The voice of the sea has Por isso a voz do mar foi a da nossa inquietação. been that of our restlessness. verGíLio Ferreira virGíLio Ferreira 40° A atividade marítima está não só nas raízes da nacionalidade, Maritime activity is not only at the root of our nationality, from donde sobe como a seiva para o tronco, mas é como que a linha whence it rises like the sap to the trunk, it is also like the blood line medular que dá vigor e unidade a toda a sua história. that permeates it with vigour and unity throughout its history. 30° Jaime cortesão Jaime cortesão A nação forja-se ao longo da história, mas a sua exis- A nation is forged throughout its history, but its existence 20° tência depende, como salientou Ernest Renan, da posse em depends, as French philosopher Ernest Renan pointed out, comum de um «legado rico de recordações» e do «consen- on the possession of a common “legacy, rich in memories” timento atual, o desejo de viver em conjunto, a vontade de and on “current consent, the desire to live together, the will to continuar a fazer valer a herança que receberam esses indi- continue to make the legacy handed down to these individuals 10° víduos». -
NOVA Science Magazine 2018 (Pdf)
1 Copyright 2018© by NOVA University Lisbon CONTENTS TITLE NOVA Science PROPERTY Universidade Nova de Lisboa Campus de Campolide 1099-085 Lisboa 08 Portugal 06 MESSAGE FROM Tel.: +351 213 715 600 04 A WORD FROM THE VICE-RECTOR E-mail: [email protected] www.unl.pt WELCOME TO NOVA THE RECTOR FOR RESEARCH November 2018 1 2 3 Published Annually COORDINATION Research Office Communications Office DESIGN Carlota Terenas www.thisiscart.com 14 PHOTOGRAPHY 10 12 RESEARCH UNITS Rectorate and Research Units of NOVA* RESEARCH RESEARCH UNITS AT A GLANCE CML – City Council of Lisbon 4 5 6 PRINTING Imprensa Nacional Casa da Moeda, S.A. PRINTING RUN 3000 copies ISSN 2184-3775 98 102 LEGAL DEPOSIT COLLABORATIVE COLLABORATIVE 104 447909/18 LABORATORIES RESEARCH AwaRD NOVA SCIENCE DAY * The Coordination team acknowledges the contribution of (COLAB) SANTANDER/NOVA 2018 all Research Units of NOVA for the images provided for the making of this brochure. 7 8 9 2 3 Câmara Municipal de Lisboa Câmara Municipal 1 WELCOME TO NOVA NOVA University Lisbon to serve society through Founded in 1973, NOVA University Lisbon (NOVA) is a public university has Academic Units in knowledge and education on a that has adopted since its inception an innovative multidisciplinary model in the Portuguese university context. Lisbon, Almada, Oeiras local, regional and global level. The mission of NOVA is to serve society through knowledge and and in Carcavelos. education on a local, regional and global level. Delivering high quality teaching that assures the preference of employers and the success of graduates in the job market is a key priority for NOVA together with NOVA School of Science and Technology the development of topnotch research that contributes to tackle major societal challenges. -
Estoril, Everything You Need Within Easy Reach
GuideGuide www.estoril-portugal.com Estoril,Estoril, everythingeverything youyou needneed withinwithin easy easy reachreach There’s only one place where you can feel a thousand sensations, Estoril. Wonderful beaches where you can relax in the sun and forget about everything. Gardens, houses and palaces that take you back to the past. Excellent restaurants offering a wide choice of fish and seafood. All the facilities necessary to play your favourite sport. And fascinating places like Cascais, where the tradition of being a fishing town combines with the grandeur of its medieval citadel and all the glamour bestowed upon it at the beginning of the 20th century, when it became the official summer residence of the royal family. In Estoril you’ll find the biggest and most impressive range of facilities…and all within easy reach. So come and discover everything that Estoril has to offer! 6 History 10 Beaches 16 Monuments, Palaces & Museums 30 Churches 32 Natural Parks 40 Sport & Leisure 50 Eating Out 52 Entertainment 56 Surrounding Areas 60 Practical Information NeverNever has has suchsuch a small placeplace had had so so much much to to offer offer Despite being small in size, the Estoril Coast is big in terms of possibilities. Bathed by the Atlantic Ocean, the region stretches all the way from the Tagus Estuary to the Guincho Beach near the Serra de Sintra, home to mainland Europe’s most westerly point. Thanks to its close proximity to Lisbon, there is the added advantage of having an international airport nearby, as well as the Cascais-Tires Municipal Aerodrome. -
Cravinho, Pedro (2018) "The 'Truth' of Jazz- the History of the First Publication Dedicated to Jazz in Portugal&Quo
The “truth” of jazz: The history of the first publication dedicated to jazz in Portugal Pedro Cravinho (Birmingham City University, UK) [email protected] BIBLID [2605-2490 (2018), 1; 57-72] The “truth” of jazz: The history of the first publication dedicated to jazz in Portugal In August 1958, during the Portuguese right-wing colonialist New State regime, after the foundation of the Clube Universitário de Jazz by Raul Calado — a Hot Clube de Portugal dissident —, a jazz journal began to circulate to disseminate this musical genre. This arti- cle examines the history of Jazz (1958-1959), and the political ideals conveyed through this first Portuguese jazz publication1. Keywords: Jazz, Portugal, jazz, Clube Universitário de Jazz, history. La “verdad” del jazz: la historia de la primera publicación dedicada al jazz en Portugal En agosto de 1958, durante el régimen colonialista portugués de orientación derechista denominado Estado Novo, tras la fundación del Clube Universitário de Jazz por Raul Calado —un disidente del Hot Clube de Portugal—, un nuevo periódico comenzó a circu- lar para difundir este género musical. Este artículo examina la historia de Jazz (1958- 1959) y los ideales políticos transmitidos por esta primera publicación portuguesa de jazz. Palabras clave: Jazz, Portugal, jazz, Clube Universitário de Jazz, historia. Jazzaren “egia”: Portugalen jazzari eskainitako lehenengo argitalpenaren historia 1958ko abuztuan, Portugalen Estado Novo joera eskuindarreko erregimen kolonialista indarrean zegoela eta Raul Calado Hot Clube-ko disidenteak Clube Universitário de Jazz sortu ondoren, musika-genero hau zabalduko zuen aldizkari berri bat jarri zen abian. Artikulu honetan Jazz aldizkariaren historia (1958-1959) eta jazzaren inguruko lehe- nengo argitalpen portugaldarrak transmititzen zituen ideal politikoak aztertzen dira. -
Frommer's Portugal 18Th Edition
Portugal 18th Edition by Darwin Porter & Danforth Prince Here’s what the critics say about Frommer’s: “Amazingly easy to use. Very portable, very complete.” —Booklist “Detailed, accurate, and easy-to-read information for all price ranges.” —Glamour Magazine “Hotel information is close to encyclopedic.” —Des Moines Sunday Register “Frommer’s Guides have a way of giving you a real feel for a place.” —Knight Ridder Newspapers About the Authors Veteran travel writers Darwin Porter and Danforth Prince have written numerous bestselling Frommer’s guides, notable to Germany, France, Italy, England, and Spain. Porter, who was bureau chief for the Miami Herald when he was 21, wrote the first Frommer’s guide to Germany; Prince, who began writing with Porter in 1982, worked for the Paris bureau of the New York Times. Published by: Wiley Publishing, Inc. 111 River St. Hoboken, NJ 07030-5774 Copyright © 2004 Wiley Publishing, Inc., Hoboken, New Jersey. All rights reserved. No part of this publication may be reproduced, stored in a retrieval sys- tem or transmitted in any form or by any means, electronic, mechanical, photo- copying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, 978/750-8400, fax 978/646-8600. Requests to the Publisher for per- mission should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, 317/572-3447, fax 317/572-4447, E-Mail: [email protected].