Mutability, Monumentality, and the Representation of Motion in British Renaissance Literature
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Immersion Into Noise
Immersion Into Noise Critical Climate Change Series Editors: Tom Cohen and Claire Colebrook The era of climate change involves the mutation of systems beyond 20th century anthropomorphic models and has stood, until recent- ly, outside representation or address. Understood in a broad and critical sense, climate change concerns material agencies that im- pact on biomass and energy, erased borders and microbial inven- tion, geological and nanographic time, and extinction events. The possibility of extinction has always been a latent figure in textual production and archives; but the current sense of depletion, decay, mutation and exhaustion calls for new modes of address, new styles of publishing and authoring, and new formats and speeds of distri- bution. As the pressures and re-alignments of this re-arrangement occur, so must the critical languages and conceptual templates, po- litical premises and definitions of ‘life.’ There is a particular need to publish in timely fashion experimental monographs that redefine the boundaries of disciplinary fields, rhetorical invasions, the in- terface of conceptual and scientific languages, and geomorphic and geopolitical interventions. Critical Climate Change is oriented, in this general manner, toward the epistemo-political mutations that correspond to the temporalities of terrestrial mutation. Immersion Into Noise Joseph Nechvatal OPEN HUMANITIES PRESS An imprint of MPublishing – University of Michigan Library, Ann Arbor, 2011 First edition published by Open Humanities Press 2011 Freely available online at http://hdl.handle.net/2027/spo.9618970.0001.001 Copyright © 2011 Joseph Nechvatal This is an open access book, licensed under the Creative Commons By Attribution Share Alike license. Under this license, authors allow anyone to download, reuse, reprint, modify, distribute, and/or copy this book so long as the authors and source are cited and resulting derivative works are licensed under the same or similar license. -
Six Canonical Projects by Rem Koolhaas
5 Six Canonical Projects by Rem Koolhaas has been part of the international avant-garde since the nineteen-seventies and has been named the Pritzker Rem Koolhaas Architecture Prize for the year 2000. This book, which builds on six canonical projects, traces the discursive practice analyse behind the design methods used by Koolhaas and his office + OMA. It uncovers recurring key themes—such as wall, void, tur montage, trajectory, infrastructure, and shape—that have tek structured this design discourse over the span of Koolhaas’s Essays on the History of Ideas oeuvre. The book moves beyond the six core pieces, as well: It explores how these identified thematic design principles archi manifest in other works by Koolhaas as both practical re- Ingrid Böck applications and further elaborations. In addition to Koolhaas’s individual genius, these textual and material layers are accounted for shaping the very context of his work’s relevance. By comparing the design principles with relevant concepts from the architectural Zeitgeist in which OMA has operated, the study moves beyond its specific subject—Rem Koolhaas—and provides novel insight into the broader history of architectural ideas. Ingrid Böck is a researcher at the Institute of Architectural Theory, Art History and Cultural Studies at the Graz Ingrid Böck University of Technology, Austria. “Despite the prominence and notoriety of Rem Koolhaas … there is not a single piece of scholarly writing coming close to the … length, to the intensity, or to the methodological rigor found in the manuscript -
On the Auto Body, Inc
FINAL-1 Sat, Oct 14, 2017 7:52:52 PM Your Weekly Guide to TV Entertainment for the week of October 21 - 27, 2017 HARTNETT’S ALL SOFT CLOTH CAR WASH $ 00 OFF 3 ANY CAR WASH! EXPIRES 10/31/17 BUMPER SPECIALISTSHartnetts H1artnett x 5” On the Auto Body, Inc. COLLISION REPAIR SPECIALISTS & APPRAISERS MA R.S. #2313 R. ALAN HARTNETT LIC. #2037 run DANA F. HARTNETT LIC. #9482 Emma Dumont stars 15 WATER STREET in “The Gifted” DANVERS (Exit 23, Rte. 128) TEL. (978) 774-2474 FAX (978) 750-4663 Open 7 Days Now that their mutant abilities have been revealed, teenage siblings must go on the lam in a new episode of “The Gifted,” airing Mon.-Fri. 8-7, Sat. 8-6, Sun. 8-4 Monday. ** Gift Certificates Available ** Choosing the right OLD FASHIONED SERVICE Attorney is no accident FREE REGISTRY SERVICE Free Consultation PERSONAL INJURYCLAIMS • Automobile Accident Victims • Work Accidents Massachusetts’ First Credit Union • Slip &Fall • Motorcycle &Pedestrian Accidents Located at 370 Highland Avenue, Salem John Doyle Forlizzi• Wrongfu Lawl Death Office INSURANCEDoyle Insurance AGENCY • Dog Attacks St. Jean's Credit Union • Injuries2 x to 3 Children Voted #1 1 x 3” With 35 years experience on the North Serving over 15,000 Members •3 A Partx 3 of your Community since 1910 Insurance Shore we have aproven record of recovery Agency No Fee Unless Successful Supporting over 60 Non-Profit Organizations & Programs The LawOffice of Serving the Employees of over 40 Businesses STEPHEN M. FORLIZZI Auto • Homeowners 978.739.4898 978.219.1000 • www.stjeanscu.com Business -
Hearing Voices
FINAL-1 Sat, Dec 28, 2019 5:50:57 PM tvupdateYour Weekly Guide to TV Entertainment For the week of January 5 - 11, 2020 Hearing voices Jane Levy stars in “Zoey’s Extraordinary Playlist” INSIDE •Sports highlights Page 2 •TV Word Search Page 2 •Family Favorites Page 4 •Hollywood Q&A Page14 In an innovative, exciting departure from standard television fare, NBC presents “Zoe’s Extraordinary Playlist,” premiering Tuesday, Jan. 7. Jane Levy (“Suburgatory”) stars as the titular character, Zoey Clarke, a computer programmer whose extremely brainy, rigid nature often gets in the way of her ability to make an impression on the people around her. Skylar Astin (“Pitch Perfect,” 2012), Mary Steenburgen (“The Last Man on Earth”). John Clarence (“Luke Cage”), Peter Gallagher (“The O.C.”) and Lauren Graham (“Gilmore Girls”) also star. WANTED MOTORCYCLES, SNOWMOBILES, OR ATVS GOLD/DIAMONDS ✦ 40 years in business; A+ rating with the BBB. ✦ For the record, there is only one authentic CASH FOR GOLD, Bay 4 Group Page Shell PARTS & ACCESSORIES We Need: SALESMotorsports & SERVICE 5 x 3” Gold • Silver • Coins • Diamonds MASS. MOTORCYCLEWANTED1 x 3” We are the ORIGINAL and only AUTHENTIC SELLBUYTRADEINSPECTIONS Score More CASH FOR GOLD on the Methuen line, above Enterprise Rent-A-Car Sales This Winter at 527 So. Broadway, Rte. 28, Salem, NH • 603-898-2580 1615 SHAWSHEEN ST., TEWKSBURY, MA CALL (978)946-2000 TO ADVERTISE PRINT • DIGITAL • MAGAZINE • DIRECT MAIL Open 7 Days A Week ~ www.cashforgoldinc.com 978-851-3777 WWW.BAY4MS.COM FINAL-1 Sat, Dec 28, 2019 5:50:58 PM COMCAST ADELPHIA 2 Sports Highlights Kingston CHANNEL Atkinson Sunday 11:00 p.m. -
Ecstatic Encounters Ecstatic Encounters
encounters ecstatic encounters ecstatic ecstatic encounters Bahian Candomblé and the Quest for the Really Real Mattijs van de Port AMSTERDAM UNIVERSITY PRESS Ecstatic Encounters Bahian Candomblé and the Quest for the Really Real Mattijs van de Port AMSTERDAM UNIVERSITY PRESS Layout: Maedium, Utrecht ISBN 978 90 8964 298 1 e-ISBN 978 90 4851 396 3 NUR 761 © Mattijs van de Port / Amsterdam University Press, Amsterdam 2011 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Contents PREFACE / 7 INTRODUCTION: Avenida Oceânica / 11 Candomblé, mystery and the-rest-of-what-is in processes of world-making 1 On Immersion / 47 Academics and the seductions of a baroque society 2 Mysteries are Invisible / 69 Understanding images in the Bahia of Dr Raimundo Nina Rodrigues 3 Re-encoding the Primitive / 99 Surrealist appreciations of Candomblé in a violence-ridden world 4 Abstracting Candomblé / 127 Defining the ‘public’ and the ‘particular’ dimensions of a spirit possession cult 5 Allegorical Worlds / 159 Baroque aesthetics and the notion of an ‘absent truth’ 6 Bafflement Politics / 183 Possessions, apparitions and the really real of Candomblé’s miracle productions 5 7 The Permeable Boundary / 215 Media imaginaries in Candomblé’s public performance of authenticity CONCLUSIONS Cracks in the Wall / 249 Invocations of the-rest-of-what-is in the anthropological study of world-making NOTES / 263 BIBLIOGRAPHY / 273 INDEX / 295 ECSTATIC ENCOUNTERS · 6 Preface Oh! Bahia da magia, dos feitiços e da fé. -
PDF of Listening Into Others
LISTENING INTO OTHERS: AN ETHNOGRAPHIC EXPLORATION IN GOVINDPURI TRIPTA CHANDOLA A SERIES OF READERS PUBLISHED BY THE INSTITUTE OF NETWORK CULTURES ISSUE NO.: 36 LISTENING INTO OTHERS: AN ETHNOGRAPHIC EXPLORATION IN GOVINDPURI TRIPTA CHANDOLA 2 THEORY ON DEMAND Theory on Demand #36 Listening into Others: An Ethnographic Exploration in Govindpuri Tripta Chandola Editing: Geert Lovink and Sepp Eckenhaussen Supervision of previous versions: Dr. Jo Tacchi and Dr. Christy Collis Production: Sepp Eckenhaussen Cover design: Katja van Stiphout Publisher: Institute of Network Cultures, Amsterdam, 2020 ISBN 978-94-92302-63-2 Contact Institute of Network Cultures Phone: +31 20 5951865 Email: [email protected] Web: http://www.networkcultures.org This publication is available through various print on demand services. EPUB and PDF editions are freely downloadable from our website: http://networkcultures.org/publications/. This publication is licensed under the Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-SA 4.0) LISTENING INTO OTHERS: AN ETHNOGRAPHIC EXPLORATION IN GOVINDPURI 3 4 THEORY ON DEMAND CONTENTS PREFACE: FOR BITIYA 6 HOW TO USE THE BOOK 8 FACT SHEET 13 1. IN SEARCH OF THE NEVER-LOST SLUMS: ETHNOGRAPHY OF AN ETHNOGRAPHER 31 2. LISTENING: AN ETHNOGRAPHIC EXPLORATION 45 3. AN ‘OBSCENE’ CALLING EMOTIONALITY IN/OF MARGINALIZED SPACES: A LISTENING OF/INTO ‘ABUSIVE’ WOMEN IN GOVINDPURI 61 4. THE SUBALTERN AS A POLITICAL ‘VOYEUR’? 75 5. COLLABORATIVE LISTENING: ON PRODUCING A RADIO DOCUMENTARY IN THE GOVINDPURI SLUMS - WITH TOM RICE 92 6. I WAIL, THEREFORE I AM 100 7. SONIC SELFIES: EQUALIZING THE ENCOUNTER WITH THE OTHER - IN CONVERSATION WITH JODI DEAN AND GEERT LOVINK 108 8. -
Variants, 12-13 | 2016 [Online], Online Since 01 May 2017, Connection on 23 September 2020
Variants The Journal of the European Society for Textual Scholarship 12-13 | 2016 Varia Wim Van Mierlo and Alexandre Fachard (dir.) Electronic version URL: http://journals.openedition.org/variants/275 DOI: 10.4000/variants.275 ISSN: 1879-6095 Publisher European Society for Textual Scholarship Printed version Date of publication: 31 December 2016 ISSN: 1573-3084 Electronic reference Wim Van Mierlo and Alexandre Fachard (dir.), Variants, 12-13 | 2016 [Online], Online since 01 May 2017, connection on 23 September 2020. URL : http://journals.openedition.org/variants/275 ; DOI : https:// doi.org/10.4000/variants.275 This text was automatically generated on 23 September 2020. The authors 1 This double issue of Variants: the Journal of the European Society for Textual Scholarship is the first to appear in Open Access on the Revues.org platform. In subject matter, this issue offers a wide scope covering the music manuscripts of the thirteenth-century French trouvère poet Thibaut de Champagne (expertly discussed by Christopher Callahan and Daniel E. O’Sullivan) to the digital genetic dossier of the twenty-first century Spanish experimental writer Robert Juan-Cantavella. The story of Juan- Cantavella’s “manuscripts” is an interesting: the dossier was handed on a USB stick to the scholar Bénédicte Vauthier for research; the files and their metadata became the subject of an extensive analysis of the writing history of his novel El Dorado (2008), proving that genetic criticism after the advent of the computer is still possible and necessary. In addition to Rüdiger Nutt-Kofoth’s detailed consideration of the concept of “variant” and “variation” in the German historical-critical tradition of scholarly editing, the current volume contains four more theoretical exploration of this topic, which formed the topic of the 2013 Annual Conference of the Society that was held in Paris in November 2013. -
Talking to the Other: Jewish Interfaith Dialogue with Christians and Muslims
Talking to the Other Jacob said to Esau: I have seen your face as if seeing the face of God and you have received me favourably. (Genesis 33:10) Talking to the Other Jewish Interfaith Dialogue with Christians and Muslims Jonathan Magonet The publication of this book was made possible through a subsidy from the Stone Ashdown Trust Published in 2003 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com In the United States and Canada distributed by Palgrave Macmillan a division of St. Martin’s Press 175 Fifth Avenue, New York NY 10010 Copyright © Jonathan Magonet, 2003 The right of Jonathan Magonet to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. ISBN 1 86064 905 X A full CIP record for this book is available from the British Library Typeset in Caslon by Dexter Haven Associates, London Printed and bound in Great Britain by MPG Books, Bodmin Contents Foreword, by Prince Hassan bin Tallal vii Preface xiii 1 Interfaith Dialogue – A Personal Introduction 1 From Theory to Practice 2 The Challenge to Judaism of Interfaith Dialogue 11 3 Chances and Limits of Multicultural Society 23 4 Reflections -
{Replace with the Title of Your Dissertation}
Uneven Absorption: World-Class Delhi, Domestic Workers and the Water that Makes Them A DISSERTATION SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Heather Elaine O’Leary IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY William O. Beeman August 2014 © Heather Elaine O’Leary 2014 i Acknowledgements I gratefully acknowledge that this study could not have been completed without the help of my kin—the family I was born into and those who graciously adopted me and this project in countless ways throughout my pursuit of answers. *** Generous support was granted by: Fulbright Foundation United States Department of Education: Foreign Language and Area Studies Program University of Minnesota: Department of Anthropology Graduate School: Graduate Research Partnership Program Interdisciplinary Doctoral Fellowship Program Interdisciplinary Center for the study of Global Change Wenner-Gren Foundation ii Dedication This dissertation is dedicated to P.D. and the women and girls of Delhi; | iii Informants and Name Meanings The names and identifying characteristics of collaborators have been changed to protect their anonymity, unless they wished to be named. The new names all were selected to reflect the cultural background and character of the collaborator. I chose to select common names that have meaning in Hindi, Urdu, Sanskrit, and English that are tied in with the theme of water. Some are direct, like Sanskrit “Jeevika,” which means water, while others like “Anita” derive from Urdu as the name of a goddess of water, but also reflect her role in the community with its Sanskrit meaning “a leader without guile.” Some names, like “Piyush,” are near interpretations of the theme. -
University of Florida Thesis Or Dissertation Formatting
COLLECTIVITY AND FORM: POLITICS AND AESTHETICS OF COLLECTIVITY IN MICHAEL HARDT AND ANTONIO NEGRI, AMIRI BARAKA, AND THOMAS PYNCHON By JAMES LINER A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2013 1 © 2013 James Liner 2 To Ada, whose dad has been working on this dissertation all her life 3 ACKNOWLEDGMENTS First of all, I would like to thank my doctoral committee for their support, encouragement, and generous criticism throughout this project: my director, Phil Wegner; Susan Hegeman; Eric Kligerman; Barbara Mennel; and my off-campus reader, Tim Murphy. It was under Phil’s guidance that I began my serious study of the work of Fredric Jameson, while I have Tim to thank for introducing me to the thought of Michael Hardt and Antonio Negri as well as the literature of Amiri Baraka, not to mention introducing me to Hardt himself. In addition to thoughtful critiques offered by my committee, this dissertation has also benefited from comments, suggestions, questions, and conversations among several of my colleagues and close friends. Thanks go to Wes Beal, Aaron Cerny, Jordan Dominy, Andrew Gordon, Vince Leitch, Regina Martin, Mike Mayne, Emily McCann, Patrick McHenry, Matt Mingus, and Christina van Houten. I owe special thanks to Aaron and Andrew, who labored with me through a first reading of Thomas Pynchon’s Against the Day and commented on a very early version of what was to become the interpretation of that novel I offer in this dissertation. -
University Micixxilms International 300 N
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ART MUSCLE Esjgh 14" X 10" Acrylic on Canvas Dan Bishop.** Perry Dinkin Ellen Checota ! Barbara & Jack Recht Barbara Kohl-Spiro Mary & Mark Timpany Dr
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