Wes Hunting Art Glass JUDITH ANN MORIARTY editor

FRANCIS FORD Represented by photo editor

MEGAN POWELL calendar editor

Downtown Kenosha THOMAS FORD 15 min. east from Hwy 94 & 158 art direction / design 5601 6th Avenue Kenosha, 53140 DEREK JACOBS 414.657.7172 design intern Mon.-Fri. 10-5:30 Sat. 10-4 ANGEL FRENCH advertising & circulation director

ALICE STEPHENS sales

DEBRA BREHMER THERESE GANTZ emeritus personnel

JUDITH ANN MORIARTY

publisher

Printing by Port Publications

Something Between The 2 FRIENDS OF ART MUSCLE ESjgH 14" x 10" Acrylic on Canvas Dan Bishop.** Perry Dinkin Ellen Checota ! Barbara & Jack Recht Barbara Kohl-Spiro Mary & Mark Timpany Dr. Clarence E. Kusik Tina Peterman Burton Babcock Otlldio 615 19th Century through Contemporary Fine Art Nicholas Topping Dorothy Brehmer Karen Johnson Boyd William James Taylor 305$ N. Brookfield Road Brookfield, Wisconsin 53045 Arthur & Flora Cohen Remy Monday-Saturday orfay appointment , call 780-0613 David & Madeleine Lubar Sidney & Elaine Friedman Mary Joe Donovan James B. Chase Nate Holman Gary T. Black Merchants Police Alarm Corp. Edna Mae Black Mary Paul Richard Warzynski Delphine & John Cannon Daniel S. Weinberg Sharon L. Winded Dori & Sam Chortck Diane & David Buck Christopher Ahmuty Julie & Richard Staniszewski Toby & Sam Recht Kathryn M. Finerty Konrad Baumeistcr LINDA Margaret Rozga Narada Productions, Inc. Wolfgang & Mary Schmidt Rikki Thompson, Earthscapcs RICHMAN Cardi Toellner Nancy Evans Tim Holte/Debra Vest Leon & Carolyn Travanti JEWELRY Eric D. Steele Steven H. Hill Polly & Giles Daeger Arthur E. Blair Richard & Julie Staniszewski Maribeth Devine Egg Stanzel Anne Wamser Ruth Kjaer & John Colt Mike Madalinski Thelma & Sheldon Friedman Michael Miklas Richard Waswo Kevin Kinney & Meg Kinney JefFYoungers JefFMartinka & Tessa Coons Helen J. Kuzma Joanne Kopischke Frogtown Framing Richard & Lee Carone Ellen McCormick Martens Tony De Palma Constance A. Hoogerland Vicki Wangerin Catherine V. Bailey Daniel J. Burbach Gwendolyn Diaz Hankin Rita Chellman Mike Judy Tim Martinez

To become a FRIEND OF ART MUSCLE, send a check for $60 which entitles you to receive Art Muscle for two years and gets your name on the masthead!

Art Muscle (ISSN 1074-0546) is published bi-monthly by Art Muscle- , Inc., 901 W. National Ave., Milwaukee, WI S3204, (414) 672-8485. Third Class postage paid at Milwaukee, WI 53202 and additional mailing offices. Postmaster: Send address changes to Art SEPTEMBER-OCTOBER Muscle, 901 W. National, Milwaukee, WI 53204. Entire contents copyright © Art Muscle-Milwaukee, Inc. All rights reserved, except in reviews. Reproduction in whole or in part without permission is prohibited. Art Muscle is a trademark of Art Muscle- 241 NORTH BROADWAY Milwaukee, Inc.

Subscription rates in continental U.S. :$ 15 one year; elsewhere, $28 one year; MILWAUKEE, WI 53202 back issues: $3.00. PHONE 414 289 0855 FAX 414 289 9255

2 Art Muscle ITS A FEAST WITH THE BEASTS. MICHAEL DAWKINS MILWAUKEE JOURNAL SENTINEL Thursday, CONTEMPORARY AMERICAN AUGUST 17 ARTIST through • RECENT WORKS Sunday, • ON DISPLAY AT AUGUST 20 THE GALLERY LTD. • PART OF THE JEANNE COHEN We've got it all at the COLLECTION ^flcfecfs vfiiqvz. •SjlQ&^s fvfi. finest food AT THE ZOO festival in Wisconsin: THE GALLERY, LTD.

• Five stages packed with entertainment. PAINTING Q SCULPTURES o ORIGINAL PRINTS

• Thirty restaurants offering mouth-watering food. 1)1 AN GABRIEL — COLLAGE D PAINTINGS WIS HUNTING — CONTEMPORARY Gl ASS • Chef demonstrations and wine tasting. MAsk$...AfnirAN...Ivoiry COASI

i mnoxiuhcc • Special activities for the kids. County Tu'EsdAy.. .WEdMEsdAy...TI(URsdAy 1 1 10 5 FRidAy & SAiuudAy 1 1 IO 7 > SuNdAyi T1 TO 5 OTIIER HOURS by APPOINTMENT; ;

• 2500 exotic animals. LOCATED IN THE CAFE KNICKERBOCKER 414-285-4866 o 1050 E. JUNEAU AVENUE ° 414-272-1611 Located 10 minutes west of downtown Milwaukee at 1-94 and Hwy. 45. MILWAUKEE, WISCONSIN 55202

FOR MORE INFORMATION CALL 414-256-5412

I t Circus, Circus multi-media Before CUddeS

GLASS before fAlckael & Lisa fAme... PAINTINGS THE ART OF before DONALD & MA1LA... DRAWINGS THE TABLE SCULPTURE MULTI-MEDIA &even CERAMICS before & 'e^i... SEPTEMBER 9TH- FIBER OCTOBER21ST the world was gossiping about FURNITURE THE MARRIAGE y^+ OF FIGARO by Wolfgang Amadeus Mozart September 13 - October 1,1995 GALLERY LTD Enjoy the merriment of scandalous marital mishaps with this comedic exploration of class conflict, matrimony and manners. 10050 N PORT WASHINGTON ROAD Come see the revolutionary opera that knocked the NEW MEQUON, WISCONSIN 53092 Crowned Heads of Europe on their ears. LOCATION: 414-241-7040 sponsored by EOPEMTHEAH MARQUETTE ELECTRONICS rJ Call 291-7800 •FOUNDATION- HOURS: TUES, WED, FRI: 11 -6 • THUR: 11 -8 • SAT: 11 -5 Beached Whale Sand Sculpture, Todd Groskopf, The Silver Paper Gallery

>:y% 4 LINDA SCHNOLL DANCEWORKS ORIGINALS CLASSES, WORKSHOPS, REHEARSAL SPACE AND PERFORMANCES. New Designs of Children's Classes: Creative Dance, Tap, Ballet, Jazz & Hip Hop Award-Winning • Fine Jewelry Adult Classes: Stretch, Ballet, Modern, Yoga, Arriving Weekly, crafted T'ai Chi Ch'uan, Tap, Jazz & Hip Hop by Designers & Artisans • from Around the World. Performances

XSIGHT! Performance Group-Sept. 1-2 Technique Classes and Performance This Rotating Show Workshop—August 7-25 features a variety of designs — from FEATURES Written and Performed by... New Performance contemporary to Monologues-Sept 8-10 & 29-30 and Oct 1st traditional. Visit us often! Wendy's Wild World 14 Call for a Class Schedule or Season Brochure Wild Things 16 Ldose from the Zoo 18 Tuesday, Wednesday & Friday 11-6 Thursday 11-8 • Saturday 11-5 The Monotypes of Jill Erickson 20 NEW LOCATION! Sunday & Monday by appointment DANCEWORKS DEPARTMENTS 3195 S. SUPERIOR STREET 10050 North Port Milwaukee, WI 53207 Washington Road 414^81-2010 Mequon • 241-1116 Earwigs/Brainfood 7 Plexus/Reflexus 9 Post Facto 12 Calendar 26 Chicago/Madison 30

READERS SURVEY 23

M&M CLUB On the Cover—Leopard in Progress Photograph by Francis Ford > LU Taxidermist/artist, Wendy Christensen-Senk says the leopard on the cover is a work in progress. "This guy is still waiting for his whiskers < hm/kowiiniium to be hand-implanted at my studio where they're currently and very iMiiwrnitsFmsTfcarefull y catalogued." Cowui Homl < LUNCH Served Monday thru Saturday 11:30am to 2:30pm LU DINNER > Served Daily 5pm to 11 pm SUNDAY BRUNCH Served from 11 am to 4pm ^J JIM BROZEK

I I—

THE M&M CLUB 124 NORTH WATER ST. 414.347.1962

EDWARD CURTIS Taxidermist photograph by Linda Kimpel

4 Art Muscle PRESENT 1995-96 SEASON Kevin Stalheim, Artistic Director SEASON OPENER 8 PARTY Hicritage Jflrts festival Saturday. September 9,1995 Milwaukee Art Museum, •ill ii ^ Vogel/Helfaer Galleries 7:00 Galleries Open, Special Exhibit 25 Americans: Painting in the 90's PLYMOUTH • WISCONSIN 7:15 Pre-Concert Composers' Forum with Daron Hagen & Michael Torke Saturday, Oct. 7 Sunday, Oct. 8 8:00 CONCERT Living History Exhibits Hog Roast Juried Art Show Barn Dance 9:45 Post-Concert Party with Hands on Workshop Quilting Bee THE ROLLING COHENS for Children Craft Demonstrations Tickets: $18 & $14 Live Music - wool spinning Medicine Man Show - wood carving (414) 2710711 Historic Walking Tours Concert Sponsor: Ameritech • CALL (414) 893-0079 •

UWM Art Museum

Vogel Hall 3253 North Downer Avenue •

Art for the Next Century ARTISTS September 15 - October 22 Opening reception: September 15th from 7-9 pm MAKE YOUR ART ACCESSIBLE Opening night musical installation by Aqua Velveeta and Hal Rammel TO MILLIONS! The artists in this exhibit delve into diverse themes such as surrealism, Japanese cartoons, collage, calligraphy and alchemy, with emphasis on the importance of discovery and the imagination. The exhibiting artists are: J. Karl Bogartte: collages; kerri du pont: multi media; Lois Gieger-Campagna: pastels; Shay Judanony: cartoons; Sean Nelson: collages; Evan Larson: sculpture; Wyatt Osato: collages; & Malvy Westbrook: cartoons.

Ronald Cohen: Paintings September 15 - October 22 Opening reception: September 15 from 7-9 pm international

Cohen's work investigates the figure from a classical perspective with unsettling overtones of suffering and Artists martyrdom. A marketing

Fine Arts Gallery Fine Arts Center

UWM Alumni Association's Art Competition 18 September 8 - October 6 Opening reception and awards presentation: /A "Connecting artists and collectors via electronic technology" September 8 from 4:30 - 6:30 pm Through the information superhighway, INTERNET, This biannual exhibition is sponsored by the UWM Alumni Association and is open to all UWM alumni. The juror this year is Haggerty Art Museum Curator James Scarborough. Awards of Excellence are sponsored by through computer CD-ROM, through video slide shows, as Janet and Carl Moebius. well as through the ageless media of print, International Artists Marketing makes your art available for collectors, galleries, interior designers and businesses from around Art History Gallery Mitchell Hall the world. For a small listing fee we will promote your art Architectural Photographs of Medieval Cathedrals utilizing the most advanced technology available today in September 20 - October 29 Opening reception: September 20th from 6-8 pm the popular market place.

Art History Associate Professor Larry Hoey will be exhibiting his photographs of Medieval Cathedrals documenting his ongoing research into these structures. Co-sponsored with the Department of Architecture. Call our Midwest office for more information.

For information call: 229-5070 or 229-5858 for recording. Group tours available by request. (414)372-4800 Gallery hours: Tues, Thur, Fri 10-4; Wed 10-8; Sat & Sun 1-4

• '. '" 1 mmmmmmmmm i'n* PNEW ART FROM AiERIQA' ilil NEW ART FROM MILWAUKEE

II £"IS?S-»&£ S8S; ••:-:•:•:>:•

2 5 AMERICANS Painting in the 90s

OPENS SEPT. 8 CLOSES SEPT. 24

MILWAUKEE A RT M USE U M F O R t N FORMATION, CALL 224-3200 The Possibilities ea FRAME YOUR COMPUTER feM Are Endless! SCREEN WITH SCREENIB'bfflg Add pizzazz with these colorful easy to mount designs *°Smr*i and that old grey box will never look the same! Jacquard Pearl-Ex Pigments are ECCOLA non-toxic, inert powdered pigments 237 North Broadway W JM %*• Milwaukee, WI 53202 MJ&l+i that exhibit extreme colorfastness and Phone:414-273-3797 ,Z%f\l Fax: 414-273-3740 l2l**^ stability. They are ideal for interior, m exterior and archival applications. 3» Pearl-Ex Pigments can be incorpo­ rated into any viscous medium, i.e: oil, acrylic, gouache, varnish and clay or they may be spread dry on any porous surface. Their temperature resistance allows them to be fired in a kiln up to 600 degrees. The 3M dye

The colors include gold, copper, sublimation proofer provides

silver, and bronze with 16 Pearl exceptional color matching Colors available in .75 oz. jars and 8 with vivid continuous tone imagery, directly from your *& Duo Shades and Interference Colors Macintosh or PC files. '»•>*; available in .5 oz. jars for $4.95 each. •Cfj Discover the endless possibilities with Pearl-Ex Pigments.

^ Polomar Digital Imaging 342 North Water St. 1325 East Capitol Dr. Milwaukee, WI 53202 Shorewood, WI 53211 414-272-3780 414-963-1346 541 N. Broadway Mon-Fri 8:00-5:30 Mon 9:00-7:30 Wed 8:00-7:30 Tue-Fri 9:00-5:30 Milwaukee 53202 Sat 9:00-3:00 Sat 9:00-3:00 PALETTE SHOP INC ^^SOB^SBBBMS^^B 3£ {414) 765.9229

21st annual Morning Glory Crafts Fair •~- Z^> * 826 fcCente r Street t * — Tiies-Sni,: 11:00 a.n}.-6:00 n.rq. August 12th & 13th • Saturday 10-5 • Sunday 11-5 ; 85 Fine craft-artists KOi[# OPMK(TIO\': mum HUMPH Free WWXWM:\K\^ ••;,,. mAAAmkwmmmmmm music and food! PO? GOB U Ca||erj Charles Allis Art Museum THE.... Co-sponsored by Wisconsin Designer Crafts Council Boutique « 11 kV Sf£f LrNGuiftBA^- HIP-POP. MIXED MUiii $1 Admission. Sponsored by FOCAL (Friends of the Allis) UKEE ARTIST. .ATFREMICE TO REN,\LD0 HERN ANDEZ. DBiCNS MUR.^LS. KKiK & ALBl^ CO^" 1801 N. Prospect Ave. Milwaukee, WI 414-278-8295 L HAMS: POP ART. MIXED MEDIA. Part ofthe Milwaukee County War Memorial !DED THE MILWAUKEE INSTITUTE OF ART AND DESIGN WITH A FULL .SCHOLARS

Our Furniture has a personality problem... It Doesn't know if it's a Bed. a Couch. or a Recliner!

Innovative Spaces Packages start 785-9500 at $169 Located at Loehmann's Plaza DEONE JAHNKE PHOTOGRAPHY 17135C Bluemound Rd, Brookfield MILWAUKEE, WISCONSIN 414.224.8360 • SAN FRANCISCO, CALIFORNIA 415.642.1401 Futons • Home Furnishings • Unique Design Elements 6 Art Muscle B1* A t N

But when he looked around to find those to leave incredibly foul smelling sculptures who had comforted his loneliness, behold, of snake dung in artistic locations all over they were cows, standing together on a the house. knoll: their proximity and smell had Wonder Boys warmed his heart. Michael Chabon Thus Spoke Zarathustra The Portable Nietzsche I took from my waistcoat-pocket a penknife, opened it, grasped the poor beast by the We have re-named the 'Letters' section, Stringent laboratory conditions were throat, and deliberately cut one of its eyes 'earwigs,' in honor of a common imposed in making theAnimal Locomotion from the socket! I blush, I burn, I shudder, species of insect sometimes accused of photographs. Several animals and birds creeping into people's ears. This notion while I pen the damnable atrocity. is baseless of course. We welcome your formed part of the series, most of them taken The Black Cat signed letters and comments, though by Muybridge at the Philadelphia Zoo: Edgar Allan Poe sometimes we may have to edit them the lion, tiger, elephant, camel, baboon, kan­ for length, as we did in this feedback on garoo, pigeon, hawk, vulture, ostrich, stork our review of the Wisconsin Women of One of the older boys (he must have had Distinction exhibit. and swan. Horses predominate and many about a dozen) discovered the alligators types are presented in every conceivable wouldn't bother with a goat with long action. It is only to be expected that follow­ horns, so the old man carved imitation Critic's Choice ing the date of this (Muybridge's most impor­ horns about three feet across out of roots ...the inaccurate credit for the photo of tant) publication, artists whose subjects were and fastened them onto his sheep. He didn't Thelma Wasserman-Friedman is inexcus­ in any way locomotive should find it expedi­ able. The amateurish-looking photo was not give them all horns, lest the alligators catch taken by Mr. Paul Wendelberger, as stated. ent to consult it as a final and most convenient on to the trick. Was the poorly taken photograph a sublim­ authority for the representation of humans Uncollected Stories of William Faulkner inal gesture on Ms. Moriarty's part to signi­ and animals in movement. fy what she thought of the exhibit? And fur­ Art and Photography Once there had been panthers and wolves thermore, who did take the photo?... I am Aaron Scharf puzzled as to why Ms. Moriarty (or her in this very forest, but they had been killed anonymous cohort?) took such a disliking off, or driven out. From time to time the to this exhibit. Was it something deeper, The goldfinch brings spurge (a poisonous Noir Vulture appeared, a bold vicious perhaps a personal vendetta toward Ms. plant) to its young when they are imprisoned Michaels-Paque? Was there some objection predator that could lift creatures the size of as to the selection of the subjects who were in a cage. It is better to die than to lose one's foxes and fawns into the air, and tear them portrayed in this exhibit?... freedom. It is said of the beaver that when it apart as it flew, ripping and stabbing with its is pursued, knowing that it is being hunted long thin beak: but the Noir Vulture was Adam Danielson for the medicinal properties of its testicles, if nearly extinct... Milwaukee it cannot escape, it stops and in order to be Bellefleur left in peace by its assailants bites off its testi­ Joyce Carol Oates Art Muscle answers: cles with its sharp teeth and abandons them As to our "inexcusable photo of dubious to the enemy. The walls are hung with what seem like origin," it was mailed to us by Stritch col­ Leonardo da Vinci huge tapestries, partly knitted, partly lege with the information that it was taken by Mr. Wendelberger. Regarding made like rag rugs, with shifting streams your "vendetta" theory, please read This was Grossman, the nine-foot boa con­ and islands of colour, which when looked Anthony Lane's review (The New Yorker, strictor who, to their considerable regret had at closely reveal little peering mad June 19) of the movie. The Bridges of been rooming with the Warshaws for the last embroidered faces, green with blue eyes, Madison County. Referring to the novel it black with red eyes, pink with silver eyes. is based on, written by Robert James twelve years. Philly Warshaw had won Waller, Lane says, "it was the worst book Grossman in a Liberty Avenue pool hall dur­ Swaying crocheted cobwebs hang from in living memory." He further designates ing his senior year at Allderdice, then aban­ the ceiling, inhabited by dusky spiders it as "jello-headed schmaltz" and prose doned him to his parents' care the following and swarms of sequined blue flies with which calls for a "stomach pump." I doubt fall when he enlisted...Still Grossman lived gauzy wings... that critic Lane was out to get Waller; it's The Matisse Stories more likely that he simply thought it was on, in his heated cage, escaping regularly, by the "worst book in living memory." means of various herpetical stratagems, to A.S. Byatt prey on Irene's ragged tribe of chickens and A Choice Critic Are all of the Gang of Four(QOF) candi­ dates for re-indoctrination? De gustibus non disputandem est or words to that effect. 1 will never sit on a wall again! I have never seen a member of the QOF with opera glasses. It is not absolutely nec­ essary for members of the QOF to be pogonothropic and none of them can be described as pogonophoran even if some­ one might be tempted to illustrate them as such. Is there room for other than warm fuzzy teddy bears in theater peoples' extended families? How comforting, we know that someone has been reading us and Art Muscle knows that we have read them. Mark Bucher's theatre is on KK, but we don't have to print the address. At least one member of the QOF has Italian con­ nections. Ridi, Pagliacci! Quod scripsi, scripsi. Elephants are noted for having very sensitive skin. These comments from one or more of the QOF have been scram­ bled to protect the relatively innocent and to give the theater community something to think about and look up. In the spirit of constructive criticism always manifested by the Qang of Four... David M. Doll Milwaukee Critic \ A^YHI trrv—J" H Dke cNew 13rady Street,/t^r 9j i "VrW Opening September 1st! Your Body is a Work off Art. SlflEEfSCRPE AIDS is a Sledgehammer. It's pijk; it's historic. It's rpi; it's old. Ibl|t's happening on Brajt Street heneath the chatter of jackhapners is imjlessiue ir||ed! flsthlg s Get Tested shape-p, forgeiljnd fneled |g the Get Your Results Earth Essentials Play Safe deteriined citizens popnlallg the The green general store area. life goes on amidst the changes. for the conscious consumer Get Retested Ufii decag befind themllnd Organic cotton clothing • Hemp infras&nctnre irairouemeng uiell 3ed and bath • Books nnderuilg. Mroafbeans mile about Natural body care • Gifts the changes, thepmmitmejt. the and much more! comrlinitg - the Streetscape that —Art consigners needed— ignoreiprbnrbanltgle shopgng and 1229 E. Brady Street, Milw, WI 53202 brings tie basics back to this land old 414-225-9933 • fax:414-225-9936 Brady East STD Clinic • 1240 E. Brady St. • Milwaukee, WI 53202 • 414/272-2144 CHANBIN'TIMES 2 71-7473 * 932 E.IRA 0 i the largest selection of Men's and Women's Alternative Clothing, Jewelry and Accessories. Body Shfit. „ Jewelry, Incense, Manic ^385^ Panic, Imported Cigarettes

BIKER LEATHERS I fvAA $89.95 •

Wherein Are Found STRANGE dr WONDROUS SHOW HOW MUCH YOU LOVE HIM Books & Curios Artifacts & Implements of 1 HIGH ARTE!

* Announcing PSYCHIC READINGS AT TIE ME DOWN, YOU'LL FIND EVERYTHING FROM VELVET LINGERIE TO Everyday! WHIPS AND CHAINS. SO PICK UP SOMETHING FOR YOUR SWEETHEART THAT SHOWS YOU'RE NEVER GOING TO LEAVE HIM. OR VICE VERSA. (414) 276-3282 1233 E. Brady • Mon-Sat: 10am-7pm, Sun: 12pm-5pm ****** EMM 14 18 [1ST B R 1 D T 2 7 2 3 B 8 B WASWD PHOTOGRAPHS I \ WINTER 1010 E. Brady • 271-8889 Neiv Menu \ SCULPTURES More New Vegetable Dishes ! August 4th through September 30th TRAVEL THE WORLD & NEVER More New Seafood I LEAVE THE NEIGHBORHOOD 1209 EAST BRADY STREET More New Chicken Dishes HOURS: ! More New Appetizers COFFEE, BEER, WINE JL MUSIC TUES-FRI 10-6PM • SAT 10-5PM I TELEPHONE: 277-8228 36 New Lunch Items I FROM AROUND THE WORLD \ Irish Jams Every Tuesday Night G R A V A New Remodeled Banquet Room • Dining Room • Popular Delivery /Carryout II Mow Open Every Day at Moon GALLERY Newlower LevellmportedObjects i' II w/ Streetslde Seating II FINE ART • POSTERS • FRAMING Art mdFumiture from Mtrinland China 1401 L Brady Street- 224-8111 &MMMJrW*WMSrWMMMMi 1 ( 8 Art Muscle A GIFT AND A COUP Ex Stasis, a major sculpture by Richard Lippold, has found a permanent home at Marquette, where it has reigned as a "welcome guest" since 1991. Art Muscle located it near the Alumni Union building, then strolled across the rolling campus for the exciting opening of Odd Nerdrum: The Drawings exhibit at the nearby Haggerty Museum of Art. Yes, the Nordic's drawings are glorious, as are the six paintings (including Transfiguration from the Milwaukee Art Museum and Dawn from New Orleans) which flesh-out this cultural coup. Our summer hats are off to the event's supporters, and to the dedicated staff at the sparkling, innovative Haggerty. By the by, the pronunciation ofthe Norwegian Nerdrum's first name, "Odd", was settled shortly before the show opened. It rhymes with God. Appropriately. This heavenly trove is yours through August 27.

NORTHERN SKY & WATERMELON Eric McDonald, the Milwaukee producer/director of Northern Sky film and video RlVER-HORSE, TjRSUS, WEB-FOOT, CATAMOUNT production company, recently received "Best Video of the Year" honors at the New and lush at the Leigh Yawkey Woodson Art Museum in Wausau is a 1.5 acre 1995 Music Industry Summit Awards in Nashville. His video, using cartoons garden of sculptural delights. Art Muscle treked north and meandered on brick edited to the soundtrack and integrated with performance ofthe band, Asleep at pathways guarded by a Butterfield life-size horse. Resting on teak benches while the Wheel, was cited for its innovation. Northern Sky film and video production observing a napping bronze hippo (The Heavyweight), we took time out to listen company (Art Muscle located them in the historic Matthew Keenan mansion on to a splashing Duck Baby fountain and enjoy a pair of reclining bronze cougars Jefferson street) has also done work for Stevie Nicks and Lynard Skynard, and is and a polar bear. While animal imagery is a fine choice for this particular currently finishing new videos for Watermelon Records and Liberty Records. environment, we also saw giant tea bowls and a hammered aluminum tree jutting from a rock. On September 9th, visitors can move inside the Woodson and thrill to wings and feathered things filling the Birds in Art exhibit. It's free, but call RUFFLED FEATHERS 715/845-7010 for specifics. "My biggest complaint about the whole matter was that I was approached by three U.S. Fish & Wildlife agents as if they were a hit squad. (I was 54 and a grandmother of three). They showed me no identification. I had to demand it. ARTMTJTTS AND SILVERLAND They then threatened to handcuff me and take me to jail. When I asked for a Art Muscle hounded the Milwaukee Art Museum's galleries recently, spotting search warrant, they said that they were above the law. They also made up lies. ArtMutts. We scouted out a pair in Indian Scalp Dance, noted them on a 15th The biggest one was that they told my lawyer that I went around the world century Retable, and discovered one sniffer near a tree in John Wilde's Wilde World. selling these feather creations! This happened to be a once-in-a-lifetime fluke Others, mere dots of oil paint, graced the banks of the Merced River, Yosemite that artists create every now and then." Or so says Michigan artist Judy Enright, Valley, but the biggest and most erotic of mutts was the panting, pink-tongued whose Rise ofthe Phoenix painting was confiscated because it violated a 1918 law Sunny#4, from the kennels of painter Alex Katz. A Blue Ribbon Nasty was the forbidding the use of migratory bird feathers. The Feds feared the feathers were curled-lip canine on the considerable lap of Jacomina Winkler. A yapper yapped from the American Bald Eagle and plucked two from the painting to send to in the upper left hand corner of Keith Haring's acrylic on paper, offsetting the Oregon for testing. Enright did not go to jail nor did she receive a fine. The Feds sleeping mongrels in the Haitian collection. Pick your preferred pooch August 6- suggested the work go to the University of Michigan Hospital art collection, but September 17, when the Dog Days of Summer is unleashed at the museum. For their director went ballistic saying, "no way were the Feds telling them what art the scoop, call 224-3200. ______to put in the collection." Fortunately, a non­ ; t J t«i»iB; s«li profit museum in Detroit took the work. After playing doggie detective, we left the museum Enright asked the agent during the Federal for a breather and discovered musician Ron Flynn Court hearing why he used SWAT tactics. playing his tenor sax under the soffit outside the "Because that's the way I am," was his answer. Sounds like lots of bird doo doesn't it? & East Wing. Dressed in pink shorts and wearing a CD striped Bugle Boy shirt and cool shades, tuneman O Flynn said he frequents the spot because he loves the acoustics. RIVERWEST WILDLIFE Art Muscle will be walking Riverwest's ArtWalk o Back inside MAM, we visited the lower level to on October 7- 8 in comfortable shoes, armed search out animal imagery in the glittering Silver with a brochure including a map of exhibit in America exhibition which dazzles until August sites, a listing of all artists, and other info for a 13. Here we found insects cavorting on nut bowls; w$gk%_^______& well-informed trek. We may discover a buffalo, bear, and deer antlers on a Bowl & Tray sculpture in a storefront, a restaurant filled with punch set, a set most audacious, as was the rings and things, prints/paintings/porcelains fabulous Four Elephant Fruit Stand by Gorham. in a gallery, a bar of the beautiful, or other Turtles and frogs waited in Tiffany elegance on a artful delights in a variety of businesses hosting coffee pot near dragonflies and butterflies wafting art stuff both wild and witty. Three thousand other walkers will be wearing their most o the surface of a pair of vases near enamel hawks CQ sweeping skies of tenderest blue. Hounds comfortable too. For info and a brochure, B> embraced the handles of a ewer, crabs and lobsters contact Lynne Pelzek at RAC: 374-4722. motifed salad servers, spiders spun silver on silver ' and metal-muscled water buffalo decorated dishes near shining sardines clustered on servers and WmsmmmmSBmss^mmmmm^ ELVIS SLIGHTING herons perched on butter "pats." On departing "Some peoples' ideas of art are velvet Elvis Silverland, we passed a magnificent work appropriately topped by our national paintings. It isn't art unless it matches the drapes. To them, art is a low priority. It bird. Suddenly we were back in the real world of pigeon-doo and disgusting doesn't inspire. It doesn't lift them to new vistas and give them an appreciation throwaways. for what mankind can acccomplish. It's amazing how many people of this type are serving on the Legislature's Joint Finance Committee..."(quote from the Ashland Daily Press, April, 1995 about possible cuts in funding for the Wisconsin CARIUS VIRGINIANUS, FISH, FROG AND CRAB Arts Board) After receiving their beautifully illustrated catalogue, fat with a variety of innovative approaches to animal imagery, Art Muscle traveled west to the Madison Art Center and dropped by the Breaking Barriers: Recent American Craft exhibit. Here we ART ENCORE found deer antlers on Wendell Castle's construction; Jug Line: A Fish Tale and a They're billing the August 26 event as "Art Encore, The World's Classiest Second Portfolio of Prints by Mississippian Ke Francis; an earthenware Antropomorphic Hand Art Sale." If you bring in 2-D work, make sure its framed. Sculptures are Jug Form with Leaping Frog; an elegantly beaded Yellow Bear, a basswood Wing okay too. There's a preview party on August 25, with an anticipated 2,000 pieces sculpture, and necklaces wittily wrought from crab claws. Animal imagery abounds, on view, your chances of finding a treasure are pretty good. For more info on but there are plenty of other sensations at this show on 211 State Street. how you can help MAM/West support their first "used art" event, call 827-0444. O P P o RTUNITES Cooperative a few films and videos. Deadline Sept VISUAL ARTS Seeking solo and group exhibitors. 1. Guidelines and applications: NEA Juried. Deadline Sept 30. Info: Folk & Traditional Arts Program, Wild Laws A.R.C. Gallery,1040 W. Huron, Rm. 710, Nancy Hanks Center, 1100 When a Wisconsin art dealer accepts a Chicago, IL 60622. Pennsylvania Ave., Washington, DC work, they are required to use a written 20506-0001. contract, or they violate Chapters The wildside of death 129.05 or 129.06 ofthe Wisconsin Artists of all media are invited to Videopoems statutes. Note to dealers: this cannot participate in the Exquisite Corpse Annual Poetry-film/video festival be waived. Any art dealer who violates exhibit. Individuals or groups of looking for videopoems or film that these laws is liable to the artist in the three. Deadline Aug 30. Send info combine the cinematic with the poetic. amount equal to: S50; and the actual outlining ideas to: Cadavre Exquis, No videotaped poetry readings please. damages, if any, sustained by the Walker's Point Center for the Arts, Deadline Nov 1. Info: Poetry Film c ;•:":::: ;,;•--cv.;c: A v : :'A':r-/iz~.., A:A ^1 1 W. National Ave., Milwaukee, WI Workshop, Fort Mason (enter. Bldg. (of course) attorney fees. If anyone 53204. D., San Francisco, CA 94123. put there has questions, contact art law attorney, JoeJCaye, 7355 M.J Abstractions Green Bay Ave., Glendale, WI 53209 National juried exhibit of abstract art; or phone 351-Kayc. E-Mail includes photography. Deadline Aug MTTWT Dream grants "]< ska y"^ csd.uwm.edu." 4. SASH' Schafer Gallery, 118 NH The Wisconsin Humanities Council, the Main St., Wheaton, IL 60187 Audition NEH, and the Milwaukee Foundation are Play it again MAM Milwaukee Symphony chorus enabling the Milwaukee Public Theatre The Milwaukee Art Museum/West is No Mississippi auditions August 1" 18 at Ascension to fulfill their dream project, seeking d< mations of framed paintings, Lutheran Church, 1236 S. I .ay ton Neighborhood Dreams, which posters, prints, and sculpture fur Art exhibit. Deadline Aug 1 1 #10 SASE: Blvd. Sight reading, Accompanist incorporates original musical comedy Encore, 1 he World's Classiest Second Katherine Candy. 109 Audubon Ct., provided. Info: Glen Klotz, personnel (this one's free) and workshops for Hand Art Sale, on August 26. Tax X., Brandon. MS 39042. manager, 764 1905. parade/pageants using banners, deductible. Info: 8270444. puppets, music and dance. There are New Mexico national many other fine neighborhood Inside story National pastel painting exhibit. organizations, businesses and individuals Seeking artists for juried competition Deadline Aug 15. #10SASE: PSNM involved. Call 347-1685 for more info. for October Interiors exhibition. B,PO Box 3571, Albuquerque. NM Deadline Sept 8. Prospectus and info: 87190-33571. Dreamtime African-Irish link Constance Lindhoim Fine Art & Full-length and one-act plays. Grant funds from DanceLink will enable Framing, 964-6220. Beyonc > Playwright's Dream. 1532 1st Ave , the Trinity Irish Dance Company to National watermedia exhibit. Grafton, WI 53024. 377-9649. explore the similarities in rhythm Crafts': yes Deadline Aug 15.310 SASE; Pain patterns and history between the African First-time exhibitors can obtain Caughey, 363 Owings (reek Rd., Auditions and Irish cultures. DanceLink was applications for the 1996 Craft Fair Hamilton. MT 59840. The Boulevard Ensemble will hold established last year as an ongoing season by writing, calling or taxing auditions August 2 5-27 for its consortium designed to support American Craft Enterprises, 21 S. The mild mild West opening production of Moliere's networking between dance artists and Firings Corner Rd.. Highland, NY National Art Wyoming exhibit. "TARTUFFE" at the Boulevard communities across state, regional, and 12528. 800/836-3470, fax 914/ Deadline August 18. No theatre, 2252 South Kinnickinnic. A national borders. It is supported by three 883 6130. photographs. SASH: Casper Artists varied cast of sexes, ranges and ages foundations and the NEA. The Trinity Guild, 1040 W. 15th. Casper, WY are required Those auditioning Irish Dance Company will be featured at Envision this 82604. should prepare two contrasting Irish Fest on August 19. Look for them Seeking art for future exhibits. Inner classical pieces and should call 672- on the Old Style Stage. Visions, 826 E. Center, Milwaukee Crafts? no 6019 to schedule an appointment. 53212. Info: 265-5867. Multi-1-^. "~ ives . >rry, no Beyond cookware crafts. Deadline Aug 25. SASE: An Annual $5,000 commission award for Or this Art Place, 847W. Jackson Blvd., 10th glass artists. Info: Susan Franz, Corning Sell your art through a fine art & gifts Fl., Chicago, IL 60607. WORDS Museum of Class, One Museum Way, catalog due out in the spring of '96. Corning, NY. 607/937-5371. Info: Bella Designs, 6423 W. North Soft on pastels Kalamazoo needs you Ave., Suite 175, Wauwatosa, WI Pastel society ct~ Oregon national Fiction. p( •etrv, essays and interviews. Recovering? 5521? juried exhibition. Soft pastel only FFI: Passage North, 1200 Academy If you have a 10 year record of mature Deadline Aug 30. SASH: PO Box St.. Kalamazoo College, Kalamazoo, work and need help to recover from Sheboygan seeks 105, Roseburg, OR 97470. MI 49006. crisis, write: The Gottlieb Foundation, Artists' works needed for John Michael 380 W. Broadway, New York, NY 10012. Kohler Arts (enter sales space and Plymouth New St quarterly exhibition*site. Any media. FFI: Men Seeking artists working in any media The Art*l5©rjini. newspaper for the Women at work Clark. IMKAC, PO Box 489, for 1996 exhibition. Deadline Aug visual, performing an$ literary arts, Seeking proposals for Women's Studio Sheboygan, WI 530082-0489. 31. I(ii^pGa|£jy no North, is seeking poetry, short stones, essays, Workshop Book Arts Artists-in-Residence Plymouth Art Foundation, Inc. PO art world news items, visual art and and Production grants. Deadline: Beyon Box 423, Moorhead, MN 56560. Studio Workshop, PO Box 489, competition, t'nder 18. Headline Oct Rosendale, NY 12472. 24. SASH: Pat Moxlev. 205 E. Poetry? no Milwaukee St., Jancsvillc, WI 53545. DANCE Seeking submissions for P-Form Latino 608/757-2999. magazine special. - issue on Funding available to producers of Latino Pay attention pornography and performance art. programs suitable for national public JCC juried Danceworks has found a new home Deadline Oct 1. Sorry, no poetry, but television broadcasts. Grants available for Seeking artists and vendors for at Si. Mary's kgidejfjy^tif&i!'' photos and original art are welcome. all stages. Info: National Latino November fair. Info: Dorene Paley, Superior. Their new phone number Into and fiver with details: SASH D. Communications Center, 31 71 Los Feliz Jewish Community Center. 964-4444. is 481-2010. XSIGHT auditions for Travers Scott, PO Box 762, Portland, Blvd., Suite 201, Los Angeles, CA 90030. dancers and non-dancers will be held OR 97207-0762. 213/663-8294. Rhinelander requests at the new space on August r>. Art that depicts violence against Boise's wild side $5,000.$50,000 women and children. Deadline Aug Eccentric book competition for Expansion Arts Organization supports 31. Also the work or'Native American authors and artists. SASE: sample projects of professionally-directed arts artists. Deadline Sept 30. Nicolet FILM & VipB0 copies, dummies or publications organizations which are deeply rooted College, PO Box 518, Rhinelander, proposals after 9/1 and before 12/1 in and reflective of ethnically diverse, Immm. Info: Trcatzie DaU, 715 NEA to Tom Truskv, Hemingway Studies inner city, and rural or tribal 365 4424. Seeking applicants for matching ('enter, Boise State University, Boise, communities. Info: NEA, 202/682-5786. grants t< >r radio and TV programs and ID 85725. 208/385-1999. GRANTS OPPORTUNITES 10 Art Muscle u At The Heart Of The Matter celebrated a birthday at a colleague's An Open Letter to Anne teeming community without home by listening to Harold Darke, Stratton, 1995 UPAF President: geographic boundaries. When people ask me what I do, I say, a little known Anglican composer, "I'm a music director at an Episcopal and sipping scotch, a surprisingly Since there is nothing'in your Shall we argue a bit about the church." Usually, this remark elicits satisfying combination. The scotch explanation that clearly states . definition of 'presenter'? Who sympathetic looks and a quick still fogged my head the next a valid reason for denying writes the music that the change in conversation. As If I had morning as I attempted a dignified funding to Woodland , (primary UPAF beneficiary) told them I have cancer. Pachelbel canon at the funeral. While Walker's Point Center for the Milwaukee Symphony plays? struggling to maintain a professional Arts, and DanceCircus, a reply Does the symphony maintain It is Sunday, May 28. Unfortunately mode, I heard the assembled belt out is necessary. I wonder what an artist-in-residence from I've had too little sleep, having Vaughn Williams' triumphant Sine pressure has caused you to Milwaukee? I'd wager not. We broken my rule to spend Saturday Nomine (For all the Saints), and the commit this egregious act, then should ask the Director just nights at home. The previous pallbearers brought their friend's explain it away with muddled why that is. Why do they want evening my husband presented a casket forward. Tears battled their backtalk and ignorance. national prestige? Why do they concert which I attended, and of way to the fore, and as I struggled need to select from the widest course, had to socialize at back, I reminded myself this occasion If you understood what creates pool of talent available? afterwards. Still, things go well was about more than my grief. a vital arts scene in any city, during the Sunday service, even you would never advocate a Really now, does the Milwaukee the difficult hymn reharmon- Recently, I received a note from my move towards protectionist Ballet put on more locally ization, and as the priest and I stroll deceased friend's companion. In it, funding decisions. If you produced work than Dance­ the church hall afterward, he he remarked that my role as music understood Milwaukee's Circus? By dint of Betty comments on what a fine liturgy it director at the church had provided situation especially, you would Salamun's choreography alone, was. "The Holy Spirit is getting ready much enjoyment for both of them. I see how desperately we need the ballet disappears in to land," he says, on this, the Sunday find these comments difficult to to foster and maintain comparison. I can recall many before Pentecost. respond to, since I tend to hear the connections to artists and arts local writers reading at scruffed note or the rushed pause groups all over the country. Woodland Pattern and having I think to myself that anyone who when I'm conducting or playing. their reputations enriched by accepts a job like mine would burn Then too, I think of the not so If you understood diversity, you performing on the same out in a year, especially if they just beautiful hours and weeks of would never use the word as an platform as other distinguished want a "job." One had better be in it difficult, lurching practice. A excuse to continue funding a writers from all over the for more than a check, as it pays colleague of mind who is older and 'presenter' called the Inner City country. And can we overlook poorly in most cases, and in some, wiser than I, counseled me that "We Arts Council while denying Walker's Point Center for the the financial rewards are dismally are loved, Karen, for what we do in Woodland Pattern, Walker's Arts, and their mix of exhibits low. The hours are odd, too — worship." We are all flawed, but we Point Center for the Arts, and and performances which bring morning services, rehearsals at just get up there and do it, despite DanceCircus. Does your together locals and non-locals? night, weekends, all holidays, and our critical self-examinations. definition of'diversity' include then I must fit in of all the overwork women? The Hispanic These organizations must bring around the schedules of everyone Last night we had a choir rehearsal. community? Native Americans? in performers of national else trying to make a living. Like The volunteer cellist lost her music. African-Americans? Asian- reputation in order to command myself. I teach piano and organ. A soprano wants to sing a solo at our Americans? Diversity (as a attehtion. Local performers only Evensong next fall; I had intended working idea, not a gain in that context. Would At the church, I occupy a corner of the experience to involve the whole meaningless label), refers to all symphony attendance drop if an office and do most of my choir equally. The tenor wrote to say points of the spectrum, and the works presented were paperwork at home. In the winter, he doesn't want to make decisions these are brilHant examples of written exclusively by local practicing in the church is cold, cold. about his life until November. the concept at work. composers? Cloves and a space heater keep my Another person is angry because I hands moving and my brain sane. choose to do Messiaen's O Sacrum If only you understood your own Are you arm in arm with a Convivium with organ instead of a mission statement: "The United Congress determined to limit Producing music is expensive. cappella. Performing Arts Fund is a tax- the diversity of American arts? Churches are poor. The "copyright exempt community supported A Congress which pulls funding police" make it necessary to Still, my dedicated singers and I had corporation organized to further from smaller institutions with understand the law. Additionally, it a productive rehearsal. It was even the development of high quality limited audiences which alone helps to be a diplomat, as each somewhat fun. As to the Messiaen in the performing arts for the cannot support them? congregation has at least one self- selection, yes, it sounds more solid benefit ofthe greater Milwaukee Milwaukee will become bleaker appointed music critic. Then there's with organ — at least this year. After area by raising operating funds and bleaker as these smaller the careful balancing of diverse the rehearsal, the singers left and I for allocation to performing arts venues fade from view; but personalities, plus one must play the lingered to clean up the piles of organizations." we'll have our symphony, organ, direct the choir, and music and turn off the lights. The fattened and content: The understand enough about theology darkened room continued to ring Am I missing something? I am Nero Symphony, fiddling away and music to plan a good liturgy. with ghost voices as I muttered a few aghast that you have cited this as the arts community burns words "to the close and holy sentence as a basis for your down around them. There is Explaining all this on paper is like darkness..." actions. Where does it state that such inconsistency in your trying to describe love: I can say what you have no interest in drive for 'consistency'. it does; I can say what it isn't, but to Marcel Dupre, an early 20th century supporting those who enrich say what it is is almost impossible. organist and composer, wrote in his our local scene by bringing in What are you really seeking to memoirs that throughout his life, esteemed authors and define? If only you understood. In the middle of Spring, in May, I Sunday remained the crown of every performers from all over the played during my first funeral for an week. As I approach each Sunday, I country? Artists benefit by AIDS victim, a friend of mine who too, wonder how my actions and that feeling they no longer exist in —Nicholas Frank died at age 38. Each week after ofthe choir affect those who sit and a vacuum, that they have a Director, Hermetic Gallery church, my friend told me how grand worship. When the choir and I kneel voice and are a part of a Milwaukee the choir sounded, as if a dozen at the communion rail, each with voices were fifty. Or he confided that our varying degrees of doubt and he wished the service could be faith, I marvel anew at the mystery's delayed a bit after my prelude ofthe great shine. Bach Fantasy and Fuge in C Minor. o He'd never heard Bach before, he What is this art I profess? Maybe it is -Si said, and though he loved hymns, beyond description, afterall. £ D he'd paid little attention to them in the past. —Karen Beaumont Anyway, there I was at his funeral, (Ms. Beaumont is currently playing and trying to provide a preparing works for a November 12 fitting ending for this sweet man's concert at St. Paul's Episcopal church.) life. The night before, I had REFLEXUS 11 was meant to. I only hope the authors weren't sim­ ply pandering to the slacker in all of us. I mean, like, we're getting a bit old for this sort of thing.

Nicholas Frank {Frank is a 27 year old fan ofthe arts)

LANDSCAPES SEX, DEATH & FRIDAY NIGHT Tom Bamberger (a farce without words) Michael H. Lord Gallery Inertia Ensemble May 25-June 24 Broadway Theatre Center June 21-25 While people wolfed pizza at a party following photographer Tom Bamberger's Landscapes open­ Silent movies were silent because ofthe limitations ing, the artist reminded me that I was the first per­ of technology. Silent Theatre in 1995 is something son to buy one of his photographs, a portrait of a else entirely, becoming a provocative statement by young German male smoking a cigarette. Though what it lacks. I took the lack of dialogue in this the print was produced a decade ago, Bamberger play as just that—an absence, symbolic of the fad­ was already technically superb. In the intervening dish '90s inability (or inhibition?) to communicate. years, he's honed his questioning mind, and is In this case, music filled that gap as it does so now, I believe, at the peak of his career. Certainly, many lacunas of the Gap generation. this current series of shelters springing skyward amid utility lines, landfills, and urban flotsam, Action the black hole at the center of the embodies the best of Bamberger. piece, never resolving itself, only revolving around an absent subject. The characters act out crucially For the most part, Landscapes is devoid of mundane issues like fighting over the remote con­ humans, and Bamberger explains this as a current trol, .the drive for constant inebriation, the interest in how people inhabit their world. In the omnipresent distraction of food, and the circular past he says he was obsessed with the specifics of and poiriTless card game War. But then all games human identity. To my eye, he still is, though this are ultimately pointless, aren't they? new work is "portraiture" more broadly defined. These underemployed slackers live like dogs, In continuing to deal with specifics—the specifics hunting for food but settling for table scraps, •111 for instance, in the glittery bits (of tires, cans, and mooching, begging or stealing to fill their Caged Birds With Mirrors Richard Waswo consumer trash) bejewelling his urban landscapes, needs. This was an accurate portrayal of a typi­ WASWO he has created portraits of the self surviving amid cal slacker apartment overcrowded with devel­ Gallery 218 fields of dandelions and cultural clutter. Specific oping personalities. too, are houses clumped shoulder to shoulder, May 5-28 sheltering the compacted crush of humanity in I hope we're not all such easy stereotypes as A welcome relief from the scruffy, waiflike wide- spaces once reserved for the sky above and the authors S. K. McCanles and Christopher Libby sug­ eyed kids and craggy faced, poignant old men earth below. In his images of shoreline and curve gest: The Beach Guy, the Punk Girl, the Stoner which predominate photography culled from exot­ of hill, the absence of homo-sapiens made me Neo-Dead Couple, the Ladies' Man, the Bimbo. ic locals, Waswo's twenty-six piece show of sepia yearn for a return to nature. But it was curiously Oddly enough, however, I felt as though I had met toned photographs at Gallery 218 presented his lonely in those romanticized spaces without the each of them before. Cad (Beach Guy played by world vision with an empathetic yet respectful eye. community of man. Existentialism is not enough. Christopher Wolk) was unerring in his portrayal, and Lei's (Punk Girl Emily Christiansen) perpetual Accumulated over the past decade during several I overheard an opening-night celebrant (a subur­ emotional breakdown was right on. No excuse, short and long jaunts abroad, Waswo's works are banite?) chirp, "This show is all about Spring!" however, for Stoner Guy John Van Slyke's palsy­ sensitive documents of the subtleties of "place," Then Mayor Norquist stepped forward to point out like mannerisms. His stiff movements were annoy- usually without resorting to the obvious. When the the images of trash in the velvety black of the pho­ ingly extraneous, if not offensive. tograph's foreground. A moment most perfect, it obvious is thrown in, an example is the portrait of a temple statue in Bangkok, the work comes alive defined our diverse perceptions—our tendency to It seems that too much went unconsidered, even with the same vitality found in his depictions of sea­ overlook our handprints while searching for the for a farce. One badly overdone proto-domestic soned natives such as the shifty-eyed hashish ven­ beautiful. violence scene was a joke, and the easy (we can dor of Marrakech and the doleful water seller of assume unprotected) couplings avoided the reali­ Casablanca. Bits of architecture, sandy landscapes, To those who tag Bamberger as "arrogant," and a ty of AIDS. If my generation has made lack of fore­ fondly recorded details of an alien culture, became "self-appointed cultural entrepreneur," I say, thought its hallmark, this was a perverse irony. I'm enchanting and vital. Tough Bananas. He's the one who takes the risks, still unsure whether it was intended irony. and at age 46, he's the one who understands which questions matter the most. Nothing is never more than nothing, except when Waswo wisely chose to exhibit the cohesive (but presented as content. While this was no Samuel varied) body of work in warm toned, deep, wood Judith Ann Moriarty Beckett play, I left fully unsatisfied, as I believe I frames and creamy mats; the diversity of image size (without full-frame depictions and crops for effect), emphasizes the individuality of the image. Softly rendered, the images nevertheless incorporate the quiet drama of his subjects' surroundings. Curious and somewhat distracting, is his choice of emboss­ ing the tide and location of each image, along with his name, on the front of each mat.

Particularly strong are the images of the stormy frond-filled sky in Palm Trees, Maui; the sidewalk artist whose vivid chalk depiction of Frida Kahlo fills the viewfinder (artist squatting modestly in the background) in Street Artist-Sydney; the stark, ele­ gant architectural study of the Steps at the Home of Malcolm Forbes, and Man With A Tusk where a weathered Australian gent stands in dusty ranch- land. The phallic monuments which fill Fertility Shrine - Bangkok are amusing, as is the slighdy gratuitous SelfPortait as ajackeroo. The artist can perhaps be forgiven this litde self indulgence in light of the tender sensitivity of his other images. If you missed this show, many of the same images ViZM* miSmmm* will be at Grava Gallery, 1209 East Brady from August 4-September 30.

Deone Jahnke {Deone Jahnke is a photographer and editor of APM Focus magazine) , Tom Bamberger 12 Art Muscle THE ILLUSTRATED DIARY OF DORIS KOPPLEMAN Sara Belleau John Michael Kohler Arts Center April 23 -July 30.

Who was this Doris Koppleman who dressed in plaid and pretty 50's fashions while befriending and healing animals in the woods of Sheboygan?

She's fictional and the inspiration for artist Sara Belleau's installation that includes photographs, a diary, and a fabricated environment.

Of these three elements, it was the photographs that intrigued me and set the stage for the saga of heroine Koppleman. In their light boxes, the six large images blurred the boundaries defining the surreal and the natural, while engaging me in whimsy. Though the tree branches, dirt, dead leaves and thisdes spoke of the earth, they were distinctly synthetic. As I walked the astro-turf path past plastic plants, stuffed birds and stiff, taxider- mal squirrels, I wondered about this ambiguity. What did it mean?

The gallery space was certainly not conducive to a nature walk. The "woods" were set beyond the museum's front desk with its constant chatter from personnel. As the staff at the Kohler wan­ dered in and out of two doors leading to an addi­ tional gallery space, it disrupted the illusion of woodland calm.

A can of Pet condensed milk indicated that the artist had a sense of humor. And the hick-talk diary which chronicled Koppleman's dissatisfac­ tion with life and love, provided reasons for her issues. I attended a recent show at New York City's the wall," will display some of her finds at Katie love of animals;—a love which eventually caused Artsphere where her three works had people ask­ Gingrass Gallery, 241 N. Broadway, during the her metamorphosis into a voiceless hairy hiberna- ing, "are these fact or fiction?" Colored Threads: 1995 Wearable Art Exhibition tor. Though Koppleman escaped the conventional opening September 10. The show will feature (and lost her "self in the process), it was unclear In The Stone Readers, Greuel utilized photographs, wearable works (curated by Elaine Hothe) by whether artist Belleau intended this to be an act of diaries and stones to examine the political prophe­ more than 50 international artists as well as five empowerment or a critique of the current vogue cies made by a group of women who met periodi­ jewelry artists (including three Midwesterners) for fuzzy New Age naturalism. cally from 1861-1887 and looked at the future with chosen by Richman. the aid of mystical stones. The piece had attendees Megan Orr who were packed into the alternative space, scruti­ Jewelry by the aforementioned Tina Fung Holder, ( Writer Orr has moved to the wilds of Windy City nizing the hermetically sealed artifacts and reading a native of Guyana now residing in Chicago, to pursue her career) every line of the diaries. "How did such valuable though described as "alternative," is actually quite artifacts fall into your hands?; does the Historical accessible. Fung Holder transforms simple sewing Society know about this?," they queried. basket items—safety pins, snaps and glass beads;— RECORDINGS into surprisingly luxurious neckpieces, collars and Artsphere Gallery "Is that your vial?," they asked after examining the earrings. Layered snaps cascade over necks and New York City 115 fragments of personal history (some were dis­ shoulders; from a distance, glass beads glint confi­ cretely labeled "diplomat," "taxi driver," "sculp­ dently like precious stones. ..."there is always much that is hidden, and we tor") encased in the tiny glass vials of Sealed must not forget that the writing of history, howev­ Secrets. A shocked pathologist cornered Greuel to Eve: Clothes Optional, typical of Jocelyn er dryly it is done and however sincere the desire learn more about the confidential information in Chateauvert's humorous, wing-like forms, is a "fig for objectivity, remains literature. History's third Frez which dealt with the intrusion of science and leaf suspended from a necklace long enough to dimension is always fiction." others into women's choice to abort. cover what Eve had to hide back in the Garden of The Glass Bead Game, Herman Hesse Eden. lowan Chateauvert works with sterling sil­ It was all very captivating and mysterious. And if ver and a creamy, seemingly delicate yet durable Former Milwaukeean, Sandra Greuel, is a concep­ you're wondering if the artist answered the ques­ paper produced from abaca, an indigenous plant tual artist who has always been concerned with tions, let it be noted that she smiled wryly while of the Philippines. the ambiguity of history and the way it is recorded, brushing a hair from her cheek, curled her pale condensed and lost. Furthermore, her work hands around the belt ends of her leather jacket The show's other Midwesterner, St. Paul's self- addresses social, political and psychological and remained silent. named "blue-collar studio artist", Heinz Brummel, utilizes hand-cut enamel shapes fired on silver and She's currendy exhibiting work in the Girl Dreams, semiprecious stones to create pins and earrings Woman Visions show at CB 's 313 Gallery in New reminiscent of his "kindred spirits" Calder and York City. It's where "Blondie" found fame. Klee. Likewise, Massachusetts' Allison Macgeorge creates abstracted, amorphous forms in metal, but Taffnie also subtly suggests spines, pods and sea creatures (Artist Taffnie co-created/curated Drama/Trauma in her brooches. and The Museum of Sexuality with Greuel who is fondly remembered for her Influential Readings South Africa native and Atlanta resident Monica and Lost Knowledge installations.) Tinker closely aligns metalsmithing with art in what Richman calls "wearable sculpture." Tinker works with precious and non-precious metals fabricated COLORED THREADS: 1995 WEARABLE ART into three-dimensional, lightweight vessels. When EXHIBITION not worn as jewelry pieces, the forms are housed as Katie Gingrass Gallery sculptures in their own shadowbox frames. Opens September 10 Though the U.S. apparently can't match Europe as Linda Richman's never-ending search for jewelry a hot market for art jewelry, Richman, who views artists is certainly not like combing the proverbial Milwaukee as "conservative but easily educated," haystack for the needle. Nor a pin, brooch or Tina seems to be turning up the heat with these eclectic Fung Holder neckpiece, for that matter. selections, on view through the end of October. "Sometimes I think there are more jewelry artists than people," the curator says. Richman, who firm­ Megan Powell ly believes that "art is not limited to the canvas on (Megan Powell is Art Muscle's calendar editor.) 13 endy Christensen-Senk works in any airy space Wat The Milwaukee Public Museum under the watch­ ful eyes of mounted specimens and WCf^C^it real-life Rex the Iguana and Java the Horned Frog. Her desk draw­ ers are filled with boxes of glittery the tutelage of her dad. She's hunted the Southwest of Milwaukee on Main street glass eyes and needles and threads Cape Buffalo of Africa, Wisconsin in Mukwonago, Senk stands center stage for sewing skins. Books and manu­ Whitetail, Alaskan ducks, and two months amid boxes and tables of jumbled hides, als on research line the shelves ago, the Black Bear of Ontario. The bow horns and leering skulls. A menagerie of above tables strewn with plaster and arrow was her weapon of choice in body parts—legs, rumps, wings and casts. A broad expanse of window bringing down a "respectably sized speci­ diverse relics of the hunt hang out with men." She emphasizes that big game hunt­ Antelope, Pronghorn, Impala and faces the Court House to the west ing is not part of her museum life. Gemsbok which she collected on safari in where our laws are preserved. the '80's. This is her other workplace, From her 6th floor vantage point, Search for Senk's artistic touch in a Red Wildlife Reflections Studio. it's Senk's responsibility to pre­ Brocket deer grazing in the museum's Rain serve the history of the natural. Forest exhibit. Those are felt fibers which Among her artistic triumphs is a 450 replaced a patch of missing hair on the pound African lion, jaws open to reveal A huge adjacent room, her "kitchen," deer's head and restored a skin once labeled shiny plastic teeth. It was shot by East houses overhead cranes for lifting "not suitable for mounting." It's her air- Coast attorneys on safari. When she brushing skills (and a tube of green acrylic received the lion's tawny hide (shipped heavy molds, an area for boiling skulls, paint) that updated a sloth and brought it to her salted and dried), she forwarded it and elegant wood-lined cabinets back to the look of the original algae-cov­ to North Carolina for tanning. In the where the many magnificent skins of ered specimen. Under her sculptor's fin­ meantime, she studied the skull, measur­ North American birds are stored. gers, a Jaguar (who spent five years in deep ing and researching other mounts for Band saws, drill presses, and calipers freeze after expiring at the Milwaukee comparison. A commercial urethane are her "utensils." County Zoo) found new life and now sur­ lion-mannequin approximating the veys the faux jungle through mail-order beast's configuration was ordered and At the tender age of ten, when many eyes. Using the traditional techniques, an sculpted to fit the hide. Working with the young women were fussing over Barbie armature, clay, and finally, a mold, she skill of a plastic surgeon, Senk nipped dolls, Senk received her first set of oil shaped the "essence" ofthe animal. and tucked where needed, striving for paints. Two years later, she mounted the natural, striving for the essence. (the word "stuffed" is not in her vocab­ ulary) her first specimen, a pigeon, using She mounted it in the "preferred" pose correspondence school guidelines from for lions, which she confides is the the Northwestern School of Taxidermy. By relaxed look and one she certainly prefers age 14 she was taking a basic taxidermy over the "snarling, leaping" look. This course. particular Leo's oval sex glands didn't arrive with the hide, so the big guy left Senk's "Wonder Years" were indeed won­ her shop without them, castrated yes, but derful, what with entering shows and nevertheless, relaxed. "Apparently the winning numerous awards while working guides must have a market for testes," as an assistant to taxidermist Garry Senk. she laughed. In 1982, at age 19, she was hired by the museum as their first female taxidermist. Like an art patron seeking the biggest to Three years later she wed Garry, who impress their neighbors over cocktails, honeymooned her in the wilds of Africa taxidermy clients are sometimes known where they hunted and bagged a Kudu, to also lust after the biggest. At least one met the Zulu, and collected bird speci­ For it is essence which defines her art. As in of her clients became ensnared in an ego- mens for the museum. Specimens titled the essence of Caesar the Timber Wolf, her trap by ordering a bear skin stretched ten Crested Francolin, Crested Barbet, personal favorite who dwells deep in the inches beyond its capabilities. Apparently Greenspotted Dove, and Glossy Starling. Wisconsin Mammal exhibit. "I won an to impress another hunter. When the True, most couples sip a Tequila Sunrise international award for the little touches, urethane mannequin arrived (based on and watch the sun set during the honey­ the interior of his ears, for instance. His the dimensions the customer gave her), it moon phase; the Senks observed nostrils. He's not just a rigid looking fel­ failed to fit the skin. Eventually, her Warthogs taking mud baths and made low who died at the Timber Wolf hunter/client, admitted that "well, per­ carefully detailed plaster "death masks" of Preservation Society and was donated to haps he had slightly exaggerated the size a 300 pound Nyala antelope. the museum," she says. of the bruin a bit." Senk isn't beyond fudging measurements, either. When the Wendy's no wimp. She's produced An on-the-spot problem solver, it was her horns of a Gemsbok she shot were lost Proungulatums (a pre- of our idea to create deer hides from the skin of during shipment from Africa, she fash­ mammals), created Champsosaurus, and mice for the Tribute to Survival miniature ioned new ones from fiberglass and sculpted the form for a superb Snow diorama exhibit. Faithful museum employ­ threw in a few inches for effect. Leopard which lounges outside the door ees trapped the rodents in their homes and to the museum's taxidermy department. brought her the tiny bodies. Plumage from At present she's waiting for the bear skin She's beautified Jaguars and and re-coat­ unfortunate flickers who collided with to arrive from the tannery. Perhaps she's ed a Koati-Mundi, which she clearly museum windows became the feathers of even considering stretching it, but only a recalls hunting in the muddy jungles of eagles, and bison hair bleached red-gold bit. For effect. Costa Rica. was used to simulate the hides of mam­ moths who were then "tusked" with sand­ —-Judith Ann Moriarty "It was just like going after a raccoon," ed epoxy. Senk also designed and sculpted she said, "but the guides couldn't believe the wax buffalos that pound over grasses a woman was doing it." Her snapshoot­ clipped from twine and plunge from styro- ing days took shape in the Wisconsin foam cliffs. "Apparently nobody actually woods, when hardly old enough (or tall teaches the craft of the miniature diora­ enough) to tote a gun, she tramped the ma," she said, "I had to come up with the hills and valleys, learning the basics under solutions."

14 Art Muscle Wendy with Grant's Gazelle Photograph by Francis Ford U/iUU/^U

15 dragonfly turned enchanting), into a biplane com­ reminded plete with landing gear. me of child­ Another inversion of logic hood percep- § occurs in a tabletop diora­ tions that my f ma from 1992 titled The body was made Early Worm Gets The Bird. up of mechanical A worm pops out of the parts tended by earth to face a bizarre tiny people who bird's head made from an kept everything egg; in the bird's mouth resides a tiny running smoothly. hand that flips the worm the exact gesture the title suggests. Barrett's singlehand- Bret ed defeat of the Barrett incorporates flowers, creatures, Second Law of bones, eyeballs, and all matter of fantastical Thermodynamics (a Barrett's invented elements that morph their way law which stipulates that everything out of his mind and through his able hands. progresses to a less usable state), is an Kin-aesthetic The occurence of re-animated lifeforms like admirable feat. He finds uses for trin­ deer's legs, bees, dragonflies, and choo- kets most of us would dismiss as junk. "choo trains give us a glimpse into a By breathing life into these geegaws, could say Bret Barrett lives and- "Garden of Earthly Delights" set in motion. filling them with associations and lf works in the Riverwest neighbor- metaphors, he maybe makes them M hood of Milwaukee, but that state- These newly-living things engage in repet­ more meaningful than they ever were X ment wouldn't be entirely true. To itive interplay with themselves, all gears as tiny specks of information in our * find his studio, I negotiated and twitching switches winding and collid­ huge and teeming world. through the winding garden courtyard ing. For brief eerie moments, they stop of a stately pair of apartment buildings completely, giving way to a pregnant I found myself delving too deeply into that resembled a quaint castle. I'm still silence, an expectant buzz of half-per­ the hidden meanings of these crazy uncertain whether the courtyard wasn't ceived electrical currents, much like watch­ amalgams, seeing all sorts of spectres in some magical vortex that transported ing a sleeping person dream. the idea of giving life to dead things and me through to another world. awakening inanimate objects, but I kept Waiting on the objects are switches which coming back to their more playful The garden gates opened up onto a barn hold threatening possibilities, like "I dare facets. Through his sculptures, Barrett (yes, an actual barn, and yes, it was red), you" and "See if you can get out of the way projects a comedic "I-laugh-at-myself- with its interior converted for Barrett's in time!" No matter how carefully I studied so-you-Iaugh-too" quality that gives the workspace. The sheer oddity of a red barn the working of the pieces and parts, I works undeniable charm. in the middle of the city fit perfectly with found it impossible to predict the intricate the anachronistic qualities and incon­ movements that spring from Barrett's His work can be compared to Buster gruities of the work inside. quirky, but perfect sense of mechanical Keaton's films, those almost-real worlds logic. Jagged edges and sawed bones cer­ where the norms of physics don't hold Affable and easygoing, the not quite thir- tainly give the pieces monster-like quali­ sway (and don't tell me Keaton was tyish artist has been working in Milwaukee ties, but the tension is eased as the con­ bound by the same physical laws as the for a decade. I didn't ask from whence he glomerated tidbits of junk coalesce into rest of us) and the narrative isn't neces­ came, afraid that a concrete answer would animal forms. These constructed creatures sarily as important as the stunts and spoil the otherwordly spell. (not quite cute or cuddly, but definitely gags that push it along. In fact, during my visit, Barrett expressed a desire to He led me around his workshop filled with expand into some type of filmmaking, tools and gadgets and inexplicable things and I couldn't help thinking how per­ that 1 imagined made sense only when fectly his sense of animation and comic subjected to his nonsensical tinkerings. I'd grace would translate into that medium. seen some of the pieces before, but now they somehow meshed with the organized Leaving Barrett's studio was as magical mess of the place. an experience as getting to it. A light rain and overcast sky heightened the The studio was quiet and its denizens per­ beauty and color of the garden court­ fectly still. When shown around town, yard, and I began to notice things I however, the sculptures are bestowed with hadn't seen before: a rainbow wind- electric life and show off both themselves sock dangling from a tree, a garden and the ingenuity of their maker by spin­ hose wrapped up on a cart, an over­ ning, sputtering, whizzing, whirling, yelp­ flowing stone birdbath, colored tiles ing and squealing, making noises that add underfoot and brilliant flowers amidst to their uncanny almost-aliveness. the greenery. I have him to thank for at least momentarily heightening my Seeing these things oddly stilled gave me awareness of the world around me, for a chance to regard them more as objects getting color to vibrate in my eyes and than as the loopy children of Barrett's pro­ giving everyday objects around me an ject. It is easy enough to mistake the sculp­ aura of expectancy. tures for living beings, especially consider­ ing the fact that they are brought to exis­ It was not exactly a serene feeling, but it tence in a barn. Barrett's confluence of was sublime. taxidermy and topsy-turvy taxonomy cre­ ates another dimension that only some­ Nicholas Frank times corresponds with ours. A smaller {Look for Nicholas Frank's work in the Gen-X work entitled Anachropod (1993) offers us show until September 24 at the Milwaukee alternate forms of transportation, such as a Art Museum )

16 Art rvius£le Bret with Buck Photograph by John Sibilski

•il-vfe Using Every Last Part tf fawlfcJU.JW h'nefic sculptures, animating these bits of found materials, objects them­ Don't be dismayed by Barrett's use of 3 selves became anthropomorphic. They actual animal parts in his construc­ went from machine to becoming like c tions. Owing to a bit of Cree blood, (0 _ animals, or plants blowing in the wind. he feels a deep respect for all living tu o I teel I've completed the circle by actu­ things, as evidenced by a hunting ally using the natural objects. tale he told me: o Q a — c He mentioned Leonardo da Vinci, 2 o I went hunting recenfjy with my father who made his mechanical parts and his brothers. If they shot a deer, they from scratch: used every last part of it. Nothing was wasted. 1 finally went out with them and Da Vinci would reel in disgust if he shot a deer in 1931.1 felt 1 had gained an walked out onto the street and saw opportunity to really use the deer. 0Q all the things people throw away. c He handcrafted gears out of wood! He used the deer's legs and bones in a If he saw all of the things he could 1994 sculpture, Not A Buck To Be Made. have salvaged...

Barrett mentioned his affinity to the Barrett's respect for animals and his work of artists Paul Klee and Hans use of Ihrowaway objects shape a phi­ Hoffman, who also looked to nature losophy we should all pay attention to: for inspiration: I thinJr people don'f JooJc at things enough. / began by attaching leaves and sticks Our culture forgets the role we play in the to paintings. When I started making the entire ecological system. —Nicholas Frank Last October, after 1 7 years £ 0*> as a commer­ r cial artist (half of which were spent with the Zoological Society), this Franklin, Wisconsin native sent , friends and associ­ ates a whimsical o& loo postcard of himself i.0 attired in gear. "Loose from the Zoo!" it boasted, "free from ringing phones and rush hour traffic." In the middle of nowhere, but not really that far away, he assured his clients.

Jocham's work has been on The directions to the central Wisconsin home the Society's posters, note- included a troubling warning from artist Jay cards, brochures, and bill­ Jocham: boards. His "Zoo Ball" invita­ tions have won Addy Awards from the Milwaukee Advertising "DearKathy, Club. And his paintings have You have chosen to visit us here in Big appeared since 1989 on the covers of Alive, the Society's membership maga­ Flats. Thank you and good luck. Even zine. While at the zoo, he created his art though we have made the final 15 miles from a loft studio at the Stackner Heritage Farm. In Big Flats, with the help of a Mac to our house as easy and direct as possi­ Power PC and a reliable fax machine, he is able to continue producing those covers, ble, there exist many other possible and remarks that transfering copy will run routes, some more direct than others. Be more smoothly when the zoo standard­ izes their modem software. The week of advised that Adams County does not boards, my visit, he had completed a painting of believe in replacing street signs and ten two yellow Poison Arrow frogs for Alive's cheese summer issue. some hospitable residents have taken chalets, a that task into their own hands. Also, be couple dozen Bold, brilliantly-colored, realistic, and (pri­ Lutheran marily) airbrushed works have long advised that some of our roads may not churches and defined his style, with pencils and brush­ one Arabian horse es being used only for fine detailing (such be paved and the deer population excer- farm, I came across as eyelashes), or to capture the glint in an cises their right to feel soft sand ooze a Chevy Baretta animal's eye. But lately, he's been experi­ parked in a garage menting with a more impressionistic look between their hooves." bearing the license plate featuring ducks, bobcats, cranes, Great "4 Rhino." It assured me Blue herons and Humpback whales. The my arduous efforts weren't paint has just dried on a scene of four for naught. Sandhill cranes, their long necks straight forward as they prepare to land in a marsh set against a soft pink, twilight sky. In the I hit Big Flats during a hectic week, rough draft stages, are two children's according to Jocham. books he's writing and illustrating. parakeet, Feathers, had just died and the couple's first child, Annalissa, had been born two weeks early, in this, the "I've had a renewed interest in cranes since first summer spent in their new, simple living here, badgers, too," he said, "but I'm and rustic house near Hancock. A veg­ still a big fan of the rhino." Prints of his etable garden, set only a few yards away 1989 painting,The Last Rhino, have yield­ from several sawhorses positioned for the ed almost $14,000 for the Zoological completion of their spacious, south-facing Society which uses the profits to support The deck, yields tomatoes, peppers, peas and staff houses on the 10,000 acres of first radishes. The nearest neighbors include Kenya's Ngare Sergoi Rhino Sanctuary. It's straight-shot grouse, wild turkeys, Pileated woodpeck­ here that nine Black rhinos and six White of 70 miles from ers and a curious fellow named Emery, rhinos find refuge behind the solar-pow­ Milwaukee toward whose three Dalmatians drop by more ered fences enclosing the sanctuary, safe Madison angles northward often than the couple think necessary. from poachers who slaughter the animals, into 75 miles of divided high­ and sell their horns to be carved into dag­ ger handles or ground to powder for use in way that crosses rows of birch, "We don't know what he does and we're "medicines." Safe from a market-driven pine, and postcard-perfect dairy pas­ afraid to ask," confides Jocham, referring culture which has targeted these, the tures. After briefly stopping for directions to Emery. "We think it's something with world's second largest land mammals, and at a U.S. gas station, with a marquee that scrap metal. But he doesn't know what I could care less about watching them roam boasts, "We now carry import beers," I pro­ do either." ceeded westward 11 miles, enduring the freely over the plains of Tanzania. sound of my Uniroyals grinding pebbles We take a short jaunt through ten acres of into the asphalt. I savored the "awe" of glacial-flattened forest land, Annalissa's "I'm finally marrying my interests with my seeing a doe, and a red fox, near the River future playground, evenly dividing our talent. The pace of the advertising busi­ Roche-A-Cri (River of the Crying Rocks). attention among lush green ferns, white ness is one reason I'm up here. I like to The River, said the historical marker post­ pines so tall they seem to graze the sky, focus on endangered animals. What can ed beside the road, supplied early French and biting deer flies. one person do but expose people to what settlers with fresh trout and crystal clear might soon be gone?," he says. drinking water. A jagged, weather-worn "Should've bathed in "Off first," Jocham tree stump marked a dirt road that even­ says, half-apologetically, half-mocking my The tone of artist Jocham's voice becomes tually curved into the Jocham driveway. prissy "Ahow's!" increasingly thoughtful and serious as our After 160 miles, sixteen Noah's Ark bill- conversation meanders from his electric,

18 Art Muscle energy-con­ To help the Zoological serving heat Society support the Ngare pump to the Sergoi Rhino Sanctuary or success ofthe to purchase a poster or 19 8 2 print of The Last Rhino, Wisconsin Wolf call (414)258-2333. Recovery Plan to the possible repeal of the Clean Water Act. Then it dwells for a while on the many species of birds and mammals lost in the last two centuries. He laments the possibility that in another decade or two we may only be able to view a rhino in a zoo, its sperm carted from one artificial envi­ ronment to the next. Will this creature eventually live on exclusively through the medium of video, photography, and, of course, in paintings?

"Conservation has to be a global con­ servation," Jocham concludes, after his heartfelt discourse. "Individuals can only be models. I've bought as much land as I did because I know I can protect it. It's my little cor­ Black Rhinoceros ner of the world that no-one is going to plow through with a bulldozer." The Last Rhino, Jay Jocham

•?S:S^

Kathryn Luttkus (Free-lance writer Luttkus' most frequent animal encounter involves trying to outsmart the Downer Woods family of rac­ coons that forage through her garbage bin.)

19 Dtuck Foot

^Milwaukeean J^H Erickson received her B.Ai in j^ainring and drawing in i$^3*trofn the ilniverMty of Wisconsin taxonomy," can be seen at iafaHeria 20 Art Muscle Ifcutk €a»t

Oshkosh and her :flt.A; trom the ^University of Iowa. Her monotype*! which she describes as more "elegy than Ifcel Conte, "&26 N. Astor, 'Milwaukee. 21 A K Muscle Subscribe to Art Muscle Magazine! BUY AN ART MUSCLE T-SHIRT AND SUPPORT $15 for one year WISCONSIN'S ONLY FINE ART MAGAZINE BLACK ON WHITE OR WHITE ON BLACK, TANKS OR TEES, L OR XL Send your check or money order to: SEND YOUR $15 CHECK OR MONEY ORDER TO: ART MUSCLE, 901 WEST NATIONAL, MILWAUKEE, WI 53204 Art Muscle Magazine 901 West National Avenue ADDRESS COLOR/TYPE/SIZE Milwaukee, WI 53204

THE ORIGINAL CAMPING, HUNTING AND FISHING SHOW.

Many of the techniques and skills we take for granted today can be traced back hundreds of years to the American Indians. The very survival of many tribes necessitated sophisticated methods that have evolved over the centuries to serve all people recreationally, medicinally and culturally. See A Tribute to Survival at the Milwaukee Public Museum. Daily 9 am to 5 pm. Call 414-278-2700 for all the details. Milwaukee Public Museum Shop Special! Now, for a limited time only, bring in this ad and take 25% off the price of any »« Tribute to Survival T-shirt on sale in the A World, of Difference Museum Shop.* 800 W. Wells Street, Milwaukee, WI 53233

'Oiler valid through September 30. 1995. Nol valid with any other oiler. Museum Shop hours vary. Please call 278-2795 for details.

22 Art Muscle Art Muscle Reader Survey

What do you think about Art Muscle? During the 1994-95 season, did you Art Muscle This questionnaire gives you a chance belong as a member or did you hold season tickets to any of these 20 How did you receive this copy of Art to share your opinions. organizations? Muscle? Check one. Florentine Opera i • mail Your response will remain anonymous i Qyes 2 ano 2 • pickup point. Which one? and confidential. An independent Great American Children's Theatre survey-research firm will combine your i Dyes 2 Dno 21 If sold on newsstands, how much would Milwaukee Ballet you pay for a copy of Art Muscle? answers with those from other i Dyes 2 Qno i • nothing readers. Milwaukee Public Museum 10 2 • $1 or less i Qyes 2 Qno 3 • $2 Milwaukee Repertory Theatre And if you're lucky, you might even 11 4 • $3 i ayes 2 Qno be one of the two randomly picked 12 Milwaukee Symphony Orchestra winners of an Art Muscle t-shirt! i Qyes 2 Qno 22 Please rate the accessibility of Art Muscle 13 Performing Arts Center (Broadway Series) around Milwaukee: Please return this questionnaire by i Qyes 2 Qno i • extremely easy to find 2 • easy to find Thursday, Aug. 31, 1995. Thanx! 14 Skylight Opera Theater i Qyes 2 Qno 3 a neither easy nor difficult to find 4 Q difficult to find e a extremely difficult to find 6 • no opinion Arts participation Art interests 1 In the last year, about how many times 15 Check the one field of art of primary 23 Please suggest one place in Milwaukee did you go to an art museum, art gallery interest to you. Check one. where you would like to see Art Muscle or art fair? i a dance distributed. i • never 2 • painting i • 2 a onetime 3 • performance art 2 a sorry, no idea 3 • two times 4 • photography 4 • three times 5 • print and drawings 24 Art Muscle may consider changing its size 5 • four or more times 6 • sculpture to a standard magazine format. How 7 • theater would you feel about such a change? 2 In the last year, about how many times s • other i a keep current format did you attend a live performance of 2 a indifferent classical music? 3 ago for it i a never 4 • other 2 • onetime Original art 3 a two times 16 In the past year, at what one type of place did you buy most of your art? 25 What one Art Muscle advertiser do you 4 a three times patronize most often? 5 Q four or more times Check one. i • art fairs i • 2 Q various 3 In the last year, about how many times 2 • art galleries 3 Q none did you go to a live dance performance, 3 • private auction other than ballet? 4 Q other i a never 5 a didn't buy any original art 2 • onetime Rating Art Muscle 3 • two times 17 In the past year, about how much did Using the scale below, circle your rating 4 • three times you spend on original pieces of art? of each feature in this issue of Art Muscle. 5 • four or more times i • nothing 4'= excellent 2 a under$250 3 = good 4 In the last year, about how many times 3 Q $500 to $999 2 = fair did you go to a theater stage play? 4 a $1,000 to $2,499 1 = poor i • never 5 a $2,500 or more N = no opinion, did not read 2 • onetime excellent poor 3 • two times 26 design 1 2 3 4 N 4 • three times Arts information 27 features 1 2 3 4 N 5 • four or more times 18 What single source do you rely on the 28 photos 1 2 3 4 N most for information about the arts in 29 ads 1 2 3 4 N 5 In the last year, about how many times Milwaukee? Check one. 30 letters to editor 1 2 3 4 N did you attend a poetry reading? i • Art Muscle 31 interviews 1 2 3 4 N i • never 2 • Business Journal, The 32 reviews/previews 1 2 3 4 N 2 • onetime 3 • City Edition 33 photoessays 1 2 3 4 N 3 • two times 4 • M or Milwaukee Magazine 34 calendar 1 2 3 4 N 4 • three times 5 a Milwaukee Journal Sentinel, The 5 • four or more times 6 • Shepherd Express Vote for keeping, expanding or dropping 7 • Outpost Exchange these subjects in Art Muscle: 6 In the last year, about how many times • WFMR 8 expand retain delete did you attend lectures about the arts? 9 • WUWM 35 architecture i • 2 • 3 • i a never io • other 36 dance i • 2 • 3 a 2 • onetime n • none 37 film and video i • 2 • 3 a 3 • two times 12 • various 38 literature, poetry i • 2 • 3 • 4 • three times 39 music i a 2 • 3 a 5 • four or more times 19 What one arts publication do you read 40 restaurant reviews i • 2 a 3 • most often? Check one. 41 theater i • 2 • 3 • i • Art Muscle 42 other i • 2 a 3 • 2 • Metropolis 3 a New Art Examiner 4 • Sculpture 5 • other 6 • none (continued next page)

23 48 When buying compact discs, what one 55 How many adults, 21 and older, including About Art Muscle type of music do you buy most often? yourself, live in your household? 43 Does Art Muscle change your view of the Check one. i a one, yourself arts in Milwaukee? a alternative 2 • two i • yes a classical 3 a three 2 • no • country 4 • four or more 44 How many people, including yourself, • heavy metal read your copy of Art Muscle? • jazz 56 How many children, under 21, live in your i • one, yourself • rock household? a other 2 • two i • one 3 • three 2 • tWO 4 • four 3 • three 5 • five or more Confidential 4 • four or more 49 What year were you born? 57 What one broad area best describes 45 How long do you keep each issue of Art 19 Muscle? your occupation? Check one. i • at least a year 50 gender i • top management 2 • middle management 2 • six to 11 months a male 3 a three to five months female 3 a supervisor, foreman 4 Q one or two months • 4 a sales and marketing 5 Q less than one month 51 Where do you live? 5 • clerical ZIP code 6 • health care 7 • legal 8 Q education Lifestyle 52 Please indicate your highest level of education. Check one. 9 a technical 46 When you entertained during the past Q less than high school 10 • social work year, what one beverage did you serve • clergy more than any other? Check one. • high school graduate • attended college • artist i • beer 13 • other broad category 2 • liquor • college graduate 3 • soda • attended graduate school • graduate degree 4 • spring water 58 Please estimate your household's gross 5 • wine income for 1995. (Art Muscle's survey- 6 • other research firm will keep your answer Confidentiahhousehold confidential.) 47 Please indicate your favorite type of 53 Please indicate your current relationship: i • under $20,000 music. Check one. i • married 2 Q $20,000 $34,999 i • alternative 2 • divorced or widowed 3 Q $35,000 to $49,999 2 • classical 3 • single *Q $50,000 to $74,999 3 Q country 4 • single, living with partner 5 • $75,000 to $99,999 4 a heavy metal 6 • $100,000 and over 5 • jazz 54 How do you pay for your living space? 7 • refused 6 • rock i • own 7 • other 2 • rent

(fold)

(fold)

LLZeQIM'ee>inDM|!i/\| Wlixogod sAeAjns jepoecj :s>|JOM JJV eu!zo6D|Aj epsn|Aj JJV

(edoi) Valeries Gallery

FROM THE COMMON To THE BIZARRE

Now AT WATERSTREET ANTIQUES

2ND FLOOR

318 N. WATER STREET

EDEN® an alternative florist

All that are desirous to pass from Edinburgh to London, 291-9314 ' 789'N. Jefferson • Milwaukee or any other place on their Open 9:30-6 • Monday-Saturday road, let them repair to the Flowers • Gifts 'Antiques 'Art Delivery anywhere in the Milwaukee Metro Area White Horse Cellar in Edinburgh, at which place they may be received in a Stage Coach every Monday and Friday, which ** performs the whole journey in eight days (if God DIME. LACINE ANTIQUE MALL permits), and sets forth at the iou&ee ofCStywfaiMeA- wndc£$y£ five in the morning. A iov- the TpowntHMetMt-

If what's under the cork Period furniture, Art Deco, Art Nouveau, Orientalia, Art glass, interests you more than Pottery, Bronzes, Clocks, Estate jewelry, Country furniture and what's under the kilt, Primitives, Oriental Rugs, Paintings and Investment Antiques.

collecting Scotch whisky ViiituA low- am, tMtconunvan, exhe&ievvce - that's bottled in beauty may ?io£cmvu to- see, mot to- feet amd vevrvenwev-. be just the shot you need. A Cedar Creek Settlement collector's shot, that is. Cedarburg, WI OPEN Tuesday-Saturday, 10-5 Sunday 12-5 Enthusiasts never touch a 377-5054 310 Main St., Racine, WI 53403 * Ph.(414) 633-9229 drop from the more Antique Center Walkers Point Bus Tours Welcome! expensive bottles in their 1134 S. 1st St. • Milwaukee archives. The idea is not to 383-3036 %. J nip, but to sit and sip your "•Quality Collectible Clothing* cheaper stuff while reading Furniture, Clothing, Artwork, the above label on your Housewares, and MORE 1922 bottle of The Blended Scotch Whisky ofthe White Horse Cellar which you Milwaukee's BEST Resale Shop purchased at the Milwaukee rlpparcnJ 246 E. Chicago Street 291-2856 •fk* Vintage Apparel In the Historic Third Ward Antique Center at 341 N. Busing it? Take routes 11, 14 or 15 Milwaukee street. Consider, too, while you're admiring All proceeds directly support the comprehensive AIDS care, education, adovacy and research programs of your outstanding find, the Milwaukee AIDS Project. hand-blown glass with its desirable imperfections and This coupon entitles bearer to the impressive words, "By Appointment To His 25% OFF Majesty The King." Forget Any purchase at the kilts. The Scots in Islay SURVIVAL/REVIVAL Resale Shop Wafer Street Antique Market and Glenlivet District knew 246 E. Chicago St. 291-2856 how to live! 2nd Floor SIS SL Water St. Exp. 9-30-95. Offer valid with coupon only. J 25 Miller Art Center 107 S 4th, Sturgeon Bay; 746-0707 August 12-September 26 Gerhard Miller Paintings & Drawings

Arts Organizations: Milwaukee Art Museum Please add Art Musde to Gallery 218 750 N Lincoln Memorial; 224-3200 your mailing lists 218 S 2nd; 277-7800 Now-August 13 August 4-27 Silver in America, 1840-1940: A Century of 901 W National Avenue Majid Hadid Splendor Milwaukee, WI 53204 September 8-October 1 Now-August 20 Attn: Megan Powell 218 Prints Currents 25: Kiki Smith Prints & Multiples 414/672-8485 Now-August 27 Haggerty Museum of Art Recent Acquisitions Please submit calendar listings for October/ , 13th & Clybourn; 288- Now-September 3 November in writing on or before September 7290 Drinking in Art Metflach Steins & Related 11. Include dates, times, single ticket price, Now-August 27 Wares location & phone number. Also note that we are Odd Nerdrum: Contemporary Drawings Now-September 24 no longer using our PO Box number. Gloria Gardnkel: Haiku for the Eyes Generation X: New Art from Milwaukee September 14-November 19 September 8-November 5 Unless otherwise stated, all phone numbers are Vision Quest Men, Women & Sacred Sites of 25 Americans: Painting in the 90s area code 414 the Sioux Nation September 15-December 3 20th-century Master Prints from the Perma­ For specific information on events, please call The Hardy Gallery nent Collection listings in advance Anderson Dock, Ephraim; 854-5535 September 29-January 7 WILLIAM C. RICHARDS Shaken, Not Stirred: Cocktail Shakers & AUG 5-SEPT 9 • 10am-6pm August 4-September 3 330 E. KILBOURN—SUITE 104 7ifie Fine Art of Washington Island Modern Design

{hermetic) gallery The Milwaukee Hilton

igjtm.>«TJW>•-» - -»< 828 E Locust; 264-1063 509 W Wisconsin; 271 -7250 Alfons Gallery Now-August 12 September 14-17 1501 SLayton; 384-4105 Wyalt Osato: Revisionism A Tribute to the Art of John Lennon BAY VIEW GALLERY Now-September 3 August 26-September 23 1 A Lifetime of Work Cortext: Recent Visual Poetry Neo-Post-Now Gallery 719 York, Manitowoc; 682-0337 IS NOW FEATURING: Anderson Arts Center llnner Visions Now-August 11 121 66th, Kenosha; 653-0481 826 E Center; 265-5683 Thomas Tulis: Foreign Policy by Other Means: HAND CRAFTED JEWELRY Now-August 27 Now-August 5 Heavy Metal Alumni Summer Reunion Featured Artists August 19-October 20 Tfiey Came From Memphis: Hilgenberg, LOCAL FINE ART METALSMITHS Adolph Rosenblatt: We Are All Making Art August 6-September 8 i Pop Goes me...: Jay Sterling & Daryl Harris Sorrento, Starks Working in Silver, Copper, & Bronze Artistry Studio Gallery 833 E Center; 372-3372 Instinct Old General Store Gallery ! August 11 -September 23 725 N Milwaukee 459 Main, Newburg; 675-2071 Sue Aygarn • Kristen Fogtman Shared Visions Now-September 29 September 8-10 Cyndi McVicker • Terese Millmann j; Whirligigs, Jesus, Quilts & Junkyard Dogs, Everything But the Kitchen Sink: The Art of Cedarburg Cultural Center Indians & Broken Glass Everyday Life James Multhof • Elise Worman £ W83 N643 Washington; 375-3676 Now-September 3 John Michael Kohler Arts Center Piano Gallery The Quitter's Art Tradition & Innovation II 608 New York, Sheboygan; 458-6144 219 N Milwaukee; 276-3525 Now-August 17 Now-October 10 Charles Allis Art Museum Face Forward James Koconis & Stewart Johnson: Paintings 1801 N Prospect; 278-8295 Now-August 20 & Props Now-August 20 The Suspension of Disbelief The Classic Photo­ \ FOCAL Exhibition montages of Jerry Uelsmann Riverwest Art Center 3046 South Delaware "Milwaukee, Wisconsin 53207-414-744-6858 -J August 27-September 24 August 6-October 29 825 E Center; 374-4722 'Mil American Indian Art Patterns of /fie Southwest: Tapeskies byRamona Now-August 12 Sakiestewa Noir et Blanc Constance Lindholm Fine Art Traces of Identity: The Art of Phil Young August 18-September 22 3955 N Prospect; 964-6220 September 22-January 6 JJAA Juried Membership Exhibition Now-August 19 Conceptual Textiles: Materials Meanings UPSTAIRS ARTS Landscapes in Color & Black & White Silver Paper Gallery 217 N Broadway; 273-7737 Now-September 23 Elvis V Jesus: Bob Lewis & Lawrence Jasud DAVID JOHN KEUEY OUT THERE South Shore Framing & Gallery AND Haggerty Museum Explores Sioux Nation in Vision Quest 2627 S Kinnickinnic; 481 -1820 DAN WEBER August 6-September 2 Haggerty Museum of Art's Vis/on Quest: Men, Women and Sacred Sites of the Sioux Nation Marcia Barnes Sodos: A Creative Journey is not merely an exhibition of photographs of Sioux Nation Native Americans, but is the story ANEXIHBITIONOF of contemporary Sioux Lakotas, Dakotas and Nakotas who have chosen to carry the St John's Uihlein Peters Gallery PAINTINGS, SCULPTURE, traditions and culture of their people to future generations. A collaborative project of 1840 N Prospect; 272-2618 AND PRINTS photographer Don Doll, SJ. and prominent members of the Sioux nation, the photographic Now-July 9 essay, on view September 15-November 19, documents 15 reservations in five slates through The American Legacy images of land and sacred sites, portraits of individuals and dancers in costume. Doll, who Now-August 13 OPENING JULY 29-AUGUST 7, has photographed among the Sioux for 30 years, provides a cultural, spiritual and historical Work from the Center for Blind & Visually 3 TO 8 P.M. context for the project with panoramas of Wounded Knee, Wicirpi Owanka, an ancient star- Impaired Children OR BY APPOINTMENT sighting place in Wyoming, and Onagazi, the mesa in the South Dakota Badlands and site of 441A N. MAIN ST. the Ghost Dance whkh eventually led to the Wounded Knee Massacre. The Haggerty A Taste of Philfy Gallery OSHKOSH, WI. Museum is supplementing the show with an opening lecture by Tim Giago, publisher of 4618 W Burleight; 444-8540 (414)850-6386 Indian Country Today, a forum September 16, "Whence Do We Come? What Are We? Now-September 3 Where Do We Go?" and an October 25 colloquium, "Native American Spirituality: Contem­ Some Jazz, A Little Bit of Hip-Hop &R&B porary Relevance of Tradition," with artist and Sun Dance priest Arthur Amiotte. Call 288- 1669 for details. Tory Folliard Gallery 233 N Milwaukee; 273-7311 Now-August 25 Summer Potpourri: Paintings & Sculpture Katie Gingrass Gallery September 1 -October 6 The essence of beauty with unique Crossman Gallery 241 N Broadway; 289-0855 Focus on Landscape watercolors, painted rugs & furniture, UW-Whitewater, 800 W Main; 472-1207 Now-August 31 September 5-October 1 Leslie Toms, Tom Nachreiner, Mary Merkel- United Community Center "A Creative Journey" Wisconsin Arts Board Visual Arts Grant Win- Hess, Malhew Metz 1028 S9lh; 384-3100 with September 8-October 31 August 24-October 20 Colored Threads: 1995 Wearable Art Exhibi­ Imagenes Contra la Sida Marsha Barnes Sodos Curator's Choice Gallery tion Bank One Plaza, Water Street Lobby; 271 - Upstairs Arts 3715 Lawton Gallery 441A N Main, Oshkosh; 850-6386 Now-September 15 UW-Green Bay, 2420 Nicolet; 465-2271 Now-August 7 Images ofthe Southwest September 14-October 31 David John Kelly & Dan Weber: Paintings, Wisconsin Artists Biennial Sculpture, Prints Cynthia Tilson Galleries 330 EKilbourn; 271-8644 Leenhouts Gallery UWM Art Museum August 5-September 9 - William C Richards 1342 NAstor; 273-5257 3253 N Downer; 229-5070 Now-August 20 Now-August 20 Inspired by nature's kaleidoscope David Bamett Gallery George Ronsholdt, Watercolors Woven, Stitched & Printed: International Tex­ of brilliantly colored flowers 1024 EState; 271-5058 tiles from UWM Collections Reception: Sunday, Aug 6th, l-3pm Now-September 9 Leigh Yawkey Woodson Art Museum College for Kids Continuing through September 2nd 20th-century American Impressionist, Modern­ 700 N 12th, Wausau; 715/845-7010 Anthony Fischer, Paintings ist, & Social Realist Paintings Now-August 27 Whirligigs & Weathervanes Wauwatosa library Galleria Del Conte September 9-October 29 7635 W North; 354-5534 1226 NAstor; 276-7545 Birds in Art August 2-September 27 SOUTH SHORE GALLERY & FRAMING Now-September 2 Barbara Boehm, Oriental Watercolors 2627 South Kinnickinnic Avenue • (414)481-1820 Interplay. Milwaukee Gallery Staff Show 26 Art Muscle Fiesta Mexicona Maier Festival Park August 25-27 OU T THERE 3lTllAZZ Firefly Art Fair Proudly Prrsmts An Altrrnativr They Came From Memphis...to Manitowoc 7408 Hillcrest, Wauwatosa; 774-8672 August 5 & 6 You won't find Elvis in Neo-Post-Now Gallery's exhibition of contemporary art from Memphis 10am-5pm $2 opening August 19. One of the artists in They Came from Memphis, portraitist and guitarist JERRY GRILLO Lamar Sorrento, when approached to paint the King, retorted, "You can paint Elvis, /don't Glass Lovers Tour want to paint Elvis." This, well, spirited attitude should prevail in the show, which captures 272-1611; 276-3131 VOCALS the essence of Memphis for its curator and Wisconsin native D. Patrick McNamara: "fun, August 18 with guitar and keyboards dangerous, dark and corrupt." Cafe owner McNamara, known around Memphis as "King of $150 deadline Aug 4 Coffee," has assembled Sorrento's portraits of the Beatles, Hank Williams and other guitar heros, postcard-sized, cartoon-style drawings of characters caught in interaction by tattooist Indian Summer Festival Thursdays-PALOMAS-7-IOpm Joel Hilgenberg, and James Storks' oil meditations on symbols of decadence, fame and Maier Festival Park; 774-7119 611 West National Avenue mourning. As Neo-Post-Now's first guest-curated effort, the show has been do-it-yourself, September 8-10 "organized on gut instinct," owner Julie Lindemann says. They Came from Memphis continues at the Manitowoc gallery through October 20. Lanterns for Peace lst&3rd Fridays-THE CENTRAL GRILL-8-llpm PAC: Peck Pavilion; 964-5158 316 North Milwaukee Street August 6 5pm-dusk free Available on Compact Disc JERRY GRILLO-'TUIS FUNNY WORLD" Milwaukee Art Museum &anew(Dthisfall-"MISTFR GRILLO" West Bend Art Museum 750 N Lincoln Memorial; 224-3200 300 S 6th, West Bend; 334-9638 August 3-5 amJAZZ-414-332-7575 Now-August 6 Art en Fleurs Floral Show Ulka-Realistic Sculpture by Marc Sijan $5/$3 members Now-August 27 August 6-September 17 Sculpture in Paper: The Art ofNancySteinmeyer African World Festival The Dog Days of Summer August 9-September 17 Maier Festival Park Free self-guided tour/games w/admission W/ngs of the Imagination: Kites from the Col­ August 4-6 August 1 9 lection ofLeland Toy Kite Fly '95 August 30-October 8 Annual Wine & Harvest Festival Free Photographs of a Small Place: Work by Drake Downtown Cedarburg; 377-0300 Hokanson September 16 & 17 Pabst Theater 144 E Wells; 286-3665 August 5 Pabst Theater 1895 Block Party Sa 1 lam-lOpm free

Showcase Shorewood fij Jftexican Cuisine & Shorewood High School; 961 -1 995 September 9 S and Seafood m

Wausau's Artrageous Weekend 800/236-9728 ONE FREE September 9 & 10 Festival of Arts, Downtown Pedestrian Mall MARGARITA Art in me Park, Marathon Park WITH THIS AD!

One per customer New location! per visit please 1332 W. Lincoln Ave. _, 1100W NationalAve. Milwaukee, WI 53215 [ill Milwaukee, WI 53204 Tel: (414) 384-8885 I iJTJI Tel: (414) 384-8850 (414)384-9050 Haggerty Museum of Art Marquette University, 1 3th & Clybourn; 288- EI0MEJSISJSMSraMSLl 7290 September 15 People You Never Read About: The Quiet But Effective Lakota People, by Tim Giago 6pm free September 16 Forum: "When Do We Come? What Are We? Where Do We Go?" 11 am free 818 SOUTH SECOND STREET • 383-3211

Milwaukee Art Museum 750 N Lincoln Memorial; 224-3200 Gallery Talks • Yard Beer (Join the club!) Aug 8 - Recent Acquisitions • Specialties St Imports 1:30pm; free w/ museum admission • Food Served Tues-Sun September 21 11:30am—Close James Auer, 'T-Skain & Eye-Skain: A Critic • Specializing in Cajun Looks at His Craft St Island Items 7 pm $5/$4 962-7006 • Visa St Mastercard Accepted • Satellite T.V. • Friday Fish Fry mm "Great sandwiches, good brew and a slice of Milwaukee's past are on tap at the friendly Audubon Court Books Fritz's on Second..." 383 W Brown Deer Rd; 351 -9140 —Willard Romantini, Milwaukee Magazine Aug 3 - Marilyn & Harvey Taylor Sept 7 - Down Forss, Mariann Ritzer, James \Liddy

Broadway Theatre Center 1 158 N Broadway; 332-4240 August 19 ^F |\ \LAMM Variety Show Lamar Sorrento, Beatles #45, acrylic on canvas, 1995, from They Came From Memphis al Neo-Post-Now Gallery 7:30pm

September 20-October 29 ECCIBIE'S Cafe Melange The Watercolors of Juan Pena Art Encore Art Sate 720 Old World Third; 291 -9889 Highlander Club, Brookfield; 827-0444 Mondays PLACE Wriston Art Center Galleries August 26 Poet's Monday Open mike & featured ads Lawrence University, Appleton; 832-6585 9am-5pm, preview Aug 25 5pm $10 8:45pm Now-August 5 SUMP • (Mil • 11(11 Senior Art Exhibition Bradley Sculpture Garden Party People's Books 224-3200 3512 N Oakland; 962-0575 Heme cf the August 27 August 4 Ccc'bie I uraer Noon-6pm $10/$8 Poetry-Music Ceremony Commemorating 50th Anniversary of Atomic Bombings of Hiroshima & Charles Allis Art Museum Nagasaki -uvc music Hicinui- 1801 N Prospect; 278-8295 7:30pm Milwaukee Ballet August 12 & 13 PAC: Uihlein Hall; 273-7206 Morning Glory Crafts Fair 502 WEST BflRFIELD RVE. September 21-24 Beauty & the Beast East Side Gallery Trolley Tour MILW. WI* 2S3-3399 Th 7:30pm F 8pm Sa 8pm Su 1:30 & 7pm $10- Meet at Allis Museum, 1801 N Prospect- 276- $56 7545 MR5TERCHRD • VISR - HMERICflH EXPRESS August 27; 1 -4pm free 27 OUT THERE

Danceworks Roommates in September

Most miniseries seem to include either a Danielle Steele-based script, pounding horses' hooves and palatial mansions, or Jane Seymour. Danceworks' performance art miniseries, presented jointly with The Living Room in September at the Walker's Point Center for the Arts, will lack such dubious virtues. Stephanie Kulke, curator of the twin programs and artistic director of The Living Room, describes the "Room" as "a space for artistic visions to take root and grow." In the first program September 7-9, Kulke will perform her comic look at the perils and joys of teenage years, AdoLessons, during which, Danceworks assures, one lucky .SOUReE winner will receive a free stick of gum. Joining her are Dan Hanrahan and percussionist Nick Frank taking a hallucinatory tour of the globe in Forget There's a World. Hanrahan's stops include Nazi and Battista's Cuba. Performances September 29-October 1 pair Dave O'Meara's Teratology, Or the Monstrosity Here Beside Me, a tale of a man facing a nightmarish new world when he's stranded in a train station, with Ufe Returns by Kate Ryan, ARTISTRY an account of how a Vermont boarding school and revolutionary Nicaragua, among other STUDIO-GALLERY things, intersect in one woman's adventures. Call Danceworks at 481 -2010 for details.

DANE ANDERSEN Schwartz Bookshops Milwaukee Jewish Community Chorale ANNE MICHELS 274-8680 Broadway Theatre Center, 158 N Broadway- DAVID A. JENTZ Writers to Readers Series 964-4100 August 11 through September 23 209 E Wisconsin: August 16 OPENING AUGUST 11 1995 6-9PM Aug 10 - Richard Carter Benefit Concert 4093 N Oakland: Gallery Hours ¥ -{$33 -E Center St 7:30pm Tues-Fri2-5 I Milwaukee Aug 16 - Susan Taylor Chehak Sat 11-5 I 372-3372 17145WBluemound: Milwaukee Symphony Orchestra Aug 15 - Tom Dairy PAC: Uihlein Hall, unless otherwise noted; 273- 10976 NPt Washington: 7206 Aug 7 - Judy Collins August 1 Aug 17 - Jon Hassler National Night Out 7pm unless otherwise noted free 8pm free Silver Spring Neighborhood Center, Bronze and Steel Sculptures 5460 N 64th Abstract Primitive Paintings Y-Notll September 7 706 E Lyon; 347-9972 Gala Benefit w/ Dudley Moore Sonnet Books (414)637-4353 2nd & 4th Wednesdays 7:30pm $25-$l 25 Poetry Slam September 8-10 , 8:30pm $2 Pops: Doc & Eddie Daniels FSa 8pm Su 7:30pm $15-$50 Southeast Wisconsin's Leading Photographer E JDaviclsori of Fine Arts & Crafts September 15-17 rp r>y:a::t« A;r t |A <1 yi: s c Classics: Fantastic Curtain Raiser F 11 am Sa 8pm Su 7:30pm $12-$48 JURY SLIDES The Highest Quality of All September 28-30 f Curator's Choice Gallery p; Types of Arts & Crafts Classics: The Mighty Ax | Bank One Plaza - Water Street Lobby || Th 7:30pm F Sa 8pm $14-$48 ;i| 111 East Wisconsin Ave. - Milwaukee I J LARGE FORMAT For Brochures/Catalogues, I f Advertising & Printing of Your i| Thursday, September 15th m Fine Arts & Crafts I IMAGES OF THE I GUARANTEED QUALITY FAST TURNAROUND SOUTHWEST I Call for an Appointment or Quote 1 i i| Pastel Paintings p || Diane Arenberg & Kit Lynch J SANDERS PHOTOGRAPHIC SERVICES : : 11! ;;|ll #..\W M°- 8:»<;iiK6;:i : 414-352-3150 Milv.uli.vVl 5321J Catherine DavjJaon 414.2*1 3715 3vi Wi,J OflA

^^^^?R$HOP grid or 4i5 transpartncy 135mii slifc /' 25 S 30. Serving Mrlwauite's finest "rmistrators and artists. WP&S and M,AC> Present:

"WHERE AND HOW TO PLACE YOUR ART" # PAT HIDSCN Room/notions performers (I to r): David Parr, Dan Hanrahan, Kate Ryan, Dave O'Meara, Stephanie Kulke. Photo by Deone Jahnke an established painter, WORKSHOP AT THE MIAD AUDITORIUM is new accenting; j< 273 EAST ERIE STREET PRIVATE STUDENTS ^" ~_3 -. SAT., OCT. 28, 8:30AM-1:30PM at studio 3C1, PRE-REGISTRATION REQUIRED 133 w. Pittsburgh. Pabst Theater Choose your own medium, DEADLINE: OCTOBER 18 Boerner Botanical Gardens 144 E Wells; 286-8777 daytime hours. 5879 S 92nd; 425-1130 September 26 $7 STUDENTS / $15 WP&S- Call 224^5344 or 963-C3S1 Outdoor Garden Concerts Lincoln Center Jazz Orcheska w/ Wynton Aug 3 - Mask & Puppet Company Marsalis MAM MEMBERS / $20 N0N-MBRS. Sid per hour 8pm $34/$26 Aug 10 - Tonic Sol-fa CALL: MIAD DEPARTMENT OF Aug 17 - Marjorie & Dean Fowler September 27 Aug 24 - David HB Drake The Beaux Art CONTINUING EDUCATION 276-7889 Aug 31 - John Schneider Orcheska 7:30pm $15-$30 6pm free WATERCOLOR Prairie Performing Arts Center Concerts in the Parks 4050 Lighthouse, Racine; 631 -3845 LICTURE 257-6100 CLASSES Washington Park, Sherman & Lloyd: Present Musk JEAN CRANE, INSTRUCTOR Aug 12 - Marquette University Gospel Choir Milwaukee Art Museum, 750 N Lincoln Memo­ Aug 19 - Tibe US Navy's Voyage Band rial; 271-0711 Experienced and beginning painters. Aug 26 - John Schneider Orcheska September 9 WP&S Presents: Humboldt Park, 3000 S Howell: Season Opener & Party Eight sessions, beginning Oct 4th—$155 Aug 1 - Milwaukee Musical Theater 8pm $18/$l 4 Aug 5 - Milwaukee Symphony Orcheska "P-STRAIN a EYE-STRAIN: Cedarburg—Studio: 375-2627 Aug 8 - US Navy Band Show Waukesha Symphony Orchestra A CRITIC LOOKS AT HIS CRAFT. Home: 375-8685 8pm free Mill Creek Farm, Waukesha; 547-1858 August 20 Jazz in the Park Outdoor Pops Concert MILWAUKEE JOURNAL/ SENTINEL Cathedral Square Park; 271 -1416 Aug 3 - Random Walk w/ Peter Buffet! ART CRITIC JAMES AUER SPEAKS ~T FOR SALE Aug 10 - Janet Planet ORMANCE ART AT THE MILWAUKEE ART MUSEUM. Aug 17 - TBA Aug 24 - World War II Tribute 750 N. LINCOLN MEMORIAL DRIVE 6:30pm free Danceworks EAST ENTRANCE PETER MAX LITHOGRAPHS Milwaukee Art Museum Walker's Point Center for the Arts, 907 W THURSDAY, SEPTEMBER 21 - 7PM 750 N Lincoln Memorial; 224-3200 National; 481 -2010 5 DIFF.@1983 SERIES -H/C August 1 September 7-9, 29-October 1 $5 GENERAL/$4 WP&S - MAM MEMBERS Roominations: New Performance Monologues Music in the Museum INFORMATION: 962-7006 IRWIN 414-352-1582 5:30pm $15/$12 F Sa 7:30pm Su 3pm $12 28 Art Muscle OU T THERE

• 4 Magical Midsummer Nights at Villa Terrace

* Newly created Amethyst Productions' staging of Shakespeare's A Midsummer Nighrs Dream at Villa Terrace is ambitious—but doesn't include dinner. Amethyst founder Pamela Brown, known for her work with the Boulevard Ensemble and Playwright's Studio Theatre, has chosen both play and playhouse in an effort to recreate the magic of a 1978 production of Midsummer at the Villa by the now-defunct PAC Players, but without the headaches of the pre-show dinner of that first mounting. Amethyst's Midsummer, performed August 16-27 on TUMTIES BANTS Wednesdays, Thursdays and Sundays at 7 pm, will soak up much of Villa Terrace's graceful atmosphere. The Villa "lends itself to a romantic, magical interpretation of the play," says Brown, and literally will serve as backdrop for the play, which will be staged around the grounds. After opening in the courtyard, the audience will move to me terrace after an Alexander and Radmila Radtccvich's intermission. Then, following another break, viewers will take in the final scenes in the Great Artist ofWisconsin Hall. Brown, who plays Titania under the direction of Playwrights Studio Theatre's Maureen a Fine Arts Publication is now Kilmurry, says the production should be visually stunning, based on 19th-century views of ancient Greece. Call 299-0435 for ticket information. preparing their new Wisconsin edi­ m tion. This full color publication is an excellent marketing tool for the Established 1971 Fine Artist and an opportunity for SERBIAN them to get National Exposure. GOURMET Mode Theatre Sunset Playhouse 121 S Monroe, Waterloo; 800/280-9632 800 Elm Grove Road; 782-4430 • HOUSE August 6, 19, September 2 Now-August 1 2 A Funny Thing Happened on the Way to the Call 1-800-871-9666 "A. Delightful Experience" All Nets Have Holes Copy Deadlines and Space for liinch or dinner August 25 & 26 Forum September 22-October 8 Reservations are Involved. Selected wines, liquors, The Singing Bag Lady Time is of essence. and homemade desserts II Tramoto (The Sunset) Tfie Sisters Rosenweig Th F 8pm Sa 6 & 9pm Su 2 & 7pm $11 Strolling string music Party rooms available - -w Ken Wolf, Assoc. Publisher Gift certificates Waukesha Civic Theatre Credit cards accepted 506 N Washington; 547-0708 5314 W. Center St., Milwaukee, WI 53210 August 4 & 5 Other State publications available. 522 W. Lincoln Ave Annie (414) 672-0206 American Players Theatre 8pm $9 Spring Green; 608/588-2361 Now-October 1 ATTENTION ARTISTS AND GALLERIES: In rotating repertory: Art Communication International She Stoops to Conquer mmo "VIRTUOS/ry": An Eternal Exhibition Twelfth Night 1-800-856-7ACI or 1-215-790-2554 Romeo & Juliet Inviting Artists from around the world to enter Henry V slides of original artwork for the first and largest $16.50-$29 Alternating Currents in 20th Century Music juried collection of contemporary art on CD-ROM. Sundays Executive jurors are Allan Stone, Allan Stone White fi|| Amethyst Productions DJ Hal Rammel 6:00pm WMSE 91.7 FM Gallery, NYC, Ivan C. Karp, O.K. Harris Gaflery, Villa Terrace, 2220 N Terrace; 299-0435 NYC, and Jeffrey Hoffeld, Knoedler & Company, August 16-27 Guitar Nuts NYC. Selected works will be presented in full­ Mondays screen, color format on compact disk for display on Buffalo Wf A Midsummer Night's Dream For guitarists & fans; Channel 14 9pm Warner personal computers. This Art Collection CD will be W, Th Su pm $18.75 distributed worldwide to museums, galleries, Intertribal Store Cablel 4 & Viacom 11B 353-5052 collectors, art and educational institutions. Boulevard Ensemble 2252 S Kinnickinnic; 672-6019 Joy Farm September 15-24 Mondays Annual Open House Milwaukee's cutting edge video performance troupe M 10 pm Warner Channel 14 Mt. Rushtnore 7:30pm $10 suggested Brady Street Where the Waters Meet Genuine Black Hills Gold Comedy Cafe, 615 Brady; 271 -5653 With Christina Zawadiwsky Improv comedy Tu 8pm Aug 4 - Dennis Dykska, Teaching Cartooning ( Gift Certificates Available) Aug 11 -Hal Rammel at MIAD, Part I l/titofc 1/UeUtty fatten, Aug 18 - Hal Rammel atMiad, Part 2 WedM, :Tu , 10-Th: 8 10-6 546-4428 Circlestage August 2-11 Aug 25 - Excerpts from Do the Video 316 nt. TKdveuUUc • 29t-9440 Fri, Sat: 10-5 7629 W. Becher You're A Good Man, Charlie Brown Sept 1 - Mary lane Allen & The Cream City Sun:12-4 2 blocks north of Lincoln Weekdays 10am, 12:15pm, Aug 12 2pm $7/ Review $5 Sept 8 - New Photography '95 Sept 15 - Sarah Moore at MIAD A Company of Women Sept 22 - Christian Becker, Photographer The Historic Paradise Theater, 6229 W Sept 29 -Mook at MIAD Greenfield; 390-4100 7pm Fridays simultaneously on Warner August 11-12, 18-19 Channels 14 & 11B, repeated 2pm Mondays, Desdemona: A Play About a Handkerchief Tuesdays, Wednesdays on Channel 14 9:15pm $5 '^BodY*** Come see us at our new location Dead Alewives 1601 N. Van Buren Street Comedysporlz, 126 N Jefferson; 272-8888 (corner of Pleasant and Van Buren) Alternative, uncensored improv comedy w/ live music W 8pm Th 10pm Aerobics-Best in Town! same PHONE same HOURS Art Muscle's 414-272-0277 MWF 10-6 8 weeks / September 5th TTH 12-7 Marquette University Theatre AMs & PMs, Northshore, SAT 12-4 13th & Clybourn; 288-7504 Eastside, & Fox Point. J September 28-October 8 Much Ado About Nothing deadline for Toning, stretching, Th F 8pm Sa 4:30 & 8:30pm Su 2:30pm; $10/ & strengthening with a $9 THE MARKET PLACE variety of music. Milwaukee Repertory Theater Join anytime. Free trial class! Traditional Latin American 108 E Wells; 224-9490 calendar listings Unlimited classes per week. Arts & Crafts Powerhouse Theater: 352-4439 September 10-October 15 2034 E. North Ave. 278-7338 Silence Mon-Tues-Sat: 10-5pm TTh 7:30pm W1:30 &7:30pm F 8pm Sa4:30 & advertisements Wed-Thur-Fri: 10-8pm & 8:30pm Su 2 & 7:30pm Sunday: 12-5pm Racine Theatre Guild Est. 1969 2519 Northwestern, Racine; 633-4218 is September 10. September 8-October 1 Lettice & Lovage F Sa 8pm Su 1:30 & 7pm (except Oct 1) Sept PICTURE FRAMER 30 4:30pm $8-$l 1.50 Full time experienced framer needed BOOKS & Good salary & benefits—call 964-2540 Skylight Opera Theatre MUSIC Broadway Theatre Center, 158 N Broadway; 291-7800 FINE ART w h o b-e-a-d ,

ART New East Side Artworks Festival Michigan Ave & Lake St; 31 2/551 -9290 American Craft Exposition August 1 8-20 Northwestern University, Evanston; 708/570- F 11 am-7pm Sa 10am-6pm Su 10am-4pm 5096 ^ August 25-27 Printworks F I0am-9pm Sa 10am-6pm Su 1 lam-5pm $8 311 W Superior, suite 105; 312/664-9407 The Mafce Your Own Now-August 19 - Group Show Tewelrf f>tore ARC Gallery September 8-October 7 1040 W Huron; 312/733-2787 Frances Whitehead: New Graphic Works 2.101 N. Prospect fXve September 5-30 FALL SESSION 1 Milwaukee Wanderlust: Abskaction in Chicago R.A. Gallery ZZ4-0555 September 14-October 27 AUGUST 28- OCTOBER 22 Aran Packer Gallery Fields of Dreams: Richard DuBeshter mention this ad for 10% off 1579 N Milwaukee; 312/862-5040 CERAMICS August 4-13 - Karen Eskin Memorial Show Zolla/Lieberman Gallery 325 W Huron; 31 2/944-1990 WOODWORKING Artemisia Gallery Now-August 25 - Car; David Hartt I 700 N Carpenter; 312/226-7323 PHOTOGRAPHY BOOKMAK1NG August 29-September 30 - Group Show DRAWING Art Institute of Chicago Michigan at Adams; 312/443-3626 PAINTING Now-Aug 6 - Force of a Dream: The Drawings of JEWELRY MAKING Joseph E Yoakum STAINED GLASS Now-Aug 20 - The Face of War: Picasso's Weeping Women ART PAPERMAKING Now-Sept 4 - The Architecture of Bruce Goff, MEDITATION 1904-1982: Design for the Continuous Present Elvehjem Museum of Art • Portrait of My People: Photographs by Willie UW-Madison, 800 University; 608/263- VERY Robert Middlebrook CLASSES BEGIN 8188 fine framing - Out of a Dark Room: Photographic Variations Now-August 12 - Judy Pfaff: Prints from the Permanent Collection Now-September 4 - From Ansel Adams to SEPTEMBER 4 Now-Sept 10 - targe & Small: Prints from Uni­ Andy Warhol: Porkaiis & Self-Porkaits versal Limited Art Editions Now-Sept 17 - Moholy-Nagy & Present Com­ STUDIO MEMBERSHIPS Grace Chosy Gallery pany ALSO AVAILABLE 218 N Henry; 608/255-1211 Now-Oct 1 - Flowering Silks: 18th-Century De­ August 11 -September 2 signs from the Permanent Collection Scott Zupanc, Watercolors 2200 E.KENWOOD Now-Oct 15 - llluskations from Caldecott Medal & Honor Books, 1990-1995 MILW. WI 53201 Jura Silverman Gallery Now-Nov 26 - Claude Monet: 1840-1926 143 S Washington, Spring Green; 608/546- Sept 16-Jan 28 - Memory/Reference: The Digi­ 229-5535 6211 tal Photography of Martina Lopez Now-September 5 - Soulfiwesr Meddaughs MENTION THIS AD Now-September 14 - Wisconsin Artists Block Gallery Showcase ANDGET 5 DOLLARS Northwestern University, 1967 Sheridan; 708/ 491-4000 Madison Art Center OFFCLASS FEE September 22-December 3 211 State; 608/257-0158 Printmaking in America: Collaborative Prints & Now-August 6 Presses, 1960-1990 Breaking Barriers: Recent American Craft Now-August 8 Carl Hammer Gallery Wisconsin Artists in the Permanent Collection 200 W Superior; 312/266-8512 August 1 9-November 1 2 Now-August 26 David Nash: Voyages & Vessels Solid Gold: Best Kept Secrets from the Back Room Spaightwood Galleries Contemporary Art Workshop 1150 Spaight; 608/255-3043 542 W Grant; 31 2/472-4004 Now-September 4 Now-August 26 :-::?;:f t^S-:^:'?:-:-:-.. Kathe Kolrwitz, Joan Mitchell, Faces of Femi­ New Talent II /:! nism: Women in Contemporary Art $Hti >?9 Ehlers Caudill Gallery Ltd Wisconsin Academy Gallery ?ii 750 N Orleans; 312/642-8611 1922 University; 608/263-1692 Basic Diversified Now-August 31 August 1-31 - Anthony Pessler, Paintings ::Xv:::::'vo::>:w:::^ Gallery Artists September 1 -30 - Dennis Nechvatal September 8-October 14 iCulir luisine Bob Thall: Place: Photography of the Midwest MUSIC AAAAAAAAAA^iAR 1972-1995 .xmrnmAAA .mmm* Present Music mm^i-tm-i^-^x- •:?»:•: ••:•::,:•• :->e:Ha^S*»B»:j:; Gallery 312 UW-Madison: Rennbohm Auditorium; 414/ Ope • Kreakj'ast, 312 N May, Suite 110; 312/942-2500 271-0711 September 15-October 28 Lunch. inner September 7 - Season Opener w/ Michael La Mono Viva 3 blocks west of Lake Michigan W.ttifl!rrH.t.MJ.|.. Torke & Damn Hagen; 8pm $10/$6.50 F.W?feStr**t 800 E. Wei O iV. Cass Gruen Galleries !• Wisconsin Chamber Orchestra 226 W Superior; 312/337-6262 m *Jrif3re First Congregational United Church, 1609 Now-August 31 University; 608/257-0638 Group Exhibition September 30 - Brandenburg & Beyond September 8-October 4 8pm$12/$10 Urban Landscapes Wisconsin Union Theater

Museum of Contemporary Art Recycled Newsprint Pad Broom Street Theater 237 E Ontario; 312/280-5161 18" X 24" 100-Sheet Pad-Retail $14^95 $597 1119 Williamson; 608/244-8338 Now-August 27 03JJ Now-September 3 Wesley Kimler / Am Star Trek: The Life of Gene Roddenberry TALENS' Now-August 20 8pm $5 Van Gogh Watercolors Jeff Wall Now-September 3 Retail $2:49" $"|25 Madison Repertory Theatre Jack Pierson: Traveling Show Madison Civic Center, Isthmus Playhouse; Van Gogh Oil Colors September 2-November 26 608/256-0029 50% Off PLUS - Buy 3Tubes (40ml), get Beyond Belief Recent Art from East Cenkal v^ 1^ DE Now-August 27 - Forever Plaid a mail-in coupon lor 3 FREE Tubes (22ml)! Europe W Th 7:30pm F 8pm Sa 5 & 8:30pm Su «:i.os;ii OUT: A R C H E S9 7:30pm $19.50/$! 6.50 6 WINSOR & NEWTON 140 Lb. Cold Press Watercolor Paper Artists'Arylics 50%°« 22" X30" 5-Sheet Pack- Retail $26r50 $"|325 EVERY DAY DISCOUNTS Sax Arts & Crafts Retail Store of10%-30% 100A E. Pleasant St. (Walnut & 1ST), Milwaukee, WI Saie Specials End September 30th Hours: M-F 8:30-6, SAT 9-5 414-264-1580

30 Art Muscle I wish, Mega Discount Nursery I wish. Where ^de ^Beauty Of Nature Meets Hide {Artistry I could find ARTY Apparel for less money OfMan If WISH GRANTED!!

Loehman'sPlaza The Pavilion Brookfield Mequon 782-9530 24^5553 MEGA DISCOUNT NURSERY 571-6565

Decorative Standard EASEL CEDAR WOOD CHIPS Disease resistant • Long lasting & clean WHITE BIRCH 25 ft plus • Beautiful & fragrant cedar aroma SALE $49.99 • Repels mosquitoes and all other bugs! LYRE STEEL $9.99 per yard—delivery available FRUIT TREES (1 coupon per customer—additional yards $14.99) | • Dwarf & standard J EASEL EASEL coupon expires 9-20-95 • Self pollinating ™ STURDY OILED PORTABLE YET Producing fruit this year! BEECHWOOD • STURDY-HOLDS . • 5ft plus only $14.99 ADJUSTABLE UP TO 27 INCH Hi-bred ) —top quality— f ANGLE AND CANVAS & TILTS POPLARS HEIGHT- HORIZONTAL • 6ft plus only $9.99 RARE BIRCH HOLDS UP FOR WATER • Create an instant wall of trees! Snow white bark with TO 49 INCH COLORS - FOLDS • Deep green, large, heart shaped leaf deep red leaves CANVAS- TO SIZE OF AN • Grows 8ft per year —super hardy— NEEDS UMBRELLA - $9.99 tO $49.99 ASSEMBLY ASSORTED 209.95 COLORS MAPLES, ASH, LOCUSTS, CRABS 99.95 74.95 and many others—10ft plus Personalized 44.95 $1 9.99 tO $49.99 gift certificates —top quality— available ARTISTANDDISPLAY 9015 WEST BURLEIGH 442-9100 MWF 9-6 • TUE & THUR 9-8 PM • SAT 9-5 • SUNDAY 12-4 1901E. Rawson-Go 2 miles east of I-94 • Open 9am-9pm 7 davs a week CLOSED ON SUNDAYS DURING THE SUMMER UNTIL AUGUST 27

customized \jikiridtioml ait... Ge|t-Wjted

STUDIO 3rd Floor, Cedar Creek Settlement Itiifjkefc and Cedarburg, Wi. 414-377-2363 artist - Mona Btxustdii Ret>e|s

U§ft@in) ft® ^

ffl'Your growing business to a diverse and vast news, live chats and software needs feedback from online community. Point and libraries. Call 224-8273 for a the customers. click to Internet discussion 10 day trial membership and tjj/Practical customer groups, global electronic mail, free computer software. surveys help you make good decisions. CfifEffective marketing ima plans also available

Cocktails • Alternative Music OBf Guaranteed timetable B'Free quote • The Milwaukee PoelTy Slam every 2nd and 4th Wednesday WrWKS of the month at 8:30pm Don't 332.4976 come here. 706 E. Lyon Street • 347-9972 [email protected] 31