DOCSLIB.ORG

ICOM Costume News 2007:2

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ICOM Costume News 2007:2 ICOM Costume News 2007:2 ICOM Costume News 2007:2 October 20, 2007 INTERNATIONAL COSTUME COMMITTEE COMITÉ INTERNATIONAL DU COSTUME Remarks from the new Chair In order to send out this Newsletter as quickly as possible – and to keep this Newsletter from becoming too large – The wonderful and inspiring meeting in Vienna the Objectives have not yet been translated into French was a perfect send-off for the Committee’s new and Spanish. We will include them in the next Board, with three former Chairmen present: Ann Newsletter and/or send them out separately. Coleman, Mariliina Perkko and Joanna Marschner. Their dedication developed the Committee to what it is today, and our Afin de pouvoir envoyer Nouvelles du Costume le plus remarkable meetings are proof that their efforts vite possible – et pour restreindre le nombre des pages – have paid off. I’m proud and honored to head les Projets d’action de la nouvelle direction n’ont pas up the Committee’s new Board, which encore été traduit ni en francais ni en éspagnol. Le texte represents a fine spectrum of experience in the va être inclu dans le prochain numéro ou envoyé field of costume. séparément. As you will see in this Newsletter, we have decided to present a number of objectives on Con el objetivo de despachar esta Informativo lo más which we will concentrate in this three-year rápido posible – y para que esta Informativo no se period. Please read them carefully and be sure to extienda demasiado – los Objetivos todavía no han sido send your comments and suggestions. In the traducidos al francés y al español. Estos serán incluidos coming Newsletters we will describe each en la próxima Informativo y/o enviados en forma project in more detail, shaping them according separada. to your reactions and input. I look forward to hearing from you – and seeing Thank you! as many as possible next year in Chile! I would like to thank all the members of the Katia Johansen Costume Committee for their warm words and [email protected] little gifts to mark the end of my term as Chair. It has been an honour and pleasure to be part of such an interesting and friendly community. Joanna Marschner 1 (28) ICOM Costume News 2007:2 Minutes Annual General Meeting - This year saw the termination of the contract with John Zvereff, the Director General of ICOM Costume Committee ICOM. The interim Director General is Mr Piet 22 August, 2007, Vienna, Austria Pouw from the Netherlands. - At the Advisory meeting just held in Vienna, 1. Call to order: the following information was presented: Knut Chair Joanna Marschner called the meeting to Wik (Norway) was elected as the new Chair of order at 9:08 AM. Present: 36 members. the Advisory Committee. The work of this Regrets from: Naomi Tarrant, Karen Finch, committee over the last three years included the Sandy Rosenbaum, Britta Hammar, Katalin formation of working groups looking into the Foldi Dozsa, Sigrid Pallmert, Heidi Rasche, working and role of the International and Mirjana Menkovic, Ann Resare, Pernilla National Committees. There is a new Rasmussen, Dorothea Nicolai, Birgit Haase, Aija Nominating Committee. The ethics code has Jansone, Gundula Wolter. Aude le Guennec (just been revised. New mentoring grants have been the AGM). established to allow young members of ICOM to attend meetings (one of which was awarded 2. Approval of Minutes of 13 October 2006, to a member of the Costume Committee, Aude Copenhagen, Denmark: le Guennec). There have been two editions of the Journal of Intangible Heritage , continuing the Secretary Katia Johansen presented the Minutes. debate on this subject which formed the basis of As the Minutes from last meeting were printed the last Triennial meeting in Seoul, South Korea. in Newsletter and distributed today, it was The Standing Committee on Legal Affairs had agreed to dispense with reading them aloud. made new links with the International Bar Four actions to be taken were noted; all actions Association, to assist in the debate surrounding have been or will be taken. These action items the cultural protection and rights of indigenous were: location of 2008 meeting, location of 2009 peoples, intangible heritage, meeting, allowing time for new members to copyright/intellectual property. 2006 saw the introduce themselves early on in the conference, 60 th anniversary of the foundation of ICOM. and preparing a draft of a promotional brochure. The Museums Emergency programme now Chair Marschner asked for a show of hands covers 99% of the world through its contacts approving minutes – passed unanimously. with allied associations. 3. Chair’s report : - There were two matters of particular concern Chair Marschner presented the following report: to the Costume Committee which were - Over the last six years the number of members discussed at the Advisory meeting. ICOM of the committee has grown steadily, with more announced the launching of a new members young members becoming involved. And - more database. As well as allowing a more efficient members than ever are attending the annual way of up-dating membership details it will have meetings. We have managed to publish four the facility to host forums and news pages. The volumes of proceedings of the last meetings system will be centrally managed, and which is a wonderful achievement. This year we maintained. Visit www.icommembers.org to see were successful in our bid to secure one of a template or protoype of the message board th ICOM’s special 60 anniversary grants which (until September 15). ICOM also launched its was used to publish the 2006 Proceedings. So – I Strategic Plan 2008-1010, and announced its new want to say thank you for all the wonderful work guiding principles: to strengthen ICOM’s global the members of the committee have done since impact; to provide leadership in advocating the 2002 – to Alex and Elizabeth, to Bianca and value of heritage; to champion effectiveness and Rainer, to Ann and Katia and Britta and Pernilla. high standards in museums; and to ensure the It has been just great to know that they would be resources required to effectively implement the there as help, support and with kind and sound strategic plan. ICOM would like to see these advice through all the good projects and all the principles embedded in the work of difficult times too – so THANK YOU all. International and National Committees. 2 (28) ICOM Costume News 2007:2 - There is a suggestion from the Advisory the latest Costume News. The Committee now Committee that there should be a change in the consists of 249 members, of which there are 8 principles for the allocation of the subvention institutions. Institutional membership of ICOM payment to the International Committees. At is relatively expensive, which means that it may present there is a standard subvention paid for instead be cheaper – and more popular – with each member. This means that the committees individual memberships at many museums. which are the most wealthy are the ones who have lots of members, but don’t have a very Our membership has grown from 165 voting lively programme. The change suggested would members in 1996 to 249 today, an increase of 84 divide the subvention into three grants. The first members. Until 2003 we had both voting and for basic costs would be calculated on member non-voting members, the latter almost as numbers as would the second communication numerous as the voting members. As our main grant. The last grant would be called an activity income consists of the annual subvention from grant where the number of people attending the ICOM for voting members who have paid their annual meetings would be taken into account. ICOM dues on time, we are naturally interested This would have a significant advantage for our in the number. From 1998 the membership fell committee. We are of average size, but we are slightly over a four year period, but since 2002 it ambitious in our programmes and our meetings has grown steadily with an average of about 10 are very well attended – so I think we should new members pr. year. Surprisingly, only about keep an eagle eye on this discussion. 40% of all ICOM members have chosen to join an international committee such as ours – so if - In this the Triennial year our committee has to we wish to attract new members, the submit not just the annual report about our membership of ICOM is right to hand. activities, but also a bigger explanation of our work over the past three years. We were also Updating membership information seems to run asked to comment on a number of points to aid more smoothly now, but it is still dependent on the revising of ICOM’s strategic plan. As I have members themselves submitting changes to ICOM mentioned earlier one of the matters considered at: [email protected] . The Secretary can in the present ICOM strategic plan, was to get a not change personal information on behalf of better idea of the working of the international members. committees such as ours. We have faithfully answered all their questions. As Secretary I field a number of requests for information. Among them from the director of a It has been a delight to deal with Margot Costume museum in Tehran, the actual existence Schindler and her team, and Dorothea Nicolai in of which I was not able to confirm. We have the devising of this year’s lovely programme. I also received an invitation from ICOM UK to know that there will be opportunity to thank contribute to their bi-annual Newsletter – their them properly later, but let me start here by editor Lucy Watts thought that a short article saying well done, and thank you so much.
Load more

Recommended publications
  • The Evolution of Fashion
    ^ jmnJinnjiTLrifiriniin/uuinjirirLnnnjmA^^ iJTJinjinnjiruxnjiJTJTJifij^^ LIBRARY THE UNIVERSITY OF CALIFORNIA SANTA BARBARA FROM THE LIBRARY OF F. VON BOSCHAN X-K^IC^I Digitized by the Internet Archive in 2007 with funding from Microsoft Corporation http://www.archive.org/details/evolutionoffashiOOgardiala I Hhe Sbolution of ifashion BY FLORENCE MARY GARDINER Author of ^'Furnishings and Fittings for Every Home" ^^ About Gipsies," SIR ROBERT BRUCE COTTON. THE COTTON PRESS, Granvii^le House, Arundel Street, VV-C- TO FRANCES EVELYN, Countess of Warwick, whose enthusiastic and kindly interest in all movements calculated to benefit women is unsurpassed, This Volume, by special permission, is respectfully dedicated, BY THE AUTHOR. in the year of Her Majesty Queen Victoria's Diamond Jubilee, 1897. I I I PREFACE. T N compiling this volume on Costume (portions of which originally appeared in the Lndgate Ilhistrated Magazine, under the editorship of Mr. A. J. Bowden), I desire to acknowledge the valuable assistance I have received from sources not usually available to the public ; also my indebtedness to the following authors, from whose works I have quoted : —Mr. Beck, Mr. R. Davey, Mr. E. Rimmel, Mr. Knight, and the late Mr. J. R. Planchd. I also take this opportunity of thanking Messrs, Liberty and Co., Messrs. Jay, Messrs. E. R, Garrould, Messrs. Walery, Mr. Box, and others, who have offered me special facilities for consulting drawings, engravings, &c., in their possession, many of which they have courteously allowed me to reproduce, by the aid of Miss Juh'et Hensman, and other artists. The book lays no claim to being a technical treatise on a subject which is practically inexhaustible, but has been written with the intention of bringing before the general public in a popular manner circumstances which have influenced in a marked degree the wearing apparel of the British Nation.
    [Show full text]
  • Linguistic and Extralinguistic Challenges in Translation of English Footwear Terminology Into Romanian
    Journal of Social Sciences Vol. 1, no. 2 (2018), pp. 47 - 55 Fascicle Social Science ISSN 2587-3490 Topic Philology ang linguistics eISSN 2587-3504 LINGUISTIC AND EXTRALINGUISTIC CHALLENGES IN TRANSLATION OF ENGLISH FOOTWEAR TERMINOLOGY INTO ROMANIAN Inga Stoianova Free International University of Moldova, 52 Vlaicu Pârcalab Str, Chișinău, Republic of Moldova [email protected] Received: October, 20, 2018 Accepted: November, 22, 2018 Abstract. The footwear terminology represents a great interest and challenge in translation, as world-famous brands, daily competing with each other, create almost monthly new models of footwear, thus, introducing new terminological designations for shoes and requiring their adequate translation using certain translation techniques. A large layer of English footwear specialized vocabulary is rendered into Romanian by calque, description and transcription in the absence of the proper equivalent in the target language. Subsequently, language replenishment with borrowed lexical units takes place, having a positive effect on the language vocabulary volume. However, the abundance of foreign words creates misunderstandings in the specialized communication of representatives of different target audiences. Moreover, in the modern intercultural specialized communication there appeared a tendency to use brands names adapted for the Romanian market instead of words denoting types of shoes. Key words: terminology of accessories and fashion, polysemy, cross-cultural borrowing, eponymic terms, syntactic transformations, terminological equivalent. CZU 811.111:685.3 Introduction Phenomena and concepts of the modern world spread across all countries and continents at tremendous speed, despite state borders, level of development of state economy, languages and cultures. To make the intercultural communication faster and more comfortable languages of international communication are involved, their implication having a gradual character on the basis of modern means of their distribution.
    [Show full text]
  • On a Pedestal. from Renaissance Chopines to Baroque Heels ; [Exhibition Held at the Bata Shoe Museum, Toronto, Ont., Nov
    Semmelhack, Elizabeth (Hrsg.): On a pedestal. From Renaissance chopines to Baroque heels ; [exhibition held at the Bata Shoe Museum, Toronto, Ont., Nov. 18, 2009 - Sept. 20, 2010], Toronto: Bata Shoe Museum 2009 ISBN-13: 978-0-921638-20-9, 115 S On a Pedestal. From Renaissance Chopines to Baroque Heels Bata Shoe Museum, Toronto, Nov 18, 2009–Sep 20, 2010 Reviewed by: Murray Colin A., Toronto The Bata Shoe Museum opened in Toronto in 1995 as the brainchild of Sonja Bata of the Bata Shoe Company. With a collection of 12,000 objects, this unique museum is dedicated exclusively to the history of the shoe and has a history of informative exhibitions on specialized topics, such as the one currently on display, “On A Pedestal: From Renaissance Chopines to Baroque Heels.” Curated by Elizabeth Semmelhack, this exhibition showcases 50 shoes of the sixteenth and seven- teenth centuries, all of which were designed to elevate the stature of the wearer [1]. The chopine, most popular in Spain and Italy in the sixteenth century, is a kind of platform shoe made of wood or cork and covered in leather or textile. The heeled shoe, in which the heel is built up in height independently of the sole (unlike the blocky or columnar soles of the chopine) was worn by men and women and was most popular in Northern Europe in the seventeenth century. Bringing together this many examples of a select type of shoe in one place is no small achievement, as they had to be borrowed from institutions in Italy, Spain, Austria, Sweden, the United States, the UK, and Canada.
    [Show full text]
  • What's That Fabric?
    Costumer’s Guild West, Inc. presents the 27th annual Costume College 2019 What’s That Fabric? July 25 - 29, 2019 Bonus Track: Celebrating Women The 100th Anniversary of American Women’s Suffrage www.costumecollege.net Registration Book Contents Dean’s Message 1 Hotel & Local Business Information Special Announcement 2 Warner Center Marriott Woodland Hills 2 Parking at the Hotel 2 Transportation 3 Disability Accommodations 3 Finding Food: light snacks to extravagant meals 4 Emergency Costume Supplies 4 Bringing your own food 5 What to Wear 5 Open to the Public Information Desk 6 Sewing Machine Rental 6 Costume Exhibits 7 Caught on Camera 8 Marketplace 9 CGW Board Mixer 10 Social Media 10 Scholarships & How to Get Them 11 Volunteers 11 Attendees Only Event Check-In 12 Guest Teacher Q+A 12 Panic Room 13 Mobile App 13 Portrait Studio 14 Hospitality Suite 15 Welcome Party: Garments of the Galaxy 16 Friday Night Showcase: Presented by the USO 17 Red Carpet 18 Raffles 18 Time Traveler’s Gala: Opulent Streets of Venice 19 Bargain Basement 20 Sunday Breakfast: Good Mourning 21 Fantasy Tea: Tea at the Haunted Manor 22 Trunk Show 23 Classes Tours 24 Guest Teachers 27 Freshman Orientation 28 Class Information 28 Classes 30 Teachers Teacher Biographies 59 About Costumer’s Guild West & Costume College History of Deans & Themes 73 About Costumer’s Guild West and Costume College 74 Legal Disclosures and Policies 74 Costume College Committee Members 76 CGW, Inc. Board Members 77 All images in this book, other than those provided by Costume College and its teachers, are provided by Shutterstock.
    [Show full text]
  • Fashion,Costume,And Culture
    FCC_TP_V3_930 3/5/04 3:57 PM Page 1 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages FCC_TP_V3_930 3/5/04 3:57 PM Page 3 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages Volume 3: European Culture from the Renaissance to the Modern3 Era SARA PENDERGAST AND TOM PENDERGAST SARAH HERMSEN, Project Editor Fashion, Costume, and Culture: Clothing, Headwear, Body Decorations, and Footwear through the Ages Sara Pendergast and Tom Pendergast Project Editor Imaging and Multimedia Composition Sarah Hermsen Dean Dauphinais, Dave Oblender Evi Seoud Editorial Product Design Manufacturing Lawrence W. Baker Kate Scheible Rita Wimberley Permissions Shalice Shah-Caldwell, Ann Taylor ©2004 by U•X•L. U•X•L is an imprint of For permission to use material from Picture Archive/CORBIS, the Library of The Gale Group, Inc., a division of this product, submit your request via Congress, AP/Wide World Photos; large Thomson Learning, Inc. the Web at http://www.gale-edit.com/ photo, Public Domain. Volume 4, from permissions, or you may download our top to bottom, © Austrian Archives/ U•X•L® is a registered trademark used Permissions Request form and submit CORBIS, AP/Wide World Photos, © Kelly herein under license. Thomson your request by fax or mail to: A. Quin; large photo, AP/Wide World Learning™ is a trademark used herein Permissions Department Photos. Volume 5, from top to bottom, under license. The Gale Group, Inc. Susan D. Rock, AP/Wide World Photos, 27500 Drake Rd. © Ken Settle; large photo, AP/Wide For more information, contact: Farmington Hills, MI 48331-3535 World Photos.
    [Show full text]
  • Actes Des Congrès De La Société Française Shakespeare
    Actes des congrès de la Société française Shakespeare 39 | 2021 Shakespeare et les acteurs Performing Genre: Tragic Curtains, Tragic Walking and Tragic Speaking Tiffany Stern Electronic version URL: https://journals.openedition.org/shakespeare/5904 DOI: 10.4000/shakespeare.5904 ISSN: 2271-6424 Publisher Société Française Shakespeare Electronic reference Tiffany Stern, “Performing Genre: Tragic Curtains, Tragic Walking and Tragic Speaking”, Actes des congrès de la Société française Shakespeare [Online], 39 | 2021, Online since 19 May 2021, connection on 23 August 2021. URL: http://journals.openedition.org/shakespeare/5904 ; DOI: https://doi.org/ 10.4000/shakespeare.5904 This text was automatically generated on 23 August 2021. © SFS Performing Genre: Tragic Curtains, Tragic Walking and Tragic Speaking 1 Performing Genre: Tragic Curtains, Tragic Walking and Tragic Speaking Tiffany Stern 1 In his New World of English Words, Edward Phillips characterises a “Tragedian” as “a writer of […] a sort of Dramatick Poetry […] representing murthers, sad and mournfull actions.”1 He may be picking up on Florio’s New World of Words which had defined a “comedian” as, no surprise, a “writer of comedies.”2 Both seem, now, self-evident as definitions. But Shakespeare, who was, according to these classifications, both a tragedian and a comedian, used those same words in a different sense. When Rosencrantz lets Hamlet know that “the Tragedians of the City” (Hamlet, TLN 1375) have arrived, or when Cleopatra worries that “The quicke Comedians / Extemporally will
    [Show full text]
  • Stepping Into History at the Bata Shoe Museum Zapatos Y Sociedad: Caminando Por La Historia En El Bata Shoe Museum
    CORE Metadata, citation and similar papers at core.ac.uk Provided by Revistes Catalanes amb Accés Obert Shoes and Society: Stepping into History at the Bata Shoe Museum Zapatos y sociedad: caminando por la historia en el Bata Shoe Museum Elizabeth Semmelhack Senior Curator of the Bata Shoe Museum The Bata Shoe Museum 327, Bloor Street West Toronto (ON), Canadá M5S 1W7 [email protected] Recepción del artículo 19-07-2010. Aceptación de su publicación 17-08-2010 resumen. El Bata Shoe Museum de Toronto (Ca- abstract. The Bata Shoe Museum in Toronto, nadá) es el museo de zapatos más grande de Nor- Canada is the largest shoe museum in North teamérica y alberga una colección de casi trece mil America and houses a collection of nearly 13,000 objetos que abarcan cuatro mil quinientos años de artifacts spanning 4,500 years of history. It is a cen- historia. Es, además, un centro internacional de in- tre for international academic research with a man- vestigación cuyo objetivo es el estudio, la exposi- date to study, exhibit, and publish on the cultural, ción y la publicación de trabajos académicos y cien- historical and sociological significance of footwear. tíficos sobre el significado cultural, histórico y -so The museum opened its doors to the public on ciológico del calzado. El museo abrió sus puertas May 6, 1995 and was established by Mrs. Sonja Bata al público el 6 de mayo de 1995 y fue fundado por as an independent, non-profit institution to house Sonja Bata como una institución independiente y and exhibit her renowned personal collection of sin ánimo de lucro cuya función primordial era al- historic and ethnographic footwear.
    [Show full text]
  • Quest Spelling List 1 Abacillary Abandonedly Abduction Abhorred
    Quest Spelling List abacillary adherend allusion anhedonia abandonedly adiabatic allusively animadversion abduction adios alphanumerical animadversions abhorred adjournment alternative animus abide adjudication altigraph ankylosaur Abidjan admeasurement altocumulus annelid abience admirer altricial annexation ablation admiringly alveolar announcer ablaze admonish always annularity ablutions adobe alyssum ansa abnegation adolescent amalgamation antagonist abnormal adrenergic amandine antennae aboard adustiosis amaranth antepenultimate abolitionists advantageously amateurish anthesis abranchiate advection Amazon anthophorous absentmindedly adventitious ambidexterity anthracite absolutely adversaries amble anthropologist Abyssinian aerophone ambrette anthropology academe aeroplankton amenities anthropomorphic academician Aesculapian amercement anthropophagous acanthus affectation amethysts anthropopsychism acarian affenpinscher amiably anticlimax acceded affix amigo anticoagulant accentuate affliction ammoniacal antidotal accompaniment affrighted amnesty antigen accosted afghan amorphous antihistamine accouchement Afrikaans ampere antinomy accountant afterglow ample antipathies accretionary agalloch ampliate antiphonal acculturation agathism amplitude anxieties accumbent aggrandizing amyotonia anxiolytic accustomed aggressor amyotrophic anxiously acetaldehyde aggrieved anacoluthon aparejo acetaminophen agility anacreontic apiculture acetic agitation anadiplosis apocalyptic acetone agnomen anadromous apocrypha acharya agonize analyze Apollonian
    [Show full text]
  • The Platform Shoe History and Post WWII
    The Platform Shoe – History and Post WWII By Martha Rucker Cave drawings from more than 15,000 years ago show humans with animal skins or furs wrapped around their feet. Shoes, in some form or another, have been around for a very long time. The evolution of foot coverings, from the sandal to present-day athletic shoe continues. Platform shoes (also known as Disco Boots) are shoes, boots, or sandals with thick soles at least four inches in height, often made of cork, plastic, rubber, or wood. Wooden-soled platform shoes are technically also known as clogs. They have been worn in various cultures since ancient times for fashion or for added height After their use in Ancient Greece for raising the height of important characters in the Greek theatre and their similar use by high-born prostitutes or courtesans in Venice in the 16th Century, platform shoes are thought to have been worn in Europe in the 18th century to avoid the muck of urban streets. Of the same practical origins are the Japanese geta, a form of traditional Japanese footwear that resembles both clogs and flip-flops There may also be a connection to the buskins of Ancient Rome, which frequently had very thick soles to give added height to the wearer. During the Qing Dynasty, aristocrat Manchu women wore a form of platform shoe similar to 16th century Venetian chopine, a type of women's platform shoe that was popular in the 15th, 16th and 17th centuries which were used to protect the shoes and dress from mud and street soil.
    [Show full text]
  • Aalost Aardvark Aardwolf Aarhus Abadan Abampere Abandon
    优质域名注册参考：热门单词 aalost abelia ableism abreast abstract acaridae accusing achiever aconitum actinal aardvark abelmosk ablism abridge abstruse acarina accusive achillea acorea acting aardwolf aberdare abloom abridged absurd acarine acedia aching acores actinia aarhus aberrant ablution abridger absurdly acarpous acentric achira acousma actinian abadan aberrate abnaki abroach abukir acarus acephaly acholia acoustic actinic abampere abetment abnegate abrocoma abulia acaryote acerate achomawi acquire actinide abandon abetter abnormal abrocome abulic acaudal acerbate achras acquired actinism abashed abettor aboard abrogate abundant acaudate acerbic achromia acquirer actinium abasia abeyance abolish abronia abused accede acerbity achromic acquit actinoid abasic abeyant abomasal abrupt abuser accented acerola achylia acragas actinon abatable abfarad abomasum abruptly abusive accentor acerose acicula acreage actitis abatic abhenry aborad abruzzi abutilon accepted acervate acicular acridid actium abating abhorrer aboral abscess abutment acceptor acetal acidemia acridity activase abatis abidance aborning abscise abutter acclaim acetate acidic acrilan actively abattis abiding abortion abscissa abutting accolade acetic acidify acrimony activism abattoir abience abortive abscond abvolt accost acetify acidity acrocarp activist abaxial abient abortus abseil abwatt accouter acetone acidosis acrodont actress abbacy abject aboulia abseiler abydos accoutre acetonic acidotic acrogen actually abbatial abjectly aboulic absentee abysmal accredit acetose aciduric
    [Show full text]
  • The Association of Dress Historians Annual New Research in Dress History Conference: a Weeklong “Festival” of Dress History
    The Association of Dress Historians Annual New Research in Dress History Conference: A Weeklong “Festival” of Dress History 7–13 June 2021 Convened By: The Association of Dress Historians www.dresshistorians.org Conference Webpage: www.dresshistorians.org/june2021conference Conference Tickets: https://tinyurl.com/June2021 Conference Email Contact: [email protected] The Association of Dress Historians Annual New Research in Dress History Conference, 7–13 June 2021 The Association of Dress Historians (ADH) supports and promotes the study and professional practice of the history of dress, textiles, and accessories of all cultures and regions of the world, from before classical antiquity to the present day. The ADH is proud to support scholarship in dress and textile history through its international conferences, the publication of The Journal of Dress History, monetary awards for students and researchers, and ADH members’ events such as curators’ tours. The ADH is passionate about sharing knowledge. The mission of the ADH is to start conversations, encourage the exchange of ideas, and expose new and exciting research. If you are not yet an ADH member, please consider joining us! Membership has its perks and is only £10 per year. Thank you for supporting our charity and the work that we do. Memberships are available for purchase on this page: www.dresshistorians.org/membership. To attend the weeklong “festival” of dress history, just one conference ticket must be purchased (which entitles participation at all seven conference days) in advance, here: https://tinyurl.com/June2021. Please join The Association of Dress Historians twitter conversation @DressHistorians, and tweet about our June 2021 New Research conference with hashtags #ADHNewResearch2021 and #NewResearchFestival.
    [Show full text]
  • Fantasy Role Playing Game by John M
    WEIRD FANTASY EDITION BBllooooddyy BBaassiicc FANTASY ROLE PLAYING GAME BY JOHN M. STATER THIS IS THE BASIC VERSION OF THE BLOOD & TREASURE FANTASY ROLE PLAYING GAME. IT SERVES AS AN INTRODUCTION TO THE BLOOD & TREASURE SYSTEM WITH A WEIRD FANTASY THEME carlo camprini (order #8074324) BB llooooddyy BBaassiicc FFaannttaassyy RRoollee PPllaayyiinngg GGaammee WRITTEN BY I. Introduction 1 II. Making a Character 2 John M. Stater III. Ability Scores 3 IV. Races 4 EDITED BY V. Classes 5 The Idolator Class 6 Tanner Yea The Magus Class 8 The Puissant Class 10 David Jenks The Thief Class 12 COVER ILLUSTRATION VI. Retainers 14 VII. Equipment 14 Sidney Sime VIII. Wonder 18 IX. Rules of Play 19 INTERIOR ILLUSTRATIONS X. Dungeons and Wilderness 22 XI. Monsters 25 Aubrey Beardsley Aberrations 26 Mahlon Blaine Animals 27 Dwight A Boyce Constructs 27 Claude Fayette Bragdon Demons and Devils 28 Dragons 30 Harry Clarke Elementals 30 Boris Dalgov Fey 31 Sidney Sime Giants and Humanoids 32 Magical Beasts 33 Silhouette of potions by Telecanter Monstrous Humanoids 34 Oozes 35 Plants 36 Cartography (page 23) by Dyson Logos Undead 36 XII. Experience and Treasure 38 XIII. Thesaurus 43 XIV. Conclusion 45 Bloody Basic – Weird Fantasy Edition is Copyright 2015 John M. Stater Open Game License v 1.0 Copyright 2000, Wizards of the Coast, Inc. carlo camprini (order #8074324) carlo camprini (order #8074324) Weird fantasy is a cornerstone of fantasy role-playing games, dice and interact with one another to make things happen. One influencing the earliest games and lending them their unique of the players is declared the Referee, or Treasure Keeper (TK) flavor.
    [Show full text]