Arts of Asia Lecture Series Fall 2016 from Monet to Ai Weiwei: How We Got Here Sponsored by the Society for Asian Art
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Military Transformation on the Korean Peninsula: Technology Versus Geography
THE UNIVERSITY OF HULL Military Transformation on the Korean Peninsula: Technology Versus Geography Being a Thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy At the University of Hull By Soon Ho Lee BA, Sungkyunkwan University, Republic of Korea, 2004 MA, The University of Birmingham, United Kingdom, 2005 MRes, King’s College London, United Kingdom, 2006 1 Acknowledgement I am the most grateful to my Supervisor Dr. David Lonsdale for his valuable academic advice and support during the long PhD journey. To reach this stage, I have had invaluable support from my family back in Korea and my dear wife Jin Heon. I would also like to thank my family for being so patient while I was researching. During this journey, I have obtained a precious jewel in my daughter, Da Hyeon. I will pray for you all my life. I would like to give special thanks to my late grandfather who gave me the greatest love, and taught me the importance of family. 2 Thesis Summary This thesis provides an explanation of one RMA issue: the effectiveness of contemporary military technology against tough geography, based upon case studies in the Korean peninsula. The originality of the thesis is that it will provide a sound insight for potential foes’ approach to the dominant US military power (superior technology and sustenance of war). The North Korean defence strategy – using their edge in geography and skill – tried to protect themselves from the dominant US power, but it may be impossible to deter or defeat them with technological superiority alone. -
Abl25thesispdf.Pdf (2.788Mb)
THE HOPE AND CRISIS OF PRAGMATIC TRANSITION: POLITICS, LAW, ANTHROPOLOGY AND SOUTH KOREA A Dissertation Presented to the Faculty of the Graduate School Of Cornell University In Partial Fulfillment of the Requirements of the Degree of Doctor of Philosophy by Amy Beth Levine May 2011 © 2011 Amy Beth Levine THE HOPE AND CRISIS OF PRAGMATIC TRANSITION: POLITICS, LAW, ANTHROPOLOGY AND SOUTH KOREA Amy Beth Levine, Ph.D. Cornell University 2011 This dissertation demonstrates how the urgent condition of crisis is routine for many non-governmental (NGO) and non-profit organization (NPO) workers, activists, lawyers, social movement analysts, social designers and ethnographers. The study makes a contribution to the increasing number of anthropological, legal, pedagogical, philosophical, political, and socio-legal studies concerned with pragmatism and hope by approaching crisis as ground, hope as figure, and pragmatism as transition or placeholder between them. In effect this work makes evident the agency of the past in the apprehension of the present, whose complexity is conceptualized as scale, in order to hopefully refigure ethnography’s future role as an anticipatory process rather than a pragmatic response to crisis or an always already emergent world. This dissertation is based on over two years of fieldwork inside NGOs, NPOs, and think tanks, hundreds of conversations, over a hundred interviews, and archival research in Seoul, South Korea. The transformation of the “386 generation” and Roh Moo Hyun’s presidency from 2003 to 2008 serve as both the contextual background and central figures of the study. This work replicates the historical, contemporary, and anticipated transitions of my informants by responding to the problem of agency inherent in crisis with a sense of scale and a rescaling of agency. -
A Confucian Interpretation of South Korea's Candlelight Revolution
religions Article Candlelight for Our Country’s Right Name: A Confucian Interpretation of South Korea’s Candlelight Revolution Sungmoon Kim Department of Public Policy, City University of Hong Kong, 83 Tat Chee Avenue, Kowloon, Hong Kong; [email protected]; Tel.: +(852)-3442-8274 Received: 10 September 2018; Accepted: 26 October 2018; Published: 28 October 2018 Abstract: The candlelight protest that took place in South Korea from October 2016 to March 2017 was a landmark political event, not least because it ultimately led to the impeachment of President Park Geun-hye. Arguably, its more historically important meaning lies in the fact that it marks the first nation-wide political struggle since the June Uprising of 1987, where civil society won an unequivocal victory over a regime that was found to be corrupt, unjust, and undemocratic, making it the most orderly, civil, and peaceful political revolution in modern Korean history. Despite a plethora of literature investigating the cause of what is now called “the Candlelight Revolution” and its implications for Korean democracy, less attention has been paid to the cultural motivation and moral discourse that galvanized Korean civil society. This paper captures the Korean civil society which resulted in the Candlelight Revolution in terms of Confucian democratic civil society, distinct from both liberal pluralist civil society and Confucian meritocratic civil society, and argues that Confucian democratic civil society can provide a useful conceptual tool by which to not only philosophically construct a vision of civil society that is culturally relevant and politically practicable but also to critically evaluate the politics of civil society in the East Asian context. -
The GW Undergraduate Review, Volume 4
41 KEYWORDS: Korean democracy, Gwangju Uprising, art censorship DOI: https://doi.org/10.4079/2578-9201.4(2021).08 The Past and Present of Cultural Censorship in South Korea: Minjung Art During and After the Gwangju Uprising VIVIAN KONG INTERNATIONAL AFFAIRS, ESIA ‘23, [email protected] ABSTRACT The Gwangju Uprising provided pivotal momentum for South Korea’s path toward democracy and was assisted by the artwork by Minjung artists. However, the state’s continuous censorship of democratic art ironically contradicts with the principles that Gwangju upholds, generating the question: how does the censorship of democratic artists during and after the Gwangju Democratic Uprising affect artistic political engagement and reflect upon South Korea’s democracy? I argue that censorship of Minjung art is hypocritical in nature by providing key characteristics of democracy the South Korean state fails to meet. Minjung art intends to push for political change and has roots in the Gwangju Uprising, an event that was the catalyst in creating a democratic state, yet the state continues to suppress a democratic freedom of expression. Looking to dissolve the line between activism and art, Korean Minjung artists have been producing content criticizing the state from the 1980s to modern day despite repression from the state. Past studies and first-person accounts on Gwangju have focused separately on authoritarian censorship on art or on modern cultural censorship. This paper seeks to bridge this gap and identify the parallels between artistic censorship during South Korea’s dictatorships and during its democracy to identify the hypocrisy of the state regarding art production and censorship. -
The Koreas and the Policy/Culture Nexus
Two States, One Nation: The Koreas and the Policy/Culture Nexus Jacqueline Willis Institute for Culture and Society University of Western Sydney A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy. © 2013 Acknowledgements I would like to especially thank my principal supervisor Professor James Arvanitakis for the unfailing guidance, encouragement and support he has given me throughout my candidature. His academic expertise, enthusiasm and assuring presence have provided the motivation, confidence and direction needed to complete this intellectually stimulating, though sometimes daunting task. I gratefully acknowledge and extend immeasurable thanks for his mentorship, editorship and invaluable feedback, without which this thesis could not have been written. I would also like to acknowledge the input of my co-supervisor Professor Brett Neilson, whose expert knowledge and recommendations have proven invaluable to the development and completion of this thesis. Special thanks and acknowledgement must also be given to Shin Yoon Ju for providing Korean-English translations, as well as to Brian J. McMorrow, Grete Howard, Eric Testroete, Chris Wood, Raymond Cunningham and fellow Korea researcher, Christopher Richardson, for generously allowing me to use and reproduce their personal photographs. Thanks too to those affiliated with the Institute for Culture and Society at the University of Western Sydney, for their committed nurturing of my academic development and ambitions over the course of my doctoral enrolment. Finally, I would like to extend gratitude to my family, friends and colleagues for always encouraging me in my academic endeavours. Their patience, unwavering support and steadfast faith in my ability have been powerful incentives, driving and sustaining me in my scholarly pursuits. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Embodiments of Korean Mask Dance (T'alch'um) from the 1960s to the 1980s: Traversing National Identity, Subjectivity, Gender Binary Permalink https://escholarship.org/uc/item/9vj4q8r2 Author Ha, Sangwoo Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Embodiments of Korean Mask Dance (T’alch’um) from the 1960s to the 1980s: Traversing National Identity, Subjectivity, Gender Binary A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Critical Dance Studies by Sangwoo Ha June 2015 Dissertation Committee: Dr. Linda J. Tomko, Chairperson Dr. Anthea Kraut Dr. Jennifer Doyle Copyright by Sangwoo Ha 2015 The Dissertation of Sangwoo Ha is approved: Committee Chairperson University of California, Riverside Acknowledgments I would like to take this opportunity to thank several people who shared their wisdom and kindness with me during my journey. First, Dr. Linda J. Tomko, who offered to be my advisor, introduced me to notions about embodying dances past, critical thinking, and historical research approaches. Not only did she help guide me through this rigorous process, she also supported me emotionally when I felt overwhelmed and insecure about my abilities as a scholar. Her edits and comments were invaluable, and her enthusiasm for learning will continue to influence my future endeavors. I offer my sincere gratitude to my committee members, Dr. Anthea Kraut, Dr. Priya Srinivasan, and Dr. Jennifer Doyle. They all supported me academically throughout my career at the University of California, Riverside. -
Truth and Reconciliation Activities of the Past Three Years
Truth and Reconciliation Activities of the Past Three Years CONTENTS President's Greeting I. Historical Background of Korea's Past Settlement II. Introduction to the Commission 1. Outline: Objective of the Commission 2. Organization and Budget 3. Introduction to Commissioners and Staff 4. Composition and Operation III. Procedure for Investigation 1. Procedure of Petition and Method of Application 2. Investigation and Determination of Truth-Finding 3. Present Status of Investigation 4. Measures for Recommendation and Reconciliation IV. Extra-Investigation Activities 1. Exhumation Work 2. Complementary Activities of Investigation V. Analysis of Verified Cases 1. National Independence and the History of Overseas Koreans 2. Massacres by Groups which Opposed the Legitimacy of the Republic of Korea 3. Massacres 4. Human Rights Abuses VI. MaJor Achievements and Further Agendas 1. Major Achievements 2. Further Agendas Appendices 1. Outline and Full Text of the Framework Act Clearing up Past Incidents 2. Frequently Asked Questions about the Commission 3. Primary Media Coverage on the Commission's Activities 4. Web Sites of Other Truth Commissions: Home and Abroad President's Greeting In entering the third year of operation, the Truth and Reconciliation Commission, Republic of Korea (the Commission) is proud to present the "Activities of the Past Three Years" and is thankful for all of the continued support. The Commission, launched in December 2005, has strived to reveal the truth behind massacres during the Korean War, human rights abuses during the authoritarian rule, the anti-Japanese independence movement, and the history of overseas Koreans. It is not an easy task to seek the truth in past cases where the facts have been hidden and distorted for decades. -
MA Thesisaol
KOREAN AMERICAN ARTISTS AND THE 1992 SOCIAL UPHEAVAL IN LOS ANGELES A thesis submitted to the faculty of San Francisco State University In partial fulfillment of The requirement for The degree Master of Arts In Art History by Eun Jung Smith San Francisco, California May, 2006 Copyright by Eun Jung Smith 2006 CONTENTS LIST OF ILLUSTRATIONS…………………………………………………………..vii INTRODUCTION………………………………………………………………………1 CHAPTER ONE SUNG HO CHOI……………………………………………………….………13 TWO YONG SOON MIN…………………………………………………………….28 CONCLUSION NAVIGATING THROUGH THE LABYRINTH……………………………..44 BIBLIOGRAPHY……...………………………………………………………………51 ILLUSTRATIONS…………………………………………………………………….57 ILLUSTRATIONS Figure Page 1. Dong In Park, Traditional Korean’s Farmer’s Dance, 1993…………………..57 2. Sung Ho Choi, The Korean Roulette, 1992…………………………………….58 3. Sung Ho Choi, The Korean Roulette, 1993…………………………………….59 4. Sung Ho Choi, Choi’s Market, 1993…………………………………………...60 5. Yong Soon Min, Defining Moments, 1992……………………………………..61 6. Sung Ho Choi, American Pie, 1996……………………………………………62 7. Sung Ho Choi, American Pie, 1996……………………………………………63 8. Sung Ho Choi, My America, 1996……………………………………………..64 9. Sung Ho Choi, American Dream, 1988-1992…………………………………65 10. Yong Soon Min, Defining Moments, 1992, detail 1 of 6…..…………………..66 11. Yong Soon Min, Defining Moments, 1992, detail 2 of 6………………………67 12. Yong Soon Min, Defining Moments, 1992, detail 3 of 6………………………68 13. Yong Soon Min, Defining Moments, 1992, detail 4 of 6………………………69 14. Yong Soon Min, Defining Moments, 1992, detail 5 of 6………………………70 15. Yong Soon Min, Defining Moments, 1992, detail 6 of 6………………………71 16. James VanHise, Korean Demonstration, 1992…………………………...……72 INTRODUCTION The mural entitled Traditional Koreans’ Farmer’s Dance (1993) (Figure 1) was the primary landmark of Koreatown in Los Angeles, California in 1993.1 Covering the entire south side of a multistory building located on the corner of Western Avenue and Olympic Boulevard, the size of the mural is monumental. -
The Korean Student Movement: the Mobilization Process
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1989 The Korean Student Movement: The Mobilization Process Byeong Chul Ben Park College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the Sociology Commons Recommended Citation Park, Byeong Chul Ben, "The Korean Student Movement: The Mobilization Process" (1989). Dissertations, Theses, and Masters Projects. Paper 1539625551. https://dx.doi.org/doi:10.21220/s2-d2jp-yw16 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. THE KOREAN STUDENT MOVEMENT: THE MOBILIZATION PROCESS A Thesis Presented to The Faculty of the Department of Sociology The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Byeong-chul Park 1989 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts fey&tynf CA^/f'7)'. ' / / Author K Approved, June 1989 Edwin H. Rhyne John H . Stanfield Yf ii To those who are struggling for the welfare of Korean community. iii TABLE OF CONTENTS Acknowledgements...........................................v Abstract........... vi Chapter One Introduction........................................... 2 Chapter Two Review of Literature..................................13 Social Change as a Source of Discontent ....... 23 Chapter Three A Brief Historical Background.........................33 Chapter Four Structure of Mobilization.............................39 The Selected Groups in Social Organization........ -
The Eve of Park's Military Rule: the Intellectual Debate on National Reconstruction, 1960-61 Kim Hyung-A
East Asian History NUMBER 25/26 . JUNE/DECEMBER 2003 Institute of Advanced Studies Australian National University Editor Geremie R. Barme Associate Editor Helen Lo Editorial Board Mark Elvin (Convenor) B0rge Bakken John Clark Louise Edwards Colin Jeffcott W. J. F. Jenner Li Tana Kam Louie Gavan McCormack David Marr Tessa Morris-Suzuki Kenneth We lls Design and Production Helen Lo, Oanh Collins, Marion Weeks, Tristan Norman Business Manager Marion Weeks Printed by Goanna Print, Fyshwick, ACT This is the combined twenty-fifth and twenty-sixth issue of East Asian History, printed in December 2004, in the series previously entitled Papers on Far Eastern History. An externally refereed journal, it is published twice a year Contributions to The Editor, East Asian History Division of Pacific and Asian History Research School of Pacific and Asian Studies Australian National University Canberra ACT 0200, Australia Phone +61 26125 3140 Fax +61 26125 5525 Email [email protected] Subscription Enquiries to Subscriptions, East Asian History, at the above address, or to [email protected] Annual Subscription Australia A$50 (including GST) Overseas US$45 (GST free) (for two issues) ISSN 1036-6008 iii � CONTENTS 1 The Origins of Han-Dynasty Consort Kin Power Brett Hinsch 25 Inventing the Romantic Kingdom: the Resurrection and Legitimization of the Shu Han Kingdom before the Romance of the Three Kingdoms Simon Shen 43 Illusions of Grandeur: Perceptions of Status and Wealth in Late-Ming Female Clothing and Ornamentation SarahDauncey 69 The Legal -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. A Public Theology for Peace Photography: A Critical Analysis of the Roles of Photojournalism in Peacebuilding, with the Special Reference to the Gwangju Uprising in South Korea Sangduk Kim i ii I, Sangduk Kim, attests that this thesis has been composed by me, and that the work is my own, and that the work has not been submitted for any other degree or professional qualification. Sangduk Kim iii iv Acknowledgements I would like to express my sincere gratitude to my supervisor Prof. Jolyon Mitchell for his continuous support of my PhD studies and related research, for his kindness, encouragement, and immense knowledge. His guidance helped me throughout the time of research and writing of this thesis. I could not have imagined having a better supervisor and mentor for my PhD study. -
The North Korean Diaspora
HStud 28 (2014)2, 255–273 DOI: 10.1556/HStud.28.2014.2.4 FORGOTTEN ERA, FORGOTTEN PEOPLE: THE NORTH KOREAN DIASPORA BOGOOK KIM Hankuk University of Foreign Studies Republic of Korea E-mail: [email protected] Since the middle of the 1990s, more than 25,000 North Koreans have settled in South Korea, and researchers estimate that a further 20,000 North Korean refugees have migrated mainly to China, Southeast Asia, America, and Europe. Many of these refugees cite economic factors as the main motive for their escape, which more or less coincided with the North Korean famine, but before the 1990s there were two other periods that saw relatively large-scale emigration from North Korea, which occurred for other reasons. This paper identifies and compares the three peri- ods, using archival sources from Korea, Hungary, and the former Soviet Union. It also uses the representative case of a North Korean medical student in Hungary to provide a unique perspective on a number of important historical events, including the August Incident in North Korea and the Hungarian Revolution of 1956. Keywords: Korean Diaspora, Hungarian Revolution, Korean War, Soviet Union, confidential documents of foreign affairs, National Archives of Hungary and Korea Introduction The history of the Korean Diaspora could be said to have begun with the fall of Gojoseon around the 108 B.C. or when many displaced people moved to Japan af- ter Baekje fell in 660. Because of many national disturbances, such as the Japa- nese invasion of 1592 and political disruption at the end of the 19th century, many Koreans established themselves overseas, either voluntarily or by compulsion, af- ter turning their backs on their own country.