DOCSLIB.ORG

Issue 23, Winter 2012 Is a Publication of the Aichi Prefectural Government San Francisco Office

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Issue 23, Winter 2012 Is a Publication of the Aichi Prefectural Government San Francisco Office Issue 23, Winter 2012 is a Publication of The Aichi Prefectural Government San Francisco Office Aichi News on Facebook -Atsuta Shrine is one of the 3 most Exploring the Manufacturing Kingdom Aichi Tourism information can be found on important shrines in Japan, near Jingu Nishi You may already know that Aichi has Facebook. Check it out and become a fan! Station on the Meijo Line earned the nickname “Manufacturing “What’s up in Aichi – Jetro San Francisco” Kingdom,” for being home to automotive, aerospace, many other manufacturers. Matcha Day is February 6th Naturally these manufacturers want to show off their history of innovation and skill, so there is an abundance of private museums. Toyota Automobile Museum The museum is a car enthusiast’s dream because of collection of cars from around the world that shaped the modern -Osu Kannon Temple, near Osu Kannon automotive industry. The fascinating Station on the Tsurumai Line displays will even appeal to patrons who are not car buffs. The museum has pieces What area produces the most high quality from Leonardo da Vinci’s conceptual design green tea in Japan? Most tea experts agree of a self-propelled cart all the way to the that the highest quality green tea comes beginning of car culture in the 1960s. from Anjo and Nishio City in southern Aichi. www.toyota.co.jp/Museum/ The region produces one-fifth of Japan’s Toyota Exhibition Hall & Plant Tours matcha, powdered green tea, and green tea All of those classic cars at the Toyota is an important part of the local culture and Automobile Museum are sure to pique your economy. -Tsushima Shrine, near Meitetsu Tsushima curiosity about just how the ubiquitous On Matcha Day, the locals dedicate a whole Station on the Meitetsu Line machines are built. Also be sure to allow a day to celebrate this integral part of their half day to take a tour of a Toyota Assembly hometown’s identity. Visitors can enjoy Plant and Exhibition Hall. cooking lessons featuring matcha dishes, www.toyota.co.jp/en/about_toyota/facility/toyota_kaikan visit a matcha factory and even take a Noritake Garden matcha bath! The Morimura Brothers felt that using the http://www.city.nishio.aichi.jp/index.cfm/8,5998,92,415, craftsmanship in Aichi they could create html high quality porcelains in the western style, but for a lower price. So in 1904 they New Year Celebrations founded the Noritake Company and in less -Fukagawa Shrine, near Owari Seto Station Hatsumode is the tradition of visiting a than a decade Noritake became the leader on the Meitetsu Line shrine or temple at the beginning of the in Japanese porcelain goods. The Noritake New Year. Every year millions of people will Garden is located just minutes from Nagoya brave the cold weather to wish for good station. Visitors can watch as artist hand fortune and health. Almost every temple paint the porcelains or they can try it and shrine has special celebrations for the themselves at the Crafts Center. New Year. The celebrations are more www.noritake.co.jp/eng/mori/ secular festivals than religious ceremonies, SCMAGLEV and Railway Park so it’s not uncommon to see many This recently completed museum houses foreigners among the crowds. Although at 39 different trains from steam engines to the larger temples be prepared for very next generation magnetic levitation large crowds and long waits. The following (Maglev) bullet train. Also there are many temples range in size from large (Atsuta -Toyokawa Inari Shrine, near JR Toyokawa interactive exhibits that let you control of a Shrine) to small (Toyokawa Inari Shrine). City Station bullet train, explore the history of Japan Rail, Getting an Omikuji is also part of the New and walk in the largest diorama in Japan. Year tradition. Omikuji will tell your fortune http://museum.jr-central.co.jp/en/ for the coming year, and the larger shrines Aichi Prefectural Government usually have English Omikuji. Also make c/o JETRO San Francisco sure to pick up an Omamori, good luck 201 Third Street, Suite 1010 charm, to help keep you safe throughout Phone: 415-392-1333 ext. 252 the year. If you are superstitious next year Facebook: What’s up in Aichi will be an unlucky year for men who will turn Email: [email protected] 42 and women who will turn 33, so make Kenji Sato sure to get an omamori. Sean Lampe .
Load more

Recommended publications
  • Shahooct.Pdf
    October 2005 VOLUME III ISSUE 10 a place where ancient traditions thrive Hawaii Kotohira Jinsha Hawaii Dazaifu Tenmangu Autumn Thanksgiving Festival 秋季感謝大祭 The point of Thanksgiving is to remember the things we have to be grateful for. It's our special time to give thanks... not just for the food we partake, but for the thousands of fortunate moments, the multitude of blessings that we receive every day of our lives. Giving thanks is a powerful tool that can dramatically improve your life and the lives of those around you. The Autumn Thanksgiving Festival is a special day to express gratitude that will enhance every aspect of our lives. The festival commenced at 3:00 pm on Sunday, October 23, officiated by Rev. Masa Takizawa and assisted by members of the Honolulu Shinto Renmei: Rev. Naoya Shimura of Hawaii Ishizuchi Jinja, Rev. Daiya Amano of Izumo Taishakyo Mission of Hawaii and Rev. Akihiro Okada of Daijingu Temple of Hawaii. A Miko mai entitled Toyosaka no Mai was performed by Shawna Arakaki. Kyodan President Shinken Naitoh welcomed guests and invited all to join members for a time of fellowship. A delectable array of Japanese delicacies were prepared by Fujinkai President Miyono Shimoda, Vice-President Kumiko Sakai and the ladies of the women’s auxiliary club. Adding to the enjoyment was classical Japanese dances by the students of Hanayagi Mitsuyuri of Hanayagi Dancing Academy, students of Harry Urata of Urata Music Studio, hula by Lillian Yajima of the Japanese Women’s Society, Shigin by Kumiko Sakai and Hatsuko Nakazato, karaoke by Shawna Arakaki and an extraordinary rendition of Yasuki Bushi by Vice President, Robert Shimoda.
    [Show full text]
  • The Making of an American Shinto Community
    THE MAKING OF AN AMERICAN SHINTO COMMUNITY By SARAH SPAID ISHIDA A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2008 1 © 2007 Sarah Spaid Ishida 2 To my brother, Travis 3 ACKNOWLEDGMENTS Many people assisted in the production of this project. I would like to express my thanks to the many wonderful professors who I have learned from both at Wittenberg University and at the University of Florida, specifically the members of my thesis committee, Dr. Mario Poceski and Dr. Jason Neelis. For their time, advice and assistance, I would like to thank Dr. Travis Smith, Dr. Manuel Vásquez, Eleanor Finnegan, and Phillip Green. I would also like to thank Annie Newman for her continued help and efforts, David Hickey who assisted me in my research, and Paul Gomes III of the University of Hawai’i for volunteering his research to me. Additionally I want to thank all of my friends at the University of Florida and my husband, Kyohei, for their companionship, understanding, and late-night counseling. Lastly and most importantly, I would like to extend a sincere thanks to the Shinto community of the Tsubaki Grand Shrine of America and Reverend Koichi Barrish. Without them, this would not have been possible. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS ...............................................................................................................4 ABSTRACT.....................................................................................................................................7
    [Show full text]
  • Resilience and Sustainability
    36th Annual Conference of the International Association for Impact Assessment IMPACT ASSESSMENT: RESILIENCE AND SUSTAINABILITY 11-14 May 2016 | Aichi-Nagoya, Japan LOCAL HOST AND ORGANIZER Japan Committee for IAIA16 Tokyo Institute of Technology G5-9 4259 Nagatsuta, Midoriku Yokohama City, Kanagawa, 226-8502 Japan Phone +81 45-924-5550 | [email protected] IN ASSOCIATION WITH Ministry of the Environment Japan International Cooperation Agency Japan Bank for International Cooperation Japan External Trade Organization Development Bank of Japan Inc. Japan Society for Impact Assessment Japan Association of Environmental Assessment Japan Tourism Agency Japan National Tourism Organization Aichi Prefecture City of Nagoya Nagoya Convention & Visitors Bureau Nagoya Congress Center FINAL PROGRAM International Association for Impact Assessment Committees | Host The International Association for Impact Assessment was organized in 1980 to bring together researchers, practitioners, and users of various types Table of contents of impact assessment from all over the world. IAIA members number over 5,000 from over 125 countries, including those Committees 2 from its 17 national Affi liates. IAIA activities are carried out locally and regionally through its extensive network of Affi liates and Branches. Welcome 3 IAIA’s Vision: IAIA is the leading global network on best practice in the Mobile app/social media 4 use of impact assessment for informed decision making regarding policies, programs, plans, and projects. Award winners 5 IAIA’s Mission: IAIA provides an international forum for advancing innovation and communication of best practice in all forms of impact Conference overview 6 assessment to further the development of local, regional, and global capacity in impact assessment.
    [Show full text]
  • Reinventing the Sword
    Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2007 Reinventing the sword: a cultural comparison of the development of the sword in response to the advent of firearms in Spain and Japan Charles Edward Ethridge Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Ethridge, Charles Edward, "Reinventing the sword: a cultural comparison of the development of the sword in response to the advent of firearms in Spain and Japan" (2007). LSU Master's Theses. 3729. https://digitalcommons.lsu.edu/gradschool_theses/3729 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. REINVENTING THE SWORD: A CULTURAL COMPARISON OF THE DEVELOPMENT OF THE SWORD IN RESPONSE TO THE ADVENT OF FIREARMS IN SPAIN AND JAPAN A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The School of Art by Charles E. Ethridge B.A., Louisiana State University, 1999 December 2007 Acknowledgments I would like to express my gratitude to my supervisor, Dr. Fredrikke Scollard, whose expertise, understanding, and patience added considerably to my graduate experience. I appreciate her knowledge of Eastern cultures and her drive to promote true ‘cross-cultural’ research.
    [Show full text]
  • The Plural Significance of the Grand Shrine of Ise and the Incessant Re-Signification of Shinto
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Nichibunken Open Access Floating Signifiers: The Plural Significance of the Grand Shrine of Ise and the Incessant Re-signification of Shinto 著者 RAMBELLI Fabio journal or Japan review : Journal of the International publication title Research Center for Japanese Studies volume 27 page range 221-242 year 2014-11-27 その他の言語のタイ 浮遊するシニフィアン：伊勢神宮の多義性と神道の トル 意味のうつろい URL http://doi.org/10.15055/00007156 Japan Review 27 (2014): 221–242 Floating Signifiers: The Plural Significance of the Grand Shrine of Ise and the Incessant Re-signification of Shinto Fabio RAMBELLI According to received understanding, the Grand Shrine of Ise (Ise Jingū 伊勢 神宮), as the center of the Shinto tradition, plays an essential role in the history of Japanese culture. However, premodern documents concerning Ise Shinto show that such understanding are mostly modern and contemporary results of multiple reinterpretations of Ise’s role throughout history. This article proposes a semiotic approach to understand some instances in which aspects of the cultural meanings attributed to the Grand Shrine of Ise—symbolism, rituals, and representations—have been re-contextualized, re-signified, and reinvented. In particular, this article suggests that emphasis on Shinto continuity tends to ignore cultural and discursive contexts and, even more crucially, the distinction between forms (signifiers) and their contents (signified), thus resulting in a more or less voluntary erasure of traces of historical and conceptual change. A semiotic approach will show that much of the Shinto tradition at Ise consists in the preservation, transmission, and repetition of ritualized forms without clearly defined meanings; this aspect in turn has produced an ongoing “quest for significance” regarding the Shinto tradition in general, and Ise in particular.
    [Show full text]
  • Encyclopedia of Shinto Chronological Supplement
    Encyclopedia of Shinto Chronological Supplement 『神道事典』巻末年表、英語版 Institute for Japanese Culture and Classics Kokugakuin University 2016 Preface This book is a translation of the chronology that appended Shinto jiten, which was compiled and edited by the Institute for Japanese Culture and Classics, Kokugakuin University. That volume was first published in 1994, with a revised compact edition published in 1999. The main text of Shinto jiten is translated into English and publicly available in its entirety at the Kokugakuin University website as "The Encyclopedia of Shinto" (EOS). This English edition of the chronology is based on the one that appeared in the revised version of the Jiten. It is already available online, but it is also being published in book form in hopes of facilitating its use. The original Japanese-language chronology was produced by Inoue Nobutaka and Namiki Kazuko. The English translation was prepared by Carl Freire, with assistance from Kobori Keiko. Translation and publication of the chronology was carried out as part of the "Digital Museum Operation and Development for Educational Purposes" project of the Institute for Japanese Culture and Classics, Organization for the Advancement of Research and Development, Kokugakuin University. I hope it helps to advance the pursuit of Shinto research throughout the world. Inoue Nobutaka Project Director January 2016 ***** Translated from the Japanese original Shinto jiten, shukusatsuban. (General Editor: Inoue Nobutaka; Tokyo: Kōbundō, 1999) English Version Copyright (c) 2016 Institute for Japanese Culture and Classics, Kokugakuin University. All rights reserved. Published by the Institute for Japanese Culture and Classics, Kokugakuin University, 4-10-28 Higashi, Shibuya-ku, Tokyo, Japan.
    [Show full text]
  • What's up Aichi (PDF)
    Issue 5, January/February 2007 Is a Publication of the Aichi Prefectural Government San Francisco Office What’s Up Aichi －Timely Tourist Information On Aichi Prefecture And The Surrounding Central Japan Region－ Aichi Onsen Travelers who take the time to journey to Hadaka Matsuri the mountainous region of eastern Aichi One of the great pleasures of a visit to will be rewarded with baths that not only Your dip in an Aichi onsen should get you Japan is taking time out to enjoy a long, sooth the body, but that offer excellent in the right frame of mind for one of central drawn out bath in a communal hot spring. feng shui for the soul as well. The gentle Japan’s most unique and popular festivals. While it might take some guts the first time flow of clear water overheard from onsen if you are used to spending bath time situated along the banks of the alone, once you muster up the courage, easy-flowing Ure and Toyo rivers is certain you’re sure to be hooked. And what better to wash away any stress, and a few cups place to try your first group bath than a of sake and sweetfish pulled straight from country where no one knows you? And the fresh river water are a perfect way to what better time to try than when your wrap up a hard day of bathing. bones are stiff from the mid-winter chill? At onsen, or natural hot spring baths, elements occurring in the spring water “ Does this outfit make me look fat?” such as sodium, calcium and iron reinvigorate the body while the hot The Hadaka Matsuri, or Naked Festival, temperatures help bathers wind down and has been around for 1200 years and relieve stress.
    [Show full text]
  • The „Kusanagi“ Sword
    Sonderdrucke aus der Albert-Ludwigs-Universität Freiburg NELLY NAUMANN The „kusanagi“ sword Originalbeitrag erschienen in: Klaus Müller (Hrsg.): Nenrin-Jahresringe: Festgabe für Hans A. Dettmer. Wiesbaden: Harrassowitz, 1992, S. [158]-170 NELLY NAUMANN The kusanagi swordi On January 7, 1989, only a few hours after the death of Emperor Hirohito (posthu- mously styled Shöwa-tennO, the imperial seal, along with two of the "Three Re- galia", the sword and the jewels, were presented to the new Emperor Akihito (for details see Antoni 1989: 94). The accession ceremonies thus begun found their termination in the daijösai, the Great Festival of First Fruits, in November 1990. These elaborate ceremonials have attracted worldwide attention (as did the funeral ceremonies of Shöwa-tennö), and the interest thus aroused has been met by a host of publications attempting to explain the rites and their historical and religious background, if mostly only along well-trodden and sometimes even misleading paths (e.g. Bock 1990). We shall not try to add to this literature but content ourselves with focusing our attention on a small but nevertheless important item: the sword, one of the Three Regalia. The sword in itself is a symbol of power. It is with the help of the sword that a reign is established; it is with the help of the sword that a reign is maintained. But the sword is not only a symbol of power. Taken together with the other two regalia, the mirror and the jewels, and in its proper context, it ai5pears to be an indispensable sign of legitimation. This shows unmistakably that not just any sword will do: as a sign of legitimation it must be a sword that in itself is connected with the founding of this legitimation.
    [Show full text]
  • Shadowrun: Street Grimoire
    Magic can burn your brain and sear your soul. It can inject power into every millimeter of your veins, or leave you a lump of ashes at the end of a dark alley. It’s dangerous, but to spellslingers in the Sixth World, it’s worth it. Because magic is power, and power in the Sixth World needs to be grabbed with both hands. Spells, rituals, alchemical preparations, adept powers, metamagics—all of those elements and more can be used to help an Awakened shadowrunner move off the streets and get a taste of the high life. Street Grimoire has more options for Shadowrun players, along with information on magical traditions, magic societies, and the dangers and benefits of living as a spellcaster in a world where “geek the mage first” is a common adage. With more options, deeper rules, deadlier threats, and dozens of way to have fun with magic, Street Grimoire is an essential book for anyone playing Shadowrun, Fifth Edition. FIFTH EDITION Under License From ® www.catalystgamelabs.com CAT27003 Magic can burn your brain and sear your soul. It can inject power into every millimeter of your veins, or leave you a lump of ashes at the end of a dark alley. It’s dangerous, but to spellslingers in the Sixth World, it’s worth it. Because magic is power, and power in the Sixth World needs to be grabbed with both hands. Spells, rituals, alchemical preparations, adept powers, metamagics—all of those elements and more can be used to help an Awakened shadowrunner move off the streets and get a taste of the high life.
    [Show full text]
  • Torii Gate at Itsukushima, 16Th Century
    Torii & Water: A Gateway to Shinto Monument List Hannah Imson, Amy Kahng, Tory Lekson Shinto Purification • Purification by water is symbolic of pacification and inner purification of the spirit Image - Picken 54 Land Purification by Water - Meiji Shrine Torii Gate at Itsukushima, 16th Century. Wood, concrete, copper. Itsukushima Shrine in Miyajima, Japan. Paul Binnie, Miyajima no Torii, 2003. Woodblock print, 42 x 29 cm. Ukiyoe- Gallery, Japan. Itagawa Hiroshige, Torii Gate of Atsuta Shrine at Miya Station, 1830. Woodblock print. Kyoto, Japan. 1.Hokusai, Bay of Noboto in Shimosa Province, 1830. Woodblock print, 14 x 9 in. Fuji Arts, Ann Arbor, MI. 1.Kaneko Keizō, Torii at Mt. Fuji, 1980. Print color photograph, 10 x 18 inches. Lake Fuji, Japan. Meoto Iwa, 1910. Stone, cord, wood, concrete, 3.6 x 9 meters. Futami Okitama Jinja, off the shore of Futami, Mie, Japan. Torii Gate at Brooklyn Botanic Garden, 1915. Wood, bronze. Japanese Hill- and-Pond Garden, Brooklyn Botanic Garden, New York. Torii Gate at Oarai Ibaraki, 1000 CE. Stone, cement. Oarai Ibaraki Shrine, off the shore of Oarai Ibaraki. Torii Gate by Miyagawa River. Wood, metal, cement. by the Miyagawa River, Takayama, Japan. Utagawa Toyoharu, Itsukushima Shrine, 1760. Woodblock Print, 25.4 x 37 cm. Museum of Fine Arts, Boston. Torii Gate by Campbell River, 1993. Wood, metal, cement. By the Campbell River at Sequoia Park British Columbia, Canada. Torii Gate at Shirahige Jinja Shrine, 1937. Wood, bronze, cement, 7.8 x 12 meters. Shirahige Jinja Shrine, Lake Biwa. Torii Gate at Watazumi Shrine, 1950. Wood, cement. Watazumi Shrine, Tsushima Island.
    [Show full text]
  • Four Japanese Travel Diaries of the Middle Ages
    FOUR JAPANESE TRAVEL DIARIES OF THE MIDDLE AGES Translated from the Japanese with NOTES by Herbert PJutschow and Hideichi Fukuda and INTRODUCfION by Herbert Plutschow East Asia Program Cornell University Ithaca, New York 14853 The CornellEast Asia Series is published by the Cornell University East Asia Program (distinctfromCornell University Press). We publish affordablypriced books on a variety of scholarly topics relating to East Asia as a service to the academic community and the general public. Standing orders, which provide for automatic notification and invoicing of each title in the series upon publication, are accepted. Ifafter review byinternal and externalreaders a manuscript isaccepted for publication, it ispublished on the basisof camera-ready copy provided by the volume author. Each author is thus responsible for any necessary copy-editingand for manuscript fo1·111atting.Address submission inquiries to CEAS Editorial Board, East Asia Program, Cornell University, Ithaca, New York 14853-7601. Number 25 in the Cornell East Asia Series Online edition copyright© 2007, print edition copyright© 1981 Herbert Plutschow & Hideichi Fukuda. All rights reserved ISSN 1050-2955 (for1nerly 8756-5293) ISBN-13 978-0-939657-25-4 / ISBN-to 0-939657-25-2 CAU'I'ION: Except for brief quotations in a review, no part of this book may be reproduced or utilized in any for1n without per1nissionin writing from theauthor. Please address inquiries to Herbert Plutschow & Hideichi Fukuda in care of the EastAsia Program, CornellUniversity, 140 Uris Hall, Ithaca,
    [Show full text]
  • Shamanism in Japan
    SHAMANISM IN JAPAN INTRODUCTION 1. Purpose. This study is an effort to determine the basis for shamanism in Japan, and to present the concepts which crystaliz- ed various elements into shamanism. It also aims at determining the nature and forms of shamanism in Japan. 2. Western Scholars and Japanese Shamanism. M. Eliade's article "Recent Works on Shamanism"l deals mainly with M. Eder. Eliade, however, does not mention J. M. Martin, who tried to prove the existence of shamanism in old Shintoism, and tried to connect it with Asiatic continent shamani~m.~C. Haguenauer did not write on shamanism, but he pointed out a number of facts which, according to him, show similarities with Altaic shaman- ism.3 There is little else written on Japanese shamanism by western scholars. 3. Terins and Concepts used in this Study. This paper fol- lows the definitions and concepts as explained by Dom. Schroder." a. Shamanism is an institutionalized, fixed-ritual bound ecstatic contact with transcendental beings in order to perform a social function. It is not a religion, but is a religious pheno- menon which fits in different religions. b. The shaman is not a priest, but may perform priestly functions. There are shamans who are not priests, and priests do not need ecstasy, guardian spirits, etc. The shaman is not a prophet. A prophet may act in ecstasy, but need not. Neither is he bound to a fixed form, and his profession differs from that of a shaman. A shaman is not a magician. By his very nature (1) Recent Works on Shamanism, Eliade, History of Religions, Vol.
    [Show full text]