The Antiquary
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Sir Walter Scott's Templar Construct
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. SIR WALTER SCOTT’S TEMPLAR CONSTRUCT – A STUDY OF CONTEMPORARY INFLUENCES ON HISTORICAL PERCEPTIONS. A THESIS PRESENTED IN FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN HISTORY AT MASSEY UNIVERSITY, EXTRAMURAL, NEW ZEALAND. JANE HELEN WOODGER 2017 1 ABSTRACT Sir Walter Scott was a writer of historical fiction, but how accurate are his portrayals? The novels Ivanhoe and Talisman both feature Templars as the antagonists. Scott’s works display he had a fundamental knowledge of the Order and their fall. However, the novels are fiction, and the accuracy of some of the author’s depictions are questionable. As a result, the novels are more representative of events and thinking of the early nineteenth century than any other period. The main theme in both novels is the importance of unity and illustrating the destructive nature of any division. The protagonists unify under the banner of King Richard and the Templars pursue a course of independence. Scott’s works also helped to formulate notions of Scottish identity, Freemasonry (and their alleged forbearers the Templars) and Victorian behaviours. However, Scott’s image is only one of a long history of Templars featuring in literature over the centuries. Like Scott, the previous renditions of the Templars are more illustrations of the contemporary than historical accounts. One matter for unease in the early 1800s was religion and Catholic Emancipation. -
Ivanhoe, by Sir Walter Scott
Ivanhoe, by Sir Walter Scott http://www.gutenberg.org/files/82/82-h/82-h.htm The Project Gutenberg EBook of Ivanhoe, by Walter Scott This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Ivanhoe A Romance Author: Walter Scott Release Date: June 25, 2008 [EBook #82] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK IVANHOE *** Produced by John P. Roberts, Jr. and David Widger Now fitted the halter, now traversed the cart, And often took leave,—but seemed loath to depart! 1 —Prior. 1 of 374 12/1/2010 3:51 PM Ivanhoe, by Sir Walter Scott http://www.gutenberg.org/files/82/82-h/82-h.htm INTRODUCTION TO IVANHOE. DEDICATORY EPISTLE IVANHOE. CHAPTER I CHAPTER XII CHAPTER XXIII CHAPTER XXXIV CHAPTER II CHAPTER XIII CHAPTER XXIV CHAPTER XXXV CHAPTER III CHAPTER XIV CHAPTER XXV CHAPTER XXXVI CHAPTER IV CHAPTER XV CHAPTER XXVI CHAPTER XXXVII CHAPTER V CHAPTER XVI CHAPTER XXVII CHAPTER XXXVIII CHAPTER VI CHAPTER XVII CHAPTER XXVIII CHAPTER XXXIX CHAPTER VII CHAPTER XVIII CHAPTER XXIX CHAPTER XL CHAPTER VIII CHAPTER XIX CHAPTER XXX CHAPTER XLI CHAPTER IX CHAPTER XX CHAPTER XXXI CHAPTER XLII CHAPTER X CHAPTER XXI CHAPTER XXXII. CHAPTER XLIII CHAPTER XI CHAPTER XXII CHAPTER XXXIII CHAPTER XLIV NOTE TO CHAPTER I. NOTE TO CHAPTER XXIX NOTE TO CHAPTER II. NOTE TO CHAPTER XXXI NOTE TO CHAPTER XVII. -
The Author of Waverley, with His Various Personas, Is a Highly
Promoting Saint Ronans Well: Scotts Fiction and Scottish Community in Transition MATSUI Yuko The Author of Waverley, with his various personas, is a highly sociable and com- municative writer, as we observe in the frequent and lively exchanges between the author and his reader or characters in the conclusions of Old Mortality1816 and Redgauntlet1824 , or in the prefaces to The Abbot1820 and The Betrothed1825 , to give only a few examples. Walter Scott himself, after giving up his anonymity, seems to enjoy an intimate author-reader relationship in his prefaces and notes to the Magnum Opus edition. Meanwhile, Scott often adapts and combines more than one historical event or actual person, his sources or originals, in his attempt to recre- ate the life of a particular historical period and give historical sense to it, as books like W. S. Crocketts The Scott Originals1912 eloquently testify, and with the Porteous Riot and Helen Walker in The Heart of Midlothian1818 as one of the most obvious examples. Both of these characteristics often tend to encourage an active interaction between the real and the imagined, or their confluence, within and outwith Scott's historical fiction, perhaps most clearly shown in the development of tourism in 19th century Scotland1. In the case of Saint Ronan’s Well1824 [1823], Scotts only novel set in the 19th century, its contemporaneity seems to have allowed that kind of interaction and confluence to take its own vigorous form, sometimes involving an actual commu- nity or other authors of contemporary Scotland. Thus, we would like to examine here the ways in which Scott adapts his sources to explore his usual interest in historical change in this contemporary fiction and how it was received, particularly in terms of its effect on a local community in Scotland and in terms of its inspiration for his fellow authors, and thus reconsider the part played by Scotts fiction in imagining and pro- moting Scotland in several ways, in present and past Scotland. -
114662991.23.Pdf
HBS.\.17.?A2 /J/JiUiy ■tJ3S ' ( ' THE BY THE AUTHOR OP « WAVERLY” AND « GUY MANNERING.” IWisdom knew Anselmo. and cunning He had was their shrewd shares and of prudent; him; ButAnd he pleased was shrewish again by astoys a waywardwhich childhood child. please; As—bookOr else the of jingling fables gracedof a rusty with medal, print of wood. OrThat the first rare was melody sung toof someplease old King ditty. Pepin’s cradle. IN TWO VOLUMES, VOL. I. PHILADELPHIA: PUBLISHED BY JAMES CRISSY, NO. 177, CHESNUT STREET. O. GOODMAN, PRINTER. 1821. S-34'DESr»\ \ 1976 A'' ADVERTISEMENT. The present work completes a series of fictitious narratives, intended to illustrate the manners of Scot- land at three different periods. Wa verly embraced the age of our fathers, Guy MANNERiNGthatof our own youth, and the Antiquary refers to the last ten years of the eighteenth century. I have, in the two last narratives especially, sought my principal per- sonages in the class of society who are the last to feel the influence of that general polish which assimilates to each other the manners of different nations. Among the same class I have placed some of the scenes, in which I have endeavoured to illustrate the operation of the higher and more violent passions; both because the lower orders are less restrained by the habit of suppressing their feelings, and because I agree with Mr. Wordsworth, that they seldom fail to express them in the strongest and most powerful language. This is, I think, peculiarly the case with the peasantry of my own country, a class with whom I have long been familiar. -
Villainy in Scott╎s Fiction
Studies in English Volume 13 Article 7 1972 Villainy in Scott’s Fiction George W. Boswell University of Mississipi Follow this and additional works at: https://egrove.olemiss.edu/ms_studies_eng Part of the Literature in English, British Isles Commons Recommended Citation Boswell, George W. (1972) "Villainy in Scott’s Fiction," Studies in English: Vol. 13 , Article 7. Available at: https://egrove.olemiss.edu/ms_studies_eng/vol13/iss1/7 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Studies in English by an authorized editor of eGrove. For more information, please contact [email protected]. Boswell: Villainy in Scott’s Fiction Villainy in Scott’s Fiction by George W. Boswell The natural disposition and career of Sir Walter Scott were so generally sunny that only a small handful of his many critics have seriously faulted any aspects of his character. Occasional objections have been adduced to the mystification and possible harshness of his business dealings with the Ballantynes, the maintenance of his incog nito with respect to authorship of the Waverley novels long beyond any credible reason for it, his jealousy of Robert Burns (though if existent this is certainly not very noticeable), and some of his Chester- fieldian letters to his son and heir; but these have seemed to pale into insignificance when set alongside his moral virtues. The latter in clude his industry, his openhandedness, his capacity for extensive friendships, his civil services, the generous praise of the literary pro ductions of his contemporaries, and above all the heroic stoicism with which “in his fifty-sixth year, already in uncertain health, he assumed a mountain of debt and sentenced himself to a lifetime of servi tude”1 in order to avoid bankruptcy and its stigma. -
Arbroath and Its Abbey
•'^ mmk THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES Digitized by the Internet Archive in 2007 with funding from IVIicrosoft Corporation http://www.archive.org/details/arbroathitsabbeyOOmilliala IM. VUTM .-. SKETCH BT L>. MILLAR. ARBROATH ABBEY CHURCH FROM THE NORTH-WEST. ARBROATH AND ITS ABBEY THE EARLY HISTORY OF THE TOWN AND ABBEY ABERBROTHOCK INCLUDING ANTIQUITIES NOTICES OF ECCLESIASTICAL AND OTHER IN THE SURROUNDING DISTRICT DAVID MILLER EDINBURGH STREET THOMAS G. STEVENSON, 22 FREDERICK ADAMS & Co LONDON : HAMILTON, SON GLASGOW : MURRAY & MDCOCLX »! i €nt«tij in Stationtrs' fall. '^ AND BUNCLE. PKINTEBS. ABBROATH : KKKNKDY 4S'/li> PREFACE. The following pages have been published chiefly for those who take an interest in the locality of the ancient and now flourishing town of Arbroath, and also with the view of removing the obscurity which has hitherto involved the history of its once magnificent monasteiy. Among other sources of information the Chartulary of the Abbey is entitled to stand first in rank. The most interesting portions of these monastic writings have been digested and arranged in this volume. An endeavour has thus been made to bring out the points in which they, along with other authentic documents, tend to illustrate the history of the district. In alluding to the history of past times, our ancestors have been allowed as far as possible to appear in their own dress, and speak in their own words. This will account for the number of quotations in the antique style, which may probably render the perusal of some portions of the book a little difficult to readers otherwise well educated. -
The Antiquary, Complete
The Antiquary, Complete Sir Walter Scott The Project Gutenberg EBook of The Antiquary, Complete, by Sir Walter Scott This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Antiquary, Complete Author: Sir Walter Scott Release Date: August 17, 2004 [EBook #7005] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE ANTIQUARY, COMPLETE *** Produced by David Widger THE ANTIQUARY BY SIR WALTER SCOTT, BART. COMPLETE VOLUME ONE I knew Anselmo. He was shrewd and prudent, Wisdom and cunning had their shares of him; But he was shrewish as a wayward child, And pleased again by toys which childhood please; As---book of fables, graced with print of wood, Or else the jingling of a rusty medal, Or the rare melody of some old ditty, That first was sung to please King Pepin's cradle Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. INTRODUCTION The present work completes a series of fictitious narratives, intended to illustrate the manners of Scotland at three different periods. _Waverley_ embraced the age of our fathers, _Guy Mannering_ that of our own youth, and the _Antiquary_ refers to the last ten years of the eighteenth century. I have, in the two last narratives especially, sought my principal personages in the class of society who are the last to feel the influence of that general polish which assimilates to each other the manners of different nations. -
Scott, History, and the Antiquary's Doppelgänger
Studies in Scottish Literature Volume 44 Article 7 Issue 2 Reworking Walter Scott 12-31-2019 Oldbuck and Ochiltree: Scott, History, and the Antiquary’s Doppelgänger John Williams University of Greenwich Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the Literature in English, British Isles Commons Recommended Citation Williams, John (2019) "Oldbuck and Ochiltree: Scott, History, and the Antiquary’s Doppelgänger," Studies in Scottish Literature: Vol. 44: Iss. 2, 63–71. Available at: https://scholarcommons.sc.edu/ssl/vol44/iss2/7 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. OLDBUCK AND OCHILTREE: SCOTT, HISTORY, AND THE ANTIQUARY’S DOPPELGÄNGER John Williams Although Jonathan Oldbuck’s first appearance in Sir Walter Scott’s novels is in The Antiquary (1816), he had in fact always been there, the author’s doppelgänger patiently waiting to step out of the shadows. Oldbuck is a principal figure within the private repertory company of authors and antiquaries with whom Scott shared his entire literary career, and it was through the interventions of such fictional voices as Oldbuck, Cleishbotham, Pattieson, Osbaldistone, Dryasdust, Croftangry and Clutterbuck that Scott expressed what Kenneth McNeil describes as the author’s awareness of the “ironic relationship”` between the past and the present.1 To this end, Scott’s novels are grounded from the outset in a creative exploration of the Gothic tropes of double identity, hero/anti-hero, tainted familial relationships (notably between father and son), and shape- shifting; and for all its relative lightness of mood when compared to its close contemporaries, Old Mortality (1816) and Rob Roy (1817), nowhere is this more apparent than in The Antiquary. -
(2012) Hospitality, Nation and Empire in Walter Scott's Waverley Novels
Chiu, Kang-Yen (2012) Hospitality, nation and empire in Walter Scott’s Waverley novels. PhD thesis. http://theses.gla.ac.uk/3729/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Hospitality, Nation and Empire in Walter Scott’s Waverley Novels Kang-yen Chiu Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy Department of English Literature School of Critical Studies College of Arts University of Glasgow November 2012 2 Abstract This research is a study of the notion of hospitality in the novels of Sir Walter Scott from a postcolonial perspective. Through the analysis of various acts of hospitality in the Waverley Novels, this thesis intends to examine how the notion of hospitality is represented as one of the most significant, ancient Scottish traditions defended and performed by people who have less power in society, but is abused by those (often the ruling class) who intend to use it as a mechanism to increase their existing power. Therefore, through the analysis of power relations between various host and guest characters, this thesis attempts to demonstrate the ways in which those groups who are under the rule of hegemonic power are constructed as the subaltern, a postcolonial term derived from the Italian Marxist Antonio Gramsci’s usage in the Prison Notebooks. -
The Antiquary
THE ANTIQUARY Walter Scott VOLUME TWO. CHAPTER FIRST. Wiser Raymondus, in his closet pent, Laughs at such danger and adventurement When half his lands are spent in golden smoke, And now his second hopeful glasse is broke, But yet, if haply his third furnace hold, Devoteth all his pots and pans to gold.* * The author cannot remember where these lines are to be found: perhaps in Bishop Hall's Satires. [They occur in Book iv. Satire iii.] About a week after the adventures commemorated in our last chapter, Mr. Oldbuck, descending to his breakfast-parlour, found that his womankind were not upon duty, his toast not made, and the silver jug, which was wont to receive his libations of mum, not duly aired for its reception. "This confounded hot-brained boy!" he said to himself; "now that he begins to get out of danger, I can tolerate this life no longer. All goes to sixes and sevens--an universal saturnalia seems to be proclaimed in my peaceful and orderly family. I ask for my sister--no answer. I call, I shout--I invoke my inmates by more names than the Romans gave to their deities--at length Jenny, whose shrill voice I have heard this half-hour lilting in the Tartarean regions of the kitchen, condescends to hear me and reply, but without coming up stairs, so the conversation must be continued at the top of my lungs. "--Here he again began to hollow aloud --"Jenny, where's Miss Oldbuck?" "Miss Grizzy's in the captain's room." "Umph!--I thought so--and where's my niece?" "Miss Mary's making the captain's tea." "Umph! I supposed as much again--and -
Late Antiquity and the Antiquarian
DUNCAN E. MACRAE Assistant Professor, University of California, Berkeley Late Antiquity and the Antiquarian ABSTRACT Arnaldo Momigliano, the most influential modern student of antiquarianism, advanced the view that there was a late antique antiquarianism, but also lamented the absence of study of the history of antiquarianism in this period. Part of the challenge, however, has been to define the object of such a study. Rather than “finding” antiquari- anism in late antiquity as Momigliano did, this article argues that a history that offers explicit analogies between late antique evidence and the avowed antiquarianism of early modern Europe allows a more self-conscious and critical history of late antique engagement with the past. The article offers three examples of this form of analysis, comparing practices of statue collecting in Renaissance Rome and thelateRomanWest,learnedtreatiseson the Roman army by Vegetius and Justus Lipsius, and feelings of attachment to a local past as a modern antiquarian stereotype and in a pair of letters to and from Augustine of Hippo. KEYWORDS Antiquarianism, Arnaldo Momigliano, Renaissance, statue collections, Vegetius, Augustine of Hippo, comparative history, the past The prominence of the past in Late Antiquity has become popular among stu- dents of the period as a distinguishing characteristic of late antique culture: Averil Cameron has suggested that “remaking the past” was a major cultural and intellectual preoccupation across society; Marco Formisano has proposed that the “processing not just of the past but of relation to the past” is a key to late antique literary aesthetics; and David Scourfield has advanced the idea that the special character of late antique culture was the multiplicity of ways that the past was integrated into the present.1 In substantiating these arguments about Early thoughts on this topic were presented in Ghent in May . -
(2017) Sir Walter Scott's the Antiquary and the Ossian Controversy
Leask, N. (2017) Sir Walter Scott's The Antiquary and the Ossian controversy. Yearbook of English Studies, 47(2017), pp. 189-202. This is the author’s final accepted version. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/142326/ Deposited on: 23 June 2017 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk 1 Sir Walter Scott’s The Antiquary and the Ossian Controversy. Nigel Leask Although The Antiquary was a personal favourite of Sir Walter Scott’s, he worried that it was more concerned ‘to describe manners minutely, than to arrange…an artificial and combined narration’; and regretted that he had been ‘unable to unite these two requisitions of a good Novel’. 1 Critics have largely endorsed this view, especially when compared to Waverley and Guy Mannering, Scott’s first two novels. Penny Fielding describes The Antiquary as ‘an unhistorical historical novel’, while Ian Duncan notes that for ‘a work composed mere months after Waterloo…[it’s striking that it] unfolds its epiphany of national solidarity through the mock-heroic narration of a conflict that does not take place’. (He refers here to the French invasion scare that turns out to be a false alarm at the novel’s conclusion.) 2 Reflecting on Scott’s sense of imbalance, David Punter suggests that The Antiquary is more concerned with the making of history than with history itself. 3 He describes the rather stagey Gothic plot as a ‘peg on which to hang a series of characters and a set of views on the central issues raised by the cultural phenomenon of the ‘antiquary’, (p.xiv) which seems absolutely right.