The Antiquary
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Exhuming the Vestigial Antique Body in Walter Scott's Caledonia
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 11 | 2015 Expressions of Environment in Euroamerican Culture / Antique Bodies in Nineteenth Century British Literature and Culture Exhuming the Vestigial Antique Body in Walter Scott's Caledonia Céline Sabiron Electronic version URL: http://journals.openedition.org/miranda/6694 DOI: 10.4000/miranda.6694 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Céline Sabiron, “Exhuming the Vestigial Antique Body in Walter Scott's Caledonia”, Miranda [Online], 11 | 2015, Online since 20 July 2015, connection on 16 February 2021. URL: http:// journals.openedition.org/miranda/6694 ; DOI: https://doi.org/10.4000/miranda.6694 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Exhuming the Vestigial Antique Body in Walter Scott's Caledonia 1 Exhuming the Vestigial Antique Body in Walter Scott's Caledonia Céline Sabiron 1 In Walter Scott's Border Antiquities of England and Scotland (1814-1817), the Anglo- Scottish border is portrayed as a backbone1 connecting the English and Scottish limbs of the British body, and lying there, almost lifeless, for two centuries since the Union of the Crowns: The frontier regions of most great kingdoms, while they retain that character, are unavoidably deficient in subjects for the antiquary. [...] The case becomes different, however, when, losing by conquest or by union their character as a frontier, scenes once the theatre of constant battle, inroad, defence, and retaliation, have been for two hundred years converted into the abode of peace and tranquillity [...]. -
Samuel Baker the University of Texas at Austin [email protected]
Samuel Baker The University of Texas at Austin [email protected] 5/13/2009 Scott’s Stoic Characters: Ethics, Sentiment, and Irony in The Antiquary, Guy Mannering, and “The Author of Waverley” Published in Modern Language Quarterly (2009) 70 (4): 443–471: Cite only from published version. https://doi-org.ezproxy.lib.utexas.edu/10.1215/00267929-2009-011 Whomever one reads on the question, it seems that Walter Scott created “the classical form of the historical novel” by standing at a locus of contradiction. According to the most influential such accounts, Scott “portrayed objectively the ruination of past social formations, despite all his human sympathy for, and artistic sensitivity to, the splendid, heroic qualities which they contained”; he could accomplish such feats of mediation because he was “two men … both the prudent Briton and the passionate Scot."1 These accounts of Scott’s contradictory investments–by Georg Lukács and David Daiches, respectively–find an emblem in the title Virginia Woolf gave her essay on Scott's late-life journal. Referring to how Scott installed modern lighting at his pseudo- medieval estate, Woolf calls her piece “Gas at Abbotsford.”2 Such formulations became 1 Georg Lukács, The Historical Novel [1937], Hannah and Stanley Mitchell, tr. (Lincoln, Neb.: Univ. of Nebraska Press, 1983), pp.54-55; David Daiches, “Scott’s Achievement as a Novelist” [1951], in Literary Essays (Chicago: Univ. of Chicago Press, 1967), 92. 2 Virginia Woolf, “Gas at Abbotsford” [1940], in Collected Essays, 4 vols. (New York: Harcourt Brace, 1967), 1:128-138. touchstones for Scott criticism some decades ago.3 Many critics since have adopted the concept of a split Scott that, whatever their other differences, Lukács, Daiches, and Woolf share. -
Sir Walter Scott's Templar Construct
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. SIR WALTER SCOTT’S TEMPLAR CONSTRUCT – A STUDY OF CONTEMPORARY INFLUENCES ON HISTORICAL PERCEPTIONS. A THESIS PRESENTED IN FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN HISTORY AT MASSEY UNIVERSITY, EXTRAMURAL, NEW ZEALAND. JANE HELEN WOODGER 2017 1 ABSTRACT Sir Walter Scott was a writer of historical fiction, but how accurate are his portrayals? The novels Ivanhoe and Talisman both feature Templars as the antagonists. Scott’s works display he had a fundamental knowledge of the Order and their fall. However, the novels are fiction, and the accuracy of some of the author’s depictions are questionable. As a result, the novels are more representative of events and thinking of the early nineteenth century than any other period. The main theme in both novels is the importance of unity and illustrating the destructive nature of any division. The protagonists unify under the banner of King Richard and the Templars pursue a course of independence. Scott’s works also helped to formulate notions of Scottish identity, Freemasonry (and their alleged forbearers the Templars) and Victorian behaviours. However, Scott’s image is only one of a long history of Templars featuring in literature over the centuries. Like Scott, the previous renditions of the Templars are more illustrations of the contemporary than historical accounts. One matter for unease in the early 1800s was religion and Catholic Emancipation. -
Biography Daniel F
Newsletter No 40 Autumn 2012 From the Chair SSAH Research Support Grants I hope you’re all enjoying the summer. This is The Scottish Society for Art History promotes always a busy time for us as we prepare the scholarship in the history of Scottish art and art papers for the next Journal, which this year will located in Scotland. To facilitate this, the SSAH focus on Scottish connections to and research on offers research support grants from £50 to £300 the Pre-Raphaelites. It will include, among to assist with research costs and travel expenses. others, Rossetti’s relationship with animals; the Applicants must be working at a post-graduate eco-socialism of William Morris; attitudes to the level or above and should either be resident in PRB by the Edinburgh Smashers Club; and the Scotland or doing research that necessitates Pre-Raphaelite influence on landscape painter travel to Scotland. Application deadlines: 30 George Wilson. We hope to have the journal November and 31 May. ready in time for our AGM, which this year will be in the splendidly re-designed Scottish To apply please send via e-mail: National Portrait Gallery on 8 December – please note the date in your diaries! a cover letter Another date to keep free if you can is 17 current curriculum vitae November, when we will be holding an a brief project description (300-500 words) afternoon conference at George Watson’s specifying how the grant will be used and College in Edinburgh looking at French artists how it relates to a broader research agenda who worked in Scotland in the late 18th and 19th a budget centuries, and the influence this had on their the name and e-mail address of one work – see below for more information. -
Ivanhoe, by Sir Walter Scott
Ivanhoe, by Sir Walter Scott http://www.gutenberg.org/files/82/82-h/82-h.htm The Project Gutenberg EBook of Ivanhoe, by Walter Scott This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Ivanhoe A Romance Author: Walter Scott Release Date: June 25, 2008 [EBook #82] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK IVANHOE *** Produced by John P. Roberts, Jr. and David Widger Now fitted the halter, now traversed the cart, And often took leave,—but seemed loath to depart! 1 —Prior. 1 of 374 12/1/2010 3:51 PM Ivanhoe, by Sir Walter Scott http://www.gutenberg.org/files/82/82-h/82-h.htm INTRODUCTION TO IVANHOE. DEDICATORY EPISTLE IVANHOE. CHAPTER I CHAPTER XII CHAPTER XXIII CHAPTER XXXIV CHAPTER II CHAPTER XIII CHAPTER XXIV CHAPTER XXXV CHAPTER III CHAPTER XIV CHAPTER XXV CHAPTER XXXVI CHAPTER IV CHAPTER XV CHAPTER XXVI CHAPTER XXXVII CHAPTER V CHAPTER XVI CHAPTER XXVII CHAPTER XXXVIII CHAPTER VI CHAPTER XVII CHAPTER XXVIII CHAPTER XXXIX CHAPTER VII CHAPTER XVIII CHAPTER XXIX CHAPTER XL CHAPTER VIII CHAPTER XIX CHAPTER XXX CHAPTER XLI CHAPTER IX CHAPTER XX CHAPTER XXXI CHAPTER XLII CHAPTER X CHAPTER XXI CHAPTER XXXII. CHAPTER XLIII CHAPTER XI CHAPTER XXII CHAPTER XXXIII CHAPTER XLIV NOTE TO CHAPTER I. NOTE TO CHAPTER XXIX NOTE TO CHAPTER II. NOTE TO CHAPTER XXXI NOTE TO CHAPTER XVII. -
The Author of Waverley, with His Various Personas, Is a Highly
Promoting Saint Ronans Well: Scotts Fiction and Scottish Community in Transition MATSUI Yuko The Author of Waverley, with his various personas, is a highly sociable and com- municative writer, as we observe in the frequent and lively exchanges between the author and his reader or characters in the conclusions of Old Mortality1816 and Redgauntlet1824 , or in the prefaces to The Abbot1820 and The Betrothed1825 , to give only a few examples. Walter Scott himself, after giving up his anonymity, seems to enjoy an intimate author-reader relationship in his prefaces and notes to the Magnum Opus edition. Meanwhile, Scott often adapts and combines more than one historical event or actual person, his sources or originals, in his attempt to recre- ate the life of a particular historical period and give historical sense to it, as books like W. S. Crocketts The Scott Originals1912 eloquently testify, and with the Porteous Riot and Helen Walker in The Heart of Midlothian1818 as one of the most obvious examples. Both of these characteristics often tend to encourage an active interaction between the real and the imagined, or their confluence, within and outwith Scott's historical fiction, perhaps most clearly shown in the development of tourism in 19th century Scotland1. In the case of Saint Ronan’s Well1824 [1823], Scotts only novel set in the 19th century, its contemporaneity seems to have allowed that kind of interaction and confluence to take its own vigorous form, sometimes involving an actual commu- nity or other authors of contemporary Scotland. Thus, we would like to examine here the ways in which Scott adapts his sources to explore his usual interest in historical change in this contemporary fiction and how it was received, particularly in terms of its effect on a local community in Scotland and in terms of its inspiration for his fellow authors, and thus reconsider the part played by Scotts fiction in imagining and pro- moting Scotland in several ways, in present and past Scotland. -
The Forms of Historical Fiction
The Forms of Historical Fiction The Forms of Historical Fiction Sir Walter Scott and His Successors By Harry E. Shaw CiD Cornell University Press · Ithaca and London Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. This book has been published with the aid of a grant from the Hull Memorial Publication Fund of Cornell University. Copyright © 1983 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850, or visit our website at cornellpress.cornell.edu. First published 1983 by Cornell University Press Library of Congress Cataloging-in-Publication Data Shaw, Harry E., 1946– The forms of historical fi ction : Sir Walter Scott and his successors. Includes index. 1. Scott, Walter, Sir, 1771–1832—Criticism and interpretation. 2. Scott, Walter, Sir, 1771–1832—Infl uence. 3. Historical fi ction. I. Title. PR5343.H5S5 1983 823'.17 83-5354 ISBN-13: 978-0-8014-1592-0 (cloth) — ISBN-13: 978-1-5017-2326-1 (pbk.) The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/ Cover illustration: Portrait of Sir Walter Scott by Sir Henry Raeburn, reproduced by permission of the Scottish National Portrait Gallery, Edinburgh. FOR }UDY JENSVOLD Contents PREFACE 9 A NOTE ON CITATIONS OF SCOTT'S WORKS 15 I. -
114662991.23.Pdf
HBS.\.17.?A2 /J/JiUiy ■tJ3S ' ( ' THE BY THE AUTHOR OP « WAVERLY” AND « GUY MANNERING.” IWisdom knew Anselmo. and cunning He had was their shrewd shares and of prudent; him; ButAnd he pleased was shrewish again by astoys a waywardwhich childhood child. please; As—bookOr else the of jingling fables gracedof a rusty with medal, print of wood. OrThat the first rare was melody sung toof someplease old King ditty. Pepin’s cradle. IN TWO VOLUMES, VOL. I. PHILADELPHIA: PUBLISHED BY JAMES CRISSY, NO. 177, CHESNUT STREET. O. GOODMAN, PRINTER. 1821. S-34'DESr»\ \ 1976 A'' ADVERTISEMENT. The present work completes a series of fictitious narratives, intended to illustrate the manners of Scot- land at three different periods. Wa verly embraced the age of our fathers, Guy MANNERiNGthatof our own youth, and the Antiquary refers to the last ten years of the eighteenth century. I have, in the two last narratives especially, sought my principal per- sonages in the class of society who are the last to feel the influence of that general polish which assimilates to each other the manners of different nations. Among the same class I have placed some of the scenes, in which I have endeavoured to illustrate the operation of the higher and more violent passions; both because the lower orders are less restrained by the habit of suppressing their feelings, and because I agree with Mr. Wordsworth, that they seldom fail to express them in the strongest and most powerful language. This is, I think, peculiarly the case with the peasantry of my own country, a class with whom I have long been familiar. -
Villainy in Scott╎s Fiction
Studies in English Volume 13 Article 7 1972 Villainy in Scott’s Fiction George W. Boswell University of Mississipi Follow this and additional works at: https://egrove.olemiss.edu/ms_studies_eng Part of the Literature in English, British Isles Commons Recommended Citation Boswell, George W. (1972) "Villainy in Scott’s Fiction," Studies in English: Vol. 13 , Article 7. Available at: https://egrove.olemiss.edu/ms_studies_eng/vol13/iss1/7 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Studies in English by an authorized editor of eGrove. For more information, please contact [email protected]. Boswell: Villainy in Scott’s Fiction Villainy in Scott’s Fiction by George W. Boswell The natural disposition and career of Sir Walter Scott were so generally sunny that only a small handful of his many critics have seriously faulted any aspects of his character. Occasional objections have been adduced to the mystification and possible harshness of his business dealings with the Ballantynes, the maintenance of his incog nito with respect to authorship of the Waverley novels long beyond any credible reason for it, his jealousy of Robert Burns (though if existent this is certainly not very noticeable), and some of his Chester- fieldian letters to his son and heir; but these have seemed to pale into insignificance when set alongside his moral virtues. The latter in clude his industry, his openhandedness, his capacity for extensive friendships, his civil services, the generous praise of the literary pro ductions of his contemporaries, and above all the heroic stoicism with which “in his fifty-sixth year, already in uncertain health, he assumed a mountain of debt and sentenced himself to a lifetime of servi tude”1 in order to avoid bankruptcy and its stigma. -
Introduction: Reworking Walter Scott Daniel Cook University of Dundee
Studies in Scottish Literature Volume 44 Article 2 Issue 2 Reworking Walter Scott 12-15-2018 Introduction: Reworking Walter Scott Daniel Cook University of Dundee Lucy Wood Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the Literature in English, British Isles Commons Recommended Citation Cook, Daniel and Wood, Lucy (2019) "Introduction: Reworking Walter Scott," Studies in Scottish Literature: Vol. 44: Iss. 2, 3–9. Available at: https://scholarcommons.sc.edu/ssl/vol44/iss2/2 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. INTRODUCTION: REWORKING WALTER SCOTT Daniel Cook and Lucy Wood In two years’ time, on the fifteenth of August 2021, Walter Scott turns 250. Edinburgh, the world’s first designated UNESCO City of Literature, will lead the celebrations with a series of public events and publications in honour of one of Scotland’s most noteworthy authors. In a sense, this work of commemoration began long ago. Waverley, Edinburgh’s main railway station, remains the only station on the planet to take its name from a literary character—in this case the eponymous hero of Scott’s first novel. Near the station stands the Scott Monument, the world’s tallest shrine to an author, in which Scott and his beloved hound Maida have been regally rendered in thirty tons of Carrara marble. They’ve been sitting there, in Princes Street Gardens, overlooking countless passers-by, since the 1840s, barely a decade after the writer’s death. -
Arbroath and Its Abbey
•'^ mmk THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES Digitized by the Internet Archive in 2007 with funding from IVIicrosoft Corporation http://www.archive.org/details/arbroathitsabbeyOOmilliala IM. VUTM .-. SKETCH BT L>. MILLAR. ARBROATH ABBEY CHURCH FROM THE NORTH-WEST. ARBROATH AND ITS ABBEY THE EARLY HISTORY OF THE TOWN AND ABBEY ABERBROTHOCK INCLUDING ANTIQUITIES NOTICES OF ECCLESIASTICAL AND OTHER IN THE SURROUNDING DISTRICT DAVID MILLER EDINBURGH STREET THOMAS G. STEVENSON, 22 FREDERICK ADAMS & Co LONDON : HAMILTON, SON GLASGOW : MURRAY & MDCOCLX »! i €nt«tij in Stationtrs' fall. '^ AND BUNCLE. PKINTEBS. ABBROATH : KKKNKDY 4S'/li> PREFACE. The following pages have been published chiefly for those who take an interest in the locality of the ancient and now flourishing town of Arbroath, and also with the view of removing the obscurity which has hitherto involved the history of its once magnificent monasteiy. Among other sources of information the Chartulary of the Abbey is entitled to stand first in rank. The most interesting portions of these monastic writings have been digested and arranged in this volume. An endeavour has thus been made to bring out the points in which they, along with other authentic documents, tend to illustrate the history of the district. In alluding to the history of past times, our ancestors have been allowed as far as possible to appear in their own dress, and speak in their own words. This will account for the number of quotations in the antique style, which may probably render the perusal of some portions of the book a little difficult to readers otherwise well educated. -
The Antiquary, Complete
The Antiquary, Complete Sir Walter Scott The Project Gutenberg EBook of The Antiquary, Complete, by Sir Walter Scott This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Antiquary, Complete Author: Sir Walter Scott Release Date: August 17, 2004 [EBook #7005] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE ANTIQUARY, COMPLETE *** Produced by David Widger THE ANTIQUARY BY SIR WALTER SCOTT, BART. COMPLETE VOLUME ONE I knew Anselmo. He was shrewd and prudent, Wisdom and cunning had their shares of him; But he was shrewish as a wayward child, And pleased again by toys which childhood please; As---book of fables, graced with print of wood, Or else the jingling of a rusty medal, Or the rare melody of some old ditty, That first was sung to please King Pepin's cradle Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. INTRODUCTION The present work completes a series of fictitious narratives, intended to illustrate the manners of Scotland at three different periods. _Waverley_ embraced the age of our fathers, _Guy Mannering_ that of our own youth, and the _Antiquary_ refers to the last ten years of the eighteenth century. I have, in the two last narratives especially, sought my principal personages in the class of society who are the last to feel the influence of that general polish which assimilates to each other the manners of different nations.