La Diva Aux Pieds Nus À Ibn Khaldoun

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Culture / Culture Césaria Evora en concert à Alger La diva aux pieds nus à Ibn Khaldoun En 2000 déjà, la Victoire de la musique récompensait Césaria Evora meilleur album world de l’année. En 2004, la chanteuse capverdienne décroche le prix Grammy, une consécration qui venait marquer un parcours pas toujours facile. Et, pourtant, rien ne prédestinait la petite fille aux pieds nus de Sao Vincent, son île natale, à une carrière musicale internationale : 9 albums à l’étranger, 6 compilations et une très riche avenue scénique. Après avoir sillonné les scènes du monde, la diva aux pieds nus animera demain soir un concert à Alger à la salle Ibn Khaldoun, à partir de 21 heures. Césaria Evora foule le sol algérien pour un concert inédit. Née le 27 août 1944 à Mindelo, petite ville commerçante de Sao Vicente, l'une des îles du Cap-Vert. À l'âge de 7 ans, son père musicien violoniste disparaît prématurément, terrassé par l'alcool. La petite Césaria est alors confiée aux soins d’un orphelinat, sa mère ne pouvant subvenir à ses besoins. Et c’est là où Césaria apprend à chanter dans une chorale qu'elle quitte à l'âge de 13 ans. 3 ans plus tard, elle fait la rencontre d'Eduardo, son premier grand amour, un marin qui, après Gregorio Gonsalves, lui apprend l'art précieux de l'interprétation des coladeras et des mornas anciennes. C'est à cette époque qu'elle entreprend la “tournée” des bars de la ville, au fameux Calypso, et Café royal de l'avenue de Lisbonne. À l'époque, le Cap-Vert est encore une colonie portugaise, l'archipel tout entier vibre, à l'unisson, au rythme des coladeras et des mornas, une sorte de “blues national”, héritage et résonance plaintive de l'esclavage, subi jusqu'au XVIIIe siècle par les ancêtres de Césaria. Au début des années 1990, elle fait l'objet d'articles dans la presse parisienne. Elle passe à Angoulème, dans le cadre du festival Musiques métisses, et à La Rochelle dans le cadre des Francopholies. Un chanteur capverdien, nommé Bana, l'invite à faire une tournée et à enregistrer aux États-Unis. Elle signe, entre autres, les albums Césaria Evora, Distino Di Belita (1995), Cabo Verde (1997), Miss Perfumado (1998) et Cafe Atlantico (1999). En octobre 2001, Césaria sort Sao Vicente De Longe. Suivent Club Sodade et Voz d'Amor en 2003. R. C..

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The Story of Morna: Cape Verde's Music of Displacement and Return
_________________________________________________________________________________________________________________ The story of morna: Cape Verde’s music of displacement and return How a music shaped by slavery, epidemics, famine and mass migration travelled the world, narrating stories of suffering and resistance. A violinist known as Nhô Raul performs with other morna musicians in the Cape Verdean Island of Brava By Beatriz Ramalho da Silva 23 May 2021 Mariana dos Santos was 18 years old when she left her home in Cape Verde, the archipelago of volcanic islands off the coast of West Africa, for neighbouring São Tomé and Principe. It was 1954, and she had been given a contract to work picking coffee, coconut and cocoa at a plantation. She joined the thousands of Cape Verdeans leaving the country to work as labourers in other Portuguese colonies – something promoted by the colonial authorities as a way of alleviating demographic pressure on the islands and filling labour gaps abroad. “I felt like it was time, I was grown up enough and I had to go look for a better life,” the now 85-year-old tells Al Jazeera. 2 On the day Mariana was set to leave, her boyfriend João accompanied her to the port with his guitar. He serenaded her until she boarded the ship. “Who showed you / That far away path? / The path / to São Tomé. / Sodade, sodade, / Sodade / …” he sang. “If you write me, / I will write you / if you forget me, / I will forget you…” The song, Sodade, was written down with some modifications by a local salesman, Armando Zeferino Soares. Years later, it would become one of the world’s most famous mornas, a Cape Verdean musical practice believed to date back to the 18th century.
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