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The Story of Morna: Cape Verde's Music of Displacement and Return
_________________________________________________________________________________________________________________ The story of morna: Cape Verde’s music of displacement and return How a music shaped by slavery, epidemics, famine and mass migration travelled the world, narrating stories of suffering and resistance. A violinist known as Nhô Raul performs with other morna musicians in the Cape Verdean Island of Brava By Beatriz Ramalho da Silva 23 May 2021 Mariana dos Santos was 18 years old when she left her home in Cape Verde, the archipelago of volcanic islands off the coast of West Africa, for neighbouring São Tomé and Principe. It was 1954, and she had been given a contract to work picking coffee, coconut and cocoa at a plantation. She joined the thousands of Cape Verdeans leaving the country to work as labourers in other Portuguese colonies – something promoted by the colonial authorities as a way of alleviating demographic pressure on the islands and filling labour gaps abroad. “I felt like it was time, I was grown up enough and I had to go look for a better life,” the now 85-year-old tells Al Jazeera. 2 On the day Mariana was set to leave, her boyfriend João accompanied her to the port with his guitar. He serenaded her until she boarded the ship. “Who showed you / That far away path? / The path / to São Tomé. / Sodade, sodade, / Sodade / …” he sang. “If you write me, / I will write you / if you forget me, / I will forget you…” The song, Sodade, was written down with some modifications by a local salesman, Armando Zeferino Soares. Years later, it would become one of the world’s most famous mornas, a Cape Verdean musical practice believed to date back to the 18th century. -
Table of Contents
1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas. -
Nr Kat EAN Code Artist Title Nośnik Liczba Nośników Data Premiery Repertoire 19075816441 190758164410 '77 Bright Gloom Vinyl
nr kat EAN code artist title nośnik liczba nośników data premiery repertoire 19075816441 190758164410 '77 Bright Gloom Vinyl Longplay 33 1/3 2 2018-04-27 HEAVYMETAL/HARDROCK 19075816432 190758164328 '77 Bright Gloom CD Longplay 1 2018-04-27 HEAVYMETAL/HARDROCK 9985848 5051099858480 '77 Nothing's Gonna Stop Us CD Longplay 1 2015-10-30 HEAVYMETAL/HARDROCK 88697636262 886976362621 *NSYNC The Collection CD Longplay 1 2010-02-01 POP 88875025882 888750258823 *NSYNC The Essential *NSYNC CD Longplay 2 2014-11-11 POP 19075906532 190759065327 00 Fleming, John & Aly & Fila Future Sound of Egypt 550 CD Longplay 2 2018-11-09 DISCO/DANCE 88875143462 888751434622 12 Cellisten der Berliner Philharmoniker, Die Hora Cero CD Longplay 1 2016-06-10 CLASSICAL 88697919802 886979198029 2CELLOS 2CELLOS CD Longplay 1 2011-07-04 CLASSICAL 88843087812 888430878129 2CELLOS Celloverse CD Longplay 1 2015-01-27 CLASSICAL 88875052342 888750523426 2CELLOS Celloverse CD Longplay 2 2015-01-27 CLASSICAL 88725409442 887254094425 2CELLOS In2ition CD Longplay 1 2013-01-08 CLASSICAL 19075869722 190758697222 2CELLOS Let There Be Cello CD Longplay 1 2018-10-19 CLASSICAL 88883745419 888837454193 2CELLOS Live at Arena Zagreb DVD Video Longplay 1 2013-11-05 CLASSICAL 88985349122 889853491223 2CELLOS Score CD Longplay 1 2017-03-17 CLASSICAL 88985461102 889854611026 2CELLOS Score (Deluxe Edition) CD Longplay 2 2017-08-25 CLASSICAL 19075818232 190758182322 4 Times Baroque Caught in Italian Virtuosity CD Longplay 1 2018-03-09 CLASSICAL 88985330932 889853309320 9ELECTRIC The Damaged Ones -
Miriam Makeba
MIRIAM MAKEBA South Africa’s legendary musical sensation, Miriam Makeba, who returned to her homeland after 30 years in exile, has something to sing about. Her career continues to soar, the demands for performances from countries round the world continue to flood in. 1998 has been spent touring Africa, USA and Europe. Touring always has been successful all over the world. As an example of her fame, when touring Scandinavia, where Miriam sold out the longest tour ever made there, she sold out theatres beyond the Polar Circle too. In 1995 Miriam Makeba started a charity project to raise funds helping to protect women in South Africa. She closed ’95 in Italy: an audience with Pope John Paul II, and a performance at the Vatican Nervi Hall, that was televised world-wide in December and titled ‘Christmas In The Vatican’. From a photographic shoot with Iman Bowie and David Bowie for Vogue America, to her pre-sold tour through Australia performing at the Brisbane Biennial, in Adelaide, Sydney and Perth, and repeated tours of Europe performing in Italy, Germany, Austria and USA, an invitation by President Ben Ali of Tunisia to perform at Carthage Music Festival, a performance with Marianne Faithful and Dee Dee Bridgewater, to Paris for the ‘La Marche Du Siecle’ television program regarding women and the Beijing gathering and to perform for the Pope in Italy in December. In South Africa alone, performances were staged, many television shows were filmed, her documentary done by The South Bank Show was released and presented at the Cannes Film Festival, flew in the USA, UK France, Australia, Tunisia and many more countries. -
Literatura E Mu Sica E Mu Sica E Literatura Em Cabo Verde: Um Olhar Sobre Cesa Ria E Vora E Dina Salu Stio
LITERATURA E MU SICA E MU SICA E LITERATURA EM CABO VERDE: UM OLHAR SOBRE CESA RIA E VORA E DINA SALU STIO LITERATURE IS MUSIC AND MUSIC IS LITERATURE IN CAPE VERDE: A LOOK AT CESA RIA E VORA AND DINA SALU STIO agosto de 2019 agosto – Denise Lima Santiago Figueiredo1 v.2, nº.22 nº.22 v.2, 2 – Maristela Rodrigues Lopes 3 2019 2019 Maria Mirtis Caser - 4456 4456 - RESUMO: Em Cabo Verde, a literatura e a música constituem importantes manifestações na construção identitária do arquipélago. As artes, literária e musical, encontram em Dina Salústio e em Cesária Évora, respectivamente, duas vozes que não só elevam a cultura do país, mas ISSN: 2179 ISSN: também representam o sentimento de pertencimento e a força da mulher. Tendo isso em conta, – este artigo discute a produção dessas duas mulheres, a partir do contexto cabo-verdiano, tendo em vista o diálogo entre literatura e música. Para tanto, em termos teóricos, recorre a REVELL REVELL pesquisadores como Simone Caputo Gomes (2008, 2010, 2013), Franz Fanon (2008), Paul Giroy (2001), Conceição Evaristo (2018), e, em termos de análise, considera o fazer musical de Cesária Évora e Mornas eram as noites, de Dina Salústio. O resultado dessa análise evidencia a importância da produção de Évora e Salústio como expressão da cultura cabo-verdiana e como espaço de vivência das subjetividades. PALAVRAS-CHAVE: Cabo Verde; Literatura e música; Cesária Évora; Dina Salústio. 1 Mestre em Letras: Linguagens e Representações pela Universidade Estadual de Santa Cruz – Brasil. Doutoranda em Letras na Universidade Federal do Espírito Santo – Brasil. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Vinyl Record Catalogue
Central Reference Vinyl Record List January 2017 AUTHOR TITLE Coates, Eric, 1886-1957 Sir Adrian Boult conducts marches .. Huxley, Laura Archera, Recipes for living and loving Vol. 1 Greene, Margaret Learning to talk a study in sound of infant speech development McKinley, Mark B. Crybaby an analysis of the cry-language of babies Russell, Bertrand Bertrand Russell speaks an interview with Woodrow Wyatt Mason, James, Ecclesiastes Bloom, Claire, The song of songs Rawlings, Margaret, The New English Bible the gospel according to Matthew Rawlings, Margaret, The New English Bible the gospel according to Matthew Rawlings, Margaret, The New English Bible the gospel according to Matthew The Living New Testament Matthew :in living sound from the Living Bible The Living New Testament Matthew :in living sound from the Living Bible The Living New Testament Matthew :in living sound from the Living Bible The Living New Testament Mark :in living sound from the Living Bible The Living New Testament Mark :in living sound from the Living Bible The Living New Testament Luke :in living sound from the Living Bible The Living New Testament Luke :in living sound from the Living Bible The Living New Testament Luke :in living sound from the Living Bible The Living New Testament John :in living sound from the Living Bible The Living New Testament John :in living sound from the Living Bible Evans, Edith, The First Christmas Guinness, Alec Alec Guinness reads spiritual and religious poetry and prose Kossoff, David You have a minute, Lord? Donne, John Sermons of John Donne Marshall, Peter Peter Marshall speaks two sermons Da Costa, J. -
Katalog Sony Music 16.04.2020.Xlsx
nr kat EAN code artist title nośnik liczba nośników data premiery repertoire 19075816432190758164328'77 Bright Gloom CD Longplay 1 2018-04-27 HEAVYMETAL/HARDROCK 19075816441190758164410'77 Bright Gloom Vinyl Longplay 33 1/3 2 2018-04-27 HEAVYMETAL/HARDROCK 88697636262886976362621*NSYNC The Collection CD Longplay 1 2010-02-01 POP 88875025882888750258823*NSYNC The Essential *NSYNC CD Longplay 2 2014-11-11 POP 1907590653219075906532700 Fleming, John & Aly & Fila Future Sound of Egypt 550 CD Longplay 2 2018-11-09 DISCO/DANCE 8887514346288875143462212 Cellisten der Berliner Philharmoniker, Die Hora Cero CD Longplay 1 2016-06-10 CLASSICAL 1907592212219075922122821 Savage i am > i was CD Longplay 1 2019-01-11 RAP/HIPHOP 1907592212119075922121121 Savage i am > i was Vinyl Longplay 33 1/3 2 2019-03-01 RAP/HIPHOP 886979198028869791980292CELLOS 2CELLOS CD Longplay 1 2011-07-04 CLASSICAL 888430878128884308781292CELLOS Celloverse CD Longplay 1 2015-01-27 CLASSICAL 888750523428887505234262CELLOS Celloverse CD Longplay 2 2015-01-27 CLASSICAL 887254094428872540944252CELLOS In2ition CD Longplay 1 2013-01-08 CLASSICAL 190758697221907586972222CELLOS Let There Be Cello CD Longplay 1 2018-10-19 CLASSICAL 888837454198888374541932CELLOS Live at Arena Zagreb DVD Video Longplay 1 2013-11-05 CLASSICAL 889853491228898534912232CELLOS Score CD Longplay 1 2017-03-17 CLASSICAL 889854611028898546110262CELLOS Score (Deluxe Edition) CD Longplay 2 2017-08-25 CLASSICAL 190759538011907595380123TEETH METAWAR Vinyl Longplay 33 1/3 2 2019-07-05 HEAVYMETAL/HARDROCK 190759537921907595379233TEETH -
MARIANA RAMOS - BIOGRAPHY (Cape Verde)
MARIANA RAMOS - BIOGRAPHY (Cape Verde) Critics of the press and broadcast medium are unanimous: Mariana Ramos is a solar singer. She probably owes to Senegal, her native country, this enthusiasm and vigor that characterize her. Generous, Mariana is radiant and attracts all the attention once she's on stage. As the show progresses, she inflames her audience and transmits her sacred fire. It is in Cape Verde, the home of her ancestors, she finds her inspiration. She transports us to the frenzied air of the archipelago: the cola sanjõn, the coladeira, the joyous music of the island of São Vicente, Funana and batucu legacy of the slaves of the island of Santiago. At each performance she brings her personal touch. When the Franco-Cape Verdean interprets the traditional mornas, we feel a particular emotion sin her voice. Mariana is a cosmopolitan singer, a symbol of successful intermixing. She lived in Cape Verde in the district of Monte Sossego, raised by her grandmother to whom she dedicated her album "Bibia". She joined her parents who were forced to immigrate to France. Her entire childhood was influenced by both parents. From her mother's side, she inherited her passion for dance that she practices from the age of 7, and from her paternal side, she was seduced by the Cape Verdean rhythms composed by her father, Toy Ramos alias Bibi, guitarist of the famous group "Voz de Cabo Verde". When she came of age, she began performing on stage in a rock band and an orchestra of variety. Later she joined a jazz quintet. -
歌謡モルナにおけるcretcheu とamor の意味変容 the Transition of The
国際言語文化第 3 号(2017 年 3 月) ḷㅴࣔࣝࢼ࠾ࡅࡿCretcheu Amor ࡢពኚᐜ The Transition of the Significance of Cretcheu and Amor in Morna 㟷ᮌᩗ せ᪨ The singer Cesária Évora is famous for having spread Cabo Verdean culture to the world by singing morna and coladeira. The former is a musical genre at the core of the cultural identity of Cabo Verde, while the latter, a rhythmical dancing music, is a tradition of the northern islands of the country. The expression of love, cretcheu and amor in Cabo Verdean Creole, is prominent in the lyrics of morna. Both terms certainly bear a special and profound significance for the people of Cabo Verde who experienced a massive emigration in the past. The present research is a study of the lyrics of morna in the period of Cesária Évora (end of the twentieth century) and the present (beginning of the twenty-first century) to examine the significance of cretcheu and amor expressed in her albums and also in the daily life of the people of Cabo Verde. The expression of cretcheu VLJQLILHV³EHORYHG´ and amor has a sensHRI³ORYH´ H.g. love a person, with love, etc.). The author shows that, while cretcheu had multiple and complex meanings in morna in every period, from the end of the nineteenth century to the beginning of the twentieth century, it only has a single meaning LQ&HViULD¶VVRQJV7UDQVPLWWLQJWKHW\SLFDOVHQWLPHQWLQmorna and coladeira was a way of inheriting the culture of Cabo Verde. ࣮࣮࠙࢟࣡ࢻࠚࢭࢨ࣭࢚ࣦ࢛ࣜࣛࠊḷㅴࣔࣝࢼࠊほග࣭ၟᴗࠊᩥ⥅ᢎࠊamorࠊcretcheu ࣮࣭ࣦ࢙࢝࣎ࣝࢹࡢ㡢ᴦᩥ ࣮࣭ࣦ࢙࢝࣎ࣝࢹࡣ㡢ᴦᩥࡀ㠀ᖖ㇏࡞ᅜ࡛࠶ࡿ㸬᪥㸪ໃࡢほගᐈࡀ㉱ࡃሙᡤ࡛࠶ ࡾ㸪࣮ࣚࣟࢵࣃ࡛ࡣ࠸ࢃࡺࡿࠕࣜࢰ࣮ࢺᆅࠖࡋ࡚▱ࡽࢀ࡚࠸ࡿ㸬ࡾࢃࡅ㸪ࢧࣝᓥ࣭࣎ ࣦࢫࢱᓥࡢ◁ࡸࢧࣥࢺ࣭ࣥࢱࣥᓥࡢⓏᒣ㸪ࡑࡋ࡚ࢧ࣭ࣦࣥࢭࣥࢸᓥࡢ㡢ᴦᩥࢆほ ග┠ⓗࡍࡿேࡀከ࠸(1). -
Cesária Évora (27.8.1941-17.12.2011)
CESÁRIA ÉVORA (27.8.1941-17.12.2011) DE DIVA OP BLOTE VOETEN IS NIET MEER Tekst: Rik van Boeckel voor Cultuurpodium.nl Zaterdag 17 december 2011 is Cesária Évora, de diva op blote voeten, op 70-jarige leeftijd overleden in een ziekenhuis op São Vicente, het Kaapverdische eiland waar ze altijd gewoond heeft. Hoewel ze wegens haar zwakke gezondheid haar tournee afgelopen najaar heeft moeten annuleren, kwam haar dood toch onverwacht. Ze bracht 12 albums uit. Mei 2009 interviewde ik haar telefonisch voor Jazz Magazine. Haar optreden eind augustus dat jaar in De Melkweg was haar laatste optreden in Nederland. Het was bijzonder om te zien hoe Cesária zonder enige communicatie met het publiek met nummers als Sodade en Terezinha datzelfde publiek in de Rabozaal van de Melkweg wist te betoveren. Ze kreeg al tijdens haar opkomst een staande ovatie. Het onderstaande artikel is een enigszins aangepaste weergave van het artikel dat in 2009 in Jazz Magazine verscheen. Haar laatste album Nha Sentimiento moest toen nog verschijnen, over dat album is nog informatie toegevoegd. Cesária Évora heeft de Kaapverdische morna wereldberoemd gemaakt. Eind jaren ’50 zong ze in de café s van Mindelo, de hoofdstad van het Kaapverdische eiland São Vicente. Internationaal brak ze pas door begin jaren ‘90 nadat José da Silva, nu eigenaar van Lusafrica, haar had horen zingen in een restaurant in Lissabon. Ondanks haar wereldwijde succes heeft ze haar eenvoud weten te behouden. Ze stond bekend als de diva op blote voeten omdat ze altijd zo optrad. Met haar diepe altstem heeft ze de wereld prachtige morna’s en coladeira’s geschonken. -
An Analysis of the Musical Style of Miriam Makeba
AN ANALYSIS OF THE MUSICAL STYLE OF MIRlAM MAKEBA BY NOMFUNDO XALUVA XLVNOMOOl A MJNOR DISSERTATION SUBMlTTED IN PARTIAL FU LFILLMENT OF THE REQUIREMENTS FOR THE A WARD OF THE DEGREE OF MASTER OF M-USIC FACULTY OF HUMANITIES SOUTH AFRICAN COLLEGE OF MUSIC UNIVERSITY OF CAPE TOWN 2009 The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town II. DECLARATION This work has not been previously submitted in whole, or in part, for the award of any degree. It is my own work. Each significantcontribution to, and quotation in, this dissertation from the work, or works, of other people has been attributed, and has been cited and referenced. SIGNATURE DATE �I to/-zoo� Nomfundo Xaluva III For my father, Sam Xaluva IV AN ANALYSIS OF THE MUSICAL STYLE OF MIRIAM MAKEBA By Nomfundo Xaluva 025 Edingight Flats Rondebosch Cape Town A minor dissertation submitted in partial fulfillment of the requirements for the award of the degree of Master of Music. South African College of Music Faculty of Humanities University of Cape Town South Africa 2009 Abstract The motivation behind this study is to explore the musical style of the late Miriam Makeba. The intention is that it will add a valuable contribution to the study of South African musicians and those subsequent scholars, with a common interest, will use the work to further the analytical study of the musical style of South African jazz.