Sendung, Sendedatum

Total Page:16

File Type:pdf, Size:1020Kb

Sendung, Sendedatum WDR 3 Jazz & World, 14.02.2018 Miriam Makeba 22:04-24:00 Stand: 13.02.2018 E-Mail: [email protected] | Online: jazz.wdr.de Moderation: Babette Michel Redaktion: Bernd Hoffmann Laufplan 22:04-24:00 1. Amampondo K + T: Oumou Sangare 2:30 MIRIAM MAKEBA Stern's Music, STCD3017, ohne LC, EAN 740042301726 CD: The Guinea Years 2. Tula Ndiville K + T: Mackay Dawashe 3:06 MIRIAM MAKEBA Wrasse Records, WRASS 062, ohne LC, EAN 5060001270661 CD: The Definite Collection 3. Pata Pata K + T: Reggio Msomi 2:50 MIRIAM MAKEBA Wrasse Records 088, ohne LC, EAN 5060001270937 CD: The Early Years 4. Nomalungelo K + T: Nomundo Sihawu 2:21 MIRIAM MAKEBA & Wrasse Records, WRASS 062, ohne LC, SKYLARKS EAN 5060001270661 CD: The Definite Collection 5. Back of the Moon K + T: Todd Matshikiza, Pat Williams 2:58 KING KONG CAST feat. Wrasse Records, WRASS 062, ohne LC, MIRIAM MAKEBA EAN 5060001270661 CD: The Definite Collection 6. Makoti K + T: Msomi 2:20 MIRIAM MAKEBA Not Now Music, NOT2CD413, ohne LC, EAN 5060143494130 CD: The sweet sound of Africa 7. Miriam's Goodbye to K + T: Reggie Msomi 2:43 Africa Wrasse Records 088, ohne LC, MIRIAM MAKEBA EAN 5060001270937 CD: The Early Years 8. The Click Song (Live) K + T: Joseph Mogotsi, Rufus Khoza, 2:30 MIRIAM MAKEBA Nathan Dambuza Mdledle Delta Music, N 16 173, ohne LC, EAN 5055551161736 CD: The Voice of Africa 9. In the land of the Zulus K + T: Makeba 2:31 BELAFONTE / MAKEBA RCA / BMG Music, ND 89871, LC 00316, EAN 0035628987129 Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 1 WDR 3 Jazz & World, 14.02.2018 Miriam Makeba 22:04-24:00 Stand: 13.02.2018 E-Mail: [email protected] | Online: jazz.wdr.de CD: An Evening with Belafonte / Makeba. 22:0Songs4-24:00 from Africa 10. Train song K + T: Belafonte, Makeba 3:10 BELAFONTE / MAKEBA RCA / BMG Music, ND 89871, LC 00316, EAN 0035628987129 CD: An Evening with Belafonte / Makeba. Songs from Africa 11. Kulala K + T: Miriam Makeba 2:25 MIRIAM MAKEBA Warner Bros, 5255, Reprise, 6381, ohne LC, EAN 021471525526 CD: Keep me in mind 12. Teya Teya K + T: Dorothy Masuka 3:23 MIRIAM MAKEBA Stern's Music, STCD3017, ohne LC, EAN 740042301726 CD: The Guinea Years 13. Africa (Ifrikia) K + T: Lamine Bechuchi 5:41 MIRIAM MAKEBA Stern's Music, STCD3017, ohne LC, EAN 740042301726 CD: The Guinea Years 14. Milele K + T: Trad. 3:27 MIRIAM MAKEBA Wrasse Records 088, Ohne LC, EAN 5060001270937 CD: They Early Years 15. Ngola Kurila K + T: Miriam Makeba 2:50 MIRIAM MAKEBA Not Now Music, NOT2CD413, ohne LC, EAN 5060143494130 CD: The sweet sound of Africa 16. Serenade K + T: Bongi Makeba 2:38 BONGI MAKEBA plane-records, BMG, 89010, LC 00972 CD: Blow on wind 17. Ihoyiya K + T: traditionell 1:27 MIRIAM MAKEBA Warner Bros, 925673-2, ohne LC, EAN 07599256732 CD: Sangoma 18. Baxabene Oxami K + T: traditionell 2:12 MIRIAM MAKEBA Warner Bros, 925673-2, ohne LC, EAN 07599256732 CD: Sangoma 19. Baxabene Oxami K + T: traditionell 2:21 MIRIAM MAKEBA Warner Bros, 925673-2, ohne LC, Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 2 WDR 3 Jazz & World, 14.02.2018 Miriam Makeba 22:04-24:00 Stand: 13.02.2018 E-Mail: [email protected] | Online: jazz.wdr.de EAN 07599256732 22:0CD:4-24:00 Sangoma 20. Soweto Blues K + T: S. Todd, H. Masekela 4:15 MIRIAM MAKEBA City Medial Two, 838208-2, LC 00305, EAN 4228382082 CD: Welela 21. Live the Future K: J. B. Arthur, V: Masondo, Vuvu Pefile 3:00 MIRIAM MAKEBA feat. Polydor, 849 313-2, LC 00309, DIZZY GILLESPIE EAN 4228493132 CD: Eyes on tomorrow 22. Bambarana K + T: Papa Kouyate 4:52 MIRIAM MAKEBA DRG Records, 5233, ohne LC, EAN 021471523324 CD: Sing me a song 23. Masakhane K + T: Zamo Mbutho 4:40 MIRIAM MAKEBA Exil Musik, 9382, LC 08972 CD: Homeland 24. Where are you going K + T: Hugh Masekela 3:55 MIRIAM MAKEBA Exil Musik, 4958-2, LC 08972 CD: Reflections 25. Pata Pata K + T: Msomi, Makeba 3:20 MIRIAM MAKEBA Exil Musik, 4958-2, LC 08972 CD: Reflections Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 3 .
Recommended publications
  • RHYTHM & BLUES...63 Order Terms
    5 COUNTRY .......................6 BEAT, 60s/70s ..................71 AMERICANA/ROOTS/ALT. .............22 SURF .............................83 OUTLAWS/SINGER-SONGWRITER .......23 REVIVAL/NEO ROCKABILLY ............85 WESTERN..........................27 PSYCHOBILLY ......................89 WESTERN SWING....................30 BRITISH R&R ........................90 TRUCKS & TRAINS ...................30 SKIFFLE ...........................94 C&W SOUNDTRACKS.................31 AUSTRALIAN R&R ....................95 C&W SPECIAL COLLECTIONS...........31 INSTRUMENTAL R&R/BEAT .............96 COUNTRY AUSTRALIA/NEW ZEALAND....31 COUNTRY DEUTSCHLAND/EUROPE......32 POP.............................103 COUNTRY CHRISTMAS................33 POP INSTRUMENTAL .................136 BLUEGRASS ........................33 LATIN ............................148 NEWGRASS ........................35 JAZZ .............................150 INSTRUMENTAL .....................36 SOUNDTRACKS .....................157 OLDTIME ..........................37 EISENBAHNROMANTIK ...............161 HAWAII ...........................38 CAJUN/ZYDECO ....................39 DEUTSCHE OLDIES ..............162 TEX-MEX ..........................39 KLEINKUNST / KABARETT ..............167 FOLK .............................39 Deutschland - Special Interest ..........167 WORLD ...........................41 BOOKS .........................168 ROCK & ROLL ...................43 BOOKS ...........................168 REGIONAL R&R .....................56 DISCOGRAPHIES ....................174 LABEL R&R
    [Show full text]
  • Published Papers of the Ethnomusicology Symposia
    International Library of African Music PAPERS PRESENTED AT THE SYMPOSIA ON ETHNOMUSICOLOGY 1ST SYMPOSIUM 1980, RHODES UNIVERSITY (OUT OF PRINT) CONTENTS: The music of Zulu immigrant workers in Johannesburg Johnny Clegg Group composition and church music workshops Dave Dargie Music teaching at the University of Zululand Khabi Mngoma Zulu children’s songs Bongani Mthethwa White response to African music Andrew Tracey 2ND SYMPOSIUM 1981, RHODES UNIVERSITY (OUT OF PRINT) CONTENTS: The development of African music in Zimbabwe Olof Axelsson Towards an understanding of African dance: the Zulu isishameni style Johnny Clegg A theoretical approach to composition in Xhosa style Dave Dargie Music and body control in the Hausa Bori spirit possession cult Veit Erlmann Musical instruments of SWA/Namibia Cecilia Gildenhuys The categories of Xhosa music Deirdre Hansen Audiometric characteristics of the ethnic ear Sean Kierman The correlation of folk and art music among African composers Khabi Mngoma The musical bow in Southern Africa David Rycroft Songs of the Chimurenga: from protest to praise Jessica Sherman The music of the Rehoboth Basters Frikkie Strydom Some aspects of my research into Zulu children’s songs Pessa Weinberg 3RD SYMPOSIUM 1982, UNIVERSITY OF NATAL and 4TH SYMPOSIUM 1983, RHODES UNIVERSITY CONTENTS: The necessity of theory Kenneth Gourlay Music and liberation Dave Dargie African humanist thought and belief Ezekiel Mphahlele Songs of the Karimojong Kenneth Gourlay An analysis of semi-rural and peri-urban Zulu children’s songs Pessa Weinberg
    [Show full text]
  • Music and Inter-Generational Experiences of Social Change in South Africa
    All Mixed Up: Music and Inter-Generational Experiences of Social Change in South Africa Dominique Santos 22113429 PhD Social Anthropology Goldsmiths, University of London All Mixed Up: Music and Inter-Generational Experiences of Social Change in South Africa Dominique Santos 22113429 Thesis submitted in fulfillment of the requirements for a PhD in Social Anthropology Goldsmiths, University of London 2013 Cover Image: Party Goer Dancing at House Party Brixton, Johannesburg, 2005 (Author’s own) 1 Acknowledgements I owe a massive debt to a number of people and institutions who have made it possible for me to give the time I have to this work, and who have supported and encouraged me throughout. The research and writing of this project was made financially possible through a generous studentship from the ESRC. I also benefitted from the receipt of a completion grant from the Goldsmiths Anthropology Department. Sophie Day took over my supervision at a difficult point, and has patiently assisted me to see the project through to submission. John Hutnyk’s and Sari Wastel’s early supervision guided the incubation of the project. Frances Pine and David Graeber facilitated an inspiring and supportive writing up group to formulate and test ideas. Keith Hart’s reading of earlier sections always provided critical and pragmatic feedback that drove the work forward. Julian Henriques and Isaak Niehaus’s helpful comments during the first Viva made it possible for this version to take shape. Hugh Macnicol and Ali Clark ensured a smooth administrative journey, if the academic one was a little bumpy. Maia Marie read and commented on drafts in the welcoming space of our writing circle, keeping my creative fires burning during dark times.
    [Show full text]
  • African History – Episode 10 – Apartheid
    Learning by Ear – African History – Episode 10 – Apartheid Learning by Ear “Unce upon a time... in Africa” Episode 10: “APARTHEID” Author: Marta Barroso Editors: Maja Braun, Jan-Philipp Scholz CHARACTERS: Intro/Outro (female/male) Scene 1: • June (13, female) • Grandpa (77, male) • Mum (38, female) Scene 2: • Mrs. Makuani (35, female) • Girls (13, females) • June (13, female) Scene 3: • Mum (38, female) • June (13, female) • Grandpa (77, male) Scene 4: • June (13, female) 1 Learning by Ear – African History – Episode 10 – Apartheid • Linda (13, female) • Passenger (35, male) • Bus driver/Dad (40, male) Scene 5: • Dad (40, male) • Grandpa (77, male) • June (13, female) • Mum (38, female) Intro: Hello and welcome to the final episode of “Once upon a time... in Africa”, the “Learning by Ear” series about African History! In this last program, June is listening to a very famous song which reminds Grandpa Peter of the difficult times the population of South Africa were passing through when that song was first released. Stay with us to find out more about a regime and system of government that lasted until a very short time ago: Apartheid… Music 1 (“Pata Pata”, Miriam Makeba), then fade in SFX 2 Learning by Ear – African History – Episode 10 – Apartheid First Scene: At home late afternoon. SFX: Kitchen (pots, fire), June singing along to “Pata Pata”, playing on the radio, footsteps approaching. In the background: chicken, goats, birds, then fade under 1. Grandpa: (singing, too, approaching) Hello June... Do you know who used to sing that song? 2. June: (singing, then stops) Hi, Grandpa! No.
    [Show full text]
  • Miriam Makeba Pata Pata - the Hit Sound of Miriam Makeba Mp3, Flac, Wma
    Miriam Makeba Pata Pata - The Hit Sound Of Miriam Makeba mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Pata Pata - The Hit Sound Of Miriam Makeba Country: Canada Released: 1972 Style: Lounge, Easy Listening MP3 version RAR size: 1736 mb FLAC version RAR size: 1348 mb WMA version RAR size: 1959 mb Rating: 4.3 Votes: 579 Other Formats: MP4 VQF AAC TTA DTS ADX AUD Tracklist A1 Pata Pata A2 Ha Po Zamani A3 What Is Love A4 Maria Fulo A5 Yetentu Tizaleny A6 Click Song Number One B1 Ring Bell, Ring Bell B2 Jo'Inkomo B3 West Wind B4 Saduva B5 A Piece Of Ground Credits Arranged By, Producer – Jimmy Wisner, Luchi de Jesus*, Severino Dias De Olivera* Arranged By, Producer, Other [Production Supervisor] – Jerry Ragovoy Artwork By – Ed Thrasher Notes -Manufactured in Canada by Warner Bros. - Seven Arts Records Of Canada Ltd. - A subsidiary and licensee of Warner Bros. - Seven Arts Records Inc. Other versions Category Artist Title (Format) Label Category Country Year Miriam Pata Pata (LP, Reprise Records, 6274, RS 6274 6274, RS 6274 US 1967 Makeba Album, Pit) Reprise Records 936247064 2, Miriam Pata Pata (CD, Reprise Records, 936247064 2, Europe 1998 9362 47064 2 Makeba Album, RE) Reprise Records 9362 47064 2 44 046, RS Miriam Pata Pata (LP, Reprise Records, 44 046, RS Germany 1971 6274 Makeba Album, RE) Reprise Records 6274 44 046, RS Reprise Records, 44 046, RS Miriam Pata Pata (LP, 6274, REP 44 Reprise Records, 6274, REP 44 Europe Unknown Makeba Album, RE) 046 Reprise Records 046 44 046, RS Reprise Records, 44 046, RS Miriam Pata Pata (LP, 6274, REP 44 Reprise Records, 6274, REP 44 Germany Unknown Makeba Album, RE) 046 Reprise Records 046 Related Music albums to Pata Pata - The Hit Sound Of Miriam Makeba by Miriam Makeba 1.
    [Show full text]
  • “It's Just a Matter of Time”: African American Musicians and The
    “It’s just a matter of time”: African American Musicians and the Cultural Boycott in South Africa, 1968-1983 by Ashrudeen Waggie Thesis presented in fulfilment of the requirements for the degree of Master of Arts (History) in the Faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Dr. L. Lambrechts Co-supervisor: Dr. C. J. P. Fransch March 2020 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third-party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Ashrudeen Waggie March 2020 Copyright © 2020 Stellenbosch University All rights reserved i Stellenbosch University https://scholar.sun.ac.za Abstract In 1968 the United Nations General Assembly instituted a cultural boycott against apartheid South Africa. The cultural boycott prevented South Africa from having cultural, educational and sporting ties with the rest of the world, and it was an attempt by the international community to sever ties with South Africa. A culmination of this strategy was the publication of an annual registry by the United Nations of all international entertainers, actors, and others who performed in South Africa from 1983. Based on this registry a number of academic studies have been conducted, but very few studies have investigated those who came to perform in South Africa before the publication of the registry even though renowned artists such as Percy Sledge (1970), Brook Benton (1971 & 1982), Jimmy Smith (1978 & 1982) and Isaac Hayes (1978) performed in South Africa during this time.
    [Show full text]
  • Manor Primary School Music Year 1: in the Grove Overview of the Learning: All the Learning Is Focused Around One Song: in the Groove
    Manor Primary School Music Year 1: In The Grove Overview of the Learning: All the learning is focused around one song: In The Groove. The material presents an integrated approach to music where games, the interrelated dimensions of music (pulse, rhythm, pitch etc.), singing and playing instruments are all linked. Core Aims Pupils should be taught How to listen to music. perform, listen to, review and evaluate music across a range of historical periods, genres, styles and To sing a range of songs song. traditions, including the works of the great composers and musicians To understand the geographical origin of the music and in which era it was composed. Learn to sing and to use their voices, to create and compose music on their own and with others, To experience and learn how to apply key musical concepts/elements, eg finding a pulse, clapping have the opportunity to learn a musical instrument, use technology appropriately and have the a rhythm, use of pitch. opportunity to progress to the next level of musical excellence To play the accompanying instrumental parts (optional). understand and explore how music is created, produced and communicated, including through the inter-related dimensions: pitch, duration, dynamics, tempo, timbre, texture, structure and To work together in a band/ensemble. appropriate musical notations. To develop creativity through improvising and composing within the song. To understand and use the first five notes of C Major scale while improvising and composing. To experience links to other areas of the curriculum To recognise the style of the music and to understand its main style indicators.
    [Show full text]
  • Table of Contents
    1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis­ A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas.
    [Show full text]
  • Seventh and Eighth Grade Fine Arts Activities
    Seventh and Eighth Grade Fine Arts Activities Dear Parents and Students, In this packet you will find various activities to keep a child engaged with the fine arts. Please explore these materials then imagine and create away! Inside you will find: Tiny Gallery of Gratitude… Draw a picture relating to each prompt. Facial Expressions- Practice drawing different facial expressions. Proportions of the Face- Use this resource to draw a face with proper proportions. Drawing Eyes- Draw eyes using simple shapes and lines. Drawing Noses- Draw noses using simple shapes and lines. Portrait Drawing Proportions- Use this reference to draw a self-portrait with proper proportions. Sneaker- Design your own sneaker. Insects in a Line- Follow the instructions to draw some exciting insects! Op Art Directions- Follow these directions to create your own piece of op art. Robot Coloring Sheet- Have fun. 100 Silly Drawing Prompts- Read these silly phrases and try to draw them. Giggle and have fun! Musician Biographies- Take some time to learn about a few musicians and reflect on their lives and contributions to popular music. Paul Robeson Paul Robeson was a famous African-American singer, actor, civil rights activist, and star athlete. He was known for his theatrical success, political activism, and his participation in the Harlem Renaissance. Early Life and Education ▪ Paul Leroy Robeson was born on April 9, 1898 in Princeton, New Jersey. ▪ He was the youngest of five children of Reverend William Drew Robeson, who was a former slave, and Maria Louisa Bustill, who was born into an abolitionist Quaker family. ▪ In 1915, Robeson became the third African-American student to enroll at Rutgers University, in New Brunswick, New Jersey.
    [Show full text]
  • Remembering Hugh Masekela: the Horn Player with a Shrewd Ear for Music of the Day
    1/24/2018 Remembering Hugh Masekela: the horn player with a shrewd ear for music of the day Academic rigour, journalistic flair Remembering Hugh Masekela: the horn player with a shrewd ear for music of the day October 29, 2017 1.12pm SAST •Updated January 23, 2018 10.13am SAST Hugh Masekela performing during the 16th Cape Town International Jazz Festival. Esa Alexander/The Times Trumpeter, flugelhorn-player, singer, composer and activist Hugh Ramapolo Masekela Author has passed away after a long battle with prostate cancer. When he cancelled his appearance last year at the Johannesburg Joy of Jazz Festival, taking time out to deal with his serious health issues, fans were forced to return to his recorded opus for reminders of his unique work. Listening through that half-century of Gwen Ansell Associate of the Gordon Institute for disks, the nature and scope of the trumpeter’s achievement becomes clear. Business Science, University of Pretoria Masekela had two early horn heroes. The first was part-mythical: the life of jazz great Bix Biederbecke filtered through Kirk Douglas’s acting and Harry James’s trumpet, in the 1950 movie “Young Man With A Horn”. Masekela saw the film as a schoolboy at the Harlem Bioscope in Johannesburg’s Sophiatown. The erstwhile chorister resolved “then and there to become a trumpet player”. The second horn hero, unsurprisingly, was Miles Davis. And while Masekela’s accessible, storytelling style and lyrical instrumental tone are very different, he shared one important characteristic with the American: his life and music were marked by constant reinvention.
    [Show full text]
  • Mattishall Primary School Music Curriculum
    Mattishall Primary School Music Curriculum Music Early Years Foundation Stage Expressive arts and design Exploring and using media and materials: children sing songs, make music and dance, and experiment with ways of changing them. They safely use and explore a variety of materials, tools and techniques, experimenting with colour, design, texture, form and function. Being imaginative: children use what they have learnt about media and materials in original ways, thinking about uses and purposes. They represent their own ideas, thoughts and feelings through design and technology, art, music, dance, role-play and stories. In EYFS, children will have the opportunity to listen and respond to different styles of music, embedding foundations of the interrelated dimensions of music, listening to, learning to sing or sing along with nursery rhymes and action songs, improvising leading to playing classroom instruments and, share and perform the learning that has taken place. Reception is where we start our integrated approach to musical learning, laying down the foundations for KS1 and KS2 where we learn more about the interrelated dimensions of music (pulse, rhythm, pitch and tempo, dynamics, timbre, structure, texture), singing and playing instruments and that they are all linked. EYFS Program of Study Me! My Stories Everyone Our World Big Bear Funk Charanga Charanga Charanga Charanga Charanga Singing and chanting Singing and chanting Singing Singing Music Learning Focus: Learn to sing nursery rhymes and Learn to sing nursery rhymes and Learn to sing nursery rhymes and Learn to sing nursery rhymes action songs: action songs: action songs: and action songs: . Listening and appraising Funk music .
    [Show full text]
  • Miriam Makeba the Unforgettable Mp3, Flac, Wma
    Miriam Makeba The Unforgettable mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: The Unforgettable Country: South Africa Released: 2011 Style: African MP3 version RAR size: 1887 mb FLAC version RAR size: 1990 mb WMA version RAR size: 1547 mb Rating: 4.5 Votes: 341 Other Formats: FLAC ADX MP3 MPC TTA AUD VQF Tracklist 1-1 Mbule 1-2 Kiimanjaro 1-3 Amampondo 1-4 Click Song 1-5 Jikele Maweni 1-5 Holili 1-7 Mas Que Nada 1-8 Maybuye 1-9 Nomeva 1-10 Suliram 1-11 Ntjilo Ntjilo 1-12 Can´t Cross Over 1-13 Maduna 1-14 Zenizenabo 1-15 Malaika 1-16 Saduva 1-17 Lakutscona 1-18 Little Boy 1-19 Dubula 1-20 Chove Chuva 1-21 Malaisha 1-22 Ask The Rising Sun 1-23 Mesakhane 1-24 Naughty Little Flea 1-25 L´Enfant Et La Gazelle 2-1 Kwazulu ( Land Of The Zulu ) 2-2 Kwedini 2-3 Isangoma ( Witch Doctor ) 2-4 Beware Verwoerd 2-5 Pata Pata 2-6 Teya Teya 2-7 Pole Mze 2-8 Mbombela 2-9 Malcom X 2-10 Ushaka 2-11 House Of The Rising Sun 2-12 Nagula 2-13 Hush 2-14 Forbidden Games 2-15 Thulasizwe 2-16 Welela 2-17 Chicken 2-18 Hauteng 2-19 Orlando 2-20 Live The Future 2-21 Xica Da Silva 2-22 Umhome 2-23 Quit It 2-24 Oxgan 2-25 Jolinkomo DVD Live At The AVO Sessions Basel Switzeland 2006 3-1 Live In The Future 3-2 Amampondo 3-3 Africa Is Where My Heart Lies 3-4 Mbube 3-5 Nomewa 3-6 In Time 3-7 Masakhane 3-8 Ingwe Mabala 3-9 Malaika 3-10 Ibhabhalazi 3-11 Pata Pata 3-12 Umngoma Related Music albums to The Unforgettable by Miriam Makeba Teya - U're The Only DJ Happy Vibes - Pata Pata Miriam Makeba - The Many Voices Of Miriam Makeba Osibisa - Pata Pata / Malaika Milk & Sugar Feat.
    [Show full text]