Archbishop Will Welcome 30 of Hierarch
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Cruise Planners
Jessica Neeson [email protected] www.cruiseextravaganza.com 813-563-0718 NASSAU, NEW PROVIDENCE ISLAND, BAHAMAS OVERVIEW Introduction Located on the island of New Providence, Nassau is the capital of the Bahamas. You'll find the islands' best sightseeing and historic buildings there. Also expect to find a crowd: Nassau is a very busy place, thanks to the high volume of cruise-ship passengers. In addition to the attractions in Nassau proper, there are a number of tourist sites on Paradise Island, a small but developed island off Nassau that has been transformed into a high-rise gambling and leisure haven. It's connected to the capital by two arched, one-way bridges. To have a good time in Nassau, approach the port with an open mind. Even though it's an international city and commercial center—and firmly a part of the present—it still maintains its old-world island flavor. Things may take a little longer than you're used to. Slow your pace as you explore Nassau's rich history, tranquil beaches and turquoise waters—one of the best commodities of the Bahamas. Sights—The Georgian government buildings and Garden of Remembrance in Parliament Square; the Nassau Public Library and Museum, a jail- turned-library; Fort Fincastle and Fort Charlotte; Bay Street Straw Market; the calm setting of the Versailles Gardens and 12th-century Augustinian cloister on Paradise Island. Museums—Bahamian art at The National Art Gallery of the Bahamas; history exhibits at Pirates of Nassau; the history of Junkanoo at Educulture Bahamas; the Pompey Museum of Slavery and Emancipation. -
Pathetique Symphony New York Philharmonic/Bernstein Columbia
Title Artist Label Tchaikovsky: Pathetique Symphony New York Philharmonic/Bernstein Columbia MS 6689 Prokofiev: Two Sonatas for Violin and Piano Wilkomirska and Schein Connoiseur CS 2016 Acadie and Flood by Oliver and Allbritton Monroe Symphony/Worthington United Sound 6290 Everything You Always Wanted to Hear on the Moog Kazdin and Shepard Columbia M 30383 Avant Garde Piano various Candide CE 31015 Dance Music of the Renaissance and Baroque various MHS OR 352 Dance Music of the Renaissance and Baroque various MHS OR 353 Claude Debussy Melodies Gerard Souzay/Dalton Baldwin EMI C 065 12049 Honegger: Le Roi David (2 records) various Vanguard VSD 2117/18 Beginnings: A Praise Concert by Buryl Red & Ragan Courtney various Triangle TR 107 Ravel: Quartet in F Major/ Debussy: Quartet in G minor Budapest String Quartet Columbia MS 6015 Jazz Guitar Bach Andre Benichou Nonsuch H 71069 Mozart: Four Sonatas for Piano and Violin George Szell/Rafael Druian Columbia MS 7064 MOZART: Symphony #34 / SCHUBERT: Symphony #3 Berlin Philharmonic/Markevitch Dacca DL 9810 Mozart's Greatest Hits various Columbia MS 7507 Mozart: The 2 Cassations Collegium Musicum, Zurich Turnabout TV-S 34373 Mozart: The Four Horn Concertos Philadelphia Orchestra/Ormandy Mason Jones Columbia MS 6785 Footlifters - A Century of American Marches Gunther Schuller Columbia M 33513 William Schuman Symphony No. 3 / Symphony for Strings New York Philharmonic/Bernstein Columbia MS 7442 Beethoven: Symphony No. 9 in D minor Westminster Choir/various artists Columbia ML 5200 Tchaikovsky: Symphony No. 6 (Pathetique) Philadelphia Orchestra/Ormandy Columbia ML 4544 Tchaikovsky: Symphony No. 5 Cleveland Orchestra/Rodzinski Columbia ML 4052 Haydn: Symphony No 104 / Mendelssohn: Symphony No 4 New York Philharmonic/Bernstein Columbia ML 5349 Porgy and Bess Symphonic Picture / Spirituals Minneapolis Symphony/Dorati Mercury MG 50016 Beethoven: Symphony No 4 and Symphony No. -
Starr-Waterman American Popular Music Chapter 4: “I Got Rhythm”: the Golden Age of Tin Pan Alley Song, 1920S and 1930S Student Study Outline
Starr-Waterman American Popular Music Chapter 4: “I Got Rhythm”: The Golden Age of Tin Pan Alley Song, 1920s and 1930s Student Study Outline I. Influential and Commercially Successful Songs a. Irving Berlin (1888‒1989) b. Richard Rodgers (1902‒1979) c. Cole Porter (1891‒1964) d. George Gershwin (1898‒1938) i. Al Jolson (1886‒1950) II. Tin Pan Alley Song Form a. AABA structure and verse-and-chorus forms b. Verse-refrain form i. Verse ii. Refrain III. Box 4.1: Irving Berlin a. Irving Berlin (1888‒1989) IV. Listening Guide: “’Deed I Do” a. Music by Fred Rose, lyrics by Walter Hirsch; performed by Ruth Etting (1926) i. Tin Pan Alley form: Intro (hook) + Verse + AABA Refrain V. What Were Tin Pan Alley Songs About? a. Popular songs and the musical plays and films in which they appear were designed to help people escape the pressures of daily life 1. Middle-class culture 2. Romantic love a. First-person lyrics b. Crooning VI. Listening Guide: “My Blue Heaven” a. Music by Walter Donaldson, lyrics by George Whiting; published 1924; performed by Gene Austin; recorded 1927 i. Crooners VII. Listening Guide: “April Showers” a. Music by Louis Silvers, lyrics by Buddy DeSylva; published 1921; performed by Al Jolson; recorded 1921 b. Music by Louis Silvers, lyrics by Buddy DeSylva; published 1921; performed by Al Jolson; recorded 1932 VIII. Listening Guide: “How Deep Is the Ocean?” a. Lyrics and music by Irving Berlin; performed by Bing Crosby; recorded 1932 b. Bing Crosby (1904‒1977) c. Minor key to major key IX. -
If Auto Strike Persists Ber and Now a City Commissioner
Coho-ho to you* too Here's a (true!) fishing tale to top all fishing tales Up Frankfort way they're known as "The Lake Michigan. The Big Lake was sporting afternoon in the quiet of the channel. against my leg?" Britten said. "It was the who owned the gas station that sent the wrecker. Submarine Boys from St, Johns." 10-foot waves, and with small craft warnings "We had just the one day to fish," Britten station wagon pushing me in," The Peacocks provided the*1 two men with a It all happened . and happened, and in effect, the Frankfort dock area was con said. "It was either go out in those waves or The brakes had let go on the station wagon, and change of clothes,socks and shoes, gave them happened the weekend, of Sept, 9 when Don gested with about 530 other boats and trailers, come on home without any fish. We stuck Ryan's car rolled down the ramp and into supper and sleeping quarters Saturday night. Britten of 501 N. Clinton Avenue and Roy around until about 4:30 in the afternoon before Betsy River's 20 feet of water. The boat Ryan of 2719 W. Steel Road drove up to RYAN'S BOAT WAS NOT classed as a small we got up enough nerve to go out. popped off and floated away. It was retrieved. SUNDAY DAWNED BUSY at the station. Frankfort to do their first fishing for the craft, so he and Brittan decided to try their . "A lot of other boats our size were going out, The car floated for awhile, Britten said, with Britten and Ryan volunteered their assistance, mighty cblio salmon. -
The Pirates' Who's Who, by Philip Gosse 1
The Pirates' Who's Who, by Philip Gosse 1 The Pirates' Who's Who, by Philip Gosse The Project Gutenberg EBook of The Pirates' Who's Who, by Philip Gosse This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Pirates' Who's Who Giving Particulars Of The Lives and Deaths Of The Pirates And Buccaneers Author: Philip Gosse Release Date: October 17, 2006 [EBook #19564] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE PIRATES' WHO'S WHO *** Produced by Suzanne Shell, Christine D. and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's note. Many of the names in this book (even outside quoted passages) are inconsistently spelt. I have chosen to retain the original spelling treating these as author error rather than typographical carelessness. THE PIRATES' The Pirates' Who's Who, by Philip Gosse 2 WHO'S WHO Giving Particulars of the Lives & Deaths of the Pirates & Buccaneers BY PHILIP GOSSE ILLUSTRATED BURT FRANKLIN: RESEARCH & SOURCE WORKS SERIES 119 Essays in History, Economics & Social Science 51 BURT FRANKLIN NEW YORK Published by BURT FRANKLIN 235 East 44th St., New York 10017 Originally Published: 1924 Printed in the U.S.A. Library of Congress Catalog Card No.: 68-56594 Burt Franklin: Research & Source Works Series 119 Essays in History, Economics & Social Science -
Exposing Minstrelsy and Racial Representation Within American Tap Dance Performances of The
UNIVERSITY OF CALIFORNIA Los Angeles Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Brynn Wein Shiovitz 2016 © Copyright by Brynn Wein Shiovitz 2016 ABSTRACT OF THE DISSERTATION Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 by Brynn Wein Shiovitz Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2016 Professor Susan Leigh Foster, Chair Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950, looks at the many forms of masking at play in three pivotal, yet untheorized, tap dance performances of the twentieth century in order to expose how minstrelsy operates through various forms of masking. The three performances that I examine are: George M. Cohan’s production of Little Johnny ii Jones (1904), Eleanor Powell’s “Tribute to Bill Robinson” in Honolulu (1939), and Terry- Toons’ cartoon, “The Dancing Shoes” (1949). These performances share an obvious move away from the use of blackface makeup within a minstrel context, and a move towards the masked enjoyment in “black culture” as it contributes to the development of a uniquely American form of entertainment. In bringing these three disparate performances into dialogue I illuminate the many ways in which American entertainment has been built upon an Africanist aesthetic at the same time it has generally disparaged the black body. -
Thursday Friday Saturday Sunday Ssp Monday
DILLON - Page 2 * ’The Only Way1 1970 Jane 10:30 Tom Poston, Robert Morley. Vera Bloom. Family wages a Seymour. Maria Potter. (110 K4^_ SATURDAY NIGHT An American car salesman In battle to survive after a deadly mins.) London, becomes involved virus destroys most of Earth. 3:00 'Ski Lift To Death' 1978 Stars: with the weird inhabitants of (2 hrs.) QMOVIE-(DRAMA) ** Deborah Raffin. Charles s.iew.'lo mansion. (2 hrs.) 12:45 ^ ’Flrst Love" 1977 Susan Frank. A suspense drama 1:15 QMOVIE-(DRAMA)**** Dey. William Katt. The tender, about several people trapped QMOVIE-(DRAMA) *‘ V* ^Promises Ip The Dark" poignant passions - of first in two derailed ski lift gon ^W lld In the Counfry" 1961 Marsha Mason. Ned Beatty. A iove are explored in this dolas and facing possible Elvis Preslèy. Hope Lange, ■' doctor tries to help her young mature look at a touching sudden death. (2 hrs.) The rehabilitation of a gifted cancer patient come to terms theme. (R) (88 mins.) QMOVIE -(SCIENCE- rural boy from dellnquèncy to' with her terminal condition. It flCTIO N )* a fresh- promise as an _ probes the complex "Varan the Unbelievable" aspiring writer is taken on by, " relationship between a well- 1962' Myron Healy, Tsuruko a woman psychiatrist apd lived life and the right to die Kobayashi. Experiments with social worker. (2 hrs., 15 with dignity. (Rated PG) (118 Saturday a chemical unleash a pre-' mins.) mins.) historic monster which 2:00 1:30 MORNING cannot be destroyed with QMOVIE -(COMEDY) *** Q M O VIE-(W ESTERN ) ** modern weapons. -
Who Was Nan Blakstone? by Barry Mccanna
Who Was Nan Blakstone? By Barry McCanna More Than Anybody; That's My Weakness Now. She was accompanied by a 6-piece studio orchestra comprising Max Berger, trumpet; Louie Martin, sax; Billy Witkin, violin; Louis Spielman, piano; Dick Cherwin, bass; and Harry Rosenberg, drums. The film soundtrack can be heard at https://soundcloud.com/vitaphone/01-snappy-coeds In February 1930 she appeared in Ruth Selwyn’s unsuccessful musical Nine-Fifteen Revue , which closed within the week and is remembered only because it starred Ruth Etting, who introduced the Harold Arlen & Ted Koehler hit song Get Happy. Later that year Nan featured in the third Gaieties production, which played at the Guild Theatre and ran for 158 performances. A contemporary newspaper photograph of her was captioned “Singing of Nan Blackstone Garrick Gaieties comedienne puts pep into hit at Guild Theatre”. The 1930 US Census listed her as Nan Blakstone, lodging at the Hotel Belvedere, West 48th St, New York. The following year she appeared at the Club Argonaut in New York City with the celebrated Jean Malin, whose speciality was known as a “pansy act”. On 16th June 1931 she recorded two tests for Brunswick, namely Queen Isabell (sic) and Hit or Miss, but nothing came of it. By the end of the year she was in London, but her name does not show up in the record of passenger lists, possibly because she travelled via the Continent (later publicity If the name Nan Blakstone does not register with many jazz for Gala Records claimed that in addition to London she’d collectors, it’s because the lady in question made only two performed also in Paris and Shanghai). -
Wind:!Myth,!Fact,!And!Faith!In!The!Development!Of!Wind!Knowledge! In!Early!Modern!England! ! By!
! ! The!Nature!of!the!Wind:!Myth,!Fact,!and!Faith!in!the!Development!of!Wind!Knowledge! in!Early!Modern!England! ! by! Risha!Amadea!Druckman! Department!of!History! Duke!University! ! Date:_______________________! Approved:! ! ___________________________! Gunther!Peck,!Supervisor! ! ___________________________! Katherine!Morrissey! ___________________________! Edward!Balleisen! ___________________________! John!Huston! ___________________________! Laurent!Dubois! ! Dissertation!submitted!in!partial!fulfillment!of! the!requirements!for!the!degree!of!Doctor! of!Philosophy!in!the!Department!of! History!in!the!Graduate!School! of!Duke!University! ! 2015! ! i v! ! ! ABSTRACT! The!Nature!of!the!Wind:!Myth,!Fact,!and!Faith!in!the!Development!of!Wind! Knowledge!in!Early!Modern!England! ! by! Risha!Amadea!Druckman! Department!of!History! Duke!University! ! Date:_______________________! Approved:! ! ___________________________! Gunther!Peck,!Supervisor! ! ___________________________! Katherine!Morrissey! ! ___________________________! Edward!Balleisen! ! ___________________________! John!Huston! ! ___________________________! Laurent!Dubois! ! ! An!abstract!of!a!dissertation!submitted!in!partial! fulfillment!of!the!requirements!for!the!degree! of!Doctor!of!Philosophy!in!the!Department!of! History!in!the!Graduate!School!of! Duke!University! ! 2015! i v! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Copyright!by! Risha!Amadea!Druckman! 2015! ! ! ! Abstract Historically,!the!wind!has!functioned!in!multiple!capacities,!both!physically!and! -
Life Under the Jolly Roger: Reflections on Golden Age Piracy
praise for life under the jolly roger In the golden age of piracy thousands plied the seas in egalitarian and com- munal alternatives to the piratical age of gold. The last gasps of the hundreds who were hanged and the blood-curdling cries of the thousands traded as slaves inflated the speculative financial bubbles of empire putting an end to these Robin Hood’s of the deep seas. In addition to history Gabriel Kuhn’s radical piratology brings philosophy, ethnography, and cultural studies to the stark question of the time: which were the criminals—bankers and brokers or sailors and slaves? By so doing he supplies us with another case where the history isn’t dead, it’s not even past! Onwards to health-care by eye-patch, peg-leg, and hook! Peter Linebaugh, author of The London Hanged, co-author of The Many-Headed Hydra This vital book provides a crucial and hardheaded look at the history and mythology of pirates, neither the demonization of pirates as bloodthirsty thieves, nor their romanticization as radical communitarians, but rather a radical revisioning of who they were, and most importantly, what their stories mean for radical movements today. Derrick Jensen, author of A Language Older Than Words and Endgame Stripping the veneers of reactionary denigration and revolutionary romanti- cism alike from the realities of “golden age” piracy, Gabriel Kuhn reveals the sociopolitical potentials bound up in the pirates’ legacy better than anyone who has dealt with the topic to date. Life Under the Jolly Roger is important reading for anyone already fascinated by the phenomena of pirates and piracy. -
Seneca Joi~Es , Geneizal Insurance Agent
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Musical Movie Memories Discussion Guide for 1940S Music Run DVD Film Segments on a TV Or Projection TV System to an Assembled Group
DiMusicalscussion Guide forMovi 1920s-30se MusicMemories Run film segments one at a time on a TV or projection system. Pause on the 4 questions at the end of each so the viewers can respond and share their memories woken by the film. This Discussion Guide suggests additional questions to aid the session leader. All films in this special program are filled with music, singers and bands from the late 1920s through the 1930s. Music has proven helpful in bringing smiles and distant memories even to seniors with alzheimers. Unlike regular volumes of Movie Memories with their vast variety, there may not be that much to discuss with some of the films. You can tell by reactions whether the viewers enjoy the films. Standard questions which can be applied to each segment are: Did you like the song? Do you like jazz and swing bands? Do you remember ___________? Would you like to watch the film again? What is your favorite song from this era? Do you want to see more Bing Crosby musicals? Etc. Do not hesitate to ask these simple questions again and again! Disc #1 Al Jolson Trailers We just watched coming attractions for 3 Al Jolson films: Wonder Bar (1934), Go Into Your Dance (1935) and The Singing Kid (1936). These “trailers” showed the highlights of three of Al’s films from the mid-1930s. Have you ever see the first sound film -- The Jazz Singer -- with Al Jolson on TV? Do the trailers make you want to see the complete movies? Who are your favorite singers, stars or dancers from 1930s Hollywood musicals? Glorifying the American Girl This 1929 musical comedy was produced by Florenz Ziegfeld and highlights Ziegfeld’s current star, dancer Mary Eaton.