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Daniele Barbaro DANIELE BARBARO 1514 - 70 DANIELE BARBARO 1514-70 Letteratura, scienza e arti nella Venezia del Rinascimento DANIELE BARBARO Venezia, Biblioteca Nazionale Marciana 10 dicembre 2015 - 31 gennaio 2016 1514 - 70 LETTERATURA, SCIENZA E ARTI NELLA VENEZIA DEL RINASCIMENTO a cura di Susy Marcon e Laura Moretti © 2015 Biblioteca Nazionale Marciana, Venezia © 2015 Antiga Edizioni Crocetta del Montello (TV) [email protected] ISBN 978-88-97784-87-6 L’esposizione e il catalogo fanno parte Francesco Borella Servizi tecnici INTERNATIONAL NETWORK Executive Board Agostino De Rosa (Università IUAV delle attività promosse nell’ambito Giulia Filippini Marcello Brusegan Daniele Barbaro (1514-70): Frédérique Lemerle (Centre d’Études di Venezia) dell’International Network Sara Dissette Dino De Marchi In and Beyond the Text Supérieures de la Renaissance, Tours) Giovanni Maria Fara (Università Daniele Barbaro (1514-70): xPlants Mario Destà 01/02/2014-31/01/2016 Susy Marcon (Biblioteca Nazionale Ca’ Foscari, Venezia) In and Beyond the Text Luca Zoccarato Cinzia Rossi Funded by The Leverhulme Trust Marciana, Venezia) Daniele Gessi (Università degli Studi e sono stati realizzati con il contributo di Martino Limido Laura Veronese Laura Moretti (University of St Andrews) di Udine) The Leverhulme Trust. Luca Flisi Vasco Zara (UMR “ARTeHIS” 6298 - Jasenka Gudelj (Sveucˇilišta u Zagrebu) Université de Bourgogne) Katherine Isard (Visiting Scholar, University Apparati digitali CATALOGO A CURA DI of Cambridge) Targetdue s.r.l. Susy Marcon Advisors Sara Mansutti (Università degli Studi Laura Moretti Guido Beltramini (Centro Internazionale di Udine) Ringraziamenti di Studi di Architettura Andrea Palladio, Giordano Mastrocola (Université Toulouse Anna Gialdini, Daryl Green, Autori dei saggi Institutions Vicenza) - Jean Jaurès) Isabella La Torre, Leo Mewse, Claudia Benvestito University of St Andrews Pascal Brioist (Centre d’Études Supérieures Sabrina Minuzzi (Università degli Studi Progetto, organizzazione Viviana Nicoletti, Margot Sonneville Matteo Casini de la Renaissance, Tours) di Verona) e coordinamento generale Alessia Giachery Matteo Casini (Suffolk University, Boston) Branko Mitrovic (Norwegian University Biblioteca Nazionale Marciana Sito internet della mostra Shanti Graheli Iain Fenlon (University of Cambridge) of Science and Technology) https://arts.st-andrews.ac.uk/ Patricia Fortini Brown (Princeton Cosimo Monteleone (Università degli Studi Lenia Kouneni Comitato scientiico danielebarbaro/activities-and-outputs/ University) di Padova) Sara Mansutti Frédérique Lemerle marciana-exhibition/ Neil Harris (Università degli Studi di Udine) Ann Moyer (University of Pennsylvania) Susy Marcon Susy Marcon Centre d’Études Supérieures Deborah Howard (University of Cambridge) Yves Pauwels (Université François Rabelais, Laura Moretti Laura Moretti de la Renaissance, Tours Tours) Silvia Pugliese Vasco Zara Participants Dorit Raines (Università Ca’ Foscari, Dorit Raines BIBLIOTECA NAZIONALE Norman Reid (University of St Andrews) Venezia) Coordinamento scientiico MARCIANA, VENEZIA Daryl Green (University of St Andrews) Autori delle schede Susy Marcon Alice Crawford (University of St Andrews) Website Claudia Benvestito [C.B.] Laura Moretti https://arts.st-andrews.ac.uk/ Filippo Camerota [F.C.] Flavia Bruni (Università La Sapienza, Roma) danielebarbaro/ Luigi de Poli [L.deP.] Restauri Biblioteca Nazionale Marciana, Venezia Shanti Graheli (University of St Andrews) Claudia Benvestito Alessia Giachery [A.G.] Andrew Pettegree (University of Francesca Norzi Lenia Kouneni [L.K.] St Andrews) Silvia Pugliese Frédérique Lemerle [F.L.] Claudia Rossignoli (University of Maria Losito [M.L.] St Andrews) Allestimento Susy Marcon [S.M.] Claudia Benvestito Direttore Laura Moretti [L.M.] Claudia Benvestito (Biblioteca Nazionale Silvia Pugliese Maurizio Messina Silvia Pugliese [S.P.] Marciana, Venezia) Vasco Zara [V.Z.] Project Partners Alessia Giachery (Biblioteca Nazionale Riprese digitali Comunicazione e uficio stampa Philippe Vendrix (Centre d’Études Marciana, Venezia) Paolo Emilio Pizzul Annalisa Bruni Traduzioni Supérieures de la Renaissance, Tours) Silvia Pugliese (Biblioteca Nazionale Shylock srl Monica Fontana Natalia Sassu Suarez Ferri [N.S.S.F.] Maurizio Messina (Biblioteca Nazionale Marciana, Venezia) Mariachiara Mazzariol Vasco Zara [V.Z.] Marciana, Venezia) Progetto scientiico dei contenuti Filippo Camerota (Museo Galileo, Firenze) multimediali Dipartimento manoscritti Responsabile editoriale Co-ordinator Giacomo Cardinali (Biblioteca Apostolica Cosimo Monteleone Alessia Giachery Andrea Simionato Laura Moretti (University of St Andrews) Vaticana) Orfea Granzotto Pierre Caye (Centre Jean Pépin, Villejuif) Contenuti multimediali Elisabetta Lugato Realizzazione e stampa Network Facilitator Isabelle de Conihout (Bibliothèque Pallino&Co. Susy Marcon Graiche Antiga spa Lenia Kouneni (University of St Andrews) Mazarine, Paris) n una Venezia ormai aperta all’entroterra, Daniele, esponente autorevole dell’illustre famiglia Barbaro, Ifu uno dei maggiori intellettuali del sedicesimo secolo: si occupò di ilosoia, matematica, astronomia, ottica, storia, musica e architettura, tessendo una itta rete di relazioni con gli esponenti di maggior rilievo della scena politica, religiosa e culturale del tempo. Presso la Biblioteca Nazionale Marciana è conservato il nucleo più cospicuo e importante dei suoi auto- grai, solo alcuni dei quali sono approdati alle stampe. Provenienti da raccolte diverse, i manoscritti furono un tempo tutti sul suo scrittoio, a Padova, a Maser e soprattutto a Venezia. Essi sono testimoni autorevoli di quali fossero i modi con i quali si procedeva alla stesura delle opere letterarie, scientiiche, teologiche ed epistolari nel Rinascimento, e di come l’edizione si completasse con la cura delle fasi di stampa. Da questi si apprende che Daniele ebbe particolare attenzione per le diverse fasi editoriali. Fra le sue opere più importanti igura l’edizione dei vitruviani Dieci libri dell’architettura, edita da Francesco Marcolini nel 1556, che comprende, oltre ai inissimi disegni di architettura di Andrea Palladio, anche immagini xilograiche presumibilmente realizzate da disegni di Giuseppe Porta Salviati, e La pratica della perspettiva, che sarà pubblicata nel 1568 e di cui oggi si conservano presso la Marciana ben tre mano- scritti preparatori. Il Salviati, come è noto, è uno degli artisti presenti nella splendida decorazione del sofitto della Libreria sansoviniana, nella seconda sequenza di tondi a partire dall’ingresso, e sono provati anche rapporti di Da- niele con Giovanni Battista Zelotti e Paolo Veronese, autori rispettivamente della quinta e sesta sequenza di tondi; il prestito a Daniele di un codice bessarioneo è attestato in un registro marciano relativo agli anni 1545-59. Ne La pratica della perspettiva Daniele afferma di apprezzare in maniera particolare il sofitto 7 della chiesa della Madonna dell’Orto, realizzato nel 1556 dai fratelli bresciani Cristoforo e Stefano Rosa, a mostra Daniele Barbaro (1514-70). Letteratura, scienza e arti nella Venezia del Rinascimento si autori anche, fra il 1559 e il 1560, dello straordinario sofitto del Vestibolo della Libreria sansoviniana, Linserisce fra le attività organizzate nell’ambito del progetto internazionale Daniele Barbaro (1514- oggi purtroppo in condizioni assai critiche di conservazione. Al di là di questi indizi, non ci sono prove di un 70): In and Beyond the Text, inanziato da The Leverhulme Trust (UK), che ha visto la partecipazione in intervento diretto del Barbaro nel programma iconograico della Libreria di San Marco, ma certamente la partenariato della University of St Andrews, del Centre d’Études Supérieures de la Renaissance di Tours e sua preminenza nella società colta e nelle accademie del tempo, che tanta parte ebbero nell’ideazione della della Biblioteca Nazionale Marciana. Libreria, è fuor di dubbio. L’esposizione rende visibili i risultati della ricerca, che è stata condotta con un caratteristico approccio La Biblioteca Nazionale Marciana ha dunque partecipato con un impegno del tutto particolare al proget- multidisciplinare attraverso il coinvolgimento di un nutrito gruppo di studiosi, afferenti a prestigiose isti- to internazionale Daniele Barbaro (1514-70): In and Beyond the Text, di cui la mostra e questo catalogo tuzioni internazionali. Tema del progetto è stata l’attività di Daniele Barbaro come scrittore, vista anche rappresentano due fra i maggiori lasciti, ed è doveroso un altrettanto particolare ringraziamento a Susy e soprattutto in relazione all’aspetto materiale dei diversi manoscritti superstiti e degli esemplari a stampa Marcon e a Laura Moretti, che si sono occupate del coordinamento scientiico della mostra e del catalogo con delle sue opere, nel contesto del Rinascimento europeo. Gli scritti sono stati considerati come lenti attraverso grande passione e competenza. le quali osservare il lavoro di uno dei maggiori intellettuali della Venezia del Cinquecento, ma anche l’am- biente entro il quale egli vive e opera. Maurizio Messina I lavori, avviati nel febbraio del 2014, sono stati preceduti da un convegno internazionale organizzato Direttore della Biblioteca per celebrare il cinquecentenario della nascita di Barbaro, tenutosi presso il Centre d’Études Supérieures de Nazionale Marciana la Renaissance di Tours nel novembre del 2013 (atti attualmente in fase di stampa presso Brepols). Nell’am- bito del progetto sono stati realizzati due workshop, uno presso la University of St
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