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Discovering Dalmatia
PROGRAmme AND BOOK OF AbstRActs DISCOVERING DALMATIA The week of events in research and scholarship Student workshop | Public lecture | Colloquy | International Conference 18th-23rd May 2015 Ethnographic Museum, Severova 1, Split Guide to the DISCOVERING week of events in research and DALMATIA scholarship Student (Un)Mapping Diocletian’s Palace. workshop Research methods in the understanding of the experience and meaning of place Public Painting in Ancona in the 15th century with several lecture parallels with Dalmatian painting Colloquy Zadar: Space, time, architecture. Four new views International DISCOVERING DALMATIA Conference Dalmatia in 18th and 19th century travelogues, pictures and photographs Organized by Institute of Art History – Centre Cvito Fisković Split with the University of Split, Faculty of Civil Engineering, Architecture and Geodesy and the Ethnographic Museum in Split 18th-23rd May 2015 Ethnographic Museum, Severova 1, Split (Un)Mapping Diocletian’s Palace. Workshop of students from the University of Split, Faculty Research methods in the of Civil Engineering, Architecture and Geodesy - University understanding of the experience study of Architecture and Faculty of Humanities and Social and meaning of place Sciences - Department of Sociology Organisation and Hrvoje Bartulović (Faculty of Civil Engineering, mentoring team Architecture and Geodesy = FGAG), Saša Begović (3LHD, FGAG), Ivo Čović (Politecnico di Milano), Damir Gamulin, di.di., Ivan Jurić (FGAG), Anči Leburić, (Department of Sociology), Iva Raič Stojanović -
The Venetian Works of Defence Between 15Th and 17Th Centuries: 09/10/2013
1 Basic data The Venetian Works of Defence Included in the Tentative List between 15th and 17th Centuries Italy (Italy, Croatia, Montenegro) City of Bergamo: 01/06/2006 Fortress Town of Palmanova: 01/06/2006 No 1533 The Venetian Works of Defence between 15th and th 17 centuries: 09/10/2013 Croatia Zadar – Episcopal Complex: 01/02/2005 Official name as proposed by the State Party The Historic Town of Korčula: 29/01/2007 The Venetian Works of Defence between 15th and The Venetian Works of Defence between 15th and 17th Centuries: Stato da Terra – western Stato da Mar 17th centuries: 25/11/2013 Location Montenegro Italy The Venetian Works of Defence between 15th and Municipality of Bergamo, Lombardia 17th centuries: 11/02/2014 Municipality of Peschiera del Garda and Municipality of Venezia, Veneto International Assistance from the World Heritage Municipality of Palmanova, Friuli Venezia Giulia Fund for preparing the Nomination None Croatia City of Zadar, Zadar County Date received by the World Heritage Centre Šibenik-Knin County 27 January 2016 City of Hvar, Split-Dalamatia County City of Korčula, Dubrovnik-Neretva County Background This is a new nomination. Montenegro Municipality of Herceg Novi Several of the components of the transnational serial Municipality of Kotor nominated property are within or adjacent to other World Municipality of Ulcinj Heritage properties (with diverse justifications of Outstanding Universal Value): Venice and its Lagoon (Italy, Brief description 1987, (i), (ii), (iii), (iv), (v) and (vi)) (components 3-6); -
Palladio's Religious Architecture in Venice Katherine Fresina Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2012 Palladio's religious architecture in Venice Katherine Fresina Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Fresina, Katherine, "Palladio's religious architecture in Venice" (2012). LSU Master's Theses. 3335. https://digitalcommons.lsu.edu/gradschool_theses/3335 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. PALLADIO’S RELIGIOUS ARCHITECTURE IN VENICE A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts In The School of Art by Katherine Fresina B.ID. Louisiana State University, 2009 May 2012 Table of Contents ABSTRACT……………………………………………………………………………………………………………..iii CHAPTER 1 INTRODUCTION…………………………………………………………………………………………1 2 VENETIAN ARCHITECTURE………………………………………………………………………..5 3 PALLADIO’S LIFE……………………………………………………………………………………...18 4 SAN FRANCESCO DELLA VIGNA………………………………………………………………...30 5 SAN GIORGIO MAGGIORE…………………………………………………………………………..40 6 IL REDENTORE …………………………………………………………………………………………52 BIBLIOGRAPHY……………………………………………………………….………………………………..…….67 -
Dujam Rudičić, Sanmichelijevi I Girolamo Cataneo U Procesu Prihvaćanja Klasičnog Jezika Arhitekture Od Zadra Do Dubrovnika Tijekom Druge Četvrtine 16
Rad. Inst. povij. umjet. 39/2015. (41–54) Laris Borić: D. Rudičić, Sanmichelijevi i G. Cataneo u procesu prihvaćanja klasičnog jezika arhitekture... Laris Borić Odjel za povijest umjetnosti Sveučilište u Zadru Dujam Rudičić, Sanmichelijevi i Girolamo Cataneo u procesu prihvaćanja klasičnog jezika arhitekture od Zadra do Dubrovnika tijekom druge četvrtine 16. stoljeća Izvorni znanstveni rad – Original scientific paper Primljen – Received 8. 9. 2015. UDK: 72 Sanmicheli 72 Rudičić,D. Sažetak U radu se razmatra djelatnost klesara Dujma Rudičića, podrijetlom narudžbe za radove na prostoru mletačke Dalmacije i Dubrovačke Splićanina i stanovnika Korčule kojemu se nastoji utvrditi udio na Republike. Nakon suradnje sa Sanmichelijevima, uglavnom se orijen- zadarskim i šibenskim projektima Sanmichelijevih. Opus ovog klesara tirao prema dubrovačkim naručiteljima udruživši se s ankonitanskim koji se okušava i u nekim kiparskim problemima, indicira način i ritam lapicidom Girolamom Cataneom s kojim je sagradio prvu dubrovačku prihvaćanja klasičnoga arhitektonskog jezika u gradovima istočno- palaču na kojoj je sustavno primijenjen klasični arhitektonski jezik u jadranske obale. Rudičić je botegu organizirao u Korčuli ostvarujući cjelini i detaljima, onu Frana Gundulića. Ključne riječi: Dujam Rudičić, poduzeće Sanmicheli, Girolamo Cataneo, klasični jezik arhitekture Zadarska Kopnena vrata Michelea i Giangirolama Sanmiche - izmjenama projekta što ga je capitan generale delle milizie ve - lija, zapravo njihovo sačuvano pročelje, redovito se ocjenjuju nete Francesco Maria della Rovere bio načinio za jugoistočni kao prvorazredni spomenik dalmatinskog Cinquecenta i potez zadarskoga fortifikacijskog prstena. 5 U projekt je tada jedan od najranijih istočnojadranskih primjera primjene no - bio uključen i sin Micheleova rođaka Paola, Giangirolamo vouspostavljenoga klasičnog jezika arhitekture. Višekratno Sanmicheli kojemu se projekt vrata pripisivao zbog srodnosti su bila u fokusu znanstvene i stručne obrade, no uglavnom s vratima šibenske utvrde sv. -
Paolo Veroneses Art of Business
Paolo Veronese’s Art of Business: Painting, Investment, and the Studio as Social Nexus Author(s): John Garton Reviewed work(s): Source: Renaissance Quarterly, Vol. 65, No. 3 (Fall 2012), pp. 753-808 Published by: The University of Chicago Press on behalf of the Renaissance Society of America Stable URL: http://www.jstor.org/stable/10.1086/668301 . Accessed: 02/10/2012 14:40 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press and Renaissance Society of America are collaborating with JSTOR to digitize, preserve and extend access to Renaissance Quarterly. http://www.jstor.org Paolo Veronese’s Art of Business: Painting, Investment, and the Studio as Social Nexus* by J OHN G ARTON Despite the prominent career of Paolo (Caliari) Veronese (1528 –88), much remains to be discovered about his patrons and peers. Several letters written by the artist are presented here for the first time, and their recipient is identified as the humanist Marcantonio Gandino. The letters reference artworks, visitors to Veronese’s studio, and economic data pertaining to the painter. Analyzing the correspondence from a variety of methodological viewpoints reveals how Veronese fulfilled commissions, interacted with nobility, and invested his painterly profits in land on the Venetian terraferma. -
CPSA Palladianism Timeline
CPSA Palladianism Timeline http://www.palladiancenter.org/timeline-Palladianism.html - Welcome Timeline: - Activities - Journal Palladio and English-American Palladianism - Articles / Data ANDREA PALLADIO distilled his his work and articulating them in his architec-tural principles from personal masterwork, Four Books on - Andrea Palladio examination of the ruins of classical Architecture. Rome, from study of the works of - How to Join Vitruvius, Alberti and other writers who This was the step which made possible the dissemination of his architectural - Directors preceded him, and from interaction with older architects of his own time, such as style, known as Palladianism, - Contact Us Jacopo Sansovino, Michele Sanmicheli throughout continental Europe, England and Giulio Romano. and America in the seventeenth and - Links eighteenth centuries, establishing This process enabled Palladio to design Palladio as the most influential figure in a remarkable collection of villas, the history of architecture. palaces, churches and other buildings for patrons in the Veneto region of Italy. The timeline below traces the pathway Palladio's greatest achievement, of Palladianism from Palladio's Veneto however, was in conceptualizing the to England and colonial America. principles which guided Palladio and his Four Books Year Related Events and Publications Andrea Palladio (1608-1580) designs villas, palaces and 1538- churches in the Veneto. 1580 1570 Palladio's masterwork, Four Books on Architecture is published in Venice 1 of 7 CPSA Palladianism Timeline http://www.palladiancenter.org/timeline-Palladianism.html Palladio dies. 1580 English Palladianism Begins 1598- Inigo Jones (1573-1652) travels to Italy to study 1603 architecture, probably funded by Roger Manners, 5th Earl of Rutland (1576-1612). -
The Netherlandish Merchant Community in Venice, 1590-1650 Van Gelder, M
UvA-DARE (Digital Academic Repository) Trading places : the Netherlandish merchant community in Venice, 1590-1650 van Gelder, M. Publication date 2007 Document Version Final published version Link to publication Citation for published version (APA): van Gelder, M. (2007). Trading places : the Netherlandish merchant community in Venice, 1590-1650. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:29 Sep 2021 TRADING PLACES: THE NETHERLANDISH MERCHANT COMMUNITY IN VENICE, 1590-1650 Maartje van Gelder Research in Venice, Rome, and Livorno was made possible by grants from the Institute of Culture and History at the University of Amsterdam, a fellowship from the Royal Dutch Institute in Rome, two fellowships from the Marie Curie-programme ‘European Doctorate in the Social History of Europe and the Mediterranean’, and a travel grant from the Netherlands Organisation for Scientific Research. -
VILLA DI MASER World Heritage
VILLA DI MASER World Heritage The Villa was built between 1550 and 1560 by Andrea Palladio for Daniele Barbaro, Patriarch of Aquileia, and his brother Marcantonio Ambassador of the Venetian Republic, trasforming the medieval palace of Maser into a splendid country residence, masterpiece of the Venetian Reneissance. Paolo Veronese decorated the Villa with his vastest and most important cycle of frescoes, while Alessandro Vittoria, brilliant pupil of Sansovino, cured the stuccos. The Villa passed by marriage from the Barbaro to the Trevisan, to the Basadonna, finally to the family of Ludovico Manin, the last Doge of Venice. In 1838, the Manin sold it to Gian Battista Colferai, who had been renting it as a country residence, but his daughters, suspicious of each other, not wanting to invest in a propriety individed within the family, let the Villa go into complete ruin. In 1850 the industrialist Sante Giacomelli bought it and completely restaured and rennovated it, with the assistance of artists like Zanotti and Moretto Larese. In 1934 Carlo Giacomelli sold it to Giuseppe Volpi di Misurata, and the Villa became the home of his daughter Marina who continued with immense care and love the works of restauration throughout the years. Her daughter now lives in it with her family. GUIDE TO THE VISIT 2. "CROCIERA" OR CRUCIFORM HALL The six illusionistic landscapes had been covered in 1850-52 by different paintings more in tune with the fashion of the time. Uncovered in 1934, the four landscapes towards the central balcony were reconstructed, while of the two near the entrance stairways one was left to testify the conditions in which it was discovered, the other was restaured more respectfully. -
The Wealth of Wives: a Fifteenth-Century Marriage Manual
FRANCESCO BARBARO The Wealth of Wives: A Fifteenth-Century Marriage Manual • Edited and translated by MARGARET L. KING Iter Academic Press Toronto, Ontario Arizona Center for Medieval and Renaissance Studies Tempe, Arizona 2015 Iter Academic Press Tel: 416/978–7074 Email: [email protected] Fax: 416/978–1668 Web: www.itergateway.org Arizona Center for Medieval and Renaissance Studies Tel: 480/965–5900 Email: [email protected] Fax: 480/965–1681 Web: acmrs.org © 2015 Iter, Inc. and the Arizona Board of Regents for Arizona State University. All rights reserved. Printed in Canada. Library of Congress Cataloging-in-Publication Data Barbaro, Francesco, 1390-1454, author. [De re uxoria. English] The wealth of wives : a fifteenth-century marriage manual / Francesco Barbaro ; edited and translated by Margaret L. King. pages cm -- (The other voice in early modern Europe ; 42) (Medieval and renaissance texts and studies ; volume 485) ISBN 978-0-86698-540-6 (alk. paper) 1. Marriage--Early works to 1800. I. King, Margaret L., 1947– II. Title. III. Series: Other voice in early modern Europe ; 42. IV. Series: Medieval & Renaissance Texts & Studies (Series) ; v. 485. HQ731.B2413 2015 306.8109’01--dc23 2015027681 Cover illustration: Licinio, Bernardino (c.1489–before 1565), Portrait of the Family of the Artist’s Brother. Galleria Borghese, Rome, Italy. Scala / Art Resource, NY. ART28297. Cover design: Maureen Morin, Information Technology Services, University of Toronto Libraries. Typesetting and production: Iter Inc. Introduction The Other Voice In 1415, the young and still unmarried Francesco Barbaro (1390–1454) wrote the revolutionary treatise The Wealth of Wives (De re uxoria) that posits the value a wife contributes to a marriage as the mother of offspring.1 It is revolutionary because it identifies the mother—a woman, not a man; an interloper in the house- hold, not its patriarch—as the critical figure for the rearing of the young and, consequently, for the social and cultural reproduction of the noble family. -
Gaining Entrance to the Venetian Patriciate in the Seventeenth Century: the Van Axel and Ghelthof Families from the Low Countries Van Gelder, M
UvA-DARE (Digital Academic Repository) Gaining entrance to the Venetian patriciate in the seventeenth century: The van Axel and Ghelthof families from the Low Countries van Gelder, M. Published in: Mélanges de l'École française de Rome - Italie et Méditerranée Link to publication Citation for published version (APA): van Gelder, M. (2013). Gaining entrance to the Venetian patriciate in the seventeenth century: The van Axel and Ghelthof families from the Low Countries. Mélanges de l'École française de Rome - Italie et Méditerranée, 125(1). General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (http://dare.uva.nl) Download date: 15 Jan 2020 Mélanges de l’École française de Rome - Italie et Méditerranée modernes et contemporaines 125-1 (2013) Famiglie al confine - Cultures marchandes - Varia ............................................................................................................................................................................................................................................................................................... -
Andrea Palladio's Influence on Venetian
ANDREA PALLADIO'S INFLUENCE ON VENETIAN CHURCH DESIGN: 1581 - 1751 By RICHARD JAMES GREEN B.A. (Honours), The University of Saskatchewan, 1975 B. Arch., The University of British Columbia, 1980 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARCHITECTURE in THE FACULTY OF GRADUATE STUDIES (School of Architecture) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA August 1987 ©Richard James Green, 1987 k In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of dst^/~j£e^&<^K. The University of British Columbia 1956 Main Mall Vancouver, Canada V6T 1Y3 Date Q^t>-C-c^ /S( /9gft- . DE-6G/81) ABSTRACT Andrea Palladia was born in Padua in the Republic of Venice in 1508 and practiced his architecture throughout the Veneto until his death in 1580. Today, there are some forth-four surviving palaces, villas, and churches by the master. These buildings have profoundly moved the imagination of countless generations of academics, artists, and architects for over four hundred years. Without a doubt, he has been the most exalted and emulated architect in modern history. -
Early Sources Informing Leon Battista Alberti's De Pictura
UNIVERSITY OF CALIFORNIA Los Angeles Alberti Before Florence: Early Sources Informing Leon Battista Alberti’s De Pictura A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Art History by Peter Francis Weller 2014 © Copyright by Peter Francis Weller 2014 ABSTRACT OF THE DISSERTATION Alberti Before Florence: Early Sources Informing Leon Battista Alberti’s De Pictura By Peter Francis Weller Doctor of Philosophy in Art History University of California, Los Angeles, 2014 Professor Charlene Villaseñor Black, Chair De pictura by Leon Battista Alberti (1404?-1472) is the earliest surviving treatise on visual art written in humanist Latin by an ostensible practitioner of painting. The book represents a definitive moment of cohesion between the two most conspicuous cultural developments of the early Renaissance, namely, humanism and the visual arts. This dissertation reconstructs the intellectual and visual environments in which Alberti moved before he entered Florence in the curia of Pope Eugenius IV in 1434, one year before the recorded date of completion of De pictura. For the two decades prior to his arrival in Florence, from 1414 to 1434, Alberti resided in Padua, Bologna, and Rome. Examination of specific textual and visual material in those cities – sources germane to Alberti’s humanist and visual development, and thus to the ideas put forth in De pictura – has been insubstantial. This dissertation will therefore present an investigation into the sources available to Alberti in Padua, Bologna and Rome, and will argue that this material helped to shape the prescriptions in Alberti’s canonical Renaissance tract. By more fully accounting for his intellectual and artistic progression before his arrival in Florence, this forensic reconstruction aims to fill a gap in our knowledge of Alberti’s formative years and thereby underline impact of his early career upon his development as an art theorist.