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Recital Theme: So You Think You Can Dance
Recital Theme: So You Think You Can Dance GENRE LEVEL SONG ALBUM / ARTIST Ballet Baby Age 2-3 Hooray For Chasse Wake Up And Wiggle/Marie Barnett Ballet Baby Age 2-3 Wacky Wallaby Waltz Put On Your Dancing Shoes/Joanie Bartels Ballet I - II Age 8-12 9 Dancing Princesses Ballet I - II Teen/Adult Dance Of The Hours From the opera La Gioconda/Amilcare Ponchielli Ballet II Age 8-10 7 Dancing Princesses Ballet II - III Age 10-12 Copelia Waltz Coppelia/Delibes Ballet II - III Teen/Adult Danse Napolitiane Swan Lake/Tchaikovsky Ballet III - IV Teen/Adult Dance of The Reed Flutes Nutcracker Suite/Tchaikovsky Ballet IV Teen/Adult Paquita Allegro Paquita/La Bayadere Ballet IV - V Teen/Adult Paquita Coda Paquita/La Bayadere Pre-Ballet I - II Age 5-6 Sugar Plum Fairies Nutcracker Suite/Tchaikovsky Pre-Ballet I - II Age 6-8 Little Swans Swan Lake/Tchaikovsky Hip Hop I Age 6-8 Pon De Replay Music of the Sun/Rihanna Hip Hop I Age 9-12 Get Up Step Up Soundtrack/Ciara Hip Hop I - II Age 6-8 Move It Like This Move It Like This/Baja Men Hip Hop I - II Age 8-12 1,2 Step Goodies/Ciara and Missy Elliott Hip Hop I - II Age 10-12 Get Up "Step Up" Soundtrack/Ciara Hip Hop "The Longest Yard" Soundtrack/Jung Tru,King Jacob I - II Teen/Adult Errtime and Nelly Hip Hop I - II Teen/Adult Switch Lost and Found/Will Smith Hip Hop I - II Adult Yeah Confessions/Usher Hip Hop II Adult Let It Go Heaven Sent/Keyshia Cole feat. -
Favorite Artists in Today's Music Wrld
May 15, 2020 Created by (doja cat & lil uzi vert) (bruno mars & eminem) (taylor swift & rihanna) Dadaism On each of our pages, you will find a “guess the song” section. This was inspired by the Cut-Up technique, an aleatory literary technique where a written text is cut up word-by-word and then completely rearranged, resulting in a new text. This technique can be traced back to the Dadaists in the 1920s, a group of avant-garde artists located primarily in Europe. Since then, the Cut-Up technique has been used in a variety of other contexts. On our pages, we have taken a popular song from each artist, then used the Dadaist cut-up technique to scramble the lyrics and create a new text. We chose to do this to pay homage to and remind us of the avant-garde artists and the history of avant-garde zines. So, if you would like, take a shot at guessing the songs. The answers are found on the final page. We hope you enjoy our little game and, in the process, are reminded of how all zines began. The Next King of POp BrunoBruno MarsMars AMerican Smooth|King|Unique|Icon|Catchy singer/songwriter POPPOP | | SOUL SOUL | | FUNK FUNK | | R&B R&B REGGAEREGGAE | | ROCK ROCK | | HIP-HOP HIP-HOP Album #3 24K 11-time Magic (2016) had huge Grammy successes, Winner including tons of awards and nominations. 24K Magic: 2018 Grammy named one of AWARDS the best songs of the year by many including Won ALL 6 Billboard, won a Major Grammy for Record of the Guess that song Categories Year (2018) The face when and Cause for stares NOMINATED you I; That’s What I would stops the IN Way while The you LIke: topped whole world; Just I a; Billboard 100s, 2nd Album: 7th #1 single in Thing are; 1st Album: Unorthodox US, won three Just not you; Doo-Wops and Jukebox Grammys for Your and way a; Hooligans Best Song, Best Amazing you’re See amazing you’re; R&B when that smile. -
Big Blast & the Party Masters
BIG BLAST & THE PARTY MASTERS 2019 Song List ● Aretha Franklin - Freeway of Love, Dr. Feelgood, Rock Steady, Chain of Fools, Respect, Hello CURRENT HITS Sunshine, Baby I Love You ● Average White Band - Pick Up the Pieces ● B-52's - Love Shack - KB & Valerie+A48 ● Beatles - I Want to Hold Your Hand, All You Need ● 5 Seconds of Summer - She Looks So Perfect is Love, Come Together, Birthday, In My Life, I ● Ariana Grande - Problem (feat. Iggy Azalea), Will Break Free ● Beyoncé & Destiny's Child - Crazy in Love, Déjà ● Aviici - Wake Me Up Vu, Survivor, Halo, Love On Top, Irreplaceable, ● Bruno Mars - Treasure, Locked Out of Heaven Single Ladies(Put a Ring On it) ● Capital Cities - Safe and Sound ● Black Eyed Peas - Let's Get it Started, Boom ● Ed Sheeran - Sing(feat. Pharrell Williams), Boom Pow, Hey Mama, Imma Be, I Gotta Feeling Thinking Out Loud ● The Bee Gees - Stayin' Alive, Emotions, How Deep ● Ellie Goulding - Burn Is You Love ● Fall Out Boy - Centuries ● Bill Withers - Use Me, Lovely Day ● J Lo - Dance Again (feat. Pitbull), On the Floor ● The Blues Brothers - Everybody Needs ● John Legend - All of Me Somebody, Minnie the Moocher, Jailhouse Rock, ● Iggy Azalea - I'm So Fancy Sweet Home Chicago, Gimme Some Lovin' ● Jessie J - Bang Bang(Ariana Grande, Nicki Minaj) ● Bobby Brown - My Prerogative ● Justin Timberlake - Suit and Tie ● Brass Construction - L-O-V-E - U ● Lil' Jon Z & DJ Snake - Turn Down for What ● The Brothers Johnson - Stomp! ● Lorde - Royals ● Brittany Spears - Slave 4 U, Till the World Ends, ● Macklemore and Ryan Lewis - Can't Hold Us Hit Me Baby One More Time ● Maroon 5 - Sugar, Animals ● Bruno Mars - Just the Way You Are ● Mark Ronson - Uptown Funk (feat. -
Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing -
The Representation of Suicide in the Cinema
The Representation of Suicide in the Cinema John Saddington Submitted for the degree of PhD University of York Department of Sociology September 2010 Abstract This study examines representations of suicide in film. Based upon original research cataloguing 350 films it considers the ways in which suicide is portrayed and considers this in relation to gender conventions and cinematic traditions. The thesis is split into two sections, one which considers wider themes relating to suicide and film and a second which considers a number of exemplary films. Part I discusses the wider literature associated with scholarly approaches to the study of both suicide and gender. This is followed by quantitative analysis of the representation of suicide in films, allowing important trends to be identified, especially in relation to gender, changes over time and the method of suicide. In Part II, themes identified within the literature review and the data are explored further in relation to detailed exemplary film analyses. Six films have been chosen: Le Feu Fol/et (1963), Leaving Las Vegas (1995), The Killers (1946 and 1964), The Hustler (1961) and The Virgin Suicides (1999). These films are considered in three chapters which exemplify different ways that suicide is constructed. Chapters 4 and 5 explore the two categories that I have developed to differentiate the reasons why film characters commit suicide. These are Melancholic Suicide, which focuses on a fundamentally "internal" and often iII understood motivation, for example depression or long term illness; and Occasioned Suicide, where there is an "external" motivation for which the narrative provides apparently intelligible explanations, for instance where a character is seen to be in danger or to be suffering from feelings of guilt. -
Central Times
Central Times Staff Clair B.• Gillian B.• Beau F.• Filip F.• Jamie H.• Ellis J. Emily K.• Sara L.• Sydney L.• Sidney L.• Zoe M.• Tom M. Jeremy N.• Sam O. • Noah Q.• Sam R.• Makaila R.• Owen S. Jack S.• Natalie S. Faculty Advisor: Mrs. Dalleska Volume 4 No. 7 New Babies at Central By Zoe M. Sari and Mrs. Novak Recently, a few teachers at Central School have become new parents. I interviewed two of them: Ms. Novak, and Ms. Dalleska. Q: What is your child’s name? Ms. Novak: Sarah Faith Ms. Dalleska: Madison Sophia Q: Why did you choose that name for your child? Ms. Novak: Sarah is the name of Mr. Novak’s grandmother, and Faith is the name of mine. Ms. Dalleska: It’s a very strong name, but it is still pretty. Q: How does it feel to be a mother? Ms. Novak: I don’t think it’s real yet: I keep waiting for Sarah’s mom to come pick her up. Ms. Dalleska: It’s really exciting, and feels like a huge important job, as well as a present. Q: How has your life changed at all since you had your baby, and why? Ms. Novak: Now I worry all the time about Sarah, I’m afraid she’ll hurt herself or something. Ms. Dalleska: I try to be as perfect as I can because I feel like her role model. Q: How has your child changed? Ms. Novak: Sarah makes facial expressions, stays awake for longer, and has a stronger immune system. -
Rihanna – Eine Musikikone Masterprüfung Musik
Rihanna – eine Musikikone Masterprüfung Musik 25.11.2016 Pädagogische Hochschule Luzern Ramona Bürki & Michaela Koch Abstract Kaum jemand dominiert die Charts mit eigenen Hits gegenwärtig so stark wie Rihanna. Kaum jemand zählt so viele Nummer-1-Hits in Folge wie sie. Nicht nur mit ihrer Musik, sondern auch mit ihrem Stil und ihrem wandelbaren Wesen setzt sie immer wieder neue Trends in der Musik- und Popszene. Auch für viele Jugendlichen ist sie Vorbild und Stilikone. Die vorliegende Arbeit befasst sich deswegen mit dem Phänomen ‚Rihanna‘. In einem ersten Teil werden Rihannas Werdegang bzw. ihre Biografie sowie ihre Musik (Musikstil, Gesang, musikalische Einflüsse) und ihre musikalischen Erfolge aufgezeigt. Ebenfalls werden musikspezifische und fächerübergreifende Unterrichtsideen generiert. In einem zweiten Teil widmet sich die Arbeit konkreten ausgearbeiteten praxisbezogenen Unterrichtsideen. Eine Bewegungsanleitung zum Song ‚The Monster‘, ein Arrangement zu ‚Don’t Stop the Music‘ mit dazugehörigen Spielhilfen sowie zwei Leadsheets zu den Songs ‚Stay‘ und ‚Unfaithful‘ wurden stufengerecht angepasst, sodass sie sich im Musikunterricht der Sekundarstufe I umsetzen liessen. Am Ende der Arbeit befindet sich eine Sammlung verschiedener Unterrichtsmaterialien zu den Themenfeldern ‚Biografie‘, ‚Gewalt‘, ‚Karibische Musikeinflüsse‘ und ‚Rihannas Musikrichtungen‘, die verschiedene Formen der Auseinandersetzung mit der Künstlerin ermöglichen. Inhaltsverzeichnis Sach- und Begründungsanalyse ............................................................................................................. -
Beyond the Pink: (Post) Youth Iconography in Cinema
Beyond the Pink: (Post) Youth Iconography in Cinema Christina Lee Bachelor of Arts with First Class Honours in Communication Studies This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2005 Declaration I declare that this dissertation is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. ______________________ Christina LEE Hsiao Ping i Publications and Conference Presentations Refereed Publications Christina Lee. “Party people in the house(s): The hobos of history” in Liverpool of the South Seas: Perth and Its Popular Music. Tara Brabazon (ed.) Crawley: University of Western Australia Press, 2005. pp. 43-52. This chapter was written in association with the research on rave culture, as featured in Chapter Six. Christina Lee. “Let me entertain you” in TTS Australia: Critical Reader. Bec Dean (ed.) Northbridge: PICA, 2005. pp. 17-18. This piece was written in association with the research on nationalism and xenophobia, as featured in Chapter Seven. Christina Lee. “Lock and load(up): The action body in The Matrix”, Continuum: Journal of Media and Cultural Studies, forthcoming 2005. This journal article was written in association with the research on simulacra and masculinity, as featured in Chapter Two and Chapter Seven. Conference Presentations “Lock and Load(up): The Action Body in The Matrix”. Alchemies: Community Exchanges. 7th Annual Humanities Graduate Research Conference. Curtin University of Technology: Bentley, Australia. 6-7 November, 2003. This conference presentation was derived from research on the simulacra and the action hardbody as presented in Chapter Two and Chapter Seven. -
The Derailment of Feminism: a Qualitative Study of Girl Empowerment and the Popular Music Artist
THE DERAILMENT OF FEMINISM: A QUALITATIVE STUDY OF GIRL EMPOWERMENT AND THE POPULAR MUSIC ARTIST A Thesis by Jodie Christine Simon Master of Arts, Wichita State University, 2010 Bachelor of Arts. Wichita State University, 2006 Submitted to the Department of Liberal Studies and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Master of Arts July 2012 @ Copyright 2012 by Jodie Christine Simon All Rights Reserved THE DERAILMENT OF FEMINISM: A QUALITATIVE STUDY OF GIRL EMPOWERMENT AND THE POPULAR MUSIC ARTIST The following faculty members have examined the final copy of this thesis for form and content, and recommend that it be accepted in partial fulfillment of the requirement for the degree of Masters of Arts with a major in Liberal Studies. __________________________________________________________ Jodie Hertzog, Committee Chair __________________________________________________________ Jeff Jarman, Committee Member __________________________________________________________ Chuck Koeber, Committee Member iii DEDICATION To my husband, my mother, and my children iv ACKNOWLEDGMENTS I would like to thank my adviser, Dr. Jodie Hertzog, for her patient and insightful advice and support. A mentor in every sense of the word, Jodie Hertzog embodies the very nature of adviser; her council was very much appreciated through the course of my study. v ABSTRACT “Girl Power!” is a message that parents raising young women in today’s media- saturated society should be able to turn to with a modicum of relief from the relentlessly harmful messages normally found within popular music. But what happens when we turn a critical eye toward the messages cloaked within this supposedly feminist missive? A close examination of popular music associated with girl empowerment reveals that many of the messages found within these lyrics are frighteningly just as damaging as the misogynistic, violent, and explicitly sexual ones found in the usual fare of top 100 Hits. -
Anti Syllabus
Celebrating Caribbean culture and resistance inspired by Rihanna A B U S S Y L L Created & Curated by @TerahJay ⠠⠗⠊⠓⠁ ⠝⠝⠁⠂ ⠞⠓⠁⠝⠅ ⠽⠕⠥ ⠋⠕⠗ ⠑⠧⠑⠗⠽ ⠞⠓⠊⠝⠛ ⠲ ⠠⠇⠕⠧⠑ y a J h a r e T - . s a y ⠽⠕⠥ w l a u o y e v o L . g n ⠁⠇⠺⠁⠽ i h t y r e v e r o f u o y k ⠎⠂ n a h t a n n a h i R ⠠⠞⠑⠗⠁ ⠓⠠⠚⠁⠽ ⠲ MUST BE LOVE ON THE BRAIN That resistance to conformity, that resistance to needing and pleasing and placating the global marketplace is absolutely very much situated within her context. Anti is actively telling you, song after song, that it's not trying to fit Heather D. Russell On January 28th 2017 Rihanna celebrated her one-year anniversarih, aptly titled ANTiversary. Her highly anticipated 8th studio album was a work of art that upon its release, shifted the course of her craft and career. The eclectic, raw, emotional, album was molecule shifting for Rihanna as well as her fanbase the Rihanna Navy. Rihanna states: "I had no idea how it would be recieved, neither was that something I considered. I just wanted to make a body of work that felt right." In many ways ANTi was not about finding herself as an artist, it was more about creating and re-creating herself as a complete person. Someone unafraid, someone boundless. In her process she trusted the way the music made her feel. As a Black woman from Barbados it is important to situate her life, career, and way of knowing within a specific Caribbean context. -
Classical Music's Most Celebrated Artist
2014 – 2015 Join the Friends of McCain for exclusive Order today privileges Kansas State University Priority seating before the general public. 207 McCain Auditorium Manhattan, KS 66506-4711 Free parking in the K-State parking garage. 785-532-6428 Invitations to Meet the Artist and other exclusive k-state.edu/mccain social events. Benefits are based upon the amount of gift. See middle of brochure for details. * In the case of events with multiple showings, select only one to receive the discount. Season ticket orders (seven or more events) are not available online; Subscribe now single tickets are available online July 27. Subscribe to seven to 12 events and save 10 percent. Season tickets (seven or more events) Subscribe to 13 or more events and save 15 percent. Subscribe to all events and save 20 percent*. on sale now. Single tickets on sale July 27. Dates and artists are subject to change. 2014 – 2015 McCain Performance Series Buddy Guy ELF KODO Blues icon and member of Rock and The Broadway Musical. An entrancing celebration of music, Roll Hall of Fame. 8 p.m. Friday, Nov. 14 physicality, and life from the world’s 7:30 p.m. Friday, Sept. 5 top taiko drummers. SYBARITE5 7:30 p.m. Sunday, Feb. 22 Larry the Cable Guy Grammy-nominated string quintet Git-R-Done! turns heads performing everything The Chieftains 4 & 7 p.m. Sunday, Sept. 14 from Mozart to Radiohead. Get a jump on St. Patty’s Day with 3 p.m. and 7:30 p.m. Sunday, the best-known Irish band on the Jazz at Lincoln Center Nov. -
Female Empowerment Female Cencere Richardson, Michael Suarez, Steven Dumeng
March Edition Cardinal 2019 Women’s History montH “For me, it really is about the “Remember no one can “I don't fear being outspoken. The only thing I fear is losing self-acceptance... the more time make you feel inferior with- that I spend really accepting and out your consent.” my sense of integrity or losing sight of the values on which I allowing myself to be exactly - Eleanor Roosevelt guide my life. So I don't think where I am, the faster it is I it's particularly brave or unu- move towards what I wanna be sual for me to speak out.” doing.” - Constance Wu - Tracee Ellis Ross “Do the one thing you think you cannot do. Fail at it. Try again. Do better the second time. The “Nothing is absolute. Everything only people who never tumble "Let us make our future now, changes, everything moves, eve- are those who never mount the and let us make our dreams rything revolves, everything flies high wire. This is your moment. tomorrow's reality." and goes away.” Own it.” - Frida Kahlo - Oprah Winfrey - Malala Yousafzai Newspaper Contributors Editor-In-Chief - David Matos Writers– David Matos, Michael Centeno, Andrew Cabram, Kughan Gunaratnam, Jaydn Davis, Female Empowerment Cencere Richardson, Michael Suarez, Steven Dumeng This edition is also available at www.lasalleacademy.org MARCH EDITION Page 2 Women’s History montH It’s finally March which also means it’s finally that time of year when we honor and appreciate the women of the past that made history and the women of the present that are mak- ing history.