ARIS 2A Thursday, February 9,1984 Daily Nexus 'Reckless' Heads Toward Realm of Mediocrity By JONATHAN ALBURGER He’s a dark and sexy, anti-social high school outcast; she’s a blonde and sensuous high school conformist. When they discover each other, passions are unleashed and their chemistry explodes. They are Reckless. Sound familiar? Well, despite its all too familiar storyline (e.g., Baby, It’s You, Valley Girl, etc.), Reckless is an artful — if mediocre — statement on coming of age. With that comes a sexual identity and the realization that the ' world is bigger than one’s own back yard; part of this strange initiation is an irresistible urge to move around and break away from establishment and expectations, Rebel Without a Cause is the classic example. High school is a time of chicken dares and magical sexual feelings — of discovery and disillusionment. Reckless of­ fers us the familiar unscholastic jock, Johnny Rourke () and the idealistic cheerleader, Tracey Prescott (). He comes from a broken family of violence and alcoholism; she, from a storybook family of fluffy bedspreads and chargecards. Their “worlds” don’t exactly “collide” —’ as the advertising would have you believe — but Johnny and Tracey do fall in love in a silly, Bradbury Brings Out opposites attract, forbidden love, against-all-odds sort of way ; it’s a stéel town Romeo and Juliet story, only she’s not The Best O f His Pulp . a welder. Director James Foley’s first feature film isn’t great, but A Memory of Murder . it does distinguish itself in the “I want you, I need you, I will By Ray Bradbury. have you” genre by giving the Johnny outsider guy brains Deli. $2.95. and tenderness. Newcomer Quinn is being groomed as the Reviewed by SCOTT LEWIS latest candidate in the who-will-replace-Jimmy-Dean I am far too young to remember the pulps, but pulp sweepstakes, and Quinn’s rough intensity and natural Aidan Quinn and Daryl Hannah in Reckless. magazines were a prime part of American popular en­ delivery gives him a certain advantage. Yet despite tertainment before they were killed off by the combined comparison making, Quinn is a very engaging and in­ onslaught of paperbacks and TV. Like TV, the pulps could telligent actor in his own right. He’s got the right com­ be good fun. Also like TV, the pulps tended toward trash — bination of blemish, boil and bravura. Installation/Competition At cardboard characters, cliched plots, and purple prose ran Hannah is far less interesting, but then Tracey Prescott is rampant. But they weren’t all bad. James Cain, Raymond really there to show off Johnny Rourke. Hannah’s got the Contemporary Arts Forum Chandler and Dashiell Hammett, to name just three, began rich-but-bored, whine-goddess down pat, although she in the pulps. So did Ray Bradbury. never opts for overblown caricature. Reckless is a far cry By KAREN ROSENQUIST Although best known for his science fiction and fantasy, from Summer Lovers, but her best asset is still her lips. Unlike most art exhibits, the current installation at Santa Bradbury published many of his first stories in such ’40s A good part of the reason we can believe Rourke and Barbara Contemporary Arts Forum discourages any detective pulps as Dime Mystery Magazine. He condemns Tracey’s eventual rip from “civilization” and ride off into subdued or passive reaction to the finished work on display. most of these beginning tales as “junk” and “walking the sunset is in the depiction of Ohio’s steel wasteland Artist Kim Adams, whose sculpture is on display until wounded,” but in all of them at least a promise of later skill mentality. Echoed in ’ beautifully gritty Feb. 19, encourages the public not only to touch it, but to sit peeks out. He has gathered the best of his early criminal images of suffocating, conservative suburbia and Weirton on and ride it. The sculpture, a rusted metal camper top efforts in the brand-new collection, A Memory of Murder. Mills is an emotional ambience greatly affected by grey, skeleton, extends spines along the floor which are actually Besides being that rarity of rarities, a new Bradbury red and black tones. The artful attention to detail in setting, metal track, supporting moveable platforms for riding on. collection, A Memory of Murder lovingly shows off the fine lighting and color (Ballhaus photographed some 16 pictures The short glide along one of the three tracks won’t raise flavor of the pulps — right down to the occasionally silly for Fassbinder) heightens the feel of smoke-puffing steel your heart rate (like sitting in the first seat of a roller titles, like “Corpse Carnival,” and the misleading cover mill stacks and bitter cold weather; familiar yet strange coaster car), but unlike so many art objects, participation picture, which bears but slight resemblance to any of the icons of the city câst imprisoning shadows across the by the public contributes one aspect necessary to the ar­ stories. The tales themselves range from horror to straight alienated faces of Rourke and Tracey. tist’s purpose. detection and rim the whole gamut from mediocre to ex­ Reckless does have its faults, such as its persistence in Adams feels that the space around the sculpture is the cellent. overlooking moral and legal consequences to the two’s second necessary aspect, so before he creates the sculpture (Please turn to pg.7A, col.l) defilement of the school and Rourke’s burning of his house. he visits each installation site to get a feeling for its own Occasionally, Chris Columbus’ script is plodding and unique space. predictable, and Foley gets too artsy-fartsy with absurd, Adams believes the space, the sculpture, and the public leaden symbolism (a black dyed white carnation to show are three essential parts; his purpose is to unite the three in anti-establishment rebelliousness). The chauvinistic in­ a harmony to show how integral each one is to the final dulgences (Tracey would never demand of Rourke that he product and experience. Indeed, while gliding along the ■ oanoooo aaaaaaaaaao fulfill her needs) and corny ending are real eye-rollers. tracks, you somehow feel as though the gallery walls are oooaooaa oaooaaoaaoa Not that they should be, but the title implies something the boundaries of a canvas, and you, along with the aoaaoaao aaaaaaaaaao the characters are not; a more fitting title would be sculpture, make the scene a finished piece. □ oooaooo aaaaaaaaaao Restless. The two are not thoughtless, nor do they crash much — they don’t" even come close to reckless, wild abandon. Only the sex scenes, which promise erotic In addition to the current exhibit, the Santa Barbara restraint, appeal to the more-is-better crowd. But the in­ Contemporary Arts Forum has announced a competition, terludes hardly present the lovers as reckless. a juried show open to artists who live in Santa Barbara County. Ultimately, Reckless is merely a star-making vehicle. It 706 State St. Santa Barbara, California begs the viewer to overlook its shortcomings and ap­ Entries will be accepted in the categories of Painting, preciate the images of Rourke’s world according to Quinn. Sculpture, Works on Paper, Installation, Performance and Video. N exus A rts The exhibition is scheduled for July 22 through Aug. 26, A n d 1984. Entry blanks may be picked up in person at the Contemporary Arts Forum, 7 West De la Guerra, Santa Entertainment Barbara, CA, 93101, beginning Jan. 28 or by sending a * ft * stamped self-addressed envelope to the above address. Deadline for entries is no later than March 1,1984. Ed ito r: For more information call, Teen Coxwell at 969-0327 or Hugh Haggerty 969-0525. A ssistan t: Katherine D. Zlm bert

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WED: OLDIES fr GOODIES WITH GERRY DEWITT

SOMETHINGS ALWAYS HAPPENING > $ ! * AT De Thurs Only, 2 for 1 on cover charge ôp m Monday, February 13 for UCSB students Sound by |„;i C asti lit* Lll IblSESI w/ I.D. a (»01 E. A\»nlecito St. Tickets at the door 27w.Canon Perdido 965-7733 <{■*>:* vf.Tit’ Kt'.Vjl Daily Nexus Thursday, February 9,1984 3 A

By KEYVAN BEHNIA is perhaps what The Clash BIG COUNTRY: “Won­ THE LOTUS EATERS: 1983 is behind us now. It SINGLES BAR had an excess of: per­ derland”— Apparently Big “You Don’t Need Someone was the year in which the sonality. This song is an Country is immune to New”— These guys are many new British bands anthem-like piece with sharp sophomore jinx. After their going to be big. They have a became commercially and valid lyrics; their sound critically acclaimed debut trendy sound, bubblicious successful in the U.S. But is driving and powerful and , they are back with lyrics, hip looks and of across the ocean, this class the music seems to never this outstanding song. Stuart course a unique name. The of trendy bands are being lose its momentum. Adamson’s lyrics are of such Lettuce Eaters (more ap­ challenged by an increasing propriate) sing about what *$¿385 THOMPSON TWINS: vivid romantic and spiritual number of young groups “Doctor! Doctor!”— After images that with every listen every fifteen-year-old boy which place their music two and a number of one hears and feels more. wants to say about love and before their image. Of the British singles, The Twins His harmonious voice flows what every fifteen-year-old trendy bands, those which seem to have perfected the over the thick layer of music girl wants to hear about love. have strong musical foun­ science of pop alchemy. which is centered around So you can sing along with it dations like will “Doctor! Doctor!” opens two guitars. This is a song and even dance to the faster survive, and those who with a two minute intro fit about a place where and extended version of it, depend mainly on their for background music for a romance can be spiritual. If but when it ends you will image will wash away in pantyhose commercial. This you have never been there, blush at the thought of its time. Enough talk; here are simple little sequence well, Big Country’s music is foolishness. Enjoy at your the singles of this month. melody changes speed a bit the next best thing. own risk. ECHO AND THE BUN- but manages to linger in NYMEN: “The Killing your ears after it is over. In Moon”— Their mystique order to liven things up, lives on. This single is there’s even a drum perhaps the finest outcry of machine solo! Tom Baiely’s romantic melancholy since vocals and words have been Joy Division’s “Love Will my favorite aspect of The Tear Us Apart.” Ian Mc­ Mode and Yazoo, and Eric BLANCMANGE: “That’s Twins. This song is probably Culloch’s voice at some Radcliffe, the theoretical Love, That It Is”— Blanc­ going to be annoying if heard instants reaches the fragile physicist who produced both mange’s music is sort of like too often. Unfortunately an exotic food which is threshold between love and Yazoo albums. From the most of the Twins’ songs 6551 Trigo. I.V despair. It trembles with opening moments of this superb in infrequent small are, but like junk food, you 619 State, S.B. intensity and then again is song, every trademark of doses. However, this new can always have a craving “Come down filled with determination. Clarke’s ingenious single is the most solid thing for them. songwriting can be noticed. they have ever put out. The for a Musically, this is the Bun- THE COLOUR FIELD: Once the guest vocalist, first time you hear it you nymen’s most melodic song “The Colour Field”— This is better to date. The beautiful lyrics Feargel Sharky (the ex- might raise your eyebrows; Undertones singer), begins the second time around you the debut single from Terry of the song point to the Hall’s (Specials, Fun Boy to sing you are assured of a might understand the words, gripping imagery that Three) new band. The memorable song. Against and after that you’ll cer­ exemplifies McCulloch’s simplicity of the production the background of glossy, tainly catch yourself singing writing. With this un­ gives it an air of crispness forgettable song, Echo and melodic electronic music, along with it. The fast Sharky sings with such zest tempo, accented by the tight like a bag of Doritos. This is The Bunnymen confirm a song about despair and their status as one of the and intensity that you are rhythm box patterns with reminded of his early days lots of toppings, doom but it does not rot in a most interesting bands in the tedious, slow beat like so world. with The Undertones. In makes the music fresh and fluent. The vocalist sings many other desperate songs. about meaningful cliches The acoustic guitar, the bass, and the minimal and symptoms of love drumming is integrated very sickness. The production of well and the outcome is this single is very well done. fresh. Terry Hall’s singing This is one band that always reflects the torment and the manages to outwit the tension within his dark listener. vision of the world.

Sat., Feb. 117 UCSB Campbell Hall / 8 PM CULTURE CLUB: turn, what makes this song In. residence February 9-11 “Victims” b/w “Colour By stand above other electro­ Frée lecture-demonstration Numbers”— A friend of pop songs is what worked so Friday, February 10/Campbell Hall/A PM mine looked at the artwork well with Yazoo. Reserved Seats: S8.00/S6.50/S5.00 on the cover of this single UCSB Students: S6.00/S4.50/S3.00 and said, “It seems like Boy B-MOVIE: “A Letter Tickets /Charge By Phone: 961-3535 George wants to start his From Afar”— A pretty song Presented by U C SB A rts & L e ctu re s. own religion.” If so, I may by a bunch of pretty boys pronounce him God and with pretty music and very myself a devout believer. pretty words that is going to THE ALARM: “ Where The best thing about every sell pretty good. If you are Were You When The Storm new Culture Club single is pretty tired of this Broke?”— The Alarm seems that it surpasses the old one. techno—trash trend that is to have picked up where The EVERYDAY... On the two songs here, Boy wearing itself pretty thin Clash left off after their George tries to drive the don’t bother with this second album. The only Low Regular Prices On songs home on the sheer mediocre song. thing that they seem to lack power of his voice and his lyrics. The music here is just BLANK TAPE! a layer in the background Monday, February 13 at 8 pm in Campbell Hall uuumimimiuiiiimiii ruïïï H

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It will be on view through March 18. Pussycat Theatres Present Because of the fragility and importance of many of the objects, Santa Barbara is the last of only three showings of SHARON MITCHELL this exhibition. In addition to loans of prints, drawings, TIFFANY CLARK paintings, sculpture and objects from major museums N asty JOANNA STORM throughout the United States and Canada, a significant KELLY NICHOLS group has been borrowed from the Germanisches Nationalmuseum in Nuremberg. SHARON KANE The National Endowment for the Arts, a federal agency, i has awarded the University Art Museum a major grant to % m NEED WE SAY MORE? support the exhibition, and the museum has organized a full Reproduced courtesy of Spencer Museum of Art, University of Kanses. THE " U 1 program of complementary activities with the co­ DAI KIN'S” A d u lt s ‘The Great Triumphal Car of Maximilian I,’ ★ sponsorship of the Renaissance Studies Program at UCSB Than k H e a ve n [ PUSSYCAT’S F o r i.ittle Girls O n ly ROXY and the Goethe Institute, Los Angeles. (1522) a woodcut by German artist Albrecht ' 320 S. Kellogg • 964-0011 The most famous citizen of Nurembery at the beginning Durer. o * * * of the 16th century was Albrecht Duerer, whose influence Beyond painting and sculpture, Nuremberg’s goldsmith’s □□□□□□□□□□□□□□□□□□□□□□□□□□□□□□ throughout Europe, even in Italy, was profound. Duerer produced small objects and metalwork renowned □ □ was not only at the heart of the artistic Renaissance — the throughout Europe. Their craft will be seen in the group of □ □ works lent from the Germanisches Nationalmuseum. □ BOX OFFICE MOVIES □ rediscovery of classical form, which he interpreted in a □ □ brillant and personal way — but also deeply involved in the “Sixteen-century Nuremberg,” notes museum director J. □ 223 Anacapa □ greatest revolution of the century, the Reformation. Both David Farmer, “was one of those great moments of con­ □ □ Duerer and Nuremberg — one emotionally and the other vergence. Within this one town were a strong and □ Santa Barbara, Ca. □ □ □ officially — pledged their allegiance to the principles of enlightened civic government, many artists of exceptional □ We Carry a Complete Line □ Martin Luther. quality and a large body of wealthy citizens who patronized □ □ Duerer was only one of a procession of outstanding artists those artists. □ □ who supplied the wealthy churches and citizens of “Other cities in Europe are better known, but Nurem­ □ of Adult Videos, Books, □ a □ Nuremberg with exceptional works of art. His con­ berg’s cultural achievement, despite religious and social □ Mags, & Novelties. □ temporary Peter Vischer founded a dynasty of great unrest, is comparable to those of Amsterdam in the 17th □ □ sculptures producing brilliant works in bronze. Painters century, for instance, or most Italian centers in the 15th and □ We Cater to all needs. □ and printmakers influenced by Duerer while retaining 16th centuries,” he said. □□□□□□□□□□□□□□□□□□□□□□□□□□□□□a individual creativity include the Beham brothers, Bans Museum hours are 10 a.m. to 4 p.m. Tuesday through Baldung Grien, Hans Suess von Kulmbach, Georg Pencz, Saturday, and 1 p.m. to 5 p.m. Sundays and holidays. Call YOUNG Hans Leonard Schaufelein and Hans Springkinklee. 961-2951 for further information. FRANKENSTEIN Sequentia's Performance In Campbell Hall T onight By WENDY BRITTON Scandals! ” was a fascinating tune about the state of world “Love and Lamentation in Medieval France” was the affairs at that time. The mood of this particular type of title selected by the Medieval performing group, Sequentia music is rather sarcastic and dark. The feeling conveyed in for their concert last Wednesday night. this piece in the superb performance by Sequentia was Much of the music performed was written anonymously. precise in that it transformed the audience back in time, However, such famous French names as Chancelier, and listening to the traveling minstrel playing his fiddle or Abaelardus appeared on the program, along with other, hurdy gurdy. Thursday Feb 9 at lesser-known artists of the 12th and 13th centuries. The “Love” part of the concert was most strongly 8:30 Er 10:30 The music was based on the adoration and lamentations brought out in the movements from the piece entitled “The Saturday Feb 11 at of 12th and 13th century poets -and musicians. The pieces Art of Love at the Court of Marie, Countess of Champagne.” 6,8, 10, & 12 chosen covered much of the music presented at that time in Under the patronage of King Louis Vi’s daughter, Marie, BRO ID A 1610 French history— the scandals, courtly love tunes, the music and poetry flourished during the 12th century and was preserved in the Old French language. In these pieces, Admission $2.00 sufferings of the religious crusaders, crumbling govern­ ments, and Royal intrigue. love and suffering was expressed through dialogue Spons. by UCSB Men's Rugby The opening piece titled “Woe tb the World Because of movements and short solo performances as well as through the moody-sounding portative organ, and fiddle and harp used throughout the separate movements. FINAL WEEKEND ■4É- & &■ -¿St M ü .:3fe. %.■ “A m ovie of rare w it..«cfcorengM y OPENING T H IS^ Ii^ enjoyable.” —Vincent Canby, TIMES “ A brilliant dark-comic performance by Tom Conti... one of the more FRIDAY AT THE electrifying performances of the year.” -Sheila Benson, LA. TIMES MAGIC LANTERN “A bittersweet comedy.. .beautifully subtle and complex... deeply moving.” t h e a t r e : THEATRE • —Jeffrey Lyons, Sneak F*reviews, PBSTV ONE TWO • • "SOMETHING FOR EVERYONE” DAVID ANSEN. NEWSWEEKWSWEEK JAMES GRACE • u. mv> "MESMERIZING” STEWART KELLY ! KATHLEEN CARROU N Y DAILY NEWS LEONARD MALTIN. ENTERTAINMENT TONIGHT

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Bernice Sandler will give a Bay Area artist Pegan free lecture titled “Where ****** Attractions****** Brooke is the featured artist We’ve been and Where we at the Pamela Auchincloss are going: Progress and An Electronic Music tiqua is the instrumental Gallery, Friday Feb. 10 Problems of Women on Concert will be presented on section of the Collegium through March 14. Campus,” in Girvetz 1004 at Saturday, at 8 p.m. in Lotte Musicum at UCSB. Mem­ Friday, from 6-8 p.m. The 3:30 p.m. today. Lehmann Concert Hall. The bers of the Cappella Cordina, gallery is located at 1323 program will feature a thè madrigal and motet State Street. Bruno Bettelheim will give variety of works including choir, will assist in some of There will be an opening a free lecture on “Self- film and dance with elec­ the works. reception for the artist fulfillment and the Question tronic sound, musique of Families,” at 8 p.m. concretre, computer-gener­ The old and the new in Monday in Campbell Hall. ated sound and “live” England and Scotland are The Fourth Annual Erotic electronics. examined in a new feature-, Art Festival, featuring Sako, Pianist Betty Oberacker Admission is free. length color travel documentary film, “Britain opens Valentine’s Day from will be featured in a UCSB 7:30 p.m. to 9:30 p.m. and UCSB’s Musica Antiqua, Rediscovered.” The film will Village Of The Damned, a movie about a town Faculty Artist Recital will be on display through conducted by Alejandro be narrated in person by its tonight at 8 p.m. in Lotte February at the Artist’s stricken with super-intelligent emotionless Planchart, will present a producer, Thayer Soule, and Lehmann Concert Hall. Response-Originals and children will screen this Sunday in Campbell free program of late screen for two performances There will be a $2 admission Prints, 934 Embarcadero Hall at 7 and 9:30 p.m. Tickets are $2/$2.50. Renaissance and early only at 2 p.m. and 8 p.m. at at the door with proceeds to Del Norte,.Isla Vista. the departmental scholar­ Baroque music on Sunday, the .Lobero Theatre on There will be no Futurethink movie tonight ship fund and the Mu Phi at 8 p.m. in Lotte Lehamnn Tuesday, Feb. 14. because of midterms. Epsilon Scholarship Fund. Concert Hall. Musica An- The program includes the “Sonata in E flat Major” by Joseph Haydn, “Napoli Suite Pour Le Plano” by Francis Poulenc and “Sonata in B flat Majors Op. Posth.” by Franz Schubert. METROPOLITAN THEATRES CORPORATION SANTA Bradbury» * * (Continued from pg.2A) Somebody is stalking the LIMITED ENGAGEMENT! hemophiliac protagonist of FEB. 12th-13th, “A Careful Man Dies,” and 15th-16th MERYL STREB1 ABC Motion Pictures Presents although the title shows that KÜRT RUSSELL A MIKE NICHOLS FILM he isn’t careful enough, I & GOLDEN GLOBE there’s still plenty of CHER g p ^ upstairs M l f t AWARD WINNER! suspense. “Hell’s Half G r a n a d a Hour” and “The Long Way Home” are entertaining but 3 DEBRA WINGER relatively minor yarns of the upstairs GOlDOt SHIRLEY MacLAINE detective and biter-bit H | I They thought he*~" 3^® Ml dowststor* varieties. An automated BBp couldn't do the job. b ||? That's why they coffin enlivens the grim little chose him. chiller, “Wake for the Living^’ U never c r y The above are all good ARLINGTON m WOLF IS) n C ENTER © 1983 WALT A PARAMOUNT stories, to be sure, but the OSSI DISNEY PRODUCTIONS PICTURE 1317 State Street real winners are the author’s 966-9382 own favorites. Wartime tension and fear get a violent assist during “The Long OLETA Night.” In “The Trunk Lady,” little Johnny finds a TDM CONK Girls like Tracy woman’s corpse in the attic, The movie that people are talking about... V f f l T V BARBRA ■ppaa||jffiE never teN their p arents about guys b u t nobody in his STREISAND K fjl & Faulkneresque family will || like Rourke. listen to him. The lead-off YENTL t j £ story, “ The Small A film with music. A h Assassin,” is worth the price MGM/UA E SJ H H H H K of the whole book; Bradbury 2 GOLDEN GLOBE AWARDS F weaves a fantastic tale from i 1ESTA4 the apparently thin fiber of a m 963-0781 I Dudley Nastassja mother worrying over her F airvtewIhi Moore Kinski UTAAlAISMimU S t m ¡"3 1*41 new baby. In the informative MfiRI€L H€MINGUUflY MfiRI0.H€MIN introduction he accurately kflK ROBOTS g a €RK ROBERTS announces, ‘“The Small eoe rosses H eoe rosses Assassin’ seems to me to be one of the best stories in any field that I have ever writ­ ten.” So get ready for a chilling, thrilling glimpse of a hitherto hidden part of an old IS L A V iSTi pro’s apprenticeship. That GOLDEN GLOBE WS [Samurai Series James Stewart “Duel at old Bradbury magic shines Grace KeUy ^■ lashdancf ¡AWARD WINNER * I Icbejoji Temple* MISSION through even in the worst of Alfred ¡Thurs 1 * 1 THEATRE ’ BEST FOREIGN FILM 618 State Street these tales — and in the Hitchcock’s pm ÆSMÊ book’s best Bradbury blazes 1 >L A Masterpiece! I Sal A p i r * 962-8616 JULIE CHRISTIE 12 nJ brightly. REAR SHASHI KAPOOR J Lwr ^Alexander WINDOW -

STARTING TOMORROW: TONIGHT AT THE PUB THIRD ANNUAL Qovr>m\xmX\i i ^ T a i M

««« i n t h e Q c r y iX l F \ y Q>nfef\jnce ^ GLOBAL PERSPECTIVES IN NON-VIOLENCE FEBRUARY 10th £r 11th 1984 UCSB UNIVERSITY CENTER II PAVILLION ROOM

Friday, 10 February, afternoon 2:00 p.m. Buddhist Economics: Celebrate the end of midterms with The Tan tonight at Non-Violent Modes of International Development The Pub beginning at 8:30 (Presented by A.S. Program George M cRobie: International Consultant on Economic Development. Peter Gillingham: President. Intermediate Technology Inc. Board and Miller High Life), Hyman Johnson: Moderator. Assistant Director. Educatiohal Opportunity Program Friday, 10 February, evening 7:00 p.m. Truth and Non-Violence in Global Relations Gene Sharp: Director. Program On Non-Violent Sanctions. Harvard University Michael Nagler: Professor of Classics. UCB RaghaVan Iyer: Moderator. Professor Political Science U C SB SUN DAY EXTRAVAGANZA MEETING j Saturday, 11 February, morning 10:00 a.m. The Non-Violent Tradition in World Religions Thursday, February 16th Nandini Iyer: Professor Religious Studies UCSB 5:00 p.m. UCen Room 2 Adam Wolpert: Moderator. Student UCSB Saturday, 11 February, afternoon 1:00 p.m. The Peace Makers Bring your ideas! An Acoustic Concert with STEPHEN LONGFELLOW FISKE Make this the best yeti Saturday, 11 February, afternoon 2:00 p.m. The Ecosystem and Education W illis Harmon: Director of the Center for Study of Social Policy at Stanford. Paul Relis: Founder and Director .Community Environmental CoGncil Gary Bremermann: Moderator. Student UCSB Saturday, 11 February, evening 7:00 p.m. Individual Action and the Furtherance of World Community Lecture by BELL HOOKS A Panel of Conference Participants Phil Grant: Moderator "BLACK WOMEN: WRITING £ ADMISSION TO ALL EVENTS IS FREE Sponsored by : Associated Students Program Board, Arts ft Lectures, and the Office of the Chancellor FEMINIST BOOKS" Tomorrow (Feb. 10), Broida 1640 12:00 Noon — FREE admission Ms. Hooks is a lecturer on Women’s Studies at the University of California Santa Cruz campus. She is the author of "A Chap Book of Poem s: And There We Wept” and “The Feminist Theory: From Margin to Center”, sponsored by A.S. Cultural Events, Center for Black Studies and The Women’s Center.

VISIONS OF 1984 COMPETITION ENTRY FORMS AVAILABLE AT UCen GALLERY - SUDE DEADLINE MARCH 5,1984

The Costs and Consequences of a M ilitary Economy SPRING SING FEBRUARY 25 /10 AM - 5 PM / UCen Pavilion Room A umfmiHY sponsored by the [Vaco Resource l enter of Santo Barbara and Associated Students Program Board with a grant from, the Fund tor Santa Barbara FREE ADMISSION This year the Program Board engaged in the planning of this will present a multi-talent show event. 10 AM___ 11:30 AM IPM___ 3 PM "MILITARY "EFFECTS OF 1 urn h break "REBUILDING that will include the traditional The first planning meeting will SPENDING AND MILITARY AMERICA: THE ECONOMY: EXPENDITURES 2 PM TRANSITION Spring Sing on University Day, be held Monday, February 13 CALIFORNIA AND ON THE HOME "A HIGH-TECH TO A PEACEFUL THE NATION" FRONT" MILITARY ECONOMY" Saturday, April 7. from 1-2 in the UCen Meeting Lloyd Dumas Bobbi Hodges-Betts COMPANY TURNS MichiuTCIosson All fraternities, sororities, Room 2. Professor, Political Economy, American Friends Service CIVILIAN: A CASE Director. Mid Peninsula University of Texas; author. Committee Staff for STUDY" Conversion Project student organizations, and in­ "Reversing Economic Decay: peace education and Theodore Williams Bring your ideas and energy The Political Economy social justice *. President, Bell Industries of Arms Reduction" dividual students are urged to and make this event All sessions will be followed by questions. participate and to become representative of YOU. MODERATED BY CHARLES SCHWARTZ Professor. Physics, University of California, Berkeley; Initiator, Weapons Lab Conversion Project Call 9 6 5 -8 5 8 3 for information