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1; Iya WEEKLY
Platinum Blonde - more than just a pretty -faced rock trio (Page 5) Volume 39 No. 23 February 11, 1984 $1.00 :1;1; iyAWEEKLY . Virgin Canada becomes hotti Toronto: Virgin Records Canada, headed Canac by Bob Muir as President, moves into the You I fifth month flying its own banner and has become one of the hottest labels in the Cultu country. action THE PROMISE CONTINUES.... Contributing to the success of the label by th has been Culture Club with their albums of th4 Basil', Kissing To Be Clever and Colour By Num- bers. Also a major contributor is the break- W. out of the UB40 album, Labour Of Love, first ; boosted by the reggae group's cover of the forth Watch for: old Neil Diamond '60s hit, Red Red Wine. sampl "Over100,000 Colour By Numbers also t albums were shipped in the first ten days band' -the new Images In Vogue video of 1984 alone," said Muir. "The last Ulle40 Tt album only did about 13,000 here. Now, The' albun ... with Labour Of Love, we have the first gold Lust for Love album outside of Europe, and the success ships here is opening doors in the U.S. The record and c; broke in Calgary and Edmonton and started Al -Darkroom's tour (with the Payola$) spreading." Colour By Numbers has just surpassed quintuple platinum status in Canada which Ca] ...Feb. 17-29 represents 500,000 units sold, which took Va. about 16 weeks. The album was boosted and a new remixed 7" and 12" of San Paku by the hit singles Church Of The Poison Toros Mind, now well over gold, and the latest based single, Karma Chameleon, now well over of Ca the platinum mark in less than ten weeks prom This - a newsingle by Ann Mortifee of release. -
Academic Probation
i^i^dnO I Volumaj/Number 23 Tuesday, Fabruary 8, 1983 ^4i UTSA Why Some Students Don't Win Mid-term at College Exams (See Pg. 3) '^..u*"^ UTSA Lady Faculty present Lose 1 Roadrunners Semester Take on No. 3 UT Ideas for Academic Goals Task Force Probation Longhorns Tonight at (See Pg. 4) Convocation Center Purpose of S.R.A. shMs VJill Depends on the Sprlnj us •fi'om fhis of Students Laat Wadnaaday, In a regular aaaalon of our atudant govam mant — tha Studant Rapraaantativa Aaaambly, tha SRA again damonatratad Ita waaknaaaaa. Thaaa waaknessas iMalcally cantar around poor organization, a general lack of purpoaa, and a low commlttaa work level. Tha poor organization of our SRA was damonatratad In tha firal important diacuaalon of tha meeting. Ttw diacuaslon cantered around upcoming alaetlona, and whether or not tha alaetlona for praaant vaeanciaa and regular yearly alaetlona cama under the old or naw SRA eonatltution. Last aummar, tha SRA paaaed a naw con- atltutlon vvtiieh supposedly took effect Iha moment It waa paaaed. Tha difficultiaa which ensued from tha naw constitution waa wtMtlwr or not It waa legal, since it had to ba forwarded to tlie Dean of Studenta office, tha President's office, and even the Board of Regent's office for thair "approval." The raaaon It idid pass and supposedly take effect immediately waa bacauaa aoma of tiM rapraaantativas fait that they didn't need Letters to the Editor anyone's approval on how to run their own government. At tha pra aant aoma rapresantativaa faal tiMt tha new eonatltution stiould lie in affect «vhila others feel that It would ba Illegal. -
The Roots Report: America at Twin River
The Roots Report: America at Twin River Okee dokee folks… “Fifty years was not in the plan, but as long as you keep coming we’ll keep playing,” exclaimed Dewey Bunnell of the band America last Friday night at Twin River Casino’s Event Center. America was started as a trio in England by the sons of American Air Force servicemen stationed in England — Bunnell, Gerry Beckley and Dan Peek — in the late ’60s while they were still teenagers in high school. They quickly gained notoriety and soon were one of the bands that defined the sound of the early 1970s. Peek left the band in 1977 and passed away in 2011. America has been Bunnell and Beckley for most of their 50-year history. A few songs into their 90-minute set, Gerry Beckly said, “We’re glad to be back in Rhode Island…we’re sorry it’s been a while since we’ve been here!” The show kicked off with one of their more popular hits, “Tin Man.” That was quickly followed by their 1982 hit, “You Can Do Magic.” The vocals were handed over to drummer Ryland Steen for “Don’t Cross The River.” Multi instrumentalist Steve Fekete added six-string banjo to the mix as well. He also showcased his talents on piano and acoustic guitar, but really demonstrated his playing prowess on electric guitar. Most of the concert consisted of the entire contents of History: America’s Greatest Hits with the exception of “Muskrat Love.” They played other selections from their early albums such as “Riverside” and “Here,” in addition to later album cuts like “The Border” and their #1 hit in Italy, “Survival” about which they commented, “Not so big here!” They mentioned that “Every year we like to dredge up a song from an obscure album to play at a show” and that song this time around was “Greenhouse” from the Hourglass album. -
BBC 4 Listings for 5 – 11 June 2021 Page 1 of 4
BBC 4 Listings for 5 – 11 June 2021 Page 1 of 4 SATURDAY 05 JUNE 2021 Sarah and Jan are convinced that there is a link between fashion and hip-hop scenes that have fed off historic power Nanna's murder and an unsolved case from 15 years earlier. It is struggles and culture clashes, both between ancient empires and SAT 19:00 How the Celts Saved Britain (b00ktrby) now a race against time to nail the evidence. Pernille and Theis against French colonisers. She traces the story of Leopold Salvation are puzzled as they realise the case is far from closed. Troels is Senghor, a poet who became the father of Senegalese counting on winning the election and is willing to put everything independence and redefined what Africa is. She explores cities Provocative two-part documentary in which Dan Snow blows on the line. with exuberant murals and street culture that respond to the the lid on the traditional Anglo-centric view of history and past, and she meets internationally acclaimed choreographer reveals how the Irish saved Britain from cultural oblivion during Germaine Acogny, griot musician Diabel Cissokho and hip-hop the Dark Ages. SAT 00:45 The Killing (b00zth0c) legend DJ Awadi. Series 1 He follows in the footsteps of Ireland's earliest missionaries as they venture through treacherous barbarian territory to bring Episode 18 SUN 23:00 Searching for Shergar (b0b623r9) literacy and technology to the future nations of Scotland and The story of one of the world's most valuable racehorses, England. Sarah and Jan check out an abandoned warehouse to look for Shergar, who disappeared in 1983 at the height of the Troubles. -
Louder Than War Favourites
Albums of the Year 2018 : The Top 25 Ged Babey 9 December, 2018 As voted for by 30 of our writers, here are the Top 25 Albums of 2018. The Number One received more than twice the votes as the second place. The next ten were hotly contested with the narrowest of margins, and the rest got the same number of votes -so are in random order to be frank. But… Every one is a winner! 2018 was a great year for music and the Number 1 is no surprise… ONE IDLES Joy As An Act of Resistance (Partisan) Punk Rock reinvented and not wearing a mask of masculinity or yoke of tradition, but a wicked smile and its broken heart exposed but still beating in its chest. Punk rock which instead of calling for Anarchy and saying I Don’t Care is shouting UNITY! and LOVE IS ALL. Reviewed here by Ged Babey IDLES - DANNY NEDELKO TWO The Blinders Columbia (Modern Sky) This power trio, this band of very modern troubadours, this enlightened youth, deliver an album so explosive, so perfect, it defies any attempt at categorisation. There are odd time signatures, indefinite song structures but the tracks ebb and flow beautifully. Columbia as an album is a single piece of art as a concept. Listen, track by track, join up the dots, get the message loud and clear – England is indeed dreaming. Reviewed here by Nigel Carr The Blinders - L’etat C’est Moi [Music Video] THREE ILL : We Are ILL (Box Records) All-woman five-piece… currently based in Manchester, who highlight that quality music does not have to mean an emulation of that which has gone before. -
Access the Best in Music. a Digital Version of Every Issue, Featuring: Cover Stories
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE MARCH 23, 2020 Page 1 of 27 INSIDE Lil Uzi Vert’s ‘Eternal Atake’ Spends • Roddy Ricch’s Second Week at No. 1 on ‘The Box’ Leads Hot 100 for 11th Week, Billboard 200 Albums Chart Harry Styles’ ‘Adore You’ Hits Top 10 BY KEITH CAULFIELD • What More Can (Or Should) Congress Do Lil Uzi Vert’s Eternal Atake secures a second week No. 1 for its first two frames on the charts dated Dec. to Support the Music at No. 1 on the Billboard 200 albums chart, as the set 28, 2019 and Jan. 4, 2020. Community Amid earned 247,000 equivalent album units in the U.S. in Eternal Atake would have most likely held at No. Coronavirus? the week ending March 19, according to Nielsen Mu- 1 for a second week without the help of its deluxe • Paradigm sic/MRC Data. That’s down just 14% compared to its reissue. Even if the album had declined by 70% in its Implements debut atop the list a week ago with 288,000 units. second week, it still would have ranked ahead of the Layoffs, Paycuts The small second-week decline is owed to the chart’s No. 2 album, Lil Baby’s former No. 1 My Turn Amid Coronavirus album’s surprise reissue on March 13, when a new (77,000 units). The latter set climbs two rungs, despite Shutdown deluxe edition arrived with 14 additional songs, a 27% decline in units for the week.Bad Bunny’s • Cost of expanding upon the original 18-song set. -
Weißer Mann, Was Nun?
Freiburg · Mittwoch, 15. Januar 2020 http://www.badische-zeitung.de/weisser-mann-was-nun-die-tagung-queer-pop-in-freiburg Weißer Mann, was nun? Die Tagung „Queer Pop“ in Freiburg will nicht nur die Grenzen des Geschlechter-Denkens erweitern, sondern stellt dem Denken auch das Tanzen zur Seite F F O O T T O Als die Pet Shop Boys 1984 mit ihrem Al- ordnung als das Selbstverständnis quee- Unis Seminare zu Queer Pop stattgefun- O : : A C N bum „West End Girls“ ihre erfolgreichste rer Popstars wider, das immerzu chan- den, sondern die Party wird mit Perfor- H N R I E S T T T Zeit erlebten, waren sie noch Teil einer giert, sich neu erfindet und starres Scha- mances Studierender eröffnen, die quee- O E P K H O S schwul-lesbischen Subkultur, die sich in R blonen-Denken bewusst durchkreuzt. re Ästhetik auf die Bühne bringen. Dar- C O H L M Codes ausdrückte. Für das Publikum, das L Bei „Queer Pop“ geht es nicht nur um auf, wie auch heterosexuelle Menschen I D T sie an die Spitze der Charts hievte, stand Musik: Queere Strategien finden sich in sich queer inszenieren, darf man ge- ( D P A die geschlechtliche Identität der Musiker allen medialen Bereichen, vom Film über spannt sein, doch weist diese Frage auch ) zumindest nicht im Vordergrund. Anders Literatur und Mode bis zur Kunst und auf einen anderen Umstand hin: Queeres war das bei Boy George und seiner Band Fotografie. „Wir wollen uns mit queerer Denken hat sich von der reinen Auseinan- Culture Club, die etwa zur gleichen Zeit Ästhetik beschäftigen, aber auch aufzei- dersetzung mit Genderrollen hin zu durch ihr androgynes Auftreten zu welt- gen, wie diese inzwischen Diskussionen grundlegenden sozialkritischen Fragen weiten Pop-Ikonen wurden. -
Pop / Rock / Commercial Music Wed, 25 Aug 2021 21:09:33 +0000 Page 1
Pop / Rock / Commercial music www.redmoonrecords.com Artist Title ID Format Label Print Catalog N° Condition Price Note 10000 MANIACS The wishing chair 19160 1xLP Elektra Warner GER 960428-1 EX/EX 10,00 € RE 10CC Look hear? 1413 1xLP Warner USA BSK3442 EX+/VG 7,75 € PRO 10CC Live and let live 6546 2xLP Mercury USA SRM28600 EX/EX 18,00 € GF-CC Phonogram 10CC Good morning judge 8602 1x7" Mercury IT 6008025 VG/VG 2,60 € \Don't squeeze me like… Phonogram 10CC Bloody tourists 8975 1xLP Polydor USA PD-1-6161 EX/EX 7,75 € GF 10CC The original soundtrack 30074 1xLP Mercury Back to EU 0600753129586 M-/M- 15,00 € RE GF 180g black 13 ENGINES A blur to me now 1291 1xCD SBK rec. Capitol USA 7777962072 USED 8,00 € Original sticker attached on the cover 13 ENGINES Perpetual motion 6079 1xCD Atlantic EMI CAN 075678256929 USED 8,00 € machine 1910 FRUITGUM Simon says 2486 1xLP Buddah Helidon YU 6.23167AF EX-/VG+ 10,00 € Verty little woc COMPANY 1910 FRUITGUM Simon says-The best of 3541 1xCD Buddha BMG USA 886972424422 12,90 € COMPANY 1910 Fruitgum co. 2 CELLOS Live at Arena Zagreb 23685 1xDVD Masterworks Sony EU 0888837454193 10,90 € 2 UNLIMITED Edge of heaven (5 vers.) 7995 1xCDs Byte rec. EU 5411585558049 USED 3,00 € 2 UNLIMITED Wanna get up (4 vers.) 12897 1xCDs Byte rec. EU 5411585558001 USED 3,00 € 2K ***K the millennium (3 7873 1xCDs Blast first Mute EU 5016027601460 USED 3,10 € Sample copy tracks) 2PLAY So confused (5 tracks) 15229 1xCDs Sony EU NMI 674801 2 4,00 € Incl."Turn me on" 360 GRADI Ba ba bye (4 tracks) 6151 1xCDs Universal IT 156 762-2 -
Culture Club Kissing to Be Clever Mp3, Flac, Wma
Culture Club Kissing To Be Clever mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Pop Album: Kissing To Be Clever Country: Hong Kong Released: 1982 Style: Synth-pop MP3 version RAR size: 1555 mb FLAC version RAR size: 1338 mb WMA version RAR size: 1628 mb Rating: 4.2 Votes: 536 Other Formats: MP4 MMF AHX VOX AAC VQF FLAC Tracklist Hide Credits White Boy (Dance Mix) 1 4:41 Engineer [Assistant] – Gordon Milne 2 You Know I'm Not Crazy 3:37 3 I'll Tumble 4 Ya 2:36 4 Take Control 3:11 Love Twist 5 4:21 Featuring – Captain Crucial 6 Boy Boy (I'm The Boy) 3:51 7 I'm Afraid Of Me (Remix) 3:17 8 White Boys Can't Control It 3:44 Do You Really Want To Hurt Me 9 4:24 Vocals [Additional] – Helen Terry Bonus Tracks 10 Love Is Cold 4:24 Murder Rap Trap 11 4:23 Featuring – Captain Crucial 12 Time (Clock Of The Heart) 3:45 13 Romance Beyond The Alphabet 3:49 Companies, etc. Phonographic Copyright (p) – Virgin Records Ltd. Copyright (c) – Virgin Records Ltd. Published By – EMI Music Publishing Ltd. Engineered At – Red Bus Recording Studio Pressed By – EMI Uden Credits Backing Vocals – Colin Campsie, Denise Spooner, Phil Pickett Bass, Other [Heavy Culture] – Michael Craig Cover, Design, Typography – Jik Graham Drums, Percussion, Drum Programming [Linn Drum] – Jon Moss Guitar, Keyboards, Piano, Sitar [Electric] – Roy Hay Keyboards [Additional] – Phil Pickett Mixed By – Jon Moss, Steve Levine Photography By – Mark Lebon Producer, Engineer – Steve Levine Saxophone, Flute, Harmonica – Nick Payne* Synthesizer [Synclavier Ii], Programmed By [Synclavier Ii] – Keith Miller Vocals – Boy George Vocals [Talkover Dub Star] – Captain Crucial Written-By, Performer – Culture Club Notes All tracks remaster ℗ 2003 Virgin Records Ltd except tracks 3, 5, 9, 11 & 12 digital remaster ℗ 2002 Virgin Records Ltd. -
2020'S BEST MUSIC MARKETING CAMPAIGNS
BROUGHT TO YOU COURTESY OF ™ AMP IN ASSOCIATION WITH sandbox DECEMBER 09 2020 | Music marketing for the digital era ISSUE 266 2020’s BEST MUSIC MARKETING CAMPAIGNS Songtrust has the world's largest and most accessible network of direct global publishing relationships. Our easy to use platform enables you, and our 300,000+ clients, to register and collect performance and mechanical royalties directly around the world, without giving up any rights or any other revenues. ACCESS WHAT YOU'RE DUE SPONSOR PAGE PANDORA STORIES With Pandora Stories, artists and creators can add their voices to playlists and mixtapes. It’s the newest addition to AMP, Pandora’s suite of free and powerful tools for creators. The ability to combine music and storytelling allows artists to give their music more context while forging an even deeper connection with their fans, new and old. Artists can: • Share the stories behind the making of their music – influences, recording process, etc. • Supplement a podcast with a companion playlist using their own voice tracks. • Create a virtual setlist, complete with between song banter. • Program and promote career retrospectives, or deep dives into single albums. • Share their current favorite music with their fans. • Offer custom exclusive Stories as a premium or special offering for supporters on crowdfunding platforms. SANDBOX CAMPAIGNS OF THE YEAR 2020 2020’s BEST MUSIC MARKETING CAMPAIGNS elcome to Sandbox’s shortlist we had a record number of entries, from labels of the best, most original, and of all sizes from around the world. W most impactful music marketing campaigns of 2020. It’s a celebration of We’re very grateful for everyone who submitted remarkably innovative and creative work across campaigns for consideration – and we hope that a vast array of genres, with many notable in these campaigns you find a wealth of brilliant achievements notched up along the way. -
Psaudio Copper
Issue 41 SEPTEMBER 11TH, 2017 Welcome to Copper #41! The title isn't to announce a James Taylor retrospective---sorry to crush your hopes--- but is just what I see in today's weather reports. The Pacific Northwest, where I'm bound for a long-delayed vacation, is up in flames, along with many other parts of the tinder-dry US. Meanwhile, back in my former home of Florida...they've already had nearly two feet of rain, and Hurricane Irma is not even close to the state yet. Stay safe, everyone. I'm really pleased and excited to have Jason Victor Serinus back with us, with the first part of an intensive introduction to art song. Jason brings tremendous knowledge of the field, and provides plenty of recorded examples to listen to, and in the case of videos, watch. There are many stunning performances here, and I hope you enjoy this extraordinary resource. We'll have Part 2 in Copper #42. Dan Schwartz is again in the lead-off spot with the second in his series of articles on encounters–this one, with Phil Lesh and crew; Seth Godin tells us how control is overrated; Richard Murison hears a symphony; Duncan Taylor takes us to Take 1; Roy Hall tells about a close encounter of the art kind; Anne E. Johnson introduces indie artist Anohni; and I worry about audio shows (AGAIN, Leebs??), and conclude my look at Bang & Olufsen. Industry News tells of the sale of audiophile favorite, Conrad-Johnson; Gautam Raja is back with an amazing story that I think you'll really enjoy, all about Carnatic music, overlooked heritage, and the universal appeal of rock music; and Jim Smith takes another warped look at LPs. -
Glam Rock by Barney Hoskyns 1
Glam Rock By Barney Hoskyns There's a new sensation A fabulous creation, A danceable solution To teenage revolution Roxy Music, 1973 1: All the Young Dudes: Dawn of the Teenage Rampage Glamour – a word first used in the 18th Century as a Scottish term connoting "magic" or "enchantment" – has always been a part of pop music. With his mascara and gold suits, Elvis Presley was pure glam. So was Little Richard, with his pencil moustache and towering pompadour hairstyle. The Rolling Stones of the mid-to- late Sixties, swathed in scarves and furs, were unquestionably glam; the group even dressed in drag to push their 1966 single "Have You Seen Your Mother, Baby, Standing in the Shadow?" But it wasn't until 1971 that "glam" as a term became the buzzword for a new teenage subculture that was reacting to the messianic, we-can-change-the-world rhetoric of late Sixties rock. When T. Rex's Marc Bolan sprinkled glitter under his eyes for a TV taping of the group’s "Hot Love," it signaled a revolt into provocative style, an implicit rejection of the music to which stoned older siblings had swayed during the previous decade. "My brother’s back at home with his Beatles and his Stones," Mott the Hoople's Ian Hunter drawled on the anthemic David Bowie song "All the Young Dudes," "we never got it off on that revolution stuff..." As such, glam was a manifestation of pop's cyclical nature, its hedonism and surface show-business fizz offering a pointed contrast to the sometimes po-faced earnestness of the Woodstock era.