Boletín De Adquisiciones De La Biblioteca Islamica Mayo 2008

Total Page:16

File Type:pdf, Size:1020Kb

Boletín De Adquisiciones De La Biblioteca Islamica Mayo 2008 BOLETÍN DE ADQUISICIONES DE LA BIBLIOTECA ISLAMICA MAYO 2008 01 Abdel-Badi, Lutfi D©n ·uwån / Lu×f¼ ²Abd al-Bad¼². - Al-Qåhira : Dår al-Ma²årif, 1959. - 159 p. ; 16 cm. - (Iqra³ ; 193) 1. Literatura española 2. Traducciones al árabe I. Titulo. 821.134.2-31 82.03 ICMA 4-11686 R. 2141 ICMA 4-11689 R. 2529 02 Abdul-Jabbar, Ghassan Bukhari / Ghassan Abdul-Jabbar. - London : I.B. Tauris, 2007. - 145 p. ; 22 cm. - (Makers of Islamic civilization) En la port.: Oxford Centre for Islamic Studies. - Bibliografía: p. [133]-134. - Índice ISBN 1-84511-095-1 1. Al-BuÞår¼, Mu-ammad b. Ismå²¼l I. Titulo. II. Serie. 929BuÞår¼, Mu-ammad b. Ismå²¼l ICMA 4-56713 R. 63707 03 Aboulela, Leila Minarete / Leila Aboulela. - 1ª ed.. - Barcelona : Icaria : Intermón Oxfam, 2007. - 260 p. ; 24 cm. - (Nadhari narrativa ; 5) Traducción de: Minaret ISBN 978-84-7426-953-6 1. Narrativa (Sudán) I. Titulo. II. Serie. 821.411.21(624)-3"20" ICMA 4-56842 R. 63651 04 Ab© al-²Azm, ²Abd al-¹an¼ Al-mu²μam al-lu¸aw¼ al-tar¼Þ¼ : munhaμuhu wa-maØådiruhu / ²Abd al-¹ån¼ Ab© al-²Azm. - Al-Ribå× : Al-¹ån¼×, 2006. - 136 p. ; 21 cm Bibliografía ISBN 9981-891-23-1 1. Lengua árabe - Diccionarios 2. Lengua árabe - Historia I. Titulo. 811.411.21(38) ICMA 4-56894 R. 63674 05 Ab© l-²Alå³ al-Ma²arr¼ Al-fuØ©l wa-l-¸åyåt. vol. 1 : f¼ tamμ¼d allah wa-l-mawå²iæ / li-Ab¼ al-²Alå³ A-mad b. ²abd Allah b. Sulaymån al-Ma²arr¼; ¢aba×a-hu wa-fassara ¸ar¼ba-hu wa-na¤ara-hu Ma-m©d ½asan Zanåt¼. - ®. 1. - Al-Qåhira : Ma×ba²at ½iμåz¼, 1938. - 482 p. ; 25 cm "1356 h. 1. Dios (Islamismo) - Atributos - Obras anteriores a 1800 2. ßalåt 3. Oraciones (Islamismo) - Obras anteriores a 1800 4. Adab I. Zanåt¼, Ma-m©d ½asan II. Titulo. 231".../17" 243:297".../17" ICMA 4-10998 R. 2909 06 Ab© Tammåm Ibn Rabå-. [Poesía. Español-Árabe. Antología] El cálamo del poeta / Ab© Tammåm ibn Rabå- de Calatrava ; edición bilingüe, traducción y estudio de Teresa Garulo. - 1ª ed. - Madrid : Ediciones Hiperión, 2008. - 164 p. ; 20 cm. - (Poesía Hiperión ; 556) Texto en árabe con traducción al español. - Bibliografía ISBN 978-84-7517-596-6 1. Poemas árabes (al-Andalus) - S.XI I. Garulo, Teresa II. Titulo. III. Serie. 821.411.21(460)-1"10" ICMA 4-56708 R. 63696 07 A-mad, ½åzim Sa²¼d ßawt min al--ayåt / ¤i²r ½åzim Sa²¼d A-mad. - Ba¸dåd : Wazårat al-÷aqåfa wa-l-I²låm : al-Mu³assasa al-²Åmma li-l-ßa-åfa wa-l-®ibå²a, 1968. - 182 p. ; 21 cm. - (Diwån al-¤i²r al-²arab¼ al--ad¼± ; 3) "1388 h" 1. Poemas (Iraq) I. Titulo. II. Serie. 821.411.21(567)-1"19" ICMA 4-11569 R. 4897 08 Allende, Isabel. [Hija de la fortuna. Árabe] Ibnat al--iæ / ¾zåb¼l All¼nd¼ ; tarμama ßåli- ²Almån¼. - 2ª ed.. - Dima¤q : Al-Måda, 2006. - 439 p. ; 22 cm Traducción de: Hija de la fortuna ISBN 978-2-84305-171-5 I. ²Almån¼, ßåli- II. Titulo. 821.134.2(83)-3"19" ICMA 4-56896 R. 63676 09 Am¼n, A-mad Æuhr al-islåm. Al-μuz³ al-awwal. Al-μuz³ al-±åli± / ta³l¼f A-mad Am¼n. - ®. 3. - Al- Qåhira : Maktabat al-Nah¢a al-MiØr¼ya, 1945-1953. - 2 v. : mapas ; 25 cm Índices. - V. I: "Yab-a± f¼ l--ala al-iμtimå²¼ya wa-maråkiz al--ayåt al-²aql¼ya min ²ahd al-Mutawakkil ilà åÞir al-qarn al-råbi² al-hiμr¼-- V. III.: "Yab-a± f¼ l--ayåt al- ²aql¼ya f¼ l-Andalus min fat-al-²Arab la-hå ilà Þur©μi-hlu¸aw¼ya wa-l-na-w¼ya wa-l- adab¼ya wa-l-falsaf¼a wa-l-fann¼ya" 1. Al-Andalus - Vida intelectual 2. Civilización andalusí I. Titulo. 930.85(460=411.21)"07/14" ICMA 4-11425-11426 R. 2956 010 Andrea, Bernadette Women and Islam in early modern English literature / Bernadette Andrea. - Cambridge (UK) : Cambridge University Press, 2007. - X, 185 ; 24 cm Índice ISBN 978-0-521-86764-1 1. Literatura inglesa - Historia y crítica 2. Mujeres en la literatura 3. Islam y Literatura I. Titulo. 821.111.09 396(0:82) 297:82 ICMA 4-56800 R. 63579 011 Anécdotas de Yoha : texto bilingüe árabe-español / adaptación textos, Raghida Abillamaa ; ilustración, Pilar Millán. - 1ª ed. - Barcelona : Editorial Sirpus, 2008. - 128, [2] p. : il. ; 21 cm. - (El Puente) Texto en árabe con traducción al español. - Port. adicional en árabe. - Tít. de la port. adicional: Nawådir ·©-å. - En la cub., además: el personaje má divertido y sabio del imaginario árabe ISBN 978-84-89902-75-6 1. Cuentos populares árabes I. Abillamaa, Raghida II. Titulo. III. Titulo: Nawådir ·©-å IV. Serie. 821.411.21-36(082.2) ICMA 4-56707 R. 63695 012 Aparicio Pérez, Antonio Historia de la fiscalidad en España : Edad Media, años 476 a 1469 / Antonio Aparicio Pérez. - [Granada] : Grupo Editorial Universitario, 2007. - 278 p. ; 24 cm Bibliografía: p. [251]-264 ISBN 978-84-8491-870-7 1. Impuestos - España - S. V-XV I. Titulo. 336.2(460)"04/14" ICMA 4-56892 R. 63672 013 Approaches to Arabic linguistics : presented to Kees Versteegh on the occasion of his sixtieth birthday / edited by Everhard Ditters and Harald Motzki. - Leiden ; Boston : Brill, 2007. - XXXII, 757 p. ; 25 cm. - (Studies in Semitic languages and linguistics ; 49) Bibliografía intercalada. - Índice ISBN 978-90-04-16015-6 1. Lingüística árabe 2. Filología árabe I. Versteegh, Kees II. Motzki, Harald III. Ditters, Everhard IV. Titulo. V. Serie. 811.411.21-112 ICMA 4-56803 R. 63596 014 Al-²Aqqåd, ²Abbås Ma-m©d Ibn al-R©m¼ : -ayåtu-hu min ¤i²ri-hi / bi-qalam ²Abbås Ma-m©d al-²Aqqåd. - Al-Qåhira : Ma×ba²at ½iμåz¼, 1938. - 400 p. ; 24 cm "1357 h." 1. Ibn al-R©m¼, ²Al¼ b. al-²Abbås - Crítica e interpretación 2. Poesía árabe - Hasta S.XI - Historia y crítica I. Titulo. 821.411.21-1.09".../10" 1.06Ibn al-R©m¼,²Al¼ b. al-²Abbås ICMA 4-11206 R. 2922 015 Arroyo Durán, Manuel Impresiones marruecas : apuntes de viaje al Marruecos actual / Manuel Arroyo Durán. - [Córdoba] : Almuzara, 2007. - 214 p. : il. ; 24 cm. - (Sotavento) ISBN 978-84-96710-89-4 1. Marruecos - Descripción - S. XXI I. Titulo. II. Serie. 910.4(64)"20" ICMA 4-56841 R. 63650 016 Asín Palacios, Miguel Dante y el islam / Miguel Asín Palacios ; prólogo [y estudio preliminar de] Miguel Cruz Hernández. - Pamplona : Urgoiti Editores, D.L. 2007. - XCVI, 159 p. ; 20 cm Reimp. de la ed. de 1927. - Bibliografía: p. 139-142. - Índice ISBN 978-84-935290-1-7 1. Dante Alighieri - Influencia islámica - Estudios y conferencias 2. Escatología islámica I. Cruz Hernández, Miguel II. Titulo. 291:297.18 ICMA 4-56711 R. 63702 017 Al-Aswån¼, ²Alå³ ²Imårat Ya²q©biyån : riwåya / ta³l¼f ²Alå³ al-Aswån¼. - ®. 4. - [Al-Qåhira] : Maktabat Madb©l¼, 2003. - 363 p. ; 20 cm ISBN 977-208-394-9 1. Narrativa (Egipto) I. Titulo. 821.411.21-3"20" ICMA 4-57071 R. 63831 018 Al-²Aw墼, A-mad. [Mawaq¼t li-a-zån Saba³. Árabe-Español] Estaciones para las tristezas de Saba = Mawaq¼t li-a-zån Saba³ / [textos visuales Amna al-Nasiri ; textos poéticos Ahmad Awadi ; traducción de José Miguel Puerta Vílchez]. - Madrid : Casa Árabe e Instituto Internacional de Estudios Árabes y del Mundo Musulmán, 2008. - 181 p. : il. ; 23 cm Traducción de : Mawaq¼t li-a-zån Saba³. - Texto en árabe y traducción en español 1. Poemas (Yemen) I. Puerta Vílchez, José Miguel II. Titulo. 821.411.21-1(533/534) ICMA 4-56862 R. 63629 019 Al-²Awn¼, ²Abd al-½am¼d Tasy¼s al-amåz¼¸¼ya wa-l-mu³åmara al-Øåmita -awl al-²ar¤ al-ma¸rib¼ / ²Abd al-½am¼d al- ²Awn¼. - Fås : Man¤©råt ²Arab¼ya, D.L. 2005. - 114 p. ; 21 cm. - (Man¤©råt ²Arab¼ya ; 6) ISBN 9954-0-3696-2 1. Marruecos - Política y gobierno 2. Marruecos - Beréberes I. Titulo. 32(64) ICMA 4-56822 R. 63591 020 ²Awwåd, K©rk¼s Rå³id al-diråsa ²an al-Mutanabb¼ : 303-354 h, 915-965 m / ta³l¼f K©rk¼s ²Awwåd, M¼Þå³il ²Awwåd. - [Ba¸dåd] : Wizårat al-÷aqåfa wa-l-Fun©n : Dår al-Ra¤¼d, 1979. - 536 p. ; 25 cm. - (Silsilat al-ma²åμim wa-l-fahåris ; 22) Port. adicional en inglés. - Tít. de la port. adicional: Abu at-Tayyib al-Mutanabbi, a detailed bibliography. - Índices 1. Al-Mutanabb¼, A-mad b. al-½usayn - Crítica e interpretación I. ²Awwåd, M¼Þå³¼l II. Titulo. III. Titulo: Abu at-Tayyib al-Mutanabbi, a detailed bibliography 012Mutanabb¼, A-mad b. al-½usayn ICMA 4-56712 R. 63706 021 Axworthy, Michael Empire of the mind : a history of Iran / Michael Axworthy. - London : Hurst and Company, cop. 2007. - XVI, 333 p. : il. ; 24 cm Bibliografía: p. 313-322 ISBN 978-1-85065-871-9 1. Irán - Historia I. Titulo. 94(55) ICMA 4-56912 R. 63680 022 Azaola Piazza, Bárbara Historia del Egipto contemporáneo / Bárbara Azaola Piazza. - Madrid : Los libros de la Catarata, 2008. - 226 p. ; 21 cm Bibliografía: p. 213-226. - Editado con la ayuda de la convocatoria abierta y permanente de la Agencia Española de Cooperación Internacional ISBN 978-84-8319-360-0 1. Egipto - Historia - S.XX I. Titulo. 94(620)"19" ICMA 4-56907 R. 63779 ICMA 4-56858 R. 63624 023 Badaw¼, Al-Sa²¼d Mu-ammad Arabic-English dictionary of Qur´anic usage / by Elsaid M.
Recommended publications
  • Politics of Identity in Multicultural Settings: a Literary Analysis of Leila Aboulela's Novels, the Translator and Minaret Sara A
    Al-Asmakh 1 Politics of Identity in Multicultural Settings: a Literary Analysis of Leila Aboulela's Novels, The Translator and Minaret Sara A. Al-Asmakh Supervised by: Professor Amal Al-Malki April 17, 2009 Aboulela is a Sudanese novelist, who attracted attention and recognition world-wide through her work. She brings east and west together in her novels and highlights the struggle of females being caught in an unfamiliar setting. Her work has been translated into nine languages. Aboulela's first novel, The Translator was published in 1999. It was short- listed for the Orange Prize 2000 and also long listed for the IMPAC Dublin Literary Awards 2001. Abuolela's second novel Minaret was published in 2005 and won the Best Novel nominee for the Orange Broadband Prize for Fiction. It was long listed for the Orange prize for Fiction and the IMPAC prize. In both Novels, Aboulela portrays a Sudanese heroine living in a foreign land, London in Minaret and Aberdeen in The Translator. Aboulela knows a lot about the foreign land that she placed her heroines in because at the age of seventeen she went to London to receive her Masters degree in Statistics from the London School of Economics and then in1990 Aboulela's husband took a job in Aberdeen. Aboulela wrote most of her work in Aberdeen, she explains the reason behind this: "I needed to express myself. I was 24 years old and stuck in a strange place, with two boisterous little boys, and my husband was working offshore on the oilrigs. It was a life for which I wasn't prepared…There was the Gulf war and a lot in the papers criticizing Islam and it used to hurt me."1 The heroines of both novels hold to religion in Multicultural settings.
    [Show full text]
  • The Politics of Translation Translation in Leila Aboulela's Minaret and Xiaolu Guo's a Concise
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online Living between languages: The politics of translation translation in Leila Aboulela’s Minaret and Xiaolu Guo’s A Concise Chinese-English Dictionary for Lovers Gilmour, RH For additional information about this publication click this link. http://qmro.qmul.ac.uk/jspui/handle/123456789/5860 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] 1 Living between languages: the politics of translation in Leila Aboulela’s Minaret and Xiaolu Guo’s A Concise Chinese-English Dictionary for Lovers Rachael Gilmour, QMUL, June 2012 [final draft post-refereeing] As published in The Journal of Commonwealth Literature, 47(2), June 2012, pp. 207-227. Abstract This essay examines the notion of “translational writing” – literary texts which bear the traces of multiple languages, foregrounding and dramatizing the processes of translation of which they are both product and representation – through detailed examination of two recent novels set in London: Leila Aboulela’s Minaret (2005), and Xiaolu Guo’s A Concise Chinese-English Dictionary for Lovers (2007). Both novels are narrated by their female protagonists, whose movement between linguistic planes defines a distinctively feminized, translingual identity. Each works to destabilize the assumed relationship between language and national belonging, in part by recasting London as a space of translation: a city of immigrants defined by its polyglossia, and a node in a deterritorialized transnational linguistic order.
    [Show full text]
  • Reading Elsewhere, Home by Leila Aboulela
    International Journal of Science and Research (IJSR) ISSN: 2319-7064 ResearchGate Impact Factor (2018): 0.28 | SJIF (2018): 7.426 The Bliss of Belonging: Reading Elsewhere, Home by Leila Aboulela Alizehra Haider Ph.D Research Scholar, Centre for Comparative Literature and Translation Studies, Central University of Gujarat, Sector 29, Gandhinagar. Abstract: The present paper tries to understand the themes of migration, displacement and the meaning of belonging to a place with reference to the short story collection Elsewhere, Home published in 2018, written by critically acclaimed Sudanese writer Leila Aboulela. The paper also tries to comprehend the meaning of home as it gives one the sense of identity and belonging. The paper looks at the complicated lives and identities of the minorities, war affected refugees and immigrants in Diaspora and the way they think about the true meaning of home and a sense of getting accepted in a foreign land. Keywords: Identity, home, displacement, migration, war 1. Introduction of connections, disconnections, generations, places, cultures and traditions across boundaries. Leila Aboulela‟s fictional characters are influenced by her own life because she herself has been to different The first story in this collection is a story titled "Summer cultures/places like Sudan, Egypt, Britain, Indonesia, Maze" it follows the story of an English teenage girl Nadia Scotland, Qatar and the United Arab Emirates. Migration and her mother Lateefa who is of an Egyptian origin. It tells has been an important part of her life as Aboulela is the the story of their yearly visits to Cairo from London to spend daughter of a Sudanese father and an Egyptian mother.
    [Show full text]
  • An Exploration of the Rhetorical Devices in Leila Aboulela's Novel
    American International Journal of Contemporary Research Vol. 5, No. 1; February 2015 An Exploration of the Rhetorical Devices in Leila Aboulela’s Novel “The Translator” Ms Enaam Hashim Albashir Teachers’ College Nile Valley University Sudan Dr. Ibrahim Mohamed Alfaki ELI, King Abdul-Aziz University Nile Valley University, Atbara, Sudan Jeddah, King Saudi Arabia Abstract This article attempts to explore Aboulela's literary style of writing through her novel The Translator. Leila Aboulela is an Egyptian-born Sudanese and British educated writer .The Translator is her first novel, published in 1999. The Translator is a story about a young Sudanese widow living in Scotland and her sprouting relationship with Islamic scholar Rae Isles. The research method adopted is a blend of narrative, rhetoric, and stylistic analyses. All these analytic techniques are from within the constructivism interpretive research paradigm. The analyses focus on the rhetorical devices which are used in the novel: The Translator. These devices are identified and discussed with examples from the novel. The findings indicate that: Aboulela’s style reflects rich vocabulary and an increasing flexibility of prose. Although the form of her writing is organized according to the formal patterns of prose , it has sense of rhythm , repetition and balance. These are not governed by a regularly sustained formal arrangement and the significant unit is the sentence. Keywords: Leila Aboulela, The Translator, rhetorical devices 1. Introduction 1.1 Aim This research study aims at exploring certain aspects of Aboulela's style, to identify the rhetorical devices that are used in some of her literary works and to discuss them with examples from her novel The Translator.
    [Show full text]
  • Teaching Leila Aboulela in the Context of Other Authors Across Cultures: Creative Writing, the Third Culture Kid Phenomenon and Africana Womanism
    Teaching Leila Aboulela in the context of other authors across cultures: creative writing, the Third Culture Kid phenomenon and Africana womanism Lily G. N. Mabura American University of Sharjah, UAE Born in the Sudanese capital of Khartoum in the 1960’s to an Egyptian mother and a Sudanese father, Leila Aboulela moved to the United Kingdom to pursue further studies in Aberdeen, Scotland, where she was part of the UK’s one million-plus Muslim community with members hailing from varied backgrounds in the Indian subcontinent, the Middle East, Chechnya, and Africa to mention but a few of the places. She presently lives and works in Doha, Qatar. She is the author of three novels, The Translator (1999), Minaret (2005), and Lyrics Alley (2010), as well as a collection of stories titled Colored Lights (2001). This essay discusses creative writing and critical pedagogical insights gleaned from teaching the aforementioned works by Leila Aboulela in the context of other authors across cultures at the college level in the USA and the UAE, specifically at the University of Missouri-Columbia and the American University of Sharjah. It situates Aboulela’s largely transnational fiction in relation to Africana womanism, the third culture kid phenomenon and its use as a tool for religious and cultural competency in an increasingly polarized post 9/11 world. It also addresses Aboulela’s transgressive stance against the boundaries of gender, class, race, body-ability, and religion, among other factors, in a colonial and postcolonial setting. Recent scholarship on Aboulela includes Barbara Cooper’s “Everyday objects & translation: Leila Aboulela’s The Translator and Colored Lights” (in Cooper, 2008).
    [Show full text]
  • Arab Representations of the Occident
    Arab Representations of the Occident This book explores Arab responses to Western culture and values as expressed through works of fiction and non-fiction written by Arab authors during the nineteenth and twentieth centuries. It constitutes an original addition to the perennial East–West debate, and is particularly relevant to the current discussion on Islam and the West. Arab Representations of the Occident might be seen as the reverse study of Edward Said’s famous Orientalism. If Orientalism, according to Said, provided the conceptual framework, the intellectual justification for the appropriation of the Orient through colonialism, ‘Occidentalism’ – if one may use this label to indicate Arab conceptualisations of the West – tells a different story. It is a story, not about the appropriation of the land of the West, but its very soul. And if Orientalism was about the denigration, and the subjugation of the Oriental Other, much of Occidentalism has been about the idealisation of the Western Other, the desire to become the Other, or at least to become like the Other. This book – the first book on the subject in English – explores this process through examining representations of the West, or of the self and other in Arabic fictive and quasi-fictive writing. Rasheed El-Enany, Professor of Modern Arabic literature at the University of Exeter, researches into all genres and aspects of modern Arabic literature: fiction, drama, poetry, as well as literary criticism. He is interested particularly in the study of literature as a system of thought with an attitude towards the philosophical and socio-political issues of human life.
    [Show full text]
  • Muslimness in Contemporary Literary Imaginations
    TRANSNATIONAL SPACES, TRANSITIONAL PLACES: MUSLIMNESS IN CONTEMPORARY LITERARY IMAGINATIONS _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia _____________________________________________________ In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy ____________________________________________________________ by NERIMAN KUYUCU Prof. Karen Piper, Dissertation Supervisor MAY 2020 © Copyright by Neriman Kuyucu 2020 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled TRANSNATIONAL SPACES, TRANSITIONAL PLACES: MUSLIMNESS IN CONTEMPORARY LITERARY IMAGINATIONS presented by Neriman Kuyucu a candidate for the degree of Doctor of Philosophy and hereby certify that, in their opinion, it is worthy of acceptance. Professor Karen Piper Professor Nathan Hofer Professor Christopher Okonkwo Professor Lynn Itagaki To all the souls who have found home in spaces in between ACKNOWLEDGEMENTS I am deeply indebted to everyone who has contributed to this dissertation over the past few years. To my supervisor and mentor, Karen Piper, I am forever grateful. Thank you for the patience, care, and intelligence with which you have read and discussed several drafts and chapters. I would also like to extend my deepest gratitude to my committee, Christopher Okonkwo, Nathan Hofer, and Lynn Itagaki for their assistance and suggestions throughout my project. This dissertation would not have been completed without the support of my friends and family near and far. To Aylin, Burçin, and Radka, I am grateful for all the invaluable moments of laughter, reflection, and fun. Thank you for always being there for me, no matter how many miles separate us. Thank you to Kristin, Carley, Becky, and Burcu for your companionship, support, distraction, and commiseration.
    [Show full text]
  • Zulfiqar Chaudhry, Sadia (2014) African Women Writers and the Politics of Gender
    Zulfiqar Chaudhry, Sadia (2014) African women writers and the politics of gender. PhD thesis. http://theses.gla.ac.uk/5202/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten:Theses http://theses.gla.ac.uk/ [email protected] African Women Writers and the Politics of Gender Sadia Zulfiqar Chaudhry Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy English Literature School of Critical Studies College of Arts University of Glasgow December 2013 Sadia Zulfiqar 2013 ii Abstract This thesis examines the work of a group of African women writers who have emerged over the last forty years. While figures such as Chinua Achebe, Ben Okri and Wole Soyinka are likely to be the chief focus of discussions of African writing, female authors have been at the forefront of fictional interrogations of identity formation and history. In the work of authors such as Mariama Bâ (Senegal), Buchi Emecheta (Nigeria), Chimamanda Ngozi Adichie (Nigeria), Tsitsi Dangarembga (Zimbabwe), and Leila Aboulela (Sudan), there is a clear attempt to subvert the tradition of male writing where the female characters are often relegated to the margins of the culture, and confined to the domestic, private sphere.
    [Show full text]
  • Veiling and Unveiling Fears in Leila Aboulela's Minaret
    _________ Civitas Hominibus nr 13/2018 _________ _________ ARTYKUŁY – DYSKUSJE – ESEJE _________ Agnieszka Stanecka https://orcid.org/0000-0003-2342-0289 Uniwersytet Jana Kochanowskiego w Kielcach Filia w Piotrkowie Trybunalskim Veiling and unveiling fears in Leila Aboulela’s Minaret The theme of veiling, or more often unveiling, features frequently in contemporary literature as the subject of discussion for both feminists and postcolonial critics. The realms represented by the scholars intermingle, especially in the present times, the times of redefi- nition of most meaningful values. The issue seems to be of special interest, especially in the context of physical security and emotional safety in the contemporary world. Numerous writers devote much attention to the theme of personal freedom of women representing Muslim community. One of them is Leila Aboulela, a Sudanese writer, who has gained recently much attention. The writer was born in 1964 in Cairo, Egypt where she spent her childhood. She was growing up in Khartoum, Sudan which was soon and for years effectively administered both by Egypt and England. Having gained the university degree Aboulela moved to London, and subsequently to Aberdeen for her husband’s work. As the author of four novels and a collection of short stories she is categorized today mostly as a British Muslim author. Minaret (2005) is Aboulela’s second novel and the only that is placed in London. It traces the life of Najwa, born and brought up in a rich and influential Sudanese upper class family. Najwa studies at the University of Khartoum and concentrates mostly on clubbing, attending big parties in luxurious houses and travelling the world with her parents.
    [Show full text]
  • Leila Aboulela's Lyrics Alley
    AWEJ. Special Issue on Literature No.2 October, 2014 Pp. 69 -81 Writing from the Margins of the Nation: Leila Aboulela’s Lyrics Alley Yousef Awad Department of English Language and Literature Faculty of Foreign Languages University of Jordan, Amman, Jordan Abstract The purpose of this paper is to examine how Arab British novelist Leila Aboulela represents a number of marginalized characters in a way that enables them to express their opinions about Sudan‟s imminent independence in her historical novel Lyrics Alley (2010). The novel, which is set in 1950s Sudan, focuses on mini narratives rather than on the grand narrative of independence and shows how the aspirations and disillusionments of these characters intertwine with debates and discussions about the future of the emergent nation. The voices of these characters vibrantly resonate throughout the novel in a way that draws attention to Fredric Jameson‟s provocative statement that third-world cultural productions are “national allegories”. In a novel populated by heterogeneous characters whose differences in opinions and thoughts are tremendously influenced by their diverse socio-political backgrounds, the nation is defined, delineated and configured in infinite ways. In this sense, Lyrics Alley can be perceived as Aboulela‟s attempt to investigate, from the perspective of the less privileged, the history of Sudan and explore how the colonial era has tremendously influenced Sudan in the post-colonial era culturally, politically, economically, ideologically and socially. By giving a space for characters of different backgrounds to express their views and feelings on such a thorny topic, the novelist creates a platform for discussing, from varied angles, a topic that is almost always monopolized by politicians and upper class elites.
    [Show full text]
  • Arab Voices in Diaspora Ross Readings in the Post / Colonial C Ultures Literatures in English 115
    Arab Voices in Diaspora ross Readings in the Post / Colonial C ultures Literatures in English 115 Series Editors Gordon Collier †Hena Maes–Jelinek Geoffrey Davis (Giessen) (Liège) (Aachen) Arab Voices in Diaspora Critical Perspectives on Anglophone Arab Literature Edited by Layla Al Maleh Amsterdam - New York, NY 2009 Cover painting: Leila Kubba, Distance (2007; acrylic and collage on canvas, 100 x 100 cm). Courtesy of the artist. Cover design: Pier Post The paper on which this book is printed meets the requirements of “ISO 9706:1994, Information and documentation - Paper for documents - Requirements for permanence”. ISBN: 978-90-420-2718-3 E-Book ISBN: 978-90-420-2719-0 © Editions Rodopi B.V., Amsterdam – New York, NY 2009 Printed in The Netherlands Table of Contents Acknowledgements vii Preface ix Anglophone Arab Literature: An Overview L AYLA A L M ALEH 1 Gibran and Orientalism W AÏL S. H ASSAN 65 Strategic Genius, Disidentification, and the Burden of The Prophet in Arab-American Poetry R ICHARD E. H ISHMEH 93 The Dialectic of the Nature/Man/God Trilogy of Acceptance and Tolerance in the Works of Amine F. Rihani B OULOS S ARRU 121 The Last Migration: The First Contemporary Example of Lebanese Diasporic Literature S YRINE H OUT 143 Transnational Diaspora and the Search for Home in Rabih Alameddine’s I, the Divine: A Novel in First Chapters C AROL F ADDA–CONREY 163 The Dynamics of Intercultural Dislocation: Hybridity in Rabih Alameddine’s I, The Divine C RISTINA G ARRIGÓS 187 The Semiosis of Food in Diana Abu Jaber’s Crescent B RINDA J.
    [Show full text]
  • Restraint? Sure. Oppression? Hardly
    Restraint? Sure. Oppression? Hardly. By Leila Aboulela Sunday, July 22, 2007; B03 ABU DHABI, United Arab Emirates The West believes that Islam oppresses women. But as a Muslim, descended from generations of Muslims, I have a different story to tell. It starts like this: You say, "The sea is salty." I say, "But it is blue and full of fish." I am not objective about Islam, and although I am considerably Westernized, I can never truly see it through Western eyes. I am in this religion. It is in me. And articulating the intimacy of faith and the experience of worship to a Western audience is a challenge and a discovery. My mother instilled a spiritual awareness in me from an early age. My grandmother told me stories from the Koran, and I grew up listening to adults discussing Islamic law. I don't remember when I learned that Allah existed just as I don't remember when I learned my name. My earliest contact with the West came when I was 7 and my parents enrolled my younger brother and me in the Khartoum American School in Sudan. For the first time in my life I entered a library, selected a book and took it home with me. It was the books I discovered then that made me fall in love with reading: "Little House on the Prairie," "A Wrinkle in Time," "Harriet the Spy" and "Little Women." I read them again and again, and even though I knew that the characters were not Muslim, I found Muslim values in those novels.
    [Show full text]