Japanese Children's Books at the Library of Congress: a Bibliography of Books from the Postwar Years, 1946-1985

DOCUMENT RESUME

ED 303 380 SO 019 454

AUTHOR Shima, Tayo, Comp.; Jagusch, Sybille A., Ed. TITLE Japanese Children's Books at the Library of Congress: A Bibliography of Books from the Postwar Years, 1946-1985. INSTITUTION Library of Congress, Washington, D.C. REPORT NO ISBN-0-b444-0576-0 PUB DATE 87 NOTE 50p, AVAILABLE FROMSuperintendent of Documents, U.S. Government Printing Office, Washington, DC 20402. PUB TYPE Reference Materials - Bibliographies (131)

EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS Annotated Bibliographies; Area Studies; *Childrens Literature; Foreign Countries; Library Catalogs; *Library Collections; Resource Materials IDENTIFIERS *Japan; *Library of Congress

ABSTRACT This book contains a selective, annotated bibliography of 304 Japanese children's books that represent the years 1946-1985 and that are contained in the Library of Congress %Washington, D.C.). The volume presents an overview of the development and change in Japanese children's literature in terms of: (1) a new democreic philosophy, 1946-1955; (2) social reforms, 1956-1965; (3) an era between economic and social dreams and reality, 1966-1975; and (4) the economic and social changes of the 1980s. The titles are arranged by year and alphabetically by author under the categories of: (1) children's books and periodicals; (2) reference sources (history and criticism, exhibition catalogs, and periodicals); and (3) reprints of pre-World War II children's literature (books and collections and anthologies). Titles appear in Japanese and English, and special awards are noted. Title, author, and artist indexes are provided. (JHP)

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UEDEPARTMENT OF EDUCATION Office of Educational Research and Improvement EDUCATIONAL RESOURCES INFORMATION 040 documeCnEiNhT5E$R beIERaInCIreproduced received from the Person or organization Ad 41, 4 OA, Originating it O Minor changes have been made 10 improve I d. V Or reproduction Quality Points of view or opinions stated in thodoCu- *4kv 0 ` mint do not necessarily represent official 'S* *Olt Vdr0. di OERI position or policy dr 6.

BEST COPYAVAILABLE 416

Japanese Children's Books at the Library of Congress 'Tr i

JAPANESE CHILDREN's BOOKS atthe Library of Congress

A Bibliography of Books from the Postwar Years, 1946-1985

Compilecny TayoShim&,

Edited and with a Foreword by Sybille A. Jagusch Chief, Children's Literature Center

Library of Congress,Washington. 1987 I

5 Cover and title page illustrations and woodcut details through- put the text are from _Momotarei (Peach boy) and are used here .1- courtesy of the artist, Mitsumasa Anno. A copy of the book, published by Iwasaki Bijitsusha in Tokyo in 1973, is in the collection of the Japanese Section of the Asian Division at the Library of Congress.'

Library of Congress Cataloging-in-Publication Data

Library of Congress. Japanese children's books at the Library.of Congreis. Includes indexei. 1. Children's literature, Japanese Bibliography Catalogs.2. Library of Congress Catalogs.I. Shima, Tayo. II. Title. Z1037.8.J3L53.1987016.8956'09'928287-600327 [PN1009.An ISBN 0-8444-0576-0 (alk. paper)

For sale by the Superintendent of Documents, U.S. Government Printing Office, Washington, D.C. 20402 . ,

/ b .., IN Contents

7 Foreword 8 Preface 9 Children's Literature in Postwar Japan: A Brief History 12 Bibliography, 12 Japanese Children's Books and Periodicals, 1946-1985 35 Refeience Sources 35 History and Criticism 41 Exhibition Catalogs 42 Periodicals 43 Reprints of Prewar Children's Literature 43 Books -45 Collections and Anthologies 46 Title Index 53 Author Index 56 Artist Index

7 Foreword

The Children's Literature Center in the Library of Congress provides leadership within the national and international children's book and library community. A resource, consultant,' and facilitator, the center promotes the use and study of children's literature and related materials,, providing services to the scholarly community as well as to the general public. Opened in 1963 as the Children's Book Section of the Library's General Reference and Bibliography Division, the center is now a division of the department of the Assistant Librarian for National Programs. The center offers specialized reference services with respect to children's literature and related fields of study, recommends children's materials for acquisition, and assists in the developiiient of the Library's collections. It cooperates with other administrative units in the Library having reference, acquisition, custodial, and processing responsibilities for children's literature. Arid it participates in the further developmit of national library resources for research and study in the field of children's literature by conducting symposia, planning public events, and preparing publicatioi(s. It is a special pleasure to introduce this selective annotated bibliography of Japanese children's books from the Library's Japanese Section. The publicationwas prepared by Tayo Shima, consultant and friend of the Children's Literature Center. In compiling a bibliography, she has been able to present an overview of Japanese children's books as reflected in the collections of the Library of ,Congress for the period 1946-85. Her annotations suggest some of the developments in the writing and ieadingof Japanese literature for children. We see in them such thingsas the introduction of fantasy and realism and the institution of the so-called bunku, the home libraries that provide books and special care to children in many Japanese communities Mrs. Shima has also been of invaluable help in preparing the center's fourth annual symposium, which will address the topic of Japanese children's books and child culture. , The exceptionally fine design of this publication is owed to Mitsumasa Anno, who kindly gave permission to use the art from his book MomotarO (Peach boy), and John Michael, who created the book's design. I want to also thank Evelyn Sinclair, our editor in the Library's Publishing Office who contributes significantly to all of the center's publications. We hope that this publication will further the study of Japanese children's books and will highlight the awareness of their concerns and their beauty.

Sybille A. Jagusch Chief Children's Literature Center

8 Preface

This bibliography of 304 selected children's books and works of secondary literature fronffour postwar decades in Japan attempts to provide a bs nad overview of one of the world's most idiosyncratic children's literatures. The cataloged Library of Con- gress collection of Japanese children's books represents four-times the number of titles listed here; and extensive uncataloged materials published during World War " and the immediate postwar period are also held by the Library. The works cited iere are generally milestones within their respective periods. Attention has been called to major critical works as well as to books that have been awarded prizes. Some of the important prewar wor;.s acquired in reprint form' as well as related materials, such as four major exhibition catalogs held by the Children's Literature Center, are included, thus suggesting trendi in Japanese children's literature for both the prewar and postwar period. . Arrangod in chronological order, the titles are listed alphabetically by author' within each category. The date of the first printing of a given publication is used to determine this order whenever possible. There was no systematic acquisition of Japanese children's literature at the 1 brary until after 1958, which accounts for the unevenness of the holdings, especially in the early years. One must keep in mind also that in those immediate post -World War II years, Japan experienced restrictions in publishing including the publishing of children's books, beCause of the shortage of materials, restrictions imposed by General Headquarters (GHQ), and recession in the industry. Children's Literature in*Postwar Japan:

A Brief History

Since World War II, the mainstream of Japanese children's literature has consistently emphasized realism and thus a larg a number of realistic novels have been produced.; Only since the rwd-1970s have we witnessed the appearance of fantasyas a genre. What makes these forty years of litsaty activity most distinctive is the dislocation Japan experienced at the end of World War II, the greatest its society has known in modern history. Most writers and critics of postwar children's lit Tature went through this extreme transition in valuesas the country moved from imperiaLabsolutism to a democratic concept of human rights when theywere .adolescents. While the confusion and consequent vulnerability crated by the experience have not been sufficiently examined, the earnest literary activity could reflect the painstaking quest for identity these authors have undertaken.,A recently published autobiographical account depicts a prewar writer's recollection of his hardships as a writer of children's literature in wartime, giving important details and suggesting the unseen yet serious damage wreaked by. war upon the generations involved. The writers born' after World War II or educated by postwar educational principles are creating a new trend trom the mid-1970s to the present. Despite Japan's abundant children's literature, it is just one, hundred years since Japanese writers intentionally set out to create a literature specifically for youth. Before World War II Japan was net a,democracy and there were only a few avenues through which the rights and welfare of children could be protected. A climactic period of prewar children's literature arrived in the years of the so-called Taishii Democracy. During the depression of the 1920s, however, and with the gradual.rise of militarism, authors were restricted in their publications and toa great extent they could only helplessly observe the cruel and violent injustice endured by children. Nonetheless, there was a feeling that justice could and would ultimately triumph, and this theme is pievalent in children's literature of the period. A dominant postwar trend also reflects serious social issues, these.issues unavoidably based on wartime experience. Today, however, authors are no 'longerseen as helpless speCtators of second-class citizens Nit as beholders of children as individ- uals with the right to be understood. A summary of the four chronological periods follows. i

_ 10 .., 1946-1955: REVIVAL IN THE DEMOCRATIC EPOCH Despite the hardships experienced by a defeated nation, Japan's authors wrote with hope and trust in a new system of democracy. Preparation of literature for children began immediately. As many as a dozen magazines were. published, carrying major series such as Michio Takeyama's Biruma no tategoto (The harp of Burma) and Keisuke Tgutsurs Korupusu Sensei kisha ni now (Dr. Corpus rides the train). Within a few years, hoWever, these magazines were discontinued, giving way to popular children's books and comics, as the publishing recession of the early 1950s made itself felt. ' Organization of Jr& bur.gakusha Kyokai (the Japanese Association of Writers for Children) in 1946, the Children's Charter of 1949, the lapanese Library Law of 1950, and the School Library Law of 1953 were noteworthy developments of the time.

1956-1965: SEARCH FOR THE IDEAL SOCIAL REFORM Authors set forth on the painstaking search for a new type of children's literature. To step out of the conventional framework, engaged cflical works such as Cendai fide; bungakuron (Essays on contemporary children's literature), by Taruhi Furuta, and Kodomo to bungaku (Children and literature), by Momoko Ishii, reassessed prewar style and artistic approaches of established authors, later causing considerable heated controversy. A great many stories were influenced by new efforts from within the, lower classes to do something about the social inequities of the day. Hisashi Yamanaka's Akage no Pochi Tochi, the red-haired dog) is usually cited as a turning point in postwar realism. The flood of Anglo:American translations in the mid-1959s had an impact on critical movements and inspired the birth of what is often referred to as the first Japanese fantasy. Examples of these works of fantasy are Daremo Shiranai Chiisana kuni (The small secret world of Korobokkuru) and Tomiko Inui's- Kokage no ie no kobitotachi (The little people in the house under the tree). The early sixties witnessed the dramatic increase of children's publications as the result of enforcement of the School Librar' Law. The major politica! issue after the war, the Japan-U.S. Secutity Treaty, and persistent student revolts characte-ized this period. 1966-1975: GAP BETWEEN DREAM AND REALITY In these years, authors were prolific and often produced their best work. Social stability and the growing GNP stimulated the publishing scene, while at the same time, the theme,of social reform tended to become a stereotyped motif, lacking genuine enthusiasm or anguish. This decade saw the emergence of the nonsense tale, exemplified by such series as Yoshihiko Funazaki's ProfessorPoppen, as well as a new type of fantasy with adventure and suspense, typified by Atsuo Salta's Bakenshatachi (The adventurers) and Taijirii Amasawa's Hikariguruma yo mawarel (Go round and round, shining wheels!). Picture. books achieved international recognition with Japan's ,exquisite printing technology as well as the diverse cultural lineages represented in Suekichi Akaba's traditional yamatoe style, Chiyoko Nakatani's authentic western approach, Kola Taniuchi's naive yet lightly surrealistic expression, and the work of Segawa and Anno.

1976-1985: THE NEW WAVE OF THE 1980s In spite of the sluggish financial market caused by the oil crisis, middle-class consciousness was established in average Japanese life. But the striking economic reconstruction after devastation was not attained without cost. ,Children's book writers were quick to champion the cause of justice for children in their contemporary problems, such as severe competition in school and loneliness, while Japan's political experiences continued to be a consistent theme. Toshi Maruki's Hiroshima no pika Mika of Hiroshima), Toshiko Takagi's Carasu no usagi (The glass rabbit), and Kimiko Aman's Chii-chan no Kage Okuri (Chii-chan'i shadow game) are all award- winning titles written as a plea for peace. Nevertheless, Majo no takk):ibin (Special delivery of Kiki, the witch), by Eiko Kadono, a winner of three major children's literature awards in 1985, clearly announces the arrival of a new age after the long and laborious postwar ordeal. A recent questionnaire for secondary school children showed the high preference rate of middle teens for the works of popular writers such as Jiro Akagawa, Motoko Arai, Shin'ichi Hoshi, and Taku Mayumura, whose works can be found in the general library catalog but are not listed here. Excluded from this list also is an established comic book genre, which has continued to produce issues an the important current topics, both good and bad. Exposed to constant audiovisual and electronic stimulation, Japanese children are inevitably changing. The challenge for contemporary Japanese writers for children must lie in the fact that their own childhood environment and values have so little in common with what children today experience. In that sense, the survivors of postwar Japan have come a long way indeed.

11 Bibliography

Japanes: Children's Books and Periodicals, 19464985

1946 1948

1 Aoki, Shigeru.friri".* Kappa Santa. (Santa 4 Hiratsuka, Takeji. # is L 00311-4 Tama- the Merman) illus. by Kon Shimizu. (Akatonbo - mushi no zushi nitnonogatari. (Story of an irides- magalne, Aug. 1916, p. 4-15. Tokyo: jitiugya no cent miniature shrine) illus. by Toshio Kajiyama. Nihonika.1 Tokyo: Cakushii Icenkrisha, 1968. [ShOnen shop magczine, March; 1948. Tokyo; 240p. PZ49.31.A55 Chub` Koronshal Tokyo: Doshinsha, 1972. 242p. With "Kappa Santa," the first bf the successful Santa PZ49.31.H55 stories appeared in a magazine. The stories were later A young Buddhist priest becomes obsessed with creat- corn?iled in a book with the title Santa monogatari, ing a miniature shrine decorated with iridespent dr6 they tell of a mischievous village boy, Santa, who beetles. (Ages 8-11) encounters what he believes is a water imp. (Ages F-8) 5 Takeyama, Michio. /a) NIP Biruma no tategoto. (The harp of Burma) illus. by Motoichiro 1947 t., Takebe.[Akamnbomagazine. 1948-1949. Tokyo: 2 _Ishii, Momoko. 1.-.* 6 Non-than Jitsugyo no Nihotisha.] Tokyo: Akine Shobo, kumo ni now. (Non -than rides the cloud's) illus. 1968. 232p. PZ49.31.T.13416 by Stiya Nakagawa. [Tokyo: Daichi Shobo, 19471 After World War II, Corporal Mizushima remains in his Tokyo: Fukuinkan Shoten, 1967. 278p. former battlefield of Burma as a Buddhisf priest, to PZ49.31.1677 console the souls of the dead by playing his harp. Left behind by her mother and big brother, angry little (Ages 11-14) Non -than goes up on a cloud to take a trip with a wise Artistic Mention by the Minister of Education, 1951 old man. (Ages 6-8) Artistic Mention by the Minister of Education, 1951 1949 3 Tsutsui, Keisuke. *I ili\ C3 Koru- 6Tsuboi, Sakae. * a) an 3 IT Kaki no ki no aru . pusy Sensei kisha enbru. (Dr. Corpus rides the ie, (The* house with persimmon trees) illus. by train) illus. by Takeshi Motai. [Kodorrio no hiroba KEitaro Mtdorikawa. [Tokyo: Yartanoki Shoten, magazine, Nov. 1947, p.44-52. Tokyo: Shinsekai- 1949.1Tokyo: Tiky6 ShokAn, 1952,208p. under the , shaJ Tokyo: Kodansha, 1977. 178p. title Mina wa dare no tame ni.

r . PZ49.31.T792 PZ49.31.T647 Children become sick just becatise they want Dr. Eight short stories about families enduring the hard- Corpus's special medicine, a candy-like liquid, which ships of the postwar period. The title story is about a - gets this optimistic city doctor into trouble. The story boy who faces the adoption of his baby brother and was later published' with the titleKorupusu Sensei his grandfather's death. (Ages 6-8) basha e none(Dr. Corp" i. rides the coach), illus. by Japanese Asiociation of Writers for Children Prize, Saburo Watanabe. (Ages v-8) 1951

i3 , '4 1950.

7Muku, Hatoj #N0 * v 1)Icptamimi no A simple retelling of a classic Japanese folktale. is ashika. (The big deer with one ear) iShOnen maga- accompanied by illustrations of subtle color and styl- line, Oct. 1950. Tokyo: KobunshaJTokyo: Popura- ized design. (Ages up to 6) sha, 1984. p. 206-224 undo' the same titleas .13 Kokubun, Ichitara. 00110 4 Tetsu no machi above. PZ49.63.M84 no shOnen. (Boys of the steel mill town) illus. A sudden hurricane gives the island hunters a lesson in by Yoshi Kobayashi. [Tokyo: Shinchosha, 1954.1 survival as they observe profound animal behavior. Tokyo: Komine Shoten, 1967. 296g. Includes twelve other stories. (Ages 8711) PX90.J3.K6 YanagidrKunio..13 *Ott L atNihon no Boys from remote small towns recognize their own 'rnukashibanashi. tiapaneseIolktales) Tokyo: Jipu- rights through a labor dispute at a Tokyo factory and sha,1950. 244p. PZ49.41.Y34 strive for justice.. (Ages 11-14) A collection of folktales 'gathered and selected by Japanese Association of Writers for Children Prize, Kunio Vanagida, an authority on Japanese folklore. 1955 (For all ages) 14 Sumii, Sue. ft A It #9 k It Yoake asaake. (The daybreak) illus. by Bunsha Iguchi. [Tokyo: ShinchO- 1953 sha, 1954.1 Tokyo: Kodansha, 1962, under the title of Sh5nen shojo Nihon bungaku zenshil, vol. 14, 9 ,Iwanami Shoten (ed.). L * tz.1, Fushigina taiko. (The magic drum) illus. by Kon Shimizu. Takeyama Michio, Sumii Sue, Yoshida Kinetaro shu, p. 157-286. Tokyo: Iwanami Shoten, 1953,.1963. 34 sheets. PZ49.2.55 PZ90.P.F89 After losing both of thcir parents, children of an im- poverished family struggle to survive in a rigid farming The magic drum's power to stretch people's noses society. (Ages 11-14) allows Gengoth-san to reach Heaven by Climbing up - _ The Mainichi Award for Publication, 1954 his own nose. Lively line-and-wash illustrations witha comical touch. (Ages up to 6) 10Xitabatake, Vaho:. A < t--. ttat-i. Akutare warashi Poko. (Naughty PokQ) illus._ by Hiroyuki [Tokyo: Kobunsha, 1953.1 Tokyo: Kodansha, 1974.234p. PZ49.31X548 1946-1950: IMPORTANT PERIODICALS During the pc, stwar era, Poko and his family struggle to 15 A, if 4katonbo. (Red dragonfly) 'e in a poor fishing village of northern Japan as they Files incomplete. Tokyo: Jitsugyo no tsaionsha, wait for their missing father's return. (Agee 8-11) 1946-1949. DLC 1954 This magazine played 'a significant role in giving birth t. to such important immediate postwar works as Biruma itInui, Tomiko.. oht :/:/ 018 Nagai nc tategoto (The harp of Burma), with Tamao Nita. nagai pengin no hanashi. (A long, long story of the as editor-in-chief and Jiro' Osaragi, Yaeko Nogami, penguins) illus. by Sabur6 YamacI3. [Multi maga- Yasunari Kawabata, and Yoshio Toshima as editorial advisers. zine, 1954-1956J Tokyo: Rironsha, 1963. 154p. PZ90.)3.158 16 OAK Ginga. (Galaxy) Adventures of Lulu and Kiki, Antarctic penguin twins. Files incomplete. Tokyo: Shinchosha, 1946-1950, (Ages 8-11) DLC The Mainichi Award for Publication, 1957 This magazine, designed for the Upper grades, featured a wide- range of subjects in literature and science, 12Iwanami Shoten (ed.). $r iSO < g It * -W A 25' t lessons, and important works by Takeji Hiratsuka, Osoba no kuki wa naze akai. (Why is the buck- Sakae Tsuboi, and Yaho Kitabatake, to name a few. wheat stem so red?) illus. by Shigeru Hatsuyama. With Yamamoto, Kenji Takahashi, Michio Namelowa, Tokyo: Iwanami Shoten, 1954, 1962..28 sheets. and Kinetath 'Ioshida participated in its editing, with PZ90.J3075 Mitsuq Ishikawa as managing editor. - 17-Mt 0 *A Kodomo no biroba. (Children's square) 1957 Files incomplete. Tokyo: Shinsekaisha, 1947- 22 Ishii, Momoko. W 1) I.2. A, Yama no To mu- 1950. : DLC san. (Life with Tom) illus. by Koko Fukazawa. Issued by a publisher newly established after the wat, [Tokyo: Kobunsha,1957.1Tokyo: Fukuinkan this magazine had ShOtathookubb and Tadamichi Kan Shoten, 1968. 202p. PZ90.13.17 as managing editors, with )un'ichi Kobayashi, Hideo Tom the cat solves the unexpected problems of a Sekt and Sa6z6 trio as its editorial staff. 06 Bungaku, newly arrived family in a northern mountain village. the organ for Jido Bungakusha KyOkai (Japanese Asso- (Ages 8-11) &don of Writers for Children), was also published by this publisher when it began. 23'Ishimori, Nobuo. = 51 i 0 EIS Kotan no kuchi- 18 : et,, 7, Kodomo pen. (Children's pen) bue. (Whistle of Kotan, the Ainu site) illus. by Files incomplete. Tokyo: Kodomo no Math. sha, Yoshiharu Suzuki. Tokyo: Tato Shobo, 1957. 2 vol. ._ 1947-190. . DLC 714p. PZ49.31.172 This was the first postwar attempt to publish an amus- Masa and Yutaka suffer discrimination and prejudice ing picture Magazine using the work of major artists from the Japanese people because of their Ainu line- and writers. Each frontispiece by Kazu Wakita and the age. (Ages 11-14) succeeding sixteen pages by various artists were all The Sankei Award for Children's Books & Publica- done in full color, tions, 1958 Mimei Award for Literature, 1958

. 1956,. 1 1958 19 Ishii, Momoko."(' * 0 Z.'..' t 4: t Yama no / - . - kodomotachi. (Children of the mountains) illus. 24 Miyaguchr, Shaue. Y ' 4111) RAI Gen to kiclii by Koko Fukazawa. Tokyo: Iwanami Shoten, 1956,' Myoo. (Gen and Fuc!, Myoo, the God of Fire) illus. 1963. 28 sheets. PZ90.13.1697 by Setsu Asakura. [Tokyo: Chikuma Shobo, 1958.1 The four seasons and children's life in a mountain Tokyo: Komine Shoten, 1969. 250p. village'are depicted quietly in subtle watercolor illus- PZ90.J3.M48 tration. (Ages up to 6) After their mother's death, Gen and his sister, Izumi, go 20 Kinoshita, Junji. t 't b 7,-r 8 A. Kikimimi zukir. through many states of mind before being able to (Magic listening cap) illus. by Shigeru Hatsuyama. accept their new mother. (Ages 8-1 i) Mimei Award for Literature, 1958 Tokyo: livanami Shoten, 1956. 30 sheets. The.Aai Tori Award for Children's Literature, 1980 s., PZ90J3.K475 (Collection) A poor farmer boy wears a magic cap that allows him to understand the language of birds and trees. A 1959 retelling of a famous folktale with subdued watercolor illustration. (Ages up to, 6) 25 Agawa, Hiroyuki. 8 h% A, L. A.. A'a it A, Kjkansha 21 Yamanaka, Hisashi. Al 0 ;V I- Akage no Pochi. Yaemon. (Old locomotive, Yaerrion) illus. by (Red-haired puppy, Pochi) illus. by Minoru Shirai. Fuyuhiko Okabe. Tokyo: Iwanami Shoten, 1959, IChlis?' nakarila magazine, 1956.1 Tokyo: Riroo- 1985. 22 sheets. PZ49.31.A26 sha, 1978. 270p. ?Z49.31.Y295 Almost scrapped, an Lid-fashioned locomotive, Yae- In a mining town , nmedlately after the war, Kakko mon, is given a place at a museum of transportation. Comical drawings with fine and watercolor. (Ages up sees social contradictions as well as the tragic result of the war through the loss of her belocedpuppy. (Ages to 6) 8-11) 26 Hayafune, Chiyo. * .3. ;Y -, 0) k 6 fli Kyupora Japanese Association of Writers for Children New- no aru machi. (Jun and the real life) Haha to ko comei Prize, 1956 magazine, 1959-1960.1 Tokyo: KOdansha, 1977. Award for Cultural Material of Child Welfare, 1961 318p. PL829.A79.K95 Growth of fifteen-year-old Jun as she establishes her- AcNentures of a boy in quest of his mother, who was self is traced through various social issues of the time. turned into a dragon for breaking the rule of an im- (Ages 11-14) poverished village. (Ages 6-8) Award for Cultural Material of Child Welfare, 1962 Kodansha Award,of Children's Li&rature for New- Japanese Association of Writers for Children Prize, comers, 1960 1962 . The Sankei Award for Childreri's Books & Publida- V Inul, Torniko. * 11 a) * 04,A t. t Kokage no dons, 1961 ie no kobitotachi. (Yuri and the little people)

. [Tokyo; Chita Keronsha, 1959.1 Tokyo: Kado- kawa Shoten, 1972. 310p. PZ49.31.1527 Throughout the war, Yuri must continue to secure a 1561 cupful of milk for the Celtic dwarfs who have long lived with her family. (Ages 8-11) 32 Kanzawa, Toshiko. t .4011r 5 It A, Chi- bikko Kamu no boken. (Adventures of Tiny Kam) 20 Kinoshita, junji t1: 675% L Kani mukashi. (Long illus. by Saburo Yamada. Tokyo: Rironsha, 1961, ago, there was a crab)" illus. by Kon Shimizu. 1983.190p. PZ49.31.K2744 Tokyo: lwanami Shoten, 1959,.1963. 22 sheets. To save his mother, Tiny Kam goes to search for a plant - PZ90.13.K474 and then challenges Gamri the giant-ogre for his be- -Making special use of dialect, the author retells the witched father. (Ages 8-11) well-known folktale of crab's revenge with simplicity 'and humor. Comical expression in line illustration. 33 Otsuka, Yuzo...* I1X Siiho no shiroi (Ages 6-8) uma. (SOho's white horse) illus. by Suet. chi Akaba. [Kodomo no tomo magazine, 1961.1 Tokyo: Fu- 29 Sato, Satoru. f.1 tt #.01113 *1,1,1 131 Dare mo kuinkan Shoteri, 1967. 47p. shiranai chiisana kuni. (The tiny country of un- PZ49.63.08 known) illus.by Tsutomu 'Murakami. Tokyo: A Mongolian fol!-' ale about Siiho the poor shepherd boy and his beloved white horse, living in the majestic KOdansha, 1959, 1969. 222p. PZ90.135277 Mongolian landscape, is illustrated with traditional The encounter with tiny dwellers in the wood moti- Japanese watercolor paintings. (Ages 6-8) vates a boy to build a but tv.., keep their place safe afteer The Sankei Award for Children's Books & he grows up. (Ages 8-11) dons, 1968 The Mainichi-Award for Publication, 1959 Award for Promotion of Cultural Material of Child Japanese Association of Writers for Children New- Welfare, 1968 .. comer Prize, 1960 34 Seta, Teiji. 75% L f 7 Kasa Jizo. (Roku JizE and 30 . Teramura, Teruo. A°3 t the hats) illus. by Suekichi Akaba. [Kod?mo no Oshaberi na tartiagoyaki. The talking omelette) tomo magazine 1961.1Tokyo: Fukuinkan Shoten, illus. by Shinta Loa ,rocieno no tomo magazine, 1966. 20o. PZ49.41.S44 1959.1Tokyo: Fuku.o! 1974. 24p. An old man is rewarded with an unexpected gift of PZ49.31.T443 food for his act of reverence..Tradidonal Japanese King forgets toir,(1e. the which causes a illustration in ink and watercolor. (Ages 6 -8) great commotiur 24! erwa:'(, ,culf unique illustration in watercolor.,/k . 35 Teramura, Teruo. lr < III Boku wa osama. am the King) illus. by Makoto Wada. [Tokyo: Rironsha, 1961.1 Tokyo: Kodansha, 1977. 244p. 1960 PZ49.31.T379 By royal order, the king treats all his countrymen to his 31 Matsutani, Miyoko. a) -7. 313 Tatsu no ko Taro. favorite sweet, fluffy omelet. Nonsense fantasy with (Taro the dragon boy) illus. by Koichi Kume. humorous line drawings, with three other short stories. Tokyo: Kodansha, 1960, 1970. 194p. (Ages 8-11) PZ49.41.M34 The Mainichi Award for Publication, 1961

1 6 1962 A Russian folktale tells of an old man pulling a big tumip with the help of an old woman, a child, a dog, a '36Kinoshita, Junp. fi GI ix :t3 *ORO:: -F cat, and a rat. Illustrated with a powerful touch in Warashibe chaja: Nihon no minwa" nijuni- conte crayon and watercolor. (Ages up to 6) hen (Straw millionaire) illus. by Suekichi Akaba. Tokyo: Iwanami Shoten, 1962, 1964. 340p. PZ90.J3.K476 This collection of twenty -two Japanese folktalei is said 1963 to have established a standard style for the genre Matsuno, Masako. t: Fusrligi na of retelling folktales. Included as a postscript is an takenoko. (Taro and the bamboo shoot.) illus. by interesting comparison between Japanese and English Yasuo Segawa. Tokyo: Fukuinkan Shoten, 1963. ,folktales. for all ages) 28p. PZ49.41.M2) 37. Kishida, Eriko. fr II < A, Kaba-kun. (Mr.. Hippo) A strange. bamboo shoot lengthens er"essly with illus. by Chiyoko Nakatani. [Kodomo no roma' Taro and the villagers hariF;ng from it. % it falls, it magazine, 19¢2.1Tokyo: Fukuinkan Shoten, 1985. will make a way to the seashore from the mountain 28p. PZ49.31.K5462 village. Humorous illustration in gouache. (Ages up Mother and baby hippopotamus meet -a boy and a to 6) tortoise at the zoo on Sunday. Simple text an-1 elicate 42Nakagawa, Rieko. <' h k Guri to Gura. (Guri shades and line in oil paintings. (Ages u13 to b) and Gura) illus. by Yuriko Omura. Tokyo: Fukuin- The Sankei Award for Children's Books &, Publica- kan Shoten, 1963. 28p. Orien Japan dons, 1963 Spontaneous ink line and watercolor illustration por- 38itagawa,k Tamiji. 5 0.7f // it * -e tray the happy activities of two field mice, Guri and Usagi no mimi wa naze nagai. (Wtly are the rab- Gura. (Ages up to 6) bits' ears so long?) illus. by the author. Tokyo: 43 Sato, Hachiro. 9 L q L 1- L 1- L :it F Fukuinkan SKoten, 1962, 1984:32p. *1111*15314 Tamutamu namunamu. Sato PZ49.41.K585 Hachiro to MokuyOkai doyOshO (Children's songs The story of how a rabbit got long ears by killing a tiger, by Sat6 HachirO and the Thursday Group) Tokyo: a crocodile, and a monkey, a Mexican folktale. Highly Nobarasha, 1963. p. 201-1 180. stylized illustration in quiet color tones. (Ages up to 6) M1997.5275.54 39 Nakagawa Rieko. o A. A, Ixa-iya en. A collection of nursery sorigi by Hachir8 Sato and the no nursery school) illus. by Yuriko Omura. Tokyo: members of his Mokuyo group using music of repre- ..Fukuinkan Shoten, 1962. 177p. sentative composers of popular songs such as Yoshi- PZ49.31,N2815 nao Nakata, Tadashi Hattori, and Toshi Matsuda. Seven short stories about a mischievous four-year-old 44Y.ashima, Tani k Amagasa. (Umbrella) at Miss Haruno's Tulip.Nursery School. Line drawings illus. by the author. Tokyo: Fukuinkan Shoten, by the author's sister. The first book of this acclaimed 1963, 1971. 33p. PZ49.31.Y35 partnership. (Ages 6-8) A little Japanese girl in New York City goes out in the NHI( Award for Children's Literature, 1963 rain with her new umbrella and boots. Oil paintings in The Sankei Award for Children's Books & Publica- subtle color. (Ages up to 6) tions, 1963 . Award for Cultural Material of Child Welfare, 1963 45 Yoshida, Hisako. 1 H -1 ÷ Kosara no Eiji. 'Noma Award for Juvenile Literature, Honor 'Book, (The prince of KOsara) illus. by Seiichi Yuno. 1963 Tokyo: KOdansha, 1963, 1969. 170p. 40Uchida, Risako. Okina kabu. (A PZ90.J3.Y65 giant "turnip) illus. by ChOry6 Sato. [ Kodomo no When a king in ancient India is executed, his son tomo magazine,1962.1Tokyo: Fukuinkan Shoten, avenges his death against his father's will. A story 1972. 27p. ;PZ49.41.U23 based on Buddha's preaching. (Ages 8-11).

17 I

% 1964 Yarhatoe-style watercolor illustrations unfolo to tell 14itsutanif Miyoko. 61,1 t 1.1 + h Chiisai this famous folktale of a one-inch-tall boy who cap- tures-a forth. e with his spirit. (Ages up to 6) Momo-chan. (The little MOmo) illus. by Sadair

Kikuchi. Tokyo: Kodansha, 1964, 1983:162p. 51 Momoko: < L A. ig .5 Kui- . PZ49.31.M2868 silinber no Hanako-san. (Greedy Hanako) illus. by One day, Little Momo is visited_by a potato, a carrot, Chiyoko Nakatani. Tokyo: Fukuinkan Shoten, and an onion. Also included are two stories about her 1965, 1966, 55p. PZ49.63.I7 early days. (Ages up to , Having all the potatoes and pumpkins to herself, self- Noma Award for pive,-.11e literature, 1964 ish Hanako the calisuffers with a bloated stomach. Oil NHK Aviard for Children's Literature, 1965 paintings with skillful bold lines and bright colors. 47 Okano, :KaorUkti.INIA 1,7z Gin'iro (Ages up to 6) rakko-no namida.ffears of the silver sea otter). 1966 _ illus. 'by' Ryiricht Terashima., Tokyo: Jitsiigyer no IVihonsha, 1964; under the title of Kita no utia no 52Furuta, 5 It t*A**1 Shuktidai moriogatari: 206p. PZ49.31,Q372 Wikiuke Kabushiki Kaisha. (Hoinewodk, Inc.) illus. An Eskimo bOy discovers an unusual silver-furred by Koichi KUme. Tokyo: Rironsha, 1966, 1983. otter, but the big hunt is set. (Ages 8-11) 199p. PZ49.31.E83 The Sankei Award for Children's Books & P.ublica- Takeshi and his clasmates hear about the lucrative ttons, 1964 - contract given to a baseball player, which, motivates' NHK Award for children's Literature, 1965 them to establisb "Homework, Inc." (Ages 8-11) Mono, Eiji: a gift,* Hoshi no Makiba. (The starry Japanese Association of Writers for Children Prize, -meadow) 1Tokyo.: Rironsha, 1964,1 Tokyo: Kado- ,, 1967 kawa Shoten, 1976 302p. PZ49,31.5567 53Sato, Satoru. A. U z. 5 Obasan no Suffering from amnesia sirice'World War H, Momiichi (Grannie's airplane) illus. by Tsutomu one day sees a vision of his wartime horse, Tsrikisumi, and follows it deep into the mountain. (Ages 11-14) Murakami. Tokyo: Komine Shoten, 1966. 1973. Japanese Association of Writers forChildren Prize, 101p. PZ49.314418 1964 . Under the full moon, grandmother's knitted airplane is The Sankei Award for Children's Books & Publica- finished. The first flight is scheduled to a remote town tions, 1964 whim her grandson waits to see her. (Ages 6-8) . Noma'Award for Juvenile Literature, 1964 Award for Cultural Material of Child Welfare, 1967 Noma Award for Juvenile Literature, 1967 1965 Sheigakukan Award fOr* Illustrations for Children, 1967 49 kriihishi, $ukeyuki. OE I Higo no ishiku. (The mason of Higo) ITokyo:Jitiugyo no Nihon- sha, 1965.1 Tokyo: Kodattsha, 1978. 196p. Orien Japan 1967

Mitsugor6 the mason suffers after surviving the mas- 54 Kako, Satoshi. /5, 2" A A. sacre of his guild in the feudal age. (Ages 11-14) Danima-chan to Tengu-chan. (Little Daruma and NHK Award for Juvenile Literature, 1966. little Tengu) illus. by the author. IKodomo no Japanese Association of Writers for Children Prize, 1966 tomo magazine, 1967.1Tokyo: Fukuinkan Shoten, 1983. 28p. PZ49.31.K2168 Ishii, 50 ,Momokb. t L. Issun-boshi. Paruma and Tengu, two characters popular among assun-lioshi the Inchliog) illus. by Fuku Akin°. Japanese children, play together in an atmosphere ,of Tokyo: Fukuinkan Shoten, 198. 39p.. traditional "omocha e" (toy picture) illustration, (Ages PZ49.41.175 up to 6) 4 ,r4 SY,V.

55 KOkubun, Ichitaro.' IN 5) Id113 YE 1 6 The growth in mind and body of I(iko, a high school Kokubun Ichitaro Oda bungakushii 1-6. (Collec- freshman, is traced in first-person narrative in diary tion of, Kokuban Ichitaro's- works for children's style. (Ages 11-14) literature) Tokyo: Komine Shoten, 1967., PZ90.J3.K6 Collection of, the works of an author who has con- 1968 , siftently pursued social, justice as his theme. He has also contributed as a teacher of creative writing and 61 Aman; Kimiko. * o 6 o 3 Kuruma no P°41'. iro wa sora rto ico. (Taxi driver Matsui's special 56 Matsutani, Miyoko. .1.3* A. II0) I: 1, g Yamanba- customers) illus: by Takushi Kitada. Tokyo: Popura- nO nishiki. (The witch's magic cloth) illus. by Ya- sha, 1968.120p. , PZIO.J3.A4 suo Segawa. Tokyo: Popurasha, 1967. 30 sheets. Matsui-san, a taxi driver, encounters many unusual - PZ49.41.M35 .customers, fdr example, a bear gentleman, a-fox lady, An old village woman is given a magic cloth by a witch and a butterfly girl. Illustrated in simple yet expressive in return for her help. Lively movement in skillful line line drawings.. (Ages 8-11) and effective use of colors are typiCal of Segawa; a Japanese Association of Writers-fop Children New- comer Prize, 1968 prize-winning artist. (Ages 6-8) .. Noma` Award for 'Juvenile Literature, 1968 57Nagasaki, Gennosuke. e 4 q :/ OW* Hyoko- tan no yagi. (Hyol,cotan's goat) illus. by _Toshio 62 Fukuda, Kiyoto. 8110) El Ji.Akatsuki edarna. Kajiyama. Tokyo: Rironsha, 1967, 1984.1214p. (The daybreak for Kusao) illus. by Daihachi Ota. Orien Japan Tdkyo: Kadansha, 1968. 208p. PZ90.J3.F8 During the war, Children living near a slaughterhouse The last of the trilogy about the childhood of a doctor's are challenged by the landlord's son and his followers, son in southem Japan,concludes with the sensitive who daim the right to a pond with the only playground hero's inner growth. The preceding titles are Ham np for the children. Discrimination toward Koreans is Medama and Aki no Medama. (Ages 11-14) knottier important theme. (Ages 8-11) 63 Ishii, Momoko. i5 h Z.' h, 1,1 Ariko no otsu- Japanese Association of Writers for Children Prize, kai. (Ariko's errand) illus. by 'Soya Nakagawa. 1988 'Tokyo: Fukuinkan Shoten, 1968. 40p. 58 Obara, Kuniyoshi (comp.). 1.1119eir`N** tiff A PZ90.J3.168 1 21 Tamagawa jido hyakka daijiten 1-21. (Ta- Quick, bright watercolor illustrations with skillful lines magawa children's encyclopedia, vol.1-21.) depict Ariko the ant's stormy errands. (Ages up to 6) Tokyo: Tamagawa Shuppanbu, 1967. Award for Cultural Material of Child Welfare, 1969 AG53.2.K63 64 Iwasaki, Chihiro. 3,to 0 0.0 far3 t IA. Arne' no Includes a separate complete index and a biOgraphical 'hi no orusuban. (Staying home alone on_a rainy dictionary. day) illus. by the author. [Kodomo no sekai mag- 59 Saito, Ryasuk.2. Ali Hachiro. (HaChiro.) illus. by azine, 1968.1 Tokyo: Shikosha, 1980. 12 sheets. Jiro Takidaira. Tokyo: Fukuinkan Shoten, 1967, PZ49.31.I79 19822 16 sheets. 'PZ49.41.S14 The loneliness and expectation of a girl who stays The story of gigantic Hachira, who saves a village from home by herself are expressed with an abstract ap- a tidal wave but pays with his life. Vigorous paper- proach in soft watercolor shades and succinct text. cutting art and woodcut prints with strong contrast in (Ages up to 6) black and grey colors'bY the master artist of the genre. 65 Kako, Satoshi. fr l fr< 0* 1 -10

' (Ages 6-8) Kako Satoshi kagaku no hon. 1-10, (Kako Sato- 60 Yoshida, Toshi. If a I 4-h Aoi not°. (The blue shi's science books) 1 10. illus. by Takushi Kitada notebook) Tokyo: Kodansha, 1967, 1976. ,270p. and others. Tokyo: D8shinsha, 1968-1971. 40p. PL865,0674 Y67 each. PZ49.6.K3

19 ms's.. *_ 4 4 . -

ten-volume'series in picture format to encourage complete collection of children's stores by Joji sdentific thinking includes, the folloifing titles: (1) The Tsubota) 10 vols. plus s'appl. Tokyo: Iwasaki place where stand / (2) Baby dear / (3) Sprout out of Shoten, 1968-1971. 2960p. PZ49.31.T67 the seed / (4) Walking mountain, moving hill / (5) A complete collection of the works of Joji Tsuliota, one Sweet water, salty water / (6)Race of iight and sound I of the central figures in Japanese children's literature in (7 What) know 1(8) Strong form out of weak paper / the prewar and postwar eras. (9) Round cake cut in ha / (10) Pool of idea and =power of 'design. (Ages 8-11) 72 Tsukasa, Osamu. it f fr L ht 5 Hazu- kashigariya no DI (The very bashful elephant) 66 Math), Michio. 1 1A, ti,tJr h tr h Tenpurapiri- illus. by the author. Tokyo: Kogumasha, 1968. 20 piri. (Mother cooks crispy-crisp tenpura) illus. by sheets. Yutaka Sugita. Tokyo: Dai Nihon Tosho, 1968, .PZ9O.P.T77 The negative thinking of Goro the shy elephant causes -:1981.60p. P290.J3.M2 him to shrink to the size of an insect. (Ages up to :)) Simple words are magically knit into a perfect small world portraying bright moments in daily life, which 73 Wakayama, Keri. * (k to 1.1 h Kitsune- form the essence of this master songwriter's work. yama no yameiri. (The fox's wedding) illus. by the Warm shades with comfortable forms'of poster color author. Tokyo: Kogumasha, 1968. 20 sheets. enhance the familiar atmosphere..(Ages 6-8) PZ49.63.W3 e Noma Award for Juvenile literature, 1968 Fox Mountain is endangered by men and the animals' Oishi, Makoto. 3 (1) 2-.A, 4 Satoru no wedding ceremonies are disturbed. (Ages 6-8) jitensha. (Satords bicycle) illus. by Takushi Kitada. 74 Yamashita, Yumiko. -2.ff 2 tiliteancpA Tokyo: Komine Shoten, 1968.82p. PZ49.31.035_ Ninen nikumi wa hiyoko no kurasu. (The class of Satoru succeeds-in riding a bicycle after a series of chicks)._ illus. by Shinta Cho. Tokyo: Rironsha, = failures. Accompanied by expressive line drawings. 1968, 1983. 254p. PZ49.31.Y3475 (Ages 6-8) Six stories of a young mathematics teacher and her 680Zawa, Tadashi. 75 * f '5 * Hoshi kara junior high school class, who focus on the atomic kita uma. (The.horse from the star) illus. by EigorO bomb and its effects, which still overshadow the peo- Futamata. Tokyo: Korhine Shoten, 1968. 80p. ple of Hiroshima today. (Ages 11-14) PZ49.31.09 Shogakukan Award for Childr4n's Literature, 1969 Japanese Association of Writers for Children Prize, Detective fantasy about children who are taken as for Short Story, 1967 hostages by a toy-crazy amusement park keeper. , (Ages 6-8) '69 Sato, HaEhiro.H *SAM : 75= 6 Nft Nihon dayoshu: tanjo kara gendai made (Collec- 1969 tion of Japanese children's songs: from their birth 75 Akagi, Yoshiko. II t! 75' Hadaka no tenshi. to the present) Tokyo: Shakai Shisosha, 1968. (The naked angels) ;119s. by Takuma Suzuki. Tokyo: 334p. M1997.S275 Nt Shin Nihon Shuppansha, 1969. 122p. An anthology of.Japanese songs that have been widely PZ90.J3.A3 sung from the Meiji period (1867.1911) until the present: (For all ages) A story about Ruriko, a fourth grader, and her brother Ryii, who is in the special class for retarded chil&en. 70Tada, Hiroshi. its A.*VA, *t: Ognaji onnaji. (Ages 8-11) (rye got it, too) illus. by the author. Tokyo: Kogu- Award for Promotion of Cultural Material of Child .masha, 1968. 16 sheets. PZ90.J3.T216 Welfare, 1970 The simple story of a rabbit and a pig showing off, 76 Fujita, Tamao. W 75 Jr 3 H Yama ga moeru hi. -illustrated in humorous animated lines. (Ages up to 6) (The day when the mountain goes ablaze) illus. by 71 ,Tsubota,fop. sal MIMS it 1 10 SIJ 411 1 Setsu Asakura. Tokyo: KOdansha, 1969. TsubotaToji dowa zenshU. 1-10. Bekkan 1. (The PZ49.31.F723 A youngsterri the laterEd_o period is enlightened in The illustrated version of a story originally published in the dawnsof the sdentific age and is also stirred by , 1921 aboutShiro's encounter with the fox children in the restoration movement in the dramatic setting of the snowy country: (Ages 6-8) the volcaniC explosion bf Tenmei year (1780s). (Ages 82 Nishimaki, Kayako. h t. 1.0') '7 Watash,i 11-14) . no warpisu. (My pietty dress) illus. by the author.

77. Iwasaki, Kyoko. a? 3 Koi no iru mura. (The Tokyo: Kogumasha, 1969, 1972.-41p. village-with the carp) illus. by Chihiro Iwasaki. PZ49.63.1055 Tokyo: Shin Nihon Shuppansha, 1969. 188p. In her new dress, a rabbit, goes for a walk, where . PZ90.J3.189 wonderful things lie ahead. Free and-easy drawings in Tatsuo's discovery of many wonders in raising carp in bright lithograph. (Ages up to 6) a mountain pond, and five other short stories set in 83 Takahashi, Haruo. Vi 1,1,1* t) .Atarashii ori- Niigata,Prefeczure. (Ages'8 -1t gami. (The new origami) illus., by the author.. -. Noma Award for Juvenile Literature, 1970 Tokyo: Taikodo..1969.160p. PZ90.J3.T223 .4# Artistic Recommendation of the Minister of Educa- don Award, :1971 The new techniques of origami 'with easy-to-follow illustrated explanations covering everything from the 78Katsuo, Kin'ya. XgOA CI Tenpa no hitobito. basics to v9riations. (For all ages) (The cry of Tenpo era) illus. by Kimio Uchida. Taniuchi, Kota. Natsu no asa. (On a Tokyo: Maki Shoten, 1969. 284p. hilltop) illus. by the authpr. [Kodomo no sekai ' PZ49.31.K292 magazine1969.1Tokyo: Shikosha, 1982.12 sheets. In the ninth year of Tenpo (in-the early nineteenth CLC century), Kaga-of the northern region was attacked by Naive gouache paintings portray a boy's daily bicycle loctists, which provoked the farmers to revolt against the unfair annual. tribute. Historical fiction. (Ages trip to a htop. (Ages up to 6) 11-14) .85 Tsubota, Joji (ed.). t1 li*tft VIP 1 2 Biwa The.Sankei'Award forCh'ildrens Books and publica- no Mi Gakko meisakusen. 1-2. (The selected tions, 1969 - works of the Biwanomi School) Tokyo: Tot° 79Maekawa, Yasuo. **OS Majin no urni. (The Shobo, 1969. 450p. ..PZ9O.J3.T695 ocean of the evil spirit)lillus. by Nuburi Toko. Selections from the magazineBiwa no mi gakkei(School Tokyo:-Kodansha, 1969. 214p.. of loquat seed), which was4tarted in 1962 by Joji PZ90.J3.M23 Tsubota with the cooperation of many writers, poets, and artists for thiliterary revival of the prewar Akaitori \ Ahistorical novel about the Ainu tribe fighting against ages. The first volume includes works for the very the intruding Japanese on Kunashiri Island. (Ages young and the Second Kir the intermediate reader. 11-14) The Mainichi Award for Publication, 1969 Japanese Assodiation of Writers for Children Prize; 1970 86 'Watanabe, Shigeo. .4111E7 El Tera- 80 Miyaguchi, Shizue. gLi,--rukitiC*Iii 1 5 machi san-chOme juichi-banchi. (3-11, Temple Miyaguchi Shizue Oda bungakushO. 1-5. (Miya- Street)'illus. by Daihachi Ota. Tokyo: Fukuinkan guchi Shizue: Collktion of the works of chil- Shoten, 1969. 236p. PZ90.J3.W3 dren's literature) vol. 1-5. illus. by Setsu Asakura. A lively story about a stubborn photographer and his Tokyo; Komine Shoten; 1969. 1202p. . family of ten in Shizuoka Prefecture around the year M90.J32M48 1935, Award for Cultural Material of Child Welfare, 1969 compietikollection of Shizue Miyaguchi's works of The Sankei Award for Children's Books ,& Publica- provincial realism expressed by adept piychological tions, 1970 sketches. 81 Miyaznwa, Kenji. I fi t 7 Yuki watari. (Little 87Yoshida, Toshi. # e Magatta tokei. (The foxes on a snowy,night) illus. by Seiichi.Hoduchi. crooked clock) illus. by Takeo Ishida. Tokyo: Ko- Tokyo: Fulaiinkan Shoten, 1969. 48p. kudosha, t969. 142p. , PZ49.31.Y593 PZ49.311M5

.en The mother's hospitalliatiOn and operation affect Oil and line drawings illustrate the happy occasic n of eachmeinber of the Akimotb family in a story where the birthday of Jio Jio, the seventy-year-old lion. (Ages the old family Clock functions as a central symbol. up to 6) -,(.4ges 11---14) J 94Nishiwaki, Masaharu. < Kujira. (The whales) illus. by Masayuki .Y, abuuchi. Tokyo: Fukuinkan 1970' , Shoten, 1970. 39p. PZ49.6.N5 -Fututa,' Taruhi. 4 1 4 Robotto Kamii. Alt whales: their fossil remains, physiology, pre- .. (Kin* the robot) illus. by Sellchi Horiuchi. Tokyo: decessors, kinds, habitssuch as blowing and diving `Fultuinica4 Shoten, 1970.92p.. PZ49.31.F79 and relationship to meo. Illustrated in,black conte A robot made of cardtioard starts to have a mind of his craypn. Science book. (Ages 8-11) own and does all kinds of mischief in the kindergarten. 95 gkano, Kaoruko. keloomelt. Ame no hi no Ftofuselyilltistrated in Ink' (Ages 6-8) bon. (Don on a rainy- day) illus. by Kaoru Ono.

99" Hanaoka, Daigaitit *fi 6 7).1,1* Yawarakai te. Tokyo; Jitsugye) no Nihonsha, 1970. 56p. . (The tender palms) illo5. by.Shuji Tateishi. Tokyo: PZ49.22.04 Koitisha,- 1970. 161p. PZ49.31.H34 Humorous stories about Don the stray cat, who comes

- Collection of short stories dealing, with all kinds of to play with little jimi on fainy days. (Ages up to 6)

.fundamental aspects of human nature, by an. author 96 Onoki, Cake. tz L g t, .t '3 0) 3 A' 7 Kataa-_ _ who is a 'Buddhiscpriest (For all ages) shi cloche). no Erufu: (Erufu the one-legged ostrich) -it Hashimoto, Tokio.-4- 0) 143, W Toki no iru yama. illus. by the author. Tokyo: Popurisha, 1970. 16 -(The- mountain where Japanese crested ibis live) sheets. Orien Japan illus. by Toshio Kajiyama. Tokyo: Maki Shoten, The stirring woodcut prints' in subtle colors tell of the !0=, 1970.268p. PZ49.6.H3 : courageous life arid death of Erufu the ostrich, who The extinction of the Japanese 'crested ibis from Mt. fights the beasts of the prairie to protect the ,ieighbor- - Bijo of Noto Peninsula is addressed by the documented hood animal children. CAges 6-8) activity of ,a children's association ti, prOtect this en- clarigered spades. Science book (For all ages) 97 Sasaki, Taw. t ii g Shorten to koda- Ouki. (The boy and the little badger) illus. by 91 KanzaWa, Toshiko.r:ft75/Pt YOshiharu Surtiki. Tokyo:. Jitsugyo" no Nihonsha, Dareka ga Pai o tabe ni kita. (Who came to eat 1970: -138p.. . _ PZ49.313386 the pie?) illus. by yosuke Inoue. Tokyo: Fukuinkan . A badger disgbised as a little girl helps a boy in trouble. Shoten,1970. 27p. AP215.J3 K6 no. 171 Fivesother stories are included. (Ages 6-8) When the wind blew the straw hat off the wall and : blinded the old woman, somebody sneaked in to eat. 98Sunada, Hiroshi. ll/N 4 .M 4 Saraba hai- her pie. Humorous and naive illustrations. (Ages up wei, (Good-bye, highway!) Tokyo: Kaiseisha, 1970. to 6) . 222p. PZ49.31.5943 A defective car 'causes a young taxi !driver a fatal 92 Kishi, Takeo." t 0)1HA Moguri no Ku- accident, which. burdens him with the cost of the monsa. (Kumensa, the diver) illus. l'3y Teruyo Endo. injury and eventually leads him to a tragic end. Social- Tokyo:Doshinsha, 197o. 216p. under economic growth is at the heart of theinjustice ' PZ90.J3 KSZ author's indictment (Ages 11-14) The-chielty of war and the importance of farmers are Japanese Association of Writers for Children Prize, the two underlying themes of this novel about the 1971 . Seinari War,*.a revolt of soldiers in 1880 in southern 99 Suzuki, Kiyoharu. t /311.1 0 phi o i:" A 05 < 6 L. . Japan, written in the form of 'an old soldier's recollection. (Ages 8-11) glo) 3- h 75 Nagai .nagai michi: hito no _ kurashi to michi no utsurikawari (Long, long road 93 'Kishida,Iriko. >V,* 0) f A, I4! j- 3 tF Jio Jio no History of people and passage) illus. by Ushio tanjobi.,(jio Jio the lien's hirthday) illus. by Chi- Nakazawa. Tokyo: Popurasha, 1970.116p. yoko Nakatani. TokyoAkane Shobo, 1970. 90p. --PZ49.6.58 PZ90.J3 K53,

AT Roads of trade, ox. art paths, soldier's routes, high- Alonely little girl lets her bird go and after a while finds ways, gravelloadi, d paved roads are aN subjects of it and gain enjoys its company. Delicate watercolor this history ofpassage with its many phctographs and tones and expressive brushwork with occasional use NIOstlicons. (Agei 8,=-11) of crumpled paper dyeing. (Ages up to 6) 100 Takashi,, Yoichi. L 15 41.1/Shira'nui. (The wife of 1%Miki, TakL. XI Manatsu no hate. The giant Takeru) illus. by Hiroyuki Saito. Tokyo: Iwa- banner of the mid summer) illus. by Katsuyuki saki 1970.16p. , PZ49.31.13 Shinohara. Tokyo: Akane Shobo, 1971. 239p. The legend of Mount Aso and its area is told in dialect. PZ49.31.M4 Bold brush line in India ink and watercolor on Japane-se Shinji's unforgettable summer with ShogO,"a member rite paper. (Ages 6-8) of a popular pop group, "Flagstar." (Ages 11-14) Kodansha Cultural Prize for Children's Picture Book 107 Miyagawa, Hire. *NO :5 f -Harukoma no uta. Publication, 1971 (The call for the spring) illus. by Shinpei Kitajima. 101 Tokuda, YUkihisa. '5: It 0 t Cher. Tokyo: Kaiseisha, 1971. 210p. ageha nolssho (ButterflyThe life-of swallowtail) PZ49.31.M43 aids. by the author. Tokyo: Fukuinkan Shoten, Stricken by polio, Keiji refuses to go to school, and 1'1/0.31p. PZ49.6.T6 his grandfather becomes perverse from sadness; but The daily aspects of the swallowtail's short life'cycle everything starts to change,when Miss Sonoda arrives are intraduced in illustrations and well-organized tt.xt. at school. (Ages 8-11) (Ages 6-8) 108 Nakatani, Chiyoko. t h 0 I I) Mon-no mat - 102 Yajima, Minoru. 7 04-7 Ari no ko'Tsuku. sun. (The forest fe3tival) illus. by the author. Tokyo-. (Tsuku, the baby ant) illus. by Kan'ichiro Aria Fukuinkan Shoten, 1971. 32p. Tokyo: Popuralha, 1970. 110p. PZ49.6.v3 PZ49.31.N285 A year in the life of a giant black ant from his birth Animals of the forest celebrate a feast under masks. includes his first encounter with a grasshopper and Simplified form and clear shades of colors characterize troubles with his fellow ant. Science book. (Ages 8-11) this picture fantasy in oil painting. (Ages up to 6)

103 Yoshimura, 'chi. iPA 0.4.1, Garasu nc fu- 109 Nihon Jido Bungakusha Kyokai (comp.). 4$9E shigi. (Wohders of glass) illus. by Sanzen Tashiro IVA fF 1 5 Sense)jido bungaku kessa- and Akira .Yotsumoto. (Tokyo: Popurasha, 1970.) kusen. (Selection of the war literature for children 110p. PZ49.6.Y6 in Japan). 1-5v. Tokyo: Doshinsha, 1971-1972. The material and the process of making glass, a lens, a 238p. PZ49.2.545 mirror, a magnifying glass, fiberglass, and Pyrex are Collection of works from a genre called War literature discussed. Science book. (Age's 8-11) written by authors who went through the World War II period as boys and girls with the intention of giving testimony to their unusual experience: (For all ages) 1971 110 Seki, Hideo. /1, Chiisaikokoro natabi. 104 Funazaki, Yasuko, and Funazaki, Yoshihiko. (The journey of the tiny heart) illus. by Motoichiro t /E441% TJnkachi to hanashogun. (Ton- Takebe. Tokyo: Kaiseisha, 1971. 258p. kachi'and the flower general) illus. by Yoshihiko PZ49.31.545 Rinazaki. Tokyo: Fukuinkan Shoten, 1971..224p. After his fatner's death, Masao struggles to make

4 PZ49.31. F77 a living under different employers while racing their' Looking for flowers for his friend's birthday, Tonkachi iniquity, but,ne never gives up his hope to become a goes out in the forest where he comes across some of writer. (Ages 11-14) its most extraordinary inhabitants. (Ages 8 -11) The Akal Tori Award 'or Children's 'Literature, 1972 The Sankei' Award for Children's Books & Publica- 105 Iwasaki, Chihiro. I)

23 111 Soya, Kiyoshi. 3 3 0) tz A L 3 tF Ruru no tan, Akai Tori Award for Children's Literature, 1973 . jabi. (Birthday for Ruru) illus. by Chiyoko Naka- The Sankei Award for Children's Books & Publica- tani. TOkyo: Fukuinkan Shoten; 1971. pp. tiuns, 1973. AP215.J3 K6 (11133) Award for Cultural Material ot Child Welfare, 1973 Japanese Association of Writers for Children Prize, Ruru the cat is missing! Kaoru goes into the woods and 1973 finds her birthday-cat. Delightful atmosphere in subtle Noma Award for Juvenile Literature, 1973 color shades and realistic line in oil pairitir g. (Ages uti to 6) 117 Baba, Noboru. litig0) tazekivie9 Juip- 112 Tachihara, Erika. * h < 1rh Yurikuma-san. piki no neko to ahodori. (The eleven cats and an (Teddy "handbag" bear) illus. by Keiko Makimura. albatross) illus. by the author. Tokyo: Kogumasha, Tokyo: Kokudosha, 1971. 7Ap.' 1972, 1973.20 sheets. PZ49:63.83 PZ49.31.T28 Eleven cats at a croquette shop follow the appetizing albatross, who is said to have eleven family members. Taddy bear gets bitten and torn by vicious rats when he tries to protect baby Mad. Watercolor and ink Animated line drawings. (Ages up to 6). illustrations. (Ages up to 6) 118 Imab,Yoshitomb. A, 1; # ta,\ A,T;# t k 113 Tashima,5eizo. L 1PC k Shibaten. (Shibaten the Hendesu ni hendesue. (Strange, isn't it strange?) monster) illus. by the author. Tokyo: Kaiseisha, illus. by Shinta Chi Tokyo: Betonamu no Ko- 1971. 32p. PZ49.31.T35 domo o ShiensuruKai, 1972. 16 sheets. PZ49.31.I39 Taro the orphan breaks into the 'die storehouse to feed his fellow villabers during the severe famine, but .... An antiwar picture book published to help Vietnamese Vigorous brush movement with earthy tones of color Children. (Ages 8-11) in lithograph: (Ages 6-8) 119Kanzawa, Toshiko. 110 It B] Gin no honoo 114 Yuno,' Seiichi. te A. e 012 Ondori no nel t no ktini. (The land of silvery flame) illus. by Seiichi 'gal. (The cock's wish) illus. by the author. Tokyo: Horiuchi, Tokyo: Fukuinkan Shoten, 1972. 372p. Iwanami Shoten, 1971. 40p. PZ49.63.Y8 PZ49.31.K2747 The family' i a cock are given a chance to fly in the air Takashi and his sister chant an incantation to enter the tosee the wide world. (Ages up to 6) other world through a stuffed reindeer's head and .Kodansha 'Cultural Prize for Childred's Picture Book encounter unusual happenings. (Ages 8-11) 'Publication; 1972 120 Kodai Geijutsu Kyoiku Kenkyirjo (ed.). h t; 5 1972 tz -(4 If Warabeuta de asobo. Ors play with nursery songs) Tokyo: Meiji Tosho, 1972. 92p. 115 Akaba, Suekichi. t3 t-s.g Okina MT3.J2 K65 . Okina oimo. (The big, big potato) Original idea. A guide to Japanese folk songs, traditional nursery by Hisako Ichimura. illus. by the author. Tokyo: rhymes, and body games, all of which are highly eval- Fukuinkan Shoten, t972, 1973. 88p. uated here as the basis of Japanese cultural tr s. lop PZ49.31.A32 (Ages up to 6) A unique pt.tato story in black and pink ink illustra- 121 Kubo, Takashi. 01,0* Akai ho no fune. (The tion, based on an actual activity in kindergarten. (Ages boat with the red sail) illus. by Makoto Sakurai. up to-6) Tokyo: Kaiseisha, 1972. 150p. PZ49.31.K75 116 MO, Mikio. TV,- T A, AtOIX,I4 Dendenrriushi Kanbei the master fisherman puts on a red( sail to t..., no keiha. (The snails' contest) illus. by Shosuke nolity the Other fishermen when a storm is coming. ' F: ikuda. Tokyo: Kaiseisha, 1972.226p. Seven other stories all take place in a fishing village ,..-, ,, -, PZ49.31.A43 too. (Agess-ii) Children's life in the alleys of Kyoto is described to Japanese Association of Writers for Children Prize, feature the spirit and vitality of Unprivileged people. 1973 (Ages 8-11) 122 Kuratomi, Chizuko.L tr tr eA, < # A, Jamu jimu Donkuma-san. (Mr. Bear's apple jam) 1, - illus. by Kozo Kalcimoto. 1Kodomo no sekai A comprehensiye introduction to the world of poetry

azine, 19721 Tokyo: Shik6sha, 1977. 24p. , through quotations that explain word usage, image, am( the way to its appreciation. (Ages 11-14) , PZ49.31.K2155 The tamous Mr. Beat brand jam develops when-an 128 Tsutsui, Keisuke. h -1-.P -1- lU 0 t II Kachi- afple drops on his head during his nap time. Colorful kachiyama no sugu soba de. (By the side of clat- gouash paintings. (Ages up to 6) tering hill) by Yasuo'Segawa. Tokyo: Fur& 1st), 123 Atsuo W r4E*tz berukan, 1972. 126p. , PZ49.63.T8

ft11114 Bokeiishatachif Ganba to' Iiigohiki no This sequel to the famous folktale "Kachikachiyama" is nakama (The. adventurersGaliba and 'fifteen about a wolf who istempted to becothe a prince by an comrades) illus. by Masayuki Yabuuchi. (Tokyo: irresponsible fox. (Ages 8-11) 'Arlsukan Bokushinsha, 1972.1 Tokyo: Iwanami - The Sankei Award for Children's Books & Publica- tions, 1973 Shbten, 1982. . CLC Ganba the city mouse is involVed in the battle be- 129 Uchiki, Muraji. 7 (/)1111 1- 6:. Ten no son,d. (The twee; the mice and ,the weasels on an island, which garden of Heaven) 1-6. illus.by Saciae Ichikawa. sets him and his fifteen comrades off on the ocean for Tokyo: Jitsugyo nd Nihonsha, 1972. 15'213p. an. adventure. (Ages 8-11) PZ49.31U2 124 Saneti3, Akira. it t I Jibetakko -sama. TaniotsLi's chronicle of six years in grade school at the (Earth God) illus. by YOsuke Inoue. Tokyo: Riron- peaCeful home village of Saitama Prefecture in the 1910s. (Ages 8-11) sha, 1972.206p, PZ49.31.5377 The Sankei Awarcrfor Children's Books & Publics- Eight 'short stories tell about people's humor and joy as , dons, 1973- well as their, cruelty and egoism through a famine and . Artistic Recommendation, Minister of Education a fanners' revolt in feudal Japan. (Ages 8-11) Award; 1973 Japanese Association of Writers for Children New- ' colter Prize, 1972 130 Yamashita, Haruo. 3b. 0) L 6.5,1 Ui no Nynha Award for Juvenile titerature, 1972 rouma.1Thev;thite horse of the sea) illus. by Shirita Cho. Tokyh: Jitsugyo no tilhonsha, 1972. 52p. 12 Sena, ,Keiko. k A. (1) 46.$ 4 An an no . PZ49.31.Y345 ehon. 1-4. (Baby's picture cook, 1-4; An an / Socks for Ruru / Balloon cat / Pretty box) illus. by With a sick mother and a long lost rather, a little boy has only his grandfather for a friend. A story of the sea the author. Tokyo: fukuinkan Shoten, 1972. 12 in black and blue illustration. (Ages 8-11) sheets each. PZ49.31-5458 'Noma Award for Juvenile Literature, 1973 PZ49.63.544 - PZ49.31.5457 1973. Simple stories foi infants in three volumes are shown . by ChiBirie (tear-off collageWith Japanese rice-paper). 131 Amazawa, Taijir6. *,I h tt! Hikariguruma (Ages up to 6) yo mawarel (Go round and round, shining wheels!) rf illus. by Osamu Tsukasa. Tokyo: Chikuma Shobo, .126 Seta,,Teiji. (retold) e4 6 h L' N" it* Ehon wara- 1973. 288p. Orien Japan . ihibe chcija. (Straw millionaire) illus. .by Yasuo Segawa. Tokyo: Iwanami Shoten, 1972:20 sheets._ Ichiro and his friends desperately seek, the Shining Wheels, the only weapon to save the earth from an PZ49.31.546 unseen enemy. (Ages 8-11) Full -color illustrations With expressive line drawings tell 6 k the story ofmillionaire who makes his fortune with 132 Awa, Naoko. t 3 tr Shiroi Omu no - It a stem df straw. Japanese folktale. (Ages 6 and up) mori. (The forest of white polly) illus. by Ry8ei Akaboshi. Tokyo: Chikuma %lobo, 1973.206p. .Takada,,-Tostii,ko. 9) t IT Shi no sekai. (The PZ49.31.A93 world of poetry) Tokyo: Popurasha, 1972. 286p. After a !Ong agonizing -process involving ,a spiritual PN1049.J3.T28 experience, Mizue accepts her beloved sister's deaih. Six other short stories are included. (Ages 11-14) Yoshihiko. MX. * hi 6 It A. ki st! Moena- 140 Sasaki, Kakuko. c L IS i < 6 Tabi shibai gar'a tonda yol (Butterfly and her prince) illus. by kuris koro. (When the traveling theatercomes, Ayunii Ohashi. Tokyo: Kodansha, 1973. 276p. by illus. .by 'Sadao Ichikawa., Tokyo:- Kaiseisha, PZ49.31.I3 1973. 258p. = PZ49.31.53796 A professional seeker, Nagare, is asked to find the In a small farming village right after World War II, ten- missing prince of Tonga, who was loit during his secret year-old YayoiJives,stoutly with her three brothers, travels in Japan. Gages 8-11) alcoholic father, and invalid mother. (Ages 8-11) Kodaisha Award of Children's Liter'ature for New- Japanese Association of Writers for Children NeW- comers, 1972 , corner Prize, 1973 134 !mat, sioshitOmo. if A. it A. Bonbon. (The_ little Award for Promotion of Cultural Material of Child master) illus. by Stiiiita Cho. Tokyo: Rironsha, Welfare, 1974' 1973.422p, PZ49.31.I376 141 Sasaki, Maki. '13IS 9 ti Yappari okamj. A boys fife from 1941 to 1948 is described in Kansai (I'm a wolf, after all) iUus, by the author. Tokyo: (Weilern Japan) dialect, wit, Kansai atmosphere. Fukuinkan Shoten, 1973. 32p. Autoblogiaphical fiction. (Ages 11-14) . PZ49.63.5338 Japanese Associition 'of Writers for Children Prize, A solitary wolf who tries everything in vain to seek 1974 company subsequently becomes proud of himself. Kitathurk Eri. t 5 OM* 1 3. Koguma Watercolor-andzink illustration- in bold comic-strip no Taro no ehon. 1-3. (Taro the little bear. 1-3:) format. (Ages up to 6) illus. by the author. Tokyo: Fukuinkan Shoten, 142. WO, Yoshimi. tie* 1 6: Sato Yoshimi 1973: 1-35p. / 2-35p. / 3737p.' . zenshil 1-6. (The complete collection. of the PZ49.63.K56 works by Yoshimi Sato. 1-6) Tokyo: Sato Yoshirni Simple stories about the activities of Taro the little bear Zenshu Kankokai, 1973-1974. 2936p. illustrated in clear line and ink. (Ages u? to 6) PZ49.31.54357' 136 Matsuoka, Kyoko. f.41;lA. ? Sore honto? Complete collection of the works-of Yoshimi Sate) (Is that true?) illus. by Shinta Cho. Tokyo: Fukuin- (1905-1968), one of the original members of the Jap- kan Shoten, 1973. 128p. - PZ49.43.M36 anese As, ',dation of Writer; for Children, who con-- A book of word play based on the Japanese alphabet. .stantly, stressed the theme of peac' and war in his (Ages Up to nursery tales.

137 Oishi, Makoto. (7) < < Heshi e no yaku- 143 Soya, Kiyoshi. t 0) V l(aoru no himitsu. -,soku. (Space rende' -vous) illus. by YOShi Koba- (The secret Kaoru holds) illus. by Chimako Ishi- yashi. Tokyo: Iwasaki ShOten, 1971 124p. matsu. Tokyo: Akane Shobo, 1971 132p. PZ49.31.0338 PZ49.31.559 A Martian communicates with a girl through a mirror, Kioru has- Complex feelings about her classmate, and she promises "rite" !.o take a tripto the universe. Kurosaki-san, who plagiarized. in the school writing Includet five other short stories. (Ages 6-8) contest, and yet gives her friendly encouragement (Ages 8-11) , 138.eta, Daihachi. IV C ti Nobotte ittara. (When I climb up) illus. by the author. Tokyo: 144 Tanikawa, Shuntaro. IS k Or Kotoba Bunken Shuppan; 1973. 28p. PZ49.31.078 asolai uta. (Songs of the word-play) illus. by Yasuo The boy goes up the stairs, an escalator, an elevater, Segawa. Tokyo: Fukuinkan Shoten, 1973. 36p.

and than a ropeway to see his mother 'at thvery end. . _ PZ49.31.T3438 Sepia-colored illustrations (without text). (Ages up to 6) Fifteen poems of word -play with color illustration in 139"Saragai, Tatsuya. I: tt t 9 Nise matsuri. (The pigment. (Ages 6-8) false feast) illus. by Shigeru Kosaka. Tokyo:Riron- 145 lashima, Seize. .dt14.Sz < Fukimanbuku. (The sha,1973.170p. PZ49.31.5378 girl and the flowers) illus. by the author. Tokyo: A visitor to the temple Whom Midorl entertains alone Kaisei Sha, 1973. 35p. Orien Japan turns out to be the most wanted criminal. (Ages 11- 14) _

A villaie gkl Fuld goes to look for stardust and, falling transforms himself into:ran insect at the "Marsh of asleep on a hillside, finds herself in the garden at Never Return!' (Ages 8-11!, pa-to (butterbur flower stalks).laive .expression in Akai Tori Award for Children's Literature, 1974 distemper, using a bold black brush line with vivid 151 Haitani, Kenjini *O) IJsagi no me. (Tbe rabbits' Orem (Ages 6-10' eyes) Tokyo: Rironsha. 1974. 318p. KiidansheC.utturel Prize for Children's Picture Book PL852.A16U8 ,Publicadon; 1974 A-young teacher at grade school learns about unprivi- 146Yamanaka, Hush): EMIL.8 'P Sannio naki- leged people through her peculiar student, Tetsuza. . balfashi. (Stories of three sad. downs) illus. by (Ages 11-14) Yosuke Inoue. Tokyo: Fukuinkan Shoten, 1973. Japanese Association of Writers for Children New - 4440. PZ4931.Y322 comer Prize; 1975 Dodohegs drumming is so masterful thathe moun- 152 IWata, Kunio. Hachi no seikatsu. (Life

tain shakeand tidal waves occur. Sad stories :.bout - of the bees) Tokyo: iwanami Shoten, 1974.220p. the dciwntrod4en in fourteenth-century Japan. ,(Ages QL565.2.19 8-11) The habits and behavior of bees are closely observed Publics- The Si nkpi -Award for Children's, Books & in this lifework of the entomologist. Many drawings ,dons, 1974 . and photographs. (Ages 11-14) 147 Yamashita, Hann). Jlb 1./' 6 #1:-Shimahikt oni. TheMainicht Award for Publicalion, 1974 (Ogre, the island:dragger) illus. by Toshio. Kaji- 153 Kanzawa, Toshiko. 6 t fr 1: Sam to kani. (The yams. Tokyo: Kaiseisha, 1973. 32p. monkey and the crab) illus. by Suekichi Akaba. . , PZ49.41.Y316 Tokyo: Gingasha, 1974. 40p. PZ49.63.K32 A solitary ogre dying aline on an island calls out to the Vigorous brush painting and rhythmical text .retell world but nobody responds'. So he starts to pull his the famous folktale of the crab's children who take Island-alongto find tfriend. Traditional Japanese illus- vengeance On the,monkey for their mother's death. atilin (Ages 6 (Ages up to 6) Noyuki yamayuki. 148 Ybda, Jun'ichi. it* it al oro 15-1 kabatake, Yaho.:It ffi UM lit *1 1= 4. (Toward the field, toward the mountain) illus. by Kitabatake Yaho jicio hungiku zenshir 1-4. (The Akio Okuni. Tokyo:Dai Nihon Tosho, 1973. 118p. complete collection of thg works of children's PZ49.43.Y6 literature by Yaho Kitabat:. .e) Tokyo: Kodansha, Thirty-two poems about nature, people, legend, and 1974. 936p. P249.39.1048 epic from this author's later works. (For all ages) Complete collection of Yaho Kitabatake (1903), an Noma Award 'or Juvenile Literature, 1973 adeptwilter known for her lively portraits of children and reality in the most imaginative settings. (Ages 8-11) 1974 155 Koide, Shag°. :/ 9 a)* Jinta no Oto. (Soundof 149 'Penang,Yukichi. hh if 5 Watariboko. the circus band) illus. by Yoshiharu Suzuki. Tokyo: NVataribokoi the ocean goblin) illus. by Toshio Kaiseisha, 1974. 210p. - PZ49.31.K589 K:i!iyaryra: Tokyo: Popurasha, 1974. 31p. Six short :stories about eleven-year-old ShOsuke in PZ49,.31.A42 turn-ef-the-centUry Japan depict the colorful life-style Boko the ocean_spirit lures fishermen by walking of school children in those days. (Ages 8-11) nimbly on the water's surface. Japanese styli pal- Noma Award for Juvenile Literature, 1975 ings. (Ages up to 6) 156 Muku, Hatojer. It tr 9 fib Kerriuri sennin, (The Funazaki, Yoshihiko. if nAtt 4;f0Dili hermit of smoke) illus. by Daihachi Ota. Tokyo: Poppen sensef to kaerazu no numa. Professor Popuraiha, 1974. 36p. PZ49.31.K758 Poppen and the marsh of never return) illus. Colorful Nishiki-e style illustration illuminates a wizard's the author. Tokyo: Chikuma Shobo, 1974. 3220. odyssey as he repeatedly shares his essence of life with PZ49.63.F8 unfortunate dead people. (Ages 6 -8) Fantastic comedy about a biology professor who 157 Nakae, Yoshio. ta;i

. tions Grand Prix, 1977 PZ49.31,5315 , 174Takezaki, ib 0) A TI-4 Ishikirlyatna Twelve' ear-old Gen' finds a secret silver mine, which' no hitobito. (People of the quarry) illus. by ShInpei subsequently involves him in a farmers' revolt and a

0.) 29 miner? lot'the feudal age. Historical novel of the Momoko gives Goriiher most precious toy cat, which .Edo period: Eight exquisite kiri-e (cut-paper) illustra- makes her miss it unbearably, until Gore, offers her his tions in Wad and white. (Ages11-'1, ted* bear to keep in return, Watercolor- illustration. Japanese Aisodatiort of Writers for Children Prize, (Ages up to 6) -1978 . 185 Shirasu, Masako. Os t ti TarnaShii no yobi- AIM ,Titicagijoshiko. >yxo 3 it V Garasuno goe.. (The cry of the souls) illus. by Hider') Mat- (N.:glass- rabbit) ,illus. by MOtoichiro Takebe. suno. Tokyo: Heibonsha, 1978. 266p. PL765.S46 Tokyo:-kin no Hoshisha, 1977;1983. 170p. An exquisite retelling of twenty-one Noh plays is based . PZ49.31.T2855 on Japanese myths and historical epics. Accompanied A girl's experience World War p, when she loses- by the quiet ink drawing of a Noh painter. (Ages 11-14) most of her family and then moves to a strange town Award fo; Promotion of Cultural Material of Child to live with her unknown relatives. (Ages 8-11) Welfare, 1979 I Award for Promotion of Cultural Material of Child 186 Welfare, ,19781978 Tajima, Yukihiko. l7. < ^4,t_Jigoku no SEA*. (Sabi of Hell) illus. by the author. Tokyo: .1978 DIfishinsha, 1978, 1983. 40p. CLC' Sobe the acrobat falls to Hell, 'where he still makes a 131 Ichik4w4 tve) 5 4: Hatu'no big fuss. Text in the typical dialect of western )apan uta ga kikoeru. (I heard the songs of spring). Mut.' with the - baldly exptessive illustration of katazome by the author. Tokyci: Kaiseisha, 1978. 32p. (pattern-dye) technique. (Ages.6-8) Japan Picture Book Prize, 1978 Soft ttlor and the gentle touch of watercolor illustra- tionwdepict children's happy pastimes in ,spring with 1979 verse-like, text. (Ages up to. 6) 187 Kedenshe Cultural Prize for Children's Picture Book Imanishi, Sukeyuki: IfiTh 1 -10. Geripei

.Publicationo1979, emaki monogatari. 1-10 (The story of the Genji. and Heike in picture'scrolls) 1-10. illus. by Sueki- 182Matsumoto, Reiji: f. limos _chi Akaba. Tokyo: Kaiseisha, 1979. 40p. each. -43 -F Uchil senkan Yamato zen kirokusha. CLC 1-3. (Documentary: The spaceship Yemato) 1-3. Traditional yarnatoe-style watercolor illustration en- Tokyo: Office Atadeniy, 1978. - hances this retelling of Japan's most loved historical PN1497.5.M35 episodes about the Genji and Heike clans during their All about the most popular and successful Animated, _battles over power in the twelfth century."The ;artist science fiction of the 1970s, in which a space battleship won -the Hans Christian Andersen Award in 1980. ' named Yam to hasa mission to seek help from the (Ages 8-11) .. universe to save the earth from a space war. (Ages 188 Nishimuta, Shigeo. .rk 5 8-11): Nichiyo ichi. (The Sunday market) illus. by the author. Tokyo: 183 '," c)tomcr, Noriko. 1, ts is v VI. A.. Mr)sugu t tioshinsha, 1979.48p. PZ49.31.N496 onichan. (Soon you'll be a big brfither) illus. :)y The well-evoked atmosphere of Sunday market in the 'Yasuo Otomo. Tokyo: Doshinsha, 1978. 32p. Shikoku area uses characteristic Tosa dialect in text- . PZ49.31.084 and powerful double-spread illustratiOns. (Ages 6 -8) Four-year-old Jiro shark s a bed withhis big brother, but Award for Cultural Material of Child Welfare, 1980 . the thought of becoming a big brother himself pre- 189. vents hi'm from falling asleep- Realistic illustration in Yagavia, Sumiko (retold). -, ,t 3 l3 Tsuru liquitex, (Ages op to 6) nyobii. (Crane wife) illus. by Suekichi Akaba. Tokyo: Fukuinkan Shoten, 1979. 32p. 184 Otomo, Noriko, and Otomo, Yasuo. t PZ81.T25 Cr OS* < t):-t) Momoko to Goai no okuri- The well-known folktele about a crane. who repaysa niono. (Thi gift frOm GOrii and Momoko) illus: by hunter's kindness by weavinga beautiful cloth with the author. Tokyo:Doshinsha, 1978. 40p. her own feathers. Illustration in traditional yamatoe . i, R4931.0845 style with subdued colors. (Ages 4-4) ti

~~1980 -1981 190 1shliawa, Saeko. tar U 6 * * Ohi- 195 Haitani, Kenjiro. g II 9' 7 4 x Yet h? 6 1.1 fr~~

. 'lama o.hakobu che. (Butterfly and Buddha) illus. Kimi wa Dakkusu Serisei ga kirai ka. (What don't -by Ryokichi Ozawa. Tokyo: PHP Kenkyinjo, you like about Mr. Dachshund?) illus. by Reiko 1960.32p, ' PZ49.31.089 Tsubota. Tokyo: Dai Nihon Tosho, 1981, 1983. The friendship of Buddha and a butterfly in the temple. 114p. . PZ49.31.H235 Expressive ink line on beige papers of different tones. On the first day of the school year, the fourth graders (Ages up to 6) find that an.appealing-looking "Mr. Dachshund" is their teacher in charge. (Ages 8-11) 191 KaWinUra,Takashi:k O(0 Hiru to yoru no *la. (Between day and night) Tokyo: Kaisei- - 196Haman°, Takuya. #z t 1; Tone to Onimaru. :slia, 1980, 1984. 228p. PZ49.31.K29435 (Tone and Onimaru) illus by Saburo Takada. A series of stories about unde ileged teenagers Tokyo: Kodansha, 1981. 246p. 'who face family crises and povenwritten by a night- PZ49.31.H314 . , , sdlbol teacher. (Ages 11-14) An accomplished dancer, Tone has a fateful encoun Jainnese Association of Writers for, Children Prize, ter with a one -eared thief, Onimaru, in turbulent 1980 thirteenth-century Japan. (Ages 8-11) 192 Maiukl, *oet Hiroshima no Shogakukan Award for Children's Literature, 1981 . pikes (Pika of Hiroshima) illus. by the author. 197 Itawa, Yumiko. hqtscaos,* 7 M t 3 Kare: Tokyo: Komine Shoten, 1980. 34p. -kusa iro no kaze o arigab5..(Surnmer is over for PZ49.31.M272 Sachi) illus. by Rumiko Koizumi. Tokyo:. Kodansha, A virsous story of 8:,15 A.M., August 6, 1945: the 1981. -um p. P749.31.197 atomic bombing of Hiroihima. An important human Sachi surmounts the difficulties of her parents' divorce doCumentari in sumie-styleaintiois with expressi4 by making friends with the stray dogs and wild birds 9f line and colors by the artist who has done "A-bomb suburban Tokyo. (Ages 8-11) paintings" for more than thirty years. (For all ages) Sankei Award for Children's Books & Publications, - . Japan Picture BOok Prize Grand Prix, 1980 1982 Mildred Batchelder Award, 191)2 Shogakukan Award for Children's Literature, 1982 193 Sasaki, lsao. g Yoki no hi. (Snowy day) Noma Award for Juveniie Literature, 1982 illus.'by the author. Tokyo: Kodansha, 198C 32p. 198 Kadono, Eiko. 9cels5 711,1A dorabo - - PZ49.31.53894 Burabura-shi. (Mr. Burabura,1the burglar) illus. by illustrations in quiet color tones eloquently depict Akira Odagiri. Tokyo: Kodansha, 1981. 109p. without words a day in a small train station in a snowy. PZ49.31.K16 country. (Ages 6 & up) When the very audacious Burabura, from the thirty ninth generation of the famous burglar family, comes 1$Yariagiya,. Keiko.it 3* 3 lit* Haru- - kanaru ligon teikoku. ,(Golden empire, yet far- to Japan, Tonbo the detective plans to trick him by away) Tokyo: Oliunsha, 1980, 1983. 256p. appealing to Burabura's showmanship. (Ages 8-11) 'Sankei Award for Children's-Book & Publications PZ49.31.Y3485 Grand Prix, 1982 KIM is brought up as a noble to serve the last em- -peror of Inka Empire as it falls into the hands of the 199 Kikuchi, Sumiko. 0111* I" loge o koete. (Over invading Spaniard's. (Ages11-14) the mountain pass) illus. by Hideko Ise. Tokyo: Sankei Award for Children's Books & Publication, Shogakukan, 1981, 1982. 142p. 1981 PZ49.31.K45 Eleven-year-old Matsuo leans the meaning of lifer through his precious moments with the animals. (Ages 11.14)

31 , 200titahara, Itstrki.< ften < q F. -I- 206Yazaki, Setsuo. 0) u\tz-c!Hoshi to KurOneko Pako no bilticuri shich8. (Surprise, sore no shita de. (Beneath the stars and the sky) `surprisel-Stew for, dinner) illus. by Yr5sUktr Inoue. illus. by Jun Takabatake. Tokyo: Fureaerukan, Tokyo: Bunke ShuirpanIcyoku, 1981, 1983 54p. 1981. 78p. PZ49.31.Y37 pZ49.3: K558 , Six fantaitic short stories all related to the sky and the Twelve nohsense poems about the black cat Paco, stars. (Ages 8-11) Who humorously conveys children's t.ansitive reac- Akai Tori Award for Children's Literature, 1982 -dons in everyday life. Comical line 'drawings in black andYellow. (Ages 6-81 Japanese Association of Writers for Children New- dbmer Prize, 1982 1982 2111* Nait6. Hatsuho. --,tek.fif 3 tiuki to asOb8. (Let's play wit}i'the'moon) ilbis. by Kota Taniuchi. 207. Aman, it. A, 0) 75, If Ir < hChii- chan no kage okuri. (Chit - khan's shadow game) -Tokyo: Sh&Osha,- 1981. 24p. 0 Orien Japan , 'The strongly color - contrasted oil paintings without illus. by Noriko Ueno. Tokyo: Akane Shobo, 1982, text tell ef a happy pastime of a -little boy and the 1983. 56p. PZ49.31.K16 MOCK (Ages up to 6) After Chii -chan loses all of herfamily, she starts to play a shadow gar,* in which she tries to see her beloved 202 Nakamtira, Tomu: A k_ 0 at Kobitotachi ones. (Ages 8-11) no izanai. (Invitation from the little people) photo-' ShOgalcukan Award for Children's Literature, 1983. graphs by the author. Tokyo.. Kaiseisha, 19814 V sheets. PZ49.31.142825 206Gobi, Ryilji. t t,, ShOnentachi. (The adoles- Photographs of nature featuring pikie dolls are accom- cents) illus. by kyoko Hanai. Tokyo: Kodansha, panted by poems, (Ages 6-8) 1982.190p PZ49.31.G6834 A realistic story ,about eighth graders struggling to Noguchi, TetstitarO. e *19a3t* 1 2. establish their own identity in a quest for true friend- Kam', hikoki de asobu hon. 1-2. (Flying paper ship. (Ag2s 11-14) craft) Allis. by the author. Tokyo: Bunch8 Shup- Japanese Association of Writers for Children Award, par!, 1981: 158p. TL770.N56 1983 Comprehensive explanation with simple drawings tells 209'Horiuchi, Sumiko. It 3 hrOf 0 * Haruka na all aboutpaPel- planes from the basics to jumbo jets, kane no ne. (The echo of the chimes) illus. by bird-planes, and wrapping-paper planes: (Ages 6-8) Mamoru Suzuki. -11tyo: Kerdansha, 1982. 192p. SegaWa, Yasuo. Jo t 9 Futari. (Together)'illus. by PZ49.31:H64 the a thcr. Tokyo: Fuzanb6, 1981:28p. The story of a Japanese girl who lived in Korea forty Orien Japan years before is told to hospitalized children by Dr. A cat and a rat play through sophisticatedly designed Kojima, with the intention of focusing on the fact that Japan had then invaded the country. (Ages 11-14) pages, always uttering the most appropriate exclama- Noma Award for Juvenile Literature Honor Book, tioni. Exquisite lithographs in Subdued colors. (Ages up 1983 to 6) 210Matsuoka, Kyoko. 6 1! g' Of ur o daisuki. 205 SuGita, Yutaka. if < It EtFk Boku wa iobitai. (Taking a bath is fun) illus. by Akiko Hayashi. Tokyo: (The scarecrow who wished to fly) illus. by' the Fukuinkan Shoten, 1982. 20 sheets. author. Tokyo: Kadansha, 1981. 16 sheets. PZ49.31.M285 Orien Japan Color pencil-and-ink illustrations depict a boy's good An abandoned scarecrow finds his destined enemici, time in a Japanese-style bath with an amazing series of ale crows, but surprisingly becomes friends with them. animals. (Ages 3 -5) Fantastic shades in drawing ink. (Ages up to 6) Sankei Award for Children's Books & Publications, Illustrations Awird, 1983

32 '31 tvlor,ii Hans. ..".:A,zA,ti:t,kiltf 7 6) 1983 Konkonsama ni 'sashiage skith, (An offering for. 216 Hori, Naoko. 0 Tsurnujikaze no the fox) illus. by Toshio Kajiyaina. Tokyol PHP- Maria. (Maria the cyclone) illus. by. Yirichi Wata- Kenkyislo, 198Z 32p. PZ49.31.M559 nabe. Tokyo: Shogakukan,-1983. 142p. Subtle color and naive brush paintings tell the story of PZ49.31.H63 a .mother fox's hunting, based, an an old .custom of Twelve-year-did Natsumi meets beutiful Maria, null Japan. (Ages 3.-S) whose unexpected warmth and intelligence are sup- Jalian'Picture Book Prize Grand Priic, 1982 pressed by he? rebellious, poignant manner. (Ages

211:' Salt§, Atsuo. it i it 17'1 0 II Ganba to 11 -14) , tawauso nob-Omit. (The adventure of Ganba and Sankei_ Award for Children's Books & Publication, the otters) illus. by Masayuki Yabuirchi. Tokyo: 1983 1Wanami Shoten, 1982. 546p. PZ49-.63)528' 217 lwamura, Kazuo.,14 0 g 6 f. it A, Jciyon-hiki Ganba the wharf rat and his pally of fifteer. go ow. no asagohan. (Breakfast for fourteen) illus. by the to ;earth for their missing friend and encounter the author-Tokyo: Doshinsha, 1983. 32p. supposed-to-be-extinct otters.,(Ages"11-:14) PZ49.31.I78 .- Noma Award for Juvenile Literature, 1983 The second of the field mouse series tells of the mom= ing activities of a field mouse ramify. Brief text-and 113: .Sane, Yoko.. t) L'7515kt! Watashi ga watercolor illustrations. (Ages 3 -8)

iothto datta toki. (When I wak a little sister) illus. , Japan Picture Book Prize, 1983 by the author. Tokyo:.Kaiseisha, 1982. 110p. Shogakukan Award- for Illustrations for Children; PZ49.31.S3.77.34 1985 A remembrance of the author's elder brother who 218 lwamura, Kazuo. 14 0. t tf. died at the age of eleven is told in affectionate first - no hikkoshi. (Moving into the forest) illus: bythe tz, person narrative with fantastic black and white pencil author. Tokyo: Doshinsha, 1983. 16 sheets. I ...drawings. (Ages 8-11) , -' PZ49.31.I783 Mimi Nankichi Children's Literature Award, 1983 The moving out of fourteen members of a field mousse 214SatO, Makiko. is 7 e z - Ham.' Base- family is told in watercolorJand-line illustrations with dei. (Happy Birthday) illus. by Yoshi Kobayashi. succinct text. (Ages 3-8) -. 'Tokyo: Akane Shobo, 1982,1983.174r. . PZ49.31.5414 219Kaneda, Takuya. a -; Ko eD Romira -no yume. Sixth-grader yukari is u 'pset about not being able to do (The dream of Romila) illus. by Ttunayo Kaneda. anything for Midori; the class leader, who suddenly is JQkyo: Kaiseiiha, 1983. 34p. rejected by' her classmates. (Ages 8-1,.) PZ49.31.K2742 Noma Award for Juvenile Literature Honor Book, A day in the life of a little Nepalese girl living simply and 1982, close to nature is shown in colorful. illustrations. o Japan Picture Bopk Priie,.1983 215 Yashiro, Shunpei. L x 1.1.Matsurida wasshoi. (Matsuril A day at a Japanese festival) 220Mizushima, Stith°. ,101, tz' illus. by Shigetaka 'Sawada. Tokyo: Yaiseisha, Sukidatta kaze, kazedatta kimi. (Yesrl loved you, 1982. 16 sheets. gr48134.T6.S28 b'ut !shall move on) illus. by Kayo Murai. Tokyo: Colorful and descriptive illustrations reflect the unique Popurasha, 1983. 214p. PZ49.31.M52 atmosphere of Sanja-Mitsuri, one of the Japan's three An entrance examination distresses fifteen-year-old biggest festivals-. (For all ages) Sakurai and makes him seriously wonder whit life is all about. (Ages 11-14)

~~221 Muranakd, Rie., Kamusa hamunida. (Thank you, Kamsa Sabuth Takada. Tokyo: Kaisella, 1983. 202p. PZ49.31.M77~~

33 Eight short stories iboutthe warm friendship between 227. Yoshida, Tashi. Maigo. (Lost in the prairie) *ant* girl and an 'Id-Korean Woman who share a illus. by the author. Tokyo: Fukutake Shoten, room' 3 the- hospital also provide a-gen, caution 1983. 48p.- -, PZ49.63.Y67 .'against radalpr,ejudice. (Ages 10-14) I A?todation of Writers for Children New- In earth tones, the 'Rotations depict the panoramic scenes of African life and a gnu baby's des,Jeratt- . Pate, 1983 search for its mother. (Ages 4-7), "-`-4.22 :44iskuctri, Aiken)). w-5fr. 6' f ! OmOitsUitara sono toki- nil ;Take it whenyou thktk. of 10-4111us.. by Kayako Nishimaki. Tokyo: 1984 ICRiUtnisha, 1983. 20 sheets. \PZ49.31.W499 228 Hayashi, Akiko. it "C" 0 t 7/ 1 Hajimete Ipcintaneous watercolor illustrations tell thestory of no kyanpu. (The very first-camping), illus. by the - an old woman who has a habit of starting her own author. Tokyo: Fukuinkan Shoten, 1984. 104p. businesses, one after another. (Ages up to 6) Oqert Japan 223 Kakuko. Plait Dokyaseitachi. (My The experiences of fifst-lime, camper Nao-chan Colleagues, dais of '48) illus. by Takako Hiroo:). collecting firewood, carrying big bags, andeven prom- ising nor to be afraid of the dark--are all told in . Tokyo:. Kaiseisha, 1983. 2760. PZ49,3153795 simple line drawings and sucdnct,text. (Ages 4-7) Sficirt stories that vividly depict the life of children and 229 kadono,. Elko. td tLI A, , their fenilies in tilciyama prefecture immediately, Ohainnasai, erimaki ni:(Come on inside my scarf). after World War IL (Ages 8-11) - by Suzuko Makin°. Tokyo: Kin no Hoshisha, 1. Japanese Association of Writers for-Children Prize, 1984. 32p. 1984 y PZ49.31.K163. On a arid, cold -night, there Must be a tE- Niimi Nankichi Prize for Juvenile' titerature, 1984 way to' make everyone warm. (Ages 3-6) Sawada, Shigetaka. /E* Hanabi. (Fireworks) illus. 230 . by the author. Tokyo: Kaiseisha, 1983. 15 sheets. Koyama, .16r6. hi A. it 14 6') 0§ Yo(nigaere TP300.S28 Kugany no shima. (Revive, Kugany, the island of The three-dimensional' impact of kaleidoscope-like gold) Tokyo: Chikuma Shob6, 1984.232p. Japanese fireworks and the* manufaCturing process , CLC ifa, I are represented ithis two:0-dimensional, yet colorful A documentary about the extermination of a harmful and articuLtely illustrated book. (For all ages) fly 7,r1 Okinawa includes factual data on the Method, which used no chemicals. usYajirriai-Minoru. x 6") >r < Shizen no kaku-, Yoshimura Akashik6 Award for Science Books, 1985 shie.Midden, pictures of nature)vhoographed by 231 Kuuti, Naoko. itg) iz t Tomodachl the aiithiir. Tokyo: Kaiseisha, 1983. 66p. CLC wa umi no niei. (My friend smells like. an ocean) A magnificent color album of birds and insects` by Shinta Chi). Tokyo: Rironsha, 1984: 228p. in nature; capturing their mysterious Ways of self- presetvation and ways of hiding from their natural CLC enemies (For all ages) A tale of a whale and a dolphin whoare best friends. Profusely illustrated yJith expressive line drawings. 226Yamashita, Hamm I zr- Sankei Award for Children's Books & Publications, Masugeno umi no hikosen. (In a balloon over 1985 Eyelash oceah) illus. by Hanmo Sugiura.- Tokyo: 232 Matsuoka,Tatsuhide. t <, 7 ICaiseisha, 1983. 32p. PZ49.31.Y3435 Boku. no robotto dai ryoko. (The wonderful jour- In a little boy's teardrops, the sky become an ocean ney with my robot)" illus. by the author. Tokyo: with rainbow- colored wales and leads him the world of imagination. (Ages 5-8) Fukuinkan Shoten, 1984.56p. Orien Japan Ehon Nippon Award Grand Prix, 1983 A boy's adventures with his robot, in which they meet

~~3 4 more than :three hundred species of animals and plants from different regions of. Earth. Richly colored, realistic illustrations in a comic-strip format, (Ages~~

~~110,5 tte Gin no usagi. (A silver raSbit) illus. by SaburOTakada. Tokyo: Shin Nihon~~

Shuppan0984. 154p. , CLC little Chigusa Sees her favorite rabbit being sold and killed kir its skin but then sees a beautiful silver rabbit running into the evening syn. (Ages 8-11) Japanese Association of Writers for Children New- earner Priie,1985

1985 234 ICadono, tiLkfle ivlato no takkyubin. (Special delivery of Kiki, the witch) illus. by Akiko Hayashi. Tokyo: Fukuinkan Shoten, 1985. 272p. CLC The time has" tome for Kiki to otcome an independent witch. She starts a special delivery service with Jenny the cat at thetown of Kiriko. (Ages 8-11) Noma Award for juvenile Literature, 1985 Sh6gakukan Award for-Children's Literature, 1985 - IBBY Honor List, 1986

235 Kai,Nobue N1 *0 < 6 I:,: ff flk 0 5 if MI Zassa no kurashi: akichi no gonenkan (Life ,of the weds five years' record in a vacant fot) illus. by the author. Tokyo: Fukuinkan Shoten, 1985. 64p. 'CLC The author closely observed the life of wild weeds for five years and summarizes their entire L:ama in thirty pages of meticulous watercolor sketches. (Fpr all ages)

~~. Japan Picture Book Prize, 1985'~~

, Kodansha Cultural Prize for Children's Picture Book Publication, 1986 236 Nishimura, Shigero. ,aTe b *OBE* E de mini Nihon no rekishi. (Pictorial history of Japan) illus. by the author. Tokyo: Fukuinkan Shoten, 1985. 80p. CLC Thirty-two panoramic scenes depict the historical- development of Japan. A detailed explanation of each sr picture is added in the 9pendix. Japan Picture Book Prize Grand Prix, 1985 History ancl. Criticism

~~1956~~

237 Kan, Tadamichi. H *0) Yf, itx* Nihon no jido Eleven critical essays on modern Japanese children's bungaku. (Japanese children's literature) Tokyo: literature by a representative of the new generation: Otsuki Shoten, 1956, i966 (revisededition). 530p. .The most controversial essay istitled "Sayonara,. .PN1009.J3 K3 Mimei," which challenge` the works of Mimei Ogaiga, Revised edition of the earliest histpry of Japanese who has been looked upon as the father of children's thiltken's literature. It examines modem children's literz.ture. The author declares Mimei's works to be un- literature from the sociocultural point of ,view. Topics suitable for children's reading because of the disguised `discussed indude the children of modem Japan,pro- spell of his languagi, born of his highly emotional letarian children's literature,thebestablishmentof fairy grasp of life and society. tales, and books from World War II to the present. The postWar period-us divided Into three categories:a defeated nation to the Peace Pact, the Japan-U.S. Secu- 1960 rity Pact, and a new structure under i high and developed mass communication. (See 0 ken's 239 Ishii, Momoko. Inui, Tomiko. Suzuki, Shin'ichi, et al. Literature:A Cuicle to Reference Sources, First ,trpple- -7- e 3Z* Kodomo to bungaku. (Children ment, comp. by Virgin Haviland and Margaret N. and literature) [Tokyo: Chuo Koronsha, 1960.] Coughlan [Washington: Library- of Congresi, 1972], Tokyo: Fukuinkan Shoten, 1967. 225p. p. 2611 , PN1009.J3 K6 A group of writers, critics,- and editors assess six of the most influential writers in modern Japan. This volume gave direction to the sixties' trend toward a critical 1,959 attitude toward conventional fairy tale style, withan appeal for more simplicity in style and an amusing- 230Furuta, Taruhi.61.ft3E i 3Z*1111 Gendaijido element. Their method of comparing modem Japanese bungkkuron. (Essays pn contemporary children's literature with western children's literaturewas often -literature) Tokyo: Kuroshio Shuppan. 1959. 253p. criticized later because of the absence of sociocultural PN1009.J3 F78 context. 7.1965. , A collection of essays written in the 1960s by an active writer and columnist on such topics as fairy tales, bhir, Momokp. &et omit*. Kodomo no methods of writing for children, child culture, and' toshokari. (Children's' library) Tokyo: lwanami private periodicals. Also included are the short stories: 5hoten, 1965. 218 + 15p: 2718.18 . "Kid no tviura" (Foggy hamlet), "Anoko'; (That A book based on the author's first seven years in her - "Kaze ni Fukarete" Blown by the wind), and "Fukuro" h ome library. Contents include a detailedleading rec-' (The owl). b rd often specific children, a list of the library's most 244 Nishimoto, Keisuke. EitSC*011) lido bun- popular tiooks, discussions of the potential relation- gaku no sag). (The creation of children's litera- ship betvieen public and privatelibraries, and reports' , lure) Osaka: Osaka Kyoiku Tosho, 1970. 293p. froin children's libraries around the world: The wide PN100953.N53 acceptance of this book resulted in the appearance of a hogenumber of home libraries all ovirAhe country. An adyocate of artistic children's literature, the authOr voices support for the unprejudiced pursuit of literary 241'Kata, Koji, andKami, Shoithira. 0tH minds. He 'criticizes the ideologically biased approach - bungalai e no shotai. (An invitation to chil- to children's literature and 'deplores the negative' dren's litkrature) Tokyo: Nanbdkusha, 1965. 490p. movement inward a conventional style and literary PN1009.J3 K34 attitude. Chapters include 'War Experience and Chil- In contrast-to traditional criticism, wiiich'was heavily dren's Literature," "Hello, Uncle Mimei, "'Ht.manism inclined to artistic children's literature, this collection ; and Children's Literature," and "Criteriafor Criticism on Children's Literature." , of critical essays includes the genre Of poprilar chif- drefi's books with themes such as nationalism, science fiction, cartoons, ,history 'of illustration, and Areas. 1971 Includes various writers who crass genres, such as Eiji Yoshikaw'a, Minetani Yamanaka, Kizer Unno, Ranpo 245Fujita, Tamao. El *11111.5e Nihon di:Tashi. (His- we, Karoku Sato, Suiha Tagawa, Sinpei Shirado, tory of Japenese,children's songs) Tokyo: Akane Osainu-Tezuka. Shobo, 1971. 658p. PN1009.j3 F77 A history of nursery songs mostly_kept aliveby representative children's magazines of the 1910s and early 1966' 1920s, such as Akai ton (Red Bird), Kin no horni(GgIden -star), KM no tune (Golden ship), Otogi no sekai(fantisy 242 Kami, Shoichiro. *MIA * W Mimei dowa no world), and Dawa (Fairy tale) substantially surveys and ri hOnshitsu, (The essence 3f the cl-,:ldren's story by analyzes afl-of them.,The course of development is Mimei) Tokyo: Kelso Shobo, 1966. 1820. carefully traced 'from pioneering works of Hakushir PI.813.G3 273 Kitahara, Yaso Saijk and Ujo Noguchi to numerous A study of Mimei Ogawa's Akai Keisoku to Ningyo (A others. , red candle and a mermaid) elucidates the inspiration )Japanese Association of Writers for Children Prize,, of this noted work, presenting as a possible model a 1972 local legend and discussing the author's preference for nineteenth - century, art. The , analysis in socio- 246Seta, Teiji. Inokuma, Yoko. jingu, Teruo. /4*YE -economic, philosophical', and anthropological terms I** Ei-Bei jidO bungakushi. (History of Anglo- concludes that this title, which reflects the author's American children's literature) Tokyo: Kenkyii- social concern and ideology, exemplifies all the essen- sha, 197). 404p. + 34p. (index and bib.? tial factors of Mimei's writing. - PN1009.A1 536

Chapter one deals with how foreign children's liters- , ture was introduced to japan in its early histry. ThE 1970? reaction and influences experiented within the cul- 243 Imae, Yoshitomo. *A01141111-7.? 40 kV rill tural context are discussed 'for Aesop's fables, Robin- Otona no jikan kodomo no jikan. (AdUlts hour, soh Crusoe,little Lord Fauntleroy, Emil:and the Detec- fives, The Postman's Tale, Annie -the pooh, and trans- children's hour) Tokyo: Rirnnsha, 1970. 302p. lations of the Newbery Award titles in 1941, to name PN1009.J3 14

7 - _oily a few The remaining chapters survey the history and social events and issuesselated to children's culture of English American children's literature from 1868 through 1973 are provided as a supplement.

247Torigoe, Shin.t3*),E)it SC*5tOf* 1- 2. Nihon jido bungitkUshi kenkjii. 1-2. (Study of the his- 1974- tory of children') literature of japan)_ 1-2. Tokyo: 251 Jingir,' Tenio. ft13 Mit ir* Geridaiflihon FutOSfia;1971, 1976. 326p. PN1009.J3 :164 no Ode bungaku. (Contemporary Japanese chil- A r.1.:_taileci study of seventeen 'representative preivar dren's literature) Tokyo: Hyoronsh, 1974. 171p. writers and thirty-four other authois, including minute PN1009.13 T53 biobibliogtiphical data on Mimei Ogawa. Also in- Analysis and a critical survey of contemporary Japa- dulled are Torigoefs essays on the history of children's nese children's literature in light of postviar social literature and contemporary fantasy and an important phenomena is presented in four chapters: "From the. arty titled "Children's Literature kesearch and the End of ,World War 11 to the 1950s," "Study of the -Reference Material." 1960s," "Trends in the 1976s," and "Examining Postwar' Children's Literature." 1973' *IIHonda, Masyko: Ye it>rIt JiderbunIca. (Children's '1975 culture) Tokyo: K8seikan, 1973. 238p. 252 PN1009.J3 Imae, Yoshitomo. rialg (7) 1141 Afl a2tvogistm Ehon Topics discussed concern the study of the interrela- no jikan ehon Pro heya. (Illustrated-story-time) Tokyo: Subaru Shob6 Seikosha, 1975.- 232p. , don between culture and childre -,. The various themes: + . include children's role in culture, the development of 14p. , , PN1009.A1 14 the idea of children's culture, and an approach toward A guide to the world of picture books by a p -the Child in children's literature with Sutdiff, Tsubota, children'S book writer, witJ essays on A. Lobel, Zimnik, C.S. Lewis, and e!hers: : Lisinni, Lingerer, S. Tashima, 52Tanilcawa, Shinta Cho, S. Hatsuyama, Tashi° Kajiyamay and 3thers. 249.Inokuma, YOko. tern o. TsUzukihashi, Tatsuo, e t al. (eds.) iii/i113 *9E it -St* 1- 8 Mt 1- 2 253 Kuwabara, Sabu *14% ,111 00 ft *1 0 It it Kim: Nihon jido bungaku. 1-8. bessatsu 1-2. Akai Lori no jidai: Taisho no Oda bungaku. kettuies on Japanese children's literature. 1-8, (Akai tort the "red bird" generation: children's SuPpl. 1-2J Tokyo: Meiji Shoin, 1971-1977. 248p. literature of :Taisho period) Tokyo: Keio Tsushin, PN1009J3 K67: 1975. 4:7p. + 12p. 11N100943103 A collection of acideinic theses;debaies, and lectures Based on the author's. lectures at Keio University, by critics and scholars in eight volumes, titled: What Is an idiosyncratic era in .TaishO liberalism is explored Children's Literatifie?, Society and Children's Litera- through theworIcs of Mimei Ogawa, TOson Shinazaki, ture, Ch.va.cteristics of Japanese Children's Literature, Koji UnoLHirosuke,Hamada, Kenji Miyazawa, Miekichi Developments in the History of Japanese Children's and Akai rod, 1-lakushd Kitahara, Ujaku Akita, and Literature, History of Contemporary Japanese (...sd- ShOnen kurabu of Kodansha. drerri Literature, and Children's Book Writers 254Torigoe, Shin. iii*RII*St **III. Nihon Ozaki, Hotsuki. Saig8, Takehiko. Torigoe, Shin, jido bungakushi nenpyo. Zen ni-kan. (Chrono- et al. 4., eA*ff f.5t Kodomo. no hon no logical table of the historytf Japanese children's hYakuilenshi. (The centennial history of children's literature) Complete in 2 vols. Tokyo: Meiji Shoin. books) Tokyo: Meiji Tosho, 1973. 340p.- PN1009.J3 K67 PN1009.)3 K59 An important chronOlogicaf table Covers 1868 through A compiled record of round-table talks for Children's 1926 in volume 1 and 1927 through August 1945 in Library monthly features such topics as education, volu-me 2, under the following categories: "Fairy Tale. children's play and toys, popular literature, major and Novel," "Niasery Song and Poem," "Drama and writers, and works and movements of the day. Chrono- Dialogue," "Translation," "Criticism and Essay," and logical tables of children's bOoks, secondary literature, "Facts." An additional list of authors' pseudonyms is provided as a useful reference.

38 oie '255Nihon_Jid6 Bungaku Gakkai (Comp.). Zit IC*Ff "critical spirit toward reality as a connotation of poe- ./C6111 bungaku kenkyii hikkei (A manual on - try," "ground of creativity and criticism," "poems as the stud of children's literature) Tokyo: llikyo. education," "notes on Hakushir and others. Shoseki, 1976. 271p. PN1009.A1 J45 Directed to sstudents of children's literature, this 1977 Manual collectively and systematically outlines the 260Fujita,Tama°.#111#2.1114 21r1 talff*Kaidai history of children's literature research, children's sengo Nihon doyo nenpyo. (Annotated chrono- literature in Cermany, Great Britainhltaly, and Japan, logical table of postwar Japanese nursery songs) the -points of research, and fundamental reference Tokyo: Tokyo Shoseki, 1977. M12551.J36 F85 An encyclopedic chronblogy of thirty years of postwar 256Nihon jido Bungaku Gakkii (comp.). El *EEC Japanese nursery song's by an authority contains a *tab Nihon jid8 buniakugairon,(An introduc- monthly list of books, new titles, and related people's tion to Japanese children's literature) Tokyo: activities, with occasional samples of lyrics and photo-

Tokyo Shoseki, 1976. 291p.s PN1009.J30N48 graphs. Separate indexes by author and subject are This volume presents general studies on the essence included. -.and history of children's literature; essays on poems, 261 Nihon liungaku Kenky6 Shiryo Kankokai (ed.). songs, fairy tales, novels, picture books, and folktales; RIM* Jido buhgaku. (Children's literature) discussions of writers and their works; and research . Tokyo: Yaseido Shuppan, 1977. 302p. guidance and criticism. PN1009.J3 J49 Thirty representative essays can be classified in-the 1976 four following categories: outline of Japanese chil- 257Tomita, Hiroyuki. H *E1611415t Nihon jid6 dren's literature with its history, Studies of "Otogi- engekishi, (History of Japanese children's theater) banashi" and of "Dowa," postwar study and criticism, Tokyo: Tokyo Shoseki, 1976. 462p. PN3157.T6 . and the study of immediate postwar Magazines. All The history of Japanese children's theater is clearly essays were written by respective specialists. Com- traced by an authority using abundant data and pro- mentary and bibliography included. viding an important chronological table from 1870 through 1976. 1978 258 Ueno, Akira. Te 1, oimptatz t KodOmo 262 Matsui, Tadashi. a**b. 3 U Ehon 'o miru me. no kuni no talko tataki. (Drummer of the chil- (the way to look at picture'books) Tokyo: Nihon drer's kingdom) Tokyo: Subaru Shobo, 1976. Edith' Sukuru Shuppanbu, 1978. 329p. 254p. PN1009.A1 U385 PN1009.J3.M347 A collection of essays on contemporary children's The editor-in-chief of Ftiktiinkan Shoten, a major pic- book writers and artists such as Kenjiro Haitani,- ture book publisher in postwar Japan, discusses differ; Yasuko Kimura, Chihiro Iwasaki, Miyoko Matsutani, ent types of picture book.; that children sprefer and and Masakoinagaki. Foreign writers such as Lionni, analyzes notable contemporary illustrators such as Sendak, Keeping, Townsend, Fleischman,O'Dell, Yasuo Segawa, Suekichi Akaba, Mitsumasa Anno, Konigsberg,andCalvin arefeatured with their par- Satoshi Kako, Seizo Tashima, and Chihiro Iwasaki. Also ticular works. described is the production of a picture book, with the example of Momotaro (Peach boy), which is retold by 259Yoda, Jun'ichi. r& I: Z Shi to dowa ni the author with illustrations by Suekichi Akaba. tsUite. (About poetry and children'sstories) Tokyo: Subaru Shotio, 1976.464p. 263 Nihon Jido Bungakusha Kyokai (ed.Y. flitIC*0) PN1009.J3 Y5.1 1111*.ez fide' bungaku no sengoshi. (Postwar his- A leading contemporary poet's essays on poems and tory of children's literature) Tokyo: Toky6 Sho- fairy tales were written through the years 1950 to 1976. seki, 1978. 488p. PN1009.J3 J52 Topics,include "emergence of worth as beginning of Jhirty years of the Japanese Association of Writers for poetry,",rationality in infant's intuitive conversation," Children exactly overlap the history of postwar chil-

k .dren's literature. The years are traced in this book with literature) Tokyo: Nihon Toshoka i Kyokai, 1981. criticism, a chronological table of contemporary Japa- 240p. CLC nese children's literature, and'a table of the complete An annotated list of reference sources categorized contents of Nihon NO bungaku, the organization's as children's poems, children's literature, the study of authors and their works, folktales, picture books, 244Torigoi,. Shin. Nil YESIC*0)11iES 1-2. Sengo plays, and child culture, with an introduction by Reiko jido burnt* no-shOgen. 1-2. (Witness of post:- Tomono to aid beginning users. warthildren's literature. 1-2.) TOkyo: Rironsha, 268 Tanaka, Shigeya (comp.). H *OS* 1 13. Ni- 1978.238p. 'PN1009.13 T648 , hon no doga. 1-11. (Japanese chi(dren's book A collection 14 essays on topics, issues, criticism, and illustration. 1-13.) Tokyo: Daiichi H8ki, 1981. 76p. interv:ews about children's literature written by a lead- each. DLC ing historian from 1953 to 1977 are compiled accord- Full-color reproduction of thirty-nine representa- . ing to the chronology of first ;publicaton. in these tive children's book illustrators from prewar through writings, postwar trends in Japanese children's 'item- postwar Japan; Keish0 Takeuchi, Takeo Takei, Shigeru , lure may.be easily comprehended. . Hatsuyam-4. Kiichi Okamoto, Koji Fukiya, Jun'ichi .Nakahara, Takeshi Motai, Toth' Maruki, Suekichi Akaba, Seiji Fujishiro, Mitsumasa Anno, and 5eiichi 1979 Horiuchi, to mention a few. N1,-Y 265Kuwabara, Saburo. *WI : PM*Q) 1982 9121C* Yukichi, Sazanami, Mimed: Meiji no jido bungaku ( Yukichi, -Sazanami, Mimed: children's 269Nishimoto, Keisuke. -feto*pfpzt, Ko- literature in the Meiji period) Tokyo:,Keio Tsushin, domo no hon no sakkatachi. (The writers of the 1979..436p. 14p. PN1009.J3 K84 children's books) Tokyoi Tokyo Shoseki, 1982. Astudy df children's literature in the Meiji period 350p. PL740.8.N59 (1867-1911) features Yukichi Fukuzawa, Sazanami Intended for students of children's literature with hvaya, and Mimed Ogawa in an academic thesis. Text- the purpoge of cuivating a firm critical view of mate- books, the begirining of boys' magazines and early rials. The. author discusses twenty-six representative girls' maga4nes, crepe-paper books, and the two best- contemporary witars of Japan, among them Nobuo .known translations of the time,'Little LordFauntleroy Ishimori, YOhi Takezaki, Cato, and Yoshihiko > and Deux Ansdes ,VacanceA,are also discussed in Funazaki. references. 270Seta, Teiji. 1E1*o-7-et 05citt ab <' 3 A4 Ochibo hiroi; Nihon no kodnmo no 1981 bimka o meguru hitobito. (Cleanings about peo- 266.Riruta, Taruhi. Aft p *YEASC*' tiA Gen- ple creating Japanese children's culture) 2 vols. t dad Nihon Oda bungaku e no shiten. (A point of Tokyo: Fukuinkan Shoten, 1982. 846p. view upon contemporary Japaneie children's P1751.5.547 4 literature) Tokyo: Rironsha, 1981.31'8p. This study, based on the author's monthly articles in a . PL751.5.F8 magazine series, shows a rich 'tradition of Japanese chik:ren's culture since the twelfth century, with ex- Critical essays written by an active postwar critic 4 through the mid-1970s include discussions about the tensive reference materials, such as rare games and -development of criticism, the composition of thepic- toy pictures from the author's own collection. ture book, problems of- contemporary Japanese Mainichi Award for Publication, 1982 'writers for children, and Observations on the history of Children's Litekature Society for Japan Award, 1981 contemporary children's literature. 271 Tokyo Kodomo Toshokan (comp.). H *0 'AIM 267 KoOchi, Yosbiko (comp). I t IAN 2 SC*fif R *11947-1981 Nihon no jido toshoshii, V- 1981. (Japanese awards for children's literature Sengo jido bungaku kenkyOsho annai. .yy ( (Guide to reference sources for postwar children's 194771981) Tokyo: TokyO Kodomo Ts.,;icokar,, 1982.338p. CLC

40 , a 1 - .- .Mtwithan seventy iwatds aniktk ,winners in yaribus. books, and comic books. (See Children's Literature: A lis'irels-of dletiric` don in postwar Japan are cited with Guide to Reference Sources, Second Supplement, bibliographical date, for every avierd and a 'concise comp. by Virginia Kaviland and Margaret N. Coughlan FfsaW4for for each winnerAnduded are' the Chrono- (Washington: Library of Cce.dress, 1977);" for the first

_ ,19.Fakidishabotical listof Japanese awatchvinners, lists arid second catalogs.) of int*IF fOtelgn awe* and winnert and indexes by 275 -SellHideo. f*NthEltSC*-zilik Taikenteki . , . *Wag* work. and by twiter.,A aigranimatic history Oda .ungakushi. Zen nikan.Experienced history .'.`i' '. ''''". .: dawarcifis added is, an appendix. . of `children's literature. Complete in 2 vols.) Tokyo: Rironsha, -1984. vol. 1-309p., vol. 2= 419p. ac Fukiida, kiyoto.Yamanushi, Torihiko. H * The trend of Japanese children'i literature the Nihon pc16 (Hstoty, of Japanese Taisho era (1912-25) to the end of the war 6945) is care - thikiroffs 'art and literature) Tokyo: Sanseido, fully traced in the author's autobiographical recollec- .1483.110p: - P1751.5.N5 .dons. Observations include social changes fromfai-

Dbildrerteliteratureepedialista -discuss the history of, sho liberalism tolbe rising militarism that led japan to Ahiklren't books from the very begkining when oral its social upheaval and destruction in World WarB. stury-Relliiigwastiking the shape of literature through and Incorporate -a detailed record of the4fac0._ - the siroceedingdeirOgpment in the Meiji (1867-1912), Japanese Assadation,of Writers for dhildrenTrize, .Taishat1912-45), trt.iy Shows, and immediate post- 1985 , War *Mode to the present Trends kuransladon from Angio-AnteriCars, German,Scandinavian, Fr ich, . 1985 1 Russian; and Chinese sources,, are examined. 276.ShimizuNasako. fr ,t (7)*(7) Kodomo no _ 194-, hon no genzai. (Children's books now) Tokyo: Daiwa Sbobo, 1984. 227p. PL7515.S49 273 'Haman°, Takuya.1 eit5E* IC VP MI * Sengo . . jid.) bungaku sakuhinrom (Essay on the works of Critical essays on seven established postwar writers: postwar childien's literature) Tokyo: Dai Nihon Momoko Ishii, Yoshikoptsukotsue Toshiko-canzawa, Toshc, 1964. '216p. 'P1751.5.1136 Miyoko Matsutadi, Akira Ueno, Kenjir6 Haitgni, and The author's- standpoint. in the evaliiation for Chil- Yoshitomo fmae. dose examinations are carried through their different works to provide a full account dren's literature is based more on artistic and poetic _ I factors than on prosaic and purposeful functions. of their goals. Nonetheless,.the author maintains his point of view 277-Seta, Teiji. #A*111 Ehonron. (On the study of 'that the real children, ,terature for its proper audi- picture' books) Tokyo: Fukuinkan Shoten, 198. enceicante-into existence after the vat, and he dis- 570p. CLC cusses representative postwar works in the context According to the appendix, this book Was compiled `t of their style,- social phenomena, and writers' back- after the author's death in 1979, including his writings 5. grounds, from 1956 to 1976, which are closely onnected to 274Kolcuritsu Kokkal Toshokan. picture books. With amazingperspectiveand knowl- N$`® #81981 Kokuritsia Kokk Toshokan edge, the author had Werra great inspiration to many shoz6 -tido tosho Mokurbku, 1981. (National Diet of Japan's postwar picture book pioneers. His essays:, library catalog of children's books) Tokyo: Koku- on picture books in diverse phases provide, a perfect 'introduction to the genre with profound portraits ritsu Kokkai-ToehOlcan, 1984. 864, 204,12p. of domestic and foreign creators of the twentieth Z10,16 .1"58K6 cetjtury. - The third catalog fir 1981 has entries for 14,285 titles, Including thatranlilatioo of foreign books since 1976, an arranged by tide in Japanese sygabary order. Entries are grouped Into four categories: general (such as mathamadcg Nstoiy, or- crafts), literature, picture,

~~41 . , oft1%.-atalogs~~

~~.1969 ,~~

W SM. bungaku,no hyakunen PiClorial records in color reproductions from illus- teti (Exhibition: centennial of Japanese children's trated Buddhist doctrines, picture scrolls, illuminated literature) Tokyo: Tokyo -to Kindai Bungaku Haka- romances for popular reading; hand-colored printed 1969. 21p. CLC books of the seventeenth centuryrdecorative screens, A Bit bf more than five l-undred books and magazines 'early Kamigata books, fairy wk. booklets, illustrated ronithe pre-Meiji eral the present. Each of thirteen stories of 'mkt, picture books of warriors,and herpes, -categories is introduces by the Tespective authority, miniature books, children's broadAes, prints, finder- Who presents the accumulated legacy from an imme- bogeri, and crepe-Paper books with a list of artists, diate past of contemporary Japanese childrerts dates, format and volume descriptions, names of ture. A list of manuscripts, photographs, and posters in holders; essays on related themes by specialists in special displey is induded also. respective areas; and an article in English by Ann Hemng titled +' he EVolution of Children's Books in '1986 !:.pan: Sources and BackgroundsFrom Early Times, to the 'Seventeenth Century." '0479'Niir442Xlifir: 121 fist Cersa domo no tomb" ten:- tenji sakuhin 'mokuroku 281 102 iit 0* 60 * Sengo ehon no ayumi ten. (Ex- (Exhibition of original art works done for Kodomo hibition: the development of postwar Japanese no tomo magazine: the list of exhibited works) picture books) Tokyo: Iwasaki Chihiro Art Mu- *_ Tokyo: Fujin no Tomosha, 1986. 14 sheets. seurn of Picture Books, 1986.130p. CLC CLC Abundant color and monochrome reproduction from A list of three hundred artworks done for Kodomo no epresertative postwar artists are used to attempt to tomo, a notable- children's magazine, from 1914 to trace the development at the picture book as an art. 1943. Articles on four most important artists, Rakutin Essays on the prewar history of the Japanese picture Kitazawa (1876-19553, Yumeji Takehisa (1884-1934), book, printing history of the contemporary pictur Tomoyoshi Murayama (1901-1977), and Takeo Takei book, and the development of thepostwar picture (1894-1983), are included as well as cblbr and mono- book, a chronology from 1908 to 1986; and interviews chrome reproductions ?tom the actual pages, provid- with the editors Tadashi Matsui and Yasoo Takeichi, ing precious information about the very first stage of who projected the new approaches in publication of the picture magazine age. postwar picture books, are included. 2110 pito+ t 0*ff suit: 171ich, 191k e,02 i)** Nillon no kodomo no hon rekishi ten: jtishichi7seiki kara jukyu-seikino eiri-. bon o c htlshin ni (The- early history of children's books in JapanStories and pictprei from three centuries: 1600-1900) Compiled by,.,,t Program Committee for 20th IBBY Congress. Tokyo: IBBY/ Tokyo Metrcitrolitan, Ctilture Foundation, 1986: 86p. CLC s;$

~~eh, is~~

~~1946-1985~~

282 Bungakusha Kyokai (comp.). 13 *COM* Bosh academic theses and criticism were accepted for 1968-85-14**14 12*!J1$1-3,196- publication in this monthly, while a number of estab- 1969 Nihon jido bungaku, 1968-85, bessatsu. ' lished authors wrote long novels for it in serial form, Shitya sengo jido bungaku ronshu. 1-3, 19467 the hill- length form of which would have easily intim- 1969. fjapanese children's literature, 1968-85. idated any commerdal publisher. Its contribution was Special' issue: Collection of essays on postwar also in promoting international studies by regular publishing of foreign and Japanese reference children's literature.' 1 -3, 1946-1969) Tokyo: sources, bibliographies, and reviews, as well as fostering intel- Krilku6huppan Send. 1968-1985. lectual communication among authors and artists of DLC different cultures., Complete files of the monthly organ of the Japanese 286 Nihon Kodomo no Hor Kenkyfikai (comp.). fl ff.) Assodatiorr of Writers for Children from 1968 to the present. Three additional volumes cover iiportant -Tr t 0*111 'Gekkan kodomo .no hondana. previously published essays on postwar Japanese chil- (Children's bookshelf monthly magazine) files dren's literature during the years 1946 to 1969. incomplete. Tokyo: Nikkyohan, 1974-1985. DLC 283Ada Toshokan 'Kenkytikai (ed.). zetormis The monthly bulletin of the Japanese Association Alai§ Kodomo no tosholcan. Fukkoiesban. (Chil- for the Study of Childn's Books, an association of dren's library) Reprint. 1954L1973. individual membership for writers, teachers, librarians, DLC publishers, mothers, and others, carries lists of new The monthly bulletin of the Society- of Children's publications, book reviews, and recommendable libraries in its first nVenty years. Gives important data books. about puhlia library activities in postwar Japan with facts public service for children and the history of 287 Imae, Yoshitomo. Ueno, Ryo. Tanikawa, Shun- the private home libraries. taro, et al. (eds.). ES )1' Jido bun- 284Ishii, Muneo (comp.). *tit Gakko tosho- gaku ariyuaru.(Children'sliteratureannual) kan. (School library) Tokyo: Zenkoku Gakko Tokyo: Kaiseisha, 1982, 1983, 1984. DLC Toshokan Kyirkai, 1964-1985. DLC Meant to be the only annual magazine issued by a The monthly magazine of the Japanese School Library commercial pub.isher, the annual covered topics of a Association. This association has been issuing a re- wide range in the chile-en's book world, with editors commended list for school libraries each year since its from various backgrounds: Yoshitomo brae and Ry8 founding in 1963 and has also sponsored tie National Ueno (both writers), Shuntarii Tanikawa (a poet), and 'Book Essay Contest, tiPicture Book of Japan Award, Shunsuke Tsurumi (a sociologist). A bibliographical and the School library Award. section at the end includes a checklist of children's book publications of the year and lists of authors, 285Sugahara, Hirokuni. Yakuwa, Noriko. Sakuta, Ma- illustrators, publishers, libraries, bookshops, and maga- chilco, et al. (eds.). * t Kodomo no yakata.. zines riving the latest information. Discontinued after (Children's house) Tokyo: Fukuinkan Shoten, three issues. 1973-1983. Files incomplete. CLC

~~43 1891 1924 jet..twaya, -Sue° (1870-1933).Z. rttf #z * 3 Kogane- 291 Miyazawa, Kenji089E-1933). 4 maru. (Koganeraaru) illus. by *Keishii Takeuchi. asco of4Mg lha tabu doWa: chamon no of~~

[Tokyo: Haltubtinkan, 1891J Tuxyo: rindai Bunga- , ryoriten. (Tales of Eehatov:. restaurant of many 1968. PZ49.63.I9 orders) [Tokyo: TelyEr Ktigensha, 1924.1 Tokyo: Kogantinaru, an orphan puppy raised bya cow, IVihtm Kindaillungakulcan, 19741., avenges his father against a ferocious tiger and a fox. PZ49.31.M478 Publication of this book in 1891 marked the beginning Nursery stories by Kenji Miyazawa have been given a of children's literature in modern Japan. The author, special position in the history of Japanese literature known as Sazanami hvaya, produced varied forms of because of their idealism, -which embodies Miyazawa's children's literature in its beginning years. religious and scientific concerns as well as' his prag- matic interests. As the only anthology published in his 1919 lifetime, thikvias written for the purpose.of promoting $9 .Kitahara, Hakushil (1885-1942).k h, ir91141. Buddhism. Tmbo no medama. dragonfly eyes) [Tokyo: 292 Saila, Yaso (1892-1970). M4A+11181111 Saijo Arusu,. 1919.1 Tokyo: Hork.pu Shuppan, J971. Yaso dOio zenshO. [The complete collection of .4 PZ49.43.K495 children's Songs by Yaso Saijo) [Tokyo: Shincho- A collection of thirty-nine nursery songs by Hakushil sha, 1924.1 Tokyo: Horupu Shuppan, 1971. Kitahara, the pioneer nursery song writer, were mostly PZ49.43.S2 written duringthi first year of publication of Akai toil Magazine. Printed on art paper with color illustrations The important nursery songs of Yaso Saila, an eminent by eminent artists of the era. songwriuw, were compiled from the first six years of Akai tori magazine. 1921 - laisuyama, Masao (1864-1950). El *aniEtIft 1920-1926 Nihor eiyii densetsu. (The legends of the Japanese heroes) [Tokyo: Fuzanba, 1921.1 Tokyc: 293 Itt*M0(11111k vol. 75 Za.s:thi dime Kodansha, 1983. 328p. ?Z49.31.K883 .fukkokuban vol. 75.4Dowa magazine, reprint edi- This revised edition of Nihon diiwa hiiiyolcushii(1921) tion, vol. 75)1920.4- 1926.7 [Tokyo: Kodomosha, is the author's lifework and also was a uniqueattempt 1920-19261 Tokyo: Iwasaki Shoten, 1982. in the TWO clays. It was intended to. convey the DLC essence of Japanese folktales, which had constantly A representative children's magazine of the faish6 era. been bdruencled and transforMed -by other cultures. Thiscompetitor of Akai tort magazine was edited by Real and legendary Japanese heroes figure in the first Shoe, Chiba, with the collaboration of Shiro Kawa- part, Genji and Heike batik stories in the second. ' kami as illustrator frsr the covers and frobtispieces. 19 7 294 Dawa Saldca- K (ea.).t1 **ERWIN hibbn &we Ienshu. Oukkolcuben. (.Selection of JaPanese,-4;hildren's stories) Reprint edition. (Tokyo: Maruien, 1927.1 Tokyo: Ozorashi, 1983. PZ90.13.M2 Art anthology of Taisho and early Sh6wa children's !Item* with the authors' own selection. Ample illustrations provide an index of pritg r tof /fee period.

295Chiba: Sh6z6.(1892-1975). f- At* Do- . walk's tote,. basha. (The Coach with truMpet) /Tokyo: Kokin Skin, 1929.1Tokyo: Horupu Shup- Perk 1971. 194p. PZ49.31.C45 1946 A'colleitjon of stories switch for tidlya magazine by 298 Nogami, Yaeko (188S-1985). M' 8 It A tz the eminent author-editor Sh605 Chiba. Chiba was Ohanashi chilsaki hitotachi e. (Stories for the successful in conveying a lively, realistic portrayal of very, young) (Tokyo: Iwanami Shoten, 1940.1 children in-a natural Japanese setting. Tokyo: Horupu Shupinn, 1976. NC2709.Y58 . 1930' Myths, legenc s, and nursery tales from various sources were resole for educational purpose by Yaeko NO- Makimoto, Kusurei (1898-1956). *0 Akai hate. gami, a widely active literary figure and also a noted (The red banner) [Tokyo: KOgyokus,ha Shwen, translator of Heidi by Spyri and Thi Age of Legends by 1930.1 Tokyo: Horupu Shuppart; 1971. 105p., Ranch. PZ49.43.M3 The firit proletarian nursery-song book by Kusur6 Makimoto was written during the author's involve- ment with the proletarian children'( literature move- mant The words rev,oludon, communism, struggle, and 'others are deleted, which shows us an example of. umsorship of the period.

~~1933~~

~~297-Chiba, Sh6z6 (1892-1975). FlitA 6 L Mutsu no arashi. (The storm of Mutsu) (Tc kyo: Kodansha, 1933.1 Tokyc: Iwasaki Shoten, 1968. 250p.~~

. , PZ49.31.C43 Reprinted as a part of the complete collection J Sh6z6 Chiba, this Se* is a good example of a typical popular Rodin tide for girls of the time. The romance, based on a novol of Jule,' Verne, is about a yOung soldier'who was sent to northern Japan to put down a revolt.

~~45 fictions and Anthologies~~

1979_ 1976 719 Takehisa, Yumeji (1884-1.34k 011E 71. Ko- 102 Ogawa, Mimei (1882-1961). %*4111 Wig domo no sekar. (Children's world) kit's. by the 1111- 16 Teihon Ogawa Mitnei dawa zenshii. it -!tor. Tokyo: liyilseikaku, 1970, 444p. 1-16. (Standard complete collection of children's NC991.5.T3 A5 stories by Mimed Ogawa) 1-16. Tokyo: Kociansha, A collection of 378 Mustrationvfor children's *books 1976. PZ49.31 0332 done between 1906 and 1930 by Yumeji Takehisa, a The complete collection of Mimei Ogawa, the leading self-taught painter-poet whose spontaneous- senti- figure of children's literature through the Taisho and mental expreeeAn wort him fam. Showa eras, whose works are characterized by pro- foundly fantastic images as well as by his own idealsis ;1974 Utopian. s Kato, Ken'iChi (comp.).'1 if 1 '3 1986 Shonen,kurabu meisakusen. 1-3. (Masterpieces from Shonen Kurabu magazine. 1-3.) [Tokyo: 303 Miyazawa,Kenji(1896-1933).'gig Welk X Kodansha, 1914-1946.1 Tokyo: Kodansha; 1974. 1 16 Miyazawa Kenji zenshii. 1-16. (The col- PZ90..13 S47 lected works of Kenji Miyazawa) voll 16. Tokyo: PZ90.j3 N4 Chikuma Shobo, 1980. P1833.195 PZ90J3 055 The collection covers the whole literary work of Miya- Selection from a most influential. boys' magazine zawa's thirty-seven-year lifetime, induding children's fot did in 1914, which gradually formed its char= stories, Haiku, Japanese verse of_ thirty-one syllables, acteristic style by the mid-1920s with frequent articles resumes, essays, and memos from his notebooks and on national heroes, war dories, and adventures re- letters. flecting the do-minant atmosphere of those days. Vol. 1: Fiction; vol. 2: Illustration, and vol. 3: Ccate- 1980-1983 and-Wit. 304 Niimi, Nankichi (1913-1943). KOtei Niimi Nanki- 1975 cN, ZenshO Henshii linkai (comp.).l 1 -12 Nirmi Nankichi zenshO. 1-12. (The .301 Suzuki, Miekichi (1882-1936), 16*2.: Igtfit la collected works by Nankichi Niimi) vol. 1-12. 11- 9 Suzuki Miekichi dOwa zenshii. 1-9. [separate- volume supplement 1-21 Tokyo: Da( ',Complete collection of the children's stories by Nihoh Tosho, '1980-1983. P1837.14 iviiekichl Suzuki. 1-9.) TokYo: BunsendO Shoten, The collection includes novels, children's stories, dia- 1975' PZ49.31 59843 ries, plays, translations, letters, and notes and memos, Miekichi Suzuki was the founding editor of Akaitori with his chronology, family tree, library catalog, and a magazine, a landmark of prewar children's literature bibliography. Niimi, a talent wh.. was discovered in the and the Taisho era as well Suzukrs own worts for Akai ton movement, created in his short life a number children consist more of retelling and the adaptation of uniquely lyrical and humorous stories. , of folklore and stories from foreign Sources.

, 46 170 Abe° no bon (The book of Japanese alphabet) 21 Akage no Poch (Red-haired puppy, Poch', 296 Akai ha& Rile red banner) ir Akai ho no Tune (The boat with the ree sail) 253 Alcai toll no Oat Taisho no jido bungaku (Altai tori, the "red bird')

15 Akabinbo (Red dragonfly)_ 62 Akatsukl no medama (The daybreak for Kusao) 10 Akutare warashiPoltb(NaUghty Poko) 44 Anlagasa (Urribrella) 95 Anne no N no Don bin on a rainy day) 64 Ame no N no (Ftisuban (Staying home alone on a rainy day) 125 AA annoehon IlabYspicture book) 60 Aol robto (The blue notebook) ".02 MAO ko tsulcu (Turku, the baby ant) 63 Ariko no orbilai (Arilco's errand) 172 Mu mo yriyaice (Sunset fa see you tomorrow) 83 Atarashii origami (The liew origami) Birurna no tategoto (The tit" of Burma) 85 Biwa no Mi Cakko rneisakusen (The selected works of the Biwa-no-mi school)" 123 Beltensha tact Card* to jugohiki no nakama (The 4dOenturersGanba and fifteen comrades) 232 Boku no robbtto dai ryoko (The wonderful joiuney with ny robot) 35. Baku wa Enema 0 am the King) ' 205 Boku wa tobital (Scarecrow who wished to fly) 134 Bonbon (The little master) 32 Chibacko Kamu no balm (Atienture of 'Tiny Kam) 207 Chil-chan oo kage okuri (Chii-chan's shadow game) 110 Chiisai kOlioro no tabi (The journey of the tiny heart) '46 Chiisai'Momo-than (The little Mom). 101 ageha no issho (ButterflyThe life of swallowtail) !. 166 Daiji na mono ga nai (My, my, where is it?) 91 Datreka ga pai o tabe ni luta (Who came to eat the pie .- 29. Daremo shiranal chibana kuni (The tiny country of unknown) 54 Daruma -than to Tengu -char (Little Daruma and little Tengu) 116 Dendenmushi no keiba (The snails' contest) 223 Dokydieitadi (My colleagues, class Of '48). 295 Dowashu totebasha (The coach with trumpet) 236 E de miru Nihon no relcishl (Pictorial history of Japan) 252 Ehon no jikan ehon no heya (Illustrated-story-time) .262 Ehon o mini me (The way to loci. .?icture bocilEs) 126 Ehon warashibe phoja (Straw,millionaire) 217 Ehoriron (On the study.of picture books) 246 El-Bei jido bungakush" 'History of Anglo-American children's literati ire) 145 Fukirhanbuku (The girl bad the flowers) 178 -Furusato minwa (Folklore of Japan)

, 47 '7 9. Fustilgi ria tailco(TheMagic drum) 41% fusNgi na takenoko (Taro and the barriboo shoot) *204 futatigrogethed 284 Galcke tosholcan (School Rim) 212 .Gatlin to Icawausii no bliken (The adventure of (anba and the otters) kA 101 Garasitno fushigi (Winders of glass). 180 Camas no usagi (The glass rabbit), 286. Gekkantodomo no hondana (Chddren'boolcsh-4f monthly magazine) qr,lt 24 ten to.Fude Myee (Gen and Fudo Myop, the God of Fire) 23$ Gendai jide bungakuron (Essays on conternporiry children's:erotic& 266 Gendai nihon- Lido bungaku I no shiten (A point ofisviewupon contemporary Japanese children's literaSurd .251 Gendai nihon no jido bungaku (Contemporary Japanese children's literature) 279 Cenga "(Odomo no tome' ten: tenji salculin mokuroku :3chibition of original art works done for

flqff magazine the list of exhibited works) - 187 Gavel emakl monagatarl (The story of the Genji and Heike in picture scrods) 119 %gin no honoo nrAuni (The !and of silveri flame) 233 Gin nousagi (A silver rabbit) 47 Woo raldco no namida (Tears of the silver sea otter) 16 anga rallaxY) 42 Guri to Gura (Gut' and Gura) "152 Hadi no seikatsu (Life of the bee(

59 Haddre fiachlro) . 75 Hadaka no tenshi (The naked angels) 228 hajirnete no kyanpu (The very first camping) 171 Hamada Hirosuke zenshe (Complete collection of the works by Hirosuke Hamada) 224 Hanabi (Fireworks) 214 , Hopp' &isudei (Happy Birthday) 181 , Haru no utaga Idkoeru 0 heard the songs of spring) 209 -Haruka na kane nirne (The echo of the chimes) 194 Harukariam egon teikoku (Golden empire, yet faraway) 107 Harukoma no uta (The call for the spring) 72 HaiciscaShigariya no ze (thevery bashful elephant) 118 Hendesu n hendesu ne (Stiange, isn't it strange?) 49 Higo no istilk, (The mason of Higo) 131 Hikasiguruma yo mawar:.: (Co round and round, shining wheels!) 192. Hiroshima no pike (Pika of Hiroshima) 191 Hiru to yoru no aide (Between day and night) 137 e nO yakusoku (Space rend, t-vous) ' 68 Hosbi kara kita uma (The horse from the star) 48 Hothi no makbi (The starry meadow) 206 Hoshi to sore no shita de (Beneath thestats and the sky) 57 H);okotan no yogi (Hyokotan's goat) 291 liatobu dews: diranun no öl ryoriten (Tales of Eehatov: restaurant ofmany orders) 174 Ishddriyama no hitobito (People of the quarry) 50 Isaün-bâshi &sun-boshf the Inchling) 39 , lye iye en (Nono nuasery school)

k I 48 47 122 jimu jamu Donkuma-san (dr:Bear's applejam) 1.24: Jibetalcko-sama (Earth God) 261 Jido bungalaf(Chikken's literature) 287 Jid6 bungaku anyueru(Childreh's literature annual) 241 Brio bungaku e no shotai (An Invitation to,children's literature) 255. MO, bungalru kenkyiihadcei (A manual on the study of children's literature) 278 Jid6 bunraktino byakonen ten (Exhibition:,centenniai of Japanese children' i literature) 263 Jid6 bungaku no 3ergoshi (Postwar history of children's literature) 244 Jido.bungidui no sold (The creation of children's literature) 248 kV) bunka (Chi Ickes* culture) 186 Jigoicu no taw (gibe of He10 155 Ants no oto (Sounds of the circus band) 93 Jio Jo no tanjObi (110 Bo the lion's birthday) 117 Jilippild no neko to ahOdori (The eleven cats and an albatross) 159 I-manse' no natsd (The summer, a new beginning) 217 14-hild no asagohan illrealciast for lourteen) -- 218 14-hiki ricihiklcoshi (Mming into the forest) 37 Kaba-kun (Mr. Hippo) 128 gathikachiyama no sug. soba de (By the side of clattering hill) 260 ICaidai sego Nihori day* nenpy6 (AnnotatedchronOlogic'al table of postwar Japanese nursery songs) 6 .1Cald no ki no aru ie (The hous with persimmon trees) 65 Kako Satoshi IragekLi no hon (Kako Satoshrs science books 1-10) 20.1 Kani hikoki de asobu bon (Flying paper craft) 221 Kamusa hamunida-(Thank you, Kamsa harnnida) 28 Kani mukashi (Long ago, there was a crab) 143 Kaoru nohlmitsu (The secret Kaoru holds) 197 Kareku,ako no kaze o arigat6 (Summer is over for Sachi) fl ICasa Mau fizo and the hats). Katamimi no &hike (Thebig deer with one ear) 96 Kataashi chichi) no erufu (Erufu the one-legged ostrich) 164. Kazoete miy6 (Let's coudtogethed 156 Kemtiri s. en nin (The hermit of smoke) 175 Ken wa fietdiara (Ken doesn't mind' 25 Kikansha Yaemon (Old locomotive, Yaemon) 20 Kikimimi zukin Magic listenihg cat)) 195 Kimi wa Dakkusu Sens p kirai ka (What don't you like about Mr. Dachshund?) 165 Kin no muk6 no fushigina machi (Strakge city beyond the mist) 154 Kitabatake Yaho jid6 bungaku zenshO (The complete collection of the works of children's literature by Yaho Kitabatake)

. 73 Kitstineyama no jiomeiri (The fox's wedding) 202 Kobitotachl no izanai (Invitation from the little people). b8 Kodomo fticloki (Children's gazetteer) - .17 Kodomo no hiroba (Children's square)i 276 Kodomo no hog no genzai (Children's books now) 250 Kodomo no hon no hyakunenshi (The centennial history of children's books) ,269 Kodomo no hon no sakkatachi (The writers of children's books) 2$8 Kodomo no ktlni no taiko tataki (Drummer of the children's kingdom)

49 ; ' 011 -5 299 Kadomo poselcal (Children's iorld) . ' 24,Nodisieo fip toshokan (Children's [Vary) _- 2e3' Kodonlono tophain fuldsdarban(Children's library reprint, 1954-1973) 285 '-gadia1)0p0ifolutito (Children's house) 10. .Kodomo.pen (Children/is pen) 239 KodosnOto-bsingeku(Children and literature)" 28e Kopnernans goganernaru) 135 KV!" *) Taro rot! eflon (Taro the lick bebee' 77 es* int MUM (Te vIllagivAth the 'cm,* 27 KOkagetitiie no kobitOtad11-(yuti and the little people) _ .55 Kokubun MUSS bungakush0 0Colcuhulilditar6: Collection of the works for children's literature) 274 Koicuritsu Koickal Toshokinihozo tosho rnolossoku Tilbliography National Diet Library's mite:- don of children's literatise) 211,,Korikonsaina ni **Maxey:ea (An offering fop the fox) 3 Konipusu Sensel kisha enortaDr. Corpus rides the train) 45 Weans no 6$ Rite pdnce of Kosara) 23 Kotan no kuchibue (Whistle of Kotan, 'the Ainu site) 144 Kotoba asobl uta (Sings of the word -play) 105 ICotod no Ictsio,hi (My pretty bird ?.49 Koza Nihon lido bungsku &settee: Japanese children's literature) 51 ICuishintio no lianalso-san (Greedy Hanako) 94' Kujira(Whales) ' , 167 Cureysin bake no purezento (Ciftfrori; thecrayon -crazy- child) 206 Kuroneko Pako no bikkud shicher (Surprise, surprise! Sten4 fordinner) 61' Kuruma no %o we sora'no WO (Taxi driver Matsui's special customers) 158 .- Kuwagata Kuwall monogatad (Cuwaji, the stag beetle) 26 Kyuporit no arti inadg (Jun and the real life) 87 Magatta tokei tThe crooked dock) 227" MaigalLost in the prairie) 79 Majin no uml (The ocean of the evil spirit) 234 Majo rio takIcyabln (Special delivery of Kiki, the witch) 106 ',",Manatsu no hata (Thebanner of midsummer) 226 Matsuge no unai no hikOeen'an.a balloon oyer eyelash ocean) 215 Matsurida Wasshol(Matsteil A day at a Japanese festival) 242 Mimei awe po honshen (The essence of the children's story by Mime) 80 Miyaguchi Shizue jid6 bungalerittii (Miyagudii Shizue Collection of the works of children'sliterature) 303 Miyazawa Kenji zensha (The collectedworics of Kenji Miyazawa) 133 Moenagara tonda yol (Butterfly and her prince) - 92 Mogiel no Kumonia (Kurnonsa, the diver) 184 Momoke to Gor6 no olcarimono (The gift from -Coro and Mornoko) 108 Mori no matsuri (The forest festival) 183 MOsugu onichan (Soon you'll be a big brother) 297.,Mutsu' no arashi (The storm bf Mutsu)

~~99 r Nagai nagai Hito no kurashi to michi no utsurikawail (Lor.g, long roadHistoryof people and Passage) 11 Najainagai pengin no hanashiv loriaf, long story of the penguins)~~

~~84 . Natsu no asa (On a hilltop) OP.~~

157 Neaumikun no choicki (The tiny mouse and his vest) 188 bilthiy6 ichi fTheSunday 294 Nih 9rt (Iowa sertshii fukkokubar (Selection of Japanese children's stories) 345 HINin dayoshl (History-Ch Japanese children's song?) 69 Nihon doyoshik Tanj6 kara gendal made (Collection of Japanese children's songs) ,282 . Nihonficlo bungaku 1968-85, flessatso shiry6 Servo jido bungaku ronshi; 1-3, 1946-1969. (Japanese Childrenasiterature, 1968=85. Spepial hat*: Collection of essays on postwar.children's literature 1-3, i946-1969) 256 Nihon lido bungaku gairon (An introduction 6, Japanese children's literature) 247 Nihon lido bungakushi icenkyii (Siudy on the history of childr.eds literature of Japan) 254 Nihonlido bungskushi nenpy6 (Chronological table of the history of Japanese children's literature) 272 Nihonjida bungeishl (History of Japanesq children's art and literature) 257 Nil*, jido engefdshi (History7of Japanese children's theater) 268 Nihowno dfigir (Japanese rhildren's book illustration) 290 Nihon no eiyik densetsu.(The,legends of the Japanese heroes) 237 Nihon najido bungaku (Japanese children's literature)

. _ 271 Nihon -0 ildo cosh* sho 1947-1.81 (Japanese awards c.Ir children's literature 1947---1981) 280 Nihon Iv koc.omo no hon rakish) ten: jushiaa seiki kara jukyti seiki no eiribon ochisin ni (The early history of children's books in JapanStories al4'.4 pictures from three centuries: 1600-1900) 8 Nihon no raulcashi-banashl (Japanese folictales) 176 Main taltaralimiraleasure Islands Japan) 304 Niimi Nankichi aerahir (The revisedc011ected works by Nankichi 74 , !kronen nlki.iml wa Nycko rio kurasu (The class of chicks) 139 Nise rnatsuri (The false feast) 138 Nobotte ittara (When I climb up) 2 Non-than kumo ni now (Non-chan rides the clouds) 148 'Noyuki yartyuki (Toward the Reid, toward the mountain; 53 Obisan no hilcokl (Grannie's airplane) 270 Ochibo hirol: Nihon no kodomo no- bunko o mega., Ntobito (Gleanings about people cleating Japanese c:hildrent culture) 198 odorofid Surabura-shi (Mr. Bura-i.:ra, the burglar) 21Q Ofuro daisuki (Taking a bath is fun) 229 Ohaipnasal, Erimald n1 (Come-on inside my scarf) 298 Ohanashi chilsaki Ntotitchi e (Stories for the very young) 190 ONsama o hakObu did (Butterfly and Buddha) 160 Ojisan no.kasa (Mk Umbrella) - 40 elkina kabu (A giant turnip) 115 akin& &dna oimo (The big, big potato) 222 Omoitsuitara sono toki nil (Take it when you think of it) 114 Ondori no negal (The cock's wish)

70 , °map onnaji O've got it, too) 30 Oshaberiita tamageyikl (The talking nmeletie) 12 Osoba no kuld wa nate akal (Why is the buckwheat stem so red?) 243 done no jlkan Icodonio no jikart (Adult's hour, children's-hour) 161 Otsukai (Going on an errand) 150- Poppen Senfei to kaerazu no nurse (erofessor Popper, and the marsh of never return) 163 Popura-boshi (The poplar in the $ky)

~~5i tobotio Kamil (Kainie the robot)' . 21.0 Romira no yume (The dream of Romila) 111 RUM no tanjObi (irthday 'or Ruru)~~

~~173 ltyti Ito ku.shima (The island-where dragons live).~~

292 Saijo Yaso day6 itenshO (The complete collection of children's songs by Yaso aijo). 146 Sannln nald-bayashi (Stories of three sad clowns) 1 Santa mbnOsatari (Unto Stories) 96 Seraba haiwei (Good -bye. ighWayl) 153 Seuto letni (The monkey and the crab) 142 Sat8 Yoshrmi zenshri (The Complete collection of the works by Yoshimi Sato) 67 SatOru no jitensha (SatOru's bicycle) 281 Sengo ehorrno ayumi ten (Exhibition: the development of postwar JaPariese picture books) 267 Semo jido bungaku kenkyOshannai (Guide to reference sources for postwar children's literature) 264 Sengo jicki bungaku no shagen (witness of postwar children's literature) , 273 Sengo lido bungaku sakuhinrOn (Essay on the works oT postwar children's literature) 109 Senso jidiibungaRu kess,akusen (Selection of the war literature for-children in Japan) 127 Sits no seicai (The world of poetry) 259 Shi to dowa ni tsulte (About poetry and children's stories)

.113 Shthaten (Shibaten themonster). Shirnahikioni (Ogre, the island-dragger) 100 .Shiranui (The wife of giant Takeru) 132. Shirai &nu no mod (The forest of white polly) 225 Shizen no kakushie (Hidden pictures of nature) 300 Shorten kuribu meisakusen (Masterpieces from Shorten club magazine) 208 Shorrentadi (The adolescents) 97 Shonen to kodart'uki (The boy and the little badger) 52 Shuliudai Hilduketabishild Kaisha (Homework, 'Inc.) 136 Sore home)? (Is that true?)

162 . Sudatsubi made-(Growing up) 33 Siiho no shiroi uma (Suho's White horse) 220. Sukidattakaze, kazedatta kimi (Yes, I loved you, but I shall move on) 301 Suzuki Mieliichidowa zenshO (Complete collection.of the children's stories by Miekichi Suzuki) 140 WA shibal no kuru koro (When the traveling theater comes by) 169 Tachihari Erika dawashil (Collection of fairy tales by Erika 'rachihara) 275 Taikenteki jidO bungalcushO (Experienced histoiy of children's literature) -177 Taken (Talceru) 58 Tamagawa jido hyaklca daijiten (Tamagawa children's encydopedia) 4 Tamarnushr no sushi no monogatari (Story of an iridescent miniature shrine) 185 Tamashli no yobigae (The cry of the soyls) 43 Tamutamu nainunamu: Sag) Hachire to Mokuyokai doylishO (Children's songs by Sato Hachir6 and the Thursday Group) 31 Tatsu no ko Tara Rath the dragon boys I 302 Telhon Ogawa Mimei dowa zenshO (Standard complete collection of children's stories by Mimei Ogawa) :179 Ten no akauma (The angry red horse of Heaven) . 129 Ten no sono (The garden of Heaven)

~~78 Tenpo no hitobito, (The Cry of Tenp6 era) '~~

52 51 1 66' Tenpura piripiri (Mother cooks crispy-crisp tenpura) 86 Teramachi ian-chome juichi-banchi (3-11, Temple Street) 13. Tetsu no math' no shOnen (Boys of-the steel mill town) 199 Toga o Mite (Over the mountain pass) 90 Toki no iru Mama (The mountain where Japanese crested ibis lhie) 231 Tomodischi wa timi no niol (My friend smells like an ocean) 289 Tonbo no medama (The dragonfly eyes) 196 Tone to Onimaru (Tone and Onimarul 104 Tonkachi to hanashogun (Tonkitchi and the flower general) 71 Tiubota Jaji dowa zensiii (The complete collection of children's stories by Ai Tsubota) 201 Tsuki to arth6 (Let's play with the moon) 216 Tsumujikaze no Maria (Maria the cyclone) 189 Tsuru ny6b6 (Crane wife) 182 uchffsenkan Vernet° zen kirokushil (Documentary:The spaceship Yamato) 130 (*int, shirouma (The whitehorse of the sea)

151 ,Usagi no me (The rabbits' eyes) 38' Usagi no mimi wa riaze nagai (Why are the rabbits' ears so long?) 120 Warabeuta de asob6 (Let's play with nursery songs) 36 Warashibechilla (Straw millionaire) ,.149 .WataribOko (WataribOko, the ocean goblin) 213 'Watashi ga thioto datta told (When I wai a little sister) 82 Watashi no wanpisu (My pretty dress) 76 Yama ga-moeru'hi (The day when the mountain goes ablaze) 19 Yamino kodomotachi (Children of the mountains) 22 Yalta no Tomu-sah (Life with Tom) 56 -Yamanba no nishiki (The witch's magic cloth) 141 Yappari Okami a wolf, after all) 89 YaWarakai to (The tender palms) 14 Yoake asaake (The daybreak) 230 Yomigaere Kugany no shima (Revive, Kugany, the islandof gold) 193 Yuki no hi (Snowy day) 81 Yuki watari (Little foxes on a snowy night)

265 .Yukichi,Sazanami, Mimei: Meiji no jido bungaku (Yukichi, Sazanami, Mimei: children's literature in the Meiji period) 112 Yurikuma-san (Teddy "handbag' bear) 293 Zasshi Dowa fukkokuban, vol. 75 (Dowa magazine reprint, vol.75) 235 Zane)no kurashi: akichi no gonenkan (Life of the weedsfive years' record in a vacant lot)

~~/la~~

~~3 Author Inc6c~~

25 AGAWA, Hiroyuki 217, 218 IWAMURA, Kazuo 115 AICABA, Suekichi 9, 12 Iwanami Shoten 75 AKAGI, Yoshiko 64,,105 IWASAKI, Cbihiro 61, 207 AMAN, Kimiko 77 IWASAKI, Kyoko 149 AMANO, YOkichi 152 IWATA,, Kunio 131' AMAZAWA, Taijiro 288 MAYA, Sueo 116 ANDO, Mario 197 IZAMA, Yumiko 178 ANDO, Misao 282 Ida Bungakusha Kyalcai 164, 170 ANNO, Mitsumc? 283 .do Tosholtan KenkyOkai 1 AOKI, Shigeru 246, 249, 251 JINGO, Teruo 132 AWA, Naoko 198, 229, 234 KADONO Eiko 117 BABA, Noboru 235 KAI, Nobue 295, 297 anBA,shozo 54,65 KAKO, Satoshi 294 Dow.a Sakka KyOkai 241, 242 KAMI, Shoichiro 15, 76, 245,260- tUJITA, Tamao 237 K.AN, Tadarre.chi 62,27262, FUKUDA, Kiyoto 219 KANEDA, akuyi 104 FUNAZAKI, Yasuko 32, 91, 119; 153 KAN7AWA, Toshiko 104, 150 FUNAZAKI, Yoshihiko 165 KASHIWABA, Sachiko .52, 88, 238, 266 FURUTA; Taruhi_ ' 241 laTA, Koji 208 GOTO, Ryilji 300 KATO, Ken'ichi 153, 195 . HAITANI, Kenjire 78 KATSUO, Kin'ya , 171. HAMADA, Hirosuke f91 KAWAMURA, Takashi 196, 273 Hamano, Takuya. 199 KIKUCHI, Surri!ko 89 HANAOKA, Daigaku 66 KIMURA, Yasuko 90 HASHIMOTO, Tokio 20, 28, 36 KINOSKTA, Junji 26, 172 flAYAFUNE, Chiyo 92 KISHI, Takeo 228 HAYASHI, Akiko 37, 93 KISHIDA, Eriko 4 HIRATSUKA, Takeji 10, 154 KITABATAKE, Yaho 248 HONDA, Masuko 38 KITAGAWA, Tamiji 216 NCR!, Naoko 289 KITAHARA, HakushO 209 HORIUCHI, Sumiko 200 KITAHARA; Itsuki 181 ICHIKAWA, Satomi 135 KITAMURA, Eri 133 IIDA, YOshihiko 120 Kodii Geijutsu Kyoiku KenkyOjo 118, 134, 243, 252, 287 IMAE, Yoshitomo 293 Kodomosha 49,,187 IMANISHI, Sukeyuki 267 KOGOCHI, Yoshiko 246, 249 'INOKUMA, Yoko 155 KOIDE, Shag° ' 11, 27, 234 INUI, Tomiko 13, 55 KOKUBUN, Ichitara 2,-19, 22, 50, 51, 63, 239, 240 ISHII, Momoko 274 Kokuritsu Kokkai Toshokan 284 Muneo 230 KOYAMA; Jiir6 23 ISHIMORI, Nobuo 121 KUBO, Takashi 190 ISHIZAWA, Saeko 231 KUDO, Naoko

54 122 KURATOMI, Chizuko , 96 ONOKI, Gaku . 290 -,KUSUYAMA, Masao 138 OTA, Daihachi 253, 265 kUWABARA, Sabun5 183, 184 OMC), Noriko 66 MADO, Mithio 184 OTOMO, Yasuo' 79 MAEKAWA, Yasuo OTSUKA;Yazii *96 MAKIMOTO, Kusur6 159 OTSUKOTSU, Yoshiko

~~192 'MARUKCToshi, , 250 02 AJO, Hotsuki~~

262 .MATSUI, Tadashi 68 OGAWA, Tadao .i 182 MATSUMOTO, Reiji 250 SAITO, Takehiko 41 MATSUNO, Masako 292 SAITO,YfISO 136, 210 MATSU04, Kyoko 123, 212 SAITO, Atsuo 232 MATSUOKA, Tatsuhidi 59, 1' 3 SAITO, IyOsuke 31, 46, 56 MATSUTA41, Miyoko 285 SAKUTA, Machiko 106 , MIKI, Taku 124 SANETO, Akira 107 MIYAGAWA, Hiro 160, 213- SANO, Yoko 24, 80 mrilAcuat Shizue 1Sq SARAGAI, Tatsuya 81, 291, 303 MIYAZAVvq,, Kenji 193 SASAKI, Isao 221) MIZUSHIMA, 5hiho 140, 223 SASAKI, Kakuko 233 MOGAN!, Irei 141 SASAKI, Maid 211 MOM, Han '97 SASAKI,.Tazu 7, 156 AUKU, Han* 43( 69 -SATO, Hachiro 221 MURANACA, Rie 214 SATO, Makik0 57 NAGASAKI, Gennosuke 29, 53 SATO, Satoru 157 NAKAE, Yoshio 161 SATO; Wakiko 39, 42 NAKA.GAWA, Rieko 142 SATO, Yoshimi 158 NAKAJIMA, 224 SAWADA, Shigetaka 167 NAKAMURA, Mibuo 202 NAKAMURA, Tomu 108 NAKATANI, Chlybko 261 Nihon Bungali.0 Kenky0 Shiry6 Kankokai 255, 256 Nihon Jido Bungaku Cakkai 109, 263 Nihon Jido Bungakusha KyOkai 286 Nihon Kodomo no Hon KenkyOkai 168 Nihon Sakubtirt no Kai 304 NIIMI, Nankichi 82 NISHIMAKI, Kayako 244, 269 NISHIMOTO, Keisuke 188 NISHIMURA, Shigeo --236 NISHIMURA, Shigeni 222 NISHIUCHI, Minami 94 NIShIWAKI, Masaharu 298 NOCAMI, Yaeko 203 NOGUCHI, TetsutarO 58 OBARA, Kuniyoshi 302 OGAWA, Mimei 67, 137 Oishi; Makoto 47, 95 OKANO, Kaoruko

55 .264 SECAWA, Yasuo 21, 146 YAMANAICA, Hisashi 110, 275 , SS% Hideo , 272 YAMANUSHI, Teshiko 12S SENA,'Keiko 130,147, 226 YAMASHITA, Haruo "11, 126;246, 270, 277 SETA; Teiji 74 YAMASHITA, Yumiko -. 276 SHIMIZU, Masako 8 YANAGITA, Kunio . 185 stintA,sq, Masako 194 YANAGIYA, Keiko 46.1sHONo, Eiji 44 YASHIMA, Taro 111,143 SOYA, 215 YASHIRO, Shunpei 285 SUGAHARA, Hirokuni . 206 YAZAKI, Setsuo 205 SUPITA, Yutaka 148,163, 259 YODA, 162 SUGO, Hiroshi 177 YONEKURA, Masakane 14 SUMI, Sue 45 YOSHIDA, Hisaico 98 SUNADA, Hiroshi 60. 87 YOSHIDA, Toshi 99 SUZUKI, Kiyoharu 227 YOSHIO! Toshi 301 SUZUKI, MIelcichi 103 YOSHIMURA, Ichi 112,169 TACHIHARA, Erika 114 YUNO, Seiichi TADA; Hiroshi 186 TWA, Yukihiko 127 -I %ADA, Toshiko .. 180 TAKAa, Toshiko 83 TAKAHASHI, Haruo 100, 173 TAKASHI, Yoichi 299. TACHISA, Yume° 5 TATZVAMA, Mic:nio 174 YOhi 268 TANAKA, Shigoya 144, 175 TANWAWA, ShuntarO 84, 201 TANIUL1II, Kota 113, 145 TASHIM4 Seiz6 30, 35 CFRAMURA, Teruo 101 Yukihisa 271 Tokyo KodomolToshokz n 257 TOMITA, Hiror 247, 250, 254, 264 TO:RICOE, Shin TSUBOI, Sikae 71, 85 TSUBOTA, roji 72 TSUKASA, Osamu at 3, 128 TSUTSUI, Keisuke

~~249 TSUZUKIBASHI, Tatsuo. ao UCHIDA, Kisako 129 UCHIKI, Muraji F 176, 258 UENO, Akira r 73' WAKAYAMA, Ken WATANABE, Shigeo 189 YAGAWA, Sumiko 102, 22S .YAJIMA, Minoru 285 YAKUWA, Noriko~~

~~5 6- Artist 6k~~

~~.33, 34, 34 115;153, 187, 189 MARA, Suekichi~~

132 AKABOSHI, Ryoei V 50 AKINO, Fuku 164, 176 ANNO, Mitumasa 102 ARIA Kan'ichiro 24, 76, 80, 163 ASAKURA, Setsu 176 AWAZU, layoshi 117 BABA Noboru ,,30, 74, 118, 130, 134, 136, 231 C-O, Shinta 92 B4Do, Teruyo 19,22 r.:XAZAWA, Koko . 116 FUKUDA, ShOsuke 139 KOSAKA, Shigeru 104, 150 FUNAZAKI, Yoshihiko 31, 52. KUME, Koichi 68 FUTAMATA, Eigor6 112 MAKIMURA, Kr.iko 268' HANAI, Ryoko 229 MAKING, Suzuko 12,20 HATSUYAMA, Shigeru 192 MARUKI, Toshi '210, 228, 234 HAYASHI/ Akiim, 185 MATSUNO, Hideyo 223 'ARON°, Takako 232 MATSUOKA, Tatsuhide

. 81, 88, 119 HORIUCH!, Selichi 6 MIDORIKAWA, kotaro 129,140 ICHIKAWA, Sadao 3 MOTAI, Takeshi. 181 ICHIKAWA, Satnmi 220 MURAL Kayo -- 14 IGUCHI, Bonshu 29,53 MURAKAMI, Tsutomu 91, 124, 146,1u0 iN0':E, Yosuke 2. 51, 63 NAKAGAWA, Soya \ 87 ISAIDA, Takeo- 158 NAKAJIMA, Taro 143 ISHIMATSU, Chimako 37, 93, 108, 111 NAKATANI, Chiyoko 199 ISE, Hideo 99 NAKAZAWA, Ushio 217, 218 IWAMLIA, Kazu. .32, 222 NISHIMAKI, Kayako 64, 77, 105 IWASAik,, Chalk) 188, 236 NISHIMURA, Shigeo 235 KAI, Nobue 203 NOGUCHI, Tetsutar6 4, 57, 90, 147, 149, 211 KAJIYAMA, Toshio 198 ODAGIRI, Akira 1/7 KAKIMOTO, Kozo 133 Ohashi, Ayi imi 54, 65 KAKO, atoshi 25 OKABE,,Fuyuhiko 219. KANEDA, Tsunayo 148 OKUNI, Akio 46 KIKUCHI, Sadao 39, 42 OMURA, Yuriko 166 KIMURA, Yasuko 95 ONO, Kaoru F!, 67- KITADA, Takushi 96 ONOKI, Giku 107, 174 KITAJIMA, Shlnpei 62, 86, 138, 156, 172, 173 OTA, Daihachi 135 KITAMURA, Eri 183, 184 OTOMO, Yasuo. 13, 137, 159, 214 KOBAYASHI, Yoshi 10, 100 SAITO, Hiroyuki 197 KOIZUMI, Rumiko 121 SAK' JRAI, Mokoro

~~57 . 160,"213 SANG, Yoko 193 SASAKI, Isao, sASV, Maki~~

~~161 Ma Waliko 215, 224 SAWADA, Shigetaka 41,54 124 12i, 144, 204 SEGAWA, Yasuo~~

125 SENA, Keikcir, 1, 9.; 28 SHIMIZU, Kon 106 SHINOHARA, ICatsuyuki 21 SHIRAI, Minoru 66, 205 SUGITA, Yutaka 226 SUGIURA, Hanmo 209 SUZUKI, Mamord 75 SWUM, Takuma 23, 97,155, 162 SUZUKI, Yoshiharu TADA, Hiroshi 186 TAJIMA, YukiNko 206 TAICABATAKE, Jun 196, 221, 233 .TAKADA, Sabure 83 TAKAHASHI, Haruo

5, 110,180 . "'Ake*, Motoichira 165 _TAKEKAWA, Kozabuth 288 TAKEUCHI, Keishii 59, 179 TAKIDAIRA, Jiro - 84, 201 TANIUCHI, Kota 113, 145 TASHIMA, Seizt5 103 TASHIRO, San,zen 89 TATEISHI, ShOli 47 TERASHIMA, Ityuichi 79 TOKO, Nubuil 101 TOKUDA, Yukihisa 195 *TSUBOTA, Reiko 72, 131 TSUKASA, Osamu 78 UCHIDA, Kimio 157, 207 UE140, Noriko 35, 175' WADA, Makoto 73 WAKAYAMA, Ken 216 WATANABE, YOkichi 94, 123, '212 YABUUCHI, Masayuki 11, 32 YAMADA, Sabura 177 YONEKURA, Masakane 227 YOSHIDA, Tashi 45, 114 YUNd, Seiichi

~~58 , 57 ....m.o.. (~~

~~A'Noteonthe Type.~~

The dominant type used on the title page and for heads throghout the book is the design creation of the brilliant Rudolph Koch. Cast at the Klingspn' foundry in Germany, 1922, it was named Koch Antigua. .1.,BrItiih casting was called LotarnoBold and the American castogwaintmed Eve Bold. its strong .calligraphic flavor and unique letter shapes give it a presence reserved for a select few types. The main type of the catalog is Hermann Zapfs Optima, which was originally cast by Stempl in 195& It would be difficult to overstate the impact and significance this design has had. Again, it is evidence of the pen that is quietly present and reflects a tailored elegance. It was selected for use here-because of its artistic affinity to Japanese

~~Book design by John Michael~~

~~;40 4, a--414. lr~~