The Recording Industry in Japan 2008 CONTENTS
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The Recording Industry in Japan 2016 Contents
RIAJ YEARBOOK 2016 Statistics Trends The Recording Industry in Japan 2016 Contents Overview of Production of Recordings and Digital Music Sales in 2015 ........................... 1 Statistics by Format (Unit Basis — Value Basis) ........................................................................ 4 1. Total Recorded Music — Production on Unit Basis.................................................................... 4 2. Total Audio Recordings — Production on Unit Basis .................................................................. 4 3. Total CDs — Production on Unit Basis ...................................................................................... 4 4. Total Recorded Music — Production on Value Basis ................................................................. 5 5. Total Audio Recordings — Production on Value Basis ............................................................... 5 6. Total CDs — Production on Value Basis .................................................................................... 5 7. CD Singles — Production on Unit Basis .................................................................................... 6 8. 5" CD Albums — Production on Unit Basis ............................................................................... 6 9. Music Videos — Production on Unit Basis ................................................................................ 6 10. CD Singles — Production on Value Basis .................................................................................. 7 11. 5" CD -
Angel J. Storm, Ph.D
Part of the “Life After Narcissism” Series | Angel J. Storm, Ph.D. 1 – You are my purpose and my dream and I live to help you fulfill yours. 2 I was traveling recently and was sitting in an airport when a friend’s husband called and told me an idea he had. “Why don’t you create a workbook of some kind that takes women through the steps of healing after a relationship with narcissism and then do a one day conference on the topic. You can travel around with these workbooks doing one day impartation sessions.” knew this was the next step and I immediately began brainstorming the content. I knew I wanted it to be customizable for each person who bought it. The reason this is in a binder is so that you can do just that. If you need to write more, add pages. If you’re not ready to work on a section, skip it or remove it altogether. If you want to go through this book more than once, you can keep your old notes and add new pages and reflect on your growth. If there are sections you want to do with a friend or a family member, I encourage you to do that and there’s space in here for all your notes and memories. This book is deeply personal. It is the fruit of a struggle that I went through to produce it. It wasn’t easy and I didn’t like it. In fact I hated years of it but I’m finally able to look back and say “it was worth it.” It was so worth it. -
Revolution Innovation Responsibility Page 02 Contents
IFPI Digital Music Report 2008 Revolution Innovation Responsibility page 02 Contents Page: 03 Introduction: Making ISP Responsibility a Reality in 2008 04 Section 1: Revolution and Innovation – The Digital Market in 2007 10 Section 2: A New Deal for Consumers 14 Section 3: The Explosion of Channels, Formats and Business Models 18 Section 4: Copyright Theft: The Impact and the Response 21 Section 5: Time for Governments and ISPs to Take Responsibility 23 Section 6 Creating Value in the Digital Sector 25 Section 7: The Hidden Dangers of Illegal Downloading 26 Section 8: Promoting the Value of Music Introduction: Making ISP responsibility a reality in 2008 page 03 Introduction: Making ISP Responsibility a Reality in 2008 In 2007 ISP responsibility started to become an accepted principle In 2008 it must become a reality By John Kennedy, Chairman and CEO Today, however, a sea-change is happening. Of course, one key reason for this apparent The whole music sector, governments and sea-change is the commercial self-interest of even some ISPs themselves are beginning to ISPs. Unlicensed traffic has always been hogging accept that the carriers of digital content must their bandwidth, but now, as ISPs get further play a responsible role in curbing the systemic invested into the business of digital content, piracy that is threatening the future of all digital it poses an increasing danger to their commerce. After years of discussing and future revenues. debating, I am convinced it is no longer a question of whether the ISPs act – the A turning tide of opinion is one thing – a concrete question is when and how. -
'Pamy}L 'Wurlitzer
'Pamy}l 'Wurlitzer 1883 • 1912 Orbil ill '"e eclronic1ynt-he1izer P,UJ ~ -~ohJre01pinel orqon equo1... ~e nevve;Iwoy lo mo <.emu1ic fromWur irzec Now with the Orbit III electronic synthesizer from slowly, just as the theatre organist did by opening and Wurlitzer you can create new synthesized sounds in closing the chamber louvers. stantly ... in performance. And with the built-in Orbit III synthesizer, this This new Wurlitzer instrument is also a theatre organ, instrument can play exciting combinations of synthe with a sectionalized vibrato/tremolo, toy counter, in sized, new sounds, along with traditional organ music. A dependent tibias on each keyboard and the penetrating built-in cassette player/recorder lets you play along with kinura voice that all combine to recreate the sounds of pre-recorded tapes for even more dimensions in sound. the twenty-ton Mighty Wurlitzers of silent screen days. But you've got to play the Orbit III to believe it. And it's a cathedral/classical organ, too, with its own in Stop in at your Wurlitzer dealer and see the Wurlitzer dividually voiced diapason, reed, string and flute voices. 4037 and 4373. Play the eerie, switched-on sounds New linear accent controls permit you to increase or of synthesized music. Ask for your free Orbit III decrease the volume of selected sections suddenly, or demonstration record. Or write: Dept. TO - 672 WURLiizER ® The Wurlitzer Company, DeKalb, Illinois 60115 . hn.4'the \T8fl cover- photo .. Farny R. Wurlitzer, Chairman Emeritus of the Board of Directors of the Wurlitzer Company, who died May 6, 1972. -
浜崎あゆみ Next Level Mp3, Flac, Wma
浜崎あゆみ Next Level mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock / Pop Album: Next Level Country: Japan Released: 2009 Style: J-pop, Techno, Pop Rock, Synth-pop MP3 version RAR size: 1324 mb FLAC version RAR size: 1492 mb WMA version RAR size: 1405 mb Rating: 4.9 Votes: 778 Other Formats: DXD VOC VQF AU AUD AIFF XM Tracklist Hide Credits Bridge To The Sky 1 1:40 Music By, Arranged By, Programmed By – Yuta Nakano Next Level 2 Arranged By, Programmed By – HAL Backing Vocals – Junko HirotaniGuitar – Takehito 4:28 ShimizuMusic By – D.A.I.Programmed By [Additional] – Mayuko Maruyama Disco-munication 3 1:30 Music By, Arranged By, Programmed By, Guitar, Bass – CMJK Energize 4 4:29 Arranged By, Programmed By, Guitar – CMJKMusic By – Yuta Nakano Sparkle 5 4:30 Arranged By, Programmed By, Guitar, Bass – CMJKMusic By – Kazuhiro Hara Rollin' 6 5:02 Arranged By, Programmed By, Guitar – CMJKMusic By – Yuta Nakano Green 7 Arranged By [Strings] – Gen IttetsuArranged By, Programmed By, Guitar – TasukuDrums – 4:46 Tom Tamada*Music By – Tetsuya YukumiStrings – Gen Ittetsu Strings* Load Of The Shugyo 8 1:30 Music By, Arranged By, Programmed By, Guitar, Bass – CMJK Identity Backing Vocals [Additional] – Sharlotte Gibson, Stephanie AlexandraBass – Chris 9 4:16 ChaneyDrums – Josh FreeseGuitar – Tim PierceGuitar [Additional] – KIKU , Ryota AkizukiMusic By, Arranged By, Programmed By – Yuta Nakano Rule Arranged By, Programmed By – HAL Bass – Junko KitasakaDrums – Tom Tamada*Guitar – 10 4:07 Takehito ShimizuMusic By – Miki WatanabeProgrammed -
In the News August 1, 2018
From: ITNDaily Subject: Mount Sinai In The News - August 1, 2018 Date: Wednesday, August 01, 2018 12:47:01 PM Attachments: ATT00001.txt In the News August 1, 2018 UPI – August 1 Study: Certain Drug Cocktails Better Attack Cancer, Lessen Side Effects — Allen Cone Certain drug cocktails attack cancer more efficiently and lessen common side effects, according to a study Researchers at Mount Sinai studied the combination of chemotherapy, anti-tumor antibiotics and chemical compounds at low doses, called "network break" cocktails. Their findings were published Wednesday in the journal Cell Research. "Our work addresses the central question faced by physicians who treat cancer patients: how do targeted therapies both promote resistance in cancer cells and evoke toxic side effects in patients?" Tirtha K. Das, MD, assistant professor of cell, developmental and regenerative biology at the Icahn School of Medicine at Mount Sinai, said in a news release. - Tirtha K. Das, MD, Assistant Professor, Cell, Developmental and Regenerative Biology, Icahn School of Medicine at Mount Sinai Learn more: www.upi.com/Health_News/2018/08/01/Study-Certain-drug-cocktails-better-attack-cancer- lessen-side-effects/9281533124877/ Infectious Disease Advisor – August 1 Increased Levels of Human Herpesvirus ID'd in Alzheimer's Subjects with Alzheimer's disease have increased levels of two strains of human herpesvirus. Ben Readhead, MBBS, biomedical informatics research scientist at the Icahn School of Medicine at Mount Sinai, and colleagues constructed multiscale networks of the late-onset Alzheimer's disease-associated virome, integrating genomic, transcriptomic, proteomic, and histopathological data across four brain regions using tissue from human postmortem samples. -
RIAJ Yearbook 2018 1 Overview of Production of Recordings and Digital Music Sales in 2017
Statistics RIAJ YEARBOOK Trends 2018 The Recording Industry in Japan 2018 Contents Overview of Production of Recordings and Digital Music Sales in 2017 .................. 1 Statistics by Format (Unit Basis — Value Basis) .............................................................. 4 1. Total Recorded Music — Production on Unit Basis ............................................... 4 2. Total Audio Recordings — Production on Unit Basis ............................................ 4 3. Total CDs — Production on Unit Basis .................................................................... 4 4. Total Recorded Music — Production on Value Basis ............................................. 5 5. Total Audio Recordings — Production on Value Basis .......................................... 5 6. Total CDs — Production on Value Basis ................................................................. 5 7. CD Singles — Production on Unit Basis .................................................................. 6 8. 5" CD Albums — Production on Unit Basis ............................................................ 6 9. Music Videos — Production on Unit Basis ............................................................. 6 10. CD Singles — Production on Value Basis................................................................ 7 11. 5" CD Albums — Production on Value Basis.......................................................... 7 12. Music Videos — Production on Value Basis ........................................................... 7 13. Digital -
“PRESENCE” of JAPAN in KOREA's POPULAR MUSIC CULTURE by Eun-Young Ju
TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE by Eun-Young Jung M.A. in Ethnomusicology, Arizona State University, 2001 Submitted to the Graduate Faculty of School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Eun-Young Jung It was defended on April 30, 2007 and approved by Richard Smethurst, Professor, Department of History Mathew Rosenblum, Professor, Department of Music Andrew Weintraub, Associate Professor, Department of Music Dissertation Advisor: Bell Yung, Professor, Department of Music ii Copyright © by Eun-Young Jung 2007 iii TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE Eun-Young Jung, PhD University of Pittsburgh, 2007 Korea’s nationalistic antagonism towards Japan and “things Japanese” has mostly been a response to the colonial annexation by Japan (1910-1945). Despite their close economic relationship since 1965, their conflicting historic and political relationships and deep-seated prejudice against each other have continued. The Korean government’s official ban on the direct import of Japanese cultural products existed until 1997, but various kinds of Japanese cultural products, including popular music, found their way into Korea through various legal and illegal routes and influenced contemporary Korean popular culture. Since 1998, under Korea’s Open- Door Policy, legally available Japanese popular cultural products became widely consumed, especially among young Koreans fascinated by Japan’s quintessentially postmodern popular culture, despite lingering resentments towards Japan. -
Aya Hirano Bouken Desho Desho? Mp3, Flac, Wma
Aya Hirano Bouken Desho Desho? mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop / Stage & Screen Album: Bouken Desho Desho? Country: US Released: 2007 Style: J-pop, Karaoke, Theme MP3 version RAR size: 1330 mb FLAC version RAR size: 1975 mb WMA version RAR size: 1606 mb Rating: 4.5 Votes: 251 Other Formats: MIDI WAV MMF FLAC APE DXD VQF Tracklist 1 Bouken Desho Desho? 4:18 2 Kazeyomi Ribbon 3:47 3 Bouken Desho Desho? (Karaoke Version) 4:18 4 Kazeyomi Ribbon (Karaoke Version) 3:43 Companies, etc. Recorded At – Studio Magic Garden Credits Arranged By – Junpei Fujita (tracks: 1, 3), Takahiro Ando (tracks: 2, 4) Art Direction – Junya Imai Composed By – Akiko Tomita (tracks: 1, 3), Morihiro Suzuki (tracks: 2, 4) Directed By – Shigeru Saito Engineer – Atsushi Kobayashi , Haruhiko Shimokawa, Katsumi Moriya Executive-Producer – Kazuoki Ohnishi, Shunji Inoue Illustration – Shoko Ikeda Lyrics By – Aki Hata Mastered By – Yoshihiko Ando Painting – Naomi Ishida Photography By – Takahiro Yoshimoto Producer – Shigeru Saito Strings – Gen Ittetsu Strings* Tenor Saxophone – Kazuki Katsuta Trombone – Hiroki Sato Trumpet – Shirou Sasaki* Notes Tracks 1 and 3 are opening theme of TV anime "The Melancholy of Haruhi Suumiya". Tracks 2 and 4 are opening theme of radio drama "The Melancholy of Haruhi Suzumiya SOS Brigade Radio Division". Other versions Category Artist Title (Format) Label Category Country Year LACM-4255 Aya Hirano 冒険でしょでしょ? (CD, Maxi) Lantis LACM-4255 Japan 2006 Related Music albums to Bouken Desho Desho? by Aya Hirano Masayoshi Takanaka - T-Wave 山瀬まみ - 親指姫 Koda Kumi - Eternity ~Love & Songs~ Ai Otsuka - Love Is Best Taeko Ohnuki, Shigeru Suzuki, Haruomi Hosono, Kaze , Yuko Tomita, Ryohei Yamanashi, Haruomi Hosono - On The Beach Ayumi Hamasaki - A Ballads Takahiro Saito - Mandom-Lovers Of The World / 25 Minutes To Go Ayumi Hamasaki - Ayu-mi-x 7 -Version Acoustic Orchestra- Ai Otsuka - Love Fantastic Various - Carol Tribute Sam Morgan's Jazz Band / The Get-Happy Band / The Blue Ribbon Syncopators - Sam Morgan Etc. -
166-90-06 Tel: +38(063)804-46-48 E-Mail: [email protected] Icq: 550-846-545 Skype: Doowopteenagedreams Viber: +38(063)804-46-48 Web
tel: +38(097)725-56-34 tel: +38(099)166-90-06 tel: +38(063)804-46-48 e-mail: [email protected] icq: 550-846-545 skype: doowopteenagedreams viber: +38(063)804-46-48 web: http://jdream.dp.ua CAT ORDER PRICE ITEM CNF ARTIST ALBUM LABEL REL G-049 $60,37 1 CD 19 Complete Best Ao&haru (jpn) CD 09/24/2008 G-049 $57,02 1 SHMCD 801 Latino: Limited (jmlp) (ltd) (shm) (jpn) CD 10/02/2015 G-049 $55,33 1 CD 1975 1975 (jpn) CD 01/28/2014 G-049 $153,23 1 SHMCD 100 Best Complete Tracks / Various (jpn)100 Best... Complete Tracks / Various (jpn) (shm) CD 07/08/2014 G-049 $48,93 1 CD 100 New Best Children's Classics 100 New Best Children's Classics AUDIO CD 07/15/2014 G-049 $40,85 1 SHMCD 10cc Deceptive Bends (shm) (jpn) CD 02/26/2013 G-049 $70,28 1 SHMCD 10cc Original Soundtrack (jpn) (ltd) (jmlp) (shm) CD 11/05/2013 G-049 $55,33 1 CD 10-feet Vandalize (jpn) CD 03/04/2008 G-049 $111,15 1 DVD 10th Anniversary-fantasia-in Tokyo Dome10th Anniversary-fantasia-in/... Tokyo Dome / (jpn) [US-Version,DVD Regio 1/A] 05/24/2011 G-049 $37,04 1 CD 12 Cellists Of The Berliner PhilharmonikerSouth American Getaway (jpn) CD 07/08/2014 G-049 $51,22 1 CD 14 Karat Soul Take Me Back (jpn) CD 08/21/2006 G-049 $66,17 1 CD 175r 7 (jpn) CD 02/22/2006 G-049 $68,61 2 CD/DVD 175r Bremen (bonus Dvd) (jpn) CD 04/25/2007 G-049 $66,17 1 CD 175r Bremen (jpn) CD 04/25/2007 G-049 $48,32 1 CD 175r Melody (jpn) CD 09/01/2004 G-049 $45,27 1 CD 175r Omae Ha Sugee (jpn) CD 04/15/2008 G-049 $66,92 1 CD 175r Thank You For The Music (jpn) CD 10/10/2007 G-049 $48,62 1 CD 1966 Quartet Help: Beatles Classics (jpn) CD 06/18/2013 G-049 $46,95 1 CD 20 Feet From Stardom / O. -
The Recording Industry in Japan 2005
RIAJ Yearbook 2005 The Recording Industry in Japan English Edition 2005 Statistics Analysis Trends CONTENTS Overview of Production of Recordings in 2004 ..................................1 Production Statistics by Format (Unit Basis•Value Basis) ............2 1. Total Recorded Music — Unit Basis......................................................................2 2. Total Audio Recordings — Unit Basis ..................................................................2 3. Total CDs — Unit Basis ........................................................................................2 4. Total Recorded Music — Value Basis....................................................................3 5. Total Audio Recordings — Value Basis ................................................................3 6. Total CDs — Value Basis......................................................................................3 7. CD Singles — Unit Basis ......................................................................................4 8. 5" CD Albums — Unit Basis ................................................................................4 0. Reference 1. Video Recordings — Unit Basis ................................................................4 9. CD Singles — Value Basis....................................................................................5 10. 5" CD Albums — Value Basis ..............................................................................5 0. Reference 2. Video Recordings — Value Basis ..............................................................5 -
Siriusxm Adds Self-Pay Satellite Radio, Pandora Subscribers
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE JULY 27, 2021 Page 1 of 22 INSIDE SiriusXM Adds Self-Pay Satellite • China Regulator Radio, Pandora Subscribers Orders Tencent Music to End BY GEORG SZALAI Exclusive Licensing Deals With Labels Audio entertainment giant SiriusXM, the home with adjusted earnings before interest interest, of , said on Tuesday that it added taxes, depreciation and amortization up 14 percent • SBA Has Awarded Howard Stern Over 10,000 self-paying subscribers in its satellite radio and to $700 million. Quarterly net income of $433 mil- Shuttered Venue Pandora units during the second quarter and raised lion rose from $243 million. Grants Totaling $7.5B its financial forecast for the full year 2021. SiriusXM CEO Jennifer Witz said: “SiriusXM The company added 118,000 net self-pay sub- added an impressive 355,000 net new self-pay • Live Music Biz Generated $132.6B in scribers in its Pandora music streaming business, subscribers in the quarter, putting us on track to Economic Activity in ending the second quarter in June with 6.5 million add 1.1 million self-pay subscribers this year – our 2019, Study Finds total users, compared with nearly 6.4 million as of best since 2018 – and we are increasing all of our the end of March. financial guidance.” • ‘Girl Crush’ Writer Lori McKenna Sells The audio giant, controlled by John Malone’s This article was originally published by Catalog in Deal With Liberty Media, said that at its core SiriusXM The Hollywood Reporter. Concord, Pulse & business self-pay subscriber net additions came Creative Nation: to 355,000 in the latest quarter, compared with Exclusive 264,000 in the year-ago period.