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T R a N S K R I P T Radius Krivine - PATEM Karavan Platforma Za Poticanje PATEM Zajednice

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T R a N S K R I P T Radius Krivine - PATEM Karavan Platforma Za Poticanje PATEM Zajednice ПАТЕМ - Друштво со ограничена одговорност / Весна Дунимаглоска, Ѓорѓи Крстески и Станко Павлески PATEM /PUTEM/ – Društvo s ograničenom odgovornošću / Vesna Dunimagloska, Gjorgji Krsteski i Stanko Pavleski ____________________________________ ____________________________________ _______________________________/ / / Радиус на кривината - ПАТЕМ караван Платформа за негување на ПАTEM заедница Т Р А Н С К Р И П Т T R A N S K R I P T Radius krivine - PATEM karavan Platforma za poticanje PATEM zajednice ПАТЕМ / PATEM 2017 Приредил: Герил Брутски / Priredio: Geril Brutski Радиус на кривината - ПАТЕМ караван Платформа за негување на ПАTEM заедница Љубопитството на ПАТЕМ за 2017., наспроти растргнатоста на живеењето политичност, како доминантна слика на локалниот и глобалниот општествен амбиент, го концептуализира во платформа за негување на ПАТЕМ заедница, во форма на партиципативно дело - со цел иницијативата за уметничкиот чин да ја побара низ патувачка “on the road” потрага, споделување на искуства, дружење и уметничко живеење, низ (не) формални еднодневни или неколку часовни разговори, со кафе / чај / пиво, договорени како (не) официјални попатни средби со автори или групи во нивното место на живеење. Со тоа ПАТЕМ сака да ја надпростори и провери идејата за субјективното доживување на овој вид уметнички искуства. Својствено уметничкиот концепт на создавање, Патемци: Весна Дунимаглоска, Ѓорѓи Крстески и Станко Павлески, каравански ќе тргнат во доистражување на ним блиски уметнички состојби и автори на територијата на поранешна Југославија, што манифестирале/ат идејни концепти за уметноста и животот како едно, своевидно испровоцирани од категоријата на границите, историјата, системите и идеологијата, што во опшеството, што во уметноста. Дали самостојно или во група, тие носат радикални одлуки за егзистенцијално изместување од урбанитетот на живеењето или, пак, институционалната комоција и паралелно градат/воспоставуваат самоoдржливост на поинаква филозофија на живеење и естетичкост на практиката и теоријата во уметноста, дотолку што некои од нив и луцидно се впуштаат во самоизградба на свој сопствен музеј или резиденции во рамките на своето живеалиште или, пак, креираат виртуелни институции, утописки нудејќи го и поигрувајќи си со индивидуализмот како реално остварлив чин. Патемци, лице в лице со колегите, а над толкувањето на колективната меморија на историјата и на историјата на уметноста, кажаното и прераскажаното, во контекст на читањето и препрочитувањето на историските факти, го иницираат партиципативното дело Радиус на кривината - ПАТЕМ караван. Сето тоа видено низ интертекстуалноста, интермедијалноста и интердисциплинарноста на користените документи од остварената комуникација, во форма на текст, фотографија, видео - аудио материјал и друг вид на однапред (не) планирани форми на креативно бележење на содржини, искуства, случки и настани од специфичните состојби во уметноста на овие простори. Во договорените караван средби со планираните автори, Патемци иницираат заедничко неколкучасовно дружење и размена на искуства, не нарушувајќи го нивното секојдневие, а онолку колку што времето им дозволува, во име на уметноста. Учесници: Божидар Мандиќ (Породица бистрих потока, Брезовица, Горњи Милановац); Зоран Поповиќ, Неша Париповиќ, Селман Тртовац, Иван Петровиќ, Уна Поповиќ, Арион Асллани, Владан Јеремиќ, Рена Редл, Драган Петровиќ и Драгана Николетиќ. Контактирани: Мишко Шуваковиќ, Ера Миливојевиќ, Мирослав Кариќ и Боба Мирјана Стојадиновиќ (Белград, Србија); Слободан Тишма, Бора Виторац и Драгољуб Павлов, Светлана Младенов, Сања Којиќ Младенов, Бранка Ќурчиќ. Контактирани: Мирослав Мандиќ, Славко Богдановиќ, Никола Џафо, Драган Матиќ и Живко Грозданиќ Гера (Нови Сад и Вршац, Војводина, Србија); POPUP Осијек: Владимир Фрелих и Ана Петрович (Осијек, Хрватска); Ателјеа Житњак: Борис Грејнер, Алем Коркут, Предраг Павиќ и Фране Рогиќ. Контактирани: Ката Мијатовиќ, Зоран Павелиќ, Горан Трбуљак, Сања Ивековиќ, Далибор Мартинис, Борис Цвјетановиќ, Јасенко Расол и Игор Кудуз (Загреб, Хрватска); Контактиран: Марко Погачник (Група ОХО, Шемпас, Словенија); Бранко Церовац, Славен Тољ и Давор Дундара (Ријека, Хрватска); Студио Голо Брдо: Томислав Брајновиќ (Ровињ, Хрватска); Јусуф Хаџифејзовиќ (Галерија на современата уметност Чарлама, Сарајево, Босна и Херцеговина); контактирани: Павле Пејовиќ, Јелена Томашевиќ и Петар Ќуковиќ (Подгорица, Ада Бојана, Црна Гора) 3 Radijus krivine - PATEM karavan Platforma za poticanje PATEM zajednice Radoznalost Patem-a za 2017. u odnosu na razorenost života politizacijom kao dominantne slike lokalnog i globalnog ambijenta, koncipira u platformu za poticanje PATEM zajednice, u formi participativnog rada - s ciljem da inicijativu umjetničkog čina potraži kroz putujuću "on the road" avanturu, razmjenom iskustava, druženjem i umjetničkim življenjem kao i (ne) formalnim jednodnevnim ili višesatnim razgovorima uz kavu / čaj / pivo, dogovorenim kao (ne) zvaničnim usputnim susretima s autorima ili skupinama u njihovom mjestu prebivališta. Time Patem želi nadprostoriti i provjeriti ideju o subjektivnom doživljaju ove vrste umjetničkog iskustva. Inherentno umjetničkom konceptu stvaranja, Patemci: Vesna Dunimagloski, Ǵorǵi Krsteski, Stanka Pavleski, karavanski će se kretati u daljnjim istraživanjima njima bliskim umjetničkim iskustvima i autorima na području bivše Jugoslavije, koji su manifestirali idejne koncepte o umjetnosti i životu kao jednom, svojevrstno izazvani kategorijom granica, povijesti, sistema i ideologije (kako u društvu, tako i u umjetnosti). Bilo sami ili u skupini, oni donose radikalne odluke o egzistencijalnom pomicanju od urbaniteta življenja ili institucionalne udobnosti i paralelno grade / uspostavljaju samoodrživost drugačije filozofije života i estetičkost umjetničke prakse i teorije, a neki od njih vješto su ušli i u samopodizanje svog muzeja ili rezidencija u okviru svojih staništa ili su stvorili virtualne institucije, utopijski ih nudeći i poigravajući se sa individualizmom kao realno ostvarljivim. Patemci, licem u lice s kolegama, a iznad tumačenja kolektivnog sjećanja povijesti i povijesti umjetnosti, izrečenog i prepričanog, u kontekstu čitanja / prepročitavanja povijesnih činjenica, pokreću participativni rad Radijus krivine - Patem karavan. Sve to viđeno kroz intertekstualnost, intermedialnost i interdisciplinarnost korištenih dokumenata ostvarene komunikacije, u obliku teksta, fotografija, video – audio zapisa i drugih vrsta unaprijed (ne) planiranih oblicima kreativnog pribeležavanja sadržaja, iskustava, slučaja i događaja iz specifičnih situacija u umjetnosti sa ovog regiona. U dogovorenim karavan susretima s planiranim autorima Patemci iniciraju zajedničko višesatno druženje i razmjenu iskustava, ne narušavajući njihov svakodnevni život, onoliko koliko im vrijeme dozvoljava, u ime umjetnosti. Učesnici: Božidar Mandić (Porodica bistgih potoka, Brezovica, Gornji Milanovac, Srbija); Zoran Popović, Neša Paripović, Selman Trtovac, Ivan Petrović, Una Popović, Arion Asllani, Vladan Jeremić, Rena Redl, Dragan Petrović и Dragana Nikoletić. Kontaktirani: Misko Šuvaković, Era Milivoević, Miroslav Karić i Boba Mirjana Stojadinović (Beograd, Srbija); Slobodan Tišma, Bora Vitorac i Dragoljub Pavlov, Svetlana Mladenov, Sanja Kojić Mladenov, Branka Ćurčić. Kontaktirani: Miroslav Mandić, Slavko Bogdanović, Nikola Dzafo, Dragan Matić и Zivko Grozdanić Gera (Novi Sad i Vršac, Vojvodina, Srbija); POPUP Osijek: Vladimir Frelih i и Ana Petrovič (Osijek, Hrvatska); Atelijer Žitnjak: Boris Grejner, Alem Korkut, Predrag Pavić Frane Rogić. Kontaktirani: Kata Mijatović, Zoran Pavelić, Goran Trbuljak, Sanja Iveković, Dalibor Martinis, Boris Cvjetanović, Jasenko Rasol i Igor Kuduz (Zagreb, Hrvatska); Kontaktirani: Marko Pogačnik (Grupa OHO, Šempas, Slovenija); Branko Cerovac, Slaven Tolj i Davor Dundara (Rijeka, Hrvatska); Studio Golo Brdo: Tomislav Brajnović (Rovinj, Hrvatska); Jusuf Hadzifejzović (Galerija suvremene umjetnosti Čarlama, Sarajevo, Bosna i Hercegovina); kontaktirani: Pavle Pejović, Jelena Tomašević i Petar Ćuković (Podgorica, Ada Bojana, Crna Gora) 4 Brezovica, 08 – 09.09.2017 Susret sa Bozhidarom Mandichem, osnivachem umetnichke komune Porodica bistrih potoka (1977), Brezovica, Gornji Milanovac, Srbija, 8-og septembra oko podne, gde i prespavali, pa sledekjeg dana krenuli za Beograd. Bozhidar – … Ni ja smem da ga pitam…, jer on je autoritet, akademik… Al znash shta, jer on nema dece i on me drzhi ko njegovo dete. Inache, on kad drzhi predavanje, dve hiljade ljudi ga slusha. Otisho je u hrishkjanstvo…, svi, svi idu kod njega, i konsultuju se… Stanko – A koji mu je background, misim, obrazovni? Bozhidar – Jung, Jung, ko terapeut, ali vrhunski, kod njega se svi leche. I svi ga poshtuju, svi ga cene. I shta Vladeta kazhe, tako je! Chuj, ako ja kazhem bolje od Vladeta, to ne vredi nishta, jer nemam status! Stanko – Kako si rekao? Bozhidar - Vladeta Jerotikj, Mi ga zovemo Eeerotikj! Hahaha Ali zashto? On je predivan chovek. … Pre podne prichamo o religiji, posle podne o sebi. … Ali, shta hokju da kazhem, moj…, moj, moj concept je ni sa kim da se svagjam. Okju da sprechim rat u sebi. Ja jedini imam problem sa zhenama. Imao sam…, Jel mogu…, dva momenata? Gjorgji – hahaha… I ja isto imam problem sa zhenama. Bozhidar – I ti isto! Brateee! Gjorgji – ha, ha, ha…, hahaha…. Haaa ha Vesna – I ja imam problem sa zhenama. hahaha Bozhidar – I ti isto! Vesna – Ova zhena koju nosim jako je povredljiva. hahaha Bozhidar – Vidi…, ja sam imo preko stochetrdeset zhena…, ali tri zhene su dugo zhivele samnom. Srtashno
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