Charles Dickens Trail
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Life of Charles Dickens
"(Sreat Writers." EDITED BY ERIC S. ROBERTSON, M.A., PROFESSOR OF ENGLISH LITERATURE AND PHILOSOPHY IN THE UNIVERSITY OF THE PUNJAB, LAHORE. LIFE OF DICKENS. LIFE OF CHARLES DICKENS BY FRANK T. ^ARZIALS LONDON WALTER SCOTT 24 WARWICK LANE, PATERNOSTER ROW 1887 NOTE. I should have to acknowledge a fairly hoavy " THATdebt to Forster's Life of Chi rles Dickens," and " The Letters of Charles Dickens," edited by his sister- in-law and his eldest daughter, is almost a matter of for which course ; these are books from every present and future biographer of Dickens must perforce borrow in a more or less degree. My work, too, has been much " lightened by Mr. Kitton's excellent Dickensiana." CONTENTS. CHAPTER I. PAGH born The of education ; Charles Dickens February 7, lottery "- his his 1812 ; pathetic feeling towards own childhood; at troubles be- happy days Chatham ; family ; similarity tween little Dickens Charles and David Copperfield ; John taken to the Marshalsea ; his character ; Charles employed in in after about blacking business ; over-sensitive years this in is back into episode his career ; isolation ; brought and in comfort at family prison circle ; family comparative the Marshalsea ; father released ; Charles leaves the his is sent to blacking business ; mother ; he Wellington House Academy in 1824; character of that place of learn- ing ; Dickens masters its humours thoroughly . .II CHAPTER II. a Dickens becomes a solicitor's clerk in 1827 ; then reporter; his first in experiences in that capacity ; story published The Old Monthly Magazine for January, 1834; writes more "Sketches"; power of minute observation thus early writer's art is for his contribu- shown ; masters the ; paid tions to the Chronicle; marries Miss Hogarth on April 2, at that of en- 1836 ; appearance date ; power physical his education durance ; admirable influence of peculiar ; and its drawbacks 27 CHAPTER III. -
By Her Own Hand: Female Agency Through Self-Castration in Nineteenth-Century British Fiction
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English 11-20-2008 By her Own Hand: Female Agency through Self-Castration in Nineteenth-Century British Fiction Angela Marie Hall-Godsey Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Part of the English Language and Literature Commons Recommended Citation Hall-Godsey, Angela Marie, "By her Own Hand: Female Agency through Self-Castration in Nineteenth- Century British Fiction." Dissertation, Georgia State University, 2008. https://scholarworks.gsu.edu/english_diss/38 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. BY HER OWN HAND: FEMALE AGENCY THROUGH SELF-CASTRATION IN NINETEENTH-CENTURY BRITISH FICTION by ANGELA MARIE HALL-GODSEY Under the Direction of Dr. Michael Galchinsky ABSTRACT By Her Own Hand: Female Agency Through Self-Castration in Nineteenth-Century British Fiction explores the intentional methods of self-castration that lead to authorial empowerment. The project relies on the following self-castration formula: the author’s recognition of herself as a being defined by lack. This lack refers to the inability to signify within the phallocentric system of language. In addition to this initial recognition, the female author realizes writing for public consumption emulates the process of castration but, nevertheless, initiates the writing process as a way to resituate the origin of castration—placing it in her own hand. The female writer also recognizes her production as feminine and, therefore works to castrate her own femininity in her pursuit to create texts that are liberated from the critical assignation of “feminine productions.” Female self-castration is a violent act of displacement. -
'Seeming Would Be Quite Enough'
‘Seeming Would Be Quite Enough’ Melodrama and Authenticity in Little Dorrit Helle Kathrine Løchen Knutsen A Thesis Presented to The Department of Literature, Area Studies and European Languages University of Oslo In Partial Fulfillment of the Requirements for the MA Degree Spring Term 2013 Supervisor: Tore Rem Acknowledgements I grasp the opportunity to heartily thank my supervisor Professor Tore Rem, whose critical comments and encouragement have been greatly helpful. Further, I want to express my gratitude to my family. Their interest and support have been precious. Finally, I wish to thank my pupils, whose theatricals are a continuous source of inspiration. II III © Helle Kathrine Løchen Knutsen År: 2013 Title: ’Seeming Would Be Quite Enough’. Melodrama and Authenticity in Little Dorrit. Author: Helle Kathrine Løchen Knutsen Supervisor: Professor Tore Rem http://www.duo.uio.no Trykk: Reprosentralen, Universitetet i Oslo IV Sammendrag: ‘Seeming Would Be Quite Enough’ explores theatrical expressions in Little Dorrit (1855- 1857) by Charles Dickens. The many borrowings from entertainment culture, ranging from Punch and Judy to circus, add greatly to the impression of a remarkably many-faceted text. Fictive entertainers of four other novels, Nicholas Nickleby, The Old Curiosity Shop, Hard Times and Great Expectations are studied as representatives of various theatre forms of Dickens’s time, but they also display the author’s complex relationship to entertainers and acting. Little Dorrit clearly employs plot-structure similar to that of melodrama and the characteristic hyperbole, the ‘mode of excess’. Through the novel’s partly idealized and partly contorted depiction of human life there runs a strong yearning for authentic and genuine representation of language and communication. -
A Biographical Note on Charles Dickens *** Uma Nota Biográfica Sobre Charles Dickens
REVISTA ATHENA ISSN: 2237-9304 Vol. 14, nº 1 (2018) A BIOGRAPHICAL NOTE ON CHARLES DICKENS *** UMA NOTA BIOGRÁFICA SOBRE CHARLES DICKENS Sophia Celina Diesel1 Recebimento do texto: 25 de abril de 2018 Data de aceite: 27 de maio de 2018 RESUMO: As biografias de autores famosos costumam trazer supostas explicações para a sua obra literária. Foi o caso com Charles Dickens e a revelação do episódio da fábrica de graxa quando ele era menino, inspiração para David Copperfield. Exposta na biografia póstuma escrita pelo amigo próximo de Dickens John Forster, o episódio rapidamente tornou-se parte do imaginário Dickensiano. Porém é interessante observar mais de perto tais explicações e considerar outros pontos de vista, incluindo o do próprio autor. PALAVRAS-CHAVE: Charles Dickens; David Copperfield; Fábrica de Graxa; Literatura Vitoriana; Biografia literária. ABSTRACT: The biographies of famous authors often bring supposed explanations for their literary work, especially for complicated or obscure passages. Such was the case with Charles Dickens and the revelation of the blacking factory episode when he was a boy, which served later as inspiration for his novel David Copperfield. Exposed in the posthumous biography written by Dickens’s close friend John Forster it quickly called fan’s attention and became part of the Dickensian imaginary. Yet, it is interesting to look closer at such easy explanations and consider different views, including the author’s himself. KEYWORDS: Charles Dickens; David Copperfield; Blacking factory; Victorian literature; Literary biography. 1 Mestre pela Loughborough University, no Reino Unido, em Literatura Inglesa. Doutoranda em Estudos em Literatura na UFRGS - Universidade Federal do Rio Grande do Sul. -
Charles' Childhood
Charles’ Childhood His Childhood Charles Dickens was born on February 7, 1812 in Portsmouth. His parents were John and Elizabeth Dickens. Charles was the second of their eight children . John was a clerk in a payroll office of the navy. He and Elizabeth were an outgoing, social couple. They loved parties, dinners and family functions. In fact, Elizabeth attended a ball on the night that she gave birth to Charles. Mary Weller was an early influence on Charles. She was hired to care for the Dickens children. Her bedtime stories, stories she swore were quite true, featured people like Captain Murder who would make pies of out his wives. Young Charles Dickens Finances were a constant concern for the family. The costs of entertaining along with the expenses of having a large family were too much for John's salary. In fact, when Charles was just four months old the family moved to a smaller home to cut expenses. At a very young age, despite his family's financial situation, Charles dreamed of becoming a gentleman. However when he was 12 it looked like his dreams would never come true. John Dickens was arrested and sent to jail for failure to pay a debt. Also, Charles was sent to work in a shoe-polish factory. (While employed there he met Bob Fagin. Charles later used the name in Oliver Twist.) Charles was deeply marked by these experiences. He rarely spoke of this time of his life. Luckily the situation improved within a year. Charles was released from his duties at the factory and his father was released from jail. -
2017 Educational Performances
2017 EDUCATIONAL PERFORMANCES A Production of the Pennsylvania Renaissance Faire Holidays at Mount Hope is a different kind of interactive experience. Through the doors of Mount Hope Mansion, you’ll enter a Christmas party, time to meet and mingle with a host of characters and a variety of Holiday decorations. Sing along, share games and traditions, and rejoice in the spirit of the season with holiday characters. 2017 Stories & Cast— Christmas, 1899: Fredrick Schwartz Jr., Son of the founder of the FAO Schwartz Toy Bazaar is throwing a Christmas party fit for the end of a century. Filling the Grubb Estate in Mount Hope, Pennsylvania to the brim with the best examples of the toys and games that make children look forward to Christmas morning, Schwartz has transformed the mansion into a Santa’s Workshop that can warm even the coldest heart. He’s invited some of his closest friends over, including the game-loving Parker Brothers (and their sister, Dot), and they have put together a Christmas pageant for all of the guests. Fun, games, and heart-warming performances will fill this Christmas with the love, joy, and generosity of the season. A Christmas Carol, by Charles Dickens The story of a bitter old miser named Ebenezer Scrooge, his transformation into a gentler, kindlier man brought on by visitations by the Ghosts of Christmases Past, Present and Yet to Come. Presented with warmth, humor, tradition and a bit of audience support, the enduring tale of A Christmas Carol springs from storybook to the stage. A Visit from St. Nicholas, by Clemet Clarke Moore Written as a Christmas gift for his six children, “A Visit from St. -
The Treatment of Children in the Novels of Charles
THE TREATMENT OF CHILDREN IN THE NOVELS OF CHARLES DICKENS A THESIS SUBMITTED TO THE FACULTY OF ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS BY CLEOPATRA JONES DEPARTMENT OF ENGLISH ATLANTA, GEORGIA AUGUST 1948 ? C? TABLE OF CONTENTS % Pag® PREFACE ii CHAPTER I. REASONS FOR DICKENS' INTEREST IN CHILDREN ....... 1 II. TYPES OF CHILDREN IN DICKENS' NOVELS 10 III. THE FUNCTION OF CHILDREN IN DICKENS' NOVELS 20 IV. DICKENS' ART IN HIS TREATMENT OF CHILDREN 33 SUMMARY 46 BIBLIOGRAPHY 48 PREFACE The status of children in society has not always been high. With the exception of a few English novels, notably those of Fielding, child¬ ren did not play a major role in fiction until Dickens' time. Until the emergence of the Industrial Revolution an unusual emphasis had not been placed on the status of children, and the emphasis that followed was largely a result of the insecure and often lamentable position of child¬ ren in the new machine age. Since Dickens wrote his novels during this period of the nineteenth century and was a pioneer in the employment of children in fiction, these facts alone make a study of his treatment of children an important one. While a great deal has been written on the life and works of Charles Dickens, as far as the writer knows, no intensive study has been made of the treatment of children in his novels. All attempts have been limited to chapters, or more accurately, to generalized statements in relation to his life and works. -
Furies of the Guillotine: Female Revolutionaries In
FURIES OF THE GUILLOTINE: FEMALE REVOLUTIONARIES IN THE FRENCH REVOLUTION AND IN VICTORIAN LITERARY IMAGINATION A Thesis Presented to the faculty of the Department of History California State University, Sacramento Submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in History by Tori Anne Horton FALL 2016 © 2016 Tori Anne Horton ALL RIGHTS RESERVED ii FURIES OF THE GUILLOTINE: FEMALE REVOLUTIONARIES IN THE FRENCH REVOLUTION AND IN VICTORIAN LITERARY IMAGINATION A Thesis by Tori Anne Horton Approved by: __________________________________, Committee Chair Dr. Mona Siegel __________________________________, Second Reader Dr. Rebecca Kluchin ____________________________ Date iii Student: Tori Anne Horton I certify that this student has met the requirements for format contained in the University format manual, and that this thesis is suitable for shelving in the Library and credit is to be awarded for the thesis. __________________________, Department Chair ___________________ Dr. Jeffrey Wilson Date Department of History iv Abstract of FURIES OF THE GUILLOTINE: FEMALE REVOLUTIONARIES IN THE FRENCH REVOLUTION AND IN VICTORIAN LITERARY IMAGINATION by Tori Anne Horton The idea of female revolutionaries struck a particular chord of terror both during and after the French Revolution, as represented in both legislation and popular literary imagination. The level and form of female participation in the events of the Revolution varied among social classes. Female participation during the Revolution led to an overwhelming fear of women demanding and practicing democratic rights in both a nonviolent manner (petitioning for education, demanding voting rights, serving on committees), and in a violent manner (engaging in armed protest and violent striking). The terror surrounding female democratic participation was manifested in the fear of the female citizen, or citoyenne. -
The Personal History and Experience of David Copperfield the Younger Charles Dickens
The Personal History and Experience of David Copperfield the Younger Charles Dickens The Harvard Classics Shelf of Fiction, Vols. VII & VIII. Selected by Charles William Eliot Copyright © 2001 Bartleby.com, Inc. Bibliographic Record Contents Biographical Note Criticisms and Interpretations I. By Andrew Lang II. By John Forster III. By Adolphus William Ward IV. By Gilbert K. Chesterton V. By W. Teignmouth Shore VI. By George Gissing List of Characters Preface to the First Edition Preface to the “Charles Dickens” Edition I. I Am Born II. I Observe III. I Have a Change IV. I Fall Into Disgrace V. I Am Sent Away from Home VI. Enlarge My Circle of Acquaintance VII. My “First Half” at Salem House VIII. My Holidays. Especially One Happy Afternoon IX. I Have a Memorable Birthday X. I Become Neglected, and Am Provided For XI. I Begin Life on My Own Account, and Don’t Like It XII. Liking Life on My Own Account No Better, I Form a Great Resolution XIII. The Sequel of My Resolution XIV. My Aunt Makes up Her Mind about Me XV. I Make Another Beginning XVI. I Am a New Boy in More Senses Than One XVII. Somebody Turns Up XVIII. A Retrospect XIX. I Look about Me, and Make a Discovery XX. Steerforth’s Home XXI. Little Em’ly XXII. Some Old Scenes, and Some New People XXIII. I Corroborate Mr. Dick and Choose a Profession XXIV. My First Dissipation XXV. Good and Bad Angels XXVI. I Fall into Captivity XXVII. Tommy Traddles XXVIII. Mr. Micawber’s Gauntlet XXIX. -
Dickens by Numbers: the Christmas Numbers of Household Words and All the Year Round
Dickens by Numbers: the Christmas Numbers of Household Words and All the Year Round Aine Helen McNicholas PhD University of York English May 2015 Abstract This thesis examines the short fiction that makes up the annual Christmas Numbers of Dickens’s journals, Household Words and All the Year Round. Through close reading and with reference to Dickens’s letters, contemporary reviews, and the work of his contributors, this thesis contends that the Christmas Numbers are one of the most remarkable and overlooked bodies of work of the second half of the nineteenth century. Dickens’s short fictions rarely receive sustained or close attention, despite the continuing commitment by critics to bring the whole range of Dickens’s career into focus, from his sketches and journalism, to his late public readings. Through readings of selected texts, this thesis will show that Dickens’s Christmas Number stories are particularly powerful and experimental examples of some of the deepest and most recurrent concerns of his work. They include, for example, three of his four uses of a child narrator and one of his few female narrators, and are concerned with childhood, memory, and the socially marginal figures and distinctive voices that are so characteristic of his longer work. But, crucially, they also go further than his longer work to thematise the very questions raised by their production, including anonymity, authorship, collaboration, and annual return. This thesis takes Dickens’s works as its primary focus, but it will also draw throughout on the work of his contributors, which appeared alongside Dickens’s stories in these Christmas issues. -
9781107698215 Index.Pdf
Cambridge University Press 978-1-107-69821-5 - Charles Dickens in Context Edited by Sally Ledger and Holly Furneaux Index More information I n d e x A b o r i g i n e s P r o t e c t i o n S o c i e t y , C i v i l W a r , , A c k r o y d , P e t e r , , , , , – d e m o c r a c y , – , – , a c t o r s a n d a c t i n g , , , – D i c k e n s ’ s v i s i t , , – , , adaptations and appropriations of Dickens’s D i c k e n s ’ s / v i s i t , , , , w o r k s . See fi lm adaptations ; musical p e n a l s y s t e m s , adaptations ; stage adaptations ; p r e s s , television adaptations r e v o l u t i o n o f , A d m i n i s t r a t i v e R e f o r m A s s o c i a t i o n , s l a v e r y , , Adshead, Joseph, t r a v e l o g u e s , – a ff e c t , , , , , , , , American Notes for General Circulation , , , Agnew, Sir Andrew, , , , , , , , , , A i n s w o r t h , W i l l i a m H a r r i s o n , , , – , , , , Anderson, Amanda, , Jack Sheppard , , , , A n d e r s o n , M i c h a e l , , A i t k e n , W i l l i a m , A n d r e w s , M a l c o l m , , A l b e r t , P r i n c e C o n s o r t , , a n i m a t e / i n a n i m a t e , All the Year Round , , , , , , – , , Anthropological Society of London, , , , a n t h r o p o l o g y , , ‘ A b o a r d S h i p ’ , a n t i - C a t h o l i c i s m . -
A Christmas Carol by Charles Dickens Adapted by Milinda Weeks Dramaturge: Brynne Lamb “God Bless Us, Every One!” T
A Christmas Carol By Charles Dickens Adapted by Milinda Weeks Dramaturge: Brynne Lamb “God Bless Us, Every One!” These famous words, uttered by the purest soul Tiny Tim in “A Christmas Carol,” have been running through my head as I’ve been collecting information for this packet. How blessed we are to be together during these troubling times, how blessed we are to have this beautiful piece of literature that we have been allowed to bring to life, and how blessed we are to have the opportunity to make changes in our lives during the holiday season. The following pages are full of information that will hopefully, allow a glimpse into what life was like when this story takes place as well as a glimpse into Charles Dickens’ life. Use the information as you will, whether it is simply used to learn about the author’s life in 1843, to learn about the beloved story itself, to bask in the Christmas spirit, or to formulate your own ideas as to who your characters are or what they could be. I hope you enjoy learning about the world of “A Christmas Carol” as much as I did. Bah Humbug and Merry Christmas and Happy Holidays, Brynne Lamb Charles Dickens Charles Huffam John Dickens was born on the 7th of February, 1812. He was the second oldest of ten children. His father worked as a naval clerk and had always hoped to make it big, but he frequently lived outside of what the family needed, which landed him in a debtor’s prison.